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Sunday, January 9, 2022

Book of the Dead

From Wikipedia, the free encyclopedia

This detail scene, from the Papyrus of Hunefer (c. 1275 BCE), shows the scribe Hunefer's heart being weighed on the scale of Maat against the feather of truth, by the jackal-headed Anubis. The ibis-headed Thoth, scribe of the gods, records the result. If his heart equals exactly the weight of the feather, Hunefer is allowed to pass into the afterlife. If not, he is eaten by the waiting chimeric devouring creature Ammit composed of the deadly crocodile, lion, and hippopotamus. Vignettes such as these were a common illustration in Egyptian books of the dead.

The Book of the Dead (Egyptian: 𓂋𓏤𓈒 𓏌𓏤 𓉐𓂋 𓏏𓂻 𓅓 𓉔𓂋 𓅱 𓇳𓏤 ru nu peret em heru) is an ancient Egyptian funerary text generally written on papyrus and used from the beginning of the New Kingdom (around 1550 BCE) to around 50 BCE. The original Egyptian name for the text, transliterated rw nw prt m hrw, is translated as Book of Coming Forth by Day or Book of Emerging Forth into the Light. "Book" is the closest term to describe the loose collection of texts consisting of a number of magic spells intended to assist a dead person's journey through the Duat, or underworld, and into the afterlife and written by many priests over a period of about 1,000 years.

The Book of the Dead, which was placed in the coffin or burial chamber of the deceased, was part of a tradition of funerary texts which includes the earlier Pyramid Texts and Coffin Texts, which were painted onto objects, not written on papyrus. Some of the spells included in the book were drawn from these older works and date to the 3rd millennium BCE. Other spells were composed later in Egyptian history, dating to the Third Intermediate Period (11th to 7th centuries BCE). A number of the spells which make up the Book continued to be separately inscribed on tomb walls and sarcophagi, as the spells from which they originated always had been.

There was no single or canonical Book of the Dead. The surviving papyri contain a varying selection of religious and magical texts and vary considerably in their illustration. Some people seem to have commissioned their own copies of the Book of the Dead, perhaps choosing the spells they thought most vital in their own progression to the afterlife. The Book of the Dead was most commonly written in hieroglyphic or hieratic script on a papyrus scroll, and often illustrated with vignettes depicting the deceased and their journey into the afterlife.

The finest extant example of the Egyptian Book of the Dead in antiquity is the Papyrus of Ani. Ani was an Egyptian scribe. It was discovered by Sir E. A. Wallis Budge in 1888 and was taken to the British Museum, where it currently resides.

Development

Part of the Pyramid Texts, a precursor of the Book of the Dead, inscribed on the tomb of Teti

The Book of the Dead developed from a tradition of funerary manuscripts dating back to the Egyptian Old Kingdom. The first funerary texts were the Pyramid Texts, first used in the Pyramid of King Unas of the 5th Dynasty, around 2400 BCE. These texts were written on the walls of the burial chambers within pyramids, and were exclusively for the use of the pharaoh (and, from the 6th Dynasty, the queen). The Pyramid Texts were written in an unusual hieroglyphic style; many of the hieroglyphs representing humans or animals were left incomplete or drawn mutilated, most likely to prevent them causing any harm to the dead pharaoh. The purpose of the Pyramid Texts was to help the dead king take his place amongst the gods, in particular to reunite him with his divine father Ra; at this period the afterlife was seen as being in the sky, rather than the underworld described in the Book of the Dead. Towards the end of the Old Kingdom, the Pyramid Texts ceased to be an exclusively royal privilege, and were adopted by regional governors and other high-ranking officials.

In the Middle Kingdom, a new funerary text emerged, the Coffin Texts. The Coffin Texts used a newer version of the language, new spells, and included illustrations for the first time. The Coffin Texts were most commonly written on the inner surfaces of coffins, though they are occasionally found on tomb walls or on papyri. The Coffin Texts were available to wealthy private individuals, vastly increasing the number of people who could expect to participate in the afterlife; a process which has been described as the "democratization of the afterlife".

The Book of the Dead first developed in Thebes toward the beginning of the Second Intermediate Period, around 1700 BCE. The earliest known occurrence of the spells included in the Book of the Dead is from the coffin of Queen Mentuhotep, of the 13th Dynasty, where the new spells were included amongst older texts known from the Pyramid Texts and Coffin Texts. Some of the spells introduced at this time claim an older provenance; for instance the rubric to spell 30B states that it was discovered by the Prince Hordjedef in the reign of King Menkaure, many hundreds of years before it is attested in the archaeological record.

By the 17th Dynasty, the Book of the Dead had become widespread not only for members of the royal family, but courtiers and other officials as well. At this stage, the spells were typically inscribed on linen shrouds wrapped around the dead, though occasionally they are found written on coffins or on papyrus.

The New Kingdom saw the Book of the Dead develop and spread further. The famous Spell 125, the 'Weighing of the Heart', is first known from the reign of Hatshepsut and Thutmose III, c.1475 BCE. From this period onward the Book of the Dead was typically written on a papyrus scroll, and the text illustrated with vignettes. During the 19th Dynasty in particular, the vignettes tended to be lavish, sometimes at the expense of the surrounding text.

In the Third Intermediate Period, the Book of the Dead started to appear in hieratic script, as well as in the traditional hieroglyphics. The hieratic scrolls were a cheaper version, lacking illustration apart from a single vignette at the beginning, and were produced on smaller papyri. At the same time, many burials used additional funerary texts, for instance the Amduat.

During the 25th and 26th Dynasties, the Book of the Dead was updated, revised and standardised. Spells were ordered and numbered consistently for the first time. This standardised version is known today as the 'Saite recension', after the Saite (26th) Dynasty. In the Late period and Ptolemaic period, the Book of the Dead continued to be based on the Saite recension, though increasingly abbreviated towards the end of the Ptolemaic period. New funerary texts appeared, including the Book of Breathing and Book of Traversing Eternity. The last use of the Book of the Dead was in the 1st century BCE, though some artistic motifs drawn from it were still in use in Roman times.

Spells

The mystical Spell 17, from the Papyrus of Ani. The vignette at the top illustrates, from left to right, the god Heh as a representation of the Sea; a gateway to the realm of Osiris; the Eye of Horus; the celestial cow Mehet-Weret; and a human head rising from a coffin, guarded by the four Sons of Horus.

The Book of the Dead is made up of a number of individual texts and their accompanying illustrations. Most sub-texts begin with the word ro, which can mean "mouth", "speech", "spell", "utterance", "incantation", or "chapter of a book". This ambiguity reflects the similarity in Egyptian thought between ritual speech and magical power. In the context of the Book of the Dead, it is typically translated as either chapter or spell. In this article, the word spell is used.

At present, some 192 spells are known, though no single manuscript contains them all. They served a range of purposes. Some are intended to give the deceased mystical knowledge in the afterlife, or perhaps to identify them with the gods: for instance, Spell 17 is an obscure and lengthy description of the god Atum. Others are incantations to ensure the different elements of the dead person's being were preserved and reunited, and to give the deceased control over the world around him. Still others protect the deceased from various hostile forces or guide him through the underworld past various obstacles. Famously, two spells also deal with the judgement of the deceased in the Weighing of the Heart ritual.

Such spells as 26–30, and sometimes spells 6 and 126, relate to the heart and were inscribed on scarabs.

The texts and images of the Book of the Dead were magical as well as religious. Magic was as legitimate an activity as praying to the gods, even when the magic was aimed at controlling the gods themselves. Indeed, there was little distinction for the Ancient Egyptians between magical and religious practice. The concept of magic (heka) was also intimately linked with the spoken and written word. The act of speaking a ritual formula was an act of creation; there is a sense in which action and speech were one and the same thing. The magical power of words extended to the written word. Hieroglyphic script was held to have been invented by the god Thoth, and the hieroglyphs themselves were powerful. Written words conveyed the full force of a spell. This was even true when the text was abbreviated or omitted, as often occurred in later Book of the Dead scrolls, particularly if the accompanying images were present. The Egyptians also believed that knowing the name of something gave power over it; thus, the Book of the Dead equips its owner with the mystical names of many of the entities he would encounter in the afterlife, giving him power over them.

Egyptian Book of the Dead, painted on a coffin fragment (c. 747–656 BCE): Spell 79 (attaching the soul to the body); and Spell 80 (preventing incoherent speech)

The spells of the Book of the Dead made use of several magical techniques which can also be seen in other areas of Egyptian life. A number of spells are for magical amulets, which would protect the deceased from harm. In addition to being represented on a Book of the Dead papyrus, these spells appeared on amulets wound into the wrappings of a mummy. Everyday magic made use of amulets in huge numbers. Other items in direct contact with the body in the tomb, such as headrests, were also considered to have amuletic value. A number of spells also refer to Egyptian beliefs about the magical healing power of saliva.

Organization

Almost every Book of the Dead was unique, containing a different mixture of spells drawn from the corpus of texts available. For most of the history of the Book of the Dead there was no defined order or structure. In fact, until Paul Barguet's 1967 "pioneering study" of common themes between texts, Egyptologists concluded there was no internal structure at all. It is only from the Saite period (26th Dynasty) onwards that there is a defined order.

The Books of the Dead from the Saite period tend to organize the Chapters into four sections:

  • Chapters 1–16* The deceased enters the tomb and descends to the underworld, and the body regains its powers of movement and speech.
  • Chapters 17–63 Explanation of the mythic origin of the gods and places. The deceased is made to live again so that he may arise, reborn, with the morning sun.
  • Chapters 64–129 The deceased travels across the sky in the sun ark as one of the blessed dead. In the evening, the deceased travels to the underworld to appear before Osiris.
  • Chapters 130–189 Having been vindicated, the deceased assumes power in the universe as one of the gods. This section also includes assorted chapters on protective amulets, provision of food, and important places.

Egyptian concepts of death and afterlife

A vignette in The Papyrus of Ani, from Spell 30B: Spell For Not Letting Ani's Heart Create Opposition Against Him, in the Gods' Domain, which contains a depiction of the ba of the deceased

The spells in the Book of the Dead depict Egyptian beliefs about the nature of death and the afterlife. The Book of the Dead is a vital source of information about Egyptian beliefs in this area.

Preservation

One aspect of death was the disintegration of the various kheperu, or modes of existence. Funerary rituals served to re-integrate these different aspects of being. Mummification served to preserve and transform the physical body into sah, an idealised form with divine aspects; the Book of the Dead contained spells aimed at preserving the body of the deceased, which may have been recited during the process of mummification. The heart, which was regarded as the aspect of being which included intelligence and memory, was also protected with spells, and in case anything happened to the physical heart, it was common to bury jewelled heart scarabs with a body to provide a replacement. The ka, or life-force, remained in the tomb with the dead body, and required sustenance from offerings of food, water and incense. In case priests or relatives failed to provide these offerings, Spell 105 ensured the ka was satisfied. The name of the dead person, which constituted their individuality and was required for their continued existence, was written in many places throughout the Book, and spell 25 ensured the deceased would remember their own name. The ba was a free-ranging spirit aspect of the deceased. It was the ba, depicted as a human-headed bird, which could "go forth by day" from the tomb into the world; spells 61 and 89 acted to preserve it. Finally, the shut, or shadow of the deceased, was preserved by spells 91, 92 and 188. If all these aspects of the person could be variously preserved, remembered, and satiated, then the dead person would live on in the form of an akh. An akh was a blessed spirit with magical powers who would dwell among the gods.

Afterlife

The nature of the afterlife which the dead people enjoyed is difficult to define, because of the differing traditions within Ancient Egyptian religion. In the Book of the Dead, the dead were taken into the presence of the god Osiris, who was confined to the subterranean Duat. There are also spells to enable the ba or akh of the dead to join Ra as he travelled the sky in his sun-barque, and help him fight off Apep. As well as joining the Gods, the Book of the Dead also depicts the dead living on in the 'Field of Reeds', a paradisiac likeness of the real world. The Field of Reeds is depicted as a lush, plentiful version of the Egyptian way of living. There are fields, crops, oxen, people and waterways. The deceased person is shown encountering the Great Ennead, a group of gods, as well as his or her own parents. While the depiction of the Field of Reeds is pleasant and plentiful, it is also clear that manual labour is required. For this reason burials included a number of statuettes named shabti, or later ushebti. These statuettes were inscribed with a spell, also included in the Book of the Dead, requiring them to undertake any manual labour that might be the owner's duty in the afterlife. It is also clear that the dead not only went to a place where the gods lived, but that they acquired divine characteristics themselves. In many occasions, the deceased is mentioned as "The Osiris – [Name]" in the Book of the Dead.

Two 'gate spells'. On the top register, Ani and his wife face the 'seven gates of the House of Osiris'. Below, they encounter ten of the 21 'mysterious portals of the House of Osiris in the Field of Reeds'. All are guarded by unpleasant protectors.

The path to the afterlife as laid out in the Book of the Dead was a difficult one. The deceased was required to pass a series of gates, caverns and mounds guarded by supernatural creatures. These terrifying entities were armed with enormous knives and are illustrated in grotesque forms, typically as human figures with the heads of animals or combinations of different ferocious beasts. Their names—for instance, "He who lives on snakes" or "He who dances in blood"—are equally grotesque. These creatures had to be pacified by reciting the appropriate spells included in the Book of the Dead; once pacified they posed no further threat, and could even extend their protection to the dead person. Another breed of supernatural creatures was 'slaughterers' who killed the unrighteous on behalf of Osiris; the Book of the Dead equipped its owner to escape their attentions. As well as these supernatural entities, there were also threats from natural or supernatural animals, including crocodiles, snakes, and beetles.

Judgment

The Weighing of the Heart ritual, shown in the Book of the Dead of Sesostris

If all the obstacles of the Duat could be negotiated, the deceased would be judged in the "Weighing of the Heart" ritual, depicted in Spell 125. The deceased was led by the god Anubis into the presence of Osiris. There, the dead person swore that he had not committed any sin from a list of 42 sins, reciting a text known as the "Negative Confession". Then the dead person's heart was weighed on a pair of scales, against the goddess Maat, who embodied truth and justice. Maat was often represented by an ostrich feather, the hieroglyphic sign for her name. At this point, there was a risk that the deceased's heart would bear witness, owning up to sins committed in life; Spell 30B guarded against this eventuality. If the scales balanced, this meant the deceased had led a good life. Anubis would take them to Osiris and they would find their place in the afterlife, becoming maa-kheru, meaning "vindicated" or "true of voice". If the heart was out of balance with Maat, then another fearsome beast called Ammit, the Devourer, stood ready to eat it and put the dead person's afterlife to an early and unpleasant end.

This scene is remarkable not only for its vividness but as one of the few parts of the Book of the Dead with any explicit moral content. The judgment of the dead and the Negative Confession were a representation of the conventional moral code which governed Egyptian society. For every "I have not..." in the Negative Confession, it is possible to read an unexpressed "Thou shalt not". While the Ten Commandments of Jewish and Christian ethics are rules of conduct laid down by a perceived divine revelation, the Negative Confession is more a divine enforcement of everyday morality. Views differ among Egyptologists about how far the Negative Confession represents a moral absolute, with ethical purity being necessary for progress to the Afterlife. John Taylor points out the wording of Spells 30B and 125 suggests a pragmatic approach to morality; by preventing the heart from contradicting him with any inconvenient truths, it seems that the deceased could enter the afterlife even if their life had not been entirely pure. Ogden Goelet says "without an exemplary and moral existence, there was no hope for a successful afterlife", while Geraldine Pinch suggests that the Negative Confession is essentially similar to the spells protecting from demons, and that the success of the Weighing of the Heart depended on the mystical knowledge of the true names of the judges rather than on the deceased's moral behaviour.

Producing a Book of the Dead

Part of the Book of the Dead of Pinedjem II. The text is hieratic, except for hieroglyphics in the vignette. The use of red pigment, and the joins between papyrus sheets, are also visible.
 
A close-up of the Papyrus of Ani, showing the cursive hieroglyphs of the text

A Book of the Dead was produced to order by scribes. They were commissioned by people in preparation for their own funerals, or by the relatives of someone recently deceased. They were expensive items; one source gives the price of a Book of the Dead scroll as one deben of silver, perhaps half the annual pay of a labourer. Papyrus itself was evidently costly, as there are many instances of its re-use in everyday documents, creating palimpsests. In one case, a Book of the Dead was written on second-hand papyrus.

Most owners of the Book of the Dead were evidently part of the social elite; they were initially reserved for the royal family, but later papyri are found in the tombs of scribes, priests and officials. Most owners were men, and generally the vignettes included the owner's wife as well. Towards the beginning of the history of the Book of the Dead, there are roughly 10 copies belonging to men for every 1 for a woman. However, during the Third Intermediate Period, 2 were for women for every 1 for a man; and women owned roughly a third of the hieratic papyri from the Late and Ptolemaic Periods.

The dimensions of a Book of the Dead could vary widely; the longest is 40 m long while some are as short as 1 m. They are composed of sheets of papyrus joined together, the individual papyri varying in width from 15 cm to 45 cm. The scribes working on Book of the Dead papyri took more care over their work than those working on more mundane texts; care was taken to frame the text within margins, and to avoid writing on the joints between sheets. The words peret em heru, or coming forth by day sometimes appear on the reverse of the outer margin, perhaps acting as a label.

Books were often prefabricated in funerary workshops, with spaces being left for the name of the deceased to be written in later. For instance, in the Papyrus of Ani, the name "Ani" appears at the top or bottom of a column, or immediately following a rubric introducing him as the speaker of a block of text; the name appears in a different handwriting to the rest of the manuscript, and in some places is mis-spelt or omitted entirely.

The text of a New Kingdom Book of the Dead was typically written in cursive hieroglyphs, most often from left to right, but also sometimes from right to left. The hieroglyphs were in columns, which were separated by black lines – a similar arrangement to that used when hieroglyphs were carved on tomb walls or monuments. Illustrations were put in frames above, below, or between the columns of text. The largest illustrations took up a full page of papyrus.

From the 21st Dynasty onward, more copies of the Book of the Dead are found in hieratic script. The calligraphy is similar to that of other hieratic manuscripts of the New Kingdom; the text is written in horizontal lines across wide columns (often the column size corresponds to the size of the papyrus sheets of which a scroll is made up). Occasionally a hieratic Book of the Dead contains captions in hieroglyphic.

The text of a Book of the Dead was written in both black and red ink, regardless of whether it was in hieroglyphic or hieratic script. Most of the text was in black, with red ink used for the titles of spells, opening and closing sections of spells, the instructions to perform spells correctly in rituals, and also for the names of dangerous creatures such as the demon Apep. The black ink used was based on carbon, and the red ink on ochre, in both cases mixed with water.

The style and nature of the vignettes used to illustrate a Book of the Dead varies widely. Some contain lavish colour illustrations, even making use of gold leaf. Others contain only line drawings, or one simple illustration at the opening.

Book of the Dead papyri were often the work of several different scribes and artists whose work was literally pasted together. It is usually possible to identify the style of more than one scribe used on a given manuscript, even when the manuscript is a shorter one. The text and illustrations were produced by different scribes; there are a number of Books where the text was completed but the illustrations were left empty.

Book of the Dead of Sobekmose, the Goldworker of Amun, 31.1777e, Brooklyn Museum

Discovery, translation, interpretation and preservation

Karl Richard Lepsius, first translator of a complete Book of the Dead manuscript

The existence of the Book of the Dead was known as early as the Middle Ages, well before its contents could be understood. Since it was found in tombs, it was evidently a document of a religious nature, and this led to the widespread but mistaken belief that the Book of the Dead was the equivalent of a Bible or Qur'an.

In 1842 Karl Richard Lepsius published a translation of a manuscript dated to the Ptolemaic era and coined the name "Book of The Dead" (das Todtenbuch). He also introduced the spell numbering system which is still in use, identifying 165 different spells. Lepsius promoted the idea of a comparative edition of the Book of the Dead, drawing on all relevant manuscripts. This project was undertaken by Édouard Naville, starting in 1875 and completed in 1886, producing a three-volume work including a selection of vignettes for every one of the 186 spells he worked with, the more significant variations of the text for every spell, and commentary. In 1867 Samuel Birch of the British Museum published the first extensive English translation. In 1876 he published a photographic copy of the Papyrus of Nebseny.

The work of E. A. Wallis Budge, Birch's successor at the British Museum, is still in wide circulation – including both his hieroglyphic editions and his English translations of the Papyrus of Ani, though the latter are now considered inaccurate and out-of-date. More recent translations in English have been published by T. G. Allen (1974) and Raymond O. Faulkner (1972). As more work has been done on the Book of the Dead, more spells have been identified, and the total now stands at 192.

In the 1970s, Ursula Rößler-Köhler at the University of Bonn began a working group to develop the history of Book of the Dead texts. This later received sponsorship from the German state of North Rhine-Westphalia and the German Research Foundation, in 2004 coming under the auspices of the German Academies of Sciences and Arts. Today the Book of the Dead Project, as it is called, maintains a database of documentation and photography covering 80% of extant copies and fragments from the corpus of Book of the Dead texts, and provides current services to Egyptologists. It is housed at the University of Bonn, with much material available online. Affiliated scholars are authoring a series of monograph studies, the Studien zum Altägyptischen Totenbuch, alongside a series that publishes the manuscripts themselves, Handschriften des Altägyptischen Totenbuches. Both are in print by Harrassowitz Verlag. Orientverlag has released another series of related monographs, Totenbuchtexte, focused on analysis, synoptic comparison, and textual criticism.

Research work on the Book of the Dead has always posed technical difficulties thanks to the need to copy very long hieroglyphic texts. Initially, these were copied out by hand, with the assistance either of tracing paper or a camera lucida. In the mid-19th century, hieroglyphic fonts became available and made lithographic reproduction of manuscripts more feasible. In the present day, hieroglyphics can be rendered in desktop publishing software and this, combined with digital print technology, means that the costs of publishing a Book of the Dead may be considerably reduced. However, a very large amount of the source material in museums around the world remains unpublished.

Chronology

Sheet from a Book of the Dead, c. 1075–945 BCE, 37.1699E, Brooklyn Museum
  • c. 3150 BCE – First preserved hieroglyphs, on small labels in the tomb of a king buried (in tomb U-j) at Abydos
  • c. 3000 BCE – The beginning of the numbered dynasties of kings of ancient Egypt
  • c. 2345 BCE – First royal pyramid, of King Unas, to contain the Pyramid Texts, carved precursors (intended only for the king) to the funerary literature from which the Book of the Dead ultimately developed
  • c. 2100 BCE – First Coffin Texts, developed from the Pyramid Texts and for a time painted on the coffins of commoners. Many spells of the Book of the Dead are closely derived from them
  • c. 1600 BCE – Earliest spells of the Book of the Dead, on the coffin of Queen Menthuhotep, an ancestor of kings from the New Kingdom
  • c. 1550 BCE – From this time onward to the beginning of the New Kingdom, papyrus copies of the Book of the Dead are used instead of inscribing spells on the walls of the tombs
  • c. 600 BCE – Approximately when the order of the spells became standard
  • 42–553 CE – Christianity spreads to Egypt, gradually replacing the native religion as successive emperors alternately tolerate or suppress them, culminating in the last temple at Philae (also site of the last known religious inscription in demotic, dating from 452) being closed by order of Emperor Justinian in 533
  • 2nd century CE – Possibly the last copies of the Book of the Dead were produced, but it is a poorly documented era of history
  • 1798 CE – Napoleon's invasion of Egypt encourages European interests in ancient Egypt; 1799, Vivant Denon was handed a copy of the Book of the Dead
  • 1805 CE – J. Marc Cadet makes the first publication, on 18 plates, of a Book of the Dead, Copie figurée d'un Roleau de Papyrus trouvé à Thèbes dans un Thombeau des Rois, accompagnèe d'une notice descriptive, Paris, Levrault
  • 1822 CEJean-François Champollion announces the key to the decipherment of ancient Egyptian hieroglyphic writing, subsequently developed in his later publications, the most extensive after his death in 1832
  • 1842 CE – Lepsius publishes the first major study of the Book of the Dead, begins the numbering of the spells or chapters, and brings the name "Book of the Dead" into general circulation

Magic (supernatural)

From Wikipedia, the free encyclopedia

The Magician, an illustration from the Rider–Waite tarot deck first published in 1910
 

Magic, sometimes spelled magick, is the application of beliefs, rituals or actions employed in the belief that they can manipulate natural or supernatural beings and forces. It is a category into which have been placed various beliefs and practices sometimes considered separate from both religion and science.

Although connotations have varied from positive to negative at times throughout history, magic "continues to have an important religious and medicinal role in many cultures today".

Within Western culture, magic has been linked to ideas of the Other, foreignness, and primitivism; indicating that it is "a powerful marker of cultural difference" and likewise, a non-modern phenomenon. During the late nineteenth and early twentieth century, Western intellectuals perceived the practice of magic to be a sign of a primitive mentality and also commonly attributed it to marginalised groups of people.

In modern occultism and Neopagan religions, many self-described magicians and witches regularly practice ritual magic; defining magic as a technique for bringing about change in the physical world through the force of one's will. This definition was popularised by Aleister Crowley (1875-1947), an influential British occultist, and since that time other religions (e.g. Wicca and LaVeyan Satanism) and magical systems (e.g. chaos magick) have adopted it.

Etymology

One of the earliest surviving accounts of the Persian mágoi was provided by the Greek historian Herodotus

The English words magic, mage and magician come from the Latin magus, through the Greek μάγος, which is from the Old Persian maguš. (𐎶𐎦𐎢𐏁|𐎶𐎦𐎢𐏁, magician). The Old Persian magu- is derived from the Proto-Indo-European megʰ-*magh (be able). The Persian term may have led to the Old Sinitic *Mγag (mage or shaman). The Old Persian form seems to have permeated ancient Semitic languages as the Talmudic Hebrew magosh, the Aramaic amgusha (magician), and the Chaldean maghdim (wisdom and philosophy); from the first century BCE onwards, Syrian magusai gained notoriety as magicians and soothsayers.

During the late-sixth and early-fifth centuries BCE, this term found its way into ancient Greek, where it was used with negative connotations to apply to rites that were regarded as fraudulent, unconventional, and dangerous. The Latin language adopted this meaning of the term in the first century BCE. Via Latin, the concept became incorporated into Christian theology during the first century CE. Early Christians associated magic with demons, and thus regarded it as against Christian religion. This concept remained pervasive throughout the Middle Ages, when Christian authors categorised a diverse range of practices—such as enchantment, witchcraft, incantations, divination, necromancy, and astrology—under the label "magic". In early modern Europe, Protestants often claimed that Roman Catholicism was magic rather than religion, and as Christian Europeans began colonizing other parts of the world in the sixteenth century, they labelled the non-Christian beliefs they encountered as magical. In that same period, Italian humanists reinterpreted the term in a positive sense to express the idea of natural magic. Both negative and positive understandings of the term recurred in Western culture over the following centuries.

Since the nineteenth century, academics in various disciplines have employed the term magic but have defined it in different ways and used it in reference to different things. One approach, associated with the anthropologists Edward Tylor (1832-1917) and James G. Frazer (1854-1941), uses the term to describe beliefs in hidden sympathies between objects that allow one to influence the other. Defined in this way, magic is portrayed as the opposite to science. An alternative approach, associated with the sociologist Marcel Mauss (1872-1950) and his uncle Émile Durkheim (1858-1917), employs the term to describe private rites and ceremonies and contrasts it with religion, which it defines as a communal and organised activity. By the 1990s many scholars were rejecting the term's utility for scholarship. They argued that the label drew arbitrary lines between similar beliefs and practices that were alternatively considered religious, and that it constituted ethnocentric to apply the connotations of magic - rooted in Western and Christian history - to other cultures.

White, gray and black

White magic has traditionally been understood as the use of magic for selfless or helpful purposes, while black magic was used for selfish, harmful or evil purposes. With respect to the left-hand path and right-hand path dichotomy, black magic is the malicious, left hand counterpart of the benevolent white magic. There is no consensus as to what constitutes white, gray or black magic, as Phil Hine says, "like many other aspects of occultism, what is termed to be 'black magic' depends very much on who is doing the defining." Gray magic, also called "neutral magic", is magic that is not performed for specifically benevolent reasons, but is also not focused towards completely hostile practices.

High and low

Historians and anthropologists have distinguished between practitioners who engage in high magic, and those who engage in low magic. High magic, also known as ceremonial magic or ritual magic, is more complex, involving lengthy and detailed rituals as well as sophisticated, sometimes expensive, paraphernalia. Low magic, also called natural magic, is associated with peasants and folklore and with simpler rituals such as brief, spoken spells. Low magic is also closely associated with witchcraft. Anthropologist Susan Greenwood writes that "Since the Renaissance, high magic has been concerned with drawing down forces and energies from heaven" and achieving unity with divinity. High magic is usually performed indoors while witchcraft is often performed outdoors.

History

Mesopotamia

Bronze protection plaque from the Neo-Assyrian era showing the demon Lamashtu

Magic was invoked in many kinds of rituals and medical formulae, and to counteract evil omens. Defensive or legitimate magic in Mesopotamia (asiputu or masmassutu in the Akkadian language) were incantations and ritual practices intended to alter specific realities. The ancient Mesopotamians believed that magic was the only viable defense against demons, ghosts, and evil sorcerers. To defend themselves against the spirits of those they had wronged, they would leave offerings known as kispu in the person's tomb in hope of appeasing them. If that failed, they also sometimes took a figurine of the deceased and buried it in the ground, demanding for the gods to eradicate the spirit, or force it to leave the person alone.

The ancient Mesopotamians also used magic intending to protect themselves from evil sorcerers who might place curses on them. Black magic as a category didn't exist in ancient Mesopotamia, and a person legitimately using magic to defend themselves against illegitimate magic would use exactly the same techniques. The only major difference was the fact that curses were enacted in secret; whereas a defense against sorcery was conducted in the open, in front of an audience if possible. One ritual to punish a sorcerer was known as Maqlû, or "The Burning". The person viewed as being afflicted by witchcraft would create an effigy of the sorcerer and put it on trial at night. Then, once the nature of the sorcerer's crimes had been determined, the person would burn the effigy and thereby break the sorcerer's power over them.

The ancient Mesopotamians also performed magical rituals to purify themselves of sins committed unknowingly. One such ritual was known as the Šurpu, or "Burning", in which the caster of the spell would transfer the guilt for all their misdeeds onto various objects such as a strip of dates, an onion, and a tuft of wool. The person would then burn the objects and thereby purify themself of all sins that they might have unknowingly committed. A whole genre of love spells existed. Such spells were believed to cause a person to fall in love with another person, restore love which had faded, or cause a male sexual partner to be able to sustain an erection when he had previously been unable. Other spells were used to reconcile a man with his patron deity or to reconcile a wife with a husband who had been neglecting her.

The ancient Mesopotamians made no distinction between rational science and magic. When a person became ill, doctors would prescribe both magical formulas to be recited as well as medicinal treatments. Most magical rituals were intended to be performed by an āšipu, an expert in the magical arts. The profession was generally passed down from generation to generation and was held in extremely high regard and often served as advisors to kings and great leaders. An āšipu probably served not only as a magician, but also as a physician, a priest, a scribe, and a scholar.

The Sumerian god Enki, who was later syncretized with the East Semitic god Ea, was closely associated with magic and incantations; he was the patron god of the bārȗ and the ašipū and was widely regarded as the ultimate source of all arcane knowledge. The ancient Mesopotamians also believed in omens, which could come when solicited or unsolicited. Regardless of how they came, omens were always taken with the utmost seriousness.

Incantation bowls

A common set of shared assumptions about the causes of evil and how to avert it are found in a form of early protective magic called incantation bowl or magic bowls. The bowls were produced in the Middle East, particularly in Upper Mesopotamia and Syria, what is now Iraq and Iran, and fairly popular during the sixth to eighth centuries. The bowls were buried face down and were meant to capture demons. They were commonly placed under the threshold, courtyards, in the corner of the homes of the recently deceased and in cemeteries. A subcategory of incantation bowls are those used in Jewish magical practice. Aramaic incantation bowls are an important source of knowledge about Jewish magical practices.

Egypt

Ancient Egyptian Eye of Horus amulet

In ancient Egypt (Kemet in the Egyptian language), Magic (personified as the god heka) was an integral part of religion and culture which is known to us through a substantial corpus of texts which are products of the Egyptian tradition.

While the category magic has been contentious for modern Egyptology, there is clear support for its applicability from ancient terminology. The Coptic term hik is the descendant of the pharaonic term heka, which, unlike its Coptic counterpart, had no connotation of impiety or illegality, and is attested from the Old Kingdom through to the Roman era. heka was considered morally neutral and was applied to the practices and beliefs of both foreigners and Egyptians alike. The Instructions for Merikare informs us that heka was a beneficence gifted by the creator to humanity "... in order to be weapons to ward off the blow of events".

Magic was practiced by both the literate priestly hierarchy and by illiterate farmers and herdsmen, and the principle of heka underlay all ritual activity, both in the temples and in private settings.

The main principle of heka is centered on the power of words to bring things into being. Karenga explains the pivotal power of words and their vital ontological role as the primary tool used by the creator to bring the manifest world into being. Because humans were understood to share a divine nature with the gods, snnw ntr (images of the god), the same power to use words creatively that the gods have is shared by humans.

Illustration from the Book of the Dead of Hunefer showing the Opening of the Mouth ceremony being performed before the tomb

Book of the Dead

The interior walls of the pyramid of Unas, the final pharaoh of the Egyptian Fifth Dynasty, are covered in hundreds of magical spells and inscriptions, running from floor to ceiling in vertical columns. These inscriptions are known as the Pyramid Texts and they contain spells needed by the pharaoh in order to survive in the Afterlife. The Pyramid Texts were strictly for royalty only; the spells were kept secret from commoners and were written only inside royal tombs. During the chaos and unrest of the First Intermediate Period, however, tomb robbers broke into the pyramids and saw the magical inscriptions. Commoners began learning the spells and, by the beginning of the Middle Kingdom, commoners began inscribing similar writings on the sides of their own coffins, hoping that doing so would ensure their own survival in the afterlife. These writings are known as the Coffin Texts.

After a person died, his or her corpse would be mummified and wrapped in linen bandages to ensure that the deceased's body would survive for as long as possible because the Egyptians believed that a person's soul could only survive in the afterlife for as long as his or her physical body survived here on earth. The last ceremony before a person's body was sealed away inside the tomb was known as the Opening of the Mouth. In this ritual, the priests would touch various magical instruments to various parts of the deceased's body, thereby giving the deceased the ability to see, hear, taste, and smell in the afterlife.

Amulets

The use of amulets, (meket) was widespread among both living and dead ancient Egyptians. They were used for protection and as a means of "...reaffirming the fundamental fairness of the universe". The oldest amulets found are from the predynastic Badarian Period, and they persisted through to Roman times.

Judea

Halakha (Jewish religious law) forbids divination and other forms of soothsaying, and the Talmud lists many persistent yet condemned divining practices. Practical Kabbalah in historical Judaism, is a branch of the Jewish mystical tradition that concerns the use of magic. It was considered permitted white magic by its practitioners, reserved for the elite, who could separate its spiritual source from Qliphoth realms of evil if performed under circumstances that were holy (Q-D-Š) and pure (טומאה וטהרה, tvmh vthrh). The concern of overstepping Judaism's strong prohibitions of impure magic ensured it remained a minor tradition in Jewish history. Its teachings include the use of Divine and angelic names for amulets and incantations. These magical practices of Judaic folk religion which became part of practical Kabbalah date from Talmudic times. The Talmud mentions the use of charms for healing, and a wide range of magical cures were sanctioned by rabbis. It was ruled that any practice actually producing a cure was not to be regarded superstitiously and there has been the widespread practice of medicinal amulets, and folk remedies (segullot) in Jewish societies across time and geography.

Although magic was forbidden by Levitical law in the Hebrew Bible, it was widely practised in the late Second Temple period, and particularly well documented in the period following the destruction of the temple into the 3rd, 4th, and 5th centuries CE.

Greco-Roman world

Hecate, the ancient Greek goddess of magic
 

The English word magic has its origins in ancient Greece. During the late sixth and early fifth centuries BCE, the Persian maguš was Graecicized and introduced into the ancient Greek language as μάγος and μαγεία. In doing so it transformed meaning, gaining negative connotations, with the magos being regarded as a charlatan whose ritual practices were fraudulent, strange, unconventional, and dangerous. As noted by Davies, for the ancient Greeks—and subsequently for the ancient Romans—"magic was not distinct from religion but rather an unwelcome, improper expression of it—the religion of the other". The historian Richard Gordon suggested that for the ancient Greeks, being accused of practicing magic was "a form of insult".

This change in meaning was influenced by the military conflicts that the Greek city-states were then engaged in against the Persian Empire. In this context, the term makes appearances in such surviving text as Sophocles' Oedipus Rex, Hippocrates' De morbo sacro, and Gorgias' Encomium of Helen. In Sophocles' play, for example, the character Oedipus derogatorily refers to the seer Tiresius as a magos—in this context meaning something akin to quack or charlatan—reflecting how this epithet was no longer reserved only for Persians.

In the first century BCE, the Greek concept of the magos was adopted into Latin and used by a number of ancient Roman writers as magus and magia. The earliest known Latin use of the term was in Virgil's Eclogue, written around 40 BCE, which makes reference to magicis... sacris (magic rites). The Romans already had other terms for the negative use of supernatural powers, such as veneficus and saga. The Roman use of the term was similar to that of the Greeks, but placed greater emphasis on the judicial application of it. Within the Roman Empire, laws would be introduced criminalising things regarded as magic.

In ancient Roman society, magic was associated with societies to the east of the empire; the first century CE writer Pliny the Elder for instance claimed that magic had been created by the Iranian philosopher Zoroaster, and that it had then been brought west into Greece by the magician Osthanes, who accompanied the military campaigns of the Persian King Xerxes.

Ancient Greek scholarship of the 20th century, almost certainly influenced by Christianising preconceptions of the meanings of magic and religion, and the wish to establish Greek culture as the foundation of Western rationality, developed a theory of ancient Greek magic as primitive and insignificant, and thereby essentially separate from Homeric, communal (polis) religion. Since the last decade of the century, however, recognising the ubiquity and respectability of acts such as katadesmoi (binding spells), described as magic by modern and ancient observers alike, scholars have been compelled to abandon this viewpoint. The Greek word mageuo (practice magic) itself derives from the word Magos, originally simply the Greek name for a Persian tribe known for practicing religion. Non-civic mystery cults have been similarly re-evaluated:

the choices which lay outside the range of cults did not just add additional options to the civic menu, but ... sometimes incorporated critiques of the civic cults and Panhellenic myths or were genuine alternatives to them.

— Simon Price, Religions of the Ancient Greeks (1999)

Katadesmoi (Latin: defixiones)), curses inscribed on wax or lead tablets and buried underground, were frequently executed by all strata of Greek society, sometimes to protect the entire polis. Communal curses carried out in public declined after the Greek classical period, but private curses remained common throughout antiquity. They were distinguished as magical by their individualistic, instrumental and sinister qualities. These qualities, and their perceived deviation from inherently mutable cultural constructs of normality, most clearly delineate ancient magic from the religious rituals of which they form a part.

A large number of magical papyri, in Greek, Coptic, and Demotic, have been recovered and translated. They contain early instances of:

  • the use of magic words said to have the power to command spirits;
  • the use of mysterious symbols or sigils which are thought to be useful when invoking or evoking spirits.

The practice of magic was banned in the late Roman world, and the Codex Theodosianus (438 AD) states:

If any wizard therefore or person imbued with magical contamination who is called by custom of the people a magician...should be apprehended in my retinue, or in that of the Caesar, he shall not escape punishment and torture by the protection of his rank.

Middle Ages

In the first century CE, early Christian authors absorbed the Greco-Roman concept of magic and incorporated it into their developing Christian theology. These Christians retained the already implied Greco-Roman negative stereotypes of the term and extented them by incorporating conceptual patterns borrowed from Jewish thought, in particular the opposition of magic and miracle. Some early Christian authors followed the Greek-Roman thinking by ascribing the origin of magic to the human realm, mainly to Zoroaster and Osthanes. The Christian view was that magic was a product of the Babylonians, Persians, or Egyptians. The Christians shared with earlier classical culture the idea that magic was something distinct from proper religion, although drew their distinction between the two in different ways.

A 17th-century depiction of the medieval writer Isidore of Seville, who provided a list of activities he regarded as magical

For early Christian writers like Augustine of Hippo, magic did not merely constitute fraudulent and unsanctioned ritual practices, but was the very opposite of religion because it relied upon cooperation from demons, the henchmen of Satan. In this, Christian ideas of magic were closely linked to the Christian category of paganism, and both magic and paganism were regarded as belonging under the broader category of superstitio (superstition), another term borrowed from pre-Christian Roman culture. This Christian emphasis on the inherent immorality and wrongness of magic as something conflicting with good religion was far starker than the approach in the other large monotheistic religions of the period, Judaism and Islam. For instance, while Christians regarded demons as inherently evil, the jinn—comparable entities in Islamic mythology—were perceived as more ambivalent figures by Muslims.

The model of the magician in Christian thought was provided by Simon Magus, (Simon the Magician), a figure who opposed Saint Peter in both the Acts of the Apostles and the apocryphal yet influential Acts of Peter. The historian Michael D. Bailey stated that in medieval Europe, magic was a "relatively broad and encompassing category". Christian theologians believed that there were multiple different forms of magic, the majority of which were types of divination, for instance, Isidore of Seville produced a catalogue of things he regarded as magic in which he listed divination by the four elements i.e. geomancy, hydromancy, aeromancy, pyromancy, as well as by observation of natural phenomena e.g. the flight of birds and astrology. He also mentioned enchantment and ligatures (the medical use of magical objects bound to the patient) as being magical. Medieval Europe also saw magic come to be associated with the Old Testament figure of Solomon; various grimoires, or books outlining magical practices, were written that claimed to have been written by Solomon, most notably the Key of Solomon.

In early medieval Europe, magia was a term of condemnation. In medieval Europe, Christians often suspected Muslims and Jews of engaging in magical practices; in certain cases, these perceived magical rites—including the alleged Jewish sacrifice of Christian children—resulted in Christians massacring these religious minorities. Christian groups often also accused other, rival Christian groups—which they regarded as heretical—of engaging in magical activities. Medieval Europe also saw the term maleficium applied to forms of magic that were conducted with the intention of causing harm. The later Middle Ages saw words for these practitioners of harmful magical acts appear in various European languages: sorcière in French, Hexe in German, strega in Italian, and bruja in Spanish. The English term for malevolent practitioners of magic, witch, derived from the earlier Old English term wicce.

Ars Magica or magic is a major component and supporting contribution to the belief and practice of spiritual, and in many cases, physical healing throughout the Middle Ages. Emanating from many modern interpretations lies a trail of misconceptions about magic, one of the largest revolving around wickedness or the existence of nefarious beings who practice it. These misinterpretations stem from numerous acts or rituals that have been performed throughout antiquity, and due to their exoticism from the commoner's perspective, the rituals invoked uneasiness and an even stronger sense of dismissal.

An excerpt from Sefer Raziel HaMalakh, featuring various magical sigils (סגולות segulot in Hebrew)

In the Medieval Jewish view, the separation of the mystical and magical elements of Kabbalah, dividing it into speculative theological Kabbalah (Kabbalah Iyyunit) with its meditative traditions, and theurgic practical Kabbalah (Kabbalah Ma'asit), had occurred by the beginning of the 14th century.

One societal force in the Middle Ages more powerful than the singular commoner, the Christian Church, rejected magic as a whole because it was viewed as a means of tampering with the natural world in a supernatural manner associated with the biblical verses of Deuteronomy 18:9-12. Despite the many negative connotations which surround the term magic, there exist many elements that are seen in a divine or holy light.

Diversified instruments or rituals used in medieval magic include, but are not limited to: various amulets, talismans, potions, as well as specific chants, dances, and prayers. Along with these rituals are the adversely imbued notions of demonic participation which influence of them. The idea that magic was devised, taught, and worked by demons would have seemed reasonable to anyone who read the Greek magical papyri or the Sefer-ha-Razim and found that healing magic appeared alongside rituals for killing people, gaining wealth, or personal advantage, and coercing women into sexual submission. Archaeology is contributing to a fuller understanding of ritual practices performed in the home, on the body and in monastic and church settings.

The Islamic reaction towards magic did not condemn magic in general and distinguished between magic which can heal sickness and possession, and sorcery. The former is therefore a special gift from God, while the latter is achieved through help of Jinn and devils. Ibn al-Nadim hold, Exorcists gain their power by their obedience to God, while sorcerers please the devils by acts of disobedience and sacrifices and they in return do him a favor. According to Ibn Arabi Al-Ḥajjāj ibn Yusuf al-Shubarbuli was due to his piety able to walk on water. Based on the Quran, regarding Islamic legends of Solomon, magic was taught by devils to the humans. Solomon took the writings of the sorcerer away and hid them under his throne. After his death, Iblis, unable to get close to Solomons court, told the people, they will find a treasure under the throne and thus lead them to sorcery. Another account hold, sorcery came with the fallen angels Harut and Marut to mankind.

Frontispiece of an English translation of Natural Magick published in London in 1658

During the early modern period, the concept of magic underwent a more positive reassessment through the development of the concept of magia naturalis (natural magic). This was a term introduced and developed by two Italian humanists, Marsilio Ficino and Giovanni Pico della Mirandola. For them, magia was viewed as an elemental force pervading many natural processes, and thus was fundamentally distinct from the mainstream Christian idea of demonic magic. Their ideas influenced an array of later philosophers and writers, among them Paracelsus, Giordano Bruno, Johannes Reuchlin, and Johannes Trithemius. According to the historian Richard Kieckhefer, the concept of magia naturalis took "firm hold in European culture" during the fourteenth and fifteenth centuries, attracting the interest of natural philosophers of various theoretical orientations, including Aristotelians, Neoplatonists, and Hermeticists.

Adherents of this position argued that magia could appear in both good and bad forms; in 1625, the French librarian Gabriel Naudé wrote his Apology for all the Wise Men Falsely Suspected of Magic, in which he distinguished "Mosoaicall Magick"—which he claimed came from God and included prophecies, miracles, and speaking in tongues—from "geotick" magic caused by demons. While the proponents of magia naturalis insisted that this did not rely on the actions of demons, critics disagreed, arguing that the demons had simply deceived these magicians. By the seventeenth century the concept of magia naturalis had moved in increasingly 'naturalistic' directions, with the distinctions between it and science becoming blurred. The validity of magia naturalis as a concept for understanding the universe then came under increasing criticism during the Age of Enlightenment in the eighteenth century.

Despite the attempt to reclaim the term magia for use in a positive sense, it did not supplant traditional attitudes toward magic in the West, which remained largely negative. At the same time as magia naturalis was attracting interest and was largely tolerated, Europe saw an active persecution of accused witches believed to be guilty of maleficia. Reflecting the term's continued negative associations, Protestants often sought to denigrate Roman Catholic sacramental and devotional practices as being magical rather than religious. Many Roman Catholics were concerned by this allegation and for several centuries various Roman Catholic writers devoted attention to arguing that their practices were religious rather than magical. At the same time, Protestants often used the accusation of magic against other Protestant groups which they were in contest with. In this way, the concept of magic was used to prescribe what was appropriate as religious belief and practice. Similar claims were also being made in the Islamic world during this period. The Arabian cleric Muhammad ibn Abd al-Wahhab—founder of Wahhabism—for instance condemned a range of customs and practices such as divination and the veneration of spirits as sihr, which he in turn claimed was a form of shirk, the sin of idolatry.

The Renaissance

Renaissance humanism saw a resurgence in hermeticism and Neo-Platonic varieties of ceremonial magic. The Renaissance, on the other hand, saw the rise of science, in such forms as the dethronement of the Ptolemaic theory of the universe, the distinction of astronomy from astrology, and of chemistry from alchemy.

There was great uncertainty in distinguishing practices of superstition, occultism, and perfectly sound scholarly knowledge or pious ritual. The intellectual and spiritual tensions erupted in the Early Modern witch craze, further reinforced by the turmoil of the Protestant Reformation, especially in Germany, England, and Scotland.

In Hasidism, the displacement of practical Kabbalah using directly magical means, by conceptual and meditative trends gained much further emphasis, while simultaneously instituting meditative theurgy for material blessings at the heart of its social mysticism. Hasidism internalised Kabbalah through the psychology of deveikut (cleaving to God), and cleaving to the Tzadik (Hasidic Rebbe). In Hasidic doctrine, the tzaddik channels Divine spiritual and physical bounty to his followers by altering the Will of God (uncovering a deeper concealed Will) through his own deveikut and self-nullification. Dov Ber of Mezeritch is concerned to distinguish this theory of the Tzadik's will altering and deciding the Divine Will, from directly magical process.

In the nineteenth century, the Haitian government began to legislate against Vodou, describing it as a form of witchcraft; this conflicted with Vodou practitioners' own understanding of their religion.

In the sixteenth century, European societies began to conquer and colonise other continents around the world, and as they did so they applied European concepts of magic and witchcraft to practices found among the peoples whom they encountered. Usually, these European colonialists regarded the natives as primitives and savages whose belief systems were diabolical and needed to be eradicated and replaced by Christianity. Because Europeans typically viewed these non-European peoples as being morally and intellectually inferior to themselves, it was expected that such societies would be more prone to practicing magic. Women who practiced traditional rites were labelled as witches by the Europeans.

In various cases, these imported European concepts and terms underwent new transformations as they merged with indigenous concepts. In West Africa, for instance, Portuguese travellers introduced their term and concept of the feitiçaria (often translated as sorcery) and the feitiço (spell) to the native population, where it was transformed into the concept of the fetish. When later Europeans encountered these West African societies, they wrongly believed that the fetiche was an indigenous African term rather than the result of earlier inter-continental encounters. Sometimes, colonised populations themselves adopted these European concepts for their own purposes. In the early nineteenth century, the newly independent Haitian government of Jean-Jacques Dessalines began to suppress the practice of Vodou, and in 1835 Haitian law-codes categorised all Vodou practices as sortilège (sorcery/witchcraft), suggesting that it was all conducted with harmful intent, whereas among Vodou practitioners the performance of harmful rites was already given a separate and distinct category, known as maji.

Baroque period

Writers on occult or magical topics during this period include:

Modernity

By the nineteenth century, European intellectuals no longer saw the practice of magic through the framework of sin and instead regarded magical practices and beliefs as "an aberrational mode of thought antithetical to the dominant cultural logic – a sign of psychological impairment and marker of racial or cultural inferiority".

As educated elites in Western societies increasingly rejected the efficacy of magical practices, legal systems ceased to threaten practitioners of magical activities with punishment for the crimes of diabolism and witchcraft, and instead threatened them with the accusation that they were defrauding people through promising to provide things which they could not.

This spread of European colonial power across the world influenced how academics would come to frame the concept of magic. In the nineteenth century, several scholars adopted the traditional, negative concept of magic. That they chose to do so was not inevitable, for they could have followed the example adopted by prominent esotericists active at the time like Helena Blavatsky who had chosen to use the term and concept of magic in a positive sense. Various writers also used the concept of magic to criticise religion by arguing that the latter still displayed many of the negative traits of the former. An example of this was the American journalist H. L. Mencken in his polemical 1930 work Treatise on the Gods; he sought to critique religion by comparing it to magic, arguing that the division between the two was misplaced. The concept of magic was also adopted by theorists in the new field of psychology, where it was often used synonymously with superstition, although the latter term proved more common in early psychological texts.

In the late nineteenth and twentieth centuries, folklorists examined rural communities across Europe in search of magical practices, which at the time they typically understood as survivals of ancient belief systems. It was only in the 1960s that anthropologists like Jeanne Favret-Saada also began looking in depth at magic in European contexts, having previously focused on examining magic in non-Western contexts. In the twentieth century, magic also proved a topic of interest to the Surrealists, an artistic movement based largely in Europe; the Surrealism André Breton for instance published L'Art magique in 1957, discussing what he regarded as the links between magic and art.

The scholarly application of magic as a sui generis category that can be applied to any socio-cultural context was linked with the promotion of modernity to both Western and non-Western audiences.

The term magic has become pervasive in the popular imagination and idiom. In contemporary contexts, the word magic is sometimes used to "describe a type of excitement, of wonder, or sudden delight", and in such a context can be "a term of high praise". Despite its historical contrast against science, scientists have also adopted the term in application to various concepts, such as magic acid, magic bullets, and magic angles.

Many concepts of modern ceremonial magic are heavily influenced by the ideas of Aleister Crowley.

Modern Western magic has challenged widely-held preconceptions about contemporary religion and spirituality. The polemical discourses about magic influenced the self-understanding of modern magicians, several whom—such as Aleister Crowley and Julius Evola—were well versed in academic literature on the subject. According to scholar of religion Henrik Bogdan, "arguably the best known emic definition" of the term magic was provided by Crowley. Crowley—who favoured the spelling 'magick' over magic to distinguish it from stage illusionism—was of the view that "Magick is the Science and Art of causing Change to occur in conformity with Will". Crowley's definition influenced that of subsequent magicians. Dion Fortune of the Fraternity of the Inner Light for instance stated that "Magic is the art of changing consciousness according to Will". Gerald Gardner, the founder of Gardnerian Wicca, stated that magic was "attempting to cause the physically unusual", while Anton LaVey, the founder of LaVeyan Satanism, described magic as "the change in situations or events in accordance with one's will, which would, using normally acceptable methods, be unchangeable."

The chaos magic movement emerged during the late 20th century, as an attempt to strip away the symbolic, ritualistic, theological or otherwise ornamental aspects of other occult traditions and distill magic down to a set of basic techniques.

These modern Western concepts of magic rely on a belief in correspondences connected to an unknown occult force that permeates the universe. As noted by Hanegraaff, this operated according to "a new meaning of magic, which could not possibly have existed in earlier periods, precisely because it is elaborated in reaction to the "disenchantment of the world"." For many, and perhaps most, modern Western magicians, the goal of magic is deemed to be personal spiritual development. The perception of magic as a form of self-development is central to the way that magical practices have been adopted into forms of modern Paganism and the New Age phenomenon. One significant development within modern Western magical practices has been sex magic. This was a practice promoted in the writings of Paschal Beverly Randolph and subsequently exerted a strong interest on occultist magicians like Crowley and Theodor Reuss.

The adoption of the term magic by modern occultists can in some instances be a deliberate attempt to champion those areas of Western society which have traditionally been marginalised as a means of subverting dominant systems of power. The influential American Wiccan and author Starhawk for instance stated that "Magic is another word that makes people uneasy, so I use it deliberately, because the words we are comfortable with, the words that sound acceptable, rational, scientific, and intellectually correct, are comfortable precisely because they are the language of estrangement." In the present day, "among some countercultural subgroups the label is considered 'cool'"

Sorcery is a legal concept in Papua New Guinea law, which differentiates between legal good magic, such as healing and fertility, and illegal black magic, held responsible for unexplained deaths.

Conceptual development

According to anthropologist Edward Evan Evans-Pritchard, magic formed a rational framework of beliefs and knowledge in some cultures, like the Azande people of Africa. The historian Owen Davies stated that the word magic was "beyond simple definition", and had "a range of meanings". Similarly, the historian Michael D. Bailey characterised magic as "a deeply contested category and a very fraught label"; as a category, he noted, it was "profoundly unstable" given that definitions of the term have "varied dramatically across time and between cultures". Scholars have engaged in extensive debates as to how to define magic, with such debates resulting in intense dispute. Throughout such debates, the scholarly community has failed to agree on a definition of magic, in a similar manner to how they have failed to agree on a definition of religion. According with scholar of religion Michael Stausberg the phenomenon of people applying the concept of magic to refer to themselves and their own practices and beliefs goes as far back as late antiquity. However, even among those throughout history who have described themselves as magicians, there has been no common ground of what magic is.

In Africa, the word magic might simply be understood as denoting management of forces, which, as an activity, is not weighted morally and is accordingly a neutral activity from the start of a magical practice, but by the will of the magician, is thought to become and to have an outcome which represents either good or bad (evil). Ancient African culture was in the habit customarily of always discerning difference between magic, and a group of other things, which are not magic, these things were medicine, divination, witchcraft and sorcery. Opinion differs on how religion and magic are related to each other with respect development or to which developed from which, some think they developed together from a shared origin, some think religion developed from magic, and some, magic from religion.

Anthropological and sociological theories of magic generally serve to sharply demarcate certain practices from other, otherwise similar practices in a given society. According to Bailey: "In many cultures and across various historical periods, categories of magic often define and maintain the limits of socially and culturally acceptable actions in respect to numinous or occult entities or forces. Even more, basically, they serve to delineate arenas of appropriate belief." In this, he noted that "drawing these distinctions is an exercise in power". This tendency has had repercussions for the study of magic, with academics self-censoring their research because of the effects on their careers.

Randall Styers noted that attempting to define magic represents "an act of demarcation" by which it is juxtaposed against "other social practices and modes of knowledge" such as religion and science. The historian Karen Louise Jolly described magic as "a category of exclusion, used to define an unacceptable way of thinking as either the opposite of religion or of science".

Modern scholarship has produced various definitions and theories of magic. According to Bailey, "these have typically framed magic in relation to, or more frequently in distinction from, religion and science." Since the emergence of the study of religion and the social sciences, magic has been a "central theme in the theoretical literature" produced by scholars operating in these academic disciplines. Magic is one of the most heavily theorized concepts in the study of religion, and also played a key role in early theorising within anthropology. Styers believed that it held such a strong appeal for social theorists because it provides "such a rich site for articulating and contesting the nature and boundaries of modernity". Scholars have commonly used it as a foil for the concept of religion, regarding magic as the "illegitimate (and effeminized) sibling" of religion. Alternately, others have used it as a middle-ground category located between religion and science.

The context in which scholars framed their discussions of magic was informed by the spread of European colonial power across the world in the modern period. These repeated attempts to define magic resonated with broader social concerns, and the pliability of the concept has allowed it to be "readily adaptable as a polemical and ideological tool". The links that intellectuals made between magic and those they characterized as primitives helped to legitimise European and Euro-American imperialism and colonialism, as these Western colonialists expressed the view that those who believed in and practiced magic were unfit to govern themselves and should be governed by those who, rather than believing in magic, believed in science and/or (Christian) religion. In Bailey's words, "the association of certain peoples [whether non-Europeans or poor, rural Europeans] with magic served to distance and differentiate them from those who ruled over them, and in large part to justify that rule."

Many different definitions of magic have been offered by scholars, although—according to Hanegraaff—these can be understood as variations of a small number of heavily influential theories.

Intellectualist approach
Edward Tylor, an anthropologist who used the term magic in reference to sympathetic magic, an idea that he associated with his concept of animism

The intellectualist approach to defining magic is associated with two prominent British anthropologists, Edward Tylor and James G. Frazer. This approach viewed magic as the theoretical opposite of science, and came to preoccupy much anthropological thought on the subject. This approach was situated within the evolutionary models which underpinned thinking in the social sciences during the early 19th century. The first social scientist to present magic as something that predated religion in an evolutionary development was Herbert Spencer; in his A System of Synthetic Philosophy, he used the term magic in reference to sympathetic magic. Spencer regarded both magic and religion as being rooted in false speculation about the nature of objects and their relationship to other things.

Tylor's understanding of magic was linked to his concept of animism. In his 1871 book Primitive Culture, Tylor characterized magic as beliefs based on "the error of mistaking ideal analogy for real analogy".  In Tylor's view, "primitive man, having come to associate in thought those things which he found by experience to be connected in fact, proceeded erroneously to invert this action, and to conclude that association in thought must involve similar connection in reality. He thus attempted to discover, to foretell, and to cause events by means of processes which we can now see to have only an ideal significance". Tylor was dismissive of magic, describing it as "one of the most pernicious delusions that ever vexed mankind". Tylor's views proved highly influential, and helped to establish magic as a major topic of anthropological research.

James Frazer regarded magic as the first stage in human development, to be followed by religion and then science

Tylor's ideas were adopted and simplified by James Frazer. He used the term magic to mean sympathetic magic, describing it as a practice relying on the magician's belief "that things act on each other at a distance through a secret sympathy", something which he described as "an invisible ether". He further divided this magic into two forms, the "homeopathic (imitative, mimetic)" and the "contagious". The former was the idea that "like produces like", or that the similarity between two objects could result in one influencing the other. The latter was based on the idea that contact between two objects allowed the two to continue to influence one another at a distance. Like Taylor, Frazer viewed magic negatively, describing it as "the bastard sister of science", arising from "one great disastrous fallacy".

Where Frazer differed from Tylor was in characterizing a belief in magic as a major stage in humanity's cultural development, describing it as part of a tripartite division in which magic came first, religion came second, and eventually science came third. For Frazer, all early societies started as believers in magic, with some of them moving away from this and into religion. He believed that both magic and religion involved a belief in spirits but that they differed in the way that they responded to these spirits. For Frazer, magic "constrains or coerces" these spirits while religion focuses on "conciliating or propitiating them". He acknowledged that their common ground resulted in a cross-over of magical and religious elements in various instances; for instance he claimed that the sacred marriage was a fertility ritual which combined elements from both world-views.

Some scholars retained the evolutionary framework used by Frazer but changed the order of its stages; the German ethnologist Wilhelm Schmidt argued that religion—by which he meant monotheism—was the first stage of human belief, which later degenerated into both magic and polytheism. Others rejected the evolutionary framework entirely. Frazer's notion that magic had given way to religion as part of an evolutionary framework was later deconstructed by the folklorist and anthropologist Andrew Lang in his essay "Magic and Religion"; Lang did so by highlighting how Frazer's framework relied upon misrepresenting ethnographic accounts of beliefs and practiced among indigenous Australians to fit his concept of magic.

Functionalist approach

The functionalist approach to defining magic is associated with the French sociologists Marcel Mauss and Emile Durkheim. In this approach, magic is understood as being the theoretical opposite of religion.

Mauss set forth his conception of magic in a 1902 essay, "A General Theory of Magic". Mauss used the term magic in reference to "any rite that is not part of an organized cult: a rite that is private, secret, mysterious, and ultimately tending towards one that is forbidden". Conversely, he associated religion with organised cult. By saying that magic was inherently non-social, Mauss had been influenced by the traditional Christian understandings of the concept. Mauss deliberately rejected the intellectualist approach promoted by Frazer, believing that it was inappropriate to restrict the term magic to sympathetic magic, as Frazer had done. He expressed the view that "there are not only magical rites which are not sympathetic, but neither is sympathy a prerogative of magic, since there are sympathetic practices in religion".

Mauss' ideas were adopted by Durkheim in his 1912 book The Elementary Forms of the Religious Life. Durkheim was of the view that both magic and religion pertained to "sacred things, that is to say, things set apart and forbidden". Where he saw them as being different was in their social organisation. Durkheim used the term magic to describe things that were inherently anti-social, existing in contrast to what he referred to as a Church, the religious beliefs shared by a social group; in his words, "There is no Church of magic." Durkheim expressed the view that "there is something inherently anti-religious about the maneuvers of the magician", and that a belief in magic "does not result in binding together those who adhere to it, nor in uniting them into a group leading a common life." Durkheim's definition encounters problems in situations—such as the rites performed by Wiccans—in which acts carried out communally have been regarded, either by practitioners or observers, as being magical.

Scholars have criticized the idea that magic and religion can be differentiated into two distinct, separate categories. The social anthropologist Alfred Radcliffe-Brown suggested that "a simple dichotomy between magic and religion" was unhelpful and thus both should be subsumed under the broader category of ritual. Many later anthropologists followed his example. Nevertheless, this distinction is still often made by scholars discussing this topic.

Emotionalist approach

The emotionalist approach to magic is associated with the English anthropologist Robert Ranulph Marett, the Austrian Sigmund Freud, and the Polish anthropologist Bronisław Malinowski.

Marett viewed magic as a response to stress. In a 1904 article, he argued that magic was a cathartic or stimulating practice designed to relieve feelings of tension. As his thought developed, he increasingly rejected the idea of a division between magic and religion and began to use the term "magico-religious" to describe the early development of both. Malinowski similarly understood magic to Marett, tackling the issue in a 1925 article. He rejected Frazer's evolutionary hypothesis that magic was followed by religion and then science as a series of distinct stages in societal development, arguing that all three were present in each society. In his view, both magic and religion "arise and function in situations of emotional stress" although whereas religion is primarily expressive, magical is primarily practical. He therefore defined magic as "a practical art consisting of acts which are only means to a definite end expected to follow later on". For Malinowski, magical acts were to be carried out for a specific end, whereas religious ones were ends in themselves. He for instance believed that fertility rituals were magical because they were carried out with the intention of meeting a specific need. As part of his functionalist approach, Malinowski saw magic not as irrational but as something that served a useful function, being sensible within the given social and environmental context.

Ideas about magic were also promoted by Sigmund Freud

The term magic was used liberally by Freud. He also saw magic as emerging from human emotion but interpreted it very differently to Marett. Freud explains that "the associated theory of magic merely explains the paths along which magic proceeds; it does not explain its true essence, namely the misunderstanding which leads it to replace the laws of nature by psychological ones". Freud emphasizes that what led primitive men to come up with magic is the power of wishes: "His wishes are accompanied by a motor impulse, the will, which is later destined to alter the whole face of the earth to satisfy his wishes. This motor impulse is at first employed to give a representation of the satisfying situation in such a way that it becomes possible to experience the satisfaction by means of what might be described as motor hallucinations. This kind of representation of a satisfied wish is quite comparable to children's play, which succeeds their earlier purely sensory technique of satisfaction. [...] As time goes on, the psychological accent shifts from the motives for the magical act on to the measures by which it is carried out—that is, on to the act itself. [...] It thus comes to appear as though it is the magical act itself which, owing to its similarity with the desired result, alone determines the occurrence of that result."

In the early 1960s, the anthropologists Murray and Rosalie Wax put forward the argument that scholars should look at the magical worldview of a given society on its own terms rather than trying to rationalize it in terms of Western ideas about scientific knowledge. Their ideas were heavily criticised by other anthropologists, who argued that they had set up a false dichotomy between non-magical Western worldview and magical non-Western worldviews. The concept of the magical worldview nevertheless gained widespread use in history, folkloristics, philosophy, cultural theory, and psychology. The notion of magical thinking has also been utilised by various psychologists. In the 1920s, the psychologist Jean Piaget used the concept as part of their argument that children were unable to clearly differentiate between the mental and the physical. According to this perspective, children begin to abandon their magical thinking between the ages of six and nine.

According to Stanley Tambiah, magic, science, and religion all have their own "quality of rationality", and have been influenced by politics and ideology. As opposed to religion, Tambiah suggests that mankind has a much more personal control over events. Science, according to Tambiah, is "a system of behavior by which man acquires mastery of the environment."

Ethnocentrism

The magic-religion-science triangle developed in European society based on evolutionary ideas i.e. that magic evolved into religion, which in turn evolved into science. However using a Western analytical tool when discussing non-Western cultures, or pre-modern forms of Western society, raises problems as it may impose alien Western categories on them. While magic remains an emic (insider) term in the history of Western societies, it remains an etic (outsider) term when applied to non-Western societies and even within specific Western societies. For this reason, academics like Michael D. Bailey suggest abandon the term altogether as an academic category. During the twentieth century, many scholars focusing on Asian and African societies rejected the term magic, as well as related concepts like witchcraft, in favour of the more precise terms and concepts that existed within these specific societies like Juju. A similar approach has been taken by many scholars studying pre-modern societies in Europe, such as Classical antiquity, who find the modern concept of magic inappropriate and favour more specific terms originating within the framework of the ancient cultures which they are studying. Alternately, this term implies that all categories of magic are ethnocentric and that such Western preconceptions are an unavoidable component of scholarly research. This century has seen a trend towards emic ethnographic studies by scholar practitioners that explicitly explore the emic/etic divide.

Many scholars have argued that the use of the term as an analytical tool within academic scholarship should be rejected altogether. The scholar of religion Jonathan Z. Smith for example argued that it had no utility as an etic term that scholars should use. The historian of religion Wouter Hanegraaff agreed, on the grounds that its use is founded in conceptions of Western superiority and has "...served as a 'scientific' justification for converting non-European peoples from benighted superstitions..." stating that "the term magic is an important object of historical research, but not intended for doing research."

Bailey noted that, as of the early 21st century, few scholars sought grand definitions of magic but instead focused with "careful attention to particular contexts", examining what a term like magic meant to a given society; this approach, he noted, "call[ed] into question the legitimacy of magic as a universal category". The scholars of religion Berndt-Christian Otto and Michael Stausberg suggested that it would be perfectly possible for scholars to talk about amulets, curses, healing procedures, and other cultural practices often regarded as magical in Western culture without any recourse to the concept of magic itself. The idea that magic should be rejected as an analytic term developed in anthropology, before moving into Classical studies and Biblical studies in the 1980s. Since the 1990s, the term's usage among scholars of religion has declined.

Witchcraft

The historian Ronald Hutton notes the presence of four distinct meanings of the term witchcraft in the English language. Historically, the term primarily referred to the practice of causing harm to others through supernatural or magical means. This remains, according to Hutton, "the most widespread and frequent" understanding of the term. Moreover, Hutton also notes three other definitions in current usage; to refer to anyone who conducts magical acts, for benevolent or malevolent intent; for practitioners of the modern Pagan religion of Wicca; or as a symbol of women resisting male authority and asserting an independent female authority. Belief in witchcraft is often present within societies and groups whose cultural framework includes a magical world view.

Those regarded as being magicians have often faced suspicion from other members of their society. This is particularly the case if these perceived magicians have been associated with social groups already considered morally suspect in a particular society, such as foreigners, women, or the lower classes. In contrast to these negative associations, many practitioners of activities that have been labelled magical have emphasised that their actions are benevolent and beneficial. This conflicted with the common Christian view that all activities categorised as being forms of magic were intrinsically bad regardless of the intent of the magician, because all magical actions relied on the aid of demons. There could be conflicting attitudes regarding the practices of a magician; in European history, authorities often believed that cunning folk and traditional healers were harmful because their practices were regarded as magical and thus stemming from contact with demons, whereas a local community might value and respect these individuals because their skills and services were deemed beneficial.

In Western societies, the practice of magic, especially when harmful, was usually associated with women. For instance, during the witch trials of the early modern period, around three quarters of those executed as witches were female, to only a quarter who were men. That women were more likely to be accused and convicted of witchcraft in this period might have been because their position was more legally vulnerable, with women having little or no legal standing that was independent of their male relatives. The conceptual link between women and magic in Western culture may be because many of the activities regarded as magical—from rites to encourage fertility to potions to induce abortions—were associated with the female sphere. It might also be connected to the fact that many cultures portrayed women as being inferior to men on an intellectual, moral, spiritual, and physical level.

Magicians

The Magician card from a 15th-century tarot deck.

Many of the practices which have been labelled magic can be performed by anyone. For instance, some charms can be recited by individuals with no specialist knowledge nor any claim to having a specific power. Others require specialised training in order to perform them. Some of the individuals who performed magical acts on a more than occasional basis came to be identified as magicians, or with related concepts like sorcerers/sorceresses, witches, or cunning folk. Identities as a magician can stem from an individual's own claims about themselves, or it can be a label placed upon them by others. In the latter case, an individual could embrace such a label, or they could reject it, sometimes vehemently.

There can be economic incentives that encouraged individuals to identify as magicians. In the cases of various forms of traditional healer, as well as the later stage magicians or illusionists, the label of magician could become a job description. Others claim such an identity out of a genuinely held belief that they have specific unusual powers or talents. Different societies have different social regulations regarding who can take on such a role; for instance, it may be a question of familial heredity, or there may be gender restrictions on who is allowed to engage in such practices. A variety of personal traits may be credited with giving magical power, and frequently they are associated with an unusual birth into the world. For instance, in Hungary it was believe that a táltos would be born with teeth or an additional finger. In various parts of Europe, it was believed that being born with a caul would associate the child with supernatural abilities. In some cases, a ritual initiation is required before taking on a role as a specialist in such practices, and in others it is expected that an individual will receive a mentorship from another specialist.

Davies noted that it was possible to "crudely divide magic specialists into religious and lay categories". He noted for instance that Roman Catholic priests, with their rites of exorcism, and access to holy water and blessed herbs, could be conceived as being magical practitioners. Traditionally, the most common method of identifying, differentiating, and establishing magical practitioners from common people is by initiation. By means of rites the magician's relationship to the supernatural and his entry into a closed professional class is established (often through rituals that simulate death and rebirth into a new life). However, since rise of Neopaganism, Berger and Ezzy explain that, "As there is no central bureaucracy or dogma to determine authenticity, an individual's self-determination as a Witch, Wiccan, Pagan or Neopagan is usually taken at face value". Ezzy argues that practitioner's worldviews have been neglected in many sociological and anthropological studies and that this is because of "a culturally narrow understanding of science that devalues magical beliefs".

Mauss argues that the powers of both specialist and common magicians are determined by culturally accepted standards of the sources and the breadth of magic: a magician cannot simply invent or claim new magic. In practice, the magician is only as powerful as his peers believe him to be.

Throughout recorded history, magicians have often faced scepticism regarding their purported powers and abilities. For instance, in sixteenth-century England, the writer Reginald Scot wrote The Discoverie of Witchcraft, in which he argued that many of those accused of witchcraft or otherwise claiming magical capabilities were fooling people using illusionism.

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