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Thursday, January 5, 2023

Historical Jesus

From Wikipedia, the free encyclopedia

The term "historical Jesus" refers to the reconstruction of the life and teachings of Jesus by critical historical methods, in contrast to religious interpretations. It also considers the historical and cultural contexts in which Jesus lived. Virtually all scholars of antiquity accept that Jesus was a historical figure, and attempts to deny his historicity have been consistently rejected by the scholarly consensus as a fringe theory.

Reconstructions of the historical Jesus are based on the Pauline epistles and the gospels, while several non-biblical sources also support his historical existence. Since the 18th century, three separate scholarly quests for the historical Jesus have taken place, each with distinct characteristics and developing new and different research criteria. Scholars differ about the beliefs and teachings of Jesus as well as the accuracy of the biblical accounts, with two events being supported by nearly universal scholarly consensus: Jesus was baptized and crucified. Historical Jesus scholars typically contend that he was a Galilean Jew and living in a time of messianic and apocalyptic expectations. Some scholars credit the apocalyptic declarations of the gospels to him, while others portray his "Kingdom of God" as a moral one, and not apocalyptic in nature.

The portraits of Jesus that have been constructed through history using these processes have often differed from each other, and from the image portrayed in the gospel accounts. Such portraits include that of Jesus as an apocalyptic prophet, charismatic healer, Cynic philosopher, Jewish messiah, prophet of social change, and rabbi. There is little scholarly agreement on a single portrait, nor the methods needed to construct it, but there are overlapping attributes among the various portraits, and scholars who differ on some attributes may agree on others.

Historical existence

Virtually all scholars of antiquity agree that Jesus existed. Historian Michael Grant asserts that if conventional standards of historical criticism are applied to the New Testament, "we can no more reject Jesus' existence than we can reject the existence of a mass of pagan personages whose reality as historical figures is never questioned." There is no indication that writers in antiquity who opposed Christianity questioned the existence of Jesus.

Since the 1970s, various scholars such as Joachim Jeremias, E. P. Sanders and Gerd Theissen have traced elements of Christianity to diversity in first-century Judaism and discarded nineteenth-century views that Jesus was based on previous pagan deities. Mentions of Jesus in extra-biblical texts do exist and are supported as genuine by the majority of historians. Historical scholars see differences between the content of the Jewish Messianic prophecies and the life of Jesus, undermining views Jesus was invented as a Jewish Midrash or Peshar. The presence of details of Jesus' life in Paul, and the differences between letters and Gospels, are sufficient for most scholars to dismiss mythicist claims concerning Paul. Theissen says "there is broad scholarly consensus that we can best find access to the historical Jesus through the Synoptic tradition." Bart D. Ehrman adds: "To dismiss the Gospels from the historical record is neither fair nor scholarly." One book argues that if Jesus did not exist, "the origin of the faith of the early Christians remains a perplexing mystery." Eddy and Boyd say the best history can assert is probability, yet the probability of Jesus having existed is so high, Ehrman says "virtually all historians and scholars have concluded Jesus did exist as a historical figure." Historian James Dunn writes: "Today nearly all historians, whether Christians or not, accept that Jesus existed". In a 2011 review of the state of modern scholarship, Ehrman wrote: "He certainly existed, as virtually every competent scholar of antiquity, Christian or non-Christian, agrees." James Crossley and Robert J. Myles admit they "are sceptical about what we can know with confidence" but they do not deny the existence of Jesus and instead "prefer to think in terms of whether ideas about Jesus were early or late and whether they were particular to his geographical location or beyond."

The Christ myth theory is the proposition that Jesus of Nazareth never existed, or if he did, he had virtually nothing to do with the founding of Christianity and the accounts in the gospels. In the 21st century, there have been a number of books and documentaries on this subject. For example, Earl Doherty has written that Jesus may have been a real person, but that the biblical accounts of him are almost entirely fictional. Many proponents use a three-fold argument first developed in the 19th century: that the New Testament has no historical value, that there are no non-Christian references to Jesus from the first century, and that Christianity had pagan and/or mythical roots.

Contemporary scholars of antiquity agree that Jesus existed, and biblical scholars and classical historians view the theories of his nonexistence as effectively refuted. Robert M. Price, an atheist who denies the existence of Jesus, agrees that his perspective runs against the views of the majority of scholars. Michael Grant (a classicist and historian) states that "In recent years, no serious scholar has ventured to postulate the non-historicity of Jesus, or at any rate very few have, and they have not succeeded in disposing of the much stronger, indeed very abundant, evidence to the contrary." Richard A. Burridge states, "There are those who argue that Jesus is a figment of the Church's imagination, that there never was a Jesus at all. I have to say that I do not know any respectable critical scholar who says that anymore."

Sources

Judea Province during the 1st century
 

The New Testament represents sources that have become canonical for Christianity, and there are many apocryphal texts that are examples of the wide variety of writings in the first centuries AD that are related to Jesus.

Non-Christian sources that are used to study and establish the historicity of Jesus include Jewish sources such as Josephus, and Roman sources such as Tacitus.

New Testament sources

Synoptic Gospels

An 11th-century Byzantine manuscript containing the opening of the Gospel of Luke
 

The Synoptic Gospels are the primary sources of historical information about Jesus and of the religious movement he founded. These religious gospels – the Gospel of Matthew, the Gospel of Mark, and the Gospel of Luke – recount the life, ministry, crucifixion and resurrection of a Jew named Jesus who spoke Aramaic and wore tzitzit. There are different hypotheses regarding the origin of the texts because the gospels of the New Testament were written in Greek for Greek-speaking communities, and were later translated into Syriac, Latin, and Coptic.

The fourth gospel, the Gospel of John, differs greatly from the Synoptic Gospels and scholars generally consider it to be less historical than the Synoptic Gospels. As James Crossley and Robert J. Myles explain, John "is of limited use for reconstructing the life of the historical Jesus." However, scholars usually agree that John is not entirely without historical value: certain sayings in John are as old or older than their synoptic counterparts, his representation of the topography around Jerusalem is often superior to that of the synoptics, his testimony that Jesus was executed before, rather than on, Passover, might well be more accurate, and his presentation of Jesus in the garden and the prior meeting held by the Jewish authorities are more historically plausible than their synoptic parallels.

Historians often study the historical reliability of the Acts of the Apostles when studying the reliability of the gospels, as the Book of Acts was seemingly written by the same author as the Gospel of Luke.

Pauline epistles

The Pauline epistles are dated to between AD 50 and 60 (i.e., approximately twenty to thirty years after the generally accepted time period for the death of Jesus), and are the earliest surviving Christian texts that include information about Jesus.

Although Paul the Apostle provides relatively little biographical information about Jesus and states that he never knew Jesus personally, he does make it clear that he considers Jesus to have been a real person and a Jew. Moreover, he claims to have met with James, the brother of Jesus.

Non-biblical sources

In addition to biblical sources, there are a number of mentions of Jesus in non-Christian sources that have been used in the historical analyses of the existence of Jesus.

Thallos

Biblical scholar Frederick Fyvie Bruce says the earliest mention of Jesus outside the New Testament occurs around 55 CE from a historian named Thallos. Thallos' history, like the vast majority of ancient literature, has been lost but not before it was quoted by Sextus Julius Africanus (c. 160 – c. 240 CE), a Christian writer, in his History of the World (c. 220). This book likewise was lost, but not before one of its citations of Thallos was taken up by the Byzantine historian George Syncellus in his Chronicle (c. 800). There is no means by which certainty can be established concerning this or any of the other lost references, partial references, and questionable references that mention some aspect of Jesus' life or death, but in evaluating evidence, it is appropriate to note they exist.

Josephus and Tacitus

There are two passages in the writings of the Jewish historian Josephus, and one from the Roman historian Tacitus, that are generally considered good evidence.

Josephus' Antiquities of the Jews, written around AD 93–94, includes two references to the biblical Jesus in Books 18 and 20. The general scholarly view is that while the longer passage, known as the Testimonium Flavianum, is most likely not authentic in its entirety, it is broadly agreed upon that it originally consisted of an authentic nucleus, which was then subject to Christian interpolation. Of the other mention in Josephus, Josephus scholar Louis H. Feldman has stated that "few have doubted the genuineness" of Josephus' reference to Jesus in Antiquities 20, 9, 1 ("the brother of Jesus, who was called Christ, whose name was James"). Paul references meeting and interacting with James, Jesus' brother, and since this agreement between the different sources supports Josephus' statement, the statement is only disputed by a small number of scholars.

Roman historian Tacitus referred to "Christus" and his execution by Pontius Pilate in his Annals (written c. AD 116), book 15, chapter 44. Robert E. Van Voorst states that the very negative tone of Tacitus' comments on Christians makes the passage extremely unlikely to have been forged by a Christian scribe and the Tacitus reference is now widely accepted as an independent confirmation of Jesus's crucifixion.

Talmud

Other considerations outside Christendom include the possible mentions of Jesus in the Talmud. The Talmud speaks in some detail of the conduct of criminal cases of Israel whose texts were gathered together from 200 to 500 CE. Johann Maier and Bart D. Ehrman argue this material is too late to be of much use. Ehrman explains that "Jesus is never mentioned in the oldest part of the Talmud, the Mishnah, but appears only in the later commentaries of the Gemara." Jesus is not mentioned by name, but there is a subtle attack on the virgin birth that refers to the illegitimate son of a Roman soldier Panthera (Ehrman says, "In Greek the word for virgin is parthenos"), and a reference to Jesus' miracles as "black magic" learned when he lived in Egypt (as a toddler). Ehrman writes that few contemporary scholars treat this as historical.

Mara bar Serapion

There is only one classical writer who refers positively to Jesus and that is Mara bar Serapion, a Syriac Stoic, who wrote a letter to his son, who was also named Serapion, from a Roman prison. He speaks of the execution of 'the wise king of the Jews' and compares his death to that of Socrates at the hands of the Athenians. He links the death of the 'wise king' to the Jews being driven from their kingdom. He also states that the 'wise king' lives on because of the "new laws he laid down". The dating of the letter is disputed but was probably soon after 73 AD.

Scholars such as Robert Van Voorst see little doubt that the reference to the execution of the "king of the Jews" is about the death of Jesus. Others such as Craig A. Evans see less value in the letter, given its uncertain date, and the ambiguity in the reference.

Critical-historical research

Historical criticism, also known as the historical-critical method or higher criticism, is a branch of criticism that investigates the origins of ancient texts in order to understand "the world behind the text". The primary goal of historical criticism is to discover the text's primitive or original meaning in its original historical context and its literal sense. Historical criticism began in the 17th century and gained popular recognition in the 19th and 20th centuries.

Historical reliability of the Gospels

The historical reliability of the gospels refers to the reliability and historic character of the four New Testament gospels as historical documents. Little in the four canonical gospels is considered to be historically reliable.

Historians subject the gospels to critical analysis by differentiating authentic, reliable information from possible inventions, exaggerations, and alterations. Since there are more textual variants (200,000–400,000) than words in the New Testament, scholars use textual criticism to determine which gospel variants could theoretically be taken as 'original'. To answer this question, scholars have to ask who wrote the gospels, when they wrote them, what was their objective in writing them, what sources the authors used, how reliable these sources were, and how far removed in time the sources were from the stories they narrate, or if they were altered later. Scholars may also look into the internal evidence of the documents, to see if, for example, a document has misquoted texts from the Hebrew Tanakh, has made incorrect claims about geography, if the author appears to have hidden information, or if the author has fabricated a prophecy. Finally, scholars turn to external sources, including the testimony of early church leaders, to writers outside the church, primarily Jewish and Greco-Roman historians, who would have been more likely to have criticized the church, and to archaeological evidence.

Quest for the historical Jesus

Oil painting of Reimarus
Hermann Samuel Reimarus (1694–1768) studied the historical Jesus.
 

Since the 18th century, three scholarly quests for the historical Jesus have taken place, each with distinct characteristics and based on different research criteria, which were often developed during each specific phase. These quests are distinguished from pre-Enlightenment approaches because they rely on the historical-critical method to study biblical narratives. While textual analysis of biblical sources had taken place for centuries, these quests introduced new methods and specific techniques in the attempt to establish the historical validity of their conclusions.

First quest

The scholarly effort to reconstruct an "authentic" historical picture of Jesus was a product of the Enlightenment skepticism of the late eighteenth century. Bible scholar Gerd Theissen explains that "It was concerned with presenting a historically true life of Jesus that functioned theologically as a critical force over against [established Roman Catholic] Christology." The first scholar to separate the historical Jesus from the theological Jesus in this way was philosopher, writer, classicist, Hebraist and Enlightenment free thinker Hermann Samuel Reimarus (1694–1768). Copies of Reimarus' writings were discovered by G. E. Lessing (1729–1781) in the library at Wolfenbüttel where Lessing was the librarian. Reimarus had left permission for his work to be published after his death, and Lessing did so between 1774 and 1778, publishing them as Die Fragmente eines unbekannten Autors (The Fragments of an Unknown Author). Over time, they came to be known as the Wolfenbüttel Fragments after the library where Lessing worked. Reimarus distinguished between what Jesus taught and how he is portrayed in the New Testament. According to Reimarus, Jesus was a political messiah who failed at creating political change and was executed. His disciples then stole the body and invented the story of the resurrection for personal gain. Reimarus' controversial work prompted a response from "the father of historical critical research" Johann Semler in 1779, Beantwortung der Fragmente eines Ungenannten (Answering the Fragments of an Unknown). Semler refuted Reimarus' arguments, but it was of little consequence. Reimarus' writings had already made lasting changes by making it clear criticism could exist independently of theology and faith, and by founding historical Jesus studies within that non-sectarian view.

According to Homer W. Smith, the work of Lessing and others culminated in the Protestant theologian David Strauss's Das Leben Jesu ('The Life of Jesus', 1835), in which Strauss expresses his conclusion that Jesus existed, but that his godship is the result of "a historic nucleus [being] worked over and reshaped into an ideal form by the first Christians under the influence of Old Testament models and the idea of the messiah found in Daniel."

Albert Schweitzer, whose book coined the phrase Quest [for] the Historical Jesus

The enthusiasm shown during the first quest diminished after Albert Schweitzer's critique of 1906 in which he pointed out various shortcomings in the approaches used at the time. After Schweitzer's Von Reimarus zu Wrede was translated and published in English as The Quest of the Historical Jesus in 1910, the book's title provided the label for the field of study for eighty years.

Second quest

The second quest began in 1953 and introduced a number of new techniques, but faded away in the 1970s.

Third quest

In the 1980s a number of scholars gradually began to introduce new research ideas, initiating a third quest characterized by the latest research approaches. One of the modern aspects of the third quest has been the role of archaeology; James Charlesworth states that modern scholars now want to use archaeological discoveries that clarify the nature of life in Galilee and Judea during the time of Jesus. A further characteristic of the third quest has been the interdisciplinary and global nature of its scholarship. While the first two quests were mostly carried out by European Protestant theologians, a modern aspect of the third quest is the worldwide influx of scholars from multiple disciplines. More recently, historicists have focused their attention on the historical writings associated with the era in which Jesus lived or on the evidence concerning his family.

By the end of the twentieth century, scholar Tom Holmén writes that Enlightenment skepticism had given way to a more "trustful attitude toward the historical reliability of the sources ... [Currently] the conviction of Sanders, (we know quite a lot about Jesus) characterizes the majority of contemporary studies." Reflecting this shift, the phrase "quest for the historical Jesus" has largely been replaced by life of Jesus research.

Demise of authenticity and the "Next Quest"

Since the late 1900s, concerns have been growing about the usefulness of the criteria of authenticity. According to Le Donne, the usage of such criteria is a form of "positivist historiography." According to Chris Keith, a historical Jesus is "ultimately unattainable, but can be hypothesized on the basis of the interpretations of the early Christians, and as part of a larger process of accounting for how and why early Christians came to view Jesus in the ways that they did." According to Keith, "these two models are methodologically and epistemologically incompatible," calling into question the methods and aim of the first model.

In 2021, James Crossley (editor of the Journal for the Study of the Historical Jesus) announced that historical Jesus scholarship now had moved to the era of the Next Quest. The Next Quest has moved on from the criteria, obsessions with the uniqueness of Jesus, and the supersessionism still implicit in scholarly questions of the Jewishness of Jesus. Instead, sober scholarship now focuses on treating the subject matter as part of the wider human phenomenon of religion, cultural comparison, class relations, slave culture and economy, and the social history of historical Jesus scholarship and wider reception histories of the historical Jesus. The book by Crossley and Robert J. Myles, Jesus: A Life in Class Conflict, is indicative of this new tendency.

Methods

Textual, source and form-criticism

The first quest, which started in 1778, was almost entirely based on biblical criticism. This took the form of textual and source criticism originally, which were supplemented with form criticism in 1919, and redaction criticism in 1948. Form criticism began as an attempt to trace the history of the biblical material during the oral period before it was written in its current form, and may be seen as starting where textual criticism ends. Form criticism views Gospel writers as editors, not authors. Redaction criticism may be viewed as the child of source criticism and form criticism. and views the Gospel writers as authors and early theologians and tries to understand how the redactor(s) has (have) molded the narrative to express their own perspectives.

Criteria of authenticity

When form criticism questioned the historical reliability of the Gospels, scholars began looking for other criteria. Taken from other areas of study such as source criticism, the "criteria of authenticity" emerged gradually, becoming a distinct branch of methodology associated with life of Jesus research. The criteria are a variety of rules used to determine if some event or person is more or less likely to be historical. These criteria are primarily, though not exclusively, used to assess the sayings and actions of Jesus.

In view of the skepticism produced in the mid-twentieth century by form criticism concerning the historical reliability of the gospels, the burden shifted in historical Jesus studies from attempting to identify an authentic life of Jesus to attempting to prove authenticity. The criteria developed within this framework, therefore, are tools that provide arguments solely for authenticity, not inauthenticity. In 1901, the application of criteria of authenticity began with dissimilarity. It was often applied unevenly with a preconceived goal. In the early decades of the twentieth century, F. C. Burkitt and B. H. Streeter provided the foundation for multiple attestation. The Second Quest introduced the criterion of embarrassment. By the 1950s, coherence was also included. By 1987, D. Polkow lists 25 separate criteria being used by scholars to test for historical authenticity including the criterion of "historical plausibility".

Criticism

A number of scholars have criticized the various approaches used in the study of the historical Jesus—on one hand, for the lack of rigor in research methods; on the other, for being driven by "specific agendas" that interpret ancient sources to fit specific goals. By the 21st century, the "maximalist" approaches of the 19th century, which accepted all the gospels, and the "minimalist" trends of the early 20th century, which totally rejected them, were abandoned and scholars began to focus on what is historically probable and plausible about Jesus.

Consensus knowledge about Jesus

There is widespread disagreement among scholars on the details of the life of Jesus mentioned in the gospel narratives, and on the meaning of his teachings. Scholars differ on the historicity of specific episodes described in the biblical accounts of Jesus, but almost all modern scholars consider his baptism and crucifixion to be historical facts.

Baptism

The existence of John the Baptist within the same time frame as Jesus, and his eventual execution by Herod Antipas is attested to by 1st-century historian Josephus and the overwhelming majority of modern scholars view Josephus' accounts of the activities of John the Baptist as authentic. One of the arguments in favor of the historicity of the Baptism of Jesus by John is the criterion of embarrassment, i.e. that it is a story which the early Christian Church would have never wanted to invent, as it implies that Jesus was subservient to John. Another argument used in favour of the historicity of the baptism is that multiple accounts refer to it, usually called the criterion of multiple attestation. Technically, multiple attestation does not guarantee authenticity, but only determines antiquity. However, for most scholars, together with the criterion of embarrassment it lends credibility to the baptism of Jesus by John being a historical event.

Crucifixion

John P. Meier views the crucifixion of Jesus as a historical fact and states that based on the criterion of embarrassment, Christians would not have invented the painful death of their leader. Meier states that a number of other criteria – the criterion of multiple attestation (i.e., confirmation by more than one source), the criterion of coherence (i.e., that it fits with other historical elements) and the criterion of rejection (i.e., that it is not disputed by ancient sources) – help establish the crucifixion of Jesus as a historical event. Eddy and Boyd state that it is now firmly established that there is non-Christian confirmation of the crucifixion of Jesus – referring to the mentions in Josephus and Tacitus.

Most scholars in the third quest for the historical Jesus consider the crucifixion indisputable, as do Bart Ehrman, John Dominic Crossan and James Dunn. Although scholars agree on the historicity of the crucifixion, they differ on the reason and context for it, e.g. both E. P. Sanders and Paula Fredriksen support the historicity of the crucifixion, but contend that Jesus did not foretell his own crucifixion, and that his prediction of the crucifixion is a Christian story. Géza Vermes also views the crucifixion as a historical event but believes this was due to Jesus’ challenging of Roman authority. On the other hand, Maurice Casey and John P. Meier state that Jesus did predict his death, and this actually strengthened his followers' belief in his Resurrection.

Other possibly historical elements

In addition to the two historical elements of baptism and crucifixion, scholars attribute varying levels of certainty to various other aspects of the life of Jesus, although there is no universal agreement among scholars on these items:

  • Jesus was a Galilean Jew who was born between 7 and 2 BC and died 30–36 AD.
  • Jesus lived only in Galilee and Judea: Most scholars reject that there is any evidence that an adult Jesus traveled or studied outside Galilee and Judea. Marcus Borg states that the suggestions that an adult Jesus traveled to Egypt or India are "without historical foundation". John Dominic Crossan states that none of the theories presented to fill the 15–18-year gap between the early life of Jesus and the start of his ministry have been supported by modern scholarship. The Talmud refers to "Jesus the Nazarene" several times and scholars such as Andreas Kostenberger and Robert Van Voorst hold that some of these references are to Jesus Nazareth is not mentioned in the Hebrew Bible and the Christian gospels portray it as an insignificant village, John 1:46 asking "Can any good thing come out of Nazareth?" Craig S. Keener states that it is rarely disputed that Jesus was from Nazareth, an obscure small village not worthy of invention. Gerd Theissen concurs with that conclusion.
  • Jesus spoke Aramaic and may have also spoken Hebrew and Greek. The languages spoken in Galilee and Judea during the 1st century include the Semitic Aramaic and Hebrew languages as well as Greek, with Aramaic being the predominant language. Most scholars agree that during the early part of the 1st century, Aramaic was the mother tongue of virtually all women in Galilee and Judea.
  • Jesus called disciples: John P. Meier sees the calling of disciples a natural consequence of the information available about Jesus. N. T. Wright accepts that there were twelve disciples, but holds that the list of their names cannot be determined with certainty. John Dominic Crossan disagrees, stating that Jesus did not call disciples and had an "open to all" egalitarian approach, imposed no hierarchy and preached to all in equal terms. However, James Crossley and Robert J. Myles and the emerging consensus disagree with Crossan, arguing that "we should dispel romantic notions that this movement was proudly egalitarian and progressive in the sense of the 'radical liberalism' of today" and instead point out that the core Twelve may have been "a central committee or politburo with membership sometimes changing."
  • Jesus caused a controversy at the Temple.
  • After his death his disciples continued, and some of his disciples were persecuted.

Some scholars have proposed further additional historical possibilities such as:

  • An approximate chronology of Jesus can be estimated from non-Christian sources, and confirmed by correlating them with New Testament accounts.
  • Claims about the appearance or ethnicity of Jesus are mostly subjective, based on cultural stereotypes and societal trends rather than on scientific analysis.
  • The baptism of Jesus by John the Baptist can be dated approximately from Josephus' references (Antiquities 18.5.2) to a date before AD 28–35.
  • The main topic of his teaching was the Kingdom of God, and he presented this teaching in parables that were surprising and sometimes confounding.
  • Jesus taught an ethic of forgiveness, as expressed in aphorisms such as "turn the other cheek" or "go the extra mile."
  • An emerging scholarly consensus suggests Jesus and his inner-circle claimed "a degree of hardened 'servant' masculinity for themselves as an example to the world."
  • The date of the crucifixion of Jesus was earlier than 36 AD, based on the dates of the prefecture of Pontius Pilate who was governor of Roman Judea from 26 AD until 36 AD.

Portraits of the historical Jesus

Scholars involved in the third and next quests for the historical Jesus have constructed a variety of portraits and profiles for Jesus. However, there is little scholarly agreement on the portraits, or the methods used in constructing them. The portraits of Jesus that have been constructed in the quest for the historical Jesus have often differed from each other, and from the image portrayed in the gospel accounts. These portraits include that of Jesus as an apocalyptic prophet, charismatic healer, Cynic philosopher, Jewish Messiah and prophet of social change, but there is little scholarly agreement on a single portrait, or the methods needed to construct it. There are, however, overlapping attributes among the various portraits, and scholars who differ on some attributes may agree on others.

Contemporary scholarship, representing the "third quest" and the "next quest" places Jesus firmly in the Jewish tradition. Jesus was a Jewish preacher who taught that he was the path to salvation, everlasting life, and the Kingdom of God. A primary criterion used to discern historical details in the "third quest" is that of plausibility, relative to Jesus' Jewish context and to his influence on Christianity. Contemporary scholars of the "third quest" include E. P. Sanders, Géza Vermes, Gerd Theissen, Christoph Burchard, and John Dominic Crossan. In contrast to the Schweitzerian view, certain North American scholars, such as Burton Mack, advocate for a non-eschatological Jesus, one who is more of a Cynic sage than an apocalyptic preacher.

Mainstream views

Despite the significant differences among scholars on what constitutes a suitable portrait for Jesus, the mainstream views supported by a number of scholars may be grouped together based on certain distinct, primary themes. These portraits often include overlapping elements, and there are also differences among the followers of each portrait. The subsections below present the main portraits that are supported by multiple mainstream scholars.

Apocalyptic prophet

The apocalyptic prophet view primarily emphasizes Jesus preparing his fellow Jews for the End Times. The first proponent of this hypothesis was Albert Schweitzer in his 1906 book The Quest of the Historical Jesus.

The works of E. P. Sanders and Maurice Casey place Jesus within the context of Jewish eschatological tradition. Bart D. Ehrman aligns himself with Schweitzer's view that Jesus expected an apocalypse during his own generation, and he bases some of his views on the argument that the earliest gospel sources (for which he assumes Markan priority) and the First Epistle to the Thessalonians, chapters 4 and 5, probably written by the end of AD 52, present Jesus as far more apocalyptic than other Christian sources produced towards the end of the 1st century, contending that the apocalyptic messages were progressively toned down. Dale C. Allison Jr. does not see Jesus as advocating specific timetables for the End Times, but sees him as preaching his own doctrine of "apocalyptic eschatology" derived from post-exilitic Jewish teachings, and views the apocalyptic teachings of Jesus as a form of asceticism.

The characterization of Jesus as an apocalyptic or millenarian prophet can also be combined with other categories, such as in the work of James Crossley and Robert J. Myles (see below) who regard the end-time teaching of Jesus as a culturally credible way of responding to social and material upheaval in Galilee and Judea.

Charismatic healer

The charismatic healer portrait positions Jesus as a pious and holy man in the view of Géza Vermes, whose profile draws on the Talmudic representations of Jewish figures such as Hanina ben Dosa and Honi the Circle Drawer and presents Jesus as a Hasid. Marcus Borg views Jesus as a charismatic "man of the spirit", a mystic or visionary who acts as a conduit for the "Spirit of God". Borg sees this as a well-defined religious personality type, whose actions often involve healing. Borg sees Jesus as a non-eschatological figure who did not intend to start a new religion, but his message set him at odds with the Jewish powers of his time based on the "politics of holiness". Both Sanders and Casey agree that Jesus was also a charismatic healer in addition to an apocalyptic prophet.

Cynic philosopher

In the Cynic philosopher profile, Jesus is presented as a Cynic, a traveling sage and philosopher preaching a cynical and radical message of change to abolish the existing hierarchical structure of the society of his time. In John Dominic Crossan's view Jesus was crucified not for religious reasons but because his social teachings challenged the seat of power held by the Jewish authorities. Burton Mack also holds that Jesus was a Cynic whose teachings were so different from those of his time that they shocked the audience and forced them to think, but Mack views his death as accidental and not due to his challenge to Jewish authority.

Jewish Messiah

The Jewish Messiah portrait of N. T. Wright places Jesus within the Jewish context of "exile and return", a notion he uses to build on his view of the 1st-century concept of hope. Wright believes that Jesus was the Messiah and argues that the Resurrection of Jesus was a physical and historical event. Wright's portrait of Jesus is closer to the traditional Christian views than many other scholars, and when he departs from the Christian tradition, his views are still close to them. Like Wright, Markus Bockmuehl, Peter Stuhlmacher and Brant J. Pitre support the view that Jesus came to announce the end of the Jewish spiritual exile and usher in a new messianic era in which God would improve this world through the faith of his people.

Prophet of social change

The prophet of social change portrait positions Jesus primarily as someone who challenged the traditional social structures of his time. Gerd Theissen sees three main elements to the activities of Jesus as he effected social change: his positioning as the Son of man, the core group of disciples that followed him, and his localized supporters as he journeyed through Galilee and Judea. Richard A. Horsley goes further and presents Jesus as a more radical reformer who initiated a grassroots movement. David Kaylor's ideas are close to those of Horsley, but have a more religious focus and base the actions of Jesus on covenant theology and his desire for justice. Elisabeth Fiorenza has presented a feminist perspective which sees Jesus as a social reformer whose actions such as the acceptance of women followers resulted in the liberation of some women of his time. James Crossley and Robert J. Myles advocate a nuanced historical materialist perspective of Jesus as a religious organizer who responded to the intersecting material conditions of Galilee and Judea in culturally credible ways such as through intra-Jewish legal debate and a revolutionary millenarian proclamation.

S. G. F. Brandon, Fernando Bermejo Rubio, and Reza Aslan (the last one is not a biblical scholar) argue that Jesus was an anti-Roman revolutionary that tried to overthrow Roman rule in Palestine and re-establish the Kingdom of Israel.

Rabbi

The rabbi portrait advances the idea that Jesus was simply a rabbi who sought to reform certain ideas within Judaism. This idea can be traced to the late nineteenth century, when various liberal Jews sought to emphasize the Jewish nature of Jesus, and saw him as something of a proto-Reform Jew. Perhaps the most prominent of these was Rabbi Emil G. Hirsch, who in The Doctrine of Jesus wrote:

We quote the rabbis of the Talmud; shall we then, not also quote the rabbi of Bethlehem? Shall not he in whom there burned, if it burned in anyone, the spirit and the light of Judaism, be reclaimed by the synagogue?

Bruce Chilton, in his book Rabbi Jesus: An Intimate Biography, painted Jesus as a devout student of John the Baptist who came to see it as his mission to restore the Temple to purity, and purge the Romans and the corrupt priests from its midst. Jaroslav Pelikan, in The Illustrated Jesus Through the Centuries stated:

Alongside Immanuel, "God with us" – the Hebrew title given to the child in the prophecy of Isaiah (7:14) and applied by Matthew (1:23) to Jesus, but not used to address him except in such apostrophes as the medieval antiphon Veni, Veni, Immanuel that forms the epigraph to this chapter – four Aramaic words appear as titles for Jesus: Rabbi, or teacher; Amen, or prophet; Messias, or Christ; and Mar, or Lord.

The most neutral and least controversial of these words is probably Rabbi, along with the related Rabbouni. Except for two passages, the Gospels apply the Aramaic word only to Jesus; and if we conclude that the title "teacher" or "master" (didaskalos in Greek) was intended as a translation of that Aramaic name, it seems safe to say that it was as Rabbi that Jesus was known and addressed.

The conservative evangelical scholar Andreas J. Köstenberger in Jesus as Rabbi in the Fourth Gospel also reached the conclusion that Jesus was seen by his contemporaries as a rabbi.

In 2012, the book Kosher Jesus by Orthodox Rabbi Shmuley Boteach was published in which Boteach takes the position that Jesus was a wise and learned Torah-observant Jewish rabbi. Boteach says he was a beloved member of the Jewish community. At the same time, Jesus is said to have despised the Romans for their cruelty, and to have fought them courageously. The book states that the Jews had nothing whatsoever to do with the murder of Jesus, but rather that the blame for his trial and killing lies with the Romans and Pontius Pilate. Boteach states clearly that he does not believe in Jesus as the Jewish Messiah. At the same time, Boteach argues that "Jews have much to learn from Jesus – and from Christianity as a whole – without accepting Jesus' divinity. There are many reasons for accepting Jesus as a man of great wisdom, beautiful ethical teachings, and profound Jewish patriotism." He concludes by writing, as to Judeo-Christian values, that "the hyphen between Jewish and Christian values is Jesus himself."

Non-mainstream views

Other portraits have been presented by individual scholars:

  • Ben Witherington supports the "Wisdom Sage" view and states that Jesus is best understood as a teacher of wisdom who saw himself as the embodiment or incarnation of God's Wisdom.
  • John P. Meier's portrait of Jesus as the Marginal Jew is built on the view that Jesus knowingly marginalized himself in a number of ways, first by abandoning his profession as a carpenter and becoming a preacher with no means of support, then arguing against the teachings and traditions of the time while he had no formal rabbinic training.
Two Dead Sea Scrolls in the cave they were found, before being removed by archaeologists.
  • Robert Eisenman proposed that James the Just was the Teacher of Righteousness mentioned in the Dead Sea Scrolls, and that the image of Jesus of the gospels was constructed by the Apostle Paul as pro-Roman propaganda.
  • Hyam Maccoby proposed that Jesus was a Pharisee, that the positions ascribed to the Pharisees in the Gospels are very different from what we know of them, and in fact their opinions were very similar to those ascribed to Jesus. Harvey Falk also sees Jesus as proto-Pharisee or Essene.
  • Morton Smith views Jesus as a magician, a view based on the presentation of Jesus in later Jewish sources and on (dubious) apochryphal writings such as the Secret Gospel of Mark.
  • Leo Tolstoy saw Jesus as championing Christian anarchism (although Tolstoy never actually used the term "Christian anarchism"; reviews of his book following its publication in 1894 coined the term.)
  • It has been suggested by psychiatrists Oskar Panizza, George de Loosten, William Hirsch, William Sargant, Anthony Storr, Raj Persaud, psychologist Charles Binet-Sanglé and others that Jesus had a mental disorder or psychiatric condition. This theory is based on the fact that the Gospel of Mark (Mark 3:21) reports that When his family heard this they went out to restrain him, for they said, ″He is out of his mind.″ Psychologist Władysław Witwicki states that Jesus had difficulties communicating with the outside world and suffered from multiple personality disorder, which made him a schizothymic or even schizophrenic type. In 1998–2000 Polish author Leszek Nowak (born 1962) from Poznań authored a study in which, based on his own history of delusions of mission and overvalued ideas, and information communicated in the Gospels, made an attempt at reconstructing Jesus’ psyche with the view of the apocalyptic prophet.

Temptation of Christ

From Wikipedia, the free encyclopedia
 

The temptation of Christ is a biblical narrative detailed in the gospels of Matthew, Mark, and Luke. After being baptized by John the Baptist, Jesus was tempted by the devil after 40 days and nights of fasting in the Judaean Desert. At the time, Satan came to Jesus and tried to tempt him. Jesus having refused each temptation, Satan then departed and Jesus returned to Galilee to begin his ministry. During this entire time of spiritual battle, Jesus was fasting.

The writer of the Epistle to the Hebrews also refers to Jesus having been tempted "in every way that we are, except without sin."

Mark's account is very brief, merely noting the event. Matthew and Luke describe the temptations by recounting the details of the conversations between Jesus and Satan. Since the elements that are in Matthew and Luke but not in Mark are mostly pairs of quotations rather than detailed narration, many scholars believe these extra details originate in the theoretical Q Document. The temptation of Christ is not explicitly mentioned in the Gospel of John but in this gospel Jesus does refer to the Devil, "the prince of this world", having no power over him.

In church calendars of many Christian denominations, Jesus' forty days of fasting in the Judaean Desert is remembered during the season of Lent, in which many Christians fast, pray and give alms to the poor.

Literary genre

Discussion of status as a parable

Discussion of the literary genre includes whether what is represented is a history, a parable, a myth, or compound of various genres. This relates to the reality of the encounter. Sometimes the temptation narrative is taken as a parable, reading that Jesus in his ministry told this narrative to audiences relating his inner experience in the form of a parable. Or it is autobiographical, regarding what sort of Messiah Jesus intended to be. Writers including William Barclay have pointed to the fact that there is "no mountain high enough in all the world to see the whole world" as indication of the non-literal nature of the event, and that the narrative portrays what was going on inside Jesus' mind. Dominican theologian Thomas Aquinas explained, "In regard to the words, 'He showed Him all the kingdoms of the world, and the glory of them,' we are not to understand that He saw the very kingdoms, with the cities and inhabitants, their gold and silver: but that the devil pointed out the quarters in which each kingdom or city lay, and set forth to Him in words their glory and estate."

The debate on the literality of the temptations goes back at least to the 18th-century discussion of George Benson and Hugh Farmer.

The Catholic understanding is that the temptation of Christ was a literal and physical event. "Despite the difficulties urged, …against the historical character of the three temptations of Jesus, as recorded by St. Matthew and St. Luke, it is plain that these sacred writers intended to describe an actual and visible approach of Satan, to chronicle an actual shifting of places, etc., and that the traditional view, which maintains the objective nature of Christ's temptations, is the only one meeting all the requirements of the Gospel narrative."

The Catechism of the Catholic Church states:

The Gospels speak of a time of solitude for Jesus in the desert immediately after his baptism by John. Driven by the Spirit into the desert, Jesus remains there for forty days without eating; he lives among wild beasts, and angels minister to him. At the end of this time Satan tempts him three times, seeking to compromise his filial attitude toward God. Jesus rebuffs these attacks, which recapitulate the temptations of Adam in Paradise and of Israel in the desert, and the devil leaves him "until an opportune time…" The temptation in the desert shows Jesus, the humble Messiah, who triumphs over Satan by his total adherence to the plan of salvation willed by the Father.

Use of Old Testament references

The account of Matthew uses language from the Old Testament. The imagery would be familiar to Matthew's contemporary readers. In the Septuagint Greek version of Zechariah 3 the name Iesous and term diabolos are identical to the Greek terms of Matthew 4. Matthew presents the three scriptural passages cited by Jesus (Deut 8:3, Deut 6:13, and Deut 6:16) not in their order in the Book of Deuteronomy, but in the sequence of the trials of Israel as they wandered in the desert, as recorded in the Book of Exodus. Luke's account is similar, though his inversion of the second and third temptations "represents a more natural geographic movement, from the wilderness to the temple". Luke's closing statement that the devil "departed from him until an opportune time" may provide a narrative link to the immediately following attempt at Nazareth to throw Jesus down from a high place, or may anticipate a role for Satan in the Passion (cf. Luke 22:3).

Matthew and Luke narratives

In Luke's (Luke 4:1–13) and Matthew's (Matthew 4:111) accounts, the order of the three temptations differ; no explanation as to why the order differs has been generally accepted. Matthew, Luke and Mark make clear that the Spirit has led Jesus into the desert.

Fasting traditionally presaged a great spiritual struggle. Elijah and Moses in the Old Testament fasted 40 days and nights, and thus Jesus doing the same invites comparison to these events. In Judaism, "the practice of fasting connected the body and its physical needs with less tangible values, such as self-denial and repentance." At the time, 40 was less a specific number and more a general expression for any large figure. Fasting may not mean a complete abstinence from food; consequently, Jesus may have been surviving on the sparse food that could be obtained in the desert.

Mark does not provide details, but in Matthew and Luke "the tempter" (Greek: ὁ πειράζων, ho peirazōn) or "the devil" (Greek: ὁ διάβολος, ho diabolos) tempts Jesus to:

  • Make bread out of stones to relieve his own hunger
  • Jump from a pinnacle and rely on angels to break his fall. The narratives of both Luke and Matthew have Satan quote Psalm 91:11–12 to indicate that God had promised this assistance.
  • Worship the tempter in return for all the kingdoms of the world.

The Temptations

Stones into bread

Jesus Tempted in the Wilderness (Jésus tenté dans le désert), James Tissot, Brooklyn Museum

The temptation of bread out of stones occurs in the same desert setting where Jesus had been fasting. Alexander Jones reports that the wilderness mentioned here has since the fifth century been believed to be the rocky and uninhabited area between Jerusalem and Jericho, with a spot on Mount Quarantania traditionally being considered the exact location. The desert was seen as outside the bounds of society and as the home of demons such as Azazel (Leviticus 16:10). Robert H. Gundry states that the desert is likely an allusion to the wilderness through which the Israelites wandered during the Exodus, and more specifically to Moses. Jesus' struggle against hunger in the face of Satan points to his representative role of the Israelites, but he does not fail God in his urge for hunger. This temptation may have been Jesus' last, aiming towards his hunger.

In response to Satan's suggestion, Jesus replies, "It is written: Man does not live on bread alone, but on every word that proceeds from the mouth of God" (a reference to Deuteronomy 8:3). Only in Matthew's gospel is this entire sentence written.

Pinnacle of the temple

This is the second temptation mentioned in Matthew and the third temptation listed in Luke.

Most Christians consider that holy city refers undoubtedly to Jerusalem and the temple to which the pinnacle belongs is thus identified as the Temple in Jerusalem. Gospel of Matthew refers to "the temple" 17 times without ever adding "in Jerusalem". That Luke's version of the story clearly identifies the location as Jerusalem may be due to Theophilus' unfamiliarity with Judaism.

Temptations of Christ (Melisende Psalter, 1131-43, folio f.4r)

What is meant by the word traditionally translated as pinnacle is not entirely clear since the Greek diminutive form pterugion ("little wing") is not extant in other architectural contexts. Though the form pterux ("large wing") is used for the point of a building by Pollianus, Schweizer feels that little tower or parapet would be more accurate, and the New Jerusalem Bible does use the translation "parapet". The only surviving Jewish parallel to the temptation uses the standard word šbyt "roof" not "wing": "Our Rabbis related that in the hour when the Messiah shall be revealed he shall come and stand on the roof (šbyt) of the temple." (Peshiqta Rabbati 62 c–d) The term is preserved as "wing" in Syriac translations of the Greek.

Gundry lists three sites at the Jerusalem temple that would fit this description:

  • On the top of the temple's main tower, above the sanctuary proper, some 180 feet above ground, the location that artists and others using the traditional translation generally set the story.
  • Atop the lintel of the main gateway into the temple, the most prominent position where the pair could easily have been seen.
  • A tower on the southeast corner of the outer wall that looks down into the Kidron Valley. In later Christian tradition this is the tower from which James the brother of Jesus was said by Hegesippus to have been thrown by way of execution.

"If thou be the Son of God, cast thyself down from hence: For it is written, 'He shall give his angels charge over thee, to keep thee: And in their hands they shall bear thee up, lest at any time thou dash thy foot against a stone.'" (Luke 4:9–11) citing Psalms 91:12.

Once more, Jesus maintained his integrity and responded by quoting scripture, saying, "It is said, Thou shalt not tempt the Lord thy God.'" (Matthew 4:7) quoting Deuteronomy 6:16.

Mountain

For the third and final temptation in Matthew (presented as the second temptation of the three in Luke) the devil takes Jesus to a high place, which Matthew explicitly identifies as a very high mountain, where all the kingdoms of the world can be seen. The spot pointed out by tradition as the summit from which Satan offered to Jesus dominion over all earthly kingdoms is the "Quarantania", a limestone peak on the road from Jerusalem to Jericho.

Instead of a literal reading, George Slatyer Barrett viewed the third temptation as inclining to a doubt of Christ's mission, or at least the methodology. Barrett sees this as a temptation to accept the adulation of the crowds, assume leadership of the nation to overthrow Roman rule, take the crown of his own nation, and from there initiate the kingdom of God on earth. The kingdoms Jesus would inherit through Satan are obtained through love of power and political oppression. Barrett characterizes this "the old but ever new temptation to do evil that good may come; to justify the illegitimacy of the means by the greatness of the end."

The mountain is not literal if the temptations only occur in the mind's eye of Jesus and the Gospel accounts record this mind's eye view, as related in parable form, to the disciples at some point during the ministry.

Satan says, "All these things I will give you if you fall down and do an act of worship to me." Jesus replies "Get away, Satan! It is written: 'You shall worship the Lord your God and only Him shall you serve.'" (referencing Deuteronomy 6:13 and 10:20). Readers would likely recognize this as reminiscent of the temptation to false worship that the Israelites encountered in the desert in the incident of the Golden Calf mentioned in Ex. 32:4.

Ministered to by angels

Jesus Ministered to by Angels (Jésus assisté par les anges), James Tissot, Brooklyn Museum

At this, Satan departs and Jesus is tended by angels. While both Mark and Matthew mention the angels, Luke does not, and Matthew seems once again here to be making parallels with Elijah, who was fed by ravens. The word ministered or served is often interpreted as the angels feeding Jesus, and traditionally artists have depicted the scene as Jesus being presented with a feast, a detailed description of it even appearing in Paradise Regained. This ending to the temptation narrative may be a common literary device of using a feast scene to emphasize a happy ending, or it may be proof that Jesus never lost his faith in God during the temptations.

Gospel of Mark

The Mark (1:12–13) account is very brief. Most of the Mark account is found also in the Matthew and Luke versions, with the exception of the statement that Jesus was "with the wild animals." Despite the lack of actual text shared among the three texts, the language and interpretations Mark uses draw comparison among the three Gospels. The Greek verb Mark uses in the text is synonymous with driving out demons, and the wilderness at times represents a place of struggle. The two verses in Mark used to describe Jesus' Temptation quickly progress him into his career as a preacher.

Thomas Aquinas argued that Jesus allowed himself to be tempted as both an example and a warning. He cites Sirach 2: "Son, when thou comest to the service of God, stand in justice and in fear, and prepare thy soul for temptation." Following this, he cites Hebrews 4:15: "We have not a high-priest, who cannot have compassion on our infirmities, but one tempted in all things like as we are, without sin."

Gospel of John

The temptation of Christ is not found in the Gospel of John. However, some readers have identified parallels inside John which indicate that the author of John may have been familiar with the Temptation narratives in some form.

  • Stones into Bread: John 6:26, 31 to make bread in the wilderness.
  • Jump from the temple: John 2:18 to perform a Messianic sign in the temple.
  • Kingdoms of the World: John 6:15 to take the kingdom by force.

Catholic interpretations

The Temptation of Christ, by Simon Bening

Taken in the sense of denoting enticement to evil, temptation cannot be referred directly to God or to Christ. For instance in Gen. 12.1, "God tempted Abraham", and in John 6.6, "This [Jesus] said tempting [Philip]", the expressions must be taken in the sense of testing, or trying. According to St. James, the source of man's temptations is his proneness to evil which is the result of the fall of Adam, and which remains in human nature after baptismal regeneration, and even though the soul is in the state of sanctifying grace, mankind's concupiscence (or proneness to evil) becomes sinful only when freely yielded to; when resisted with God's help it is an occasion of merit. The chief cause of temptation is Satan, "the tempter", bent on man's eternal ruin.

In the Lord's Prayer, the clause "Lead us not into temptation" is a humble and trusting petition for God's help to enable people to overcome temptation. Prayer and watchfulness are the chief weapons against temptation. God does not allow man to be tempted beyond his strength. Like Adam, Christ (the second Adam) endured temptation only from without, inasmuch as his human nature was free from all concupiscence; but unlike Adam, Christ withstood the assaults of the Tempter on all points, thereby providing a perfect model of resistance to mankind's spiritual enemy, and a permanent source of victorious help.

In the first three Gospels, the narrative of Christ's temptation is placed in immediate connection with his baptism and then with the beginning of his public ministry. The reason for this is clear. The Synoptists regarded the baptism of Christ as the external designation of Jesus from [the Father] for Christ's Messianic work under the guidance of the Holy Spirit. The first three Gospels agree concerning the time to which they assign the temptation of Christ, so they are at one in ascribing the same general place to its occurrence, viz. "the desert", whereby they [probably] mean the Wilderness of Judea, where Jesus would be, as St. Mark says: "with beasts".

"The Biblical meaning of temptation is 'a trial in which man has a free choice of being faithful or unfaithful to God'. Satan encouraged Jesus to deviate from the plan of his father by misusing his authority and privileges. Jesus used the Holy Scripture to resist all such temptation. When we are tempted, the solution is to be sought in the Bible."

In the temptations, according to Benedict XVI, Satan seeks to draw Jesus from a messianism of self-sacrifice to a messianism of power: "in this period of "wilderness"... Jesus is exposed to danger and is assaulted by the temptation and seduction of the Evil One, who proposes a different messianic path to him, far from God's plan because it passes through power, success and domination rather than the total gift of himself on the Cross. This is the alternative: a messianism of power, of success, or a messianism of love, of the gift of self."

Justus Knecht gives a typical commentary on the different kinds of temptation of Christ, writing, "In the first temptation Satan wished to induce the Saviour, instead of trusting in God and patiently enduring hunger, to create bread by His own power, against His Father’s will. He sought, therefore, to make our Lord sin by sensuality and an unlawful desire for food, or in other words by gluttony. By the second temptation Satan tried to awaken a spiritual pride in Jesus, saying: “Throw yourself down; God will help you and see that no evil befalls you!” The cunning seducer wished thereby to change a humble and submissive confidence in God’s mercy into a proud presumption. By the third temptation Satan wished to arouse in Jesus concupiscence of the eyes, i. e. a desire for riches, power and pleasure. He had seduced the first man by inciting him to these three evil passions. The words: “Why hath God commanded you that you should not eat of every tree of Paradise?” were an inducement to gluttony, or to the concupiscence of the flesh. The words: “Your eyes shall be opened” were a temptation to pride, while the words: “You shall be as Gods” were an inducement to the concupiscence of the eyes, and a desire for power and glory. Our first parents succumbed to these temptations, because they gave ear to the suggestions of Satan, held intercourse with him, and gazed at the forbidden fruit. But Jesus overcame the temptation and conquered Satan. "

Art, literature, film and music

The temptation of Christ by Tobias Verhaecht

The temptation of Christ has been a frequent subject in the art and literature of Christian cultures. A scene usually interpreted as the third temptation of Jesus is depicted in the Book of Kells. The third and last part of the Old English poem Christ and Satan concerns The Temptation of Christ, and can be seen as a precursor to John Milton's Paradise Lost. The Temptation of Christ is indeed the subject of Milton's sequel to Paradise Lost, Paradise Regained. J. M. W. Turner did an engraving of "The Temptation on the Mountain" for an 1835 edition of The Poetical Works of John Milton. Satan and Jesus stand in silhouette on a cliff overlooking a broad landscape that transitions into the sea. The "...image depicts the temptation of Christ by Satan, specifically the moment where Satan offers Christ the kingdoms of the world. This vision of the temptation as extending to the open sea is eerily similar to the possibilities of conquest as commonly depicted in British and American art during the Romantic era."

Quarantine is a novel by Jim Crace with seven characters in the desert, fasting and praying, and includes Jesus as a peripheral cast member.

An illuminated scene in the Très Riches Heures du Duc de Berry, a 15th-century book of hours, depicts Jesus standing atop a Gothic castle based upon the Duke's own castle at Mehun-sur-Yevre. Daniella Zsupan-Jerome sees this as a challenge to "...the Duke and meant to recall him to humility and conversion..."

Fyodor Dostoyevsky's The Brothers Karamazov, part of the novel, The Grand Inquisitor, features an extended treatment of the temptation of Christ. Kathleen E. Gilligan draws parallels with J. R. R. Tolkien's The Lord of the Rings in which characters Gandalf and Galadriel, both powerful figures each in their own right, are tempted to acquire the ring and become more powerful for the best of reasons but with likely disastrous results.

Andrew Lloyd Webber's Jesus Christ Superstar has brief references to Christ being tempted by mortal pleasures, and Stephen Schwartz devotes a scene to it in Godspell. In W. Somerset Maugham's The Razor's Edge, the narrator uses the gospel of Matthew to introduce his own ending in which Jesus accepts death on the cross, "for greater love hath no man," while the devil laughs in glee, knowing that man will reject this redemption and commit evil in spite of, if not because of, this great sacrifice.

In the 1989 film Jesus of Montreal, the actor playing Jesus is taken to the top of a skyscraper and offered lucrative contracts by a lawyer if he will serve him. The 2019 television miniseries Good Omens credits the temptation of Christ to the demon Crowley, who claims to have shown Christ the kingdoms of the world as mere travel opportunities.

The temptation of Christ in the desert is shown in the following theatrical and television films: King of Kings (US 1961, Nicholas Ray), The Gospel According to Matthew (Italy 1964, directed by Pier Paolo Pasolini), The Greatest Story Ever Told (US 1965, George Stevens), Jesus (US 1979, Peter Sykes and John Krish), The Last Temptation of Christ (US 1988, Martin Scorsese), Jesus (1999 TV film, Roger Young), The Miracle Maker (UK-US TV film, 2000), The Bible (US 2013 TV miniseries, Roma Downey and Mark Burnett), Last Days in the Desert (US 2015, Rodrigo Garcia), and 40: The Temptation of Jesus Christ (US 2020, Douglas James Vail).

Dave Matthews' single "Save Me" from the album Some Devil recounts Christ's time in the desert from Satan's point of view.

Samson Agonistes

From Wikipedia, the free encyclopedia
 
An etching of Samson destroying the temple, from an 1882 German Bible

Samson Agonistes (from Greek Σαμσών ἀγωνιστής, "Samson the champion") is a tragic closet drama by John Milton. It appeared with the publication of Milton's Paradise Regained in 1671, as the title page of that volume states: "Paradise Regained / A Poem / In IV Books / To Which Is Added / Samson Agonistes". It is generally thought that Samson Agonistes was begun around the same time as Paradise Regained but was completed after the larger work, possibly very close to the date of publishing, but there is no certainty.

Background

Title page of Paradise Regained (1671), the first publication of Samson Agonistes.

Milton began plotting various subjects for tragedies in a notebook created in the 1640s. Many of the ideas dealt with the topic of Samson, and he gave them titles such as Samson pursophorus or Hybristes ("Samson the Firebrand, or Samson the Violent"), Samson marriing or in Ramath Lechi, and Dagonalia (the unholy rites at which Samson performed his vindication of God). The title he chose emphasises Samson as a warrior or an athlete, and the play was included with Paradise Regained and printed on 29 May 1671 by John Starkey. It is uncertain as to when the work was composed, which leaves the possibility that it was an early work that was filled with Milton's ideas about the English Civil War or it was a later work that incorporates his despair over the Restoration. Evidence for the early dating is based on his early works and his belief in revolution whereas evidence for a later dating connects the play with his later works, such as Paradise Lost, and comments reflecting on the fall of the Commonwealth. In 1671, the work was printed with a new title page and prefaced his work with a discussion on Greek tragedy and Aristotle's Poetics.

On the title page, Milton wrote that the piece was a "Dramatic Poem" rather than a drama. He did not wish for it to be performed on stage, but thought that the text could still influence people. He hoped that by giving Samson attributes of other Biblical figures, including Job or the Psalmist, he could create a complex hero who would embody and help resolve theological issues. In writing the poem and choosing the character of Samson as his hero, Milton was also illustrating his own blindness, which afflicted him in his later life.

Play

Samson Agonistes draws on the story of Samson from the Old Testament, Judges 13–16; in fact it is a dramatisation of the story starting at Judges 16:23. The drama starts in medias res. Samson has been captured by the Philistines, had his hair, the container of his strength, cut off and his eyes cut out. Samson is "Blind among enemies, O worse than chains" (line 66).

Near the beginning of the play, Samson humbles himself before God by admitting that his power is not his own: "God, when he gave me strength, to show withal / How slight the gift was, hung it in my hair" (lines 58–9).

The Chorus discusses Samson's background and describes his various military accomplishments:

Ran on embattled armies clad in iron,
And, weaponless himself,
Made arms ridiculous, useless the forgery
Of brazen shield and spear, the hammered cuirass,
Chalybean-tempered steel, and frock of mail
Adamantean proof;
...
Samson Slays 1,000 Philistines, 1860 woodcut by Julius Schnorr von Karolsfeld
Then with what trivial weapon came to hand,
The jaw of a dead ass, his sword of bone,
A thousand foreskins fell
(lines 129–134, 142–4)

Although he is great, the Chorus points out that, through his blindness (actual and metaphorically), he is a prisoner:

Thou art become (O worst imprisonment!)
The Dungeon of thy self; thy soul
(Which men enjoying sight oft without cause complain)
Imprisoned now indeed,
In real darkness of the body dwells,
Shut up from outward light
To incorporate with gloomy night
For inward light alas
Puts forth no visual beam
(lines 155–163)

Samson reveals how he lost his power because of his desire for Dalila, and, through this act, betrayed God:

I yielded, and unlocked her all my heart,

Who with a grain of manhood well resolved
Might easily have shook off all her snares:
But foul effeminancy held me yoked
Her bond-slave. O indignity, O blot
To honor and religion! Servile mind
Rewarded well with servile punishment!

(lines 407–413)

However, his state is more than just his own, and it represents a metaphor for the suffering of God's chosen people when Samson says:

Or to th' unjust tribunals, under change of times,
And condemnation of the ingrateful multitude.
If these they scape, perhaps in poverty
With sickness and disease thou bow'st them down,
(lines 695–698)

After Samson rejects Dalila's pleas, she asks for Samson to "let me approach at least, and touch thy hand" (line 951), and Samson responds, "Not for thy life, lest fierce remembrance wake / My sudden rage to tear thee joint by joint" (lines 952–3). He shows Dalila how not to upset him: “At distance I forgive thee, go with that" (line 954). The Chorus, shortly after, complains about the nature of women and how deceptive they are:

Whate'er it be, to wisest men and best
Seeming at first all heavenly under virgin veil,
Soft, modest, meek, demure,
Once joined, the contrary she proves, a thorn
Intestine, far within defensive arms
A cleaving mischief, in his way to virtue
Adverse and turbulent, or by her charms
Draws him awry enslaved
With dotage, and his sense depraved
To folly and shameful deeds which ruin ends.
(lines 1034–1043)

Harapha points out that Samson is

... no worthy match
For valor to assail, nor by the sword
Of noble warrior ...
But by the barber’s razor best subdued
(lines 1164-7)

But he does describe Samson's past accomplishments when he says "thou art famed / To have wrought such wonders with an ass’s jaw" (lines 1094–5).

The Chorus discusses how God grants individuals with the power to free his people from their bonds, especially through violent means:

He all their ammunition
And feats of war defeats
With plain heroic magnitude of mind
And celestial vigor armed;
Their armouries and magazines contemns,
Renders them useless, while
With winged expedition
Swift as the lightning glance he executes
His errand on the wicked, who surprised
Lose their defence, distracted and amazed.
(lines 1277–86)

The last two hundred and fifty lines describe the violent act that actually occurs while the play was unfolding: Samson is granted the power to destroy the temple and kill all of the Philistines along with himself. However, this event does not take place on stage but is told through others. When the temple's destruction is reported, there is an emphasis on death and not peace:

Man. I know your friendly minds and – O what noise!
Mercy of Heav’n, what hideous noise was that!
Horribly loud, unlike the former shout.
Chor. Noise call you it, or universal groan,
As if the whole inhabitation perished?
Blood, death, and dreadful deeds are in that noise,
Ruin, destruction at the utmost point.
Man. Of ruin indeed methought I heard the noise.
Oh it continues, they have slain my son.
Chor. Thy son is rather slaying them; that outcry
From slaughter of one foe could not ascend.
Man. Some dismal accident it needs must be;
What shall we do, stay here or run and see?
Chor. Best keep together here, lest running thither
We unawares run into danger’s mouth.
This evil on the Philistines is fall’n;
From whom could else a general cry be heard?
(lines 1508–24)

Manoah describes the event as "Sad, but thou know’st to Israelites not saddest / The desolation of a hostile city" (lines 1560–1)

The final lines describe a catharsis that seems to take over at the end of the play:

His servants he with new acquist
Of true experience from this great event
With peace and consolation hath dismissed,
And calm of mind, all passion spent.
(lines 1755–1758)

Cast

The Persons

  • Samson
  • Manoa the Father of Samson
  • Dalila his Wife
  • Harapha of Gath
  • Public Officer
  • Messenger
  • Chorus of Danites

Themes

Samson Agonistes, pen sketch by George Hayter, 1821

Samson Agonistes combines Greek tragedy with Hebrew Scripture, which alters both forms. Milton believed that the Bible was better in its classical forms than those written by the Greeks and Romans. In his introduction, Milton discusses Aristotle's definition of tragedy and sets out his own paraphrase of it to connect it to Samson Agonistes:

Tragedy, as it was anciently composed, hath been ever held the gravest, moralest, and most profitable of all other poems: therefore said by Aristotle to be of power by raising pity and fear, or terror, to purge the mind of those and such-like passions, that is to temper and reduce them to just measure with a kind of delight, stirred up by reading or seeing those passions well imitated. Nor is nature wanting in her own effects to make good his assertion: for so in physic things of melancholic hue and quality are used against melancholy, sour against sour, salt to remove salt humors.

Milton continues, "Of the style and uniformity, and that commonly called the plot, whether intricate or explicit... they only will best judge who are not unacquainted with Aeschylus, Sophocles, and Euripides, the three tragic poets unequaled yet by any, and the best rule to all who endeavor to write tragedy".

The reliance on Hebrew Scripture allows Milton to emphasise a plot that he feels is worthy of discussion, while the elements of Greek tragedy allows Milton to deal with complex issues through use of choruses and messengers instead of directly depicting them in addition to softening the Hebrew characters. This merging of two forms alters Samson from a rough barbarian into a pious warrior of God.

Violence

Acts of violence are an important theme within Samson Agonistes as the play attempts to deal with revenge and the destruction of God's enemies. Michael Lieb posits that "the drama is a work of violence to its very core. It extols violence. Indeed, it exults in violence". John Coffey simply describes the action in the play as "a spectacular act of holy violence and revenge". Likewise, David Loewenstein remarks that "the destruction and vengeance depicted in Samson Agonistes, then, dramatizes a kind of awesome religious terror". Gordon Teskey describes the plot of the work when he says, "delirious violence of the hero of Samson Agonistes, who cancels the Philistine hallucination of a unified and harmonious world". Against the backdrop of the challenge posed by suicide terrorism, Arata Takeda points to ethical implications arising from Samson's "brutal massacre committed against civilians attending a religious feast" and the following "lyrical extolment of the suicide mass murder".

The play itself suggests the horror within the actions through descriptive phrases, including "evil news" (line 538), "this so horrid spectacle" (line 1542), "the place of horror" (line 1550) and "the sad event" (line 1551). Although Samson is the hero and he causes the violence, Elizabeth Sauer points out that "Milton devotes nearly twice as many lines to the Chorus’ reactions in the denouement than to the Messenger's description of the catastrophe in order to deemphasize spectacle and performance and instead to highlight the interior drama while encouraging active interpretation of the reported events".

Women

The play, focusing around the betrayal of Samson at the hands of Dalila, his wife, produces a negative portrayal of love and love's effects. Women, and men's desire for women, are connected to idolatry against God and the idea that there is no possibility for the sacred within the bonds of marital love. Samson, who is both holy and desirous of Dalila, is seduced into betraying the source of his strength, and thus betrays God. He is emasculated, through blindness, because of his sexual desires. The Chorus, after Dalila attempts to seduce Samson again, criticises women for being deceptive.

Samson's argument against Dalila is to discuss the proper role of a wife but also the superiority of men. The depiction of Dalila, and women, is similar to that in Milton's divorce tracts and, as John Guillory states and then asks, "We scarcely need to observe that Samson Agonistes assumes the subjection of women, a practice to which Milton gives his unequivocal endorsement; but is there any sense in which that practice of subjection is modified by the contemporaneous form of the sexual divisions of labor?". A wife is supposed to help a husband, and the husband, regardless of the status of the woman, is supposed to have the superior status. In blaming Dalila, he rationalises his actions and removes blame from himself, which is similar to what Adam attempts in Paradise Lost after the fall. However, Samson develops through the play and Dalila reveals that she is concerned only with her status among her people. This places Dalila in a different role from Milton's Eve. Instead, she is an emasculating force and represents Samson's past failings.

Religion

Samson undergoes despair when he loses God's favour in the form of his strength. In his searching for a way to return to being true to God and to serve his will, Samson is compared to the non-conformists after the English Restoration who are attacked and abused simply because they, according to their own view, serve God in the correct way.

Blindness

As blindness overtook Milton, it becomes a major trope in Samson Agonistes, and is seen also in Paradise Lost (3.22–55) and his 19th Sonnet. Many scholars have written about the impact of Milton's increasing blindness on his works. This recurrence of blindness came after Milton temporarily gave up his poetry to work for Oliver Cromwell and the Commonwealth government. He continued this service even though his eyesight was failing and he knew that he was hastening his own blindness. The correlation is significant to the Agonistes plot: Milton describes Samson as being "Eyeless in Gaza", a phrase that has become the most quoted line of Agonistes. Novelist Aldous Huxley used it as the title for his 1936 novel Eyeless in Gaza.

Samson's blindness, however, is not exactly analogous to Milton's. Rather, Samson's blindness plays various symbolic roles. One is the correlation between Samson's inner blindness as well as outer, the fact that he believes his "intimate impulses" to be divine messages, yet is never in any way divinely affirmed in this, unlike the rest of Milton's divinely influenced characters. Samson's inability to see that his inner vision does not correlate to divine vision is manifest in his physical blindness. It also plays on his blindness to reason, leading him to act hastily, plus the fact that he is so easily deceived by Delila, "blinded" by her feminine wiles. Some of the chorus's lines in Samson Agonistes are rhymed, thus suggesting a return of the "chain of rhymes", which itself reflects upon Samson's imprisonment.

Samaritans

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