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Saturday, December 14, 2019

The Gods Themselves (Novel by Isaac Asimov)

From Wikipedia, the free encyclopedia
 
The Gods Themselves
TheGodsThemselves(1stEd).jpg
Cover of first edition (hardcover)
AuthorIsaac Asimov
Cover artistDavid November
CountryUnited States
GenreScience fiction
PublisherDoubleday
Publication date
1972
Media typePrint (hardback and paperback)
Pages288
AwardsLocus Award for Best Novel (1973)
ISBN0-385-02701-X

The Gods Themselves is a 1972 science fiction novel written by Isaac Asimov. It won the Nebula Award for Best Novel in 1972, and the Hugo Award for Best Novel in 1973.

The book is divided into three main parts, which were first published in Galaxy Magazine and Worlds of If as three consecutive stories.

Plot summary

In terms of structure, the book opens at chapter 6 to give context to the other chapters. Thus, the flow is Chapter 6 overview of Chapter 1, then Chapter 1. Next, is Chapter 6 overview of Chapter 2, then Chapter 2. Chapter 6 then concludes, and the story proceeds with chapter 7. 

In terms of the setting in the future, in Part I, the novel specifically refers to the date October 3, 2070 as a date when the character Hallam entered the laboratory to work. Later in Part I, in chapter 2, the book states that the character Peter Lamont had been 2 years old when Hallam performed the work set in 2070, and Lamont was 25 years old when he began working at the Pump Station. Accordingly, the bulk of the novel is set sometime around the year 2100. In Part III, the novel states that the Earth's population has been reduced to two billion people following a "Great Crisis" which involved genetic engineering. Part III of the novel takes place on a lunar colony with about 10,000 people, half of which were "native Lunarites." 

The main plot-line is a project by those who inhabit a parallel universe (the para-Universe) with different physical laws from this one. By exchanging matter from their universe—para-Universe—with our universe, they seek to exploit the differences in physical laws. The exchange of matter provides an alternative source of energy to maintain their universe. However, the exchange will likely result in the collapse of the Earth's Sun into a supernova, and possibly even turning a large part of the Milky Way into a quasar. There is hope among those in the para-Universe that the energy explosion does happen in our universe. 

First part: Against Stupidity...

The first part takes place on Earth, almost a century after the "Great Crisis", where ecological and economic collapse reduced the world's population from six billion to two billion. Radiochemist Frederick Hallam discovers that a container's contents have been altered. He finds out that the sample, originally tungsten, has been transformed into plutonium 186—an isotope that cannot occur naturally in our universe. As this is investigated, Hallam gets the credit for suggesting that the matter has been exchanged by beings in a parallel universe; this leads to the development of a cheap, clean, and apparently endless source of energy: the "Pump", which transfers matter between our universe (where plutonium 186 decays into tungsten 186) and a parallel one governed by different physical laws (where tungsten 186 turns into plutonium 186), yielding a nuclear reaction in the process. The development process grants Hallam high position in public opinion; winning him power, position, and a Nobel Prize. 

Physicist Peter Lamont, while writing a history of the Pump about thirty years later, comes to believe that the impetus of the Pump was the effort of the extraterrestrial "para-men". Lamont enlists the help of Myron "Mike" Bronowski, an archeologist and linguist known for translating ancient writings in the Etruscan language, to prove his claim by communicating with the parallel world. They inscribe symbols on strips of tungsten to establish a common written language as the strips are exchanged for ones made of plutonium-186. As Bronowski works, Lamont discovers that the Pump increases the strong nuclear force inside the sun, and thus threatens both universes by the explosion of Earth's Sun and the cooling of that in the parallel universe. Bronowski receives an acknowledgment from the parallel universe that the Pump may be dangerous. Lamont attempts to demonstrate this to a politician and several members of the scientific community, but they refuse his request. Lamont decides to tell the para-men to stop the use of the Pump, but Bronowski reveals that they have been in contact not with the other side's authorities, but with dissidents unable to stop the Pump on their side. The last message was them begging Earth to stop. 

Second part: ...The Gods Themselves...

The second part is set in the parallel universe where, because the nuclear force is stronger, stars are smaller and burn out faster than in our universe. It takes place on a world orbiting a sun that is dying. Because atoms behave differently in this universe, substances can move through each other and appear to occupy the same space. This gives the intelligent beings unique abilities. Time itself appears to flow differently in this universe: the events take place in an apparently short space of time in the lives of the inhabitants, while more than twenty years pass in our universe, and a long feeding break of one of the characters translates into a two-week gap on Lamont's side.

Like the first part of the novel, this section has an unusual chapter numbering. Each chapter except the last is in three parts, named "1a", "1b", and "1c". Each reflects the viewpoint of one of the three members of the "triad" central to the story's theme.

The inhabitants are divided into dominant "hard ones" and subject "soft ones". The latter have three sexes with fixed roles for each sex:
  • Rationals (or "lefts") are the logical and scientific sex; identified with masculine pronouns and producing a form of sperm. They have limited ability to pass through other bodies.
  • Emotionals (or "mids") are the intuitive sex; identified with the feminine pronouns and provide the energy needed for reproduction. Emotionals can pass freely in and out of solid material, including rock.
  • Parentals (or "rights") bear and raise the offspring, and are identified with masculine pronouns. Parentals have almost no ability to blend their bodies with others, except when helped by one or both of the other sexes.
All three 'genders' are embedded in sexual and social norms of expected and acceptable behavior. All three live by photosynthesis; whereas sexual intercourse is accomplished by bodily collapse into a single pool (known as 'melting'). Rationals and Parentals can do this independently, but in the presence of an Emotional, the "melt" becomes total, which causes orgasm and also results in a period of unconsciousness and memory loss. Only during such a total "melt" can the Rational "impregnate" the Parental, with the Emotional providing the energy. Normally, the triad produces three children; a Rational, a Parental and Emotional (in that order), after which they "pass on" and disappear forever. In the past, some triads have repeated the cycle of births (thus ensuring population growth), but the declining amount of solar radiation no longer allows that. "Stone-rubbing" is a practice of partially melting with solid objects like rocks, possible for Emotionals, but the other genders are only capable of it in a very limited form. It is an analogue of human masturbation and generally frowned upon. Dua, the Emotional who functions as protagonist of this section of the book, appears to be the only one who practices it while married. 

The hard ones regulate much of soft one society, allocating one of each sex to a mating group called a "triad," and acting as mentors to the Rationals. Little is shown of "hard one" society; whereas Dua suspects that the "hard ones" are a dying race, retaining the "soft ones" as a replacement for their absent children. This is dismissed by Odeen, the Rational of Dua's triad. Having the most contact with the "hard ones," Odeen has heard them speak of a new "hard one" called Estwald, accounted of exceptional intelligence and the creator of the Pump.

Dua is an oddball Emotional who exhibits traits normally associated with Rationals, resulting in the nickname "left-em." While being taught by Odeen, she also discovers the supernova problem that Lamont uncovered in the first section. Outraged that the Pump is allowed to operate, she attempts to halt it but cannot persuade her own species to abandon the Pump. Given that their own sun and all the other stars in their universe can no longer provide the energy necessary for reproduction, they consider the possible destruction of Earth's Sun worthwhile if it might provide a more reliable source of energy.

Driven by an innate desire to procreate, Tritt, the "Parental" of the triad, at first asks Odeen to persuade Dua to facilitate the production of their third child. When this fails, Tritt steals an energy-battery from the Pump and rigs it to feed Dua, which stimulates the triad into a total melt, resulting in conception. Dua discovers this betrayal and escapes to the caves of the hard ones, where she transmits the warning messages received by Lamont. This effort nearly exhausts her mortally before she is found by her triad. Here it is revealed that the hard ones are not a separate species, but the fully mature form that the triads eventually coalesce into permanently. Each melt briefly allows the triad to shift into its hard form during the period they can't later remember. Odeen convinces Dua that the hard one they will become will have influence with the others to stop the Pump; but as their final metamorphosis (the true meaning of "passing on") begins, Dua realizes (too late to prevent irreversible union) that her own triad's "hard" form is the scientist Estwald. 

Third part: ...Contend in Vain?

The third part of the novel takes place on the Moon. Lunar society is diverging radically from that of Earth. The lower gravity has produced people with a very different physique. Their food supply is manufactured from algae and distasteful to inhabitants of Earth. They enjoy low-gravity sports that would be impossible on Earth, such as an acrobatic game like "tag" performed in a huge cylinder (these sports are vital to them, since their metabolism is still that of Earthmen, and proper strenuous exercise must be maintained for it to function properly). Some Lunarites want to further adapt their bodies to life on the Moon, but Earth has outlawed genetic engineering decades ago. Lunarites are beginning to see themselves as a separate race, although procreation between them and Earth people is quite common. Sex, however, is problematic, since an Earthborn person is likely to injure his or her partner due to loss of control. Sexual morals are loose, and nudity is not taboo.

The plot centers on a cynical middle-aged ex-physicist named Denison, briefly introduced in Part 1 as the colleague and rival of Hallam whose snide remark drove Hallam to investigate the change in his sample of tungsten and, eventually, develop the Pump. Finding his career blocked by Hallam, Denison leaves science and enters the business world, becoming a success.

Denison, independently of Lamont, deduced the danger in the Electron Pump. He visits the Moon colony hoping to work outside of Hallam's influence using technology that the Lunarites have developed. He is helped by a Lunarite tourist guide named Selene Lindstrom. She is secretly an Intuitionist (a genetically engineered human with superhuman intuition), who is working with her lover, Barron Neville. They are both part of a group of political agitators who want independence from Earth. The group particularly wants to be allowed to research ways to use the Electron Pump on the Moon. Although solar energy is plentiful enough to power their underground habitats, Neville wants to live entirely underground and never have to venture out on the surface. With the scientists' help, Denison gets access to the technology and proves that the strong force is indeed increasing, and will cause the Sun to explode.

Denison continues his work, tapping into a third parallel universe that is in a pre-Big Bang state (called "cosmic egg" or "cosmeg"), where physical laws are totally opposite to those of Dua's universe. Matter from the cosmeg starts with very weak nuclear force, and then spontaneously fuses as our universe's physical laws take over. The exchange with the second parallel universe both produces more energy at little or no cost, and balances the changes from the Electron Pump, resulting in a return to equilibrium. However, Selene clandestinely conducts another test showing that momentum can also be exchanged with the cosmeg. Denison catches her and forces her to admit her secret purpose: Neville thinks the momentum exchange can be used to move anything without using rockets, including the Moon itself. He wants to break away from Earth in the most complete way possible. Denison is appalled, although he sees the potential of the technology to make travel within the Solar System easier, and to the stars possible.

When Selene discusses Neville's plan with the rest of the group, most of them agree that moving the entire Moon will be meaningless, and building self-sufficient sublight starships will be better. A later public vote goes against Neville as well. Hallam is ruined by Denison's revelations. Selene and Denison become a couple. Having received permission to produce a second child, Selene requests Denison to become its father. The novel ends with them deciding to try working around the sexual incompatibility problem.

Asimov's relationship to the story

In a letter of February 12, 1982, Asimov identified this as his favorite science fiction novel. Asimov's short story "Gold", one of the last he wrote in his life, describes the efforts of fictional computer animators to create a "compu-drama" from the novel's second section.

Asimov took the names of the immature aliens—Odeen, Dua, and Tritt—from the words One, Two, and Three in the language of his native Russia, i.e. odin (один), dva (два) and tri (три). 

Asimov's inspiration for the title of the book, and its three sections, was a quotation from the play The Maid of Orleans by Friedrich Schiller: "Mit der Dummheit kämpfen Götter selbst vergebens.", "Against stupidity the gods themselves contend in vain" (quoted in the book itself).

Asimov describes a conversation in January 1971 when Robert Silverberg had to refer to an isotope—just an arbitrary one—as an example. Silverberg said "plutonium-186". "There is no such isotope", said Asimov, "and such a one can't exist either". Silverberg dared Asimov to write a story about it. Later Asimov figured out under what conditions plutonium-186 could exist, and what complications and consequences it might imply. Asimov reasoned that it must belong to another universe with other physical laws; specifically, different nuclear forces necessary to allow a Pu-186 nucleus to hold itself together. He wrote down these ideas, intending to write a short story, but his editor, Larry Ashmead, asked him to expand it into a full novel. As a result of that request, Asimov wrote the second and third thirds of the book.

In his autobiography, Asimov stated that the novel, especially the second section, was the "biggest and most effective over-my-head writing [that I] ever produced".

According to Alasdair Wilkins, in a discussion posted on Gizmodo, "Asimov absolutely loves weird, elliptical structures. All three of his non-robot/Foundation science fiction novels — The End of Eternity, [The Gods Themselves], and Nemesis — leaned heavily on non-chronological narratives, and he does it with gusto [in The Gods Themselves]."

References to science

At the time of writing, quasars had been only recently discovered and were not well understood. In the story Lamont suggests that quasars are in fact parts of galaxies that have undergone sudden increase in the strength of the strong nuclear force, resulting in an explosion of fusion energy. It is not certain if Asimov took into account the nature of solar fusion, where the primary reaction rate is governed by the weak nuclear force, transforming protons into neutrons, while the strong force governs the amount of energy released during reactions.

The book mentions quarks, but confines its discussion of the strong force to pions, which are the carriers of the force that binds protons and neutrons together, while gluons bind quarks within protons and neutrons. At the time, gluons were only suspected to exist while particles thought to be quarks had been observed directly. 

Similarly, the Etruscan language and particularly Etruscan writings had not yet been translated and were enigmatic. The language's possible relation to any other known language remains today (in 2019) unproven. The character Bronowski is imagined to have solved the puzzle by considering the Basque language, which is also unique in Europe, as a relative of ancient Etruscan. Bronowski decides to help Lamont when the president of the university refers to the language as "Itascan", confusing it with Lake Itasca. He resolves to do something that "even that idiot will remember".

The End of Eternity (Novel by Isaac Asimov)

From Wikipedia, the free encyclopedia
https://en.wikipedia.org/wiki/The_End_of_Eternity

The End of Eternity
End of eternity.jpg
Cover of the first edition
AuthorIsaac Asimov
Cover artistMel Hunter
CountryUnited States
LanguageEnglish
GenreScience fiction
PublisherDoubleday
Publication date
1955
Media typePrint (Hardcover and Paperback)
Pages191

The End of Eternity is a 1955 science fiction novel by American writer Isaac Asimov with mystery and thriller elements on the subjects of time travel and social engineering. Its premise is that of a causal loop – a type of temporal paradox in which events and their causes form a loop.

In The End of Eternity, members of the time-changing organization Eternity seek to ensure that the conditions which led to the founding of Eternity occur as history says they occurred. The protagonist, Andrew Harlan, is placed in a situation where he must decide whether to allow the "circle" to close and Eternity be founded or to allow the opposite to happen and Eternity never to have existed.

Many years later, Asimov tied this novel into his broader Foundation Series by hinting in Foundation's Edge that it is set in a universe where Eternity had existed but was destroyed by Eternals, leading to an all-human galaxy later.

The novel was shortlisted to the Hugo Award for Best Novel.

Plot

In the future, humanity uses time travel to construct Eternity, an organization "outside time" which aimed to improve human happiness by observing human history and, after careful analysis, directly making small actions that cause "reality changes", as well as to help establish trade between the various centuries to help those in most need. Its members, known as "Eternals" and by the roles they hold, prioritize the reduction of human suffering, at the cost of a loss to technology, art, and other endeavors which are prevented from existing when judged to have a detrimental effect. Those enlisted travel "upwhen" and "downwhen" and re-enter time in devices called "kettles". Their rules prevent them from earlier travel to the Primitive times before the 27th century, when the temporal field powering Eternity was established, to prevent accidental damage to pre-temporal history. Also, humanity's fate is unknown – the earth is empty by the 150,000th century, but this is preceded by a period called the Hidden Centuries from the 70,000th–150,000th centuries in which for unknown reasons they cannot access the world outside Eternity to learn more.

Andrew Harlan is an Eternal and an outstanding Technician – a specialist at implementing reality changes – who is fascinated by the Primitive times. Senior Computer Laban Twissell, the Dean of the Allwhen Council, enrolls him to teach a newcomer, Brinsley Sheridan Cooper, about the Primitive. Harlan's teaching is interrupted with a short assignment which requires him to stay for a week in the 482nd century with non-Eternal Noÿs Lambent, a member of the aristocracy of that time. Harlan falls in love with her, and discovers that in the new reality planned for that time, she does not exist. Against Eternal laws, he removes her from time and hides her in the empty sections of Eternity that exist in the Hidden Centuries.

Harlan later finds that the kettles will not travel to the time he hid Noÿs (there is a block at the 100,000th century), and confronts Assistant Computer Finge with a weapon, accusing him of sabotaging matters out of jealousy. Finge states he has reported Harlan's conduct, and did not place the block. Harlan is summoned to the Council but is not reprimanded; he deduces that because his transgressions were ignored, he must be there to serve a larger purpose. Harlan confronts Twissell and explains that he has been teaching himself temporal mathematics and believes that its 23rd century inventor, Vikkor Mallansohn, must have been helped in his discovery by someone from his future; he concludes that his current role is training Cooper to do this. Twissell confirms this, adding that unknown to Cooper, Mallansohn's secret memoirs show that Cooper will take over Mallansohn's role and in effect, become Mallansohn. This must be kept from Cooper, so that Eternity will be founded as it historically was. Harlan blackmails Twissell by threatening to destroy Cooper's ignorance unless Noÿs is returned, but is outwitted; Twissell locks him in the control room with all controls deactivated other than the lever to send Cooper back – matching the memoir's statement that this was his role. Harlan, enraged, breaks open the controls and changes the power output, causing Cooper to be sent back to an unknown point estimated to be in the early 20th century.

Twissell is aghast, but as Eternity still exists, he theorizes he can undo Harlan's damage, and send Cooper back correctly for his mission. They think Cooper might try to communicate using an advertisement in one of Harlan's Primitive magazines that would only stand out to an Eternal. Harlan finds a magazine from 1932 has changed, and now shows an advert in the form of a mushroom cloud, something no human could have known of in 1932. However, Harlan refuses to tell Twissell about the advertisement until they bring Noÿs back from the Hidden Centuries, which he had been previously barred from him with a barrier at the 100,000th century, which Twissell insists is theoretically impossible. Together, they travel far upwhen to discover what has happened. Twissell speculates that the Hidden Centuries might be a time when humans evolved and changed into something else. They pass the 100,000th century unhindered and find Noÿs. Harlan agrees with Twissell that he will travel downwhen and bring back Cooper, so he can be sent to the correct time for his mission – but only if Noÿs comes with him. 

On arrival in 1932, Harlan holds Noÿs at gunpoint, revealing that he suspects her of being from the Hidden Centuries, and that he has brought her so that she could not harm Eternity. Noÿs acknowledges she is from that time, and explains that her people had also developed time travel but their method shows many possible futures rather than just one future as seen by Eternity. They learned that humans would have been the first species to spread into the universe, but in each future where Eternity existed, safety was given a priority and by the time humans reached the stars, other species predominated and prevented this. In each future, humanity died out afterwards, in a species-wide depression. Noÿs' mission was to make the minimum change to history to remedy this – which was to prevent Eternity from ever being founded. There were multiple ways of achieving this, and she chose an approach in which she and Harlan were together. Noÿs gives Harlan the choice of killing her and preserving Eternity, or letting her live and allowing a different future to arise. Harlan, remembering the unhealthy interpersonal relationships between the Eternals, and the sociological damage he has seen done to people whose original "homewhen" had ceased to exist, begins to agree with her. Suddenly, a reality change occurs; the kettle disappears, indicating that Eternity now never happened. The book ends by stating that this was "the end of Eternity – and the beginning of Infinity". 

Concepts

  • Physio-time: Relative time elapsed as perceived by an Eternal
  • Eternity: An organization outside normal time involved in changing history
  • Eternal: A member of Eternity. They don't live forever. They are recruited as young men from regular time.
  • Homewhen: The original time of an Eternal
  • Upwhen: Moving forward in time, or referring to a relative future
  • Downwhen: Moving backward in time, or referring to a relative past
  • Kettle: Device for moving forward ("upwhen") or backward ("downwhen") in time

Major characters

  • Andrew Harlan: An outstanding Technician (a member of Eternity who is responsible for implementing reality changes). He is appointed as Twissell's personal Technician; The real reason for this is later revealed to be that the memoirs of Temporal Field inventor Vikkor Mallansohn describe him as having this role and being responsible for training the Cub Brinsley Cooper, therefore Harlan is given these tasks so that the "circle is completed" – so that history happens as it has happened, and Eternity is established as it was established.
  • Laban Twissell: Senior Computer and dean of the Allwhen Council, responsible for ensuring the events of Mallansohn's memoirs occur as described.
  • Hobbe Finge: Assistant Computer, who greatly dislikes and distrusts Harlan.
  • Noÿs Lambent: a human from the Hidden Centuries, who is first introduced as a non-Eternal member of the aristocracy from the 482nd century, officially Finge's secretary. Her actual mission, unknown to any Eternals, is to destroy Eternity by preventing it from being founded, for the eventual benefit of humanity
  • Vikkor Mallansohn and Brinsley Sheridan Cooper: Mallansohn develops the Temporal Field in the 24th century leading to the founding of Eternity in the 27th Century. He leaves a time-sealed memoir behind which reveals that the person universally known as Vikkor Mallansohn of the 24th century was actually a Cub called Brinsley Sheridan Cooper who, having been mentored by Harlan, was sent back in time to teach Mallansohn the temporal field equations; and who, after Mallansohn dies in an accident prior to the mission's completion, had taken on Mallansohn's name undetected to complete his life's work and ensure Eternity would be founded despite the death. Cooper is unaware that this will happen when he is later found by Twissell living in the 78th century, and trained to be sent back in time.

Origins

In December 1953, Asimov was thumbing through a copy of the 28 March 1932 issue of Time and noticed what looked, at first glance, like a drawing of the mushroom cloud of a nuclear explosion. A closer look showed him that the drawing was actually a geyser, the Old Faithful. However, he began pondering the question of what the implications would be if there had been a drawing of a mushroom cloud in a magazine from 1932, and he eventually came up with the plot of a time travel story. He began the story, The End of Eternity, on 7 December 1953, and he finished it on 6 February 1954, when it was 25,000 words long. Asimov submitted the story to Galaxy Science Fiction, and within days, he received a call from Galaxy editor Horace L. Gold that rejected the story. Asimov decided to turn the story into a novel, and on March 17, he left it with Walter I. Bradbury, the science fiction editor at Doubleday, to get his opinion. Bradbury was receptive, and by April 7, Asimov was informed that a contract for the novel was in the works. Asimov began expanding the story, eventually delivering the novel version to Bradbury on December 13. Doubleday accepted the novel, which was published in August 1955.

The novel reflects the state of scientific knowledge of its time, some of which has been superseded. For instance, the power source for the time travelers is referred to as "Nova Sol", and a link to the far future being taps the energy of the exploding Sun. Scientists now know that the Sun is far too small to explode.

As may be seen below, the novel may also be counted as the prequel to the Empire series of novels, which form part of the Foundation Series. Asimov had already included a kind of time travel in his 1950 novel Pebble in the Sky, but it was a one-way trip.

The original End of Eternity appeared in 1986 in a collection called The Alternate Asimovs

Reception

The book was highly acclaimed by critics. New York Times reviewer Villiers Gerson praised the novel, saying it "has suspense on every page" and "exhibits in every chapter the plot twists for which the author is famous." In a 1972 review, Lester del Rey declared that no one "has wrung so much out of . . . or has developed all the possibilities of paradox."

As noted by critic Susan Young, John Crowley's award-winning 1989 novella "Great Work of Time" has the same basic outline as The End of Eternity – i.e. a secret society of well-meaning time travelers bent on remodeling history, and a young man recruited into the society in order to make a specific change that would bring this society itself into being. The details of what the time travelers do and where in time they operate are much different from those in Asimov's book. However, in both books, the society's operations come to a halt through the influence of people from the future, for reasons that have to do with the existence of that future. Young also notes a similarity with Poul Anderson's The Corridors of Time which also depicts a complex society of time travelers, who find sections of the future inaccessible – and also in Anderson's book, the intervention of the people of that further future plays a pivotal and cataclysmic role in the plot. 

Charles Stross has stated that his 2009 novella Palimpsest is effectively a rewrite of The End of Eternity.

Role in Foundation series

As written, The End of Eternity suggests that the new reality is the one that leads onto the Galactic Empire and Foundation but does not confirm it. The mechanism of time travel is most likely not the one stumbled across in Pebble in the Sky because of Harlan's words about the energy requirement for the Temporal Field. The "neuronic whip" from The Currents of Space and other stories in the "Empire" future is also found in The End of Eternity, again as something that had to be removed from reality. There are also no aliens who could compete with humans: in "Blind Alley", the aliens' predicament is rather like what will overtake humanity if Eternity is not prevented. 

The original, unpublished End of Eternity is clearly a different future from that of the Foundation, but Asimov says in his story-postscript that he had some idea of a bridge in the published version.

Asimov placed a hint in Foundation's Edge, many years later, that the Eternals might have been responsible for the all-human galaxy and the development of humanity on Earth of the Foundation Series, but that interpretation is disputed. Asimov himself mentions the disparity. The human-like robots may have been intended to play a part.

According to Alasdair Wilkins, in a discussion posted on Gizmodo, "Asimov absolutely loves weird, elliptical structures. All three of his non-robot/Foundation science fiction novels — The End of Eternity, [The Gods Themselves], and Nemesis — leaned heavily on non-chronological narratives, and he does it with gusto [in The Gods Themselves]." 

Translations

The End of Eternity has been translated into over 25 languages. The Russian translation, first edition 1966, was heavily censored due to both sexual references and sociological discussions unacceptable to Soviet ideology. 

For some time, The End of Eternity was out of print, but this was remedied with Tor Books' 2011 hardcover reissue and a recent move to various e-book formats.

Movie adaptations

The book was made into a movie in the Soviet Union in 1987. It mostly follows the novel except for the ending. 

The novel ends with Noÿs and Harlan both deciding that the suppression of spaceflight by Eternity is not in the interest of humankind, and the two live "happily ever after". 

In the Soviet film the ending takes place in the mid-1980s Germany rather than 1932 Los Angeles. Noÿs never fully describes why she wants Eternity destroyed, but in the middle of the movie, before her true identity is revealed, she gives some idea. Harlan yells at her that he is but a pawn in things and storms off, and there is a strong implication that he and Noÿs have no further contact. Then, a scene shows Harlan observing both Twissell and Finge in 1980s clothing getting out of a Rolls Royce and walking together. The implication is that Twissel and Finge use Harlan as a pawn to further their own materialistic gains.

While out of step with the rest of the film as well as the novel, the ending follows the Soviet concept that the "everyman" (Harlan) is frequently manipulated by the bourgeoisie, as a pawn to its own ends. The movie ends with a long shot of Harlan walking away from the camera, alone, down a highway.

A television film based on the book, entitled A halhatatlanság halála (literally The Death of Immortality) was made in Hungary in 1976. The screenwriter and the director was András Rajnai, and the main character was played by Jácint Juhász.

The 2011 movie The Adjustment Bureau uses some of the ideas of The End of the Eternity

In 2008, New Regency acquired the rights to the novel for a possible film adaptation.

Greg Bear

From Wikipedia, the free encyclopedia
https://en.wikipedia.org/wiki/Greg_Bear
 
Greg Bear
Bear in 2016
Bear in 2016
BornGregory Dale Bear
August 20, 1951 (age 68)
San Diego, California, U.S.
OccupationNovelist
GenreScience fiction, Speculative fiction
Notable worksBlood Music
Website
gregbear.com

Gregory Dale "Greg" Bear (born August 20, 1951) is an American writer and illustrator best known for science fiction. His work has covered themes of galactic conflict (Forge of God books), artificial universes (The Way series), consciousness and cultural practices (Queen of Angels), and accelerated evolution (Blood Music, Darwin's Radio, and Darwin's Children). His most recent work is The Forerunner Saga, written in the Halo universe. Greg Bear has written 44 books in total. Greg Bear was also one of the five co-founders of the San Diego Comic-Con.

Early life

Bear was born in San Diego, California. He attended San Diego State University (1968–73), where he received a Bachelor of Arts degree. At the university, he was a teaching assistant to Elizabeth Chater in her course on science fiction writing, and in later years her friend.

Career

Bear is often classified as a hard science fiction author because of the level of scientific detail in his work. Early in his career, he also published work as an artist, including illustrations for an early version of the Star Trek Concordance and covers for Galaxy and F&SF. He sold his first story, "Destroyers", to Famous Science Fiction in 1967.

In his fiction, Bear often addresses major questions in contemporary science and culture and proposes solutions. For example, The Forge of God offers an explanation for the Fermi paradox, supposing that the galaxy is filled with potentially predatory intelligences and that young civilizations that survive are those that do not attract their attention but stay quiet. In Queen of Angels, Bear examines crime, guilt, and punishment in society. He frames these questions around an examination of consciousness and awareness, including the emergent self-awareness of highly advanced computers in communication with humans. In Darwin's Radio and Darwin's Children, he addresses the problem of overpopulation with a mutation in the human genome making, basically, a new series of humans. The question of cultural acceptance of something new and unavoidable is also brought up.

One of Bear's favorite themes is reality as a function of observation. In Blood Music, reality becomes unstable as the number of observers (trillions of intelligent single-cell organisms) spirals higher and higher. Anvil of Stars (sequel to The Forge of God) and Moving Mars postulate a physics based on information exchange between particles, capable of being altered at the "bit level." (Bear has credited the inspiration for the idea to Frederick Kantor's 1967 treatise "Information Mechanics" (see Digital physics)) In Moving Mars, that knowledge is used to remove Mars from the solar system and transfer it to an orbit around a distant star.

Blood Music was first published as a short story (1983) and then expanded to a novel (1985). It has also been credited as the first account of nanotechnology in science fiction. More certainly, the short story is the first in science fiction to describe microscopic medical machines and to treat DNA as a computational system capable of being reprogrammed; that is, expanded and modified. In later works, beginning with Queen of Angels and continuing with its sequel, Slant, Bear gives a detailed description of a near-future nanotechnological society. The historical sequence continues with Heads, which may contain the first description of a so-called "quantum logic computer", as well as Moving Mars. The sequence also charts the historical development of self-awareness in AIs. Its continuing character Jill was inspired in part by Robert A. Heinlein's self-aware computer Mycroft HOLMES (High-Optional, Logical, Multi-Evaluating Supervisor) in The Moon Is a Harsh Mistress.

Bear, Gregory Benford, and David Brin wrote a trilogy of prequel novels to Isaac Asimov's influential Foundation trilogy. Bear is credited for the middle book.

While most of Bear's work is science fiction, he has written in other fiction genres. Examples include Songs of Earth and Power (fantasy) and Psychlone (horror). Bear has described his Dead Lines, which straddles the line between science fiction and fantasy, as a "high-tech ghost story". He has received many accolades, including five Nebula Awards and two Hugo Awards.

Bear cites Ray Bradbury as the most influential writer in his life. He met Bradbury in 1967 and had a lifelong correspondence. As a teenager, Bear attended Bradbury lectures and events in Southern California.

He also serves on the Board of Advisors for the Museum of Science Fiction.

Personal life

In 1975, Bear married Christina M. Nielson; they divorced in 1981. In 1983, he married Astrid Anderson, the daughter of the science fiction and fantasy authors Poul and Karen Anderson. They have two children, Chloe and Alexandra. They reside near Seattle, Washington.

He is a deist.

On September 23, 2014, Bear underwent surgery to repair an aortic artery dissection. The procedure included installation of a mechanical aortic valve.

Awards and accolades

  • Before Blood Music was a novel, it was a story published in the June 1983 issue of Analog. It won the Best Novelette Nebula Award (1983) and Hugo Award (1984).
  • Darwin's Radio won the Endeavour Award in 2000.
  • Hull Zero Three was short-listed for the Arthur C. Clarke (Book) Award in 2012.
  • Hayakawa Award "Heads" Best Foreign Short Story (1996).
  • Doris Lessing, winner of the 2007 Nobel Prize in literature, wrote, "I also admire the classic sort of science fiction, like Blood Music, by Greg Bear. He's a great writer."

Works

Novels

Series

Darwin
  • Darwin's Radio (1999) Nebula Award winner, Hugo, Locus SF, and John W. Campbell Memorial Awards nominee, 2000
  • Darwin's Children (2003) Locus SF, Arthur C. Clarke, and John W. Campbell Memorial Awards nominee, 2004
The Forge of God
Songs of Earth and Power
Quantico
Quantum Logic
Novels in internal chronology:
  • Queen of Angels (1990) Hugo, Locus, and John W. Campbell Memorial Awards nominee, 1991
  • / (also known as Slant; 1997) John W. Campbell Memorial Award nominee, 1998
  • Heads (1990)
  • Moving Mars (1993) Nebula Award winner; Hugo, Locus SF, and John W. Campbell Memorial Awards nominee, 1994
War Dogs
  • War Dogs (2014)
  • Killing Titan (2015)
  • Take Back the Sky (2016)
The Way

Series (non-originating author)

The Foundation Series
Man-Kzin Wars
Halo
The Forerunner Saga (trilogy)
  • Halo: Cryptum (2011) (Forerunner trilogy book 1)
  • Halo: Primordium (2012) (Forerunner trilogy book 2)
  • Halo: Silentium (2013) (Forerunner trilogy book 3) 
Star Trek: The Original Series
Star Wars
Foreworld Saga

Non-series

Short fiction

Collections

Anthologies edited

Robert L. Forward

From Wikipedia, the free encyclopedia
https://en.wikipedia.org/wiki/Robert_L._Forward
 
Robert L. Forward
Robert L. Forward.jpg
BornAugust 15, 1932
DiedSeptember 21, 2002 (aged 70)
NationalityAmerican
Alma materUniversity of Maryland
UCLA
Known forStatite
Spouse(s)Martha Dodson (1954-2002; his death)
ChildrenRobert Dodson Forward
Mary Lois Mattlin
Julie Elizabeth Fuller
Eve Lauren Forward
Scientific career
FieldsPhysicist
InstitutionsHughes Aircraft
Tethers Unlimited, Inc.
Doctoral advisorJoseph Weber
David Mandeen Zipoy

Robert Lull Forward (August 15, 1932 – September 21, 2002) was an American physicist and science fiction writer. His literary work was noted for its scientific credibility and use of ideas developed from his career as an aerospace engineer. He also made important contributions to gravitational wave detection research.

Biography

Forward earned his doctorate from the University of Maryland in 1965, with a thesis entitled Detectors for Dynamic Gravitational Fields, for the development of a bar antenna for the detection of gravitational radiation.

Career and research

He then went to work at the research labs of Hughes Aircraft, where he continued his research on gravity measurement and received 18 patents. He took early retirement in 1987, to focus on his fiction writing and consulting for such clients as NASA and the U.S. Air Force. In 1994, he co-founded the company Tethers Unlimited, Inc. with Robert P. Hoyt, where he served as Chief Scientist and Chairman until 2002.

Much of his research focused on the leading edges of speculative physics but was always grounded in what he believed humans could accomplish. He worked on such projects as space tethers and space fountains, solar sails (including Starwisp), antimatter propulsion, and other spacecraft propulsion technologies, and did further research on more esoteric possibilities such as time travel and negative matter. He was issued a patent for the statite, and contributed to a concept to drain the Van Allen Belts

Forward Mass Detector

Forward's extensive work in the field of gravitational wave detection included the invention of the rotating cruciform gravity gradiometer or 'Forward Mass Detector', for Lunar Mascon (mass concentration) measurements. The gravity gradiometer is described in the well-known textbook Gravitation by Misner, Thorne & Wheeler. The principle behind it is quite simple; getting the implementation right is tricky. Essentially, two beams are crossed over and connected with an axle through their crossing point. They are held at right angles to each other by springs. They have heavy masses at the ends of the beams, and the whole assembly spun around the common axle at high speed. The angle between the beams is measured continuously, and if it varies with a period half that of the rotation period, it means that the detector is experiencing a measurable gravitational field gradient. 

Fiction

In addition to more than 200 papers and articles, he published 11 novels. Critics' reviews were mixed, always praising the science concepts and the aliens he created, but often finding the plots thin and the humans shallow. His treatment of hard-science topics in fictional form is highly reminiscent of the work of Hal Clement. He described his first novel, Dragon's Egg, as "a textbook on neutron star physics disguised as a novel." His novel Rocheworld describes a double-planet system with a single shared atmosphere and ocean, and a beam-powered propulsion interstellar space ship to get there. Forward co-authored two Rocheworld novels with his wife, Martha Dodson Forward, and two additional Rocheworld novels with his second daughter, Julie Fuller. Forward also helped Larry Niven calculate the parameters of the Smoke Ring for his novel The Integral Trees

Personal life

Forward's son, Bob Forward, has led a successful career as a storyboard artist and writer in television animation, including in He-Man and the Masters of the Universe, The Legend of Zelda, and most famously, Beast Wars. He is also the author of two novels, The Owl and The Owl 2: Scarlet Serenade.
Forward's youngest, Eve Forward, has written two novels: Villains by Necessity and Animist

Death

In 2001, Forward received a diagnosis of terminal cancer. He died on September 21, 2002.

Bibliography


Dragon's Egg series

  1. Dragon's Egg (1980)
  2. Starquake (1985)
Both collected in an omnibus edition Dragon's Egg & Starquake (1994) 

Rocheworld series

1. Rocheworld (Baen, 1990) 155,000 words, originally published in these iterations:
Rocheworld (1981) original manuscript, 150,000 words
Rocheworld (Analog, 1982) 60,000 words
The Flight of the Dragonfly (Timescape, 1984) hardcover, ~100,000 words
The Flight of the Dragonfly (Baen, 1985) paperback, 110,000 words
2. Return to Rocheworld (1993) with Julie Forward Fuller
3. Marooned on Eden (1993) with Martha Dodson Forward[n 1]
4. Ocean Under the Ice (1994) with Martha Dodson Forward
5. Rescued from Paradise (1995) with Julie Forward Fuller

Novels

Collection (contains both fiction and essays)

Non-fiction

Forward also wrote many articles in scientific journals and filed many patents, mainly while working for Hughes Aircraft

See also

  • Starwisp, an ultralightweight interstellar probe proposed by Forward in 1985

Further reading


Archival resources

Thailand

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