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Wednesday, June 3, 2020

Celestial spheres

From Wikipedia, the free encyclopedia

Geocentric celestial spheres; Peter Apian's Cosmographia (Antwerp, 1539)

The celestial spheres, or celestial orbs, were the fundamental entities of the cosmological models developed by Plato, Eudoxus, Aristotle, Ptolemy, Copernicus, and others. In these celestial models, the apparent motions of the fixed stars and planets are accounted for by treating them as embedded in rotating spheres made of an aetherial, transparent fifth element (quintessence), like jewels set in orbs. Since it was believed that the fixed stars did not change their positions relative to one another, it was argued that they must be on the surface of a single starry sphere.

In modern thought, the orbits of the planets are viewed as the paths of those planets through mostly empty space. Ancient and medieval thinkers, however, considered the celestial orbs to be thick spheres of rarefied matter nested one within the other, each one in complete contact with the sphere above it and the sphere below. When scholars applied Ptolemy's epicycles, they presumed that each planetary sphere was exactly thick enough to accommodate them. By combining this nested sphere model with astronomical observations, scholars calculated what became generally accepted values at the time for the distances to the Sun (about 4 million miles), to the other planets, and to the edge of the universe (about 73 million miles). The nested sphere model's distances to the Sun and planets differ significantly from modern measurements of the distances, and the size of the universe is now known to be inconceivably large and continuously expanding.

Albert Van Helden has suggested that from about 1250 until the 17th century, virtually all educated Europeans were familiar with the Ptolemaic model of "nesting spheres and the cosmic dimensions derived from it". Even following the adoption of Copernicus's heliocentric model of the universe, new versions of the celestial sphere model were introduced, with the planetary spheres following this sequence from the central Sun: Mercury, Venus, Earth-Moon, Mars, Jupiter and Saturn.

Mainstream belief in the theory of celestial spheres did not survive the Scientific Revolution. In the early 1600s, Kepler continued to discuss celestial spheres, although he did not consider that the planets were carried by the spheres but held that they moved in elliptical paths described by Kepler's laws of planetary motion. In the late 1600s, Greek and medieval theories concerning the motion of terrestrial and celestial objects were replaced by Newton's law of universal gravitation and Newtonian mechanics, which explain how Kepler's laws arise from the gravitational attraction between bodies.

History

Early ideas of spheres and circles

In Greek antiquity the ideas of celestial spheres and rings first appeared in the cosmology of Anaximander in the early 6th century BC. In his cosmology both the Sun and Moon are circular open vents in tubular rings of fire enclosed in tubes of condensed air; these rings constitute the rims of rotating chariot-like wheels pivoting on the Earth at their centre. The fixed stars are also open vents in such wheel rims, but there are so many such wheels for the stars that their contiguous rims all together form a continuous spherical shell encompassing the Earth. All these wheel rims had originally been formed out of an original sphere of fire wholly encompassing the Earth, which had disintegrated into many individual rings. Hence, in Anaximanders's cosmogony, in the beginning was the sphere, out of which celestial rings were formed, from some of which the stellar sphere was in turn composed. As viewed from the Earth, the ring of the Sun was highest, that of the Moon was lower, and the sphere of the stars was lowest.

Following Anaximander, his pupil Anaximenes (c. 585–528/4) held that the stars, Sun, Moon, and planets are all made of fire. But whilst the stars are fastened on a revolving crystal sphere like nails or studs, the Sun, Moon, and planets, and also the Earth, all just ride on air like leaves because of their breadth. And whilst the fixed stars are carried around in a complete circle by the stellar sphere, the Sun, Moon and planets do not revolve under the Earth between setting and rising again like the stars do, but rather on setting they go laterally around the Earth like a cap turning halfway around the head until they rise again. And unlike Anaximander, he relegated the fixed stars to the region most distant from the Earth. The most enduring feature of Anaximenes' cosmos was its conception of the stars being fixed on a crystal sphere as in a rigid frame, which became a fundamental principle of cosmology down to Copernicus and Kepler.

After Anaximenes, Pythagoras, Xenophanes and Parmenides all held that the universe was spherical. And much later in the fourth century BC Plato's Timaeus proposed that the body of the cosmos was made in the most perfect and uniform shape, that of a sphere containing the fixed stars. But it posited that the planets were spherical bodies set in rotating bands or rings rather than wheel rims as in Anaximander's cosmology.

Emergence of the planetary spheres

Instead of bands, Plato's student Eudoxus developed a planetary model using concentric spheres for all the planets, with three spheres each for his models of the Moon and the Sun and four each for the models of the other five planets, thus making 26 spheres in all. Callippus modified this system, using five spheres for his models of the Sun, Moon, Mercury, Venus, and Mars and retaining four spheres for the models of Jupiter and Saturn, thus making 33 spheres in all. Each planet is attached to the innermost of its own particular set of spheres. Although the models of Eudoxus and Callippus qualitatively describe the major features of the motion of the planets, they fail to account exactly for these motions and therefore cannot provide quantitative predictions. Although historians of Greek science have traditionally considered these models to be merely geometrical representations, recent studies have proposed that they were also intended to be physically real or have withheld judgment, noting the limited evidence to resolve the question.

In his Metaphysics, Aristotle developed a physical cosmology of spheres, based on the mathematical models of Eudoxus. In Aristotle's fully developed celestial model, the spherical Earth is at the centre of the universe and the planets are moved by either 47 or 55 interconnected spheres that form a unified planetary system, whereas in the models of Eudoxus and Callippus each planet's individual set of spheres were not connected to those of the next planet. Aristotle says the exact number of spheres, and hence the number of movers, is to be determined by astronomical investigation, but he added additional spheres to those proposed by Eudoxus and Callippus, to counteract the motion of the outer spheres. Aristotle considers that these spheres are made of an unchanging fifth element, the aether. Each of these concentric spheres is moved by its own god—an unchanging divine unmoved mover, and who moves its sphere simply by virtue of being loved by it.

Ptolemaic model of the spheres for Venus, Mars, Jupiter, and Saturn with epicycle, eccentric deferent and equant point. Georg von Peuerbach, Theoricae novae planetarum, 1474.

In his Almagest, the astronomer Ptolemy (fl. ca. 150 AD) developed geometrical predictive models of the motions of the stars and planets and extended them to a unified physical model of the cosmos in his Planetary hypotheses. By using eccentrics and epicycles, his geometrical model achieved greater mathematical detail and predictive accuracy than had been exhibited by earlier concentric spherical models of the cosmos. In Ptolemy's physical model, each planet is contained in two or more spheres, but in Book 2 of his Planetary Hypotheses Ptolemy depicted thick circular slices rather than spheres as in its Book 1. One sphere/slice is the deferent, with a centre offset somewhat from the Earth; the other sphere/slice is an epicycle embedded in the deferent, with the planet embedded in the epicyclical sphere/slice. Ptolemy's model of nesting spheres provided the general dimensions of the cosmos, the greatest distance of Saturn being 19,865 times the radius of the Earth and the distance of the fixed stars being at least 20,000 Earth radii.

The planetary spheres were arranged outwards from the spherical, stationary Earth at the centre of the universe in this order: the spheres of the Moon, Mercury, Venus, Sun, Mars, Jupiter, and Saturn. In more detailed models the seven planetary spheres contained other secondary spheres within them. The planetary spheres were followed by the stellar sphere containing the fixed stars; other scholars added a ninth sphere to account for the precession of the equinoxes, a tenth to account for the supposed trepidation of the equinoxes, and even an eleventh to account for the changing obliquity of the ecliptic. In antiquity the order of the lower planets was not universally agreed. Plato and his followers ordered them Moon, Sun, Mercury, Venus, and then followed the standard model for the upper spheres. Others disagreed about the relative place of the spheres of Mercury and Venus: Ptolemy placed both of them beneath the Sun with Venus above Mercury, but noted others placed them both above the Sun; some medieval thinkers, such as al-Bitruji, placed the sphere of Venus above the Sun and that of Mercury below it.

Middle Ages

Astronomical discussions

The Earth within seven celestial spheres, from Bede, De natura rerum, late 11th century
 
A series of astronomers, beginning with the Muslim astronomer al-Farghānī, used the Ptolemaic model of nesting spheres to compute distances to the stars and planetary spheres. Al-Farghānī's distance to the stars was 20,110 Earth radii which, on the assumption that the radius of the Earth was 3,250 miles, came to 65,357,500 miles. An introduction to Ptolemy's Almagest, the Tashil al-Majisti, believed to be written by Thābit ibn Qurra, presented minor variations of Ptolemy's distances to the celestial spheres. In his Zij, Al-Battānī presented independent calculations of the distances to the planets on the model of nesting spheres, which he thought was due to scholars writing after Ptolemy. His calculations yielded a distance of 19,000 Earth radii to the stars.

Around the turn of the millennium, the Arabic astronomer and polymath Ibn al-Haytham (Alhacen) presented a development of Ptolemy's geocentric epicyclic models in terms of nested spheres. Despite the similarity of this concept to that of Ptolemy's Planetary Hypotheses, al-Haytham's presentation differs in sufficient detail that it has been argued that it reflects an independent development of the concept. In chapters 15–16 of his Book of Optics, Ibn al-Haytham also said that the celestial spheres do not consist of solid matter.

Near the end of the twelfth century, the Spanish Muslim astronomer al-Bitrūjī (Alpetragius) sought to explain the complex motions of the planets without Ptolemy's epicycles and eccentrics, using an Aristotelian framework of purely concentric spheres that moved with differing speeds from east to west. This model was much less accurate as a predictive astronomical model, but it was discussed by later European astronomers and philosophers.

In the thirteenth century the astronomer, al-'Urḍi, proposed a radical change to Ptolemy's system of nesting spheres. In his Kitāb al-Hayáh, he recalculated the distance of the planets using parameters which he redetermined. Taking the distance of the Sun as 1,266 Earth radii, he was forced to place the sphere of Venus above the sphere of the Sun; as a further refinement, he added the planet's diameters to the thickness of their spheres. As a consequence, his version of the nesting spheres model had the sphere of the stars at a distance of 140,177 Earth radii.

About the same time, scholars in European universities began to address the implications of the rediscovered philosophy of Aristotle and astronomy of Ptolemy. Both astronomical scholars and popular writers considered the implications of the nested sphere model for the dimensions of the universe. Campanus of Novara's introductory astronomical text, the Theorica planetarum, used the model of nesting spheres to compute the distances of the various planets from the Earth, which he gave as 22,612 Earth radii or 73,387,747 100/660 miles. In his Opus Majus, Roger Bacon cited Al-Farghānī's distance to the stars of 20,110 Earth radii, or 65,357,700 miles, from which he computed the circumference of the universe to be 410,818,517 3/7 miles. Clear evidence that this model was thought to represent physical reality is the accounts found in Bacon's Opus Majus of the time needed to walk to the Moon and in the popular Middle English South English Legendary, that it would take 8,000 years to reach the highest starry heaven. General understanding of the dimensions of the universe derived from the nested sphere model reached wider audiences through the presentations in Hebrew by Moses Maimonides, in French by Gossuin of Metz, and in Italian by Dante Alighieri.

Philosophical and theological discussions

Philosophers were less concerned with such mathematical calculations than with the nature of the celestial spheres, their relation to revealed accounts of created nature, and the causes of their motion.

Adi Setia describes the debate among Islamic scholars in the twelfth century, based on the commentary of Fakhr al-Din al-Razi about whether the celestial spheres are real, concrete physical bodies or "merely the abstract circles in the heavens traced out… by the various stars and planets." Setia points out that most of the learned, and the astronomers, said they were solid spheres "on which the stars turn… and this view is closer to the apparent sense of the Qur'anic verses regarding the celestial orbits." However, al-Razi mentions that some, such as the Islamic scholar Dahhak, considered them to be abstract. Al-Razi himself, was undecided, he said: "In truth, there is no way to ascertain the characteristics of the heavens except by authority [of divine revelation or prophetic traditions]." Setia concludes: "Thus it seems that for al-Razi (and for others before and after him), astronomical models, whatever their utility or lack thereof for ordering the heavens, are not founded on sound rational proofs, and so no intellectual commitment can be made to them insofar as description and explanation of celestial realities are concerned."

Christian and Muslim philosophers modified Ptolemy's system to include an unmoved outermost region, the empyrean heaven, which came to be identified as the dwelling place of God and all the elect. Medieval Christians identified the sphere of stars with the Biblical firmament and sometimes posited an invisible layer of water above the firmament, to accord with Genesis. An outer sphere, inhabited by angels, appeared in some accounts.

Edward Grant, a historian of science, has provided evidence that medieval scholastic philosophers generally considered the celestial spheres to be solid in the sense of three-dimensional or continuous, but most did not consider them solid in the sense of hard. The consensus was that the celestial spheres were made of some kind of continuous fluid.

Later in the century, the mutakallim Adud al-Din al-Iji (1281–1355) rejected the principle of uniform and circular motion, following the Ash'ari doctrine of atomism, which maintained that all physical effects were caused directly by God's will rather than by natural causes. He maintained that the celestial spheres were "imaginary things" and "more tenuous than a spider's web". His views were challenged by al-Jurjani (1339–1413), who maintained that even if the celestial spheres "do not have an external reality, yet they are things that are correctly imagined and correspond to what [exists] in actuality".

Medieval astronomers and philosophers developed diverse theories about the causes of the celestial spheres' motions. They attempted to explain the spheres' motions in terms of the materials of which they were thought to be made, external movers such as celestial intelligences, and internal movers such as motive souls or impressed forces. Most of these models were qualitative, although a few incorporated quantitative analyses that related speed, motive force and resistance. By the end of the Middle Ages, the common opinion in Europe was that celestial bodies were moved by external intelligences, identified with the angels of revelation. The outermost moving sphere, which moved with the daily motion affecting all subordinate spheres, was moved by an unmoved mover, the Prime Mover, who was identified with God. Each of the lower spheres was moved by a subordinate spiritual mover (a replacement for Aristotle's multiple divine movers), called an intelligence.

Renaissance

Thomas Digges' 1576 Copernican heliocentric model of the celestial orbs

Early in the sixteenth century Nicolaus Copernicus drastically reformed the model of astronomy by displacing the Earth from its central place in favour of the Sun, yet he called his great work De revolutionibus orbium coelestium (On the Revolutions of the Celestial Spheres). Although Copernicus does not treat the physical nature of the spheres in detail, his few allusions make it clear that, like many of his predecessors, he accepted non-solid celestial spheres. Copernicus rejected the ninth and tenth spheres, placed the orb of the Moon around the Earth, and moved the Sun from its orb to the center of the universe. The planetary orbs circled the center of the universe in the following order: Mercury, Venus, the great orb containing the Earth and the orb of the Moon, then the orbs of Mars, Jupiter, and Saturn. Finally he retained the eighth sphere of the stars, which he held to be stationary.

The English almanac maker, Thomas Digges, delineated the spheres of the new cosmological system in his Perfit Description of the Caelestiall Orbes … (1576). Here he arranged the "orbes" in the new Copernican order, expanding one sphere to carry "the globe of mortalitye", the Earth, the four classical elements, and the Moon, and expanding the sphere of stars infinitely to encompass all the stars and also to serve as "the court of the Great God, the habitacle of the elect, and of the coelestiall angelles."

Johannes Kepler's diagram of the celestial spheres, and of the spaces between them, following the opinion of Copernicus (Mysterium Cosmographicum, 2nd ed., 1621)
 
In the sixteenth century, a number of philosophers, theologians, and astronomers—among them Francesco Patrizi, Andrea Cisalpino, Peter Ramus, Robert Bellarmine, Giordano Bruno, Jerónimo Muñoz, Michael Neander, Jean Pena, and Christoph Rothmann—abandoned the concept of celestial spheres. Rothmann argued from observations of the comet of 1585 that the lack of observed parallax indicated that the comet was beyond Saturn, while the absence of observed refraction indicated the celestial region was of the same material as air, hence there were no planetary spheres.

Tycho Brahe's investigations of a series of comets from 1577 to 1585, aided by Rothmann's discussion of the comet of 1585 and Michael Maestlin's tabulated distances of the comet of 1577, which passed through the planetary orbs, led Tycho to conclude that "the structure of the heavens was very fluid and simple." Tycho opposed his view to that of "very many modern philosophers" who divided the heavens into "various orbs made of hard and impervious matter." Edward Grant found relatively few believers in hard celestial spheres before Copernicus and concluded that the idea first became common sometime between the publication of Copernicus's De revolutionibus in 1542 and Tycho Brahe's publication of his cometary research in 1588.

In his early Mysterium Cosmographicum, Johannes Kepler considered the distances of the planets and the consequent gaps required between the planetary spheres implied by the Copernican system, which had been noted by his former teacher, Michael Maestlin. Kepler's Platonic cosmology filled the large gaps with the five Platonic polyhedra, which accounted for the spheres' measured astronomical distance. In Kepler's mature celestial physics, the spheres were regarded as the purely geometric spatial regions containing each planetary orbit rather than as the rotating physical orbs of the earlier Aristotelian celestial physics. The eccentricity of each planet's orbit thereby defined the radii of the inner and outer limits of its celestial sphere and thus its thickness. In Kepler's celestial mechanics, the cause of planetary motion became the rotating Sun, itself rotated by its own motive soul. However, an immobile stellar sphere was a lasting remnant of physical celestial spheres in Kepler's cosmology.

Literary and visual expressions

"Because the medieval universe is finite, it has a shape, the perfect spherical shape, containing within itself an ordered variety....
"The spheres ... present us with an object in which the mind can rest, overwhelming in its greatness but satisfying in its harmony."
C. S. Lewis, The Discarded Image, p. 99
 
Dante and Beatrice gaze upon the highest Heaven; from Gustave Doré's illustrations to the Divine Comedy, Paradiso Canto 28, lines 16–39

In Cicero's Dream of Scipio, the elder Scipio Africanus describes an ascent through the celestial spheres, compared to which the Earth and the Roman Empire dwindle into insignificance. A commentary on the Dream of Scipio by the Roman writer Macrobius, which included a discussion of the various schools of thought on the order of the spheres, did much to spread the idea of the celestial spheres through the Early Middle Ages.

Nicole Oresme, Le livre du Ciel et du Monde, Paris, BnF, Manuscrits, Fr. 565, f. 69, (1377)
 
Some late medieval figures noted that the celestial spheres' physical order was inverse to their order on the spiritual plane, where God was at the center and the Earth at the periphery. Near the beginning of the fourteenth century Dante, in the Paradiso of his Divine Comedy, described God as a light at the center of the cosmos. Here the poet ascends beyond physical existence to the Empyrean Heaven, where he comes face to face with God himself and is granted understanding of both divine and human nature. Later in the century, the illuminator of Nicole Oresme's Le livre du Ciel et du Monde, a translation of and commentary on Aristotle's De caelo produced for Oresme's patron, King Charles V, employed the same motif. He drew the spheres in the conventional order, with the Moon closest to the Earth and the stars highest, but the spheres were concave upwards, centered on God, rather than concave downwards, centered on the Earth. Below this figure Oresme quotes the Psalms that "The heavens declare the Glory of God and the firmament showeth his handiwork."

The late-16th-century Portuguese epic The Lusiads vividly portrays the celestial spheres as a "great machine of the universe" constructed by God. The explorer Vasco da Gama is shown the celestial spheres in the form of a mechanical model. Contrary to Cicero's representation, da Gama's tour of the spheres begins with the Empyrean, then descends inward toward Earth, culminating in a survey of the domains and divisions of earthly kingdoms, thus magnifying the importance of human deeds in the divine plan.

Astral plane

From Wikipedia, the free encyclopedia

The astral spheres were thought to be planes of angelic existence intermediate between earth and heaven.

The astral plane, also called the astral realm or the astral world, is a plane of existence postulated by classical (particularly neo-Platonic, where it originated), medieval, oriental, and esoteric philosophies and mystery religions. It is the world of the celestial spheres, crossed by the soul in its astral body on the way to being born and after death, and is generally believed to be populated by angels, spirits or other immaterial beings. In the late 19th and early 20th century the term was popularised by Theosophy and neo-Rosicrucianism.

Another view holds that the astral plane or world, rather than being some kind of boundary area crossed by the soul, is the entirety of spirit existence or spirit worlds to which those who die on Earth go, and where they live out their non-physical lives. It is understood that all consciousness resides in the astral plane. Some writers conflate this realm with heaven or paradise or union with God itself, and others do not. P. Yogananda wrote in Autobiography of a Yogi, "The astral universe . . . is hundreds of times larger than the material universe . . .[with] many astral planets, teeming with astral beings." (p.416) When Alice Bailey writes of seeing "Masters . . . upon the inner spiritual planes [who]. . . work with Christ and the planetary hierarchy," she refers to a vision she had of the unseen astral realm that these and countless other beings inhabit. Christ being in that realm, it is hard to construe it as a non-heaven.

The Barzakh, olam mithal or intermediate world in Islam is a related concept. In Judaism, it is known as the "World of Yetzirah", according to Lurianic Kabbalah.

History

Dante's heavens and hells symbolised the astral spheres and their associated virtues and vices.
 
Plato and Aristotle taught that the stars were composed of a type of matter different from the four earthly elements - a fifth, ethereal element or quintessence. In the "astral mysticism" of the classical world the human psyche was composed of the same material, thus accounting for the influence of the stars upon human affairs. In his commentaries on Plato's Timaeus, Proclus wrote;
Man is a little world (mikros cosmos). For, just like the Whole, he possesses both mind and reason, both a divine and a mortal body. He is also divided up according to the universe. It is for this reason, you know, that some are accustomed to say that his consciousness corresponds with the nature of the fixed stars, his reason in its contemplative aspect with Saturn and in its social aspect with Jupiter, (and) as to his irrational part, the passionate nature with Mars, the eloquent with Mercury, the appetitive with Venus, the sensitive with the Sun and the vegetative with the Moon.
Such doctrines were commonplace in mystery-schools and Hermetic and gnostic sects throughout the Roman Empire and influenced the early Christian church. Paul's Second Epistle to the Corinthians contains a reference to the astral plane or astral projection: "I know a man in Christ who fourteen years ago was caught up to the third heaven. Whether it was in the body or out of the body I do not know—God knows."

Among Muslims the "astral" world-view was soon rendered orthodox by Quranic references to the Prophet's ascent through the seven heavens. Scholars took up the Greek Neoplatonist accounts as well as similar material in Hindu and Zoroastrian texts. The expositions of Ibn Sina (Avicenna), the Brotherhood of Purity and others, when translated into Latin in the Norman era, were to have a profound effect upon European mediaeval alchemy and astrology. By the 14th century Dante was describing his own imaginary journey through the astral spheres of Paradise.

Throughout the Renaissance, philosophers, Paracelsians, Rosicrucians and alchemists continued to discuss the nature of the astral world intermediate between earth and the divine. Once the telescope established that no spiritual heaven was visible around the solar system, the idea was superseded in mainstream science.

The Astral Plane and Astral Experience

Planes of existence Gross and subtle bodies
Theosophy

Full list

Rosicrucian
The 7 Worlds & the 7 Cosmic Planes The Seven-fold constitution of Man The Ten-fold constitution of Man
Thelema
Body of light | Thelemic mysticism
Hermeticism
Hermeticism | Cosmogony
Surat Shabda Yoga
Cosmology
Jainism
Jain cosmology
Sufism
Sufi cosmology
Hinduism
Talas/Lokas - Tattvas, Kosas, Upadhis
Buddhism
Buddhist cosmology
Gnosticism
Seven earths
Kabbalah
Atziluth > Beri'ah > Yetzirah > Assiah Sephirot
Fourth Way
Ray of Creation The Laws Three Centers and Five Centers

According to occult teachings the astral plane can be visited consciously through astral projection, meditation and mantra, near death experience, lucid dreaming, or other means. Individuals that are trained in the use of the astral vehicle can separate their consciousness in the astral vehicle from the physical body at will. The first stage in development, according to Ramacharaka, is "mastery of the physical body and its care and attention", which pertains not only to the physical body but also to its double in the astral. In addition, one must spend time tuning the "instinctive mind". The first three subdivisions of the instinctive mind are passions, desires, and lusts. The second stage is the intellect, otherwise known as the sharpening of the mind. Someone operating largely out of the instinctive mind would "have only a glimmering of intellect", therefore those who are centered in the intellect would only have an inkling of the spiritual. Once both stages are completed the spiritual mind can be awakened. 

In early theosophical literature the term "astral" may refer to the aether. Later theosophical authors such as Annie Besant and C. W. Leadbeater make the astral finer than the etheric plane but "denser" than the mental plane. In order to create a unified view of seven bodies and remove earlier Sanskrit terms, an etheric plane was introduced and the term "astral body" was used to replace the former kamarupa - sometimes termed the body of emotion, illusion or desire. Some of those propounding such claims explain their belief that letting go of desires is spiritual progress by noting that, the more one lets go of earthly 'desire' feelings, the less tied down to the physical world, a world of illusion, and the more connected to the astral, where all is visible and known.

According to Max Heindel's Rosicrucian writings, desire-stuff may be described as a type of force-matter, in incessant motion, responsive to the slightest feeling. The desire world is also said to be the abode of the dead for some time subsequent to death. It is also the home of the archangels. In the higher regions of the desire world thoughts take a definite form and color perceptible to all, all is light and there is but one long day. 

In his book Autobiography of a Yogi, Paramhansa Yogananda provides details about the astral planes learned from his guru.

 Yogananda claims that nearly all individuals enter the astral planes after death. There they work out the seeds of past karma through astral incarnations, or (if their karma requires) they return to earthly incarnations for further refinement. Once an individual has attained the meditative state of nirvikalpa samadhi in an earthy or astral incarnation, the soul may progress upward to the "illumined astral planet" of Hiranyaloka.

After this transitional stage, the soul may then move upward to the more subtle causal spheres where many more incarnations allow them to further refine before final unification.

In popular culture

  • The astral plane was mentioned in Episodes 4 and 5 of Season 1 in Netflix's series The Chilling Adventures of Sabrina the Teenage Witch.
  • The FX television show, American Horror Story, Season 3 (also known as Coven) and Season 8 (also known as Apocalypse) mention and perform the act of Descensum as a way of traveling to the astral plane.
  • The song, "Astral Plane", was featured on the album The Order of Time by Valerie June
  • In the FX television show Legion, it is a spiritual plane where Charles Xavier destroys the Shadow King, leading up to the hibernation of Charles' son known as Legion, who finds himself fighting for his humanity in this same realm.
  • The song, “Dream Weaver”, by Gary Wright, also mentions “Fly me high through the starry skies / maybe to an astral plane”
  • The tabletop role-playing game, Shadowrun, refers to the Astral Plane, also known as Astral Space.
  • The song "Astral Plane" appears on the self titled album by The Modern Lovers.
  • The song "Over The Mountain" by Ozzy Osbourne mentions "Where did I wander, where do you think I wandered to / I've seen life's magic, astral plane I travel through".
  • The Marvel Comics Astral Plane, frequently mentioned in stories featuring both Dr. Strange and the X-men.
  • The Astral Plane was featured in the 2016 Marvel Studios Movie Dr. Strange.
  • The Astral Plane is the final level of NetHack, where one has to sacrifice the Amulet of Yendor on the correct altar to ascend to the status of Demigod.
  • The Astral Plane appears in the tabletop role-playing game Dungeons & Dragons.

Venusians

From Wikipedia, the free encyclopedia

Venusian
Venus-real color.jpg
Planet Venus
GroupingExtraterrestrial
HabitatVenus

In science fiction and ufology, a Venusian (/vɪˈnjʒən, -ʃən/) or Venerian is a native inhabitant of the planet Venus. Many science fiction writers have imagined what extraterrestrial life on Venus might be like.

Etymology

The word Venusian – sometimes spelled Venutian – is a simple combination of the name of the planet Venus and the suffix -ian, formed by analogy to Martian and other similar demonyms.

The classically derived demonym would be Venerean or Venerian (cf. Latin: venereus, venerius "belonging to the goddess Venus"), but these forms have been used by only a few authors (e.g. Robert A. Heinlein). Scientists sometimes use the adjective Cytherean for things related to Venus, from the goddess' epithet Cytherea. The similarly derived Venereal is not used due to its association with venereal diseases, i.e. sexually transmitted diseases.

In fiction

Venusians appearing in works of fiction are usually fanciful, rather than plausible inhabitants of the planet. Before the mid 20th century, little was generally known about the planet except that it was solid and comparable in size to Earth; its cloud cover obscured remote observation of its environment. This allowed writers to speculate that Venusians might be similar to humans or other Earth species, much as they did for fictional Martians. As more was learned about Venus and the implausibility of humanoid or other life on it, Venusians became increasingly uncommon in science fiction.

In comics and manga

Cover of 1950 Avon comic adaptation of The Radio Man
  • In early Captain Marvel stories, Venusians are giant frog-like amphibians which are ruled over by the evil mad scientist Doctor Sivana and his family. They are used to the tropical jungles of Venus and find Earth cold, and are quite savage. Venus is inhabited by other savage creatures, some which resemble prehistoric beasts, such as the centaur-like Gorillalion (which is half-gorilla half-lion).
  • The Hydrads of Venus, who resemble huge animated sponges, appear in Planet Comics, in the Lost World section. If hurt, water can restore them to health. Though opposed to the Voltamen who have invaded Earth, they are also enemies to Hunt Bowman.
  • In the Superman story which had the first appearance of the Legion of Super-Villains, one of the members was Cosmic King, a scientist who worked on transmuting elements, but when he was struck by the ray he gained the power to send those beams from his eyes. However, he was exiled from Venus for these experiments.
  • In DC Comics' All-Star Comics #13 the JSA are gassed by Nazis and rocketed to different planets. Wonder Woman is sent to Venus and finds it to be inhabited by fairies led by Queen Desira, who worship Aphrodite, and claim to have been at peace for "a million years". She helps them in a war against the Meteor Men, large brutal males.
  • In Showcase #23, Hal Jordan Green Lantern is sent by the Guardians, operating through the power battery to Venus where he meets blue-skinned primitive humanoids who are being attacked by pterosaur-like creatures. He seals the monsters in a cave, and leaves the world, saying the cavemen will one day be a great civilization.
  • In the British comic Dan Dare (1950–1967), Venus is inhabited by green-skinned Treens and Therons, who are separated by a fire wall running across Venus. The Mekon, the Super-intelligent Treen leader is a primary villain. Most Treens are emotionless. The Therons are more friendly to Earth.
  • Minako Aino of Sailor Moon is the reincarnation of the Princess of Venus. The Sailor V Manga shows a diamond shaped structure that is her castle.

In prose

  • In the "Venus series" of Edgar Rice Burroughs, Burroughs created a fictitious 'Venusian' alphabet supposedly used by the Venusians (or "Amtorians" - as "Amtor" is what the natives call their planet). His artificial Amtor letters flow nicely together like cursive writing.
  • In Olaf Stapledon's 1930 novel Last and First Men, when the Moon threatens to slowly spiral down to crash into Earth, humans leave Earth and colonize Venus; in the process of doing so, humans totally exterminate Venus' native inhabitants, a semi-intelligent deep ocean marine species. The descendants of the invaders, Sixth to Eighth Men, can be considered Venerians themselves.
  • In Charles R. Tanner's "Tumithak of the Corridors" (1932) and its sequels, Venus is the homeworld of the shelks, spider-like aliens who have conquered Earth and forced most of the few surviving humans underground.
  • In William Lumley and H. P. Lovecraft's "The Diary of Alonzo Typer" (written in 1935 and published in 1938), part of the Cthulhu Mythos, there are mentions of the "Lords of Venus", and conflicting indications that the Serpent People originated there. The story was followed by "In the Walls of Eryx," co-written by Lovecraft and Kenneth J. Sterling, in which a prospector is trapped in a maze on Venus, apparently constructed by lizardmen.
  • In C. S. Lewis' book Perelandra (1943), Professor Elwin Ransom travels to Venus (the title is the name of the planet in the Old Solar language), a planet mostly covered by water with floating islands on it, in order to fight a possessed Professor Weston and prevent the "Adam and Eve" of this young planet from bringing about the same fate that befell Earth (Thulcandra). In the book, Lewis depicts a wide variety of flora and fauna, with some animals close to being sentient. The King and Queen of the planet are humanoid, but green, and their commandment is for them not to sleep on the fixed land, a still island. When this happens, the Oyarsa of this world, a type of angel-like being who seems feminine like the classical goddess, tells Ransom that this will be the start of a new age.
  • Before Eden, by Arthur C. Clarke, is about a manned expedition to Venus which discovers an animated form of plant life. However, after the humans leave, the creature eats their abandoned garbage and other things left behind and this contamination eventually wipes out all native life on the planet.
  • The Space Merchants is a science fiction novel, written by Frederik Pohl and Cyril M. Kornbluth in 1952, about the campaign by advertising agencies on an overpopulated Earth to convince humans to colonize Venus, which is depicted as having a harsh and stormy tropical climate.
  • "I Am the Doorway", a short story in Stephen King's 1971 collection Night Shift, concerns an astronaut who returns from a tragic mission to Venus to find himself possessed by a murderously terrified alien entity.
  • In Roald Dahl's Charlie and the Great Glass Elevator (1972), Willy Wonka says that Venus used to be home to an alien race before they were "gobbled up" by Vermicious Knids.
  • In Jacqueline Susann's romance Yargo (1979), Venus is said to be inhabited by bees that are as big as horses.
  • In the self-help book by John Gray, Men are from Mars, Women are from Venus, women are occasionally (metaphorically) referred to as Venusians, while men are referred to as Martians.
  • In the book Venus by Ben Bova, the inhabitants of Venus are strange snake-like creatures that use molten sulfur for blood. They are not sapient. There are also micro-organisms in the clouds that break down ceramics and metals.
  • In Heinlein's story "Logic of Empire", the Venusians are an intelligent but primitive race of amphibians who trade valuable swamp roots to the human colonists in return for tobacco. In the novel Podkayne of Mars (depicting a fairly different Venus) Venusians are humanoids of great physical strength but also very primitive.
  • The Gobsmacking Galaxy, an entry in the children's non-fiction series The Knowledge written by Kjartan Poskitt, humorously describes hypothetical alien life forms which might evolve on planets in the solar system; the Venusian creatures are small, squat and round to cope with Venus's atmospheric pressures and make their living selling life insurance to visiting astronauts (before they succumb to the planet's extreme heat and pressure).
  • In Frederik Pohl's "Gateway", humans travel across the Galaxy using spaceships found on planet Venus, left there by its ancient civilization.

In film

  • The creature in It Conquered the World (1956) was from Venus. It resembled a cone with a nasty grin. It Conquered the World was remade as Zontar, the Thing from Venus (1966), whose villain was also an alien from Venus.
  • 20 Million Miles to Earth (1957) deals with the crash-landing on Sicily of a spaceship returning from an expedition to Venus and the resulting rampage by a creature which it brought back. The creature (called in production, but not in the film, a "Ymir") is a reptilian humanoid with perhaps the intelligence of a chimpanzee, which under Terran conditions grows to roughly 20 feet tall. The film was animated by Ray Harryhausen.
  • Queen of Outer Space is a science fiction movie filmed in 1958 starring Zsa Zsa Gabor as Talleah, the Venusian leader of the resistance to overthrow cruel Queen Yllana.
  • In the film Easy Rider, Jack Nicholson's character speaks of Venusians around a campfire after smoking marijuana.
  • Venus Wars is a 1989 science fiction anime film about life on the planet Venus in the year 2089 after it has been colonized by humans.
  • In the original Japanese version of Ghidorah, the Three-Headed Monster, Princess Selina Salno of the fictional country of Selginia claims to be a survivor of the destruction of Venus by King Ghidorah.

In television

  • Venusian visitors sometimes appeared on The Twilight Zone, (including the episodes "Mr. Dingle, the Strong" and "Will the Real Martian Please Stand Up?"), as a means of further twisting stories already featuring Martian visitors with similar goals. In "Will the Real Martian Please Stand Up?," a Venusian appears disguised as a human chef with three eyes where the third eye is under his hat.
  • Although never seen or actually discussed in Doctor Who, the Third Doctor was a master of a martial art known as Venusian Aikido (or Karate). Also, the Doctor spoke the words of a Venusian lullaby in "The Dæmons", sang the lullaby (to the tune of "God Rest Ye Merry Gentlemen") in The Curse of Peladon, and was shown to carry a toothbrush containing "Venusian spearmint" in "The Shakespeare Code." In the spin-off novel Venusian Lullaby, the Venusians are revealed to be from our Solar System's distant past, before Venus had become the hellish world of today.
  • Venusians work as members of the united galactic organisation in the 1962 television series Space Patrol.
  • In the first episode of the show Futurama, graffiti written in "Alien Language 1" is translated "Go Home Venusians". In Season 5 Episode 4 a truck shows the words Earth Flag Company in English and then Venusian Corporation in Alien 2.
  • In the second episode of Challenge of the Super Friends, Venus is shown to be inhabited by an advanced civilization called the Fearians. The Fearians are depicted as having three-heads with green skin and red eyes. The Fearian Leader (voiced by Michael Bell) form an alliance with the Legion of Doom, who trick the Super Friends into changing the world so it can support Fearian life. This will allow the Fearians to form a colony and the Legion will rule the world. The Super Friends are trapped by the Fearian Leader in a force field. However, Green Lantern makes them invisible, causing the Leader to think they have escaped and turn off the field. He is defeated by Black Lightning and Green Lantern sends him back to Venus. The Super Friends then restore the world.
  • In National Kid, the Inca Venusians are an alien race who National Kid defends the Earth from.

In ufology

In the 1950s, a group of contactees told stories in which they claimed to be in contact with friendly, light-haired, light-skinned humans from the planet Venus, as well as other planets in Earth's solar system. The first contactee, and the most famous, was George Adamski of Palomar Mountain, California. He claimed that on November 20, 1952 he met a Venusian named Orthon in a California desert. Adamski said that Orthon had communicated with him via telepathy about the dangers of nuclear war and that he left behind footprints with mysterious symbols on them. Adamski also displayed numerous photographs that he claimed showed the Venusian UFOs, and he said some of the photos had been given to him by Orthon. Copies of these photos were sold to visitors at Adamski's campground and restaurant at Palomar Mountain, but later studies by UFO investigators indicated that the photos were fakes; one scientist who analyzed the photos of a Venusian "scout ship" said the UFO's "landing struts" were General Electric light bulbs.

Adamski wrote or co-wrote three books in the 1950s and early 1960s about his meetings with Orthon and travels in a Venusian UFO through Earth's solar system; the first two books, Flying Saucers Have Landed (1953), and Inside the Space Ships (1955), were both bestsellers. Following Adamski's story, others, such as Howard Menger, George Hunt Williamson, Truman Bethurum, George Van Tassel, and Daniel Fry, also wrote books and gave lectures in which they claimed to have met similar friendly, light-skinned humanoids from Venus and other planets in Earth's solar system, and to have taken trips with them in their spaceships. These humanoids were later called Nordic aliens.

Throughout the 1950s and 1960s, the contactee movement garnered some popular interest through books, lectures, and conventions, such as the annual Giant Rock UFO conventions in California. In May 1959, Adamski had a private audience with Queen Juliana of the Netherlands to discuss his claimed UFO experiences, which caused some controversy in the Netherlands.

However, numerous investigations of the contactee movement revealed many flaws and inaccuracies in the contactees' claims that led most researchers to conclude that their stories were hoaxes. Among the pieces of evidence noted by critics was that Venus has an environment that is extremely hostile to human life, and that none of the other planets in Earth's solar system are capable of supporting humanoid life. Also, investigators such as USAF Captain Edward J. Ruppelt, the head of the Air Force's Project Blue Book, and ufologist James W. Moseley conducted extensive investigations into the claims and backgrounds of Adamski, Williamson, and other contactees, and concluded that they were either con artists or simply not being truthful in their stories and claims.

In religion

  • In the teachings of the UFO religion the Unarius Academy of Science, the capital of Venus, which, like the Venusians themselves, is said to exist on a higher vibratory plane, is called Azure.
  • Theosophical guru Benjamin Creme subscribes to the Theosophical view that the Nordic aliens (like those seen by George Adamski—Creme accepts Adamski's UFO sightings as valid) pilot flying saucers from a civilization on Venus that exists on the etheric plane (Theosophists believe that since the Venusians' civilization is on the etheric plane, the heat does not affect them) and are capable of stepping down the level of vibration of themselves and their craft to the slower level of vibration of the atoms of the physical plane. It is also believed in Theosophy that the governing deity of Earth, Sanat Kumara , is a Nordic alien originally from Venus. Sanat Kumara is said to live in a palace in a mythical city on the etheric plane of Earth called Shamballa, which is said by Theosophists to be located above the Gobi Desert.

Golden Age of Science Fiction

From Wikipedia, the free encyclopedia
 
The first Golden Age of Science Fiction, often recognized in the United States as the period from 1938 to 1946, was an era during which the science fiction genre gained wide public attention and many classic science fiction stories were published. In the history of science fiction, the Golden Age follows the "pulp era" of the 1920s and 1930s, and precedes New Wave science fiction of the 1960s and 1970s. The 1950s are a transitional period in this scheme; however, Robert Silverberg, who came of age in the 1950s, saw that decade as the true Golden Age.

According to historian Adam Roberts, "the phrase Golden Age valorises a particular sort of writing: 'Hard SF', linear narratives, heroes solving problems or countering threats in a space-opera or technological-adventure idiom."

From Gernsback to Campbell

One leading influence on the creation of the Golden Age was John W. Campbell, who became legendary in the genre as an editor and publisher of science fiction magazines, including Astounding Science Fiction, to such an extent that Isaac Asimov stated that "...in the 1940s, (Campbell) dominated the field to the point where to many seemed all of science fiction." Under Campbell's editorship, science fiction developed more realism and psychological depth to characterization than it exhibited in the Gernsbackian "super science" era. The focus shifted from the gizmo itself to the characters using the gizmo.

Most fans agree that the Golden Age began around 1938-39, slightly later than the Golden Age of Detective Fiction, another pulp-based genre. The July 1939 issue of Astounding Science Fiction  is sometimes cited as the start of the Golden Age. It included "Black Destroyer", the first published story by A. E. van Vogt, and the first appearance of Isaac Asimov ("Trends") in the magazine. Science fiction writer John C. Wright said of Van Vogt's story, "This one started it all." The August issue contained the first published story by Robert A. Heinlein ("Life-Line").

Robert Silverberg in a 2010 essay argued that the true Golden Age was the 1950s, saying that “Golden Age” of the 1940s was a kind of "false dawn". "Until the decade of the fifties", Silverberg wrote, "there was essentially no market for science fiction books at all"; the audience supported only a few special interest small presses. The 1950s saw "a spectacular outpouring of stories and novels that quickly surpassed both in quantity and quality the considerable achievement of the Campbellian golden age", as mainstream companies like Simon & Schuster and Doubleday displaced specialty publishers like Arkham House and Gnome Press.

Developments in the genre

Many of the most enduring science fiction tropes were established in Golden Age literature. Space opera came to prominence with the works of E. E. "Doc" Smith; Isaac Asimov established the canonical Three Laws of Robotics beginning with the 1941 short story "Runaround"; the same period saw the writing of genre classics such as the Asimov's Foundation and Smith's Lensman series. Another frequent characteristic of Golden Age science fiction is the celebration of scientific achievement and the sense of wonder; Asimov's short story "Nightfall" exemplifies this, as in a single night a planet's civilization is overwhelmed by the revelation of the vastness of the universe. Robert A. Heinlein's 1950s novels, such as The Puppet Masters, Double Star, and Starship Troopers, express the libertarian ideology that runs through much of Golden Age science fiction.

Algis Budrys in 1965 wrote of the "recurrent strain in 'Golden Age' science fiction of the 1940s—the implication that sheer technological accomplishment would solve all the problems, hooray, and that all the problems were what they seemed to be on the surface". The Golden Age also saw the re-emergence of the religious or spiritual themes—central to so much proto-science fiction before the pulp era—that Hugo Gernsback had tried to eliminate in his vision of "scientifiction". Among the most significant such Golden Age narratives are Bradbury's The Martian Chronicles, Clarke's Childhood's End, Blish's A Case of Conscience, and Miller's A Canticle for Leibowitz.

Cultural significance

Many scientists deeply involved in the exploration of the solar system (myself among them) were first turned in that direction by science fiction. And the fact that some of that science fiction was not of the highest quality is irrelevant. Ten year‐olds do not read the scientific literature.
— Carl Sagan, 1978
As a phenomenon that affected the psyches of a great many adolescents during World War II and the ensuing Cold War, science fiction's Golden Age has left a lasting impression upon society. The beginning of the Golden Age coincided with the first Worldcon in 1939 and, especially for its most involved fans, science fiction was becoming a powerful social force. The genre, particularly during its Golden Age, had significant, if somewhat indirect, effects upon leaders in the military, information technology, Hollywood and science itself, especially biotechnology and the pharmaceutical industry.

Prominent Golden Age authors

A number of influential science fiction authors emerged in the early Golden Age (1938–1946), including the following:
and in the later Golden Age (1947–1959):

End of the Golden Age

Asimov said that "The dropping of the atom bomb in 1945 made science fiction respectable" to the general public. He recalled in 1969 "I'll never forget the shock that rumbled through the entire world of science fiction fandom when ... Heinlein broke the 'slicks' barrier by having an undiluted science fiction story of his published in The Saturday Evening Post". The large, mainstream companies' entry into the science fiction book market around 1950 was similar to how they published crime fiction during World War II; authors no longer could only publish through magazines. Asimov said, however, that
I myself was ambivalent ... There was a tendency for the new reality to nail the science fiction writer to the ground. Prior to 1945, science fiction had been wild and free. All its motifs and plot varieties remained in the realm of fantasy and we could do as we pleased. After 1945, there came the increasing need to talk about the AEC and to mold all the infinite scope of our thoughts to the small bit of them that had become real.
He continued, "In fact, there was the birth of something I called 'tomorrow fiction'; the science fiction story that was no more new than tomorrow's headlines. Believe me, there can be nothing duller than tomorrow's headlines in science fiction", citing Nevil Shute's On the Beach as example.

It is harder to specify the end of the Golden Age of Science Fiction than its beginning, but several factors changed the market for magazine science fiction in the mid- and late 1950s. Most important was the rapid contraction of the pulp market: Fantastic Adventures and Famous Fantastic Mysteries folded in 1953, Planet Stories, Startling Stories, Thrilling Wonder Stories and Beyond in 1955, Other Worlds and Science Fiction Quarterly in 1957, Imagination, Imaginative Tales, and Infinity in 1958. In October 1957, the successful launch of the Soviet satellite Sputnik 1 narrowed the gap between the real world and the world of science fiction, sending the West into a space race with the East. Asimov shifted to writing nonfiction he hoped would attract young minds to science, while Robert A. Heinlein became more dogmatic in expressing political and social views in his fiction. Emerging British writers, such as Brian W. Aldiss and J. G. Ballard, cultivated a more literary style, indicating the direction other writers would soon pursue. Women writers, such as Joanna Russ and Judith Merril, emerged. When the leading Golden Age magazine, Astounding Stories of Super-Science, changed its title to Analog Science Fiction and Fact in 1960, it was clear the Golden Age of Science Fiction was over.

Butane

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