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Saturday, November 18, 2023

Corporal punishment in the home

 
Physical or corporal punishment by a parent or other legal guardian is any act causing deliberate physical pain or discomfort to a minor child in response to some undesired behavior. It typically takes the form of spanking or slapping the child with an open hand or striking with an implement such as a belt, slipper, cane, hairbrush or paddle, whip, hanger, and can also include shaking, pinching, forced ingestion of substances, or forcing children to stay in uncomfortable positions.

Social acceptance of corporal punishment is high in countries where it remains lawful, particularly among more traditional groups. In many cultures, parents have historically been regarded as having the right, if not the duty, to physically punish misbehaving children in order to teach appropriate behavior. Researchers, on the other hand, point out that corporal punishment typically has the opposite effect, leading to more aggressive behavior in children and less long-term obedience. Other adverse effects, such as depression, anxiety, anti-social behavior and increased risk of physical abuse, have also been linked to the use of corporal punishment by parents. Evidence shows that spanking and other physical punishments, while nominally for the purpose of child discipline, are inconsistently applied, often being used when parents are angry or under stress. Severe forms of corporal punishment, including kicking, biting, scalding and burning, can also constitute child abuse.

International human-rights and treaty bodies such as the Committee on the Rights of the Child, the Council of Europe and the Inter-American Commission on Human Rights have advocated an end to all forms of corporal punishment, arguing that it violates children's dignity and right to bodily integrity. Many existing laws against battery, assault, and/or child abuse make exceptions for "reasonable" physical punishment by parents, a defence rooted in common law and specifically English law. During the late 20th and into the 21st century, some countries began removing legal defences for adult guardians' use of corporal punishment, followed by outright bans on the practice. Most of these bans are part of civil law and therefore do not impose criminal penalties unless a charge of assault and/or battery is justified; however, the local child protective services can and will often intervene.

Ever since Sweden outlawed all corporal punishment of children in 1979, an increasing number of countries have enacted similar bans, particularly following international adoption of the Convention on the Rights of the Child. As of 2021, this comprises 22 of the 27 member states of the European Union as well as 26 of the 38 countries belonging to the OECD. However, domestic corporal punishment of children remains legal in most of the world.

Countries which have outlawed all forms of corporal punishment of children shown in red

Forms of punishment

The Committee on the Rights of the Child defines corporal punishment as "any punishment in which physical force is used and intended to cause some degree of pain or discomfort, however light". Paulo Sergio Pinheiro, reporting on a worldwide study on violence against children for the Secretary General of the United Nations, writes:

Corporal punishment involves hitting ('smacking', 'slapping', 'spanking') children, with the hand or with an implement – whip, stick, belt, shoe, wooden spoon, etc. But it can also involve, for example, kicking, shaking or throwing children, scratching, pinching, biting, pulling hair or boxing ears, forcing children to stay in uncomfortable positions, burning, scalding or forced ingestion (for example, washing children's mouths out with soap or forcing them to swallow hot spices).

According to the American Academy of Pediatrics, "Corporal punishment involves the application of some form of physical pain in response to undesirable behavior", and "ranges from slapping the hand of a child about to touch a hot stove to identifiable child abuse, such as beatings, scaldings and burnings. Because of this range in the form and severity of punishment, its use as a discipline strategy is controversial". The term "corporal punishment" is often used interchangeably with "physical punishment" or "physical discipline". In the context of causing pain in order to punish, it is distinct from physically restraining a child to protect the child or another person from harm.

It is also shown that the language in which one uses to describe this form of punishment can alleviate the weight or responsibility of the act. Using terms such as "spank" instead of swat, hit, slap, or beat, tends to normalize the actions of corporal punishment. This language allows for the justification of these actions.

Contributing factors

Among various pre-existing factors that influence whether parents use physical punishment are: experience with physical punishment as a child, knowledge about child development, socioeconomic status, parental education and religious ideology. Favorable attitudes toward the use of physical punishment are also a significant predictor of its use. Child-development researcher Elizabeth Gershoff writes that parents are more likely to use physical punishment if:

They strongly favor it and believe in its effectiveness; they were themselves physically punished as children; they have a cultural background, namely their religion, their ethnicity, and/or their country of origin, that they perceive approves of the use of physical punishment; they are socially disadvantaged, in that they have low income, low education, or live in a disadvantaged neighborhood; they are experiencing stress (such as that precipitated by financial hardships or marital conflict), mental health symptoms, or diminished emotional well-being; they report being frustrated or aggravated with their children on a regular basis; they are under 30 years of age; the child being punished is a preschooler (2-5 years old); [or] the child's misbehavior involves hurting someone else or putting themselves in danger.

Parents tend to use corporal punishment on children out of a desire for obedience, both in the short and long term, and especially to reduce children's aggressive behaviors. This despite a significant body of evidence that physically punishing children tends to have the opposite effect, namely, a decrease in long-term compliance and an increase in aggression. Other reasons for parents' use of physical punishment may be to communicate the parent's displeasure with the child, to assert their authority and simple tradition.

Parents also appear to use physical punishment on children as an outlet for anger. The American Academy of Pediatrics notes that "Parents are more likely to use aversive techniques of discipline when they are angry or irritable, depressed, fatigued, and stressed", and estimates that such release of pent-up anger makes parents more likely to hit or spank their children in the future. Furthermore, the effects of poverty, stress, a lack of understanding of children's development, and the need to control one's child are contributing factors to the approval and use of corporal punishments. Parents commonly resort to spanking after losing their temper and most parents surveyed expressed significant feelings of anger, remorse and agitation while physically punishing their children. According to the AAP, "These findings challenge most the notion that parents can spank in a calm, planned manner".

It was also found that a strong contributing factor of parents using corporal punishment is if they believe that it is normative and an expectation of raising a child, or believe it is a necessary part of being a parent. Stress plays a large role in this as well.

Society and culture

In a 2005 study, findings from China, India, Italy, Kenya, the Philippines and Thailand revealed differences in the reported use of corporal punishment, its acceptance in society and its relation to children's social adjustment. Where corporal punishment was perceived as being more culturally accepted, it was less strongly associated with aggression and anxiety in children. However, corporal punishment was still positively associated with child aggression and anxiety in all countries studied. Associations between corporal punishment and increased child aggression have been documented in the countries listed above as well as in Jamaica, Jordan and Singapore, as have links between corporal punishment of children and later antisocial behavior in Brazil, Hong Kong, Jordan, Mongolia, Norway and the United Kingdom. According to Elizabeth Gershoff, these findings appear to challenge the notion that corporal punishment is "good" for children, even in cultures with histories of violence.

Researchers have found that while the use of corporal punishment predicts variation in children's aggression less strongly in countries where there is more social acceptance of it, cultures in which corporal punishment is more accepted have higher overall levels of societal violence.

A 2013 study by Murray A. Straus at the University of New Hampshire found that children across numerous cultures who were spanked committed more crimes as adults than children who were not spanked, regardless of the quality of their relationship to their parents.

Opinions vary across cultures on whether spanking and other forms of physical punishment are appropriate techniques for child-rearing. For example, in the United States and in England, social acceptance of spanking children maintains a majority position, from approximately 61% to 80%. In 2020 the Welsh Government banned all form of physical punishment in Wales. In Sweden, before the 1979 ban, more than half of the population considered corporal punishment a necessary part of child rearing. By 1996, the rate was 11% and less than 34% considered it acceptable in a national survey. Elizabeth Gershoff posits that corporal punishment in the United States is largely supported by "a constellation of beliefs about family and child rearing, namely that children are property, that children do not have the right to negotiate their treatment by parents, and that behaviors within families are private".

Social acceptance toward, and prevalence of, corporal punishment by parents in some countries remains high despite a growing scientific consensus that the risks of substantial harm outweigh the potential benefits. Social psychologists posit that this divergence between popular opinion and empirical evidence may be rooted in cognitive dissonance. In countries such as the US and UK (except Scotland and Wales), spanking is legal but overt child abuse is both illegal and highly stigmatized socially. Because of this, any parent who has ever spanked a child would find it extremely difficult to accept the research findings. If they did acknowledge, even in the smallest way, that spanking was harmful, they would likely feel they are admitting they harmed their own child and thus are a child abuser. Similarly, adults who were spanked as children often face similar cognitive dissonance, because admitting it is harmful might be perceived as accusing their parents of abuse and might also be admitting to having been victimized in a situation where they were helpless to stop it. Such feelings would cause intense emotional discomfort, driving them to dismiss the scientific evidence in favor of weak anecdotal evidence and distorted self-reflection. This is commonly expressed as "I spanked my children and they all turned out fine" or "I was spanked and I turned out fine."

It should be noted, though, that many parenting resources are in fact against physical punishment. Most are in agreement in concluding that through the use of physical punishment, a child learns that violence is acceptable and it is often followed by a negative parent to child relationship as well.

Legality

School corporal punishment in the United States

Corporal punishment of minors in the United States

  Corporal punishment illegal in schools only
  Corporal punishment not illegal
Legality of corporal punishment of minors in Europe
  Corporal punishment illegal in both schools and the home
  Corporal punishment illegal in schools only
  Corporal punishment legal in schools and in the home

Traditionally, corporal punishment of minor children is legal unless it is explicitly outlawed. According to a 2014 estimate by Human Rights Watch, "Ninety percent of the world's children live in countries where corporal punishment and other physical violence against children is still legal". Many countries' laws provide for a defence of "reasonable chastisement" against charges of assault and other crimes for parents using corporal punishment. The defence is ultimately derived from English law. Due to Nepal banning corporal punishment in September 2018, corporal punishment of children by parents (or other adults) is now banned in 58 countries.

The number of countries banning all forms of corporal punishment against children has grown significantly since the 1989 adoption of the Convention on the Rights of the Child, when only four countries had such bans. Elizabeth Gershoff writes that as of 2008, most of these bans are written into various countries' civil codes, rather than their criminal codes; they largely do not make a special crime of striking a child, but instead establish that assaults against persons of all ages are to be treated similarly. According to Gershoff, the intent of such bans on corporal punishment is not typically to prosecute parents, but to set a higher social standard for caregiving of children.

Religious views

Pope Francis has declared his approval of the use of corporal punishment by parents, as long as punishments do not "demean" children. The Vatican commission appointed to advise the Pope on sexual abuse within the church criticized the Pope for his statement, contending that physical punishments and the infliction of pain were inappropriate methods for disciplining children.

The Commissioner for Human Rights of the Council of Europe asserts that "While freedom of religious belief should be respected, such beliefs cannot justify practices which breach the rights of others, including children's rights to respect for their physical integrity and human dignity". They maintain that "Mainstream faith communities and respected leaders are now supporting moves to prohibit and eliminate all violence against children", including corporal punishment. In 2006, a group of 800 religious leaders at the World Assembly of Religions for Peace in Kyoto, Japan endorsed a statement urging governments to adopt legislation banning all corporal punishment of children.

Children's reactions

Paulo Sérgio Pinheiro, referring to the UN Study on Violence Against Children, commented that "Throughout the study process, children have consistently expressed the urgent need to stop all this violence. Children testify to the hurt—not only physical, but 'the hurt inside'—which this violence causes them, compounded by adult acceptance, even approval of it".

According to Bernadette Saunders of Monash University, "Children commonly tell us that physical punishment hurts them physically and can escalate in severity; arouses negative emotions, such as resentment, confusion, sadness, hatred, humiliation, and anger; creates fear and impedes learning; is not constructive, children prefer reasoning; and it perpetuates violence as a means of resolving conflict. Children's comments suggest that children are sensitive to inequality and double standards, and children urge us to respect children and to act responsibly".

When children aged between five and seven in the United Kingdom were asked to describe being smacked by parents, their responses included such remarks as, "it feels like someone banged you with a hammer", "it hurts and it's painful inside—it's like breaking your bones", and "it just feels horrid, you know, and it really hurts, it stings you and makes you horrible inside". Elizabeth Gershoff writes that "The pain and distress evident in these first-hand accounts can accumulate over time and precipitate the mental-health problems that have been linked with corporal punishment". Other comments by children such as, "you [feel] sort of as though you want to run away because they're sort of like being mean to you and it hurts a lot" and "you feel you don't like your parents anymore" are consistent with researchers' concerns that corporal punishment can undermine the quality of parent–child relationships, according to Gershoff.

Relationship to child abuse

The belief that children require physical punishment is among several factors that predispose parents to mistreat their children. Overlapping definitions of physical abuse and physical punishment of children highlight a subtle or non-existent distinction between abuse and punishment. Joan Durrant and Ron Ensom write that most physical abuse is physical punishment "in intent, form, and effect". Incidents of confirmed physical abuse often result from the use of corporal punishment for purposes of discipline, for instance from parents' inability to control their anger or judge their own strength, or from not understanding children's physical vulnerabilities.

The Royal College of Paediatrics and Child Health of the United Kingdom remarked in a 2009 policy statement that "corporal punishment of children in the home is of importance to pediatricians because of its connection with child abuse... all pediatricians will have seen children who have been injured as a result of parental chastisement. It is not possible logically to differentiate between a smack and a physical assault since both are forms of violence. The motivation behind the smack cannot reduce the hurtful impact it has on the child." They assert that preventing child maltreatment is of "vital importance", and advocate a change in the laws concerning corporal punishment. In their words, "Societies which promote the needs and rights of children have a low incidence of child maltreatment, and this includes a societal rejection of physical punishment of children".

According to the American Academy of Pediatrics, "The only way to maintain the initial effect of spanking is to systematically increase the intensity with which it is delivered, which can quickly escalate into abuse". They note that "Parents who spank their children are more likely to use other unacceptable forms of corporal punishment".

In the United States, interviews with parents reveal that as many as two thirds of documented instances of physical abuse begin as acts of corporal punishment meant to correct a child's behavior. In Canada, three quarters of substantiated cases of physical abuse of children have occurred within the context of physical punishment, according to the Canadian Incidence Study of Reported Child Abuse and Neglect. According to Elizabeth Gershoff, "Both parental acts involve hitting, and purposefully hurting, children. The difference between the two is often degree (duration, amount of force, object used) rather than intent".

A 2006 retrospective report study in New Zealand showed that physical punishment of children was quite common in the 1970s and 80s, with 80% of the sample reporting some kind of corporal punishment from parents at some time during childhood. Among this sample, 29% reported being hit with an empty hand, 45% with an object, and 6% were subjected to serious physical abuse. The study noted that abusive physical punishment tended to be given by fathers and often involved striking the child's head or torso instead of the buttocks or limbs.

Clinical and developmental psychologist Diana Baumrind argued in a 2002 paper that parents who are easily frustrated or inclined toward controlling behavior "should not spank", but that existing research did not support a "blanket injunction" against spanking. Gershoff characterized Baumrind et al.'s solution as unrealistic, since it would require potentially abusive parents to monitor themselves. She argues that the burden of proof should be high for advocates of corporal punishment as a disciplinary strategy, asserting that "unless and until researchers, clinicians, and parents can definitively demonstrate the presence of [beneficial] effects of corporal punishment [and] not just the absence of negative effects, we as psychologists cannot responsibly recommend its use".

A 2008 study at the University of North Carolina at Chapel Hill found that mothers who reported spanking their children were three times more likely to also report using forms of punishment considered abusive to the researchers "such as beating, burning, kicking, hitting with an object somewhere other than the buttocks, or shaking a child less than 2 years old" than mothers who did not report spanking. The authors found that any spanking was associated with increased risk of abuse, and that there were strong associations between abuse and spanking with an object. Adam Zolotor, the study's lead author, noted that "increases in the frequency of spanking are associated with increased odds of abuse, and mothers who report spanking on the buttocks with an object–such as a belt or a switch–are nine times more likely to report abuse".

One study reported by Murray Straus in 2001 found that 40% of 111 mothers surveyed were worried that they could possibly hurt their children by using corporal punishment.

Effects on behavior and development

Numerous studies have found increased risk of impaired child development from the use of corporal punishment. Corporal punishment by parents has been linked to increased aggression, mental health problems, impaired cognitive development, and drug and alcohol abuse. Many of these results are based on large longitudinal studies controlling for various confounding factors. Joan Durrant and Ron Ensom write that "Together, results consistently suggest that physical punishment has a direct causal effect on externalizing behavior, whether through a reflexive response to pain, modeling, or coercive family processes". Randomized controlled trials, the benchmark for establishing causality, are not commonly used for studying physical punishment because of ethical constraints against deliberately causing pain to study participants. However, one existing randomized controlled trial did demonstrate that a reduction in harsh physical punishment was followed by a significant drop in children's aggressive behavior.

The few existing randomized controlled trials used to investigate physical punishment have shown that it is not more effective than other methods in eliciting children's compliance. A 2002 meta-analysis indicated that spanking did increase children's immediate compliance with parents' commands. However, according to Gershoff, those findings were overly influenced by one study, which found a strong relationship but had a small sample size (only sixteen children studied). A later analysis found that spanking children was not more effective than giving children time-outs in eliciting immediate compliance, and that spanking led to a reduction in long‑term compliance.

Gershoff suggests that corporal punishment may actually decrease a child's "moral internalization" of positive values. According to research, corporal punishment of children predicts weaker internalization of values such as empathy, altruism and resistance to temptation. According to Joan Durrant, it should therefore not be surprising that corporal punishment "consistently predicts increased levels of antisocial behavior in children, including aggression against siblings, peers, and parents, as well as dating violence".

In examining several longitudinal studies that investigated the path from spanking to aggression in children from preschool age through adolescence, Gershoff concluded: "In none of these longitudinal studies did spanking predict reductions in children's aggression [...] Spanking consistently predicted increases in children's aggression over time, regardless of how aggressive children were when the spanking occurred". A 2010 study at Tulane University found a 50% greater risk of aggressive behavior two years later in young children who were spanked more than twice in the month before the study began. The study controlled for a wide variety of confounding variables, including initial levels of aggression in the children. According to the study's leader, Catherine Taylor, this suggests that "it's not just that children who are more aggressive are more likely to be spanked."

A 2002 meta-analytic review by Gershoff that combined 60 years of research on corporal punishment found that corporal punishment was linked with nine negative outcomes in children, including increased rates of aggression, delinquency, mental health problems, problems in relationships with parents, and likelihood of being physically abused. A minority of researchers disagree with these results. Baumrind, Larzelere, and Cowan suggest that the majority of the studies analyzed by Gershoff include "overly severe" forms of punishment and therefore do not sufficiently distinguish corporal punishment from abuse, and that the analysis focused on cross-sectional bivariate correlations. In response, Gershoff points out that corporal punishment in the United States often includes forms, such as hitting with objects, that Baumrind terms "overly severe", and that the line between corporal punishment and abuse is necessarily arbitrary; according to Gershoff "the same dimensions that characterize 'normative' corporal punishment can, when taken to extremes, make hitting a child look much more like abuse than punishment". Another point of contention for Baumrind was the inclusion of studies using the Conflict Tactics Scale, which measures more severe forms of punishment in addition to spanking. According to Gershoff, the Conflict Tactics Scale is "the closest thing to a standard measure of corporal punishment".

A 2005 meta-analysis found that with child noncompliance and antisocial behavior, conditional spanking was favored over most other disciplinary tactics. Including other measurements, customary spanking was found equal to other methods, and only overly severe or predominant usage was found unfavorable. It was suggested that the apparently paradoxical effects are the result of statistical bias in typically used analysis methods, and thus relative comparisons are needed. However, primary usage and severe usage were associated with negative outcomes, and mild spanking still carries the risk of potential escalation into harsh forms.

A 2012 study at the University of Manitoba indicated that people who reported being "pushed, grabbed, shoved, slapped or hit" even "sometimes" as children suffered more mood disorders, such as depression, anxiety, and mania, along with more dependence on drugs or alcohol in adulthood. Those who reported experiencing "severe physical abuse, sexual abuse, emotional abuse, physical neglect, emotional neglect, or exposure to intimate partner violence" were not included in the results. According to the researchers, the findings "provide evidence that harsh physical punishment independent of child maltreatment is related to mental disorders". An earlier Canadian study gave similar results.

Preliminary results from neuroimaging studies suggest that physical punishment involving the use of objects causes a reduction of grey matter in brain areas associated with performance on the Wechsler Adult Intelligence Scale. as well as certain alterations to brain regions which secrete or are sensitive to the neurotransmitter dopamine, linked with a risk of drug and alcohol abuse.

Corporal punishment also has links with domestic violence. According to Gershoff, research indicates that the more corporal punishment children receive, the more likely they are as adults to act violently towards family members, including intimate partners.

A 2013 meta-analysis by Dr. Chris Ferguson employed an alternative statistical analysis, finding negative cognitive and behavioral effects in children subjected to spanking and corporal punishment, but found the overall relationship to be "trivial" or marginally so with the externalizing effects differing by age. However, Ferguson acknowledged this still indicates potential harmful outcomes and noted some limitations of his analysis, stating "On the other hand, there was no evidence from the current meta-analysis to indicate that spanking or CP held any particular advantages. There appears, from the current data, to be no reason to believe that spanking/CP holds any benefits related to the current outcomes, in comparison to other forms of discipline."

A 2016 meta-analysis of five decades of research found positive associations between being exposed to spanking (defined as "hitting a child on their buttocks or extremities using an open hand") and anti-social behavior, aggression, and mental health problems.

A 2018 meta-analysis found that the apparent effects on child externalizing behavior differ depending on method of analysis. This seems to be the result of a statistical bias in some of the typically used methods. This may explain the small results found in the 2013 analysis, and the replication of results in other disciplinary tactics. Several subsequent studies have investigated this line of inquiry. One found beneficial effects of only mild spanking after using a more flexible model that accounts for the issues brought up. Others used robustness checks, finding adverse effects of spanking and physical punishment.

A 2021 review of 69 prospective longitudinal studies found that 59% of these studies found adverse effects, 23% found no association, and 17% found mixed effects. The review concluded that: "The evidence is consistent and robust: physical punishment does not predict improvements in child behaviour and instead predicts deterioration in child behaviour and increased risk for maltreatment. There is thus no empirical reason for parents to continue to use physical punishment", and advocated for the banning of physical punishment "in all forms and all settings".

Statements by professional associations

The pediatric division of the Royal Australasian College of Physicians has urged that physical punishment of children be outlawed in Australia, stating that is a violation of children's human rights to exempt them from protection against physical assault. They urge support for parents to use "more effective, non-violent methods of discipline". The Australian Psychological Society holds that corporal punishment of children is an ineffective method of deterring unwanted behavior, promotes undesirable behaviors and fails to demonstrate an alternative desirable behavior. It asserts that corporal punishment often promotes further undesirable behaviors such as defiance and attachment to "delinquent" peer groups, and encourages an acceptance of aggression and violence as acceptable responses to conflicts and problems.

According to the Canadian Paediatric Society, "The research that is available supports the position that spanking and other forms of physical punishment are associated with negative child outcomes. The Canadian Paediatric Society, therefore, recommends that physicians strongly discourage disciplinary spanking and all other forms of physical punishment".

The Royal College of Paediatrics and Child Health of the United Kingdom opposes corporal punishment of children in all circumstances, stating that "it is never appropriate to hit or beat children". It states that "Corporal punishment [of] children has both short term and long term adverse effects and in principle should not be used since it models an approach which is discouraged between adults". The college advocates legal reform to remove the right of "reasonable punishment" to give children the same legal protections as adults, along with public education directed towards nonviolent parenting methods.

The American Academy of Pediatrics (AAP) has stated "parents, other caregivers, and adults interacting with children and adolescents should not use corporal punishment (including hitting and spanking)". It recommends that parents be "encouraged and assisted in the development of methods other than spanking for managing undesired behavior". In a 2018 policy statement, the AAP writes: "corporal punishment to an increased risk of negative behavioral, cognitive, psychosocial, and emotional outcomes for children".

In the AAP's opinion, such punishments, as well as "physical punishment delivered in anger with intent to cause pain", are "unacceptable and may be dangerous to the health and well-being of the child". They also point out that "The more children are spanked, the more anger they report as adults, the more likely they are to spank their own children, the more likely they are to approve of hitting a spouse, and the more marital conflict they experience as adults" and that "spanking has been associated with higher rates of physical aggression, more substance abuse, and increased risk of crime and violence when used with older children and adolescents".

The AAP believes that corporal punishment polarizes the parent–child relationship, reducing the amount of spontaneous cooperation on the part of the child. In their words, "[R]eliance on spanking as a discipline approach makes other discipline strategies less effective to use". The AAP believes that spanking as a form of discipline can easily lead to abuse, noting also that spanking children younger than 18 months of age increases the chance of physical injury.

The United States' National Association of Social Workers "opposes the use of physical punishment in homes, schools, and all other institutions where children are cared for and educated".

Human rights perspectives

Paulo Pinheiro asserts that "The [UN study] should mark a turning point—an end to adult justification of violence against children, whether accepted as 'tradition' or disguised as 'discipline' [...] Children's uniqueness—their potential and vulnerability, their dependence on adults—makes it imperative that they have more, not less, protection from violence". His report to the General Assembly of the United Nations recommends prohibition of all forms of violence against children, including corporal punishment in the family and other settings.

The UN Committee on the Rights of the Child remarked in 2006 that all forms of corporal punishment, along with non-physical punishment which "belittles, humiliates, denigrates, scapegoats, threatens, scares or ridicules" children were found to be "cruel and degrading" and therefore incompatible with the Convention on the Rights of the Child. In the committee's view, "Addressing the widespread acceptance or tolerance of corporal punishment of children and eliminating it, in the family, schools and other settings, is not only an obligation of States parties under the Convention. It is also a key strategy for reducing and preventing all forms of violence in societies".

The Committee on the Rights of the Child advocates legal reform banning corporal punishment that is educational rather than punitive:

The first purpose of law reform to prohibit corporal punishment of children within the family is prevention: to prevent violence against children by changing attitudes and practice, underlining children's right to equal protection and providing an unambiguous foundation for child protection and for the promotion of positive, non-violent and participatory forms of child-rearing [...] While all reports of violence against children should be appropriately investigated and their protection from significant harm assured, the aim should be to stop parents from using violent or other cruel or degrading punishments through supportive and educational, not punitive, interventions.

The office of Europe's Commissioner for Human Rights notes that the defence of "reasonable chastisement" is based on the view that children are property, equating it with former legal rights of husbands to beat wives and masters to beat servants. The Commissioner stresses that human rights, including the right to physical integrity, are the primary consideration in advocating an end to corporal punishment:

The imperative for removing adults' assumed rights to hit children is that of human rights principles. It should therefore not be necessary to prove that alternative and positive means of socializing children are more effective. However, research into the harmful physical and psychological effects of corporal punishment in childhood and later life and into the links with other forms of violence do indeed add further compelling arguments for banning the practice and thereby breaking the cycle of violence.

The Parliamentary Assembly of the Council of Europe maintains that corporal punishment is a breach of children's "fundamental right to human dignity and physical integrity", and violates children's "equally fundamental right to the same legal protection as adults". The Assembly urges a total ban on "all forms of corporal punishment and any other forms of degrading punishment or treatment of children" as a requirement of the European Social Charter. The European Court of Human Rights has found corporal punishment to be a violation of children's rights under the European Convention on Human Rights, stating that bans on corporal punishment did not violate religious freedom or the right to private or family life.

The Inter-American Commission on Human Rights concluded in 2009 that corporal punishment "constitutes a form of violence against children that wounds their dignity and hence their human rights", asserting that "the member states of the Organization of American States are obliged to guarantee children and adolescents special protection against the use of corporal punishment".

UNESCO also recommends that corporal punishment be prohibited in schools, homes and institutions as a form of discipline, and contends that it is a violation of human rights as well as counterproductive, ineffective, dangerous and harmful to children.

Prohibition

The 1979 Swedish ban

Sweden was the world's first nation to outlaw all forms of corporal punishment of children. In 1957, the section permitting parents to use force in reprimanding their children (as long as it did not cause any severe injury) was completely removed from the Penal Code. The intent of this change was to provide children with the same protection from assault that adults receive and to clarify the grounds for criminal prosecution of parents who abused their children. However, parents' right to use corporal punishment of their children was not eliminated; until 1966, parents might use mild forms of physical discipline that would not constitute assault under the Penal Code. In 1966, the section permitting parents to use physical discipline was removed and fully replaced by the constitution of assault under the Penal Code.

Even though parents' right to use corporal punishment of their children was no longer supported by law, many parents believed the law allowed it. Therefore, it was necessary with a more clear law which supported children's rights and protected children from violence or other humiliating treatment. On 1 July 1979, Sweden became the world's first nation to explicitly ban corporal punishment of children through an amendment to the Parenthood and Guardianship Code which stated:

Children are entitled to care, security and a good upbringing. Children are to be treated with respect for their person and individuality and may not be subjected to corporal punishment or any other humiliating treatment.

Some critics in the Swedish Parliament predicted that the amendment would lead to a large-scale criminalization of Swedish parents. Others asserted that the law contradicted the Christian faith. Despite these objections, the law received almost unanimous support in Parliament. The law was accompanied by a public education campaign by the Swedish Ministry of Justice, including brochures distributed to all households with children, as well as informational posters and notices printed on milk cartons.

One thing that helped pave the way for the ban was a 1971 murder case where a 3-year-old girl was beaten to death by her stepfather. The case shook the general public and preventing child abuse became a political hot topic for years to come.

In 1982, a group of Swedish parents brought a complaint to the European Commission of Human Rights asserting that the ban on parental physical punishment breached their right to respect for family life and religious freedom; the complaint was dismissed.

According to the Swedish Institute, "Until the 1960s, nine out of ten preschool children in Sweden were spanked at home. Slowly, though, more and more parents voluntarily refrained from its use and corporal punishment was prohibited throughout the educational system in 1958". As of 2014, approximately 5 percent of Swedish children are spanked illegally.

In Sweden, professionals working directly with children are obliged to report any suggestion of maltreatment to social services. Allegations of assault against children are frequently handled in special "children's houses", which combine the efforts of police, prosecutors, social services, forensic scientists and child psychologists. The Children and Parents Code does not itself impose penalties for smacking children, but instances of corporal punishment that meet the criteria of assault may be prosecuted.

From the 1960s to the 2000s, there was a steady decline in the numbers of parents who use physical punishment as well as those who believe in its use. In the 1960s, more than 90 percent of Swedish parents reported using physical punishment, even though only approximately 55 percent supported its use. By the 2000s, the gap between belief and practice had nearly disappeared, with slightly more than 10 percent of parents reporting that they use corporal punishment. In 1994, the first year that Swedish children were asked to report their experiences of corporal punishment, 35 percent said they had been smacked at some point. According to the Swedish Ministry of Health and Social Affairs, this number was considerably lower after the year 2000. Interviews with parents also revealed a sharp decline in more severe forms of punishment, such as punching or the use of objects to hit children, which are likely to cause injury.

The Ministry of Health and Social Affairs and Save the Children ascribe these changes to a number of factors, including the development of Sweden's welfare system; greater equality between the sexes and generations than elsewhere in the world; the large number of children attending daycare centers, which facilitate the identification of children being mistreated; and efforts by neonatal and children's medical clinics to reduce family violence.

While cases of suspected assault on children have risen since the early 1980s, this rise can be attributed to an increase in reporting due to reduced tolerance of violence against children, rather than an increase in actual assaults. Since the 1979 ban on physical punishment, the percentage of reported assaults that result in prosecution has not increased; however, Swedish social services investigate all such allegations and provide supportive measures to the family where needed.

According to Joan Durrant, the ban on corporal punishment was intended to be "educational rather than punitive". After the 1979 change to the Parenthood and Guardianship Code, there was no increase in the number of children removed from their families; in fact, the number of children entering state care significantly decreased. There have also been more social-service interventions done with parental consent and fewer compulsory interventions. Durrant writes that the authorities had three goals, namely: to bring about a change in public attitudes away from support for corporal punishment, to facilitate the identification of children likely to be physically abused, and to enable earlier intervention in families with the intention of supporting, rather than punishing, parents. According to Durrant, data from various official sources in Sweden show that these goals are being met. She writes:

Since 1981, reports of assaults against children in Sweden have increased—as they have worldwide, following the 'discovery' of child abuse. However, the proportion of suspects who are in their twenties, and therefore raised in a no-smacking culture, has decreased since 1984, as has the proportion born in the Nordic nations with corporal punishment bans.

Contrary to expectations of an increase of juvenile delinquency following the ban of corporal punishment, youth crime remained steady while theft convictions and suspects in narcotics crimes among Swedish youth significantly decreased; youth drug and alcohol use and youth suicide also decreased. Durrant writes: "While drawing a direct causal link between the corporal punishment ban and any of these social trends would be too simplistic, the evidence presented here indicates that the ban has not had negative effects".

Further research has shown no sign of a rise in crimes by young people. From the mid-1990s into the 2000s, youth crime decreased, primarily owing to fewer instances of theft and vandalism, while violent crime remained constant. Most young people in Sweden who commit offences do not become habitual criminals, according to the Ministry of Health and Social Affairs. While there has been an increase in reports of assaults by youth against others of similar age, official sources indicate that the increase has been largely due to a "zero-tolerance" approach to school bullying resulting in increased reporting, rather than an increase in actual assaults.

Matilda (novel)

From Wikipedia, the free encyclopedia
https://en.wikipedia.org/wiki/Matilda_(novel)

Matilda
First UK edition
AuthorRoald Dahl
IllustratorQuentin Blake
CountryUnited Kingdom
LanguageEnglish
GenreChildren's literature, fantasy
Published1 October 1988
PublisherJonathan Cape
Pages239

Matilda is a 1988 children's novel by British author Roald Dahl. It was published by Jonathan Cape. The story features Matilda Wormwood, a precocious child with an uncaring mother and father, and her time in school run by the tyrannical headmistress Miss Trunchbull.

The book has been adapted in various media, including an audio reading by actress Kate Winslet; a 1996 feature film Matilda directed by Danny DeVito; a two-part BBC Radio 4 programme; and a 2010–2011 musical Matilda the Musical which ran on the West End in London, Broadway in New York, and around the world. A film adaptation of the musical, Matilda the Musical, was released in 2022.

In 2003, Matilda was listed at number 74 in The Big Read, a BBC survey of the British public of the top 200 novels of all time. In 2012, Matilda was ranked number 30 among all-time best children's novels in a survey published by School Library Journal, a US monthly. Time magazine named Matilda in its list of the 100 Best Young-Adult Books of All Time. In 2012, Matilda Wormwood appeared on a Royal Mail commemorative postage stamp.

Plot

In a small Buckinghamshire village forty minutes by bus away from Reading and 8 miles from Aylesbury, Matilda Wormwood is born to Mr and Mrs Wormwood. She immediately shows amazing precocity, learning to speak at age one and to read at age three and a half, perusing all the children's books in the library by the age of four and three months and moving on to longer classics such as Great Expectations and Jane Eyre. However, her parents emotionally abuse her and completely refuse to acknowledge her abilities; to keep from getting frustrated, Matilda finds herself forced to pull pranks on them, such as gluing her father's hat to his head, sticking a parrot in the chimney to simulate a burglar or ghost, and bleaching her father's hair with peroxide.

At the age of five and a half, Matilda enters school and befriends her polite and compassionate teacher Jennifer Honey, who is astonished by her intellectual abilities. Miss Honey tries to move Matilda into a higher class, but the tyrannical headmistress, Miss Agatha Trunchbull, refuses. Miss Honey also tries to talk to Mr and Mrs Wormwood about their daughter's intelligence, but they ignore her, with the mother contending "brainy-ness" is an undesirable trait in a little girl.

Miss Trunchbull later confronts a girl called Amanda Thripp for wearing pigtails (the headmistress repeatedly displays a dislike of long hair throughout the book) and does a hammer throw with the girl over the playground fence. A boy called Bruce Bogtrotter is later caught by the cook stealing a piece of Miss Trunchbull's cake; the headmistress makes him attempt to eat an 18-inch (46 cm) wide cake in front of the assembly, then smashes the platter over his head in rage after he unexpectedly succeeds.

Matilda quickly develops a particularly strong bond with Miss Honey and watches as Trunchbull terrorises her students with deliberately creative, over-the-top punishments to prevent parents from believing them, such as throwing them in a dark closet dubbed "The Chokey", which is lined with nails and broken glass. When Matilda's friend Lavender plays a practical joke on Trunchbull by placing a newt in her jug of water, Matilda is blamed; in anger, she uses an unexpected power of telekinesis to tip the glass of water containing the newt onto Trunchbull.

Matilda reveals her new powers to Miss Honey, who confides that after her wealthy father, Dr Magnus Honey, suspiciously died, she was raised by an abusive aunt, revealed to be Miss Trunchbull. Trunchbull appears, among other misdeeds, to be withholding her niece's inheritance; Miss Honey has to live in poverty in a derelict farm cottage, and her salary is being paid into Miss Trunchbull's bank account for the first 10 years of her teaching career while she is restricted to £1 per week in pocket money. Preparing to avenge Miss Honey, Matilda practises her telekinesis at home. Later, during a sadistic lesson that Miss Trunchbull is teaching, Matilda telekinetically raises a piece of chalk to the blackboard and begins to use it to write, posing as the spirit of Magnus Honey. Addressing Miss Trunchbull using her first name (Agatha), "Magnus" demands that Miss Trunchbull hand over Miss Honey's house and wages and leave the school, causing Miss Trunchbull to faint.

The next day, the school's deputy headmaster, Mr Trilby, visits Trunchbull's house and finds it empty, except for signs of Trunchbull's hasty exit. She is never seen again, and the next day Miss Honey receives a letter from a local solicitor's office, telling her that her father's lifetime savings were safe in her bank and the property she lived in as a child was left to her. Trilby becomes the new headmaster, proving himself to be capable and good-natured, overwhelmingly improving the school's atmosphere and curriculum, and quickly moving Matilda into the top-form class with the 11-year-olds. Rather to Matilda's relief, she soon is no longer capable of telekinesis. Miss Honey theorises this is because Matilda is using her brainpower on a more challenging curriculum, leaving less of her brain's enormous energy free.

Matilda continues to visit Miss Honey at her house regularly, returning home one day to find her parents and her older brother Michael hastily packing to leave for Spain. Miss Honey explains this is because the police found out Mr Wormwood has been selling stolen cars. Matilda asks permission to live with Miss Honey, to which her parents rather distractedly agree. Matilda and Miss Honey find their happy ending, as the Wormwoods drive away, never to be seen again.

Writing the novel

Dahl's initial draft for the novel portrayed Matilda as a wicked, irrational girl, her name being drawn from Hilaire Belloc's poem "Matilda Who Told Such Dreadful Lies", who tortured her innocent parents and used her psychokinetic powers to help an unethical teacher win money at horse racing. Dahl's biographer Jeremy Treglown went through the author's documents, including the drafts for the novel, and noted that the American editor Stephen Roxburgh at Farrar, Straus and Giroux had been instrumental in reshaping the story. It was the editor's idea to make Matilda an innocent child who loved books, with her powers manifesting as a result of abuse she endured. Roxburgh also suggested various changes to the main characters that were incorporated into the finished novel. As Dahl decided to take the manuscript to a different publishers the two had a falling out. The edited version of the manuscript was published by Puffin Books. Dahl explained in an interview that he "got it wrong" at first and that the book took over a year to rewrite though he failed to mention Roxburgh's input.

Reception

The year after the book was published, it received the 1989 Red House Children's Book Award. In 2003, Matilda was listed at number 74 in The Big Read, a BBC poll of the British public of the top 200 novels of all time. In 2012 Matilda was ranked number 30 on a list of the top 100 children's novels published by School Library Journal, a monthly with primarily US audience. It was the first of four books by Dahl among the Top 100, more than any other writer. Time magazine included Matilda in its list of the 100 Best Young-Adult Books of All Time. Worldwide sales have reached 17 million, and since 2016 sales have spiked to the extent that it outsells Dahl's other works.

Dahl's inspiration

The "mean and loathsome" Mrs Pratchett, owner of the sweet shop Dahl frequented as a boy in Cardiff, inspired Dahl's creation of Miss Trunchbull. Mr Wormwood was based on a real-life character from Dahl's home village of Great Missenden in Buckinghamshire. The library in Great Missenden was the inspiration for Mrs Phelps's library, where Matilda devours classic literature by the age of four and three months. On Matilda's love of reading books, Lucy Dahl stated that her father’s novel was, in part, about his love for books: "I think that there was a deep genuine fear within his heart that books were going to go away and he wanted to write about it."

Adaptations

Matilda the Musical has been performed at the Cambridge Theatre in the West End since November 2011

In 1990, the Redgrave Theatre in Farnham produced a musical version, adapted by Rony Robinson with music by Ken Howard and Alan Blaikley, which toured the UK. It starred Annabelle Lanyon as Matilda and Jonathan Linsley as Miss Trunchbull and had mixed reviews. A second musical version of the novel, Matilda the Musical, written by Dennis Kelly and Tim Minchin and commissioned by the Royal Shakespeare Company, premiered in November 2010. It opened at the Cambridge Theatre in the West End on 24 November 2011. It opened on Broadway on 11 April 2013 at the Shubert Theatre. The musical has since done a US tour and opened in July 2015 in Australia. The stage version has become hugely popular with audiences and praised by critics, and won multiple Olivier Awards in the UK and Tony Awards in the US. One critic called it "the best British musical since Billy Elliot".

The novel was made into the film Matilda in 1996. It starred Mara Wilson as Matilda, and was directed by Danny DeVito, who also portrayed Mr Wormwood and narrated the story. The film changed the setting and nationality of every character (except Trunchbull who is played by Welsh actress Pam Ferris) from British to American. Although not a commercial success, it received critical acclaim at the time of its release, and on Rotten Tomatoes has a score of 90% based on reviews from 21 critics.

Cast of Matilda the Musical performing the song "Naughty" at the U.S. State Department in Washington, D.C., December 2015

In December 2009, BBC Radio 4's Classic Serial broadcast a two-part adaptation by Charlotte Jones of the novel with Lenny Henry as the Narrator, Lauren Mote as Matilda, Nichola McAuliffe as Miss Trunchbull, Emerald O'Hanrahan as Miss Honey, Claire Rushbrook as Mrs. Wormwood and John Biggins as Mr. Wormwood.

In 2013, Kate Winslet, the English actress, spoke the English-language audiobook recording of Matilda. In 2014, the American Library Association shortlisted her for an Odyssey Award for her audiobook performance.

On 27 November 2018, Netflix was revealed to be adapting Matilda as an animated series, which will be part of an "animated event series" along with other Roald Dahl books such as The BFG, The Twits, and Charlie and the Chocolate Factory. A film adaptation of the musical was released by Sony Pictures Releasing and Netflix in 2022. It stars Alisha Weir as Matilda and Emma Thompson as Miss Trunchbull. It is directed by Matthew Warchus.

The novel at 30

Celebrating 30 years of the book's publication in October 2018, original illustrator Quentin Blake imagined what Matilda might be doing as a grown-up woman today. He drew images of her undertaking three possible roles: an explorer, an astrophysicist, and a librarian at the British Library.

2023 censorship controversy

Despite Roald Dahl having enjoined his publishers not to "so much as change a single comma in one of my books", in February 2023 Puffin Books, a division of Penguin Books, announced it would be re-writing portions of many of Dahl's children's novels, changing the language to, in the publisher's words, "ensure that it can continue to be enjoyed by all today." The decision was met with sharp criticism from groups and public figures including authors Salman Rushdie, Christopher Paolini, British prime minister Rishi Sunak, Queen Camilla, Kemi Badenoch, PEN America, and Brian Cox. Dahl's publishers in the United States, France, and the Netherlands announced they had declined to incorporate the changes. Following the backlash, on 23 February 2023, Puffin announced it would release an unedited selection of Dahl's children's books as "The Roald Dahl Classic Collection" because of "the importance of keeping Dahl's classic texts in print."

In Matilda, more than sixty changes were made, including replacing references to Rudyard Kipling and Joseph Conrad with Jane Austen and John Steinbeck, removing references to skin colour (such as "turning white", "beginning to go dark red", "red in the face", and "white as paper"), removing or changing the words fat, mad, and crazy (such as changing "wobbling crazily" to "wobbling unsteadily"), removing the word madonna, and changing heroine to hero.


Original text 2023 text
'It is a curious truth that grasshoppers have their hearing-organs in the sides of the abdomen. Your daughter Vanessa, judging by what she's learnt this term, has no hearing-organs at all.' 'It is a curious truth that grasshoppers have their hearing-organs in the sides of the abdomen. Judging by what your daughter Vanessa has learnt this term, this fact alone is more interesting than anything I have taught in the classroom.'

Connections to other Roald Dahl books

One of Miss Trunchbull's punishments is to force an overweight child, Bruce Bogtrotter, to eat an enormous chocolate cake, which makes him so full that he cannot move. The cook had caught him stealing a piece of cake from the kitchen. In Roald Dahl's Revolting Recipes one of the recipes is based on that cake. Bruce is a more sympathetic variation of Augustus Gloop (from Charlie and the Chocolate Factory) and similar gluttons, and he is praised for finishing the cake without suffering nausea. The short story The Magic Finger by Roald Dahl, released in 1966, may have been a precursor to Matilda. A young girl has power within her finger to do things to other people when she gets emotional about a cause she feels strongly about.

Roald Dahl

From Wikipedia, the free encyclopedia
https://en.wikipedia.org/wiki/Roald_Dahl

Roald Dahl
Roald Dahl
Dahl in April 1954
Born13 September 1916
Cardiff, Wales
Died23 November 1990 (aged 74)
Oxford, England
Resting placeChurch of St Peter and St Paul, Great Missenden, England
Occupation
  • Novelist
  • poet
  • screenwriter
Period1942–1990
GenreChildren's literature
Spouse
Children
Relatives
Signature

Military career
AllegianceUnited Kingdom
Service/branchRoyal Air Force
Years of service1939–1946
RankSquadron Leader
UnitNo. 80 Squadron RAF
Battles/wars

Roald Dahl (13 September 1916 – 23 November 1990) was a British author of popular children's literature and short stories, a poet, screenwriter and a wartime fighter ace. His books have sold more than 300 million copies worldwide. Dahl has been called "one of the greatest storytellers for children of the 20th century".

Dahl was born in Wales to affluent Norwegian immigrant parents, and spent most of his life in England. He served in the Royal Air Force (RAF) during the Second World War. He became a fighter pilot and, subsequently, an intelligence officer, rising to the rank of acting wing commander. He rose to prominence as a writer in the 1940s with works for children and for adults, and he became one of the world's best-selling authors. His awards for contribution to literature include the 1983 World Fantasy Award for Life Achievement and the British Book Awards' Children's Author of the Year in 1990. In 2008, The Times placed Dahl 16th on its list of "The 50 Greatest British Writers Since 1945". In 2021, Forbes ranked him the top-earning dead celebrity.

Dahl's short stories are known for their unexpected endings, and his children's books for their unsentimental, macabre, often darkly comic mood, featuring villainous adult enemies of the child characters. His children's books champion the kindhearted and feature an underlying warm sentiment. His works for children include James and the Giant Peach, Charlie and the Chocolate Factory, Matilda, The Witches, Fantastic Mr Fox, The BFG, The Twits, George's Marvellous Medicine and Danny, the Champion of the World. His works for older audiences include the short story collections Tales of the Unexpected and The Wonderful Story of Henry Sugar and Six More.

Early life

Childhood

Dahl at age 10 with his sisters Alfhild, Else and Asta. Cardiff, 1927.

Roald Dahl was born in 1916 at Villa Marie, Fairwater Road, in Llandaff, Cardiff, Wales, to Norwegians Harald Dahl (1863–1920) and Sofie Magdalene Dahl (née Hesselberg) (1885–1967). Dahl's father, a wealthy shipbroker and self-made man, had emigrated to the UK from Sarpsborg in Norway and settled in Cardiff in the 1880s with his first wife, Frenchwoman Marie Beaurin-Gresser. They had two children together (Ellen Marguerite and Louis) before her death in 1907. Roald Dahl's mother belonged to a well-established Norwegian family of lawyers, priests in the state church and wealthy merchants and estate owners, and emigrated to the UK when she married his father in 1911. Dahl was named after Norwegian polar explorer Roald Amundsen. His first language was Norwegian, which he spoke at home with his parents and his sisters Astri, Alfhild, and Else. The children were raised in Norway's Lutheran state church, the Church of Norway, and were baptised at the Norwegian Church, Cardiff. His maternal grandmother Ellen Wallace was a granddaughter of the member of parliament Georg Wallace and a descendant of an early 18th-century Scottish immigrant to Norway.

Dahl's sister Astri died from appendicitis at age seven in 1920 when Dahl was three years old, and his father died of pneumonia at age 57 several weeks later. Later that year, his youngest sister, Asta, was born. Upon his death, Harald Dahl left a fortune assessed for probate of £158,917 10s. 0d. (equivalent to £6,791,035 in 2021). Dahl's mother decided to remain in Wales instead of returning to Norway to live with relatives, as her husband had wanted their children to be educated in English schools, which he considered the world's best. When he was six years old, Dahl met his idol Beatrix Potter, author of The Tale of Peter Rabbit featuring the mischievous Peter Rabbit, the first licensed fictional character. In 2020 their meeting was dramatised in the television drama film, Roald & Beatrix: The Tail of the Curious Mouse.

Mrs Pratchett's former sweet shop in Llandaff, Cardiff, has a blue plaque dedicated to Dahl. His autobiography Boy: Tales of Childhood recalls the prank he and his friends played on her in a jar of gobstoppers.

Dahl first attended The Cathedral School, Llandaff. At age eight, he and four of his friends were caned by the headmaster after putting a dead mouse in a jar of gobstoppers at the local sweet shop, which was owned by a "mean and loathsome" old woman named Mrs Pratchett. The five boys named their prank the "Great Mouse Plot of 1924". Mrs Pratchett inspired Dahl's creation of the cruel headmistress Miss Trunchbull in Matilda, and a prank, this time in a water jug belonging to Trunchbull, would also appear in the book. Gobstoppers were a favourite sweet among British schoolboys between the two World Wars, and Dahl referred to them in his fictional Everlasting Gobstopper which was featured in Charlie and the Chocolate Factory.

Dahl transferred to St Peter's boarding school in Weston-super-Mare. His parents had wanted him to be educated at an English public school, and this proved to be the nearest because of the regular ferry link across the Bristol Channel. Dahl's time at St Peter's was unpleasant; he was very homesick and wrote to his mother every week but never revealed his unhappiness to her. After her death in 1967, he learned that she had saved every one of his letters; they were broadcast in abridged form as BBC Radio 4's Book of the Week in 2016 to mark the centenary of his birth. Dahl wrote about his time at St Peter's in his autobiography Boy: Tales of Childhood. Excelling at conkers—a traditional autumnal children's game in Britain and Ireland played using the seeds of horse chestnut trees—Dahl recollected, "at the ages of eight, nine and ten, conkers brought sunshine to our lives during the dreary autumn term".

Repton School

Repton School, Derbyshire
Dahl attended Repton School in Derbyshire from 1929 to 1934

From 1929, when he was 13, Dahl attended Repton School in Derbyshire. Dahl disliked the hazing and described an environment of ritual cruelty and status domination, with younger boys having to act as personal servants for older boys, frequently subject to terrible beatings. His biographer Donald Sturrock described these violent experiences in Dahl's early life. Dahl expresses some of these darker experiences in his writings, which is also marked by his hatred of cruelty and corporal punishment.

According to Dahl's autobiography, Boy: Tales of Childhood, a friend named Michael was viciously caned by headmaster Geoffrey Fisher. Writing in that same book, Dahl reflected: "All through my school life I was appalled by the fact that masters and senior boys were allowed literally to wound other boys, and sometimes quite severely... I couldn't get over it. I never have got over it." Fisher was later appointed Archbishop of Canterbury, and he crowned Queen Elizabeth II in 1953. However, according to Dahl's biographer Jeremy Treglown, the caning took place in May 1933, a year after Fisher had left Repton; the headmaster was in fact J. T. Christie, Fisher's successor as headmaster. Dahl said the incident caused him to "have doubts about religion and even about God". He viewed the brutality of the caning as being the result of the headmaster's enmity towards children, an attitude Dahl would later attribute to the Grand High Witch in The Witches who exclaims that "children are rrreee-volting!".

Dahl was never seen as a particularly talented writer in his school years, with one of his English teachers writing in his school report "I have never met anybody who so persistently writes words meaning the exact opposite of what is intended." He was exceptionally tall, reaching 6 feet 6 inches (1.98 m) in adult life. Dahl played sports including cricket, football and golf, and was made captain of the squash team. As well as having a passion for literature, he developed an interest in photography and often carried a camera with him.

During his years at Repton, the Cadbury chocolate company occasionally sent boxes of new chocolates to the school to be tested by the pupils. Dahl dreamt of inventing a new chocolate bar that would win the praise of Mr Cadbury himself; this inspired him in writing his third children's book, Charlie and the Chocolate Factory (1964), and to refer to chocolate in other children's books.

Throughout his childhood and adolescent years, Dahl spent most of his summer holidays with his mother's family in Norway. He wrote about many happy memories from those visits in Boy: Tales of Childhood, such as when he replaced the tobacco in his half-sister's fiancé's pipe with goat droppings. He noted only one unhappy memory of his holidays in Norway: at around the age of eight, he had to have his adenoids removed by a doctor. His childhood and first job selling kerosene in Midsomer Norton and surrounding villages in Somerset are subjects in Boy: Tales of Childhood.

After school

After finishing his schooling, in August 1934 Dahl crossed the Atlantic on the RMS Nova Scotia and hiked through Newfoundland with the Public Schools Exploring Society.

In July 1934, Dahl joined the Shell Petroleum Company. Following two years of training in the United Kingdom, he was assigned first to Mombasa, Kenya, then to Dar es Salaam in the British colony of Tanganyika (now part of Tanzania). Dahl explains in his autobiography Going Solo that only three young Englishmen ran the Shell company in the territory, of which he was the youngest and junior. Along with the only two other Shell employees in the entire territory, he lived in luxury in the Shell House outside Dar es Salaam, with a cook and personal servants. While out on assignments supplying oil to customers across Tanganyika, he encountered black mamba snakes and lions, among other wildlife.

Fighter pilot

Dahl's flying helmet
Dahl's leather flying helmet on display in the Roald Dahl Museum and Story Centre in Great Missenden

In August 1939, as the Second World War loomed, the British made plans to round up the hundreds of Germans living in Dar-es-Salaam. Dahl was commissioned as a lieutenant into the King's African Rifles, commanding a platoon of Askari men, indigenous troops who were serving in the colonial army.

In November 1939, Dahl joined the Royal Air Force (RAF) as an aircraftman with service number 774022. After a 600-mile (970 km) car journey from Dar es Salaam to Nairobi, he was accepted for flight training with sixteen other men, of whom only three survived the war. With seven hours and 40 minutes experience in a De Havilland Tiger Moth, he flew solo; Dahl enjoyed watching the wildlife of Kenya during his flights. He continued to advanced flying training in Iraq, at RAF Habbaniya, 50 miles (80 km) west of Baghdad. Following six months' training on Hawker Harts, Dahl was commissioned as a pilot officer on 24 August 1940, and was judged ready to join a squadron and face the enemy.

A Gloster Gladiator plane
Dahl was flying a Gloster Gladiator when he crash landed in Libya

He was assigned to No. 80 Squadron RAF, flying obsolete Gloster Gladiators, the last biplane fighter aircraft used by the RAF. Dahl was surprised to find that he would not receive any specialised training in aerial combat or in flying Gladiators. On 19 September 1940, Dahl was ordered to fly his Gladiator by stages from Abu Sueir (near Ismailia, in Egypt) to 80 Squadron's forward airstrip 30 miles (48 km) south of Mersa Matruh. On the final leg, he could not find the airstrip and, running low on fuel and with night approaching, he was forced to attempt a landing in the desert. The undercarriage hit a boulder and the aircraft crashed. Dahl's skull was fractured and his nose was smashed; he was temporarily blinded. He managed to drag himself away from the blazing wreckage and lost consciousness. He wrote about the crash in his first published work.

Dahl was rescued and taken to a first-aid post in Mersa Matruh, where he regained consciousness, but not his sight. He was transported by train to the Royal Navy hospital in Alexandria. There he fell in and out of love with a nurse, Mary Welland. An RAF inquiry into the crash revealed that the location to which he had been told to fly was completely wrong, and he had mistakenly been sent instead into the no man's land between the Allied and Italian forces.

A Hawker Hurricane Mk 1
A Hawker Hurricane Mk 1, the aircraft type in which Dahl engaged in aerial combat over Greece

In February 1941, Dahl was discharged from the hospital and deemed fully fit for flying duties. By this time, 80 Squadron had been transferred to the Greek campaign and based at Eleusina, near Athens. The squadron was now equipped with Hawker Hurricanes. Dahl flew a replacement Hurricane across the Mediterranean Sea in April 1941, after seven hours' experience flying Hurricanes. By this stage in the Greek campaign, the RAF had only 18 combat aircraft in Greece: 14 Hurricanes and four Bristol Blenheim light bombers. Dahl flew in his first aerial combat on 15 April 1941, while flying alone over the city of Chalcis. He attacked six Junkers Ju 88s that were bombing ships and shot one down. On 16 April in another air battle, he shot down another Ju 88.

On 20 April 1941, Dahl took part in the Battle of Athens, alongside the highest-scoring British Commonwealth ace of World War II, Pat Pattle, and Dahl's friend David Coke. Of 12 Hurricanes involved, five were shot down and four of their pilots killed, including Pattle. Greek observers on the ground counted 22 German aircraft downed, but because of the confusion of the aerial engagement, none of the pilots knew which aircraft they had shot down. Dahl described it as "an endless blur of enemy fighters whizzing towards me from every side."

In May, as the Germans were pressing on Athens, Dahl was evacuated to Egypt. His squadron was reassembled in Haifa to take part in Operation Exporter. From there, Dahl flew sorties every day for a period of four weeks, shooting down a Vichy French Air Force Potez 63 on 8 June and another Ju 88 on 15 June. In a memoir, Dahl recounts in detail an attack by him and his fellow Hurricane pilots on the Vichy-held Rayak airfield. He says that as he and his fellow Hurricane pilots swept in:

... low over the field at midday we saw to our astonishment a bunch of girls in brightly coloured cotton dresses standing out by the planes with glasses in their hands having drinks with the French pilots, and I remember seeing bottles of wine standing on the wing of one of the planes as we went swooshing over. It was a Sunday morning and the Frenchmen were evidently entertaining their girlfriends and showing off their aircraft to them, which was a very French thing to do in the middle of a war at a front-line aerodrome. Every one of us held our fire on that first pass over the flying field and it was wonderfully comical to see the girls all dropping their wine glasses and galloping in their high heels for the door of the nearest building. We went round again, but this time we were no longer a surprise and they were ready for us with their ground defences, and I am afraid that our chivalry resulted in damage to several of our Hurricanes, including my own. But we destroyed five of their planes on the ground.

Despite this somewhat light-hearted account, Dahl also noted that, ultimately, Vichy forces killed four of the nine Hurricane pilots in his squadron. Describing the Vichy forces as "disgusting", he stated that "... thousands of lives were lost, and I for one have never forgiven the Vichy French for the unnecessary slaughter they caused."

When he began to get severe headaches that caused him to black out, he was invalided home to Britain where he stayed with his mother in Buckinghamshire. Though at this time Dahl was only a pilot officer on probation, in September 1941 he was simultaneously confirmed as a pilot officer and promoted to war substantive flying officer.

Diplomat, writer and intelligence officer

After being invalided home, Dahl was posted to an RAF training camp in Uxbridge. He attempted to recover his health enough to become an instructor. In late March 1942, while in London, he met the Under-Secretary of State for Air, Major Harold Balfour, at his club. Impressed by Dahl's war record and conversational abilities, Balfour appointed the young man as assistant air attaché at the British Embassy in Washington, D.C. Initially resistant, Dahl was finally persuaded by Balfour to accept, and took passage on the MS Batory from Glasgow a few days later. He arrived in Halifax, Canada, on 14 April, after which he took a sleeper train to Montreal.

Coming from war-starved Britain (in what was a wartime period of rationing in the United Kingdom), Dahl was amazed by the wealth of food and amenities to be had in North America. Arriving in Washington a week later, Dahl found he liked the atmosphere of the US capital. He shared a house with another attaché at 1610 34th Street, NW, in Georgetown. But after ten days in his new posting, Dahl strongly disliked it, feeling he had taken on "a most ungodly unimportant job." He later explained, "I'd just come from the war. People were getting killed. I had been flying around, seeing horrible things. Now, almost instantly, I found myself in the middle of a pre-war cocktail party in America."

Dahl was unimpressed by his office in the British Air Mission, attached to the embassy. He was also unimpressed by the ambassador, Lord Halifax, with whom he sometimes played tennis and whom he described as "a courtly English gentleman." Dahl socialised with Charles E. Marsh, a Texas publisher and oilman, at his house at 2136 R Street, NW, and the Marsh country estate in Virginia. As part of his duties as assistant air attaché, Dahl was to help neutralise the isolationist views still held by many Americans by giving pro-British speeches and discussing his war service; the United States had entered the war only the previous December, following the attack on Pearl Harbor.

At this time Dahl met the noted British novelist C. S. Forester, who was also working to aid the British war effort. Forester worked for the British Ministry of Information and was writing propaganda for the Allied cause, mainly for American consumption. The Saturday Evening Post had asked Forester to write a story based on Dahl's flying experiences; Forester asked Dahl to write down some RAF anecdotes so that he could shape them into a story. After Forester read what Dahl had given him, he decided to publish the story exactly as Dahl had written it. He originally titled the article as "A Piece of Cake" but the magazine changed it to "Shot Down Over Libya" to make it sound more dramatic, although Dahl had not been shot down; it was published on 1 August 1942 issue of the Post. Dahl was promoted to flight lieutenant (war-substantive) in August 1942. Later he worked with such other well-known British officers as Ian Fleming (who later published the popular James Bond series) and David Ogilvy, promoting Britain's interests and message in the US and combating the "America First" movement.

This work introduced Dahl to espionage and the activities of the Canadian spymaster William Stephenson, known by the codename "Intrepid." During the war, Dahl supplied intelligence from Washington to Prime Minister Winston Churchill. As Dahl later said: "My job was to try to help Winston to get on with FDR, and tell Winston what was in the old boy's mind." Dahl also supplied intelligence to Stephenson and his organisation, known as British Security Coordination, which was part of MI6. Dahl was once sent back to Britain by British Embassy officials, supposedly for misconduct—"I got booted out by the big boys," he said. Stephenson promptly sent him back to Washington—with a promotion to wing commander rank. Toward the end of the war, Dahl wrote some of the history of the secret organisation; he and Stephenson remained friends for decades after the war.

Upon the war's conclusion, Dahl held the rank of a temporary wing commander (substantive flight lieutenant). Owing to the severity of his injuries from the 1940 accident, he was pronounced unfit for further service and was invalided out of the RAF in August 1946. He left the service with the substantive rank of squadron leader. His record of five aerial victories, qualifying him as a flying ace, has been confirmed by post-war research and cross-referenced in Axis records. It is most likely that he scored more than those victories during 20 April 1941, when 22 German aircraft were shot down.

Post-war life

Patricia Neal and Roald Dahl
Patricia Neal and Roald Dahl

Dahl married American actress Patricia Neal on 2 July 1953 at Trinity Church in New York City. Their marriage lasted for 30 years and they had five children:

On 5 December 1960, four-month-old Theo was severely injured when his baby carriage was struck by a taxicab in New York City. For a time, he suffered from hydrocephalus. As a result, Dahl became involved in the development of what became known as the "Wade-Dahl-Till" (or WDT) valve, a device to improve the shunt used to alleviate the condition. The valve was a collaboration between Dahl, hydraulic engineer Stanley Wade, and London's Great Ormond Street Hospital neurosurgeon Kenneth Till, and was used successfully on almost 3,000 children around the world.

In November 1962, Dahl's daughter Olivia died of measles encephalitis, age seven. Her death left Dahl "limp with despair", and feeling guilty about not having been able to do anything for her. Dahl subsequently became a proponent of immunisation—writing "Measles: A Dangerous Illness" in 1988 in response to measles cases in the UK—and dedicated his 1982 book The BFG to his daughter. After Olivia's death and a meeting with a Church official, Dahl came to view Christianity as a sham. In mourning he had sought spiritual guidance from Geoffrey Fisher, the former Archbishop of Canterbury, and was dismayed being told that, although Olivia was in Paradise, her beloved dog Rowley would never join her there. Dahl recalled years later:

"I wanted to ask him how he could be so absolutely sure that other creatures did not get the same special treatment as us. I sat there wondering if this great and famous churchman really knew what he was talking about and whether he knew anything at all about God or heaven, and if he didn't, then who in the world did?"

In 1965, Dahl's wife Patricia Neal suffered three burst cerebral aneurysms while pregnant with their fifth child, Lucy. Dahl took control of her rehabilitation over the next months; Neal had to re-learn to talk and walk, but she managed to return to her acting career. This period of their lives was dramatised in the film The Patricia Neal Story (1981), in which the couple were played by Glenda Jackson and Dirk Bogarde.

Dahl signing books
Dahl (age 72) signing books in Amsterdam, Netherlands (October 1988).

In 1972, Roald Dahl met Felicity d'Abreu Crosland, niece of Lt.-Col. Francis D'Abreu who was married to Margaret Bowes Lyon, the first cousin of the Queen Mother, while Felicity was working as a set designer on an advert for Maxim coffee with the author's then wife, Patricia Neal. Soon after the pair were introduced, they began an 11-year affair. In 1983 Neal and Dahl divorced and Dahl married Felicity, at Brixton Town Hall, South London. Felicity (known as Liccy) gave up her job and moved into Gipsy House, Great Missenden in Buckinghamshire, which had been Dahl's home since 1954.

In the 1986 New Years Honours List, Dahl was offered an appointment to Officer of the Order of the British Empire (OBE), but turned it down. He reportedly wanted a knighthood so that his wife would be Lady Dahl. Dahl's last significant involvement in medical charities during his lifetime was with dyslexia. In 1990, the year which saw the UN launch International Literacy Year, Dahl assisted with the British Dyslexia Association's Awareness Campaign. That year saw Dahl write one of his last children's books, The Vicar of Nibbleswicke, which features a vicar who has a fictitious form of dyslexia that causes him to pronounce words backwards. Called "a comic tale in the best Dahl tradition of craziness" by Waterstones, Dahl donated the rights of the book to the Dyslexia Institute in London.

In 2012, Dahl was featured in the list of The New Elizabethans to mark the diamond Jubilee of Queen Elizabeth II. A panel of seven academics, journalists and historians named Dahl among the group of people in the UK "whose actions during the reign of Elizabeth II have had a significant impact on lives in these islands and given the age its character". In September 2016, Dahl's daughter Lucy received the BBC's Blue Peter Gold badge in his honour, the first time it had ever been awarded posthumously.

Writing

Roald Dahl's story "The Devious Bachelor" was illustrated by Frederick Siebel when it was published in Collier's (September 1953).

Dahl's first published work, inspired by a meeting with C. S. Forester, was "A Piece of Cake", on 1 August 1942. The story, about his wartime adventures, was bought by The Saturday Evening Post for US$1,000 (equivalent to $18,000 in 2022) and published under the title "Shot Down Over Libya".

His first children's book was The Gremlins, published in 1943, about mischievous little creatures that were part of Royal Air Force folklore. The RAF pilots blamed the gremlins for all the problems with the aircraft. The protagonist Gus—an RAF pilot, like Dahl—joins forces with the gremlins against a common enemy, Hitler and the Nazis. While at the British Embassy in Washington, Dahl sent a copy to the First Lady Eleanor Roosevelt who read it to her grandchildren, and the book was commissioned by Walt Disney for a film that was never made. Dahl went on to write some of the best-loved children's stories of the 20th century, such as Charlie and the Chocolate Factory, Matilda, James and the Giant Peach, The Witches, Fantastic Mr Fox, The BFG, The Twits and George's Marvellous Medicine.

Dahl also had a successful parallel career as the writer of macabre adult short stories, which often blended humour and innocence with surprising plot twists. The Mystery Writers of America presented Dahl with three Edgar Awards for his work, and many were originally written for American magazines such as Collier's ("The Collector's Item" was Collier's Star Story of the week for 4 September 1948), Ladies Home Journal, Harper's, Playboy and The New Yorker. Works such as Kiss Kiss subsequently collected Dahl's stories into anthologies, and gained significant popularity. Dahl wrote more than 60 short stories; they have appeared in numerous collections, some only being published in book form after his death. His three Edgar Awards were given for: in 1954, the collection Someone Like You; in 1959, the story "The Landlady"; and in 1980, the episode of Tales of the Unexpected based on "Skin".

Roald Dahl's vardo
Roald Dahl's vardo in the garden of his home, Gipsy House, in Great Missenden, Buckinghamshire, where he wrote Danny, the Champion of the World in 1975.

One of his more famous adult stories, "The Smoker", also known as "Man from the South", was filmed twice as both 1960 and 1985 episodes of Alfred Hitchcock Presents, filmed as a 1979 episode of Tales of the Unexpected, and also adapted into Quentin Tarantino's segment of the film Four Rooms (1995). This oft-anthologised classic concerns a man in Jamaica who wagers with visitors in an attempt to claim the fingers from their hands. The original 1960 version in the Hitchcock series stars Steve McQueen and Peter Lorre. Five additional Dahl stories were used in the Hitchcock series. Dahl was credited with teleplay for two episodes, and four of his episodes were directed by Alfred Hitchcock himself, an example of which was "Lamb to the Slaughter" (1958).

Dahl acquired a traditional Romanichal vardo in the 1960s, and the family used it as a playhouse for his children at home in Great Missenden, Buckinghamshire. He later used the vardo as a writing room, where he wrote Danny, the Champion of the World in 1975. Dahl incorporated a similar caravan into the main plot of the book, where the young English boy, Danny, and his father, William (played by Jeremy Irons in the film adaptation) live in a vardo. Many other scenes and characters from Great Missenden are reflected in his work. For example, the village library was the inspiration for Mrs Phelps' library in Matilda, where the title character devours classic literature by the age of four.

His short story collection Tales of the Unexpected was adapted to a successful TV series of the same name, beginning with "Man from the South". When the stock of Dahl's own original stories was exhausted, the series continued by adapting stories written in Dahl's style by other authors, including John Collier and Stanley Ellin. Another collection of short stories, The Wonderful Story of Henry Sugar and Six More, was published in 1977, and the eponymous short story was adapted into a short film in 2023 by director Wes Anderson with Benedict Cumberbatch as the titular character Henry Sugar and Ralph Fiennes as Dahl.

Dahl at Gipsy House in September 1990. Memories with Food at Gipsy House was published posthumously.

Some of Dahl's short stories are supposed to be extracts from the diary of his (fictional) Uncle Oswald, a rich gentleman whose sexual exploits form the subject of these stories. In his novel My Uncle Oswald, the uncle engages a temptress to seduce 20th century geniuses and royalty with a love potion secretly added to chocolate truffles made by Dahl's favourite chocolate shop, Prestat of Piccadilly, London. Memories with Food at Gipsy House, written with his wife Felicity and published posthumously in 1991, was a mixture of recipes, family reminiscences and Dahl's musings on favourite subjects such as chocolate, onions and claret.

The last book published in his lifetime, Esio Trot, released in January 1990, marked a change in style for the author. Unlike other Dahl works (which often feature tyrannical adults and heroic/magical children), it is the story of an old, lonely man trying to make a connection with a woman he has loved from afar. In 1994, the English language audiobook recording of the book was provided by Monty Python member Michael Palin. Screenwriter Richard Curtis adapted it into a 2015 BBC television comedy film, Roald Dahl's Esio Trot, featuring Dustin Hoffman and Judi Dench as the couple.

Written in 1990 and published posthumously in 1991, Roald Dahl's Guide to Railway Safety was one of the last things he ever wrote. In a response to rising levels of train-related fatalities involving children, the British Railways Board had asked Dahl to write the text of the booklet, and Quentin Blake to illustrate it, to help young people enjoy using the railways safely. The booklet is structured as a conversation with children, and it was distributed to primary school pupils in the UK. According to children's literature critic Deborah Cogan Thacker, Dahl's tendency in his children's books is to "put child characters in powerful positions" and so, the idea of "talking down" to children was always an anathema to him, therefore Dahl, in the introduction of the booklet, states; "I must now regretfully become one of those unpopular giants who tells you WHAT TO DO and WHAT NOT TO DO. This is something I have never done in any of my books."

Children's fiction

"He [Dahl] was mischievous. A grown-up being mischievous. He addresses you, a child, as somebody who knows about the world. He was a grown-up—and he was bigger than most—who is on your side. That must have something to do with it."

—Illustrator Quentin Blake on the lasting appeal of Dahl's children's books.

Dahl's children's works are usually told from the point of view of a child. They typically involve adult villains who hate and mistreat children, and feature at least one "good" adult to counteract the villain(s). These stock characters are possibly a reference to the abuse that Dahl stated that he experienced in the boarding schools he attended. In a biography of Dahl, Matthew Dennison wrote that "his writing frequently included protests against unfairness". Dahl's books see the triumph of the child; children's book critic Amanda Craig said, "He was unequivocal that it is the good, young and kind who triumph over the old, greedy and the wicked." Anna Leskiewicz in The Telegraph wrote "It's often suggested that Dahl's lasting appeal is a result of his exceptional talent for wriggling his way into children's fantasies and fears, and laying them out on the page with anarchic delight. Adult villains are drawn in terrifying detail, before they are exposed as liars and hypocrites, and brought tumbling down with retributive justice, either by a sudden magic or the superior acuity of the children they mistreat."

While his whimsical fantasy stories feature an underlying warm sentiment, they are often juxtaposed with grotesque, darkly comic and sometimes harshly violent scenarios. The Witches, George's Marvellous Medicine and Matilda are examples of this formula. The BFG follows, with the good giant (the BFG or "Big Friendly Giant") representing the "good adult" archetype and the other giants being the "bad adults". This formula is also somewhat evident in Dahl's film script for Chitty Chitty Bang Bang. Class-conscious themes also surface in works such as Fantastic Mr Fox and Danny, the Champion of the World where the unpleasant wealthy neighbours are outwitted.

Dahl also features characters who are very fat, usually children. Augustus Gloop, Bruce Bogtrotter and Bruno Jenkins are a few of these characters, although an enormous woman named Aunt Sponge features in James and the Giant Peach and the nasty farmer Boggis in Fantastic Mr Fox is an enormously fat character. All of these characters (with the possible exception of Bruce Bogtrotter) are either villains or simply unpleasant gluttons. They are usually punished for this: Augustus Gloop drinks from Willy Wonka's chocolate river, disregarding the adults who tell him not to, and falls in, getting sucked up a pipe and nearly being turned into fudge. In Matilda, Bruce Bogtrotter steals cake from the evil headmistress, Miss Trunchbull, and is forced to eat a gigantic chocolate cake in front of the school; when he unexpectedly succeeds at this, Trunchbull smashes the empty plate over his head. In The Witches, Bruno Jenkins is lured by the witches (whose leader is the Grand High Witch) into their convention with the promise of chocolate, before they turn him into a mouse. Aunt Sponge is flattened by a giant peach. When Dahl was a boy his mother used to tell him and his sisters tales about trolls and other mythical Norwegian creatures, and some of his children's books contain references or elements inspired by these stories, such as the giants in The BFG, the fox family in Fantastic Mr Fox and the trolls in The Minpins.

Receiving the 1983 World Fantasy Award for Life Achievement, Dahl encouraged his children and his readers to let their imagination run free. His daughter Lucy stated "his spirit was so large and so big he taught us to believe in magic." She said her father later told her that if they had simply said goodnight after a bedtime story, he assumed it wasn't a good idea. But if they begged him to continue, he knew he was on to something, and the story would sometimes turn into a book.

Those who don't believe in magic will never find it.

— Roald Dahl, The Minpins
Scarecrow of the BFG (the Big Friendly Giant) at a festival in Yorkshire. Many of Dahl's new words are spoken by the character.

Dahl was also famous for his inventive, playful use of language, which was a key element to his writing. He invented over 500 new words by scribbling down his words before swapping letters around and adopting spoonerisms and malapropisms. The lexicographer Susan Rennie stated that Dahl built his new words on familiar sounds, adding:

He didn't always explain what his words meant, but children can work them out because they often sound like a word they know, and he loved using onomatopoeia. For example, you know that something lickswishy and delumptious is good to eat, whereas something uckyslush or rotsome is definitely not! He also used sounds that children love to say, like squishous and squizzle, or fizzlecrump and fizzwiggler.

A UK television special titled Roald Dahl's Revolting Rule Book which was hosted by Richard E. Grant and aired on 22 September 2007, commemorated Dahl's 90th birthday and also celebrated his impact as a children's author in popular culture. It also featured eight main rules he applied on all his children's books:

  1. Just add chocolate
  2. Adults can be scary
  3. Bad things happen
  4. Revenge is sweet
  5. Keep a wicked sense of humour
  6. Pick perfect pictures
  7. Films are fun...but books are better!
  8. Food is fun!

In 2016, marking the centenary of Dahl's birth, Rennie compiled The Oxford Roald Dahl Dictionary which includes many of his invented words and their meaning. Rennie commented that some of Dahl's words have already escaped his world, for example, Scrumdiddlyumptious: "Food that is utterly delicious". In his poetry, Dahl gives a humorous re-interpretation of well-known nursery rhymes and fairy tales, parodying the narratives and providing surprise endings in place of the traditional happily-ever-after. Dahl's collection of poems, Revolting Rhymes, is recorded in audiobook form, and narrated by actor Alan Cumming.

Screenplays

For a brief period in the 1960s, Dahl wrote screenplays. Two, the James Bond film You Only Live Twice and Chitty Chitty Bang Bang, were adaptations of novels by Ian Fleming. Dahl also began adapting his own novel Charlie and the Chocolate Factory, which was completed and rewritten by David Seltzer after Dahl failed to meet deadlines, and produced as the film Willy Wonka & the Chocolate Factory (1971). Dahl later disowned the film, saying he was "disappointed" because "he thought it placed too much emphasis on Willy Wonka and not enough on Charlie". He was also "infuriated" by the deviations in the plot devised by David Seltzer in his draft of the screenplay. This resulted in his refusal for any more versions of the book to be made in his lifetime, as well as an adaptation for the sequel Charlie and the Great Glass Elevator.

He wrote the script for a film that began filming but was abandoned, Death, Where is Thy Sting-a-ling-ling?.

Influences

Interior of Dylan Thomas's writing shed
Interior of Dylan Thomas's writing shed. Dahl made a replica of it in his own garden in Great Missenden where he wrote many of his stories

A major part of Dahl's literary influences stemmed from his childhood. In his younger days, he was an avid reader, especially awed by fantastic tales of heroism and triumph. He met his idol, Beatrix Potter, when he was six years old. His other favourite authors included Rudyard Kipling, Charles Dickens, William Makepeace Thackeray and former Royal Navy officer Frederick Marryat, and their works made a lasting mark on his life and writing. He named Marryat's Mr Midshipman Easy as his favourite novel. Joe Sommerlad in The Independent writes, "Dahl's novels are often dark affairs, filled with cruelty, bereavement and Dickensian adults prone to gluttony and sadism. The author clearly felt compelled to warn his young readers about the evils of the world, taking the lesson from earlier fairy tales that they could stand hard truths and would be the stronger for hearing them."

Dahl was also influenced by Lewis Carroll's Alice's Adventures in Wonderland. The "Drink Me" episode in Alice inspired a scene in Dahl's George's Marvellous Medicine where a tyrannical grandmother drinks a potion and is blown up to the size of a farmhouse. Finding too many distractions in his house, Dahl remembered the poet Dylan Thomas had found a peaceful shed to write in close to home. Dahl travelled to visit Thomas's hut in Carmarthenshire, Wales in the 1950s and, after taking a look inside, decided to make a replica of it to write in. Appearing on BBC Radio 4's Desert Island Discs in October 1979, Dahl named Thomas "the greatest poet of our time", and as one of his eight chosen records selected Thomas's reading of his poem "Fern Hill".

Dahl liked ghost stories, and claimed that Trolls by Jonas Lie was one of the finest ghost stories ever written. While he was still a youngster, his mother, Sofie Dahl, related traditional Norwegian myths and legends from her native homeland to Dahl and his sisters. Dahl always maintained that his mother and her stories had a strong influence on his writing. In one interview, he mentioned: "She was a great teller of tales. Her memory was prodigious and nothing that ever happened to her in her life was forgotten." When Dahl started writing and publishing his famous books for children, he included a grandmother character in The Witches, and later said that she was based directly on his own mother as a tribute.

Television

In 1961, Dahl hosted and wrote for a science fiction and horror television anthology series called Way Out, which preceded the Twilight Zone series on the CBS network for 14 episodes from March to July. One of the last dramatic network shows shot in New York City, the entire series is available for viewing at The Paley Center for Media in New York City and Los Angeles. He also wrote for the satirical BBC comedy programme That Was the Week That Was, which was hosted by David Frost.

The British television series, Tales of the Unexpected, originally aired on ITV between 1979 and 1988. The series was released to tie in with Dahl's short story anthology of the same name, which had introduced readers to many motifs that were common in his writing. The series was an anthology of different tales, initially based on Dahl's short stories. The stories were sometimes sinister, sometimes wryly comedic and usually had a twist ending. Dahl introduced on camera all the episodes of the first two series, which bore the full title Roald Dahl's Tales of the Unexpected.

Death and legacy

Dahl's gravestone
Dahl's gravestone, Church of St Peter and St Paul, Great Missenden, Buckinghamshire

Roald Dahl died on 23 November 1990, at the age of 74 of a rare cancer of the blood, myelodysplastic syndrome, in Oxford, and was buried in the cemetery at the Church of St Peter and St Paul, Great Missenden, Buckinghamshire, England. According to his granddaughter, the family gave him a "sort of Viking funeral". He was buried with his snooker cues, some very good burgundy, chocolates, HB pencils and a power saw. Today, children continue to leave toys and flowers by his grave.

In November 1996, the Roald Dahl Children's Gallery was opened at the Buckinghamshire County Museum in nearby Aylesbury. The main-belt asteroid 6223 Dahl, discovered by Czech astronomer Antonín Mrkos, was named in his memory in 1996.

Roald Dahl Plass
Roald Dahl Plass illuminated at night
 
Plaque commemorating Roald Dahl

In 2002, one of Cardiff Bay's modern landmarks, the Oval Basin plaza, was renamed Roald Dahl Plass. Plass is Norwegian for "place" or "square", alluding to the writer's Norwegian roots. There have also been calls from the public for a permanent statue of him to be erected in Cardiff. In 2016, the city celebrated the centenary of Dahl's birth in Llandaff. Welsh Arts organisations, including National Theatre Wales, Wales Millennium Centre and Literature Wales, came together for a series of events, titled Roald Dahl 100, including a Cardiff-wide City of the Unexpected, which marked his legacy.

Dahl's charitable commitments in the fields of neurology, haematology and literacy during his life have been continued by his widow since his death, through Roald Dahl's Marvellous Children's Charity, formerly known as the Roald Dahl Foundation. The charity provides care and support to seriously ill children and young people throughout the UK. In June 2005, the Roald Dahl Museum and Story Centre in the author's home village Great Missenden was officially opened by Cherie Blair, wife of UK Prime Minister Tony Blair, to celebrate the work of Roald Dahl and advance his work in literacy education. Over 50,000 visitors from abroad, mainly from Australia, Japan, the United States and Germany, travel to the village museum every year.

Matilda the Musical showing in the West End
Matilda the Musical has been shown in the West End (pictured) since November 2011, and on Broadway between 2013 and 2017

In 2008, the UK charity Booktrust and Children's Laureate Michael Rosen inaugurated The Roald Dahl Funny Prize, an annual award to authors of humorous children's fiction. On 14 September 2009 (the day after what would have been Dahl's 93rd birthday) the first blue plaque in his honour was unveiled in Llandaff. Rather than commemorating his place of birth, however, the plaque was erected on the wall of the former sweet shop (and site of "The Great Mouse Plot of 1924") that features in the first part of his autobiography Boy. It was unveiled by his widow Felicity and son Theo. In 2018, Weston-super-Mare, the town described by Dahl as a "seedy seaside resort", unveiled a blue plaque dedicated to him, on the site of the since-demolished boarding school Dahl attended, St Peter's. The anniversary of Dahl's birthday on 13 September is celebrated as "Roald Dahl Day" in Africa, the United Kingdom and Latin America.

"Arguably the Shakespeare of children's literature, from Fantastic Mr Fox to Matilda and The BFG, filmmakers and animators are still drawing from the enormous vat of material he created."

—"Britain's top ten children's literature superstars". The Independent, 2012.

In honour of Dahl, the Royal Gibraltar Post Office issued a set of four stamps in 2010 featuring Quentin Blake's original illustrations for four of the children's books written by Dahl during his long career; The BFG, The Twits, Charlie and the Chocolate Factory, and Matilda. A set of six commemorative Royal Mail stamps was issued in 2012, featuring Blake's illustrations for Charlie and the Chocolate Factory, The Witches, The Twits, Matilda, Fantastic Mr Fox, and James and the Giant Peach. Dahl's influence has extended beyond literary figures. For instance film director Tim Burton recalled from childhood "the second layer [after Dr. Seuss] of connecting to a writer who gets the idea of the modern fable—and the mixture of light and darkness, and not speaking down to kids, and the kind of politically incorrect humour that kids get. I've always like that, and it's shaped everything I've felt that I've done." Steven Spielberg read The BFG to his children when they were young, stating the book celebrates the fact that it's OK to be different as well as to have an active imagination: "It's very important that we preserve the tradition of allowing young children to run free with their imaginations and magic and imagination are the same thing." Actress Scarlett Johansson named Fantastic Mr Fox one of the five books that made a difference to her.

Dahl has an incredibly distinctive style: his subversive, unpredictable plots, musical prose and caustic wit are impossible to imitate. And yet his stories have proved astonishingly malleable. Often adapted by equally idiosyncratic writers and directors, when translated onto stage and screen, his works seamlessly take on the impression of their new maker. Like in many of his stories, Dahl offers a narrative where troublemaking is rewarded, and games and tricks are more successful than following rules. Perhaps this, more than anything, is the reason why Dahl's stories excite the imagination of so many adults and children, and why so many storytellers across stage and screen can't resist remaking his tales in their own individual style. Right across his body of work, playfulness and inventiveness are always prized over boring qualities like obedience and deference. In Dahl's world, creative disruption is presented in such an appealing, delicious light, that you can't help but join in the fun.

— Anna Leskiewicz in The Telegraph, "Why we love the mischievous spirit of Roald Dahl".
James and the Giant Peach musical playing at the Young People's Theatre in Toronto, 2014

Regarded as "one of the greatest storytellers for children of the 20th century", Dahl was named by The Times one of the 50 greatest British writers since 1945. He ranks amongst the world's best-selling fiction authors with sales estimated at over 300 million, and his books have been published in 63 languages. In 2000 Dahl topped the list of Britain's favourite authors. In 2003 four books by Dahl, led by Charlie and the Chocolate Factory at number 35, ranked among the Top 100 in The Big Read, a survey of the British public by the BBC to determine the "nation's best-loved novel" of all time. In surveys of UK teachers, parents and students, Dahl is frequently ranked the best children's writer. He won the first three Australian BILBY Younger Readers Award; for Matilda, The BFG, and Charlie and the Chocolate Factory. In a 2006 list for the Royal Society of Literature, Harry Potter creator J. K. Rowling named Charlie and the Chocolate Factory one of her top ten books every child should read. Critics have commented on the similarities between the Dursley family from Harry Potter and the nightmarish guardians seen in many of Dahl's books, such as Aunt Sponge and Aunt Spiker from James and the Giant Peach, Grandma from George's Marvellous Medicine, and the Wormwoods from Matilda. In 2012, Matilda was ranked number 30 among all-time best children's novels in a survey published by School Library Journal, a monthly with primarily US audience. The Top 100 included four books by Dahl, more than any other writer. The American magazine Time named three Dahl books in its list of the 100 Best Young-Adult Books of All Time, more than any other author. Dahl is one of the most borrowed authors in UK libraries.

In 2012, Dahl was among the British cultural icons selected by artist Peter Blake to appear in a new version of his most famous artwork—the Beatles' Sgt. Pepper's Lonely Hearts Club Band album cover—to celebrate the British cultural figures of his life he most admires. In 2016 Dahl's enduring popularity was proved by his ranking in Amazon's the top five best-selling children's authors on the online store over the last year, looking at sales in print and on the Kindle store. In a 2017 UK poll of the greatest authors, songwriters, artists and photographers, Dahl was named the greatest storyteller of all time, ranking ahead of Dickens, Shakespeare, Rowling and Spielberg. In 2017, the airline Norwegian announced Dahl's image would appear on the tail fin one of their Boeing 737-800 aircraft. He is one of the company's six "British tail fin heroes", joining Queen frontman Freddie Mercury, England World Cup winner Bobby Moore, novelist Jane Austen, pioneering pilot Amy Johnson and aviation entrepreneur Freddie Laker.

In September 2021, Netflix acquired the Roald Dahl Story Company in a deal worth more than £500 million ($686 million). A film adaptation of Matilda the Musical was released by Netflix and Sony Pictures Releasing in December 2022, and the cast includes Emma Thompson as Miss Trunchbull. The next Dahl adaptation for Netflix, The Wonderful Story of Henry Sugar, was released in September 2023, with its director Wes Anderson announcing that he would also adapt three additional Dahl short stories for Netflix.

Criticism and controversy

Anti-Semitic and Anti-Israel comments

Dahl reviewed Australian author Tony Clifton's God Cried, a picture book about the siege of West Beirut by the Israeli army during the 1982 Lebanon War. The article appeared in the August 1983 issue of the Literary Review and was the subject of much media comment and criticism at the time. According to Dahl, until this point in time "a race of people", meaning Jews, had never "switched so rapidly from victims to barbarous murderers." The empathy of all after the Holocaust had turned "into hatred and revulsion." Dahl wrote that Clifton's book would make readers "violently anti-Israeli", with Dahl stating: "I am not anti-Semitic. I am anti-Israel." He asked: "must Israel, like Germany, be brought to her knees before she learns how to behave in this world?" The United States, he said, was "so utterly dominated by the great Jewish financial institutions" that "they dare not defy" Israelis.

Following the Literary Review article, Dahl told a journalist from the New Statesman: "There's a trait in the Jewish character that does provoke animosity, maybe it's a kind of lack of generosity towards non-Jews. I mean there is always a reason why anti-anything crops up anywhere; even a stinker like Hitler didn't just pick on them for no reason." In 1990, during an interview with The Independent, Dahl explained that his issue with Israel began when they invaded Lebanon in 1982:

they killed 22,000 civilians when they bombed Beirut. It was very much hushed up in the newspapers because they are primarily Jewish-owned. I'm certainly anti-Israeli and I've become antisemitic in as much as that you get a Jewish person in another country like England strongly supporting Zionism. I think they should see both sides. It's the same old thing: we all know about Jews and the rest of it. There aren't any non-Jewish publishers anywhere, they control the media—jolly clever thing to do—that's why the president of the United States has to sell all this stuff to Israel.

Responding in 1990 to a journalist from The Jewish Chronicle, whom he considered rude, he said: "I am an old hand at dealing with you buggers." Jeremy Treglown, in his 1994 biography, writes of Dahl's first novel Sometime Never (1948): "plentiful revelations about Nazi anti-Semitism and the Holocaust did not discourage him from satirising 'a little pawnbroker in Hounsditch called Meatbein who, when the wailing started, would rush downstairs to the large safe in which he kept his money, open it and wriggle inside on to the lowest shelf where he lay like a hibernating hedgehog until the all-clear had gone.'" In a short story entitled "Madame Rosette", the eponymous character is termed "a filthy old Syrian Jewess".

Dahl had Jewish friends, including the philosopher Isaiah Berlin, who commented: "I thought he might say anything. Could have been pro-Arab or pro-Jew. There was no consistent line. He was a man who followed whims, which meant he would blow up in one direction, so to speak." Amelia Foster, director of the Roald Dahl Museum in Great Missenden, says: "This is again an example of how Dahl refused to take anything seriously, even himself. He was very angry at the Israelis. He had a childish reaction to what was going on in Israel. Dahl wanted to provoke, as he always provoked at dinner. His publisher was a Jew, his agent was a Jew... and he thought nothing but good things of them. He asked me to be his managing director, and I'm Jewish."

In 2014, the Royal Mint decided not to produce a coin to commemorate the centenary of Dahl's birth, saying that it considered him to be "associated with antisemitism and not regarded as an author of the highest reputation". In 2020, Dahl's family published a statement on the official Roald Dahl website apologising for his antisemitism. The statement says "The Dahl family and the Roald Dahl Story Company deeply apologise for the lasting and understandable hurt caused by some of Roald Dahl's statements. Those prejudiced remarks are incomprehensible to us and stand in marked contrast to the man we knew and to the values at the heart of Roald Dahl's stories, which have positively impacted young people for generations. We hope that, just as he did at his best, at his absolute worst, Roald Dahl can help remind us of the lasting impact of words." The apology was received with appreciation by some Jewish groups but not others. The Campaign Against Antisemitism, for example, said that: "For his family and estate to have waited thirty years to make an apology, apparently until lucrative deals were signed with Hollywood, is disappointing and sadly rather more comprehensible."

Use of racial and sexist stereotypes

In 1972, Eleanor Cameron, also a children's book author, published an article in The Horn Book criticising Charlie and the Chocolate Factory for being self-referentially hypocritical:

"What I object to in Charlie is its phony presentation of poverty and its phony humor, which is based on punishment with overtones of sadism; its hypocrisy which is epitomized in its moral stuck like a marshmallow in a lump of fudge — that TV is horrible and hateful and time-wasting and that children should read good books instead, when in fact the book itself is like nothing so much as one of the more specious television shows."

Cameron also took issue with Dahl's depiction of the African-derived Oompa-Loompas, who "have never been given the opportunity of any life outside of the chocolate factory", and suggested that teachers look for better literature to use in the classroom. In 1973, Dahl posted a reply, calling Cameron's accusations "insensitive" and "monstrous". The Horn Book published Cameron's response, where she clarified that she intended her article not to be a personal attack on Dahl, but rather to point out that, though the book is a work of fiction, it still influences reality. Herein, she again objected to the characterization of the Oompa-Loompas, stating, "[T]he situation of the Oompa-Loompas is real; it could not be more so, and it is anything but funny." The debate between the two authors sparked much discussion and a number of letters to the editor.

A 1991 Washington Post article echoed Cameron's comments, with Michael Dirda writing, "the Oompa-Loompas... reveal virtually every stereotype about blacks". Dirda's article also discussed many of the other criticisms of Dahl's writing, including his alleged sexism, of which Dirda wrote, "The Witches verges on a general misogyny". In a 1998 article for Lilith, Michele Landsberg analysed the alleged issues in Dahl's work and concluded that, "Throughout his work, evil, domineering, smelly, fat, ugly women are his favorite villains."

In 2008, Una Mullally wrote an article for The Irish Times that described Dahl's short story collection Switch Bitch as "a collection better forgotten, laden with crude and often disturbing sexual fantasy writing". Nonetheless, Mullally argued that there are feminist messages in Dahl's work, even if they may be obscured: "The Witches offers up plenty of feminist complexities. The witches themselves are terrifying and vile things, and always women... The book is often viewed as sexist, but that assessment ignores one of the heroines of the story, the child narrator's grandmother."

2023 revisions

In 2023, Puffin Books, which holds the rights to all Dahl's children's books, ignited controversy after they hired sensitivity readers to go through the original text of Dahl's works, which led to hundreds of revisions to his books; The Telegraph published a list of many of these changes. The move was supported by a number of authors, most notably by Joanne Harris, chair of the Society of Authors, but drew many more critical responses. Several public figures, including Prime Minister Rishi Sunak, author Salman Rushdie, and Queen Camilla all spoke out against the changes. It was reported that when Dahl was alive, he had spoken out very strongly against any changes ever being made to any of his books. On 23 February 2023, Puffin announced it would release an unedited selection of Dahl's children's books as 'The Roald Dahl Classic Collection', stating "We've listened to the debate over the past week which has reaffirmed the extraordinary power of Roald Dahl's books" and "recognise the importance of keeping Dahl's classic texts in print."

Passion (emotion)

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