Search This Blog

Tuesday, December 19, 2023

Russian philosophy

From Wikipedia, the free encyclopedia
https://en.wikipedia.org/wiki/Russian_philosophy
Mikhail Nesterov. In Russia. The Soul of the People. The painting depicts Russian philosophers Vladimir Solovyov, Leo Tolstoy and Fyodor Dostoevsky

Russian philosophy is a collective name for the philosophical heritage of Russian thinkers.

Historiography

In historiography, there is no consensus regarding the origins of Russian philosophy, its periodization and its cultural significance. The historical boundaries of Russian philosophy directly depend on the philosophical content that a specific researcher sees in Russian intellectual history. Traditionally, since the 19th century, the "pre–Petrine" or "Old Russian" and "post–Petrine" or "Enlightenment" stages of the development of Russian philosophy have been distinguished. In modern historiography, a third, "Soviet" period is also distinguished. Starting from religious thought, Archimandrite Gabriel, the first historian of Russian philosophy, saw its origins in the didactic "Teachings" of Vladimir Monomakh, thereby directly elevating Russian philosophy to traditional ancient Russian scribes. A number of major historians of Russian philosophy, however, tend to view philosophy in stricter boundaries: Russian philosophy is taking shape as an independent phenomenon, thus, in the era of Peter the Great.

The reduction of Russian philosophy to the enlightenment paradigm has been repeatedly criticized in view of the reductivization of the Russian philosophical heritage of previous eras. Discussions about the origins and boundaries of Russian philosophy do not subside to this day, although in most modern historical and philosophical essays, Russian philosophy is considered as a phenomenon of Russian intellectual culture rooted in the theological and didactic literature of Ancient Russia (Kliment Smolyatich, Kirik Novgorodets, Kirill Turovsky and others are among the first Russian philosophers).

According to Nikolay Lossky, the characteristic features of Russian philosophy are: cosmism, sophiology (teachings about Sophia), sobornost, metaphysics, religiosity, intuitionism, positivism, realism (ontologism).

Semyon Frank characterized Russian philosophy by pointing out the inseparability of rational and moral meanings inherent in Russian thinkers, inherent in the word pravda. Nikolai Berdyaev also pointed out the striving characteristic of Russian thought "to develop for oneself a totalitarian, holistic world outlook, in which pravda–truth will be combined with pravda–justice".

According to Professor Andrei Sukhov, no other philosophy contains so many reflections on the fate of country.

As noted by the researcher Maria Varlamova, in Russia, Plato is a much more significant figure than Aristotle.

Professor Nina Dmitrieva notes that "Russian philosophical thought until the turn of the 19th–20th centuries developed mainly in the mainstream of literary criticism and journalism, with a primary focus on topical socio–political and ethical issues. And in the last decades of the 19th century, mystical and religious thinkers began to set the tone in academic and so–called free philosophy".

As Professor, Doctor of Historical Sciences Natalia Vorobyova notes in her work "History of Russian Spiritual Culture", modern researchers postulate the absence of an original national Slavic–Russian philosophical system, considering the system of Russian philosophy as a phenomenon of Modern period.

As Academician Dmitry Likhachev writes: "For many centuries Russian philosophy was closely connected with literature and poetry. Therefore, it should be studied in connection with Lomonosov and Derzhavin, Tyutchev and Vladimir Solovyov, Dostoevsky, Tolstoy, Chernyshevsky...".

Main schools and directions

The main directions of Russian philosophy include:

  1. Westernism and liberalism – mid–19th century;
  2. Slavophilism and pochvennichestvo – mid–19th century;
  3. Narodnichestvo – second half of the 19th century;
  4. Nihilism – second half of the 19th century;
  5. Anarchism – second half of the 19th century;
  6. Cosmism – late 19th – first half of the 20th century;
  7. Tolstoyism – late 19th – early 20th century;
  8. Positivism – late 19th – early 20th century;
  9. Vekhovstvo – the beginning of the 20th century;
  10. Sophiology – the beginning of the 20th century;
  11. Eurasianism – the first half of the 20th century, the beginning of the 21st century;
  12. Marxism–Leninism – 20th century;
  13. Intransigence – after the establishment of Soviet power in the 20th century;
  14. Etatism;
  15. Traditionalism;
  16. Nationalism.

Origins of Russian philosophy

Philosophical thought in the Old Russian state (11th–13th centuries)

The existence of ancient Russian philosophy is debatable. Some researchers, like Archpriest Dmitry Leskin, recognized the fact of its existence, others denied, claiming only the presence of philosophical ideas and problems in ancient Russian literature. The philosophical thoughts of the "Hellenic sages" fell into the Old Russian literature from translated sources. Within the framework of the religious worldview, the question of human nature (Svyatoslav's Izbornik, Kirill Turovsky, Nil Sorsky), state power (Joseph Volotsky) and universal values («The Word of Law and Grace» by Metropolitan Hilarion, who is sometimes called "the first ancient Russian philosopher") was resolved. The ethical ideal is contained in the Teachings of Vladimir Monomakh. In addition to historiosophy (ethnogenesis as a punishment for the Tower of Babel), The Tale of Bygone Years also contains elements of religious philosophy: the concepts of property (hypostasis), flesh (matter), vision (form), desire and dream (imagination) are being developed. Also in the ancient Russian state, translated literature of Byzantine philosophical monuments was widely circulated, the most important of which was the collection of sayings "The Bee" and "Dioptra" by Philip the Hermit. Among the most famous authors who left philosophically significant works are Vladimir Monomakh, Theodosius Pechersky, Klim Smolyatich, Kirik Novgorodets, Kirill Turovsky and Daniil Zatochnik.

Philosophical problems in the works of Russian scribes of the 14th–17th centuries

Joseph Volotsky and Nil Sorsky

A wide controversy unfolded between the followers of Joseph from Volokolamsk (in the world – Ivan Sanin), nicknamed "Josephites", and Nil Sorsky (in the world – Nikolai Maikov), nicknamed the "Trans–Volga elders", or "non–possessors". The central question that worried the polemicists was related to the role of the church in the state and the significance of its land holdings and decoration. The problem of decorating churches and land was not directly related to philosophy, however, it served as an impetus for considering the problems of church possessions in the plane of biblical and patristic literature (in the polemics, Gregory Sinait and Simeon the New Theologian, John Climacus, Isaac the Syrian, John Cassian the Roman, Nil of Sinai, Basil the Great and others are cited) and ultimately led to the question of the meaning of the connection between faith and power, which was resolved on Russian soil in the idea of "charisma" of the ruler. This philosophical problem was further developed in the epistolary legacy of Ivan the Terrible and Prince Kurbsky, in "The Lay of Voivode Dracula" by Fyodor Kuritsyn, as well as in the message of Ivan Peresvetov. In addition, Joseph Volotsky and Nil Sorsky went down in history in the course of the struggle against the heresy of the Judaizers and strigolniki, which spread in the Novgorod land (first of all, in Novgorod itself and in Pskov). With the spread of the heresy of the Judaizers in the Russian intellectual environment, works of pseudo–Aristotle began to appear. The position of the strigolniks in their spirit was close to the Hussites. In this regard, there is a need not only for the arguments of patristic literature, but also for monuments of Latin scholastic scholarship, which Dmitry Gerasimov, also known as Dmitry Scholastic, a member of the Gennadiy circle, began to translate. It is noteworthy that the reaction to heretics on the part of Joseph Volotsky and Nil Sorsky also differed radically: Joseph Volotsky insisted on the destruction of heretics, according to Joseph, it is necessary to "inflict wounds on them, thereby consecrating his hand", while Nil Sorsky and Vassian Patrikeev insisted on the need exhortation, fighting with the word, not with the sword. The controversy between the Josephites and the non–possessors became an important example of the tension between the authorities and free–thinkers in the Russian state, which subsequently reappeared again and again in the history of Russian philosophy, which was repeatedly banned.

Ostrog School

An important role in the formation of Russian philosophy was played by the Ostrog School, founded by Prince Konstantin Ostrozhsky in his domain in Ostrog in order to strengthen the Orthodox faith and improve the quality of the work of the Orthodox clergy in polemics with the Uniates. In the Ostrog School, much attention was paid to the study of languages: Ancient Greek, Latin and Old Church Slavonic. There was a printing house at the school, in which Ivan Fedorov and Pyotr Timofeev served. Prince Andrey Kurbsky also took part in the development of the school. Along with theological literature, scholastic philosophy was studied at the Ostrog School. So Vitaly Dubensky compiled the florilegia "Dioptra, or the Mirror and the Reflection of Human Life in the Next World" in the Univ Monastery. Among the graduates of the academy were: the author of "Grammar" Melety Smotritsky (son of the first rector), archimandrite of the Kiev–Pechersk Lavra, the founder of the Lavra Printing House Yelisey Pletenetsky, polemicist writer, philosopher, author of "Apocrisis" Christopher Filalet and many others. The activities of the Ostrog School predetermined the orientation of philosophical and theological courses at the Kiev–Mogila and Moscow Slavic–Greek–Latin academies.

Rtishchevskaya School

The Rtishchevsky School (also – the Rtishchevsky Brotherhood, the Andreevsky School) was the first educational institution in Russia, founded as a court circle during the reign of Alexei Mikhailovich. Education in the Rtishchevsky Brotherhood was carried out on the model of European institutions of higher education. The school arose on the initiative of Fyodor Rtishchev, operated in Moscow since 1648 and was located in the Andreevsky Monastery, built at the expense of Rtishchev at the foot of the Sparrow Hills.

The Rtischevskaya School was the first in Moscow to officially include courses in philosophy and rhetoric. The head of the Rtishchevskaya School was appointed a native of the Kiev Fraternal School, a participant in book research in Russia, a philosopher, theologian and translator Epiphany Slavinetsky.

Moscow Slavic–Greek–Latin Academy

The most important figure within the Moscow Slavic–Greek–Latin Academy was Simeon of Polotsk. Simeon Polotsky was a figure of Russian culture, spiritual writer, theologian, poet, playwright, translator. He was the mentor of the children of the Russian Tsar Alexei Mikhailovich from Maria Miloslavskaya: Ivan, Sophia and Fedor. Founder of the School at the Zaikonospassky Monastery, teacher of Sylvester Medvedev.

Other important figures include Sylvester Medvedev and the Likhuda Brothers, Feofilakt Lopatinsky, Pallady Rogovsky.

Philosophy at the Smolensk Collegium

The most important figure in the framework of philosophy at the Smolensk Collegium was Gedeon Vishnevsky. Bishop Gedeon Vishnevsky was the bishop of the Russian Orthodox Church, bishop of Smolensk and Dorogobuzh.

Russian philosophy of the 18th century

The reforms of Peter I contributed to the limitation of the power of the church and the penetration of Western philosophy into Russia through the emerging system of higher education. The most popular Western innovation was deism, whose adherents were such key thinkers of the Russian Enlightenment as Mikhail Lomonosov and Alexander Radishchev. It was at this moment that atomism and sensationalism fell on Russian soil. In practice, the ideas of deism were expressed in anti–clericalism and the substantiation of the subordination of spiritual power to secular ones, for which the learned squad of Peter I advocated. Also, the philosophy of Russian Enlightenment adapted many of the ideas of Freemasonry (Nikolay Novikov). Grigory Teplov compiled one of the first Russian philosophical dictionaries.

Important Russian philosophers of the 18th century were Feofan Prokopovich and Stefan Yavorsky, Mikhail Lomonosov, Grigory Skovoroda, Russian Martinists, and "Inner Christians". The central works of Russian philosophers of the 18th century were "A Conversation of Two Friends" by Vasily Tatishchev, "Children's Philosophy" by Andrei Bolotov, "Knowledge Concerning Philosophy in General" by Grigory Teplov and "About Man, His Mortality and Immortality" by Alexander Radishchev.

Russian philosophy of the 19th century

Schellingism appeared in Russia at the beginning of the 19th century. In 1823, the Society of Wisdom is created.

Philosophy of all–unity of Vladimir Solovyov

Contemporaries called Vladimir Solovyov (1853–1900) the central figure of Russian philosophy. He criticized the philosophy that existed before him for abstractness and did not accept such extreme manifestations of it as empiricism and rationalism. He put forward the idea of positive total–unity, headed by God. He saw good as a manifestation of will, truth as a manifestation of reason, beauty as a manifestation of feeling. The philosopher saw the entire material world as controlled by Him, while man in his philosophy acted as a connecting link between God and nature, created by Him, but not perfect. A person must bring it to perfection (up to spiritualization), this is the meaning of his life (movement to the Absolute). Since a person occupies an intermediate position between God and nature, his moral activity is manifested in love for another person, for nature and for God. The concept of all-unity was also used by Semyon Frank and Lev Karsavin.

Philosophy of Leo Tolstoy

One of the central places in Russian philosophy is occupied by Leo Tolstoy (1828–1910). His philosophy was influenced by the views of Kant, Rousseau, Arthur Schopenhauer. Tolstoy's views were shared by many of his contemporaries ("Tolstoyans") and followers. Gandhi himself considered him to be his teacher.

In his philosophy, Tolstoy recognizes the value of the moral component of religion, but denies all its theological aspects ("true religion"). The goal of cognition is the search for the meaning of life by a person.

Positivism

Russian philosophy of the 20th century

At the beginning of the 20th century, the largest Russian philosophers, under the influence of social and political changes in the country, published three philosophical collections, which received a wide public response and evaluation from various political figures of that time. These compilations:

Russian religious philosophy at the turn of the 19th and 20th centuries became a kind of synthesis between Slavophilism and Westernism. Following Chaadaev, projects for the construction of the kingdom of God on Earth were preserved, which acquired the features of Sophiology (Vladimir Solovyov, Sergei Bulgakov) and the Rose of the World (Daniil Andreev). Religion and spiritual and moral regeneration were thought to be an important part of building a just society. In part, the ideas of sophiology are inherited by Bolshevism (communism) and cosmism (noosphere).

In the 20th century, in connection with the dramatic events of Russian history, there is a division of Russian philosophy into Russian Marxism and the philosophy of the Russian diaspora. Some of the philosophers were exiled abroad, but some remained in Soviet Russia: Pavel Florensky and his student Alexei Losev. Through the latter, the traditions of Russian philosophy were revived in Soviet Russia, since Sergey Averintsev and Vladimir Bibikhin received spiritual succession from him.

Existentialism of Nikolai Berdyaev

The most important place in Russian philosophical thought in the first half of the 20th century is occupied by the work of Nikolai Berdyaev (1874–1948), the most prominent representative of Russian existentialism. At the beginning of his journey, Berdyaev adhered to Marxist views, participating in anti–government demonstrations and conducting correspondence with one of the leaders of the German Social Democracy, Karl Kautsky. However, the young philosopher and thinker soon abandoned Marxism, becoming one of the most detailed critics of this doctrine.

Berdyaev calls the main opposition, which should develop in the philosopher's worldview, the opposition between spirit and nature. Spirit is a subject, life, creativity and freedom, nature is an object, a thing, necessity and immobility. Knowledge of the spirit is achieved through experience. God is spirit. Those of people who have had spiritual experience and experience of creativity do not need rational proof of the existence of God. At its core, the deity is irrational and super–rational.

Developing in his teaching the theme of creativity and spirituality, Berdyaev pays great attention to the idea of freedom, which reveals the connection between God, the Universe and man. He distinguishes three types of freedom: primary irrational freedom, that is, arbitrariness; rational freedom, that is, the fulfillment of a moral duty; and, finally, freedom imbued with the love of God. He argues that freedom is not created by God, and therefore God cannot be held responsible for the freedom that created evil. Primary freedom conditions the possibility of both good and evil. Thus, even God cannot foresee the actions of a person with free will, he acts as an assistant so that the will of a person becomes good.

Existential views in Berdyaev's work are manifested in his thoughts on the problem of personality. According to Berdyaev, personality is not a part of the cosmos, on the contrary, the cosmos is a part of the human personality. Personality is not a substance, it is a creative act, it is unchanging in the process of change. A person who manifests creative activity thereby finds a deity in himself.

Berdyaev is trying to formulate the so–called "Russian Idea", which expresses the character and vocation of the Russian people. "The Russian people are a highly polarized people, they are a combination of opposites", the thinker believes. The Russian people combine cruelty and humanity, individualism and faceless collectivism, the search for God and militant atheism, humility and arrogance, slavery and rebellion. In history, such features of a national character as obedience to power, martyrdom, sacrifice and a tendency to revelry and anarchy were manifested. Speaking about the events of 1917, Berdyaev emphasizes that the liberal–bourgeois revolution in Russia was a utopia. The revolution in Russia could only be socialist. According to the philosopher, the Russian idea is rooted in the idea of the brotherhood of people and peoples, for the Russian people in their spiritual structure is religious, open and communitarian. Nevertheless, Berdyaev reminds, one should not forget about the polarization of the nature of the Russian man, capable of compassion and the possibility of bitterness, striving for freedom, but sometimes prone to slavery.

Among the main works of Berdyaev "Philosophy of Freedom" (1911), "The Meaning of Creativity. The Experience of Human Justification" (1916), "The Philosophy of Inequality. Letters to Enemies in Social Philosophy" (1923), "The Origins and Meaning of Russian Communism" (1937), "Russian Idea. The Main Problems of Russian Thought in the 19th and 20th Centuries" (1946).

Eurasianism

Eurasianism is a philosophical and political movement advocating the rejection of Russia's European integration in favor of integration with Central Asian countries. The Eurasian movement, which emerged among the Russian emigration in the 1920s and 1930s, gained popularity by the beginning of the 21st century.

The ideas of Eurasianism, practically forgotten by the second half of the 20th century, were largely revived by the historian and geographer Lev Gumilyov and became widespread by the beginning of the 21st century. Gumilyov in a number of books – "Ethnogenesis and the Biosphere of the Earth", "Millennium around the Caspian" and "From Rus to Russia" – using the Eurasian concept and supplementing it with his own developments, forms his concept of ethnogenesis, leading him to a number of conclusions, among which the largest the following are important: firstly, any ethnos is a community of people united by a certain stereotype of behavior; secondly, an ethnos and its stereotype of behavior are formed in specific geographic and climatic conditions and remain stable for a long period of time, comparable to the existence of an ethnos; thirdly, superethnic wholes are formed on the basis of a generalized stereotype of behavior shared by representatives of different ethnic groups of a single super–ethnic group; fourthly, the stereotype of the behavior of a superethnic integrity is a certain way of being that meets certain conditions of existence.

Soviet philosophy

Even before the beginning of the October Revolution, the philosophy of Marxism developed in Russia (Georgy Plekhanov, Vladimir Lenin).

The main question in Soviet philosophy was the question of the relationship between matter and consciousness, and the main method was dialectics, in which three laws were distinguished. Structurally, philosophy was divided into dialectical and historical materialism, that is, the philosophy of nature and the philosophy of history. Nature, interpreted as matter and objective reality, was considered eternal and infinite in space and time. Consciousness was interpreted as "a property of highly organized matter".

The theory of knowledge was dominated by the Leninist theory of reflection. The historical process was perceived through the prism of a subordinate relationship between the basis (economy) and superstructure (culture), which passed through successively replacing formations: the primitive communal system, the slave system, feudalism, capitalism and socialism (as the first stage of communism).

In the Soviet years, discussions about the nature of the ideal gained popularity (only "in the head" or not? David Dubrovsky – Evald Ilyenkov), disputes about the nature of information.

Mikhail Bakhtin develops the ideas of polyphony, dialogue and carnivalism. Such philosophers as Aleksey Losev, Sergey Averintsev, Vladimir Bibikhin enjoyed great popularity in the late Soviet period. In the late Soviet and post–Soviet period, the ideas of the Moscow–Tartu Semiotic School were widely recognized.

Post–Soviet philosophy

After the lifting of ideological prohibitions due to the collapse of the Soviet Union, Russian philosophy found itself in a situation of uncertainty. While maintaining the existing structure of philosophical education, the process of mastering that part of the philosophical heritage, from which Soviet philosophy was artificially isolated, was launched. New disciplines of the philosophical cycle arose and began to develop – political science, cultural studies, religious studies, philosophical anthropology.

Attempts were made to resume the interrupted philosophical tradition, return to the legacy of Russian religious philosophy, but these attempts (according to Yuri Semyonov, Daniil Danin, Mikhail Chulaki and many others) proved to be a failure.

Currently, there are several organizations that declare their continuity to the ideas of the Eurasians. The main ones among them are the Eurasian Youth Union, the International Eurasian Movement of the main ideologist of neo–Eurasianism, Alexander Dugin, and a number of other organizations.

School of Georgy Shchedrovitsky

An extremely original and extraordinary contribution to the development of Russian philosophy belongs to Georgy Shchedrovitsky and the methodological school he created, which was subsequently formulated accordingly ("the third Russian philosophy is actually methodology"). The philosophical and methodological system, created by Shchedrovitsky and his school (also known as the Moscow Methodological Circle), offers original ways out of the problematic situation of postmodernism ("in the opposition "modernism – postmodernism", the system of thought–activity methodology can be positioned with a number of reservations and conditions"). It is indicative that the initially semi–underground Moscow methodological circle forms, forges and polishes the concepts demanded by contemporary period, at a time when the conceptual apparatus of the so–called "post–non–classical" (post–modernist) philosophy has already exhausted its capabilities.

Anti-politics

From Wikipedia, the free encyclopedia
https://en.wikipedia.org/wiki/Anti-politics

refer to caption
Pro-Jair Bolsonaro protestors hold signs criticising politics

Anti-politics is a term used to describe opposition to, or distrust in, traditional politics. It is closely connected with anti-establishment sentiment and public disengagement from formal politics. Anti-politics can indicate practices and actors that seek to remove political contestation from the public arena, leading to political apathy among citizens; when used this way the term is similar to depoliticisation. Alternatively, if politics is understood as encompassing all social institutions and power relations, anti-politics can mean political activity stemming from a rejection of "politics as usual".

Anti-politics tends to focus on negative assessments of politicians and political elites by civic organisations, the media and citizens, whereas political apathy may involve disaffection with other elements of a political system, such as the electoral system or party system. Since the 2000s, increasing dissatisfaction with democracy has been a theme of scholarship in both the Americas and Europe, with some political scientists describing high levels of political antipathy as a 'crisis' which risks democratic deconsolidation. Anti-politics become a key concept in accounts of political dysfunction in liberal democracies, typically dissatisfaction with politics and mistrust of politicians.

Possible causes of anti-political sentiment include the processes associated with depoliticisation, especially an increase in technocratic forms of governance, as well as citizens' perceptions of incompetent governance and the poor performance of politicians. Political distrust can originate from, and increase support for, a range of different political ideologies, including both left-wing and right-wing positions and the extremes of these. Healthy levels of mistrust in politics are often seen as legitimate scepticism and considered beneficial for democratic functioning. High distrust can increase the divide between policy-makers (politicians, or the political establishment) and citizens, which provides opportunities for populist rhetoric. Anti-politics is often expressed through appeals to "the people" and is consequently linked with populism, particularly, but not exclusively, right-wing populism.

Conceptual history

The idea gained attention with the publication of The Anti-Politics Machine by anthropologist James Ferguson in 1990. Ferguson developed a thesis that rural development projects funded by the World Bank and the Canadian International Development Agency in Lesotho increased bureaucratic state power in the country and depoliticised both the state and poverty, causing them to become non-political issues. Ferguson consequently described development as an "anti-politics machine". Ferguson's model has been applied to other developing countries such as India, and anti-politics has also been used to critique the shared administration of resources involving Indigenous peoples in Canada and North America.

In the first decade of the 2000s, scholars of human geography such as Andrew Barry drew a distinction between conventional "politics" (the practices and institutions of elections, political parties and governments) and the "political" (scenarios where dissent and debate are permitted), arguing that some forms of politics could be anti-political in that they denied the validity of alternatives. The substitution of public debate with market economics under neoliberalism, or by technocratic managerialism led by experts and scientists, or by the leadership of charismatic figures, are examples of this theory. Barry argued that whereas conventional politics revolved around the framing of issues, a greater focus on economic measurement was causing economics and politics to be conflated. In 2009, Erik Swyngedouw argued these processes had caused Western politics to become "post-political".

Negativity towards formal political institutions is a significant phenomenon in Europe, North America, Australasia and elsewhere. The trend originated in many democracies during the second half of the 20th century and it is generally accepted that a range of factors have contributed to increasing distrust in politics over this broad time frame. In Why We Hate Politics (2007), political scientist Colin Hay wrote that the label "political" had become associated in popular consciousness with negative connotations, such as corruption, greed, self-interest and inefficiency. Hay contrasted this with the positive ideals connected with "democracy". He also analysed a link between anti-political sentiment and political disengagement, including declines in voter turnout, lower membership of political parties and more informal forms of political participation.

Causes

Like other political phenomena, such as populism, political scientists frequently divide the possible causes of anti-politics into demand-side (citizen-based) and supply-side (politics-based) factors. Supply-side explanations include the narrow/exclusionary nature of political elites, the use of political spin, and the purposeful depoliticisation of issues by politicians seeking to lower citizens' expectations and agency. Scholars such as Wendy Brown suggest that neoliberal policies are anti-political as they elevate economics above politics via processes such as deregulation and privatisation, and seek to remove opportunities for valid contestation.

Demand-side explanations include a decline in collective institutions, activists questioning the political order and citizens being attracted to populist leaders. In Bowling Alone (2000), political scientist Robert D. Putnam put forward a demand-side explanation for political disaffection, arguing that the decline in civic participation and increased atomisation of society were responsible for political disengagement in the United States. Political scientists Emma Vines and David Marsh have argued that the distinction between demand- and supply-side explanations is misleading as the growth of anti-politics is related to a dysfunctional relationship between citizens and political authorities, particularly revolving around a lack of dialogue on complex political issues, which are presented as having simple solutions.

Factors causing long-term declines in political trust in democracies
Demand-side (changes in citizens) Supply-side (changes in politics) Intermediary (changes in how politics is communicated)
Citizens more affluent and better educated, consequently more critical Greater expectations on governments, which perform less well against a wider set of criteria Politics increasingly mediated by journalists and commentators
Weaker alignment between citizens and mainstream political parties Transfer of power away from national governments to other actors Media increasingly frames politics in negative terms; growth of social media
Citizens adopting a consumerist approach to politics Less ideological distinction between different politicians and parties Political campaigning professionalised; increasingly occurs on the national level and focuses on controlled situations

Relationship to populism

There is a strong link between anti-politics and anti-establishment sentiment. Multiple political theorists have described anti-politics as being a fundamental part of populist ideology. Political scientist Blendi Kajsiu argues that anti-politics can be conceptually distinguished from populism because a rejection of formal politics and politicians can be justified through traditional ideologies such as conservativism (for undermining traditional values) or socialism (for sustaining or increasing inequality), in addition to the "thin ideology" of populism (for violation of the popular will).

In the 2010s, the concept of anti-politics was adopted by political scientists hypothesising links between the presidencies of Donald Trump and Jair Bolsonaro, political events such as Brexit and the growth of far-right politics, and a context of declining trust and participation in representative political systems. In these analyses, anti-politics is often associated with reactionary, nativist, and nationalist movements, which are presented as reactions against the power inequities produced by globalisation and policies such as austerity.

Some scholars have linked anti-vaccine and anti-lockdown protests during the COVID-19 pandemic to the spread of anti-political sentiment, particularly via online social media, in Western democracies.

Critical Resistance

From Wikipedia, the free encyclopedia
Critical Resistance
Formation1997; 26 years ago
Founders
TypeSocial Movement
Location
  • International
    (mostly in the United States)
Websitecriticalresistance.org

Critical Resistance is a U.S. based organization with the stated goal of dismantling what it calls the prison-industrial complex (PIC). Critical Resistance's national office is in Oakland, California, with three additional chapters in New York City, Los Angeles, and Portland, Oregon.

Critical Resistance has promoted the idea of abolishing the prison system from its first conference in 1998. It considers the prison-industrial complex to be a response to societal issues such as: homelessness, immigration, and gender non-conformity. Since 1998 it has taken part in numerous campaigns and projects to oppose prison building and to promote prisoner rights.

Organization

Critical Resistance was founded by Angela Davis, Rose Braz, Ruth Wilson Gilmore, and others in 1997. The organization is primarily volunteer member-based, with three staff members based in Oakland.

Each chapter determines its own work independently. Projects included:

  • Contributing to stopping California's prison building boom
  • Copwatching
  • Coalition-building and participation in the Community in Unity Coalition to stop construction of a 2,000-bed jail in the South Bronx.
  • Facilitating education within prisons and the creation of political media by, for, and with prisoners and former prisoners
  • Political education and leadership development
  • Building a mass movement for creating genuine safety that does not rely on incarceration and control to address social, economic and political problems

As of 2017, the Oakland chapter has three main campaigns/projects.

  • Stop Urban Shield
  • No San Francisco Jail Coalition
  • Oakland Power Project

Mission

Critical Resistance takes an abolition stance against the prison industrial complex; saying that it draws from the legacy of the slavery abolition movement in the 1800s. CR abolitionists view the current prison system as not "broken" as many reformists do, but as working effectively at what they say is its true purpose: to contain, control, and kill those people that the state sees as threats, including people of color, immigrants, and members of the LGBT community. CR's goal is not to reform the prison system but to dismantle it completely. The three key dimensions of Critical Resistance, as identified by the organization co-founder Angela Davis, are public policy, community organizing, and academic research. CR utilizes academic work, legislative and other policy interventions, and grassroots campaigns in an effort to reverse the expansion of prisons and to call for the decriminalization of drugs and prostitution. Part of CR's mission statement asserts that it is the provision of basic necessities such as food, shelter, and freedom, and not incarceration and punishment, that will make communities safe and secure.

Origins

Critical Resistance (CR) was formed in 1997. Angela Davis, Rose Braz, Ruth Wilson Gilmore and other activists founded CR to address issues of mass incarceration and policing. On September 25–27, 1998, Critical Resistance held its first conference at the University of California, Berkeley. Over 3,500 participants attended, including former and current prisoners and their families, activists, academics, religious leaders, homeless people, policymakers, and members of the LGBT community. This conference challenged what it called the prison industrial complex (PIC). Critical Resistance says that the government has commodified prisons as desirable and, in return, has gained public support to expand prisons. CR's initial international conference put the term "prison-industrial complex" on the national agenda with the goal of convincing the American public to stop mass incarceration. CR's mission statement supports abolishing the PIC, and promotes the idea that capitalism profits from incarceration, particularly the incarceration of people of color, women, and the poor. The conference encouraged different organizations to engage in activism. In particular, the "Schools Not Jails" initiative and the Youthforce Coalition began to combat what they called the "criminalization of youth of color" after the conference.

Campaigns and projects

Critical Resistance holds conferences as a strategy to open discussion about prisons, gain insight from different activists and participants, and spread information to different parts of the United States. CR hosted more conferences through Critical Resistance South in New Orleans and Critical Resistance East in New York. Critical Resistance has been working on numerous campaigns and projects to abolish prisons locally, nationally, and worldwide.

The Prisoner Mail Working Group in CR receives letters from prisoners regularly in order to stay connected to them and understand what is happening in prisons. CR says it is crucial that the voices of diverse communities are heard, especially prisoners, in order to create a collective dialogue that can expose the reality of prisons.

CR has worked on campaigns to overturn California's Juvenile Crime Initiative (California Proposition 21) and to stop the California Department of Corrections from building a 5160-bed occupancy prison with the cost of $335 million in Central Valley. In 2001, CR filed a lawsuit against the CDC that generated significant media coverage. CR worked with the California Prison Moratorium Project in bringing together a coalition of environmentalists, farm workers unions, Latino and immigrant advocates, and prison abolition activists. The courts have since delayed construction of the prison.CR has also worked closely with The San Francisco Jail Fight Coalition (also known as the "No New SF Jail Coalition") and successfully stopped a proposal for a $456 million prison building project. CR proposed that the costs of building a new jail system was too high and wasteful because there was already a lot of jail space in the county. Instead, they believed that the funds could be used in welfare, public health, and affordable housing in the community.

Beyond Attica: Close Prisons-Build Communities is an ongoing campaign that demands the closure of Attica Prison in New York state. CR collects data, pictures, and interview records of former prisoners to reveal inhuman punishments and human rights violations that have occurred inside the prison since the year of its opening in the 1930s. It plans to use this evidence to gain public support and make a case for the closure of the prison.

The Abolitionist Educators support campaign works with educators and scholars to inform students and the imprisoned by writing about abolitionist issues in The Abolitionist newspaper, doing guest presentations in universities and K-12 systems, and teaching these issues in their own classrooms. According to CR's 2014 annual report, the purpose of The Abolitionist newspaper is to "share political analysis with imprisoned people, increase inside-outside communication, and augment organizing capacity inside prison walls".

CR Film Festival and Video Series works to create documentaries to "recognize the importance of cultural work in the fight against the PIC."

CR collaborates with the organization A New Way of Life founded by Susan Burton as part of the Leadership, Education, Action and Dialogue Project (LEAD) to hold workshops that share experiences of formerly incarcerated women and educate the participants about prisons.

According to Critical Resistance The Oakland Power Projects was launched in March 2015 to educate and train community members on how to properly handle local safety issues without the involvement of the police. The project consists of several workshops taught by instructors ranging from doctors, nurses, and healthcare specialist that discuss the impact of how to properly address people that are found in states of distress due to minor physical harm and mental disorder.

Stop Urban Shield is a project initiated by the Oakland Chapter. Established in 2007, Urban Shield is a Bay Area expo that further trains law enforcement. There, law enforcement can undergo SWAT and tactical trainings in order respond to emergencies. Critical Resistance works to stop Urban Shield in Alameda County by means of protesting and defunding the expo through the county.

INCITE! partnership

The women's anti-violence group INCITE! and Critical Resistance partnered to create a statement on gender violence and its connection to the PIC. According to Kristian Williams, this partnership was formed because the lack of attention paid to violence within communities, and the ignoring of the experiences of survivors of domestic abuse and other gender crimes, caused tensions within the feminist movement which limited the overall success of Critical Resistance. The statement was published in 2001 and declares that the prison abolition movement must address gender violence and that social movements must not work in isolation, but rather in inter-sectional coalition. It states that both organizations share common struggles and common goals in working to deconstruct what both see as the sexism, racism, classism and homophobia that exists in the criminal justice system. The statement analyzes ways it finds women to be disproportionately targeted by the justice system and identifies strategies for combating these injustices.

Timeline

  • 1998 - "Critical Resistance to the Prison Industrial Complex" conference in Berkeley, California. In September 1998, Critical Resistance held its first conference which challenged the phenomenon it called the prison industrial complex (PIC).
  • 1998 - Formation of Critical Resistance Youth Force, a coalition of Bay Area youth organizations. It was co-directed by Anita Miralle De Asis & Rory Caygill, and at its height had 40 plus organizations in membership. The coalition mobilized thousands of youth to organize against Prop 21 legislation and to run the Books Not Bars ("fund schools, not jails.") campaign. It mobilized hundreds of Bay Area youth to protest the 2000 Democratic National Convention in Los Angeles and the World Trade Organization meeting in Washington, DC.
  • 1998 - Several thousand high school students staged a walkout to demand "Schools Not Jails."
  • 2001 - Critical Resistance East Conference held in New York City.
  • 2001 - Publication of INCITE! "Critical Resistance-Incite! Statement on Gender violence and the Prison Industrial Complex".
  • 2001- In spring 2001, CR filed an environment lawsuit against the California Department of Corrections that has since prevented the construction of a 5160-bed prison in California's Central Valley.
  • 2003 - Critical Resistance South Conference in Tremé, New Orleans. It targeted problems in women's prisons and held workshops that dealt with issues such as personal violence, drug addiction for pregnant women, prison conditions for the LGBTQ community.
  • 2005 - Helped bring about the end of California's prison building boom; featured in The Christian Science Monitor, Los Angeles Times, and others. Launched amnesty campaign for people accused of looting post-Hurricane Katrina across the country.
  • 2008 - On September 26–28, 2008, Critical Resistance held its 10th Anniversary (CR10) conference in Oakland, CA. The 3-day conference focused on strategizing, collaborating, and organizing for abolishing the prisons. It included workshops, film showings, cultural art performances, strategy sessions, and meetings. A large number of youth, people of color and members of the LGBT community attended and participated in conference activities.
  • 2013 - CR worked with the No New SF Jail Coalition to stop the proposal for a $456 million jail project.
  • 2014 - CR distributed 12,000 issues of The Abolitionist paper that includes stories of those who are imprisoned.
  • Russian Futurism

    From Wikipedia, the free encyclopedia
    Group photograph of some Russian Futurists, published in their manifesto A Slap in the Face of Public Taste. Left to right: Aleksei Kruchyonykh, Vladimir Burliuk, Vladimir Mayakovsky, David Burliuk, and Benedikt Livshits.

    Russian Futurism is the broad term for a movement of Russian poets and artists who adopted the principles of Filippo Marinetti's "Manifesto of Futurism," which espoused the rejection of the past, and a celebration of speed, machinery, violence, youth, industry, destruction of academies, museums, and urbanism; it also advocated for modernization and cultural rejuvenation.

    Russian Futurism began roughly in the early 1910s; in 1912, a year after Ego-Futurism began, the literary group "Hylea"—also spelt "Guilée" and "Gylea"—issued the manifesto A Slap in the Face of Public Taste. The 1912 movement was originally called Cubo-Futurism, but this term is now used to refer to the style of art produced. Russian Futurism ended shortly after the Russian Revolution of 1917, after which former Russian Futurists either left the country, or participated in the new art movements.

    Notable Russian Futurists included Natalia Goncharova, Mikhail Larionov, David Burliuk, Kazimir Malevich, Vladimir Mayakovsky, and Velimir Khlebnikov.

    Style

    The Manifesto celebrated the “beauty of speed” and the machine as the new aesthetic. Marinetti explained the “beauty of speed” as “a roaring automobile is more beautiful than the Winged Victory” further asserting the movement towards the future. Artforms were greatly affected by the Russian Futurism movement within Russia, with its influences being seen in cinema, literature, typography, politics, and propaganda. The Russian Futuristic movement saw its demise in the early 1920s.

    Name

    Initially the term "futurism" was problematic, because it reminded them too much of their rivals in Italy; however, in 1911, the Ego-futurist group began. This was the first group of Russian futurism to call themselves "futurist"; shortly afterwards, many other futurists followed in using the term too.

    Origins

    The Knifegrinder (1912-13), by Kazimir Malevich, is an example how Cubism and Futurism crossed over to create Cubo-Futurism, a combined art form.
     
    Igra v Adu (A Game in Hell; Moscow 1914 edition) is an example of the collaborations of Futurist writers and visual artists. It fused Khlebnikov and Kruchenykh's poems with Goncharova's bold imagery.

    The most important group of Russian Futurism may be said to have been born in December 1912, when the Moscow-based literary group Hylaea (Russian: Гилея [Gileya]) (initiated in 1910 by David Burlyuk and his brothers at their estate near Kherson, and quickly joined by Vasily Kamensky and Velimir Khlebnikov, with Aleksey Kruchenykh and Vladimir Mayakovsky in 1911) issued a manifesto entitled A Slap in the Face of Public Taste (Russian: Пощёчина общественному вкусу). The Russian Futurist Manifesto shared similar ideas to Marinetti's Manifesto, such as the rejection of old literature for the new and unexpected.

    In addition to the forenamed authors, the group included artists Mikhail Larionov, Natalia Goncharova, Kazimir Malevich, and Olga Rozanova.

    Although Hylaea is generally considered to be the most influential group of Russian Futurism, other groups were formed in St. Petersburg (Igor Severyanin's Ego-Futurists), Moscow (Tsentrifuga, with Boris Pasternak among its members), Kiev, Kharkiv, and Odessa. While many artforms and artists converged to create “Russian Futurism”, David Burlyuk (born 1882, Ukraine) is credited with publicizing the avant-garde movement and increasing its renown within Europe and the United States. Burlyuk was a Russian poet, critic, and publisher who centralized the Russian movement. While his contribution to the arts were lesser than his peers, he was the first to discover many of the talented poets and artists associated with the movement. Burlyuk was the first to publish Velimir Khlebnikov and to celebrate the Futurist poetry of Vladimir Mayakovsky. Russian futurism also adopted ideas from “French Cubism” which coined the name “Cubo-Futurists” given by an art critic in 1913. Cubo-futurism adopted ideas from “Italian Futurism” and “French Cubism” to create its own blended style of visual art. It emphasized the breakdown of forms, the use of various viewpoints, the intersection of spatial planes, and the contrast of colour and texture. The focus was to show the intrinsic value of a painting, without it being dependent on a narrative.

    Modernity

    Like their Italian counterparts, the Russian Futurists were fascinated with the dynamism, speed, and restlessness of modern machines and urban life. They purposely sought to arouse controversy and to gain publicity by repudiating the static art of the past. The likes of Pushkin and Dostoevsky, according to A Slap in the Face of Public taste, should be "heaved overboard from the steamship of modernity". They acknowledged no authorities whatsoever; even Filippo Tommaso Marinetti, when he arrived in Russia on a proselytizing visit in 1914, was obstructed by most Russian Futurists, who did not profess to owe him anything.

    Cinema

    Russian Futurist cinema refers to the futurist movement in Soviet cinema. Russian Futurist cinema was deeply influenced by the films of Italian futurism (1916-1919) most of which are lost today. Some of the film directors identified as part of this movement are Lev Kuleshov, Dziga Vertov, Sergei Eisenstein, Vsevolod Pudovkin and Aleksandr Dovzhenko. Sergei Eisenstein's film Strike was seen as "the mordern Futurist art form par excellence." by Olga Bulgakowa. Bulgakowa theorized how the camera could change one's perceptions of reality and how it could make it seem like time was speeding up or slowing down during the film.

    Literature and Typography

    In contrast to Marinetti's circle, Russian Futurism was primarily a literary rather than a plastic philosophy. Although many poets (Mayakovsky, Burlyuk) dabbled with painting, their interests were primarily literary. However, such well-established artists as Mikhail Larionov, Natalia Goncharova, and Kazimir Malevich found inspiration in the refreshing imagery of Futurist poems and experimented with versification themselves. The poets and painters collaborated on such innovative productions as the Futurist opera Victory Over the Sun, with music by Mikhail Matyushin, texts by Kruchenykh and sets contributed by Malevich.

    Cyclist (1913) by Natalia Goncharova. This painting is an example of how Russian Futurism affected her later works.

    Members of Hylaea elaborated the doctrine of Cubo-Futurism and assumed the name of budetlyane (from the Russian word budet 'will be'). They found significance in the shape of letters, in the arrangement of text around the page, in the details of typography. They considered that there is no substantial difference between words and material things, hence the poet should arrange words in his poems like the artist arranges colors and lines on his canvas. Grammar, syntax, and logic were often discarded; many neologisms and profane words were introduced; onomatopoeia was declared a universal texture of verse. Khlebnikov, in particular, developed "an incoherent and anarchic blend of words stripped of their meaning and used for their sound alone", known as zaum.

    Politics

    With all this emphasis on formal experimentation, some Futurists were not indifferent to politics. In particular, Mayakovsky's poems, with their lyrical sensibility, appealed to a broad range of readers. He vehemently opposed the meaningless slaughter of World War I and hailed the Russian Revolution as the end of that traditional mode of life which he and other Futurists ridiculed so zealously. Although never a member of the Russian Communist Party (RKP(b)), he was active in early 1919 in the attempt to set up Komfut as an organisation promoting Futurism affiliated to the Viborg District Branch of the Party.

    The Bolshevik Agit-trains

    War correspondent Arthur Ransome and five other foreigners were taken to see two of the Bolshevik propaganda trains in 1919 by their organiser, Burov. The organiser first showed them the "Lenin", which had been painted a year and a half ago

    when, as fading hoardings in the streets of Moscow still testify, revolutionary art was dominated by the Futurist movement. Every carriage is decorated with most striking but not very comprehensible pictures in the brightest colours, and the proletariat was called upon to enjoy what the pre-revolutionary artistic public had for the most part failed to understand. Its pictures are ‘art for arts sake’, and can not have done more than astonish, and perhaps terrify, the peasants and the workmen of the country towns who had the luck to see them.

    The "Red Cossack" was quite different. As Burov put it with deep satisfaction, "At first we were in the artists’ hands, and now the artists are in our hands". Initially the artists were so revolutionary that at one point Burov had delivered the Department of Proletarian Culture some Futurists "bound hand and foot", but now "the artists had been brought under proper control".

    The other three trains were the "Sverdlov", the "October Revolution", and the "Red East".

    Demise

    Black Square (1915), by Kazimir Malevich, was featured at the 0,10 Exhibition, the last exhibition of Russian Futurist paintings. The exhibition was held from December 19, 1915 to January 17, 1916.

    After the Bolsheviks gained power, Mayakovsky's group—patronized by Anatoly Lunacharsky, Bolshevik Commissar for Education—aspired to dominate Soviet culture. Their influence was paramount during the first years after the revolution, until their program—or rather lack thereof—was subjected to scathing criticism by the authorities. By the time OBERIU attempted to revive some of the Futurist tenets during the late 1920s, the Futurist movement in Russia had already ended. The most militant Futurist poets either died (Khlebnikov, Mayakovsky) or preferred to adjust their very individual style to more conventional requirements and trends (Aseyev, Pasternak). The decline of futurism can also be seen in Russia when Kruchenykh attempted to publish Fifteen Years of Russian Futurism 1912-1927 in 1928 and the Communist Party made it clear they did not want any futurist influence in Soviet literature. This marked an abrupt fall from grace for Kruchenykh's writing and futurism as a literary movement.

    Authorship of the Bible

    From Wikipedia, the free encyclopedia ...