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Saturday, May 11, 2019

Dream interpretation

From Wikipedia, the free encyclopedia

Interpretation of dreams, engraving from an English chapbook.
 
Thomas Paine asleep, having a nightmare
 
Dream interpretation is the process of assigning meaning to dreams. In many ancient societies, such as those of Egypt and Greece, dreaming was considered a supernatural communication or a means of divine intervention, whose message could be interpreted by people with these associated spiritual powers. 

In modern times, various schools of psychology and neurobiology have offered theories about the meaning and purpose of dreams. Most people currently appear to interpret dream content according to the Freudian theory of dreams in countries, as found by a study conducted in the United States, India, and South Korea.

People appear to believe dreams are particularly meaningful: they assign more meaning to dreams than to similar waking thoughts. For example, people report they would be more likely to cancel a trip they had planned that involved a plane flight if they dreamt of their plane crashing the night before than if the Department of Homeland Security issued a Federal warning.

However, people do not attribute equal importance to all dreams. People appear to use motivated reasoning when interpreting their dreams. They are more likely to view dreams confirming their waking beliefs and desires to be more meaningful than dreams that contradict their waking beliefs and desires.

Early history

Early civilizations

The ancient Akkadian Epic of Gilgamesh (Tablet V pictured) contains numerous examples of dream interpretation.
 
The ancient Sumerians in Mesopotamia have left evidence of dream interpretation dating back to at least 3100 BC. Throughout Mesopotamian history, dreams were always held to be extremely important for divination and Mesopotamian kings paid close attention to them. Gudea, the king of the Sumerian city-state of Lagash (reigned c. 2144–2124 BC), rebuilt the temple of Ningirsu as the result of a dream in which he was told to do so. The standard Akkadian Epic of Gilgamesh contains numerous accounts of the prophetic power of dreams. First, Gilgamesh himself has two dreams foretelling the arrival of Enkidu. In one of these dreams, Gilgamesh sees an axe fall from the sky. The people gather around it in admiration and worship. Gilgamesh throws the axe in front of his mother Ninsun and then embraces it like a wife. Ninsun interprets the dream to mean that someone powerful will soon appear. Gilgamesh will struggle with him and try to overpower him, but he will not succeed. Eventually, they will become close friends and accomplish great things. She concludes, "That you embraced him like a wife means he will never forsake you. Thus your dream is solved." Later in the epic, Enkidu dreams about the heroes' encounter with the giant Humbaba. Dreams were also sometimes seen as a means of seeing into other worlds and it was thought that the soul, or some part of it, moved out of the body of the sleeping person and actually visited the places and persons the dreamer saw in his or her sleep. In Tablet VII of the epic, Enkidu recounts to Gilgamesh a dream in which he was saw the gods Anu, Enlil, and Shamash condemn him to death. He also has a dream in which he visits the Underworld.

The Assyrian king Ashurnasirpal II (reigned 883–859 BC) built a temple to Mamu, possibly the god of dreams, at Imgur-Enlil, near Kalhu. The later Assyrian king Ashurbanipal (reigned 668–c. 627 BC) had a dream during a desperate military situation in which his divine patron, the goddess Ishtar, appeared to him and promised that she would lead him to victory. The Babylonians and Assyrians divided dreams into "good," which were sent by the gods, and "bad," sent by demons. A surviving collection of dream omens entitled Iškar Zaqīqu records various dream scenarios as well as prognostications of what will happen to the person who experiences each dream, apparently based on previous cases. Some list different possible outcomes, based on occasions in which people experienced similar dreams with different results. Dream scenarios mentioned include a variety of daily work events, journeys to different locations, family matters, sex acts, and encounters with human individuals, animals, and deities.

Joseph Interprets Pharaoh's Dream (watercolor circa 1896–1902 by James Tissot)
 
In ancient Egypt, priests acted as dream interpreters. Hieroglyphics depicting dreams and their interpretations are evident. Dreams have been held in considerable importance through history by most cultures.

Classical Antiquity

The ancient Greeks constructed temples they called Asclepieions, where sick people were sent to be cured. It was believed that cures would be effected through divine grace by incubating dreams within the confines of the temple. Dreams were also considered prophetic or omens of particular significance. Artemidorus of Daldis, who lived in the 2nd century AD, wrote a comprehensive text Oneirocritica (The Interpretation of Dreams). Although Artemidorus believed that dreams can predict the future, he presaged many contemporary approaches to dreams. He thought that the meaning of a dream image could involve puns and could be understood by decoding the image into its component words. For example, Alexander, while waging war against the Tyrians, dreamt that a satyr was dancing on his shield. Artemidorus reports that this dream was interpreted as follows: satyr = sa tyros ("Tyre will be thine"), predicting that Alexander would be triumphant. Freud acknowledged this example of Artemidorus when he proposed that dreams be interpreted like a rebus.

Middle Ages

In medieval Islamic psychology, certain hadiths indicate that dreams consist of three parts, and early Muslim scholars recognized three kinds of dreams: false, patho-genetic, and true. Ibn Sirin (654–728) was renowned for his Ta'bir al-Ru'ya and Muntakhab al-Kalam fi Tabir al-Ahlam, a book on dreams. The work is divided into 25 sections on dream interpretation, from the etiquette of interpreting dreams to the interpretation of reciting certain Surahs of the Qur'an in one's dream. He writes that it is important for a layperson to seek assistance from an alim (Muslim scholar) who could guide in the interpretation of dreams with a proper understanding of the cultural context and other such causes and interpretations. Al-Kindi (Alkindus) (801–873) also wrote a treatise on dream interpretation: On Sleep and Dreams. In consciousness studies, Al-Farabi (872–951) wrote the On the Cause of Dreams, which appeared as chapter 24 of his Book of Opinions of the people of the Ideal City. It was a treatise on dreams, in which he was the first to distinguish between dream interpretation and the nature and causes of dreams. In The Canon of Medicine, Avicenna extended the theory of temperaments to encompass "emotional aspects, mental capacity, moral attitudes, self-awareness, movements and dreams." Ibn Khaldun's Muqaddimah (1377) states that "confused dreams" are "pictures of the imagination that are stored inside by perception and to which the ability to think is applied, after (man) has retired from sense perception."

Ibn Shaheen states: "Interpretations change their foundations according to the different conditions of the seer (of the vision), so seeing handcuffs during sleep is disliked but if a righteous person sees them it can mean stopping the hands from evil". Ibn Sirin said about a man who saw himself giving a sermon from the mimbar: "He will achieve authority and if he is not from the people who have any kind of authority it means that he will be crucified".

China

A standard traditional Chinese book on dream-interpretation is the Lofty Principles of Dream Interpretation (夢占逸旨) compiled in the 16th century by Chen Shiyuan (particularly the "Inner Chapters" of that opus). Chinese thinkers also raised profound ideas about dream interpretation, such as the question of how we know we are dreaming and how we know we are awake. It is written in the Chuang-tzu: "Once Chuang Chou dreamed that he was a butterfly. He fluttered about happily, quite pleased with the state that he was in, and knew nothing about Chuang Chou. Presently he awoke and found that he was very much Chuang Chou again. Now, did Chou dream that he was a butterfly or was the butterfly now dreaming that he was Chou?" This raises the question of reality monitoring in dreams, a topic of intense interest in modern cognitive neuroscience.

Modern Europe

In the 17th century the English physician and writer Sir Thomas Browne wrote a short tract upon the interpretation of dreams. Dream interpretation was taken up as part of psychoanalysis at the end of the 19th century; the perceived, manifest content of a dream is analyzed to reveal its latent meaning to the psyche of the dreamer. One of the seminal works on the subject is The Interpretation of Dreams by Sigmund Freud.

The Present

A paper in 2009 by Carey Morewedge and Michael Norton in the Journal of Personality and Social Psychology found that most people believe that "their dreams reveal meaningful hidden truths." In one study conducted in the United States, South Korea and India, they found that 74% of Indians, 65% of South Koreans and 56% of Americans believed their dream content provided them with meaningful insight into their unconscious beliefs and desires. This Freudian view of dreaming was endorsed significantly more than theories of dreaming that attribute dream content to memory consolidation, problem solving, or random brain activity. This belief appears to lead people to attribute more importance to dream content than to similar thought content that occurs while they are awake. In one study in the paper, Americans were more likely to report that they would miss their flight if they dreamt of their plane crashing than if they thought of their plane crashing the night before flying (while awake), and that they would be as likely to miss their flight if they dreamt of their plane crashing the night before their flight as if there was an actual plane crash on the route they intended to take. Not all dream content was considered equally important. Participants in their studies were more likely to perceive dreams to be meaningful when the content of dreams was in accordance with their beliefs and desires while awake. People were more likely to view a positive dream about a friend to be meaningful than a positive dream about someone they disliked, for example, and were more likely to view a negative dream about a person they disliked as meaningful than a negative dream about a person they liked.

Psychology

Freud

It was in his book The Interpretation of Dreams (Die Traumdeutung; literally "dream-interpretation"), first published in 1899 (but dated 1900), that Sigmund Freud first argued that the motivation of all dream content is wish-fulfillment (later in Beyond the Pleasure Principle, Freud would discuss dreams which do not appear to be wish-fulfillment), and that the instigation of a dream is often to be found in the events of the day preceding the dream, which he called the "day residue." In the case of very young children, Freud claimed, this can be easily seen, as small children dream quite straightforwardly of the fulfillment of wishes that were aroused in them the previous day (the "dream day"). In adults, however, the situation is more complicated—since in Freud's submission, the dreams of adults have been subjected to distortion, with the dream's so-called "manifest content" being a heavily disguised derivative of the "latent dream-thoughts" present in the unconscious. As a result of this distortion and disguise, the dream's real significance is concealed: dreamers are no more capable of recognizing the actual meaning of their dreams than hysterics are able to understand the connection and significance of their neurotic symptoms. 

In Freud's original formulation the latent dream-thought was described as having been subject to an intra-psychic force referred to as "the censor"; in the more refined terminology of his later years, however, discussion was in terms of the super-ego and "the work of the ego's forces of defense." In waking life, he asserted, these so-called "resistances" altogether prevented the repressed wishes of the unconscious from entering consciousness; and though these wishes were to some extent able to emerge during the lowered state of sleep, the resistances were still strong enough to produce "a veil of disguise" sufficient to hide their true nature. Freud's view was that dreams are compromises which ensure that sleep is not interrupted: as "a disguised fulfilment of repressed wishes," they succeed in representing wishes as fulfilled which might otherwise disturb and waken the dreamer.

Freud's "classic" early dream analysis is that of "Irma's injection": in that dream, a former patient of Freud's complains of pains. The dream portrays Freud's colleague giving Irma an unsterile injection. Freud provides us with pages of associations to the elements in his dream, using it to demonstrate his technique of decoding the latent dream thought from the manifest content of the dream. 

Freud described the actual technique of psychoanalytic dream-analysis in the following terms, suggesting that the true meaning of a dream must be "weeded out" from dream:
You entirely disregard the apparent connections between the elements in the manifest dream and collect the ideas that occur to you in connection with each separate element of the dream by free association according to the psychoanalytic rule of procedure. From this material you arrive at the latent dream-thoughts, just as you arrived at the patient's hidden complexes from his associations to his symptoms and memories... The true meaning of the dream, which has now replaced the manifest content, is always clearly intelligible. [Freud, Five Lectures on Psycho-Analysis (1909); Lecture Three]
Freud listed the distorting operations that he claimed were applied to repressed wishes in forming the dream as recollected: it is because of these distortions (the so-called "dream-work") that the manifest content of the dream differs so greatly from the latent dream thought reached through analysis—and it is by reversing these distortions that the latent content is approached.

The operations included:
  • Condensation – one dream object stands for several associations and ideas; thus "dreams are brief, meagre and laconic in comparison with the range and wealth of the dream-thoughts."
  • Displacement – a dream object's emotional significance is separated from its real object or content and attached to an entirely different one that does not raise the censor's suspicions.
  • Visualization – a thought is translated to visual images.
  • Symbolism – a symbol replaces an action, person, or idea.
To these might be added "secondary elaboration"—the outcome of the dreamer's natural tendency to make some sort of "sense" or "story" out of the various elements of the manifest content as recollected. (Freud, in fact, was wont to stress that it was not merely futile but actually misleading to attempt to "explain" one part of the manifest content with reference to another part as if the manifest dream somehow constituted some unified or coherent conception). 

Freud considered that the experience of anxiety dreams and nightmares was the result of failures in the dream-work: rather than contradicting the "wish-fulfillment" theory, such phenomena demonstrated how the ego reacted to the awareness of repressed wishes that were too powerful and insufficiently disguised. Traumatic dreams (where the dream merely repeats the traumatic experience) were eventually admitted as exceptions to the theory. 

Freud famously described psychoanalytic dream-interpretation as "the royal road to a knowledge of the unconscious activities of the mind"; he was, however, capable of expressing regret and dissatisfaction at the way his ideas on the subject were misrepresented or simply not understood:
The assertion that all dreams require a sexual interpretation, against which critics rage so incessantly, occurs nowhere in my Interpretation of Dreams ... and is in obvious contradiction to other views expressed in it.
— Sigmund Freud, The Interpretation of Dreams
On another occasion, he suggested that the individual capable of recognizing the distinction between latent and manifest content "will probably have gone further in understanding dreams than most readers of my Interpretation of Dreams".

Jung

And although not dismissing Freud's model of dream interpretation wholesale, Carl Jung believed Freud's notion of dreams as representations of unfulfilled wishes to be limited. Jung argued that Freud's procedure of collecting associations to a dream would bring insights into the dreamer's mental complex—a person's associations to anything will reveal the mental complexes, as Jung had shown experimentally—but not necessarily closer to the meaning of the dream. Jung was convinced that the scope of dream interpretation was larger, reflecting the richness and complexity of the entire unconscious, both personal and collective. Jung believed the psyche to be a self-regulating organism in which conscious attitudes were likely to be compensated for unconsciously (within the dream) by their opposites. And so the role of dreams is to lead a person to wholeness through what Jung calls "a dialogue between ego and the self". The self aspires to tell the ego what it does not know, but it should. This dialogue involves fresh memories, existing obstacles, and future solutions.

Jung proposed two basic approaches to analyzing dream material: the objective and the subjective. In the objective approach, every person in the dream refers to the person they are: mother is mother, girlfriend is girlfriend, etc. In the subjective approach, every person in the dream represents an aspect of the dreamer. Jung argued that the subjective approach is much more difficult for the dreamer to accept, but that in most good dream-work, the dreamer will come to recognize that the dream characters can represent an unacknowledged aspect of the dreamer. Thus, if the dreamer is being chased by a crazed killer, the dreamer may come eventually to recognize his own homicidal impulses. Gestalt therapists extended the subjective approach, claiming that even the inanimate objects in a dream can represent aspects of the dreamer. 

Jung believed that archetypes such as the animus, the anima, the shadow and others manifested themselves in dreams, as dream symbols or figures. Such figures could take the form of an old man, a young maiden or a giant spider as the case may be. Each represents an unconscious attitude that is largely hidden to the conscious mind. Although an integral part of the dreamer's psyche, these manifestations were largely autonomous and were perceived by the dreamer to be external personages. Acquaintance with the archetypes as manifested by these symbols serve to increase one's awareness of unconscious attitudes, integrating seemingly disparate parts of the psyche and contributing to the process of holistic self-understanding he considered paramount.

Jung believed that material repressed by the conscious mind, postulated by Freud to comprise the unconscious, was similar to his own concept of the shadow, which in itself is only a small part of the unconscious. 

Jung cautioned against blindly ascribing meaning to dream symbols without a clear understanding of the client's personal situation. He described two approaches to dream symbols: the causal approach and the final approach. In the causal approach, the symbol is reduced to certain fundamental tendencies. Thus, a sword may symbolize a penis, as may a snake. In the final approach, the dream interpreter asks, "Why this symbol and not another?" Thus, a sword representing a penis is hard, sharp, inanimate, and destructive. A snake representing a penis is alive, dangerous, perhaps poisonous and slimy. The final approach will tell additional things about the dreamer's attitudes.

Technically, Jung recommended stripping the dream of its details and presenting the gist of the dream to the dreamer. This was an adaptation of a procedure described by Wilhelm Stekel, who recommended thinking of the dream as a newspaper article and writing a headline for it. Harry Stack Sullivan also described a similar process of "dream distillation."

Although Jung acknowledged the universality of archetypal symbols, he contrasted this with the concept of a sign—images having a one-to-one connotation with their meaning. His approach was to recognize the dynamism and fluidity that existed between symbols and their ascribed meaning. Symbols must be explored for their personal significance to the patient, instead of having the dream conform to some predetermined idea. This prevents dream analysis from devolving into a theoretical and dogmatic exercise that is far removed from the patient's own psychological state. In the service of this idea, he stressed the importance of "sticking to the image"—exploring in depth a client's association with a particular image. This may be contrasted with Freud's free associating which he believed was a deviation from the salience of the image. He describes for example the image "deal table." One would expect the dreamer to have some associations with this image, and the professed lack of any perceived significance or familiarity whatsoever should make one suspicious. Jung would ask a patient to imagine the image as vividly as possible and to explain it to him as if he had no idea as to what a "deal table" was. Jung stressed the importance of context in dream analysis.

Jung stressed that the dream was not merely a devious puzzle invented by the unconscious to be deciphered, so that the true causal factors behind it may be elicited. Dreams were not to serve as lie detectors, with which to reveal the insincerity behind conscious thought processes. Dreams, like the unconscious, had their own language. As representations of the unconscious, dream images have their own primacy and mechanics. 

Jung believed that dreams may contain ineluctable truths, philosophical pronouncements, illusions, wild fantasies, memories, plans, irrational experiences and even telepathic visions. Just as the psyche has a diurnal side which we experience as conscious life, it has an unconscious nocturnal side which we apprehend as dreamlike fantasy. Jung would argue that just as we do not doubt the importance of our conscious experience, then we ought not to second guess the value of our unconscious lives.

Hall

In 1953, Calvin S. Hall developed a theory of dreams in which dreaming is considered to be a cognitive process. Hall argued that a dream was simply a thought or sequence of thoughts that occurred during sleep, and that dream images are visual representations of personal conceptions. For example, if one dreams of being attacked by friends, this may be a manifestation of fear of friendship; a more complicated example, which requires a cultural metaphor, is that a cat within a dream symbolizes a need to use one's intuition. For English speakers, it may suggest that the dreamer must recognize that there is "more than one way to skin a cat," or in other words, more than one way to do something.

Faraday, Clift, et al.

In the 1970s, Ann Faraday and others helped bring dream interpretation into the mainstream by publishing books on do-it-yourself dream interpretation and forming groups to share and analyze dreams. Faraday focused on the application of dreams to situations occurring in one's life. For instance, some dreams are warnings of something about to happen—e.g. a dream of failing an examination, if one is a student, may be a literal warning of unpreparedness. Outside of such context, it could relate to failing some other kind of test. Or it could even have a "punny" nature, e.g. that one has failed to examine some aspect of his life adequately. 

Faraday noted that "one finding has emerged pretty firmly from modern research, namely that the majority of dreams seem in some way to reflect things that have preoccupied our minds during the previous day or two."

In the 1980s and 1990s, Wallace Clift and Jean Dalby Clift further explored the relationship between images produced in dreams and the dreamer's waking life. Their books identified patterns in dreaming, and ways of analyzing dreams to explore life changes, with particular emphasis on moving toward healing and wholeness.

Religion and mythology

From Wikipedia, the free encyclopedia

Mythology is the main component of Religion. It refers to systems of concepts that are of high importance to a certain community, making statements concerning the supernatural or sacred. Religion is the broader term, besides mythological system, it includes ritual. A given mythology is almost always associated with a certain religion such as Greek mythology with Ancient Greek religion. Disconnected from its religious system, a myth may lose its immediate relevance to the community and evolve—away from sacred importance—into a legend or folktale.
 
There is a complex relationship between recital of myths and enactment of rituals.

Introduction

The relationship between religion and myth depends on what definition of "myth" one uses. By Robert Graves's definition, a religion's traditional stories are "myths" if and only if one does not belong to the religion in question. By Segal's definition, all religious stories are myths—but simply because nearly all stories are myths. By the folklorists' definition, all myths are religious (or "sacred") stories, but not all religious stories are myths: religious stories that involve the creation of the world (e.g., the stories in the Book of Genesis) are myths; however, some religious stories that don't explain how things came to be in their present form (e.g., hagiographies of famous saints) are not myths. Generally, mythology is the main component of religion alongside ritual. For example, in the early modern period, distinguished Christian theologians developed elaborated witch mythologies which contributed to the intensification of witch trials. The Oxford Companion to World Mythology provides the following summary and examples:
Religious stories are “holy scripture” to believers—narratives used to support, explain, or justify a particular system’s rituals, theology, and ethics—and are myths to people of other cultures or belief systems. […] It is difficult to believe that the Buddha was conceived in a dream by a white elephant, so we call that story a myth as well. But, of course, stories such as the parting of the Sea of Reeds for the fleeing Hebrews, Muhammad’s Night Journey, and the dead Jesus rising from the tomb are just as clearly irrational narratives to which a Hindu or a Buddhist might understandably apply the word “myth.” All of these stories are definable as myths because they contain events that contradict both our intellectual and physical experience of reality.
Most definitions of "myth" limit myths to stories. Thus, non-narrative elements of religion, such as ritual, are not myths.

Theology and myth

The term theology for the first time appears in the writings of the Greek philosophers Plato and Aristotle. Initially, theology and mythology were synonymous. With time, both terms gained distinctive qualities:
In the first place, theology is a spiritual or religious attempt of “believers” to explicate their faith. In this sense, it is not neutral and is not attempted from the perspective of removed observation—in contrast to a general history of religions. The implication derived from the religious approach is that it does not provide a formal and indifferent scheme devoid of presuppositions within which all religions could be subsumed. In the second place, theology is influenced by its origins in the Greek and Christian traditions, with the implication that the transmutation of this concept to other religions is endangered by the very circumstances of origination.
According to Hege, both primitive and modern theology is inescapably constrained by its mythical backbone:
Hermeneutically, theologians must recognize that mythical thought permeates the biblical texts. Dogmatically, theologians must be aware of the mythological elements of theology and of how extensively theology relies on mythical forms and functions, especially in light of our awareness of the ubiquity of myth.

Religion

Religion is a belief concerning the supernatural, sacred, or divine, and the moral codes, practices, values, and institutions associated with such belief, although some scholars, such as Durkheim, would argue that the supernatural and the divine are not aspects of all religions. Religious beliefs and practices may include the following: a deity or higher being, eschatology, practices of worship, practices of ethics and politics. Some religions do not include all these features. For instance, belief in a deity is not essential to Buddhism.

Mythology

The term mythology usually refers either to a system of myths or to the study of myths. However, the word "myth" itself has multiple (and some contradictory) definitions:
  • 2007: According to the Merriam-Webster Dictionary, "Myth: "1 a: a usually traditional story of ostensibly historical events that serves to unfold part of the world view of a people or explain a practice, belief, or natural phenomenon. b: Parable, Allegory. 2 a: a popular belief or tradition that has grown up around something or someone; especially: one embodying the ideals and institutions of a society or segment of society. 2b: an unfounded or false notion. 3: a person or thing having only an imaginary or unverifiable existence. 4: the whole body of myths.
In regards to the study of culture and religion, these are some of the definitions scholars have used:
  • 1968: The classicist Robert Graves defines myths as "whatever religious or heroic legends are so foreign to a student's experience that he cannot believe them to be true."
  • 1973: Another classicist, GS Kirk, rejects the notion that all myths are religious or sacred. In the category of "myth", he includes many legendary accounts that are "secular" for all practical purposes.
  • 1997: Folklorists define a myth as "a sacred narrative explaining how the world and humankind came to be in their present form".
  • 2004: In religious studies, the word "myth" is usually reserved for stories whose main characters are gods or demigods.
  • 2004: The classicist Richard Buxton defines a myth as "a socially powerful traditional story".
  • 2004: Robert A. Segal, professor of theories of religion at the Lancaster University, defines "myth" broadly as any story whose "main figures [are] personalities -- divine, human, or even animal. Excluded would be impersonal forces such as Plato's Good."

Similarities between different religious mythologies

Given any of the above definitions of "myth", the myths of many religions, both ancient and modern, share common elements. Widespread similarities between religious mythologies include the following:
The similarities between cultures and time periods can be useful, but it is usually not easy to combine beliefs and histories from different groups. Simplification of cultures and time periods by eliminating detailed data remain vulnerable or flimsy in this area of research.

Contrasts between different religious mythologies

Though there are similarities among most religious mythologies, there are also contrasts. Many mythologies focus on explanations of the universe, natural phenomena, or other themes of human existence, often ascribing agency to one or more deities or other supernatural forces. However, some religions have very few of this kind of story of cosmic explanation. For instance, the Buddhist parable of the arrow warns against such speculations as "[Is] the world eternal or not eternal? [Is] the soul different from the body? [Does] the enlightened exist after death or not?", viewing them as irrelevant to the goal of escaping suffering.

Academic views

In academia, the term "myth" often refers to stories whose culture regards them as true (as opposed to fictitious). Thus, many scholars will call a body of stories "mythology", leaving open the question of whether the stories are true or false. For example, in Tree of Souls: The Mythology of Judaism, English professor Howard Schwartz writes, "the definition of 'mythology' offered here does not attempt to determine if biblical or subsequent narratives are true or false, i.e., historically accurate or not".

Since the beginning of modern philosophy and science in the 16th century, many Western intellectuals have seen myth as outdated. In fact, some argued that the Christian religion would be better off without mythology, or even that Christianity would be better off without religion:
[J. A. T.] Robinson argued in favor of "the detaching of the Christian doctrine of God from any necessary dependence on a 'supernaturalistic' worldview". He understood this as a prophetic aspect of the Church's ministry to the world. [...] At this time atheism was regarded as the Christian Gospel that should be preached to the world. J. J. Altizer, for example, maintained [this] boldly by stating, "Throughout its history Christian theology has been thwarted from reaching its intrinsic goal by its bondage to a transcendent, a sovereign, and an impassive God". [...] [Dietrich] Bonhoffer called persistently for "Religionless Christianity".
In the 20th century, many scholars have resisted this trend, defending myth from modern criticism. Mircea Eliade, a professor of the history of religions, declared that myth did not hold religion back, that myth was an essential foundation of religion, and that eliminating myth would eliminate a piece of the human psyche. Eliade approached myth sympathetically at a time when religious thinkers were trying to purge religion of its mythological elements:
Eliade wrote about "sky and sky gods" when Christian theology was shaken at its very foundations by the "death of God" theology. He spoke of "God up there" when theologians such as J. A. T. Robinson were busy with erasing the mythical language of [a] three-storied universe that underlies the early Christian thought and experience.
Similarly, Joseph Campbell believed that people could not understand their individual lives without mythology to aid them. By recalling the significance of old myths, he encouraged awareness of them. In responding to the interview question "How would you define mythology?", Joseph Campbell answered:
My favorite definition of mythology: other people's religion. My favorite definition of religion: misunderstanding of mythology.

Religious views

Most religions contain a body of traditional sacred stories that are believed to express profound truth. Some religious organizations and practitioners believe that some or all of their traditional stories are not only sacred and "true" but also historically accurate and divinely revealed and that calling such stories "myths" disrespects their special status. Other religious organizations and practitioners have no problem with categorizing their sacred stories as myths.

Opposition to categorizing all sacred stories as myths

Modern-day opposition

Some religious believers take offense when what they consider to be historical aspects of their faith are labeled as "myth". Such believers distinguish between religious fables or myths, on one hand, and those sacred narratives which are described by their tradition as being history or revelation, on the other. For instance, Catholic priest Father John A. Hardon insists that "Christianity is not mythology. What we believe in is not religious fantasies, no matter how pious." Evangelical Christian theologian Carl F. H. Henry insisted that "Judeo-Christian revelation has nothing in common with the category of myth".

The roots of the popular meaning of "myth"

Especially within Christianity, objection to the word "myth" rests on a historical basis. By the time of Christ, the Greco-Roman world had started to use the term "myth" (Greek muthos) to mean "fable, fiction, lie"; as a result, the early Christian theologians used "myth" in this sense. Thus, the derogatory meaning of the word "myth" is the traditional Christian meaning, and the expression "Christian mythology", as used in academic discourse, may offend Christians for this reason.

In addition, this early Christian use of the term "myth" passed into popular usage. Thus, when essential sacred mysteries and teachings are described as myth, in modern English, the word often still implies that it is "idle fancy, fiction, or falsehood". This description could be taken as a direct attack on religious belief, quite contrary to the meaning ostensibly intended by the academic use of the term. Further, in academic writing, though "myth" usually means a fundamental worldview story, even there it is occasionally ambiguous or clearly denotes "falsehood", as in the "Christ myth theory". The original term "mythos" (which has no pejorative connotation in English) may be a better word to distinguish the positive definition from the negative.

Non-opposition to categorizing sacred stories as myths

Modern day clergy and practitioners within some religious movements have no problem classifying the religion's sacred stories as "myths". They see the sacred texts as indeed containing religious truths, divinely inspired but delivered in the language of mankind. Some examples follow.

Christianity

J.R.R. Tolkien's love of myths and devout Catholic faith came together in his assertion that mythology is the divine echo of "the Truth". Tolkien wrote that myths held "fundamental things". He expressed these beliefs in his poem Mythopoeia circa 1931, which describes myth-making as an act of "sub-creation" within God's primary creation. The poem in part says creation is "myth-woven and elf-patterned":
... There is no firmament,
only a void, unless a jewelled tent
myth-woven and elf-patterned; and no earth,
unless the mother's womb whence all have birth.

— JRR Tolkien
Tolkien's opinion was adopted by another Christian writer, C. S. Lewis, in their conversations: "Tolkien explained to Lewis that the story of Christ was the true myth at the very heart of history and at the very root of reality." C. S. Lewis freely called the Christ story a "true myth", and he believed that even pagan myths express spiritual truths. In his opinion, the difference between the Christ story and pagan myths is that the Christ story is historically as well as spiritually true. Lewis writes,
The story of Christ is simply a true myth: a myth working on us in the same way as the others, but with this tremendous difference that it really happened: and one must be content to accept it in the same way, remembering that it is God's myth where the others are men's myths: i. e. the Pagan stories are God expressing Himself through the minds of poets, using such images as He found there, while Christianity is God expressing Himself through what we call real things.
Another Christian writer, the Catholic priest Father Andrew Greeley, freely applies the term "myth" to Christianity. In his book Myths of Religion, he defends this terminology:
Many Christians have objected to my use of this word [myth] even when I define it specifically. They are terrified by a word which may even have a slight suggestion of fantasy. However, my usage is the one that is common among historians of religion, literary critics, and social scientists. It is a valuable and helpful usage; there is no other word which conveys what these scholarly traditions mean when they refer to myth. The Christian would be well advised to get over his fear of the word and appreciate how important a tool it can be for understanding the content of his faith.
At a "Consultation on the Relationship Between the Wesleyan Tradition and the Natural Sciences" in Kansas City, Missouri, on October 19, 1991, Dennis Bratcher presented a discussion of the adaptation of Near Eastern mythical thought by the Israelites. Bratcher argued that the Old Testament absorbed Near Eastern pagan mythology (although he drew a sharp distinction between the literally-interpreted myths of the Near Eastern pagans and the "mythopoetic" use of imagery from pagan myths by the Hebrews). During this presentation, he gave the following disclaimer:
the term "myth" as used here does not mean "false" or "fiction." Even in my old and yellowed Webster's, "fiction" is the third meaning of the word. In its primary and more technical meaning "myth" refers to a story or group of stories that serve to explain how a particular society views their world.

Judaism

Some Jewish scholars, including Dov Noy, a professor of folklore at Hebrew University and founder of the Israel Folktale Archives, and Howard Schwartz, Jewish anthologist and English professor at the University of Missouri – St. Louis, have discussed traditional Jewish stories as "mythology".

Schwarz authored the book Tree of Souls: The Mythology of Judaism. It consists of myths and belief statements excerpted from—and, in some cases, synthesized from a number of excerpts from—both Biblical and non-Biblical Jewish texts. According to Schwartz, the Jewish people continue to elaborate on, and compose additions to, their traditional mythology. In the book's introduction, Schwartz states that the word "myth", as used in the book, "is not offered to mean something that is not true, as in the current popular usage".

Neopaganism

Neopagans frequently refer to their sacred stories as "myths". Asatru, a modern-day revival of Germanic Paganism, holds "that the Eddas, Myths and Norse Sagas are the divinely inspired wisdom of [its] religion". Wicca, another Neopagan movement, also applies the term "mythology" to its stories.

Miscellaneous

The Dewey Decimal system covers religion in the 200 range, with books on "Religious mythology & social theology", a subset listed under 201.

The Interpretation of Dreams

From Wikipedia, the free encyclopedia

The Interpretation of Dreams
Die Traumdeutung (Congress scan).jpg
Title page of the original German edition
AuthorSigmund Freud
Original titleDie Traumdeutung
TranslatorsA. A. Brill (first version)
James Strachey (authorized version)
Joyce Crick (most recent version)
CountryAustria
LanguageGerman
SubjectDream interpretation
PublisherFranz Deuticke, Leipzig & Vienna
Publication date
November 4, 1899
(dated 1900)
Published in English
1913 (Macmillan, translation of the German third edition)
Media typePrint
TextThe Interpretation of Dreams at Wikisource

The Interpretation of Dreams (German: Die Traumdeutung) is an 1899 book by Sigmund Freud, the founder of psychoanalysis, in which the author introduces his theory of the unconscious with respect to dream interpretation, and discusses what would later become the theory of the Oedipus complex. Freud revised the book at least eight times and, in the third edition, added an extensive section which treated dream symbolism very literally, following the influence of Wilhelm Stekel. Freud said of this work, "Insight such as this falls to one's lot but once in a lifetime."

Dated 1900, the book was first published in an edition of 600 copies, which did not sell out for eight years. The Interpretation of Dreams later gained in popularity, and seven more editions were published in Freud's lifetime.

Because of the book's length and complexity, Freud also wrote an abridged version called On Dreams. The original text is widely regarded as one of Freud's most significant works.

Background

Freud spent the summer of 1895 at Schloss BelleVue near Grinzing in Austria, where he began the inception of The Interpretation of Dreams. In a 1900 letter to Wilhelm Fliess, he wrote in commemoration of the place:
"Do you suppose that some day a marble tablet will be placed on the house, inscribed with these words: 'In this house on July 24, 1895, the secret of dreams was revealed to Dr. Sigm. Freud'? At the moment I see little prospect of it." — Freud in a letter to Wilhelm Fliess, June 12, 1900
While staying at Schloss Bellevue, Freud dreamed his famous dream of 'Irma's injection'. His reading and analysis of the dream allowed him to be exonerated from his mishandling of the treatment of a patient in 1895. In 1963, Belle Vue manor was demolished, but today a memorial plaque with just that inscription has been erected at the site by the Austrian Sigmund Freud Society.

Overview

Dreams, in Freud's view, are formed as the result of two mental processes. The first process involves unconscious forces that construct a wish that is expressed by the dream, and the second is the process of censorship that forcibly distorts the expression of the wish. In Freud's view, all dreams are forms of "wish fulfillment" (later in Beyond the Pleasure Principle, Freud would discuss dreams which do not appear to be wish-fulfillment). Freud states: "My presumption that dreams can be interpreted at once puts me in opposition to the ruling theory of dreams and in fact to every theory of dreams..."

Freud advanced the idea that an analyst can differentiate between the manifest content and latent content of a dream. The manifest content refers to the remembered narrative that plays out in the dream itself. The latent content refers to the underlying meaning of the dream. During sleep, the unconscious condenses, displaces, and forms representations of the dream content, the latent content of which is often unrecognizable to the individual upon waking.

Critics have argued that Freud's theory of dreams requires sexual interpretation. Freud, however, contested this criticism, noting that "the assertion that all dreams require a sexual interpretation, against which critics rage so incessantly, occurs nowhere in my Interpretation of Dreams. It is not to be found in any of the numerous editions of this book and is in obvious contradiction to other views expressed in it." Freud acknowledged that the interpretation of dreams is the royal road to a knowledge of the unconscious activities of the mind."

Sources of dream content

Freud claimed that every dream has a connection point with an experience of the previous day. Though, the connection may be minor, as the dream content can be selected from any part of the dreamer's life. He described four possible sources of dreams: a) mentally significant experiences represented directly, b) several recent and significant experiences combined into a single unity by the dream, c) one or more recent and significant experiences which are represented in the content by the mention of a contemporary but indifferent experience, and d) an internal significant experience, such as a memory or train of thought, that is invariably represented in the dream by a mention of a recent but indifferent impression.

Oftentimes people experience external stimuli, such as an alarm clock or music, being distorted and incorporated into their dreams. Freud explained that this is because "the mind is withdrawn from the external world during sleep, and it is unable to give it a correct interpretation ..." He further explained that our mind wishes to continue sleeping, and therefore will try to suppress external stimuli, weave the stimuli into the dream, compel a person to wake up, or encourage him or her to overcome it.

Freud believed that dreams were picture-puzzles, and though they may appear nonsensical and worthless on the surface, through the process of interpretation they can form a "poetical phrase of the greatest beauty and significance."

Condensation, displacement, and representation in dreams

Dreams are brief compared to the range and abundance of dream thoughts. Through condensation or compression, dream content can be presented in one dream. Oftentimes, people may recall having more than one dream in a night. Freud explained that the content of all dreams occurring on the same night represents part of the same whole. He believed that separate dreams have the same meaning. Often the first dream is more distorted and the latter is more distinct. Displacement of dream content occurs when manifest content does not resemble the actual meaning of the dream. Displacement comes through the influence of a censorship agent. Representation in dreams is the causal relation between two things. Freud argues that two persons or objects can be combined into a single representation in a dream (see Freud's dream of his uncle and Friend R).

On Dreams

An abridged version called On Dreams was published in 1901 as part of Lowenfeld and Kurella's Grenzfragen des Nerven und Seelenlebens. It was re-published in 1911 in slightly larger form as a book. On Dreams is also included in the 1953 edition and the second part of Freud's work on dreams, Volume Five, The Interpretation of Dreams II and On Dreams. It follows chapter seven in The Interpretation of Dreams and in this edition, is fifty-three pages in length. There are thirteen chapters in total and Freud directs the reader to The Interpretation of Dreams for further reading throughout On Dreams, in particular, in the final chapter. Immediately after its publication, Freud considered On Dreams as a shortened version of The Interpretation of Dreams. The English translation of On Dreams was first published in 1914 and the second English publication in the James Strachey translation from 1952. Freud investigates the subject of displacement and our inability to recognize our dreams. In chapter VI, page 659, he states: "It is the process of displacement which is chiefly responsible for our being unable to discover or recognize them in the dream-content" and he considers the issue of displacement in chapter VIII, page 671 as: "the most striking of the dream-work."

Contents

The first edition begins:
"In the following pages, I shall demonstrate that there exists a psychological technique by which dreams may be interpreted and that upon the application of this method every dream will show itself to be a senseful psychological structure which may be introduced into an assignable place in the psychic activity of the waking state. I shall furthermore endeavor to explain the processes which give rise to the strangeness and obscurity of the dream, and to discover through them the psychic forces, which operate whether in combination or opposition, to produce the dream. This accomplished by investigation will terminate as it will reach the point where the problem of the dream meets broader problems, the solution of which must be attempted through other material."
Freud begins his book in the first chapter titled "The Scientific Literature on the Problems of the Dream" by reviewing different scientific views on dream interpretation, which he finds interesting but not adequate. He then makes his argument by describing a number of dreams which he claims illustrate his theory. 

Freud describes three main types of dreams: 1. Direct prophecies received in the dream (chrematismos, oraculum); 2. The foretelling of a future event (orama, visio) 3. The symbolic dream, which requires interpretation (Interpretation of Dreams 5). 

Much of Freud's sources for analysis are in literature. Many of his most important dreams are his own — his method is inaugurated with an analysis of his dream "Irma's injection" — but many also come from patient case studies.

Influence and reception

Memorial plate in commemoration of the place where Freud began The Interpretation of Dreams, near Grinzing, Austria
 
The Interpretation of Dreams was first published in an edition of only 600 copies, and these took eight years to sell. The work subsequently gained popularity, and seven more editions were printed in Freud's lifetime, the last in 1929. The Swiss psychiatrist Eugen Bleuler wrote to Freud in October 1905 that he was convinced of the correctness of The Interpretation of Dreams as soon as he read it.

Otto Rank was impressed by the work when he read it in 1905. Rank was moved to write a critical reanalysis of one of Freud's own dreams, and perhaps partly for this reason came to Freud's attention. It was with Rank's help that Freud published the work's second edition in 1909. The classicist Norman O. Brown described The Interpretation of Dreams as one of the great applications and extensions of the Socratic maxim "know thyself" in Life Against Death (1959). The philosopher Paul Ricœur described The Interpretation of Dreams as Freud's "first great book" in Freud and Philosophy (1965). He argued that like Freud's other works it posits a "semantics of desire".

The mythologist Joseph Campbell described the book as an "epochal work", noting that it was "based on insights derived from years devoted to the fantasies of neurotics". Max Schur, Freud's physician and friend, has provided evidence that the first dream that Freud analyzed, his so-called "Irma dream" was not very disguised, but actually closely portrayed a medical disaster of Emma Steinbeck, one of Freud's patients. The psychologist Hans Eysenck argued in Decline and Fall of the Freudian Empire (1985) that the dreams Freud cites not only do not support his dream theory, but actually disprove it.

The philosopher Mikkel Borch-Jacobsen and the psychologist Sonu Shamdasani argued in The Freud Files (2012) that Freud's analysis of the dream of Irma's injection was partly based on Belgian psychologist Joseph Delboeuf's analysis of the "dream of lizards and of the Asplenium Ruta muraria" in Sleep and Dreams. In their view, Freud's work should be placed in the context of the "introspective hypnotism" practiced by figures such as Auguste Forel, Eugen Bleuler, and Oskar Vogt. They charged Freud with selectively citing some authors on dreams (including Marie-Jean-Léon, Marquis d'Hervey de Saint Denys and Louis Ferdinand Alfred Maury), passing over others (including Jean-Martin Charcot, Pierre Janet, and Richard von Krafft-Ebing) in silence, and with systematically avoiding "citing the passages in the works of his predecessors which came closest to his own theories."

Neuropsychoanalyst Mark Blechner maintains that even if one does not agree with Freud's theories that all dreams are wish-fulfillments and that the strangeness of dreams is due to mental disguise, The Interpretation of Dreams remains an extraordinary scientific record of dream texts and an analysis of the mental operations that dreams demonstrate.

Translations

The first translation from German into English was completed by A. A. Brill, a Freudian psychoanalyst. Years later, an authorized translation by James Strachey was published. The most recent English translation is by Joyce Crick.

Online editions

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