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Friday, October 21, 2022

Insurgency

From Wikipedia, the free encyclopedia

An insurgency is a violent, armed rebellion against authority waged by small, lightly armed bands who practice guerrilla warfare from primarily rural base areas. The key descriptive feature of insurgency is its asymmetric nature: small irregular forces face a large, well-equipped, regular military force state adversary. Due to this asymmetry, insurgents avoid large-scale direct battles, opting instead to blend in with the civilian population (mainly in the countryside) where they gradually expand territorial control and military forces. Insurgency frequently hinges on control of and collaboration with local populations.

An insurgency can be fought via counter-insurgency warfare, as well as other political, economic and social actions of various kinds. Due to the blending of insurgents with the civilian population, insurgencies tend to involve considerable violence against civilians (by the state and the insurgents). State attempts to quell insurgencies frequently lead to the infliction of indiscriminate violence, whereas rebel control of territory frequently involves violence against the civilian population.

Where a revolt takes the form of armed rebellion, it may not be viewed as an insurgency if a state of belligerency exists between one or more sovereign states and rebel forces. For example, during the American Civil War, the Confederate States of America was not recognized as a sovereign state, but it was recognized as a belligerent power, and thus Confederate warships were given the same rights as United States warships in foreign ports.

Sometimes there may be one or more simultaneous insurgencies (multipolar) occurring in a country. The Iraq insurgency is one example of a recognized government versus multiple groups of insurgents. Other historic insurgencies, such as the Russian Civil War, have been multipolar rather than a straightforward model made up of two sides. During the Angolan Civil War there were two main sides: MPLA and UNITA. At the same time, there was another separatist movement for the independence of the Cabinda region headed up by FLEC. Multipolarity extends the definition of insurgency to situations where there is no recognized authority, as in the Somali Civil War, especially the period from 1998 to 2006, where it broke into quasi-autonomous smaller states, fighting among one another in changing alliances.

Definition

The so-called kuruc were armed anti-Habsburg rebels in Royal Hungary between 1671 and 1711.

James Fearon and David Laitin define insurgency as "a technology of military conflict characterized by small, lightly armed bands practicing guerrilla warfare from rural base areas." Austin Long defines insurgency as "the use of political and military means by irregular forces to change an existing political order. These forces typically mingle with civilians in order to hide from the forces defending the political order." According to Matthew Adam Kocher, Thomas Pepinsky and Stathis Kalyvas, a central objective in insurgencies is to achieve control over civilians.

Insurgency and civil wars

According to James D. Fearon, wars have a rationalist explanation behind them, which explains why leaders prefer to gamble in wars and avoid peaceful bargains. Fearon states that intermediate bargains can be a problem because countries cannot easily trade territories with the spread of nationalism. Furthermore, wars can take the form of civil wars. In her article Why Bad Governance Leads to Civil Wars, Barbara F. Walter has presented a theory that explains the role of strong institutions in preventing insurgencies that can result in civil wars. Walter believes that institutions can contribute to four goals.

Institutions are responsible for checking the government, creating multiple peaceful routes to help the government solve problems, making the government committed to political terms that entails preserving peace, and creating an atmosphere where rebels do not need to form militias. Furthermore, Walter adds that if there is a conflict between the government and the insurgents in the form of a civil war, that can bring about a new government that is accountable to a wider range of people, who have to commit to a compromise in political bargains. According to Walter, the presence of strong influential institutions can be beneficial to prevent the repetition of civil wars, but autocratic governments are less likely to accept the emergence of strong institutions because of their its resulting constraint of governmental corruption and privileges.

In her book, Insurgent Collective Action and Civil War in Salvador, Elisabeth Jean Wood explains that participants in high-risk activism are very aware of the costs and benefits of engaging in civil wars. Wood suggests that "participants in the 1964 Freedom Summer campaign in the US South ran high risks of bodily harm in challenging the long-standing practices of racial exclusion in Mississippi." There are many selective incentives that encourage insurgency and violent movements against autocratic political regimes. For example, the supply of safety as a material good can be provided by the insurgents, which abolishes the exploitation of the government and thus forms one of the main incentives. The revolutionary power can help manifest a social-political network that in return provides access to political opportunities to diverse candidates, who share a collective identity and cultural homogeneity. Also, civil wars and insurgencies can provide employment and access to services and resources that were once taken over by the autocratic regimes.

Tactics

Insurgencies differ in their use of tactics and methods. In a 2004 article, Robert R. Tomes spoke of four elements that "typically encompass an insurgency":

  1. cell-networks that maintain secrecy
  2. terrorism used to foster insecurity among the population and drive them to the insurgents for protection
  3. multifaceted attempts to cultivate support in the general population, often by undermining the new regime
  4. attacks against the government

Tomes' is an example of a definition that does not cover all insurgencies. For example, the French Revolution had no cell system, and in the American Revolution, little to no attempt was made to terrorize civilians. In consecutive coups in 1977 and 1999 in Pakistan, the initial actions focused internally on the government rather than on seeking broad support. While Tomes' definition fits well with Mao's Phase I, it does not deal well with larger civil wars. Mao does assume terrorism is usually part of the early phases, but it is not always present in revolutionary insurgency.

Tomes offers an indirect definition of insurgency, drawn from Trinquier's definition of counterinsurgency: "an interlocking system of actions—political, economic, psychological, military—that aims at the [insurgents' intended] overthrow of the established authority in a country and its replacement by another regime."

Steven Metz observes that past models of insurgency do not perfectly fit modern insurgency, in that current instances are far more likely to have a multinational or transnational character than those of the past. Several insurgencies may belong to more complex conflicts, involving "third forces (armed groups which affect the outcome, such as militias) and fourth forces (unarmed groups which affect the outcome, such as international media), who may be distinct from the core insurgents and the recognized government. While overt state sponsorship becomes less common, sponsorship by transnational groups is more common. "The nesting of insurgency within complex conflicts associated with state weakness or failure..." (See the discussion of failed states below.) Metz suggests that contemporary insurgencies have far more complex and shifting participation than traditional wars, where discrete belligerents seek a clear strategic victory.

Terrorism

Many insurgencies include terrorism. While there is no accepted definition of terrorism in international law, United Nations-sponsored working definitions include one drafted by Alex P. Schmid for the Policy Working Group on the United Nations and Terrorism. Reporting to the Secretary-General in 2002, the Working Group stated the following:

Without attempting a comprehensive definition of terrorism, it would be useful to delineate some broad characteristics of the phenomenon. Terrorism is, in most cases, essentially a political act. It is meant to inflict dramatic and deadly injury on civilians and to create an atmosphere of fear, generally for a political or ideological (whether secular or religious) purpose. Terrorism is a criminal act, but it is more than mere criminality. To overcome the problem of terrorism it is necessary to understand its political nature as well as its basic criminality and psychology. The United Nations needs to address both sides of this equation.

Yet another conflict of definitions involves insurgency versus terrorism. The winning essay of the 24th Annual United States Chairman of the Joint Chiefs of Staff Strategic Essay Contest, by Michael F. Morris, said [A pure terrorist group] "may pursue political, even revolutionary, goals, but their violence replaces rather than complements a political program." Morris made the point that the use, or non-use, of terrorism does not define insurgency, "but that organizational traits have traditionally provided another means to tell the two apart. Insurgencies normally field fighting forces orders of magnitude larger than those of terrorist organizations." Insurgencies have a political purpose, and may provide social services and have an overt, even legal, political wing. Their covert wing carries out attacks on military forces with tactics such as raids and ambushes, as well as acts of terror such as attacks that cause deliberate civilian casualties.

Mao considered terrorism a basic part of his first part of the three phases of revolutionary warfare. Several insurgency models recognize that completed acts of terrorism widen the security gap; the Marxist guerrilla theoretician Carlos Marighella specifically recommended acts of terror, as a means of accomplishing something that fits the concept of opening the security gap. Mao considered terrorism to be part of forming a guerilla movement.

Subversion

While not every insurgency involves terror, most involve an equally hard to define tactic, subversion. "When a country is being subverted it is not being outfought; it is being out-administered. Subversion is literally administration with a minus sign in front." The exceptional cases of insurgency without subversion are those where there is no accepted government that is providing administrative services.

While the term "subversion" is less commonly used by current U.S. spokesmen, that may be due to the hyperbolic way it was used in the past, in a specifically anticommunist context. U.S. Secretary of State Dean Rusk did in April 1962, when he declared that urgent action was required before the "enemy's subversive politico-military teams find fertile spawning grounds for their fish eggs."

In a Western context, Rosenau cites a British Secret Intelligence Service definition as "a generalized intention to (emphasis added) "overthrow or undermine parliamentary democracy by political, industrial or violent means." While insurgents do not necessarily use terror, it is hard to imagine any insurgency meeting its goals without undermining aspects of the legitimacy or power of the government or faction it opposes. Rosenau mentions a more recent definition that suggests subversion includes measures short of violence, which still serve the purposes of insurgents. Rarely, subversion alone can change a government; this arguably happened in the liberalization of Eastern Europe. To the Communist government of Poland, Solidarity appeared subversive but not violent.

Political rhetoric, myths and models

In arguing against the term Global War on Terror, Francis Fukuyama said the United States was not fighting terrorism generically, as in Chechnya or Palestine. Rather, he said the slogan "war on terror" is directed at "radical Islamism, a movement that makes use of culture for political objectives." He suggested it might be deeper than the ideological conflict of the Cold War, but it should not be confused with Samuel Huntington's "clash of civilizations." Addressing Huntington's thesis, Fukuyama stressed that the US and its allies need to focus on specific radical groups rather than clash with global Islam.

Fukuyama argued that political means, rather than direct military measures, are the most effective ways to defeat that insurgency. David Kilcullen wrote "We must distinguish Al Qa'eda and the broader militant movements it symbolises – entities that use terrorism – from the tactic of terrorism itself."

There may be utility in examining a war not specifically on the tactic of terror but in co-ordination among multiple national or regional insurgencies. It may be politically infeasible to refer to a conflict as an "insurgency" rather than by some more charged term, but military analysts, when concepts associated with insurgency fit, should not ignore those ideas in their planning. Additionally, the recommendations can be applied to the strategic campaign, even if it is politically unfeasible to use precise terminology.

While it may be reasonable to consider transnational insurgency, Anthony Cordesman points out some of the myths in trying to have a worldwide view of terror:

  • Cooperation can be based on trust and common values: one man's terrorist is another man's freedom fighter.
  • A definition of terrorism exists that can be accepted by all.
  • Intelligence can be freely shared.
  • Other states can be counted on to keep information secure and use it to mutual advantage.
  • International institutions are secure and trustworthy.
  • Internal instability and security issues do not require compartmentation and secrecy at national level.
  • The "war on terrorism" creates common priorities and needs for action.
  • Global and regional cooperation is the natural basis for international action.
  • Legal systems are compatible enough for cooperation.
  • Human rights and rule of law differences do not limit cooperation.
  • Most needs are identical.
  • Co-operation can be separated from financial needs and resources.

Social scientists, soldiers, and sources of change have been modeling insurgency for nearly a century if one starts with Mao. Counterinsurgency models, not mutually exclusive from one another, come from Kilcullen, McCormick, Barnett and Eizenstat. Kilcullen describes the "pillars" of a stable society, while Eizenstat addresses the "gaps" that form cracks in societal stability. McCormick's model shows the interplay among the actors: insurgents, government, population and external organizations. Barnett discusses the relationship of the country with the outside world, and Cordesman focuses on the specifics of providing security.

Recent studies have tried to model the conceptual architecture of insurgent warfare using computational and mathematical modelling. A recent study by Juan Camilo Bohorquez, Sean Gourley, Alexander R. Dixon, Michael Spagat, and Neil F. Johnson entitled "Common Ecology Quantifies Human Insurgency", suggests a common structure for 9 contemporary insurgent wars, supported on statistical data of more than 50,000 insurgent attacks. The model explains the recurrent statistical pattern found in the distribution of deaths in insurgent and terrorist events.

Kilcullen's pillars

Kilcullen Figure 1: Ecosystem of Insurgency
 
Kilcullen's Three Pillars

Kilcullen describes a framework for counterinsurgency. He gives a visual overview of the actors in his model of conflicts, which he represents as a box containing an "ecosystem" defined by geographic, ethnic, economic, social, cultural, and religious characteristics. Inside the box are, among others, governments, counterinsurgent forces, insurgent leaders, insurgent forces, and the general population, which is made up of three groups:

  1. those committed to the insurgents;
  2. those committed to the counterinsurgents;
  3. those who simply wish to get on with their lives.

Often, but not always, states or groups that aid one side or the other are outside the box. Outside-the-box intervention has dynamics of its own.

The counterinsurgency strategy can be described as efforts to end the insurgency by a campaign developed in balance along three "pillars": security, political, and economical.

"Obviously enough, you cannot command what you do not control. Therefore, unity of command (between agencies or among government and non-government actors) means little in this environment." Unity of command is one of the axioms of military doctrine that change with the use of swarming. In Edwards' swarming model, as in Kilcullen's mode, unity of command becomes "unity of effort at best, and collaboration or deconfliction at least."

As in swarming, in Kilcullen's view unity of effort "depends less on a shared command and control hierarchy, and more on a shared diagnosis of the problem (i.e., the distributed knowledge of swarms), platforms for collaboration, information sharing and deconfliction. Each player must understand the others' strengths, weaknesses, capabilities and objectives, and inter-agency teams must be structured for versatility (the ability to perform a wide variety of tasks) and agility (the ability to transition rapidly and smoothly between tasks)."

Eizenstat and closing gaps

Insurgencies, according to Stuart Eizenstat grow out of "gaps". To be viable, a state must be able to close three "gaps", of which the first is most important:

  • Security: protection "... against internal and external threats, and preserving sovereignty over territory. If a government cannot ensure security, rebellious armed groups or criminal nonstate actors may use violence to exploit this security gap—as in Haiti, Nepal, and Somalia."
  • Capacity: the survival needs of water, electrical power, food and public health, closely followed by education, communications and a working economic system. "An inability to do so creates a capacity gap, which can lead to a loss of public confidence and then perhaps political upheaval. In most environments, a capacity gap coexists with—or even grows out of—a security gap. In Afghanistan and the Democratic Republic of the Congo, for example, segments of the population are cut off from their governments because of endemic insecurity. And in postconflict Iraq, critical capacity gaps exist despite the country's relative wealth and strategic importance."
  • Legitimacy: closing the legitimacy gap is more than an incantation of "democracy" and "elections", but a government that is perceived to exist by the consent of the governed, has minimal corruption, and has a working law enforcement and judicial system that enforce human rights.

Note the similarity between Eizenstat's gaps and Kilcullen's three pillars. In the table below, do not assume that a problematic state is unable to assist less developed states while closing its own gaps.

Rough classification of states
State type Needs Representative examples
Militarily strong but weak in other institutions Lower tensions before working on gaps Cuba, North Korea
Good performers Continuing development of working institutions. Focused private investment El Salvador, Ghana, Mongolia, Senegal, Nicaragua, Uganda
Weak states Close one or two gaps Afghanistan, Egypt, Indonesia, Iraq, Ivory Coast, Kazakhstan, Pakistan, Philippines, Kyrgyzstan, Myanmar, Republic of the Congo, Sudan, Syria, Tajikistan, Uzbekistan, Zimbabwe
Failed states Close all gaps Angola, the Democratic Republic of the Congo, Haiti, Liberia, Palestine, Somalia

McCormick Magic Diamond

McCormick's model is designed as a tool for counterinsurgency (COIN), but develops a symmetrical view of the required actions for both the Insurgent and COIN forces to achieve success. In this way the counterinsurgency model can demonstrate how both the insurgent and COIN forces succeed or fail. The model's strategies and principle apply to both forces, therefore the degree the forces follow the model should have a direct correlation to the success or failure of either the Insurgent or COIN force.

McCormick insurgency model

The model depicts four key elements or players:

  1. Insurgent force
  2. Counterinsurgency force (i.e., the government)
  3. Population
  4. International community

All of these interact, and the different elements have to assess their best options in a set of actions:

  1. Gaining support of the population
  2. Disrupt opponent's control over the population
  3. Direct action against opponent
  4. Disrupt opponent's relations with the international community
  5. Establish relationships with the international community

Barnett and connecting to the core

In Thomas Barnett's paradigm, the world is divided into a "connected core" of nations enjoying a high level of communications among their organizations and individuals, and those nations that are disconnected internally and externally. In a reasonably peaceful situation, he describes a "system administrator" force, often multinational, which does what some call "nation-building", but, most importantly, connects the nation to the core and empowers the natives to communicate—that communication can be likened to swarm coordination. If the state is occupied, or in civil war, another paradigm comes into play: the leviathan, a first-world military force that takes down the opposition regular forces. Leviathan is not constituted to fight local insurgencies, but major forces. Leviathan may use extensive swarming at the tactical level, but its dispatch is a strategic decision that may be made unilaterally, or by an established group of the core such as NATO or ASEAN.

Cordesman and security

Other than brief "Leviathan" takedowns, security building appears to need to be regional, with logistical and other technical support from more developed countries and alliances (e.g., ASEAN, NATO). Noncombat military assistance in closing the security gap begins with training, sometimes in specialized areas such as intelligence. More direct, but still noncombat support, includes intelligence, planning, logistics and communications.

Anthony Cordesman notes that security requirements differ by region and state in region. Writing on the Middle East, he identified different security needs for specific areas, as well as the US interest in security in those areas.

  • In North Africa, the US focus should be on security cooperation in achieving regional stability and in counterterrorism.
  • In the Levant, the US must largely compartment security cooperation with Israel and cooperation with friendly Arab states like Egypt, Jordan, and Lebanon, but can improve security cooperation with all these states.
  • In the Persian Gulf, the US must deal with the strategic importance of a region whose petroleum and growing gas exports fuel key elements of the global economy.

It is well to understand that counterterrorism, as used by Cordesman, does not mean using terrorism against the terrorism, but an entire spectrum of activities, nonviolent and violent, to disrupt an opposing terrorist organization. The French general, Joseph Gallieni, observed, while a colonial administrator in 1898,

A country is not conquered and pacified when a military operation has decimated its inhabitants and made all heads bow in terror; the ferments of revolt will germinate in the mass and the rancours accumulated by the brutal action of force will make them grow again

Both Kilcullen and Eizenstat define a more abstract goal than does Cordesman. Kilcullen's security pillar is roughly equivalent to Eizenstat's security gap:

  • Military security (securing the population from attack or intimidation by guerrillas, bandits, terrorists or other armed groups)
  • Police security (community policing, police intelligence or "Special Branch" activities, and paramilitary police field forces).
  • Human security, building a framework of human rights, civil institutions and individual protections, public safety (fire, ambulance, sanitation, civil defense) and population security.

This pillar most engages military commanders' attention, but of course military means are applied across the model, not just in the security domain, while civilian activity is critically important in the security pillar also ... all three pillars must develop in parallel and stay in balance, while being firmly based in an effective information campaign.

Anthony Cordesman, while speaking of the specific situation in Iraq, makes some points that can be generalized to other nations in turmoil. Cordesman recognizes some value in the groupings in Samuel P. Huntington's idea of the clash of civilizations, but, rather assuming the civilizations must clash, these civilizations simply can be recognized as actors in a multinational world. In the case of Iraq, Cordesman observes that the burden is on the Islamic civilization, not unilaterally the West, if for no other reason that the civilization to which the problematic nation belongs will have cultural and linguistic context that Western civilization cannot hope to equal.

The heart of strengthening weak nations must come from within, and that heart will fail if they deny that the real issue is the future of their civilization, if they tolerate religious, cultural or separatist violence and terrorism when it strikes at unpopular targets, or if they continue to try to export the blame for their own failures to other nations, religions, and cultures.

Asymmetric and irregular conflicts

Asymmetric conflicts (or irregular conflicts), as the emerging type of insurgencies in recent history, is described by Berman and Matanock in their review as conflicts where "the government forces have a clear advantage over rebels in coercive capacity." In this kind of conflicts, rebel groups can reintegrate into the civilian population after an attack if the civilians are willing to silently accept them. Some of the most recent examples include the conflicts in Afghanistan and Iraq. As the western countries intervenes in the conflicts, creating asymmetry between the government forces and rebels, asymmetric conflict is the most common form of subnational conflicts and the most civil conflicts where the western countries are likely to be involved. Such interventions and their impacts can be seen in the NATO operation in Libya in 2011 and the French-led intervention in Mali in 2013.

Berman and Matanock suggested an information-centric framework to describe asymmetric conflicts on a local level. Three parties are involved in framework: government forces, rebels and civilians. Government forces and rebels attack each other and may inadvertently harm civilians whereas civilians can anonymously share local information with government forces, which would allow government forces to effectively use their asymmetric advantage to target rebels. Taking the role of civilians in this framework into consideration, the government and rebels will divert resources to provide services to civilians so as to influence their decision about sharing information with the government.

The framework is based on several assumptions:

  • The consequential action of civilians is information sharing.
  • Information can be shared anonymously without endangering the civilians who do so and civilians are assumed to respond to incentives.
  • Neither side of government forces and rebels will actively target civilians with coercion or intimidation.

This framework leads to five major implications for counterinsurgency strategies:

  1. The government and rebels have an incentive to provide services to civilians, which increases with the value of the information shared.
  2. Rebel violence may be reduced by service provision from the government.
    • Projects that address the needs of the civilians in the local communities and conditioned on information sharing by the community are more effective in reducing rebel violence. In practice, these may be smaller projects that are developed through consultation with local communities, which are also more easily revoked when information is not shared.
    • Innovations that increase the value of projects to local civilians, such as including development professionals in project design and implementation, will enhance the effect of violence-reducing.
  3. Security provided by the government and service provision (i.e. development spending) are complementary activities.
  4. If either side of the government forces or rebels causes casualties among civilians, civilians will reduce their support for that side.
  5. Innovations that make anonymous tips to the government easier, of which are often technical, can reduce rebel violence.

These implications are tested by empirical evidences from conflicts in Afghanistan, Iraq and several other subnational conflicts. Further research on governance, rule of law, attitudes, dynamics and agency between allies are needed to better understand asymmetric conflicts and to have better informed decisions made at the tactical, strategic and public policy levels.

Counter-insurgency

Before one counters an insurgency, however, one must understand what one is countering. Typically the most successful counter-insurgencies have been the British in the Malay Emergency and the Filipino government's countering of the Huk Rebellion. In the Philippine–American War, the U.S. forces successfully quelled the Filipino insurgents by 1902, albeit with tactics considered unacceptable by the majority of modern populations.

Stereotypes of Jews

From Wikipedia, the free encyclopedia
 
The cover of the 1908 Little Giant publication Jew Jokes, which displays the stereotypical physical caricature of a Jewish man.

Stereotypes of Jews are generalized representations of Jews, often caricatured and of a prejudiced and antisemitic nature.

Common objects, phrases and traditions which are used to emphasize or ridicule Jewishness include bagels, the complaining and guilt-inflicting Jewish mother, often along with a meek and nerdy nice Jewish boy, and the spoiled and materialistic Jewish-American princess.

Stereotype by type

Physical features

An 1873 caricature featuring stereotypical physical traits of a Jew

In caricatures and cartoons, Ashkenazi Jews are usually depicted as having large hook-noses and dark beady eyes with drooping eyelids. Exaggerated or grotesque Jewish facial features were a staple theme in Nazi propaganda and, less frequently, in Soviet propaganda. The Star Wars character Watto, introduced in The Phantom Menace (1999), has been likened to traditional antisemitic caricatures.

Nose

The idea of the large or aquiline "Jewish nose" remains one of the most prevalent and defining features to characterize someone as a Jew. This widespread stereotype can be traced back to the 13th century, according to art historian Sara Lipton. While the depiction of the hooked-nose originated in the 13th century, it had an uprooting in European imagery many centuries later. The earliest record of anti-Jewish caricature is a detailed doodle depicted in the upper margin of the Exchequer Receipt Roll (English royal tax record) in 1233. It shows three demented-looking Jews inside a castle as well as a Jew in the middle of the castle with a large nose. The satirical antisemitic 1893 book The Operated Jew revolves around a plot of cosmetic surgery as a "cure" for Jewishness.

Hair

Watercolor illustration by Joseph Clayton Clarke of Fagin, a stereotypical red-haired Jewish criminal from Charles Dickens's novel Oliver Twist

In European culture, prior to the 20th century, red hair was commonly identified as the distinguishing negative Jewish trait. This stereotype probably originated because red hair is a recessive trait that tends to find higher expression in highly endogamous populations, such as in Jewish communities where Jews were forbidden to marry outsiders. Red hair was especially closely linked with Judas Iscariot, who was commonly shown with red hair to identify him as Jewish. During the Spanish Inquisition, all those with red hair were identified as Jewish. In Italy, red hair was associated with Italian Jews. Writers from Shakespeare to Dickens would identify Jewish characters by giving them red hair. In Medieval European lore, "Red Jews" were a semi-fictional group of red-haired Jews, although this tale has obscure origins.

In part due to their Middle Eastern ethnic origins, Jews tend to be portrayed as swarthy and hairy, sometimes associated with a curly hair texture known as a "Jewfro".

Hands

During the Nazi-era propaganda campaign against Jews, there were repeated mentions of Jews being able to be identified by their use of hands while speaking, "the Jew moves his hands when he talks". This has evolved into modern stereotypes of Jews, much like other in Europe, namely Italians speaking with their hands. While both are stereotypes of both Jews and Italians, many Jews accept that this is a fundamentally true observation. Jews are well known for speaking with their hands, as the use of hands is consistent in Jewish prayer, especially males praying due to use of the Tefillin, requires the use of constant hand movements.

Behavioral

Communication

A common stereotype is that the Jews answer a question with a question. It is used in Jewish humor and in ordinary literature when it is required to paint a character as a "typical Jew".

Greed

"Herr Baron, that boy just stole your handkerchief!" "So let 'im go; we hadda start out small, too." A German cartoon of 1851 implies ingrained dishonesty in Jews.

Jews have often been stereotyped as greedy and miserly. This originates in the Middle Ages, when the Church forbade Christians to lend money while charging interest (a practice called usury, although the word later took on the meaning of charging excessive interest). Jews were legally restricted to occupations usually barred to Christians and thus many went into money-lending. This led to, through the Middle Ages and the Renaissance, the association of Jews with greedy practices.

Gilbert's Shylock After the Trial, an illustration to The Merchant of Venice, Stereotypes of Jews

Publications like The Protocols of the Elders of Zion and literature such as William Shakespeare's The Merchant of Venice and Charles Dickens's Oliver Twist reinforced the stereotype of the crooked Jew. Dickens later expressed regret for his portrayal of Fagin in the novel, and toned down references to his Jewishness. Furthermore, the character of Mr. Riah in his later novel Our Mutual Friend is a kindly Jewish creditor, and may have been created as an apology for Fagin. Lesser references in Arabian Nights, The Three Musketeers, and even Hans Brinker are examples of the prevalence of this negative perception. Some, such as Paul Volcker, suggest that the stereotype has decreased in prevalence in the United States. A telephone poll of 1,747 American adults conducted by the Anti-Defamation League in 2009 found that 18% believed that "Jews have too much power in the business world", 13% that "Jews are more willing than others to use shady practices to get what they want", and 12% that "Jews are not just as honest as other businesspeople".

Jewish frugality, thriftiness, and greed are among the typical themes in jokes about Jews, even by Jews themselves.

Stereotypical characters

Belle juive

The Jewess of Tangier (before 1808) by Charles Landelle, showing a stereotypical belle juive
 

La belle juive (French, "the beautiful Jewess") was a 19th-century literary stereotype. A figure that is often associated with having and causing sexual lust, temptation and sin. Her personality traits could be portrayed either positively or negatively. The typical appearance of the belle juive included long, thick, dark hair, large dark eyes, an olive skin tone, and a languid expression. An example of this stereotype is Rebecca in Sir Walter Scott's Ivanhoe. Another example is Miriam in Nathaniel Hawthorne's romance The Marble Faun.

Jewish mother

The Jewish mother stereotype is both a common stereotype and a stock character that is used by Jewish as well as non-Jewish comedians, television and film writers, actors, and authors in the United States and elsewhere. The stereotype generally involves a nagging, loud, highly-talkative, overprotective, smothering, and overbearing mother, who persists in interfering in her children's lives long after they have become adults and is excellent at making her children feel guilty for actions that may have caused her to suffer. The stereotype is described in detail in Dan Greenburg's best-selling 1964 humor book, How to Be a Jewish Mother: A Very Lovely Training Manual.

The Jewish mother stereotype can also involve a loving and overly proud mother who is highly defensive about her children in front of others. Like Italian mother stereotypes, Jewish mother characters are often shown cooking for the family, urging loved ones to eat more, and taking great pride in their food. Feeding a loved one is characterized as an extension of the desire to mother those around her. Lisa Aronson Fontes describes the stereotype as one of "endless caretaking and boundless self-sacrifice" by a mother who demonstrates her love by "constant overfeeding and unremitting solicitude about every aspect of her children's and husband's welfare[s]".

A possible origin of this stereotype is anthropologist Margaret Mead's research into the European shtetl, financed by the American Jewish Committee. Although her interviews at Columbia University, with 128 European-born Jews, disclosed a wide variety of family structures and experiences, the publications resulting from this study and the many citations in the popular media resulted in the Jewish mother stereotype: a woman intensely loving but controlling to the point of smothering and attempting to engender enormous guilt in her children via the endless suffering which she professes to have experienced on their behalf. The Jewish mother stereotype, then, has origins in the American Jewish community, with predecessors that originated in Eastern European ghettos.1 In Israel, with its diversity of diasporic backgrounds and where most mothers are Jewish, the same stereotypical mother is known as the Polish mother (ima polania).

Comedian Jackie Mason describes stereotypical Jewish mothers as parents who have become so expert in the art of needling their children that they have honorary degrees in "Jewish Acupuncture". Rappoport observes that jokes about the stereotype have less basis in anti-Semitism than they have in gender stereotyping. William Helmreich agrees, observing that the attributes of a Jewish mother—overprotection, pushiness, aggression, and guilt-inducement—could equally well be ascribed to mothers of other ethnicities, from Italians through Blacks to Puerto Ricans. In the book How to Be a Jewish Mother, the author says in the preface that it is not necessary to be either Jewish or a mother to be a Jewish mother.'

The association of this otherwise gender stereotype with Jewish mothers in particular, is, according to Helmreich, because of the importance that Judaism traditionally places on the home and the family, and the mother's important role within that family. Judaism, as exemplified by the Bible (e.g. the Woman of Valor) and elsewhere, ennobles motherhood, and it associates mothers with virtue. This ennoblement was further increased by the poverty and hardship of Eastern European Jews who immigrated into the United States (during the period from 1881 to 1924, when one of the largest waves of such immigration occurred), where the requirements of hard work by the parents were passed on to their children via guilt: "We work so hard so that you can be happy." Other aspects of the stereotype are rooted in those immigrant Jewish parents' drive for their children to succeed, resulting in a push for perfection and a continual dissatisfaction with anything less: "So you got a B? That could have been an A there." Hartman observes that the root of the stereotype is in the self-sacrifice of first-generation immigrants, unable to take full advantage of American education themselves, and the consequent transference of their aspirations, to success and social status, from themselves to their children. A Jewish mother obtains vicarious social status from the achievements of her children, where she is unable to achieve such status herself.

One of the earliest Jewish mother figures in American popular culture was Molly Goldberg, portrayed by Gertrude Berg, in the situation comedy The Goldbergs on radio from 1929 to 1949 and on television from 1949 to 1955. But the stereotype as it came to be understood in the 20th century was exemplified by other literary figures. These include Rose Morgenstern from Herman Wouk's 1955 novel Marjorie Morningstar, Mrs Patimkin from Goodbye, Columbus by Philip Roth, and Sophie Ginsky Portnoy from Portnoy's Complaint also by Roth. Sylvia Barack Fishman's characterization of Marjorie Morningstar and Sophie Portnoy is that they are each "a forceful Jewish woman who tries to control her life and the events around her", who is "intelligent, articulate, and aggressive", who does not passively accept life but tries to shape events, friends, and families, to match their visions of an ideal world.

The Jewish mother became one of two stock female Jewish characters in literature in the 20th century, the other being the Jewish-American princess. The focus of the stereotype was different than its precursors, too. Jewish writers had previously employed a stereotype of an overbearing matron, but its focus had always been not the woman, but the ineffectual man whom she dominated, out of necessity. The focus of the Jewish mother stereotype that arose was based on a shift in the economic circumstances of American Jews during the 20th century. American Jews were no longer struggling first-generation immigrants, living in impoverished neighborhoods. The "soldier woman" work ethos of Jewish women, and the levels of anxiety and dramatization of their lives, were seen as unduly excessive for lifestyles that had (for middle-class Jews) become far more secure and suburban by the middle of the century. Jewish literature came to focus upon the differences between Jewish women and what Jews saw as being the various idealized views of American women, the "blonde bombshell", the "sex kitten", or the sweet docile "apple-pie" blonde who always supported her man. In contrast, Jewish writers viewed the still articulate and intelligent Jewish woman as being, by comparison, pushy, unrefined, and unattractive.

Fishman describes the Jewish mother stereotype that was used by male Jewish writers as "a grotesque mirror image of the proverbial Woman of Valor". A Jewish mother was a woman who had her own ideas about life, who attempted to conquer her sons and her husband, and used food, hygiene, and guilt as her weapons. Like Helmreich, Fishman observes that while it began as a universal gender stereotype, exemplified by Erik Erikson's critique of "Momism" in 1950 and Philip Wylie's blast, in his 1942 Generation of Vipers, against "dear old Mom" tying all of male America to her apron strings, it quickly became highly associated with Jewish mothers in particular, in part because the idea became a staple of Jewish American fiction.

This stereotype enjoyed a mixed reception in the mid-20th century. In her 1967 essay "In Defense of the Jewish Mother", Zena Smith Blau defended the stereotype, asserting that the ends, inculcating virtues that resulted in success, justified the means, control through love and guilt. Being tied to mamma kept Jewish boys away from "[g]entile friends, particularly those from poor, immigrant families with rural origins in which parents did not value education". One example of the stereotype, as it had developed by the 1970s, was the character of Ida Morgenstern, the mother of Rhoda Morgenstern, who first appeared in a recurring role on The Mary Tyler Moore Show, and later appeared as a regular on its spinoff Rhoda.

According to Alisa Lebow, in the late 20th and early 21st centuries, the stereotype of the Jewish mother has "gone missing" from movies. She observes that there appears to have been no conscious effort on the part of screenwriters or film-makers to rewrite or change the stereotype, in pursuance of some revisionist agenda, instead, it has simply fallen back a generation. Despite this, the concept of the Jewish mother can still be seen in popular culture even though it is declining in film. One use of the Jewish mother stereotype-trope can be seen in the popular television program The Big Bang Theory, which premiered in 2007, and it was played by the character of Howard Wolowitz's mother who is only heard as a voice character. Mrs. Wolowitz is loud, overbearing, and overprotective of her son. In the television show South Park, Sheila Broflovski, the mother of its main character Kyle Broflovski, is Jewish and represents a caricature of the stereotypes that are associated with her ethnicity and role, such as speaking loudly, having a New Jersey accent and being overprotective of her son.

Jewish-American princess

Jewish-American princess (JAP) is a pejorative stereotype that portrays some upper-middle-class Jewish women as spoiled brats, implying entitlement and selfishness, attributed to a pampered or wealthy background. This stereotype of American Jewish women has frequently been portrayed in contemporary US media since the mid-20th century. "JAPs" are portrayed as being used to privilege, materialistic, and neurotic. An example of the humorous use of this stereotype appears in the song "Jewish Princess" on the Frank Zappa album Sheik Yerbouti. Female Jewish comedians such as Sarah Silverman have also satirized the stereotype, as did filmmaker Robert Townsend in his comedy B*A*P*S (see also Black American Princess for more information on this related pejorative stereotype).

According to Machacek and Wilcox, the stereotype of the Jewish-American Princess did not emerge until after World War II and it is "peculiar to the U.S. scene". In 1987, the American Jewish Committee held a conference on "Current Stereotypes of Jewish Women" which argued that such jokes "represent a resurgence of sexist and anti-Semitic invective masking a scrim of misogyny.'"

The stereotype was partly a construct of, and popularized by, some post-war Jewish male writers, notably Herman Wouk in his 1955 novel Marjorie Morningstar and Philip Roth in his 1959 novel Goodbye, Columbus, featuring protagonists who fit the stereotype.

The term "JAP" and its associated stereotype first gained attention at the beginning of the 1970s with the publication of several non-fiction articles such as Barbara Meyer's Cosmopolitan article "Sex and the Jewish Girl" and the 1971 cover article in New York magazine by Julie Baumgold, "The Persistence of the Jewish Princess". "JAP" jokes became prevalent in the late 1970s and early 1980s. According to Riv-Ellen Prell, the JAP stereotype's rise to prominence in the 1970s resulted from pressures that were placed on the Jewish middle class and forced it to maintain a visibly affluent lifestyle even as post-war affluence declined. The concept was the butt of jokes and as a result, it was spoofed by many, including Jews. Mel Brooks' Spaceballs had a character named Princess Vespa (Daphne Zuniga), who proclaimed, "I am Vespa, daughter of Roland, King of the Druids!" Captain Lonestar (Bill Pullman) complained, "That's all we needed, a Druish princess!" Barf (John Candy) added, "Funny, she doesn't look Druish!"

The stereotypical subject, as described in these sources, is overindulged with attention and money by her parents, resulting in the princess having unrealistic expectations as well as guilt, accompanied by her skill in the manipulation of guilt in others, resulting in deficient love life. The stereotype has been described as "a sexually repressive, self-centered, materialistic and lazy female," who is "spoiled, overly-concerned with appearance, and indifferent to sex", the last being her most notable trait.The stereotype also portrays relationships with weak men who are easily controlled and willing to spend large amounts of money and energy in order to recreate the dynamic which she had during her upbringing. These men tend to be completely content with catering to her endless needs for food, material possessions, and attention.

The stereotype is often, though not always, the basis for jokes both inside and outside the Jewish community. Frank Zappa was accused of antisemitism for his 1979 song "Jewish Princess", which describes the narrator's lust for "a nasty little Jewish princess / With long phony nails and a hairdo that rinses". Zappa repeatedly denied antisemitic intention and refused to apologize on the basis that he did not invent the concept and further noted that women who fit the stereotype actually existed. In recent years, some Jewish women have made attempts to re-appropriate the term "JAP" and incorporate it as part of cultural identity. It has also been criticized for its sexist basis, and for pejoratively branding young adult Jewish-American women as being spoiled and materialistic. Concerns about incidents of the JAP stereotype being pejoratively used at colleges and universities have been noted in newspapers, magazines and academic journals. The American television show Crazy Ex-Girlfriend, created by Rachel Bloom, features a parody song that can be seen as both satirizing and embracing this trope. "JAP Battle" is featured in Season 1's "Josh and I Go to Los Angeles!". Rachel Bloom, and her character Rebecca Bunch, are both Jewish.

Jewish lawyer

The concept of the "Jewish lawyer" is a stereotype of Jews, which portrays Jews and Jewish lawyers as being clever, greedy, exploitative, dishonest, and depicts them as engaging in moral turpitude and excessive legalism. Ted Merwin writes that in the United States the stereotype became popular in the mid-to-late 20th century when Jews started entering the legal profession. Jews entered the U.S. legal profession decades before the middle of the 20th century – by the time of the Great Depression, many Jews had already established themselves as lawyers.

The stock character of the Jewish lawyer frequently appears in popular culture. Jay Michaelson writes in The Jewish Daily Forward that the character of Maurice Levy, in the drama series The Wire, played by Michael Kostroff, is stereotypical, with a "New York accent and the quintessential pale skin, brown hair and Ashkenazic nose of the typical American Jew".

This stereotyping is parodied in Breaking Bad and its spinoff series Better Call Saul, where the character Saul Goodman is an Irish-American lawyer who pretends to be a Jewish-American for his clients, believing that it makes him appear more competent as a lawyer. In Curb Your Enthusiasm, Larry David (playing a fictionalised version of himself) fires his divorce lawyer Berg, who likewise pretends to be Jewish, and hires a Jewish lawyer instead.

Nice Jewish boy

The nice Jewish boy (NJB) is a stereotype of Jewish masculinity that circulates within the American Jewish community, as well as in mainstream American culture. Jewish men have been historically viewed as effeminate, especially in contrast to the more violent masculinity of the Roman society where rabbinic Judaism emerged from. Jewish masculinity puts more emphasis on studying and academic pursuits than on physical strength. In Israel and the parts of the diaspora which have received heavy exposure to the American media that deploy the representation, the stereotype has gained popular recognition to a lesser extent.

The qualities which are ascribed to the nice Jewish boy are derived from the Ashkenazic ideal of אײדלקײַט (eydlkayt, either "nobility" or "delicateness" in Yiddish). According to Daniel Boyarin's Unheroic Conduct (University of California Press, 1997), eydlkayt embraces the studiousness, gentleness and sensitivity that is said to distinguish the Talmudic scholar and make him an attractive marriage partner.

The resistance that a Jewish male may launch against this image in his quest to become a "regular guy" has found its place in Jewish American literature. Norman Podhoretz, the former editor of Commentary, made the following comment about Norman Mailer's literary and "extracurricular" activities:

He spent his entire life trying to extirpate what he himself called the 'nice Jewish boy' from his soul, which is one of the reasons he has done so many outrageous things and gotten into trouble, including with the police. It's part of trying to overcome that lifelong terror of being a sissy.

For Philip Roth's semi-autobiographical avatar Alex Portnoy, neither the nice Jewish boy nor his more aggressively masculine counterparts (the churlish Jewboy, the "all-American" ice hockey player) prove to be acceptable identities to attain. The ceaseless floundering between the two fuels Portnoy's Complaint.

History

Martin Marger writes "A set of distinct and consistent negative stereotypes, some of which can be traced as far back as the Middle Ages in Europe, has been applied to Jews." Antisemitic canards such as the blood libel first appeared in the 12th century and were associated with attacks and massacres against Jews. These stereotypes are paralleled in the earlier (7th century) writings of the Quran which state that wretchedness and baseness were stamped upon the Jews, and they were visited with wrath from Allah because they disbelieved in Allah's revelations and slew the prophets wrongfully. And for their taking usury, which was prohibited for them, and because of their consuming people's wealth under false pretense, a painful punishment was prepared for them.

Medieval Europe

The portrayal of Jews as historic enemies of Christianity and Christendom constitutes the most damaging anti-Jewish stereotype which is reflected in the works of literature that were produced from the late tenth century through the early twelfth century. Jews were often depicted as satanic consorts, or as devils themselves and "incarnation[s] of absolute evil." Physically, Jews were portrayed as menacing, hirsute, with boils, warts and other deformities, and sometimes they were portrayed with horns, cloven hoofs and tails. Such imagery was used centuries later in the Nazi propaganda of the 1930s and 1940s. This propaganda leaned on Jewish stereotypes to explain the claim that the Jewish people belong to an "inferior" race.

Although Jews had not been particularly associated with moneylending in antiquity, a stereotype of them acting in this capacity was first developed in the 11th century. Jonathan Frankel notes that even though this stereotype was an obvious exaggeration, it had a solid basis in reality. While not all Jews were moneylenders, the Catholic Church's prohibition of usury meant that Jews were the main representatives of the trade.

United States

David Schneider writes "Three large clusters of traits are part of the Jewish stereotype (Wuthnow, 1982). First, Jews are seen as being powerful and manipulative. Second, they are accused of dividing their loyalties between the United States and Israel. The third set of traits concerns Jewish materialistic values, aggressiveness, clannishness."

About one-third of Europe's Jewish population emigrated in the nineteenth and early decades of the twentieth century. About 80 percent of those emigrants chose America. Although there is no doubt that Europe's depiction of the Jews influenced the United States, there were no immense massacres, pogroms, or legal restrictions on the Jews. Based on the fact that America is made up of immigrants, American Jewry identity is described as "fluid, negotiable, and highly voluntary." Within the first Jewish communities, the colonies gave the Jews the chance to live openly as Jews. The attitude towards Jews in the eyes of the colonial authorities was that they carried several assets for business. Most Jews settled in port cities and thrived in trade by relying on family and community ties for negotiating. Peddling, specifically, improved the image of Jews in the eyes of the early Americans that allowed them into their homes, fed them food, and sometimes let them stay the night in their home. Peddling gave the chance to shed outward appearance stereotypes. Commentators noted they often wore a waistcoat and tie, with a top hat on their heads. For they understood a customer would be less likely to open their door to a shabby, dirty man, than a man in an elegant dress.

From 1914 to 1918, World War I shaped the identity and attitudes of American Jews for the better, yet is overshadowed by the devastation and catastrophe of World War II. For the first time, American Jews were seen as major philanthropists, which is now a central part of American Judaism. The stereotype of being greedy and miserly seemed to be challenged. Aid was provided to Jews overseas by a new organization, the American Jewish Joint Distribution Committee. By the end of the war, the Joint raised more than $16.5 million, which is equivalent to about $260 million today.

However, attitudes towards the Jews change after World War I; from 1920 to 1940, saw American antisemitism at its peak. Many left-wing Jews showed sympathy toward, or even supported, the Russian Revolution. Jews were impressed by the Soviet's commitment to giving Jews equal civil, political, and national rights, which fueled the Jewish plots conspiracy theories. Movements of restricting immigration, such as the Immigration Act of 1924, often had individuals express suspicion and hatred of the Jews. In the intellectual context, social scientists were asking questions like, "Will the Jews ever Lose their Racial Identity?" and, "Are the Jews an Inferior Race?" In 1938, according to opinion polls, about 50 percent of Americans had low opinions of Jews. Americans still believed the Jews to be untrustworthy and dishonest. Many hoped that the racial stereotypes would disappear if the Jews worked to mold themselves. A massive amount of effort was put towards Jewish charities, especially for new immigrants, in response to antisemitism in America.

The twenty years following World War II are considered the American Jewry "golden age" because of the triumph of "prosperity and affluence, suburbanization and acceptance, the triumph of political and cultural liberalism, and the expansiveness of unlimited possibilities." Jews participated in American culture including the entertainment and film industries, advertising, and organized sports, baseball in particular. More recently, benign stereotypes of Jews have been found to be more prevalent than images of an overtly antisemitic nature. The Anti-Defamation League (ADL), released nationwide telephone surveys to analyse American beliefs on the Jews. The league concluded that in 2007, 15% of Americans, nearly 35 million adults, hold "unquestionably anti-Semitic" views about Jews. More than one quarter, 27% of Americans believe Jews were responsible for the death of Jesus. On a more positive note, many Americans have positive views towards the Jews on ethics and family. About 65% of Americans believe the Jews had a "special commitment to social justice and civil rights." About 79% of Americans believe the Jews put an "emphasis on the importance of family life."

In popular culture

Jewish stereotypes in literature have evolved over the centuries. According to Louis Harap, nearly all European writers prior to the twentieth century who included Jewish characters in their works projected stereotypical depictions. Harap cites Gotthold Lessing's Nathan the Wise (1779) as the first time that Jews were portrayed in the arts as "human beings, with human possibilities and characteristics." Harap writes that the persistence of the Jewish stereotype over the centuries suggests to some that "the treatment of the Jew in literature was completely static and was essentially unaffected by the changes in the Jewish situation in society as that society itself changed." He contrasts the opposing views presented in the two most comprehensive studies of Jewish characters in English literature, one by Montagu Frank Modder and the other by Edgar Rosenberg. Modder asserts that writers invariably "reflect the attitude of contemporary society in their presentation of the Jewish character and that the portrayal changes with the economic and social changes of each decade." In opposition to Modder's "historical rationale", Rosenberg warns that such a perspective "is apt to slight the massive durability of a stereotype". Harap suggests that the recurrence of the Jewish stereotype in literature is itself one indicator of the continued presence of anti-Semitism amongst those who consume literature.

A Jew Broker by Thomas Rowlandson, 1789

Historian Gary Rosenshield writes that while Soviets passed legislation that made antisemitism against Jews "technically a crime, and as political oppression increased, both Jewish and non-Jewish authors avoided the portrayal of Jews in their works", stereotypical depiction of Jews "flourished" among the works of prominent British, Irish and American authors such as Dorothy Richardson, Virginia Woolf, T.S. Eliot, Evelyn Waugh, James Joyce, Ezra Pound and Graham Greene (with characters such as Shylock, Fagin and Svengali). Rosenshield writes that among the many authors who employed stereotypical depictions of Jews in their works, T.S. Eliot and Ezra Pound have received the most attention in modern historiography. Eliot has been accused of being anti-semitic by John Gross and Anthony Julius, while Ezra Pound was a self-proclaimed anti-semite, making several broadcasts for the Italian government blaming the Second World War on usury and Jews.

Stereotypical depictions of Jews in American literature started to emerge around the 1890s. Although Jewish stereotypes first appeared in works by non-Jewish writers, after the Second World War it was often Jewish-American writers themselves who evoked such stereotypical imagery. The prevalence of anti-Semitic stereotypes in the works of such authors has sometimes been interpreted as an expression of self-hatred; however, Jewish American authors have also used these negative stereotypes in order to refute them.

Jewface

"Jewface" was a vaudeville act that became popular among Eastern European Jews who immigrated to the United States in the 1880s. The name plays off the term "blackface", and the act featured performers enacting Jewish stereotypes, wearing large putty noses, long beards, and tattered clothing, and speaking with thick Yiddish accent. Early portrayals were done by non-Jews, but Jews soon began to produce their own "Jewface" acts. By the early 20th century, almost all the "Jewface" actors, managers, agents, and audience members were Jewish. "Jewface" featured Jewish dialect music, written by Tin Pan Alley songwriters. These vaudeville acts were controversial at the time. In 1909 a prominent Reform rabbi said that comedy like this was "the cause of greater prejudice against the Jews as a class than all other causes combined," and that same year the Central Conference of American Rabbis denounced this type of comedy.

On May 16th, 2014, Rapper Macklemore gave a performance at Experience Music Project where he dressed as an antisemitic caricature. 

The exhibit Jewface: "Yiddish" Dialect Songs of Tin Pan Alley at the YIVO Institute for Jewish Research (November 2015 to June 2016, curated by Eddy Portnoy) was focused on the sheet music of this type of comedy and used Jody Rosen's sheet music collection.

Jews in politics

Research on voting in the United States has shown that stereotypes play a crucial role in voter decision making on both a conscious and subconscious level. Jewish political candidates are stereotyped as liberal. Since becoming heavily involved in politics and the electoral process in the 1930s, Jewish leaders and voters have taken liberal stances on a number of issues. From there the stereotype grew and is now assumed even though not always accurate. An example of this took place in the 2000 presidential election where Joseph Lieberman was Al Gore's Vice Presidential running mate. He was labeled by some as a liberal even though he described himself as "pro-business, pro-trade and pro-economic growth." Although he had taken ostensibly moderate and conservative positions on numerous issues, the stereotype defined him to many voters.

1947–1948 civil war in Mandatory Palestine

From Wikipedia, the free encyclopedia During the civil war, the Jewish and Arab communities of Palestine clashed (the latter supported b...