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Saturday, April 15, 2023

Soft science fiction

From Wikipedia, the free encyclopedia
 
Photograph of Ursula K. Le Guin standing and reading aloud in a bookshop
Ursula K. Le Guin, one of the significant writers of soft science fiction

Soft science fiction, or soft SF, is a category of science fiction with two different definitions, defined in contrast to hard science fiction. It can refer to science fiction that explores the "soft" sciences (e.g. psychology, political science, anthropology), as opposed to hard science fiction, which explores the "hard" sciences (e.g. physics, astronomy, biology). It can also refer to science fiction which prioritizes human emotions over the scientific accuracy or plausibility of hard science fiction.

Soft science fiction of either type is often more concerned with speculative societies and relationships between characters, rather than speculative science or engineering. The term first appeared in the late 1970s and is attributed to Australian literary scholar Peter Nicholls.

Definition

Photograph of Peter Nicholls sitting during a panel discussion
Peter Nicholls, the first person attested to have used the term soft science fiction

In The Encyclopedia of Science Fiction, Peter Nicholls writes that "soft SF" is a "not very precise item of SF terminology" and that the contrast between hard and soft is "sometimes illogical." In fact, the boundaries between "hard" and "soft" are neither definite nor universally agreed-upon, so there is no single standard of scientific "hardness" or "softness." Some readers might consider any deviation from the possible or probable (for example, including faster-than-light travel or paranormal powers) to be a mark of "softness." Others might see an emphasis on character or the social implications of technological change (however possible or probable) as a departure from the science-engineering-technology issues that in their view ought to be the focus of hard SF. Given this lack of objective and well-defined standards, "soft science fiction" does not indicate a genre or subgenre of SF but a tendency or quality—one pole of an axis that has "hard science fiction" at the other pole.

In Brave New Words, subtitled The Oxford Dictionary of Science Fiction, soft science fiction is given two definitions. The first definition is fiction that is primarily focused on advancements in, or extrapolations of, the soft sciences; that is social sciences and not natural sciences. The second definition is science fiction in which science is not important to the story.

Etymology

The term soft science fiction was formed as the complement of the earlier term hard science fiction.

The earliest known citation for the term is in "1975: The Year in Science Fiction" by Peter Nicholls, in Nebula Awards Stories 11 (1976). He wrote "The same list reveals that an already established shift from hard sf (chemistry, physics, astronomy, technology) to soft sf (psychology, biology, anthropology, sociology, and even [...] linguistics) is continuing more strongly than ever."

History

Black and white photograph of H. G. Wells standing and wearing a suit
H. G. Wells, an early example of a soft science fiction writer

Poul Anderson, in Ideas for SF Writers (Sep 1998), described H. G. Wells as the model for soft science fiction: "He concentrated on the characters, their emotions and interactions" rather than any of the science or technology behind, for example, invisible men or time machines. Jeffrey Wallmann suggests that soft science fiction grew out of the gothic fiction of Edgar Allan Poe and Mary Shelley.

Carol McGuirk, in Fiction 2000 (1992), states that the "soft school" of science fiction dominated the genre in the 1950s, with the beginning of the Cold War and an influx of new readers into the science fiction genre. The early members of the soft science fiction genre were Alfred Bester, Fritz Leiber, Ray Bradbury and James Blish, who were the first to make a "radical" break from the hard science fiction tradition and "take extrapolation explicitly inward", emphasising the characters and their characterisation. In calling out specific examples from this period, McGuirk describes Ursula K. Le Guin's 1969 novel The Left Hand of Darkness as "a soft SF classic". The New Wave movement in science fiction developed out of soft science fiction in the 1960s and 70s. The conte cruel was the standard narrative form of soft science fiction by the 1980s. During the 1980s cyberpunk developed from soft science fiction.

McGuirk identifies two subgenres of soft science fiction: "Humanist science fiction" (in which human beings, rather than technology, are the cause of advancement or from which change can be extrapolated in the setting; often involving speculation on the human condition) and "Science fiction noir" (focusing on the negative aspects of human nature; often in a dystopian setting).

Examples

Photograph of Audrey Niffenegger standing behind a lectern, delivering the inaugural PEN/H.G. Wells lecture at Loncon, Worldcon 2014
Audrey Niffenegger, author of the soft science fiction work The Time Traveler's Wife

George Orwell's Nineteen Eighty-Four might be described as soft science fiction, since it is concerned primarily with how society and interpersonal relationships are altered by a political force that uses technology mercilessly; even though it is the source of many ideas and tropes commonly explored in subsequent science fiction, (even in hard science fiction), such as mind control and surveillance. And yet, its style is uncompromisingly realistic, and despite its then-future setting, very much more like a spy novel or political thriller in terms of its themes and treatment.

Karel Čapek's 1920 play R.U.R., which supplied the term robot (nearly replacing earlier terms such as automaton) and features a trope-defining climax in which artificial workers unite to overthrow human society, covers such issues as free will, a post-scarcity economy, robot rebellion, and post-apocalyptic culture. The play, subtitled "A Fantastic Melodrama", offers only a general description of the process for creating living workers out of artificial tissue, and thus can be compared to social comedy or literary fantasy.

George S. Elrick, in Science Fiction Handbook for Readers and Writers (1978), cited Brian Aldiss' 1959 short story collection The Canopy of Time (using the US title Galaxies Like Grains of Sand) as an example of soft science fiction based on the soft sciences.

Frank Herbert's Dune series is a landmark of soft science fiction. In it, he deliberately spent little time on the details of its futuristic technology so he could devote it chiefly to addressing the politics of humanity, rather than the future of humanity's technology.

Linguistic relativity (also known as the Sapir–Whorf hypothesis), the theory that language influences thought and perception, is a subject explored in some soft science fiction works such as Jack Vance's The Languages of Pao (1958) and Samuel R. Delany's Babel-17 (1966). In these works artificial languages are used to control and change people and whole societies. Science fictional linguistics are also the subject of varied works from Ursula K. Le Guin's novel The Dispossessed (1974), to the Star Trek: The Next Generation episode "Darmok" (1991), to Neal Stephenson's novel Snow Crash (1992), to the film Arrival (2016).

Films set in outer space

Soft science fiction filmmakers tend to extend to outer space certain physics that are associated with life on Earth's surface, primarily to make scenes more spectacular or recognizable to the audience. Examples are:

  • Presence of gravity without use of an artificial gravity system.
  • A spaceship's engines or an explosion generating sound despite the vacuum of space.
  • Spaceships changing directions without any visible thrusting activity.
  • Spaceship occupants enduring without any visible effort the enormous g-forces generated from a spaceship's extreme maneuvering (e.g. in a dogfight situation) or launch.
  • Astronauts instantly freezing to death or getting a frostbite when exposed to outer space
  • Spacecraft which suffer engine failures "falling" or coming to a stop, instead of continuing along their current trajectory or orbit as per inertia.

Hard science fiction films try to avoid such artistic license.

Representative works

Arranged chronologically by publication year.

Short fiction

Novels

Fan art of Fremen from Dune by Frank Herbert

Film and television

In the sense of a basis in the soft sciences:

  • Episodes of Star Trek: The Next Generation (1987–1994) like the fifth season's "Darmok" (S5E02; September 30, 1991) are based on soft science concepts; in this case, linguistics.

Some prime examples of soft science fiction on film and television include:

Foundation series

From Wikipedia, the free encyclopedia
https://en.wikipedia.org/wiki/Robot_series
 
Foundation gnome.jpg
First edition dust jacket of Foundation


AuthorIsaac Asimov
CountryUnited States
LanguageEnglish
GenreScience fiction
PublisherAstounding Science Fiction (Street & Smith), Gnome Press, Spectra, Doubleday
Published1942–1993
Media typePrint

The Foundation series is a science fiction book series written by American author Isaac Asimov. First published as a series of short stories and novellas in 1942–50, and subsequently in three collections in 1951–53, for thirty years the series was a trilogy: Foundation; Foundation and Empire; and Second Foundation. It won the one-time Hugo Award for "Best All-Time Series" in 1966. Asimov began adding new volumes in 1981, with two sequels: Foundation's Edge and Foundation and Earth, and two prequels: Prelude to Foundation and Forward the Foundation.

The premise of the stories is that, in the waning days of a future Galactic Empire, the mathematician Hari Seldon spends his life developing a theory of psychohistory, a new and effective mathematics of sociology. Using statistical laws of mass action, it can predict the future of large populations. Seldon foresees the imminent fall of the Empire, which encompasses the entire Milky Way, and a Dark Age lasting 30,000 years before a second empire arises. Although the momentum of the Empire's fall is too great to stop, Seldon devises a plan by which "the onrushing mass of events must be deflected just a little" to eventually limit this interregnum to just one thousand years.

Publication history

Original stories

The original trilogy of novels collected a series of eight short stories and novelas published in Astounding Science-Fiction magazine between May 1942 and January 1950. According to Asimov, the premise was based on ideas in Edward Gibbon's History of the Decline and Fall of the Roman Empire, and was invented spontaneously on his way to meet with editor John W. Campbell, with whom he developed the concepts of the collapse of the Galactic Empire, the civilization-preserving Foundations, and psychohistory. Asimov wrote these early stories in his West Philadelphia apartment when he worked at the Philadelphia Naval Yard.

Foundation trilogy

The first four stories were collected, along with a new introductory story, and published by Gnome Press in 1951 as Foundation. The later stories were published in pairs by Gnome as Foundation and Empire (1952) and Second Foundation (1953), resulting in the "Foundation Trilogy", as the series is still known.

Later sequels and prequels

In 1981, Asimov was persuaded by his publishers to write a fourth book, which became Foundation's Edge (1982).

Four years later, Asimov followed up with yet another sequel, Foundation and Earth (1986), which was followed by the prequels Prelude to Foundation (1988) and Forward the Foundation (1993), published after his 1992 death. During the two-year lapse between writing the sequels and prequels, Asimov had tied in his Foundation series with his various other series, creating a single unified universe. The basic link is mentioned in Foundation's Edge: an obscure myth about a first wave of space settlements with robots and then a second without. The idea is the one developed in Robots of Dawn, which, in addition to showing the way that the second wave of settlements was to be allowed, illustrates the benefits and shortcomings of the first wave of settlements and their so-called C/Fe (carbon/iron, signifying humans and robots together) culture. In this same book, the word psychohistory is used to describe the nascent idea of Seldon's work. Some of the drawbacks to this style of colonization, also called Spacer culture, are also exemplified by the events described all the way back in 1957's The Naked Sun.

The link between the Robot and Foundation universes was tightened by letting the robot R. Daneel Olivaw - originally introduced in The Caves of Steel - live on for tens of thousands of years and play a major role behind the scenes in both the Galactic Empire in its heyday and in the rise of the two Foundations to take its place.

Asimov Foundation series novels

The plot of the seven novels follows the series in-universe chronology, not the order of publication. After many years as a trilogy comprising Foundation, Foundation and Empire, and Second Foundation, the series was expanded with two prequels and two sequels.

Series Title Year ISBN
Prequel novels Prelude to Foundation 1988 0-553-27839-8
Forward the Foundation 1993 0-553-40488-1
Original trilogy Foundation 1951 0-553-29335-4
Foundation and Empire 1952 0-553-29337-0
Second Foundation 1953 0-553-29336-2
Later novels Foundation's Edge 1982 0-553-29338-9
Foundation and Earth 1986 0-553-58757-9

Prelude to Foundation (1988)

Prelude to Foundation opens on the planet Trantor, the empire's capital planet, the day after Hari Seldon has given a speech at a mathematics conference. Several parties become aware of the content of his speech (that using mathematical formulas, it may be possible to predict the future course of human history). Seldon is hounded by the Emperor and various employed thugs who are working surreptitiously, which forces him into exile. Over the course of the book, Seldon and Dors Venabili, a female companion and professor of history, are taken from location to location by Chetter Hummin who, under the guise of a reporter, introduces them to various Trantorian walks of life in his attempts to keep Seldon hidden from the Emperor. Throughout their adventures all over Trantor, Seldon continuously denies that psychohistory is a realistic science. Even if feasible, it may take several decades to develop. Hummin, however, is convinced that Seldon knows something, so he continuously presses him to work out a starting point to develop psychohistory. Eventually, after much traveling and introductions to various, diverse cultures on Trantor, Seldon realizes that using the entire known galaxy as a starting point is too overwhelming; he then decides to use Trantor as a model to work out the science, with a goal of later using the applied knowledge on the rest of the galaxy.

Forward the Foundation (1993)

Eight years after the events of Prelude, Seldon has worked out the science of psychohistory and has applied it on a galactic scale. His notability and fame increase, and he is eventually promoted to First Minister to the Emperor. As the book progresses, Seldon loses those closest to him, including his wife, Dors Venabili, as his own health deteriorates into old age. Having worked his entire adult life to understand psychohistory, Seldon instructs his granddaughter, Wanda, to set up the Second Foundation.

Foundation (1951)

Called forth to stand trial on Trantor for allegations of treason (for foreshadowing the decline of the Galactic Empire), Seldon explains that his science of psychohistory foresees many alternatives, all of which result in the Galactic Empire eventually falling. If humanity follows its current path, the Empire will fall and 30,000 years of turmoil will overcome humanity before a second empire arises. However, an alternative path allows for the intervening years to be only one thousand if Seldon is allowed to collect the most intelligent minds and create a compendium of all human knowledge, entitled the Encyclopedia Galactica. The board is still wary, but allows Seldon to assemble whomever he needs, provided he and the "Encyclopedists" be exiled to a remote planet, Terminus. Seldon agrees to these terms – and also secretly establishes a second foundation of which almost nothing is known, which he says is at the "opposite end" of the galaxy.

After fifty years on Terminus, and with Seldon now dead, the inhabitants find themselves in a crisis. With four powerful planets surrounding their own, the Encyclopedists have no defenses but their own intelligence. At the same time, a vault left by Seldon is due to automatically open. The vault reveals a pre-recorded hologram of Seldon, who informs the Encyclopedists that their entire reason for being on Terminus is a fraud, insofar as Seldon did not actually care whether or not an encyclopedia was created, only that the population was placed on Terminus and the events needed by his calculations were set in motion. In reality, the recording discloses, Terminus was set up to reduce the dark ages based on his calculations. It will develop by facing intermittent and extreme "crises" – known as "Seldon Crises" – which the laws governing psychohistory show will inevitably be overcome, simply because human nature will cause events to fall in particular ways which lead to the intended goal. The recording reveals that the present events are the first such crisis, reminds them that a second foundation was also formed at the "opposite end" of the galaxy, and then falls silent.

The Mayor of Terminus City, Salvor Hardin, proposes to play the planets against each other. His plan is a success; the Foundation remains untouched, and he becomes its effective ruler. Meanwhile, the minds of the Foundation continue to develop newer and greater technologies which are more compact and powerful than the Empire's equivalents. Using its scientific advantages, Terminus develops trade routes with nearby planets, eventually taking them over when its technology becomes a much-needed commodity. The interplanetary traders effectively become diplomats to other planets. One such trader, Hober Mallow, becomes powerful enough to challenge and win the office of Mayor and, by cutting off supplies to a nearby region, also succeeds in adding more planets to the Foundation's control.

Foundation and Empire (1952)

An ambitious general of the current emperor of the galaxy perceives the Foundation as a growing threat and orders an attack on it, using the Empire's still-mighty fleet of war vessels. The Emperor, initially supportive, becomes suspicious of his general's long-term motive for the attack and recalls the fleet despite being close to victory. In spite of its undoubted inferiority in purely military terms, the Foundation emerges as the victor, and the Empire itself is defeated. Seldon's hologram reappears in the vault on Terminus, and explains to the Foundation that this opening of the vault follows a conflict whose result was inevitable whatever might have been done – a weak Imperial navy could not have attacked them, while a strong navy would have shown itself by its successes to be a direct threat to the Emperor himself and been recalled.

A century later, an unknown outsider called the Mule has begun taking over planets at a rapid pace. The Foundation comes to realize, too late, that the Mule is unforeseen by Seldon's plan. Toran and Bayta Darell, accompanied by Ebling Mis – the Foundation's greatest psychologist – and a court jester named Magnifico familiar with the Mule, set out to Trantor to find the Second Foundation, hoping to bring an end to the Mule's reign. Mis studies furiously in the Great Library of Trantor to figure out the Second Foundation's location in order to seek its help. He is successful and also deduces that the Mule's success stems from his being a mutant who is able to change the emotions of others, a power he used to first instill fear in the inhabitants of his conquered planets, then to make his enemies devoutly loyal to him. Mis is murdered by Bayta Darell before he can reveal the location because she realized that Magnifico is in fact the Mule and has been using his gifts to help Mis do his research, so that the Mule can subjugate the Second Foundation. The Mule ruefully acknowledges that his feelings for Bayta prevented him from tampering with her mind to block just such interference. He leaves Trantor to rule over his conquered planets while continuing his search.

Second Foundation (1953)

As the Mule comes closer to finding it, the mysterious Second Foundation comes briefly out of hiding to face the threat directly. While the first Foundation has developed the physical sciences, the Second Foundation has been developing Seldon's mathematics and the Seldon Plan, along with their use of mental abilities. The Second Foundation launches an operation to deceive and eventually mind control the Mule, whom they return to rule over his kingdom peacefully for the rest of his life, without any further thought of conquering the Second Foundation.

However, as a result, the first Foundation learns something of the Second Foundation beyond the simple fact that it exists, and has some understanding of its role. This means their behavior will now be influenced by that knowledge, invalidating the mathematics of the Seldon Plan. This places the Plan itself at great risk. In addition, the First Foundation starts to resentfully consider the other a rival, and a small group secretly begins to develop equipment to detect and block the Second Foundation's mental influence. After many attempts to infer the Second Foundation's whereabouts from the few clues available, the Foundation is led to believe the Second Foundation is located on Terminus (the "opposite end of the galaxy" for a galaxy with a circular shape). The Foundation uncovers and eliminates a group of fifty members of the Second Foundation, believing they have destroyed the Second Foundation.

In fact, the fifty were volunteers who sacrificed themselves so that humanity's collective behavior would once again be predictable and follow the mathematics of the Seldon Plan. The Second Foundation itself, however, is finally revealed to be located on the former Imperial homeworld of Trantor. The clue "at Star's End" was not a physical clue, but was instead based on an old saying, "All roads lead to Trantor, and that is where all stars end."

Foundation's Edge (1982)

Believing the Second Foundation still exists (despite the common belief that it has been extinguished), young politician Golan Trevize is sent into exile by the current Mayor of the Foundation, Harla Branno, to uncover the Second Foundation; Trevize is accompanied by a scholar named Janov Pelorat. The reason for their belief is that, despite the unforeseeable impact of the Mule, the Seldon Plan still appears to be proceeding in accordance with the statements of Seldon's hologram, suggesting that the Second Foundation still exists and is secretly intervening to bring the plan back on course. After a few conversations with Pelorat, Trevize comes to believe that a mythical planet called Earth may hold the secret to the location. No such planet exists in any database, yet several myths and legends all refer to it, and it is Trevize's belief that the planet is deliberately being kept hidden. Unknown to Trevize and Pelorat, Branno is tracking their ship so that, in the event they find the Second Foundation, the first Foundation can take military or other action.

Meanwhile, Stor Gendibal, a prominent member of the Second Foundation, discovers a simple local on Trantor who has had a very subtle alteration made to her mind, far more delicate than anything the Second Foundation can do. He concludes that a greater force of Mentalics must be active in the Galaxy. Following the events on Terminus, Gendibal endeavors to follow Trevize, reasoning that by doing so, he may find out who has altered the mind of the Trantor native.

Using the few scraps of reliable information within the various myths, Trevize and Pelorat discover a planet called Gaia which is inhabited solely by Mentalics, to such an extent that every organism and inanimate object on the planet shares a common mind. Both Branno and Gendibal, who have separately followed Trevize, also reach Gaia at the same time. Gaia reveals that it has engineered this situation because it wishes to do what is best for humanity but cannot be sure what is best. Trevize's purpose, faced with the leaders of both the First and Second Foundations and Gaia itself, is to be trusted to make the best decision among the three main alternatives for the future of the human race: the First Foundation's path, based on mastery of the physical world and its traditional political organization (i.e., Empire); the Second Foundation's path, based on mentalics and probable rule by an elite using mind control; or Gaia's path of absorption of the entire Galaxy into one shared, harmonious living entity in which all beings, and the galaxy itself, would be a part.

After Trevize makes his decision for Gaia's path, the intellect of Gaia adjusts both Branno's and Gendibal's minds so that each believes he or she has succeeded in a significant task. (Branno believes she has successfully negotiated a treaty tying Sayshell to the Foundation, and Gendibal – now leader of the Second Foundation – believes that the Second Foundation is victorious and should continue as normal.) Trevize remains, but is uncertain as to why he is "sure" that Gaia is the correct outcome for the future.

Foundation and Earth (1986)

Still uncertain about his decision, Trevize continues on with the search for Earth along with Pelorat and a local of Gaia, advanced in Mentalics, known as Blissenobiarella (usually referred to simply as Bliss). Eventually, Trevize finds three sets of coordinates which are very old. Adjusting them for time, he realizes that his ship's computer does not list any planet in the vicinity of the coordinates. When he physically visits the locations, he rediscovers the forgotten Spacer worlds of Aurora, Solaria, and finally Melpomenia. After searching and facing different dilemmas on each planet, Trevize still has not discovered any answers.

Aurora and Melpomenia are long deserted, but Solaria contains a small population which is extremely advanced in the field of Mentalics. When the lives of the group are threatened, Bliss uses her abilities (and the shared intellect of Gaia) to destroy the Solarian who is about to kill them. This leaves behind a small child who will be put to death if left alone, so Bliss makes the decision to keep the child as they quickly escape the planet.

Eventually, Trevize discovers Earth, but it, again, contains no satisfactory answers for him (it is also long-since deserted). However, it dawns on Trevize that the answer may not be on Earth, but on Earth's satellite – the Moon. Upon approaching the planet, they are drawn inside the Moon's core, where they meet a robot named R. Daneel Olivaw.

Olivaw explains that he has been instrumental in guiding human history for thousands of years, having provided the impetus for Seldon to create psychohistory and also the creation of Gaia, but is now close to the end of his ability to maintain himself and will shortly cease to function. Despite replacing his positronic brain (which contains 20,000 years of memories), he is going to die shortly. He explains that no further robotic brain can be devised to replace his current one, or which will let him continue assisting for the benefit of humanity. However, some additional time can be won to ensure the long-term benefit of humanity by merging R. Daneel Olivaw's mind with the organic intellect of a human – in this case, the intellect of the child that the group rescued on Solaria.

Once again, Trevize is put in the position of deciding if having Olivaw meld with the child's superior intellect would be in the best interests of the galaxy. The decision is left ambiguous (though likely a "yes") as it is implied that the melding of the minds may be to the child's benefit, but that she may have sinister intentions.

Development and themes

The early stories were inspired by Edward Gibbon's The History of the Decline and Fall of the Roman Empire. The plot of the series focuses on the growth and reach of the Foundation, against a backdrop of the "decline and fall of the Galactic Empire." The themes of Asimov's stories were also influenced by the political tendency in science fiction fandom, associated with the Futurians, known as Michelism.

The focus of the books is the trends through which a civilization might progress, specifically seeking to analyze their progress, using history as a precedent. Although many science fiction novels such as Nineteen Eighty-Four or Fahrenheit 451 do this, their focus is upon how current trends in society might come to fruition and they act as a moral allegory of the modern world. The Foundation series, on the other hand, looks at the trends in a wider scope, dealing with societal evolution and adaptation rather than the human and cultural qualities at one point in time. In this Asimov followed the model of Thucydides' work The History of the Peloponnesian War, as he once acknowledged.

Asimov tried to end the series with Second Foundation. However, because of the predicted thousand years until the rise of the next Empire (of which only a few hundred had elapsed), the series lacked a sense of closure. For decades, fans pressured him to write a sequel. In 1982, after a 30-year hiatus, Asimov gave in and wrote what was at the time a fourth volume: Foundation's Edge. This was followed shortly thereafter by Foundation and Earth. This novel, which takes place some 500 years after Seldon, ties up all the loose ends and ties all his Robot, Empire, and Foundation novels into a single story. He also opens a brand new line of thought in the last dozen pages regarding Galaxia, a galaxy inhabited by a single collective mind. This concept was never explored further. According to his widow Janet Asimov (in her biography of Isaac, It's Been a Good Life), he had no idea how to continue after Foundation and Earth, so he started writing the prequels.

Asimov's imprecise future history

Asimov (right) was inspired by the Future History stories of Heinlein (left), but self-consciously wrote that his was "not the beautiful job that Heinlein did, but was actually made up 'ad hoc'".

In the spring of 1955, Asimov published a future history of humanity in the pages of Thrilling Wonder Stories magazine based upon his thought processes concerning the Foundation universe at that point in his life. According to the publication, "the scheme was not originally worked out as a consistent pattern and only includes about one-quarter of his total writings". Because of this, the dating in the Foundation series is approximate and inconsistent.

Asimov estimates that his Foundation series takes place nearly 50,000 years into the future, with Hari Seldon born in 47,000 CE. Around this time, the future emperor Cleon I is born in the imperial capital Trantor, 78 years before the Foundation Era (FE) and the events of the original Foundation trilogy. After Cleon inherits the crown, the mathematician Hari Seldon comes to Trantor from Helicon to deliver his theory of psychohistory that predicts the fall of the empire, which triggers the events of Prelude to Foundation. Forward the Foundation picks up the story a few years later, with the emperor being assassinated and Seldon retiring from politics.

At the start of the Foundation Era, the events of the original Foundation novel (first published in Astounding Science Fiction as a series of short stories) take place, and the in-universe Foundation Era truly begins. According to Asimov, he intended this to take place around the year 47000 CE, with the Empire in decay as it battles the rising Foundation, who emerges as the dominant power a few centuries later. Thus begins the events of the Foundation and Empire, which include the unpredicted rise of the Mule, who defeats the Foundation thanks to his mutant abilities. The events of Second Foundation chronicle the titular Second Foundation's search and defeat of the Mule, and their conflict with the remnants of the original Foundation, averting the Dark Age. Asimov estimates that the Mule rises and falls somewhere around 47300 CE.

Foundation's Edge takes place 500 years after the establishment of the Foundation, outside of the original trilogy of novels. Foundation and Earth follows immediately after, with humanity choosing and justifying a third path distinct from the opposing visions of the two Foundations. According to Asimov, the Second Galactic Empire is established 48000 CE, 1000 years after the events of the first novel.

Asimov himself commented that his fiction's internal history was "actually made up ad hoc. My cross-references in the novels are thrown in as they occur to me and did not come from a systemized history. ... If some reader checks my stories carefully and finds that my dating is internally inconsistent, I can only say I'm not surprised."

Prequel

A Second Foundation trilogy of prequels was written after Asimov's death by three authors, authorized by the Asimov estate. These included Foundation's Fear (1997) by Gregory Benford, Foundation and Chaos (1998) by Greg Bear, and Foundation's Triumph (1999) by David Brin.

Cultural impact

Impact in nonfiction

In Learned Optimism, psychologist Martin Seligman identifies the Foundation series as one of the most important influences in his professional life, because of the possibility of predictive sociology based on psychological principles. He also lays claim to the first successful prediction of a major historical (sociological) event, in the 1988 US elections, and he specifically attributes this to a psychological principle.

In his 1996 book To Renew America, U. S. House Speaker Newt Gingrich wrote that he was influenced by reading the Foundation trilogy in high school.

Paul Krugman, winner of the 2008 Nobel Memorial Prize in Economic Sciences, credits the Foundation series with turning his mind to economics, as the closest existing science to psychohistory.

The businessman and entrepreneur Elon Musk counts the series among the inspirations for his career. When Musk's Tesla Roadster was launched into space on the maiden flight of the Falcon Heavy rocket in February 2018, amongst other items it carried a 5D optical data storage copy of the Foundation series.

Stating that it "offers a useful summary of some of the dynamics of far-flung imperial Rome", Carl Sagan in 1978 listed the Foundation series as an example of how science fiction "can convey bits and pieces, hints and phrases, of knowledge unknown or inaccessible to the reader". In the nonfiction PBS series Cosmos: A Personal Voyage, Sagan referred to an Encyclopedia Galactica in the episodes "Encyclopaedia Galactica" and "Who Speaks for Earth".

Awards

In 1966, the Foundation trilogy beat several other science fiction and fantasy series to receive a special Hugo Award for "Best All-Time Series". The runners-up for the award were the Barsoom series by Edgar Rice Burroughs, the Future History series by Robert A. Heinlein, the Lensman series by Edward E. Smith and The Lord of the Rings by J. R. R. Tolkien. The Foundation series was the only series so honored until the establishment of the "Best Series" category in 2017. Asimov himself wrote that he assumed the one-time award had been created to honor The Lord of the Rings, and he was amazed when his work won.

The series has won three other Hugo Awards. Foundation's Edge won Best Novel in 1983, and was a bestseller for almost a year. Retrospective Hugo Awards were given in 1996 and 2018 for, respectively, "The Mule" (the major part of Foundation and Empire) for Best Novel (1946) and "Foundation" (the first story written for the series, and second chapter of the first novel) for Best Short Story (1943).

Impact in fiction and entertainment

Douglas Adams' The Hitchhiker's Guide to the Galaxy mentions the encyclopedia by name, remarking that it is rather "dry", and consequently sells fewer copies than his own creation "The Guide".

Frank Herbert also wrote Dune as a counterpoint to Foundation. Tim O'Reilly in his monograph on Herbert wrote that "Dune is clearly a commentary on the Foundation trilogy. Herbert has taken a look at the same imaginative situation that provoked Asimov's classic—the decay of a galactic empire—and restated it in a way that draws on different assumptions and suggests radically different conclusions. The twist he has introduced into Dune is that the Mule, not the Foundation, is his hero."

In 1995, Donald Kingsbury wrote "Historical Crisis", which he later expanded into a novel, Psychohistorical Crisis. It takes place about 2,000 years after Foundation, after the founding of the Second Galactic Empire. It is set in the same fictional universe as the Foundation series, in considerable detail, but with virtually all Foundation-specific names either changed (e.g., Kalgan becomes Lakgan), or avoided (psychohistory is created by an unnamed, but often-referenced Founder). The novel explores the ideas of psychohistory in a number of new directions, inspired by more recent developments in mathematics and computer science, as well as by new ideas in science fiction itself.

In 1998, the novel Spectre (part of the Shatnerverse series) by William Shatner and Judith and Garfield Reeves-Stevens states that the Mirror Universe divergent path has been studied by the Seldon Psychohistory Institute.

The oboe-like holophonor in Matt Groening's animated television series Futurama is based directly upon the "Visi-Sonor" which Magnifico plays in Foundation and Empire. The "Visi-Sonor" is also mirrored in an episode of Special Unit 2, where a child's television character plays an instrument that induces mind control over children.

During the 2006–2007 Marvel Comics Civil War crossover storyline, in Fantastic Four #542 Mister Fantastic revealed his own attempt to develop psychohistory, saying he was inspired after reading the Foundation series.

According to lead singer Ian Gillan, the hard rock band Deep Purple's song The Mule is based on the Foundation character: "Yes, The Mule was inspired by Asimov. It's been a while but I'm sure you've made the right connection... Asimov was required reading in the 1960s."

Adaptations

Radio

An eight-part radio adaptation of the original trilogy, with sound design by the BBC Radiophonic Workshop, was broadcast on BBC Radio 4 in 1973—one of the first BBC radio drama serials to be made in stereo. A BBC 7 rerun commenced in July 2003.

Adapted by Patrick Tull (episodes 1 to 4) and Mike Stott (episodes 5 to 8), the dramatisation was directed by David Cain and starred William Eedle as Hari Seldon, with Geoffrey Beevers as Gaal Dornick, Lee Montague as Salvor Hardin, Julian Glover as Hober Mallow, Dinsdale Landen as Bel Riose, Maurice Denham as Ebling Mis and Prunella Scales as Lady Callia.

Film

By 1998, New Line Cinema had spent $1.5 million developing a film version of the Foundation Trilogy. The failure to develop a new franchise was partly a reason the studio signed on to produce The Lord of the Rings film trilogy.

On July 29, 2008, New Line Cinema co-founders Bob Shaye and Michael Lynne were reported to have been signed on to produce an adaptation of the trilogy by their company Unique Pictures for Warner Brothers. However, Columbia Pictures (Sony) successfully bid for the screen rights on January 15, 2009, and then contracted Roland Emmerich to direct and produce. Michael Wimer was named as co-producer. Two years later, the studio hired Dante Harper to adapt the books. This project failed to materialize, and HBO acquired the rights when they became available in 2014.

Television

In November 2014, TheWrap reported that Jonathan Nolan was writing and producing a TV series based on the Foundation Trilogy for HBO. Nolan confirmed his involvement at a Paley Center event on April 13, 2015.

In June 2017, Deadline reported that Skydance Media would produce a TV series. In August 2018 it was announced that Apple TV+ had commissioned a 10 episode straight-to-series order. However, on April 18, 2019, Josh Friedman left the project as co-writer and co-showrunner. This was apparently planned, with either Friedman or screenwriter David Goyer leaving and the other staying. On June 22, 2020, Apple CEO Tim Cook announced the series would be released in 2021. On 13 March 2020, Apple suspended all active filming on their shows due to the COVID-19 outbreak; filming resumed on October 6, 2020.

The series is filmed at Troy Studios, Limerick, Ireland, and the budget was expected to be approximately $50 million. The first two episodes premiered on September 24, 2021. Metacritic gave the first season a weighted average score of 63 out of 100 based on 22 reviews, indicating "generally favorable reviews".

Robot series

From Wikipedia, the free encyclopedia

Robot series
The-robots-of-dawn-doubleday-cover.jpg
The Robots of Dawn (1983)

AuthorIsaac Asimov
CountryUnited States
LanguageEnglish
GenreScience fiction
Published1940–1995

The Robot series is a series of 37 science fiction short stories and six novels by American writer Isaac Asimov, published from 1940 to 1995. The series is set in a world where sentient positronic robots serve a number of purposes in society. To ensure their loyalty, the Three Laws of Robotics are programmed into these robots, with the intent of preventing them from ever becoming a danger to humanity. Later, Asimov would merge the Robot series with his Foundation series.

Robot novels and stories

The first installment of Asimov's The Caves of Steel took the cover of the October 1953 issue of Galaxy Science Fiction, illustrated by Ed Emshwiller

The series started in 1940, with the story "Robbie" in the September 1940 Super Science Stories (appearing under the title "Strange Playfellow", which was not Asimov's title). Although it was originally written as a stand-alone story, the following year Asimov published a series of additional robot stories, which fit together into a narrative that was then put together as the book I, Robot.

List of works in the Robot series, in chronological order by narrative

  1. I, Robot (1950) and later collections: The Complete Robot (1982), Robot Dreams (1986), Robot Visions (1990), and Gold (1995).
    • In 1964, The Rest of the Robots was published - all of the short stories in that collection are found in The Complete Robot, and the novels The Caves of Steel and The Naked Sun were published separately (see below)
  2. "The Bicentennial Man" (1976) or The Positronic Man (1992) - short story later developed into a complete novel
  3. "Mother Earth" (1949) - short story, in which no individual robots appear, but positronic robots are part of the background
  4. The Caves of Steel (1954) - first Robot series/R. Daneel Olivaw novel
  5. The Naked Sun (1957) - second Robot series/R. Daneel Olivaw novel
  6. "Mirror Image" (1972) - short story about R. Daneel Olivaw and detective Elijah Baley
  7. The Robots of Dawn (1983) - third Robot series/R. Daneel Olivaw novel
  8. Robots and Empire (1985) - fourth Robot series/R. Daneel Olivaw novel

Overview of short stories

Most of Asimov's robot short stories, which he began to write in 1939, are set in the first age of positronic robotics and space exploration. The unique feature of Asimov's robots is the Three Laws of Robotics, hardwired in a robot's positronic brain, with which all robots in his fiction must comply, and which ensure that the robot does not turn against its creators.

The stories were not initially conceived as a set, but rather all feature his positronic robots—indeed, there are some inconsistencies among them, especially between the short stories and the novels. They all share a theme of the interaction of humans, robots, and morality. Some of the short stories found in The Complete Robot (1982) and other anthologies appear not to be set in the same universe as the Foundation universe. "Victory Unintentional" has positronic robots obeying the Three Laws, but also a non-human civilization on Jupiter. "Let's Get Together" features humanoid robots, but from a different future (where the Cold War is still in progress), and with no mention of the Three Laws. The multiple series offers a sense of completeness, because all of its works are interconnected. Some characters appear in more than one of the stories, and the manufacturer of the robots is often identified as the (fictional) corporation U.S. Robots and Mechanical Men.

The Complete Robot contains most of Asimov's robot short stories. Missing ones were either written after its publication, or formed the text connecting the stories in I, Robot.

The six Asimov robot short stories not included in this book are:

Overview of the Robot novels

The first book (not a true novel) is I, Robot (1950), a collection of nine previously published short stories woven together as a 21st-century interview with robopsychologist Dr. Susan Calvin. The next four robot novels The Caves of Steel (1953), The Naked Sun (1955), The Robots of Dawn (1983), and Robots and Empire (1985) make up the Elijah Baley (sometimes "Lije Baley") series, and are mysteries starring the Terran Elijah Baley and his humaniform robot partner, R. Daneel Olivaw. They are set thousands of years after the short stories and focus on the conflicts between Spacers — descendants of human settlers from other planets — and the people from an overcrowded Earth. "Mirror Image", one of the short stories from The Complete Robot anthology, is also set in this time period (between The Naked Sun and The Robots of Dawn) and features both Baley and Olivaw. Another short story (found in The Early Asimov anthology), "Mother Earth", is set about a thousand years before the robot novels, when the Spacer worlds chose to become separated from Earth.

The Caves of Steel and The Naked Sun are both considered classics of the genre, but the later novels were also well received, with The Robots of Dawn nominated for both the Hugo and Locus Awards in 1984, and Robots and Empire shortlisted for the Locus Award for Best Science Fiction Novel in 1986.

Inspiration

One source of inspiration for Asimov's robots was the Zoromes, a race of mechanical men that featured in a 1931 short story called "The Jameson Satellite", by Neil R. Jones. Asimov read this story at the age of 11, and acknowledged it as a source of inspiration in Before the Golden Age (1975), an anthology of 1930s science fiction in which Asimov told the story of the science fiction he read during his formative years. In Asimov's own words:

It is from the Zoromes, beginning with their first appearance in "The Jameson Satellite," that I got my own feeling for benevolent robots who could serve man with decency, as these had served Professor Jameson. It was the Zoromes, then, who were the spiritual ancestors of my own "positronic robots," all of them, from Robbie to R. Daneel.

Other authors of robot novels set in Asimov's universe

The 1989 anthology Foundation's Friends included the positronic robot stories "Balance" by Mike Resnick, "Blot" by Hal Clement, "PAPPI" by Sheila Finch, "Plato's Cave" by Poul Anderson, "The Fourth Law of Robotics" by Harry Harrison and "Carhunters of the Concrete Prairie" by Robert Sheckley. Not all of these stories are entirely consistent with the Asimov stories. The anthology also included "Strip-Runner" by Pamela Sargent, set in the era of the Elijah Baley novels.

Shortly before his death in 1992, Asimov approved an outline for three novels (Caliban, Inferno, Utopia) by Roger MacBride Allen, set between Robots and Empire and the Empire series, telling the story of the terraforming of the Spacer world Inferno, and about the robot revolution started by creating a "No Law" Robot, and then New Law Robots.

There is also another set of novels by various authors (Isaac Asimov's Robot City, Robots and Aliens and Robots in Time series), which are not generally considered canon. They are loosely connected to the Robots series, but they contain many inconsistencies with Asimov's books.

The Asimov estate authorized the publication of another trilogy of robot mysteries by Mark W. Tiedemann. These novels, which take place several years before Asimov's Robots and Empire, are Mirage (2000), Chimera (2001), and Aurora (2002). These were followed by yet another robot mystery, Alexander C. Irvine's Have Robot, Will Travel (2004), set five years after the Tiedemann trilogy.

In November 2009, the Asimov estate announced the upcoming publication of Robots and Chaos, the first volume in a trilogy featuring Susan Calvin by fantasy author Mickey Zucker Reichert. The book was published in November 2011 under the title I, Robot: To Protect, and was later followed by two sequels: I, Robot: To Obey (2013) and I, Robot: To Preserve (2016).

Adaptations

  • The first screen adaptation of an Asimov robot story was the third episode of the British television series Out of This World based on "Little Lost Robot", first broadcast in 1962. Dramatised by Leo Lehman [de] and starring Maxine Audley as Susan Calvin, this is the only episode of the series known to have survived.
  • This was followed by a 1964 dramatision of The Caves of Steel for the BBC series Story Parade and then four episodes of the BBC television series Out of the Unknown, based on "Satisfaction Guaranteed" (1966), "Reason (in an episode titled "The Prophet", 1967), "Liar!" (1969), and The Naked Sun (1969). In these adaptations, Elijah Baley was portrayed by Peter Cushing (The Caves of Steel) and Paul Maxwell (The Naked Sun), R. Daneel Olivaw by John Carson (The Caves of Steel) and David Collings (The Naked Sun), and Susan Calvin by Beatrix Lehmann ("The Prophet") and Wendy Gifford ("Liar!"). In "Satisfaction Guaranteed", the character of Susan Calvin was renamed Dr. Inge Jensen and portrayed by Ann Firbank.
  • El robot embustero (1966), short film directed by Antonio Lara de Gavilán, based on short story "Liar!"
  • Robots (1988), film directed by Doug Smith and Kim Takal, based on the Robot series
  • Bicentennial Man (1999), film directed by Chris Columbus, based on novelette "The Bicentennial Man" and on novel The Positronic Man
  • I, Robot (2004), film directed by Alex Proyas, based on ideas of short stories of the Robot series
  • The Apple TV adaptation of the Foundation books contains several references to its shared universe with the Robots series. The robot character of Eto Demerzel is an adaptation of the character R. Daneel whose shrouded long-lived history is frequently mentioned. During the course of the show, several characters reference the "Robot Wars" that happened in the past and are apparently part of the Empire's history. According to showrunner David S. Goyer, the references to aspects such as the "Robot Wars" are planned to be explored in future seasons of the show.

In the late 1970s, Harlan Ellison wrote a screenplay based on Asimov's book I, Robot for Warner Bros. This film project was ultimately abandoned, but Ellison's script was later published in book form as I, Robot: The Illustrated Screenplay (1994).

Essay

From Wikipedia, the free encyclopedia https://en.wikipedia.org/wiki/Essay Essays of Michel de Monta...