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Thursday, October 24, 2024

Supernatural

From Wikipedia, the free encyclopedia

Supernatural refers to phenomena or entities that are beyond the laws of nature. The term is derived from Medieval Latin supernaturalis, from Latin super- (above, beyond, or outside of) + natura (nature). Although the corollary term "nature" has had multiple meanings since the ancient world, the term "supernatural" emerged in the Middle Ages and did not exist in the ancient world.

The supernatural is featured in folklore and religious contexts, but can also feature as an explanation in more secular contexts, as in the cases of superstitions or belief in the paranormal. The term is attributed to non-physical entities, such as angels, demons, gods and spirits. It also includes claimed abilities embodied in or provided by such beings, including magic, telekinesis, levitation, precognition and extrasensory perception.

The supernatural is hypernymic to religion. Religions are standardized supernaturalist worldviews, or at least more complete than single supernaturalist views. Supernaturalism is the adherence to the supernatural (beliefs, and not violations of causality and the physical laws).

Etymology and history of the concept

Occurring as both an adjective and a noun, antecedents of the modern English compound supernatural enter the language from two sources: via Middle French (supernaturel) and directly from the Middle French's term's ancestor, post-Classical Latin (supernaturalis). Post-classical Latin supernaturalis first occurs in the 6th century, composed of the Latin prefix super- and nātūrālis (see nature). The earliest known appearance of the word in the English language occurs in a Middle English translation of Catherine of Siena's Dialogue (orcherd of Syon, around 1425; Þei haue not þanne þe supernaturel lyȝt ne þe liȝt of kunnynge, bycause þei vndirstoden it not).

The semantic value of the term has shifted over the history of its use. Originally the term referred exclusively to Christian understandings of the world. For example, as an adjective, the term can mean "belonging to a realm or system that transcends nature, as that of divine, magical, or ghostly beings; attributed to or thought to reveal some force beyond scientific understanding or the laws of nature; occult, paranormal" or "more than what is natural or ordinary; unnaturally or extraordinarily great; abnormal, extraordinary". Obsolete uses include "of, relating to, or dealing with metaphysics". As a noun, the term can mean "a supernatural being", with a particularly strong history of employment in relation to entities from the mythologies of the indigenous peoples of the Americas.

History of the concept

The ancient world had no word that resembled "supernatural". Dialogues from Neoplatonic philosophy in the third century AD influenced the development of the concept of the supernatural, which later evolved through Christian theology. The term nature had existed since antiquity, with Latin authors like Augustine using the word and its cognates at least 600 times in City of God. In the medieval period, "nature" had ten different meanings and "natural" had eleven different meanings. Peter Lombard, a medieval scholastic of the 12th century, explored causes beyond nature, questioning how certain phenomena could be attributed solely to God. In his writings, he used the term praeter naturam to describe these occurrences. In the scholastic period, Thomas Aquinas classified miracles into three categories: "above nature", "beyond nature" and "against nature". In doing so, he sharpened the distinction between nature and miracles more than the early Church Fathers had done. As a result, he had created a dichotomy of sorts of the natural and supernatural. Though the phrase "supra naturam" was used since the 4th century AD, it was in the 1200s that Thomas Aquinas used the term "supernaturalis". Despite this, the term had to wait until the end of the medieval period before it became more popularly used. The discussions on "nature" from the scholastic period were diverse and unsettled with some postulating that even miracles are natural and that natural magic was a natural part of the world.

Epistemology and metaphysics

The metaphysical considerations of the existence of the supernatural can be difficult to approach as an exercise in philosophy or theology because any dependencies on its antithesis, the natural, will ultimately have to be inverted or rejected. One complicating factor is that there is disagreement about the definition of "natural" and the limits of naturalism. Concepts in the supernatural domain are closely related to concepts in religious spirituality and occultism or spiritualism.

For sometimes we use the word nature for that Author of nature whom the schoolmen, harshly enough, call natura naturans, as when it is said that nature hath made man partly corporeal and partly immaterial. Sometimes we mean by the nature of a thing the essence, or that which the schoolmen scruple not to call the quiddity of a thing, namely, the attribute or attributes on whose score it is what it is, whether the thing be corporeal or not, as when we attempt to define the nature of an angle, or of a triangle, or of a fluid body, as such. Sometimes we take nature for an internal principle of motion, as when we say that a stone let fall in the air is by nature carried towards the centre of the earth, and, on the contrary, that fire or flame does naturally move upwards toward firmament. Sometimes we understand by nature the established course of things, as when we say that nature makes the night succeed the day, nature hath made respiration necessary to the life of men. Sometimes we take nature for an aggregate of powers belonging to a body, especially a living one, as when physicians say that nature is strong or weak or spent, or that in such or such diseases nature left to herself will do the cure. Sometimes we take nature for the universe, or system of the corporeal works of God, as when it is said of a phoenix, or a chimera, that there is no such thing in nature, i.e. in the world. And sometimes too, and that most commonly, we would express by nature a semi-deity or other strange kind of being, such as this discourse examines the notion of.

And besides these more absolute acceptions, if I may so call them, of the word nature, it has divers others (more relative), as nature is wont to be set or in opposition or contradistinction to other things, as when we say of a stone when it falls downwards that it does it by a natural motion, but that if it be thrown upwards its motion that way is violent. So chemists distinguish vitriol into natural and fictitious, or made by art, i.e. by the intervention of human power or skill; so it is said that water, kept suspended in a sucking pump, is not in its natural place, as that is which is stagnant in the well. We say also that wicked men are still in the state of nature, but the regenerate in a state of grace; that cures wrought by medicines are natural operations; but the miraculous ones wrought by Christ and his apostles were supernatural.

— Robert Boyle, A Free Enquiry into the Vulgarly Received Notion of Nature

Nomological possibility is possibility under the actual laws of nature. Most philosophers since David Hume have held that the laws of nature are metaphysically contingent—that there could have been different natural laws than the ones that actually obtain. If so, then it would not be logically or metaphysically impossible, for example, for you to travel to Alpha Centauri in one day; it would just have to be the case that you could travel faster than the speed of light. But of course there is an important sense in which this is not nomologically possible; given that the laws of nature are what they are. In the philosophy of natural science, impossibility assertions come to be widely accepted as overwhelmingly probable rather than considered proved to the point of being unchallengeable. The basis for this strong acceptance is a combination of extensive evidence of something not occurring, combined with an underlying scientific theory, very successful in making predictions, whose assumptions lead logically to the conclusion that something is impossible. While an impossibility assertion in natural science can never be absolutely proved, it could be refuted by the observation of a single counterexample. Such a counterexample would require that the assumptions underlying the theory that implied the impossibility be re-examined. Some philosophers, such as Sydney Shoemaker, have argued that the laws of nature are in fact necessary, not contingent; if so, then nomological possibility is equivalent to metaphysical possibility.

The term supernatural is often used interchangeably with paranormal or preternatural—the latter typically limited to an adjective for describing abilities which appear to exceed what is possible within the boundaries of the laws of physics. Epistemologically, the relationship between the supernatural and the natural is indistinct in terms of natural phenomena that, ex hypothesi, violate the laws of nature, in so far as such laws are realistically accountable.

Parapsychologists use the term psi to refer to an assumed unitary force underlying the phenomena they study. Psi is defined in the Journal of Parapsychology as "personal factors or processes in nature which transcend accepted laws" (1948: 311) and "which are non-physical in nature" (1962:310), and it is used to cover both extrasensory perception (ESP), an "awareness of or response to an external event or influence not apprehended by sensory means" (1962:309) or inferred from sensory knowledge, and psychokinesis (PK), "the direct influence exerted on a physical system by a subject without any known intermediate energy or instrumentation" (1945:305).

— Michael Winkelman, Current Anthropology

Views on the "supernatural" vary, for example it may be seen as:

  • indistinct from nature. From this perspective, some events occur according to the laws of nature, and others occur according to a separate set of principles external to known nature. For example, in Scholasticism, it was believed that God was capable of performing any miracle so long as it did not lead to a logical contradiction. Some religions posit immanent deities, however, and do not have a tradition analogous to the supernatural; some believe that everything anyone experiences occurs by the will (occasionalism), in the mind (neoplatonism), or as a part (nondualism) of a more fundamental divine reality (platonism).
  • incorrect human attribution. In this view all events have natural and only natural causes. They believe that human beings ascribe supernatural attributes to purely natural events, such as lightning, rainbows, floods and the origin of life.

Cross cultural studies

Anthropological studies across cultures indicate that people do not hold or use natural and supernatural explanations in a mutually exclusive or dichotomous fashion. Instead, the reconciliation of natural and supernatural explanations is normal and pervasive across cultures. Cross cultural studies indicate that there is coexistence of natural and supernatural explanations in both adults and children for explaining numerous things about the world, such as illness, death, and origins. Context and cultural input play a large role in determining when and how individuals incorporate natural and supernatural explanations. The coexistence of natural and supernatural explanations in individuals may be the outcomes two distinct cognitive domains: one concerned with the physical-mechanical relations and another with social relations. Studies on indigenous groups have allowed for insights on how such coexistence of explanations may function.

Supernatural concepts

Deity

A deity (/ˈdəti/ or /ˈd.əti/ ) is a supernatural being considered divine or sacred. The Oxford Dictionary of English defines deity as "a god or goddess (in a polytheistic religion)", or anything revered as divine. C. Scott Littleton defines a deity as "a being with powers greater than those of ordinary humans, but who interacts with humans, positively or negatively, in ways that carry humans to new levels of consciousness, beyond the grounded preoccupations of ordinary life." A male deity is a god, while a female deity is a goddess.

Religions can be categorized by how many deities they worship. Monotheistic religions accept only one deity (predominantly referred to as God), polytheistic religions accept multiple deities. Henotheistic religions accept one supreme deity without denying other deities, considering them as equivalent aspects of the same divine principle; and nontheistic religions deny any supreme eternal creator deity but accept a pantheon of deities which live, die and are reborn just like any other being.

Various cultures have conceptualized a deity differently than a monotheistic God. A deity need not be omnipotent, omnipresent, omniscient, omnibenevolent or eternal, The monotheistic God, however, does have these attributes.  Monotheistic religions typically refer to God in masculine terms, while other religions refer to their deities in a variety of ways – masculine, feminine, androgynous and gender neutral.

Historically, many ancient cultures – such as Ancient India, Ancient Egyptian, Ancient Greek, Ancient Roman, Nordic and Asian culture – personified natural phenomena, variously as either their conscious causes or simply their effects, respectively. Some Avestan and Vedic deities were viewed as ethical concepts. In Indian religions, deities have been envisioned as manifesting within the temple of every living being's body, as sensory organs and mind. Deities have also been envisioned as a form of existence (Saṃsāra) after rebirth, for human beings who gain merit through an ethical life, where they become guardian deities and live blissfully in heaven, but are also subject to death when their merit runs out.

Angel

The Archangel Michael wears a late Roman military cloak and cuirass in this 17th-century depiction by Guido Reni.
Schutzengel (English: "Guardian Angel") by Bernhard Plockhorst depicts a guardian angel watching over two children.

An angel is generally a supernatural being found in various religions and mythologies. In Abrahamic religions and Zoroastrianism, angels are often depicted as benevolent celestial beings who act as intermediaries between God or Heaven and Earth. Other roles of angels include protecting and guiding human beings and carrying out God's tasks. Within Abrahamic religions, angels are often organized into hierarchies, although such rankings may vary between sects in each religion, and are given specific names or titles, such as Gabriel or "Destroying angel." The term "angel" has also been expanded to various notions of spirits or figures found in other religious traditions. The theological study of angels is known as "angelology".

In fine art, angels are usually depicted as having the shape of human beings of extraordinary beauty; they are often identified using the symbols of bird wings, halos and light.

Prophecy

Prophecy involves a process in which messages are communicated by a god to a prophet. Such messages typically involve inspiration, interpretation, or revelation of divine will concerning the prophet's social world and events to come (compare divine knowledge). Prophecy is not limited to any one culture. It is a common property to all known ancient societies around the world, some more than others. Many systems and rules about prophecy have been proposed over several millennia.

Revelation

In religion and theology, revelation is the revealing or disclosing of some form of truth or knowledge through communication with a deity or other supernatural entity or entities.

Some religions have religious texts which they view as divinely or supernaturally revealed or inspired. For instance, Orthodox Jews, Christians and Muslims believe that the Torah was received from Yahweh on biblical Mount Sinai. Most Christians believe that both the Old Testament and the New Testament were inspired by God. Muslims believe the Quran was revealed by God to Muhammad word by word through the angel Gabriel (Jibril). In Hinduism, some Vedas are considered apauruṣeya, "not human compositions", and are supposed to have been directly revealed, and thus are called śruti, "what is heard". Aleister Crowley stated that The Book of the Law had been revealed to him through a higher being that called itself Aiwass.

A revelation communicated by a supernatural entity reported as being present during the event is called a vision. Direct conversations between the recipient and the supernatural entity, or physical marks such as stigmata, have been reported. In rare cases, such as that of Saint Juan Diego, physical artifacts accompany the revelation. The Roman Catholic concept of interior locution includes just an inner voice heard by the recipient.

In the Abrahamic religions, the term is used to refer to the process by which God reveals knowledge of himself, his will and his divine providence to the world of human beings. In secondary usage, revelation refers to the resulting human knowledge about God, prophecy and other divine things. Revelation from a supernatural source plays a less important role in some other religious traditions such as Buddhism, Confucianism and Taoism.

Reincarnation

In Jainism, a soul travels to any one of the four states of existence after death depending on its karmas.

Reincarnation is the philosophical or religious concept that an aspect of a living being starts a new life in a different physical body or form after each biological death. It is also called rebirth or transmigration, and is a part of the Saṃsāra doctrine of cyclic existence. It is a central tenet of all major Indian religions, namely Jainism, Hinduism, Buddhism and Sikhism. The idea of reincarnation is found in many ancient cultures, and a belief in rebirth/metempsychosis was held by Greek historic figures, such as Pythagoras, Socrates and Plato. It is also a common belief of various ancient and modern religions such as Spiritism, Theosophy and Eckankar and as an esoteric belief in many streams of Orthodox Judaism. It is found as well in many tribal societies around the world, in places such as Australia, East Asia, Siberia and South America.

Although the majority of denominations within Christianity and Islam do not believe that individuals reincarnate, particular groups within these religions do refer to reincarnation; these groups include the mainstream historical and contemporary followers of Cathars, Alawites, the Druze and the Rosicrucians. The historical relations between these sects and the beliefs about reincarnation that were characteristic of Neoplatonism, Orphism, Hermeticism, Manicheanism and Gnosticism of the Roman era as well as the Indian religions, have been the subject of recent scholarly research. Unity Church and its founder Charles Fillmore teaches reincarnation.

In recent decades, many Europeans and North Americans have developed an interest in reincarnation, and many contemporary works mention it.

Karma

Karma (/ˈkɑːrmə/; Sanskrit: कर्म, romanizedkarma, IPA: [ˈkɐɽmɐ] ; Pali: kamma) means action, work or deed; it also refers to the spiritual principle of cause and effect where intent and actions of an individual (cause) influence the future of that individual (effect). Good intent and good deeds contribute to good karma and future happiness, while bad intent and bad deeds contribute to bad karma and future suffering.

With origins in ancient India's Vedic civilization, the philosophy of karma is closely associated with the idea of rebirth in many schools of Indian religions (particularly Hinduism, Buddhism, Jainism and Sikhism) as well as Taoism. In these schools, karma in the present affects one's future in the current life, as well as the nature and quality of future lives – one's saṃsāra.

Christian theology

The patron saint of air travelers, aviators, astronauts, people with a mental handicap, test takers and poor students is Saint Joseph of Cupertino, who is said to have been gifted with supernatural flight.

In Catholic theology, the supernatural order is, according to New Advent, defined as "the ensemble of effects exceeding the powers of the created universe and gratuitously produced by God for the purpose of raising the rational creature above its native sphere to a God-like life and destiny." The Modern Catholic Dictionary defines it as "the sum total of heavenly destiny and all the divinely established means of reaching that destiny, which surpass the mere powers and capacities of human nature."

Process theology

Process theology is a school of thought influenced by the metaphysical process philosophy of Alfred North Whitehead (1861–1947) and further developed by Charles Hartshorne (1897–2000).

It is not possible, in process metaphysics, to conceive divine activity as a "supernatural" intervention into the "natural" order of events. Process theists usually regard the distinction between the supernatural and the natural as a by-product of the doctrine of creation ex nihilo. In process thought, there is no such thing as a realm of the natural in contrast to that which is supernatural. On the other hand, if "the natural" is defined more neutrally as "what is in the nature of things," then process metaphysics characterizes the natural as the creative activity of actual entities. In Whitehead's words, "It lies in the nature of things that the many enter into complex unity" (Whitehead 1978, 21). It is tempting to emphasize process theism's denial of the supernatural and thereby highlight that the processed God cannot do in comparison what the traditional God could do (that is, to bring something from nothing). In fairness, however, equal stress should be placed on process theism's denial of the natural (as traditionally conceived) so that one may highlight what the creatures cannot do, in traditional theism, in comparison to what they can do in process metaphysics (that is, to be part creators of the world with God).

— Donald Viney, "Process Theism" in The Stanford Encyclopedia of Philosophy

Heaven

Heaven, or the heavens, is a common religious, cosmological, or transcendent place where beings such as gods, angels, spirits, saints, or venerated ancestors are said to originate, be enthroned, or live. According to the beliefs of some religions, heavenly beings can descend to Earth or incarnate, and earthly beings can ascend to heaven in the afterlife, or in exceptional cases enter heaven alive.

Heaven is often described as a "higher place", the holiest place, a Paradise, in contrast to hell or the Underworld or the "low places" and universally or conditionally accessible by earthly beings according to various standards of divinity, goodness, piety, faith, or other virtues or right beliefs or simply the will of God. Some believe in the possibility of a heaven on Earth in a world to come.

Another belief is in an axis mundi or world tree which connects the heavens, the terrestrial world and the underworld. In Indian religions, heaven is considered as Svarga loka, and the soul is again subjected to rebirth in different living forms according to its karma. This cycle can be broken after a soul achieves Moksha or Nirvana. Any place of existence, either of humans, souls or deities, outside the tangible world (Heaven, Hell, or other) is referred to as otherworld.

Underworld

The underworld is the supernatural world of the dead in various religious traditions, located below the world of the living. Chthonic is the technical adjective for things of the underworld.

The concept of an underworld is found in almost every civilization and "may be as old as humanity itself". Common features of underworld myths are accounts of living people making journeys to the underworld, often for some heroic purpose. Other myths reinforce traditions that entrance of souls to the underworld requires a proper observation of ceremony, such as the ancient Greek story of the recently dead Patroclus haunting Achilles until his body could be properly buried for this purpose. Persons having social status were dressed and equipped in order to better navigate the underworld.

A number of mythologies incorporate the concept of the soul of the deceased making its own journey to the underworld, with the dead needing to be taken across a defining obstacle such as a lake or a river to reach this destination. Imagery of such journeys can be found in both ancient and modern art. The descent to the underworld has been described as "the single most important myth for Modernist authors".

Spirit

Theodor von Holst, Bertalda, Assailed by Spirits, c. 1830

A spirit is a supernatural being, often but not exclusively a non-physical entity; such as a ghost, fairy, jinn or angel. The concepts of a person's spirit and soul, often also overlap, as both are either contrasted with or given ontological priority over the body and both are believed to survive bodily death in some religions, and "spirit" can also have the sense of "ghost", i.e. a manifestation of the spirit of a deceased person. In English Bibles, "the Spirit" (with a capital "S"), specifically denotes the Holy Spirit.

Spirit is often used metaphysically to refer to the consciousness or personality.

Historically, it was also used to refer to a "subtle" as opposed to "gross" material substance, as in the famous last paragraph of Sir Isaac Newton's Principia Mathematica.

Demon

Bronze statuette of the Assyro-Babylonian demon king Pazuzu, c. 800 BC – c. 700 BC, Louvre

A demon (from Koine Greek δαιμόνιον daimónion) is a supernatural and often malevolent being prevalent in religion, occultism, literature, fiction, mythology and folklore.

In Ancient Near Eastern religions as well as in the Abrahamic traditions, including ancient and medieval Christian demonology, a demon is considered a harmful spiritual entity, below the heavenly planes which may cause demonic possession, calling for an exorcism. In Western occultism and Renaissance magic, which grew out of an amalgamation of Greco-Roman magic, Jewish Aggadah and Christian demonology, a demon is believed to be a spiritual entity that may be conjured and controlled.

Magic

Magic or sorcery is the use of rituals, symbols, actions, gestures, or language with the aim of utilizing supernatural forces. Belief in and practice of magic has been present since the earliest human cultures and continues to have an important spiritual, religious and medicinal role in many cultures today. The term magic has a variety of meanings, and there is no widely agreed upon definition of what it is.

Scholars of religion have defined magic in different ways. One approach, associated with the anthropologists Edward Tylor and James G. Frazer, suggests that magic and science are opposites. An alternative approach, associated with the sociologists Marcel Mauss and Emile Durkheim, argues that magic takes place in private, while religion is a communal and organised activity. Many scholars of religion have rejected the utility of the term magic and it has become increasingly unpopular within scholarship since the 1990s.

The term magic comes from the Old Persian magu, a word that applied to a form of religious functionary about which little is known. During the late sixth and early fifth centuries BC, this term was adopted into Ancient Greek, where it was used with negative connotations, to apply to religious rites that were regarded as fraudulent, unconventional and dangerous. This meaning of the term was then adopted by Latin in the first century BC. The concept was then incorporated into Christian theology during the first century AD, where magic was associated with demons and thus defined against religion. This concept was pervasive throughout the Middle Ages, although in the early modern period Italian humanists reinterpreted the term in a positive sense to establish the idea of natural magic. Both negative and positive understandings of the term were retained in Western culture over the following centuries, with the former largely influencing early academic usages of the word.

Throughout history, there have been examples of individuals who practiced magic and referred to themselves as magicians. This trend has proliferated in the modern period, with a growing number of magicians appearing within the esoteric milieu. British esotericist Aleister Crowley described magic as the art of effecting change in accordance with will.

Divination

Divination (from Latin divinare "to foresee, to be inspired by a god", related to divinus, divine) is the attempt to gain insight into a question or situation by way of an occultic, standardized process or ritual. Used in various forms throughout history, diviners ascertain their interpretations of how a querent should proceed by reading signs, events, or omens, or through alleged contact with a supernatural agency.

Divination can be seen as a systematic method with which to organize what appear to be disjointed, random facets of existence such that they provide insight into a problem at hand. If a distinction is to be made between divination and fortune-telling, divination has a more formal or ritualistic element and often contains a more social character, usually in a religious context, as seen in traditional African medicine. Fortune-telling, on the other hand, is a more everyday practice for personal purposes. Particular divination methods vary by culture and religion.

Divination is dismissed by the scientific community and skeptics as being superstition. In the 2nd century, Lucian devoted a witty essay to the career of a charlatan, "Alexander the false prophet", trained by "one of those who advertise enchantments, miraculous incantations, charms for your love-affairs, visitations for your enemies, disclosures of buried treasure and successions to estates".

Witchcraft

Witches by Hans Baldung. Woodcut, 1508

Witchcraft or witchery broadly means the practice of and belief in magical skills and abilities exercised by solitary practitioners and groups. Witchcraft is a broad term that varies culturally and societally and thus can be difficult to define with precision, and cross-cultural assumptions about the meaning or significance of the term should be applied with caution. Witchcraft often occupies a religious divinatory or medicinal role and is often present within societies and groups whose cultural framework includes a magical world view.

Miracle

A miracle is an event not explicable by natural or scientific laws. Such an event may be attributed to a supernatural being (a deity), a miracle worker, a saint or a religious leader.

Informally, the word "miracle" is often used to characterise any beneficial event that is statistically unlikely but not contrary to the laws of nature, such as surviving a natural disaster, or simply a "wonderful" occurrence, regardless of likelihood, such as a birth. Other such miracles might be: survival of an illness diagnosed as terminal, escaping a life-threatening situation or 'beating the odds'. Some coincidences may be seen as miracles.

A true miracle would, by definition, be a non-natural phenomenon, leading many rational and scientific thinkers to dismiss them as physically impossible (that is, requiring violation of established laws of physics within their domain of validity) or impossible to confirm by their nature (because all possible physical mechanisms can never be ruled out). The former position is expressed for instance by Thomas Jefferson and the latter by David Hume. Theologians typically say that, with divine providence, God regularly works through nature yet, as a creator, is free to work without, above, or against it as well. The possibility and probability of miracles are then equal to the possibility and probability of the existence of God.

Skepticism

Skepticism (American English) or scepticism (British English; see spelling differences) is generally any questioning attitude or doubt towards one or more items of putative knowledge or belief. It is often directed at domains such as the supernatural, morality (moral skepticism), religion (skepticism about the existence of God), or knowledge (skepticism about the possibility of knowledge, or of certainty).

Supernatural entities and powers are common in various works of fantasy. Examples include the television shows Supernatural and The X-Files, the magic of the Harry Potter series, The Lord of the Rings series, The Wheel of Time series and A Song of Ice and Fire series.

World tree

 

From Wikipedia, the free encyclopedia
https://en.wikipedia.org/wiki/World_tree
From Northern Antiquities, an English translation of the Prose Edda from 1847. Painted by Oluf Olufsen Bagge.

The world tree is a motif present in several religions and mythologies, particularly Indo-European, Siberian, and Native American religions. The world tree is represented as a colossal tree which supports the heavens, thereby connecting the heavens, the terrestrial world, and, through its roots, the underworld. It may also be strongly connected to the motif of the tree of life, but it is the source of wisdom of the ages.

Specific world trees include Égig érő fa in Hungarian mythology, Ağaç Ana in Turkic mythology, Kenac' Car in Armenian mythology, Modun in Mongol mythology, Yggdrasil in Norse mythology, Irminsul in Germanic mythology, the oak in Slavic, Finnish and Baltic, Jianmu (Chinese: 建木; pinyin: jiànmù) in Chinese mythology, and in Hindu mythology the Ashvattha (a Ficus religiosa).

General description

Diffusion

Scholarship states that many Eurasian mythologies share the motif of the "world tree", "cosmic tree", or "Eagle and Serpent Tree". More specifically, it shows up in "Haitian, Finnish, Lithuanian, Hungarian, Indian, Chinese, Japanese, Norse, Siberian and northern Asian Shamanic folklore".

Tripartite division of the world

The World Tree is often identified with the Tree of Life, and also fulfills the role of an axis mundi, that is, a centre or axis of the world. It is also located at the center of the world and represents order and harmony of the cosmos. According to Loreta Senkute, each part of the tree corresponds to one of the three spheres of the world (treetops – heavens; trunk – middle world or earth; roots – underworld) and is also associated with a classical element (top part – fire; middle part – earth, soil, ground; bottom part – water).

Its branches are said to reach the skies and its roots to connect the human or earthly world with an underworld or subterranean realm. Because of this, the tree was worshipped as a mediator between Heavens and Earth. On the treetops are located the luminaries (stars) and heavenly bodies, along with an eagle's nest; several species of birds perch among its branches; humans and animals of every kind live under its branches, and near the root is the dwelling place of snakes and every sort of reptiles.

Motifs

The imagery of the World Tree is sometimes associated with conferring immortality, either by a fruit that grows on it or by a springsource located nearby. As George Lechler also pointed out, in some descriptions this "water of life" may also flow from the roots of the tree.

Zoological imagery

According to Vladimir Toporov, animal species are commonly distributed along the parts of the tree: between its roots, figure "chthonic animals", such as snakes and frogs, but he also mentions aquatic animals such as otters, beavers, and fishes, as well as dragons; the middle part of the tree is reserved for hoofed animals such as deer or elk (sometimes bees), and on the topmost part perches the "principal" bird, or a pair of birds sat on either side of the tree crown.

A bird perches atop its foliage, "often .... a winged mythical creature" that represents a heavenly realm. The eagle seems to be the most frequent bird, fulfilling the role of a creator or weather deity. Its antipode is a snake or serpentine creature that crawls between the tree roots, being a "symbol of the underworld".

Similar motifs

The World Tree has also been compared to a World Pillar that appears in other traditions and functions as separator between the earth and the skies, upholding the latter. Another representation akin to the World Tree is a separate World Mountain. However, in some stories, the world tree is located atop the world mountain, in a combination of both motifs.

A conflict between a serpentine creature and a giant bird (an eagle) occurs in Eurasian mythologies: a hero kills the serpent that menaces a nest of little birds, and their mother repays the favor – a motif comparativist Julien d'Huy dates to the Paleolithic. A parallel story is attested in the traditions of the indigenous peoples of the Americas, where the thunderbird is slotted into the role of the giant bird whose nest is menaced by a "snake-like water monster".

Relation to shamanism

Romanian historian of religion, Mircea Eliade, in his monumental work Shamanism: Archaic Techniques of Ecstasy, suggested that the world tree was an important element in shamanistic worldview. Also, according to him, "the giant bird ... hatches shamans in the branches of the World Tree". Likewise, Roald Knutsen indicates the presence of the motif in Altaic shamanism. Representations of the world tree are reported to be portrayed in drums used in Siberian shamanistic practices.

Some species of birds (eagle, raven, crane, loon, and lark) are revered as mediators between worlds and also connected to the imagery of the world tree. Another line of scholarship points to a "recurring theme" of the owl as the mediator to the upper realm, and its counterpart, the snake, as the mediator to the lower regions of the cosmos.

Researcher Kristen Pearson mentions Northern Eurasian and Central Asian traditions wherein the World Tree is also associated with the horse and with deer antlers (which might resemble tree branches).

Possible origins

Mircea Eliade proposed that the typical imagery of the world tree (bird at the top, snake at the root) "is presumably of Oriental origin". Likewise, Roald Knutsen indicates a possible origin of the motif in Central Asia and later diffusion into other regions and cultures.

In specific cultures

Indigenous American cultures

  • Among Indigenous Mesoamerican cultures, the concept of "world trees" is a prevalent motif in Mesoamerican cosmologies and iconography. The Temple of the Cross Complex at Palenque contains one of the most studied examples of the world tree in architectural motifs of all Mayan ruins. World trees embodied the four cardinal directions, which represented also the fourfold nature of a central world tree, a symbolic axis mundi connecting the planes of the Underworld and the sky with that of the terrestrial world.
  • Depictions of world trees, both in their directional and central aspects, are found in the art and traditions of cultures such as the Maya, Aztec, Izapan, Mixtec, Olmec, and others, dating to at least the Mid/Late Formative periods of Mesoamerican chronology. Among the Maya, the central world tree was conceived as, or represented by, a ceiba tree, called yax imix che ('blue-green tree of abundance') by the Book of Chilam Balam of Chumayel. The trunk of the tree could also be represented by an upright caiman, whose skin evokes the tree's spiny trunk. These depictions could also show birds perched atop the trees.
  • A similarly named tree, yax cheel cab ('first tree of the world'), was reported by 17th-century priest Andrés de Avendaño to have been worshipped by the Itzá Maya. However, scholarship suggests that this worship derives from some form of cultural interaction between "pre-Hispanic iconography and [millenary] practices" and European traditions brought by the Hispanic colonization.
  • Directional world trees are also associated with the four Yearbearers in Mesoamerican calendars, and the directional colors and deities. Mesoamerican codices which have this association outlined include the Dresden, Borgia and Fejérváry-Mayer codices. It is supposed that Mesoamerican sites and ceremonial centers frequently had actual trees planted at each of the four cardinal directions, representing the quadripartite concept.
  • World trees are frequently depicted with birds in their branches, and their roots extending into earth or water (sometimes atop a "water-monster", symbolic of the underworld).
  • The central world tree has also been interpreted as a representation of the band of the Milky Way.
  • Izapa Stela 5 contains a possible representation of a world tree.

A common theme in most indigenous cultures of the Americas is a concept of directionality (the horizontal and vertical planes), with the vertical dimension often being represented by a world tree. Some scholars have argued that the religious importance of the horizontal and vertical dimensions in many animist cultures may derive from the human body and the position it occupies in the world as it perceives the surrounding living world. Many Indigenous cultures of the Americas have similar cosmologies regarding the directionality and the world tree, however the type of tree representing the world tree depends on the surrounding environment. For many Indigenous American peoples located in more temperate regions for example, it is the spruce rather than the ceiba that is the world tree; however the idea of cosmic directions combined with a concept of a tree uniting the directional planes is similar.

Greek mythology

Like in many other Indo-European cultures, one tree species was considered the World Tree in some cosmogonical accounts.

Oak tree

The sacred tree of Zeus is the oak, and the one at Dodona (famous for the cultic worship of Zeus and the oak) was said by later tradition to have its roots furrow so deep as to reach the confines of Tartarus.

In a different cosmogonic account presented by Pherecydes of Syros, male deity Zas (identified as Zeus) marries female divinity Chthonie (associated with the earth and later called Gê/Gaia), and from their marriage sprouts an oak tree. This oak tree connects the heavens above and its roots grew into the Earth, to reach the depths of Tartarus. This oak tree is considered by scholarship to symbolize a cosmic tree, uniting three spheres: underworld, terrestrial and celestial.

Other trees

Besides the oak, several other sacred trees existed in Greek mythology. For instance, the olive, named Moriai, was the world tree and associated with the Olympian goddess Athena.

In a separate Greek myth the Hesperides live beneath an apple tree with golden apples that was given to the highest Olympian goddess Hera by the primal Mother goddess Gaia at Hera's marriage to Zeus. The tree stands in the Garden of the Hesperides and is guarded by Ladon, a dragon. Heracles defeats Ladon and snatches the golden apples.

In the epic quest for the Golden Fleece of Argonautica, the object of the quest is found in the realm of Colchis, hanging on a tree guarded by a never-sleeping dragon (the Colchian dragon). In a version of the story provided by Pseudo-Apollodorus in Bibliotheca, the Golden Fleece was affixed by King Aeetes to an oak tree in a grove dedicated to war god Ares. This information is repeated in Valerius Flaccus's Argonautica. In the same passage of Valerius Flaccus' work, King Aeetes prays to Ares for a sign and suddenly a "serpent gliding from the Caucasus mountains" appears and coils around the grove as to protect it.

Roman mythology

In Roman mythology the world tree was the olive tree, that was associated with Pax. The Greek equivalent of Pax is Eirene, one of the Horae. The Sacred tree of the Roman Sky father Jupiter was the oak, the laurel was the Sacred tree of Apollo. The ancient fig-tree in the Comitium at Rome, was considered as a descendant of the very tree under which Romulus and Remus were found.

Norse mythology

In Norse mythology, Yggdrasil is the world tree. Yggdrasil is attested in the Poetic Edda, compiled in the 13th century from earlier traditional sources, and the Prose Edda, written in the 13th century by Snorri Sturluson. In both sources, Yggdrasil is an immense ash tree that is central and considered very holy. The Æsir go to Yggdrasil daily to hold their courts. The branches of Yggdrasil extend far into the heavens, and the tree is supported by three roots that extend far away into other locations: one to the well Urðarbrunnr in the heavens, one to the spring Hvergelmir, and another to the well Mímisbrunnr. Creatures live within Yggdrasil, including the harts Dáinn, Dvalinn, Duneyrr and Duraþrór, the giant in eagle-shape Hræsvelgr, the squirrel Ratatoskr and the wyrm Níðhöggr. Scholarly theories have been proposed about the etymology of the name Yggdrasil, the potential relation to the trees Mímameiðr and Læraðr, and the sacred tree at Uppsala.

Circumbaltic mythology

In Baltic, Slavic and Finnish mythology, the world tree is usually an oak. Most of the images of the world tree are preserved on ancient ornaments. Often on the Baltic and Slavic patterns there was an image of an inverted tree, "growing with its roots up, and branches going into the ground".

Baltic beliefs

Scholarship recognizes that Baltic beliefs about a World Tree, located at the central part of the Earth, follow a tripartite division of the cosmos (underworld, earth, sky), each part corresponding to a part of the tree (root, trunk, branches).

It has been suggested that the word for "tree" in Baltic languages (Latvian mežs; Lithuanian medis), both derived from Proto-Indo-European *medh- 'middle', operated a semantic shift from "middle" possibly due to the belief of the Arbor Mundi.

Lithuanian culture

The world tree (Lithuanian: Aušros medis) is widespread in Lithuanian folk painting, and is frequently found carved into household furniture such as cupboards, towel holders, and laundry beaters. According to Lithuanian scholars Prane Dunduliene and Norbertas Vėlius, the World Tree is "a powerful tree with widespread branches and strong roots, reaching deep into the earth". The recurrent imagery is also present in Lithuanian myth: on the treetops, the luminaries and eagles, and further down, amidst its roots, the dwelling place of snakes and reptiles. The World Tree of Lithuanian tradition was sometimes identified as an oak or a maple tree.

Latvian culture

In Latvian mythology the world tree (Latvian: Austras koks) was one of the most important beliefs, also associated with the birth of the world. Sometimes it was identified as an oak or a birch, or even replaced by a wooden pole. According to Ludvigs Adamovičs's book on Latvian folk belief, ancient Latvian mythology attested the existence of a Sun Tree as an expression of the World Tree, often described as "a birch tree with three leaves or forked branches where the Sun, the Moon, God, Laima, Auseklis (the morning star), or the daughter of the Sun rest[ed]".

Slavic beliefs

Old Russian ornament of the world tree

According to Slavic folklore, as reconstructed by Radoslav Katičić, the draconic or serpentine character furrows near a body of water, and the bird that lives on the treetop could be an eagle, a falcon or a nightingale.

Scholars Ivanov and Toporov offered a reconstructed Slavic variant of the Indo-European myth about a battle between a Thunder God and a snake-like adversary. In their proposed reconstruction, the Snake lives under the World Tree, sleeping on black wool. They surmise this snake on black wool is a reference to a cattle god, known in Slavic mythology as Veles.

Further studies show that the usual tree that appears in Slavic folklore is an oak: for instance, in Czech, it is known as Veledub ('The Great Oak').

In addition, the world tree appears in the Island of Buyan, on top of a stone. Another description shows that legendary birds Sirin and Alkonost make their nests on separate sides of the tree.

Ukrainian scholarship points to the existence of the motif in "archaic wintertime songs and carols": their texts attest a tree at the center of the world and two or three falcons or pigeons sat on its top, ready to dive in and fetch mud to create land (the Earth diver cosmogonic motif).

The imagery of the world tree also appears in folk medicine of the Don Cossacks.

Finnic mythology

According to scholar Aado Lintrop, Estonian mythology records two types of world tree in Estonian runic songs, with similar characteristics of being an oak and having a bird at the top, a snake at the roots and the stars amongst its branches.

Judeo-Christian mythology

The Tree of Knowledge depicted, with Adam and Eve, where the Tree of life is described as part of the Garden of Eden in the Hebrew bible.

The Tree of the knowledge of good and evil and the Tree of life are both components of the Garden of Eden story in the Book of Genesis in the Bible. According to Jewish mythology, in the Garden of Eden there is a tree of life or the "tree of souls" that blossoms and produces new souls, which fall into the Guf, the Treasury of Souls. The Angel Gabriel reaches into the treasury and takes out the first soul that comes into his hand. Then Lailah, the Angel of Conception, watches over the embryo until it is born.

Gnosticism

According to the Gnostic codex On the Origin of the World, the tree of immortal life is in the north of paradise, which is outside the circuit of the Sun and Moon in the luxuriant Earth. Its height is so great it reaches Heaven. Its leaves are described as resembling cypress, the color of the tree is like the Sun, its fruit is like clusters of white grapes and its branches are beautiful. The tree will provide life for the innocent during the consummation of the age.

Mandaean scrolls often include abstract illustrations of world trees that represent the living, interconnected nature of the cosmos. In Mandaeism, the date palm (Mandaic: sindirka) symbolizes the cosmic tree and is often associated with the cosmic wellspring (Mandaic: aina). The date palm and wellspring are often mentioned together as heavenly symbols in Mandaean texts. The date palm takes on masculine symbolism, while the wellspring takes on feminine symbolism.

Armenian mythology

Armenian professor Hrach Martirosyan argues for the presence, in Armenian mythology, of a serpentine creature named Andndayin ōj, that lives in the (abyssal) waters that circundate the World Tree.

Georgian mythology

According to scholarship, Georgian mythology also attests a rivalry between mythical bird Paskunji, which lives in the underworld on the top of a tree, and a snake that menaces its nestlings.

Hittite culture

A similar imagery is attested in Hittite literature: a snake encircles the base of a tree, an eagle perches atop it, and a bee occupies its middle, which Craig Melchert considers to be a version of the "world tree" or "tree of life" motif.

Mesopotamian traditions

Sumerian culture

Professor Amar Annus states that, although the motif seems to originate much earlier, its first attestation in world culture occurred in Sumerian literature, with the tale of "Gilgamesh, Enkidu, and the Netherworld". According to this tale, goddess Innana transplants the huluppu tree to her garden in the City of Uruk, for she intends to use its wood to carve a throne. However, a snake "with no charm", a ghostly figure (Lilith or another character associated with darkness) and the legendary Anzû-bird make their residence on the tree, until Gilgamesh kills the serpent and the other residents escape.

Akkadian literature

In fragments of the story of Etana, there is a narrative sequence about a snake and an eagle that live on opposite sides of a poplar tree (şarbatu), the snake on its roots, the eagle on its foliage. At a certain point, both animals swear before deity Shamash and share their meat with each other, until the eagle's hatchlings are born and the eagle decides to eat the snake's young ones. In revenge, the snake alerts god Shamash, who agrees to let the snake punish the eagle for the perceived affront. Later, Shamash takes pity on the bird's condition and sets hero Etana to release it from its punishment. Later versions of the story associate the eagle with mythical bird Anzû and the snake with a serpentine being named Bašmu.

Iranian mythology

Two winged bulls are guarding a sacred tree, on a rhyton from Marlik, Iran, currently at the National Museum of Iran

A world tree is a common motif in Persian mythology, the legendary bird Simurgh (alternatively, Saēna bird; Sēnmurw and Senmurv) perches atop a tree in the center of the sea Vourukasa. This tree is described as having all-healing properties and many seeds. In another account, the tree is the very same tree of the White Hōm (Haōma). Gaokerena or white Haoma is a tree whose vivacity ensures continued life in the universe, and grants immortality to "all who eat from it". In the Pahlavi Bundahishn, it is said that evil god Ahriman created a lizard to attack the tree.

Bas tokhmak is another remedial tree; it retains all herbal seeds and destroys sorrow.

Hinduism and Indian religions

Remnants are also evident in the Kalpavriksha ("wish-fulfilling tree") and the Ashvattha tree of the Indian religions. The Ashvattha tree ('keeper of horses') is described as a sacred fig and corresponds to "the most typical representation of the world tree in India", upon whose branches the celestial bodies rest. Likewise, the Kalpavriksha is also equated with a fig tree and said to possess wish-granting abilities.

Indologist David Dean Shulman provided the description of a similar imagery that appears in South Indian temples: the sthalavṛkṣa tree. The tree is depicted alongside a water source (river, temple tank, sea). The tree may also appear rooted on Earth or reaching the realm of Patala (a netherworld where the Nāga dwell), or in an inverted position, rooted in the Heavens. Like other accounts, this tree may also function as an axis mundi.

North Asian and Siberian cultures

The world tree is also represented in the mythologies and folklore of North Asia and Siberia. According to Mihály Hoppál, Hungarian scholar Vilmos Diószegi located some motifs related to the world tree in Siberian shamanism and other North Asian peoples. As per Diószegi's research, the "bird-peaked" tree holds the sun and the moon, and the underworld is "a land of snakes, lizards and frogs".

In the mythology of the Samoyeds, the world tree connects different realities (underworld, this world, upper world) together. In their mythology the world tree is also the symbol of Mother Earth who is said to give the Samoyed shaman his drum and also help him travel from one world to another. According to scholar Aado Lintrop, the larch is "often regarded" by Siberian peoples as the World Tree.

Scholar Aado Lintrop also noted the resemblance between an account of the World Tree from the Yakuts and a Moksha-Mordvinic folk song (described as a great birch).

The imagery of the world tree, its roots burrowing underground, its branches reaching upward, the luminaries in its branches is also present in the mythology of Finno-Ugric peoples from Northern Asia, such as the Khanty and the Mansi.

Mongolic and Turkic folk beliefs

The symbol of the world tree is also common in Tengrism, an ancient religion of Mongols and Turkic peoples. The world tree is sometimes a beech, a birch, or a poplar in epic works.

Scholarship points out the presence of the motif in Central Asian and North Eurasian epic tradition: a world tree named Bai-Terek in Altai and Kyrgyz epics; a "sacred tree with nine branches" in the Buryat epic.

Turkic cultures

Bai-Terek

The Bai-Terek (also known as bayterek, beyterek, beğterek, begterek, begtereg), found, for instance, in the Altai Maadai Kara epos, can be translated as "Golden Poplar". Like the mythological description, each part of tree (top, trunk and root) corresponds to the three layers of reality: heavenly, earthly and underground. In one description, it is considered the axis mundi. It holds at the top "a nest of a double-headed eagle that watches over the different parts of the world" and, in the form of a snake, Erlik, deity of the underworld, tries to slither up the tree to steal an egg from the nest. In another, the tree holds two gold cuckoos at the topmost branches and two golden eagles just below. At the roots there are two dogs that guard the passage between the underworld and the world of the living.

Aal Luuk Mas

Among the Yakuts, the world tree (or sacred tree) is called Ál Lúk Mas (Aal Luuk Mas) and is attested in their Olonkho epic narratives. Furthermore, this sacred tree is described to "connect the three worlds (Upper, Middle and Lower)", the branches to the sky and the roots to the underworld. Further studies show that this sacred tree also shows many alternate names and descriptions in different regional traditions. According to scholarship, the prevalent animal at the top of the tree in the Olonkho is the eagle.

Researcher Galina Popova emphasizes that the motif of the world tree offers a binary opposition between two different realms (the Upper Realm and the Underworld), and Aal Luuk Mas functions as a link between both. A spirit or goddess of the earth, named Aan Alahchin Hotun, is also said to inhabit or live in the trunk of Aal Luuk Mas.

Bashkir

According to scholarship, in the Bashkir epic Ural-batyr, deity Samrau is described as a celestial being married to female deities of the Sun and the Moon. He is also "The King of the Birds" and is opposed by the "dark forces" of the universe, which live in the underworld. A similarly named creature, the bird Samrigush, appears in Bashkir folktales living atop the tallest tree in the world and its enemy is a snake named Azhdakha. After the human hero kills the serpent Azhdakha, the grateful Samrigush agrees to carry him back to the world of light.

Kazakh

Scholarship points to the existence of a bird named Samurik (Samruk) that, according to Kazakh myth, lives atop the World Tree Baiterek. Likewise, in Kazakh folktales, it is also the hero's carrier out of the underworld, after he defeats a dragon named Aydakhara or Aydarhana. In the same vein, Kazakh literary critic and folklorist Seyt Kaskabasov [ru] described that the Samruk bird travels between the three spheres of the universe, nests atop the "cosmic tree" (bәyterek) and helps the hero out of the underworld.

Other representations

An early 20th-century report on Altaian shamanism by researcher Karunovskaia describes a shamanistic journey, information provided by one Kondratii Tanashev (or Merej Tanas). However, A. A. Znamenski believes this material is not universal to all Altaian peoples, but pertains to the specific worldview of Tanashev's Tangdy clan. Regardless, the material showed a belief in a tripartite division of the world in sky (heavenly sphere), middle world and underworld; in the central part of the world, a mountain (Ak toson altaj sip') is located. Upon this mountain there is "a navel of the earth and water ... which also serves as the root of the 'wonderful tree with golden branches and wide leaves' (Altyn byrly bai terek)". Like the iconic imagery, the tree branches out to reach the heavenly sphere.

Mongolic cultures

Finnish folklorist Uno Holmberg reported a tale from the Kalmuck people about a dragon that lies in the sea, at the foot of a Zambu tree. In the Buryat poems, near the root of the tree a snake named Abyrga dwells. He also reported a "Central Asian" narrative about the fight between the snake Abyrga and a bird named Garide – which he identified as a version of Indian Garuda.

East Asia

Korea

The world tree is visible in the designs of the Crown of Silla, Silla being one of the Three Kingdoms of Korea. This link is used to establish a connection between Siberian peoples and those of Korea.

China

In Chinese mythology, a manifestation of the world tree is the Fusang or Fumu tree. In a Chinese cosmogonic myth, solar deity Xihe gives birth to ten suns. Each of the suns rests upon a tree named Fusang (possibly a mulberry tree). The ten suns alternate during the day, each carried by a crow (the "Crow of the Sun"): one sun stays on the top branch to wait its turn, while the other nine suns rest on the lower branches.

Tanzania

An origin myth is recorded from the Wapangwa tribe of Tanzania, wherein the world is created through "a primordial tree and a termite mound". As a continuation of the same tale, the animals wanted to eat the fruits of this Tree of Life, but humans intended to defend it. This led to a war between animals and humans.

Kenya

In the agikuyu community, the "mūgumo" tree is held sacred and it is a taboo to even fetch firewood from it. In the past, the tree served as a altar to offer sacrifices as well as being a place of prayer. If a mùgumo tree falls, it is believed to be an end of an era for a "god"/dynasty and a ritual should be done by elders to cleanse the area and the community because it might be a bad omen.

In folk and fairy tales

ATU 301: The Three Stolen Princesses

The imagery of the World Tree appears in a specific tale type of the Aarne-Thompson-Uther Index, type ATU 301, "The Three Stolen Princesses", and former subtypes AaTh 301A, "Quest for a Vanished Princess" (or "Three Underground Kingdoms") and AaTh 301B, "The Strong Man and His Companions" (Jean de l'Ours and Fehérlófia). The hero journeys alone to the underworld (or a subterranean realm) to rescue three princesses. He leads them to a rope that will take them to the surface and, when the hero tries to climb up the rope, his companions cut it and the hero is stranded in the underworld. In his wanderings, he comes across a tree, on its top a nest of eggs from an eagle, a griffin or a mythical bird. The hero protects the nest from a snake enemy that slithers from the roots of the tree.

Serbian scholarship recalls a Serbian mythical story about three brothers, named Ноћило, Поноћило и Зорило ("Noćilo, Ponoćilo and Zorilo") and their mission to rescue the king's daughters. Zorilo goes down the cave, rescues three princesses and with a whip changes their palaces into apples. When Zorilo is ready to go up, his brothers abandon him in the cave, but he escapes with the help of a bird. Serbian scholar Pavle Sofric (sr), in his book about Serbian folkmyths about trees, noted that the tree of the tale, an ash tree (Serbian: јасен), showed a great parallel to the Nordic tree as not to be coincidental.

While comparing Balkanic variants of the tale type ATU 301, researcher Milena Benovska-Sabkova noticed that the conflict between the snake and the eagle (bird) on the tree "was very close to the classical imagery of the World Tree".

Other fairy tales

According to scholarship, Hungarian scholar János Berze Nágy also associated the imagery of the World Tree with fairy tales wherein a mysterious thief comes at night to steal the golden apples of the king's prized tree. This incident occurs as an alternative opening to tale type ATU 301, in a group of tales formerly classified as AaTh 301A, and as the opening episode in most variants of tale type ATU 550, "Bird, Horse and Princess" (otherwise known as The Golden Bird).

Likewise, historical linguist Václav Blažek argued for parallels of certain motifs of these fairy tales (the night watch of the heroes, the golden apples, the avian thief) to Ossetian Nart sagas and the Greek myth of the Garden of the Hesperides. The avian thief may also be a princess cursed into bird form, such as in Hungarian tale Prince Árgyilus (hu) and Fairy Ilona and in Serbian tale The Nine Peahens and the Golden Apples (both classified as ATU 400, "The Man on a Quest for the Lost Wife"). This second type of opening episode was identified by Romanian folklorist Marcu Beza as another introduction to swan maiden tales.

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