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Saturday, September 28, 2024

Industrial Society and Its Future

Kaczynski's typescript sent to The Washington Post
Print edition cover

Industrial Society and Its Future, also known as the Unabomber Manifesto, is a 1995 anti-technology essay by Ted Kaczynski, the "Unabomber". The manifesto contends that the Industrial Revolution began a harmful process of natural destruction brought about by technology, while forcing humans to adapt to machinery, creating a sociopolitical order that suppresses human freedom and potential.

The 35,000-word manifesto formed the ideological foundation of Kaczynski's 1978–1995 mail bomb campaign, designed to protect wilderness by hastening the collapse of industrial society. The manifesto states that the public largely accepts individual technological advancements as purely positive without accounting for their overall effect, including the erosion of local and individual freedom and autonomy.

It was printed in a supplement to The Washington Post after Kaczynski offered to end his bombing campaign in exchange for his manifesto to be widely circulated.[1] Attorney General Janet Reno authorized the printing to help the FBI identify the author. The printings and publicity around them eclipsed the bombings in notoriety, and led to Kaczynski's identification by his brother, David Kaczynski.

Impact

While Kaczynski's actions were generally condemned, his manifesto expressed ideas that continue to be generally shared among the American public.[2] A 2017 Rolling Stone article stated that Kaczynski was an early adopter of the concept that:

"We give up a piece of ourselves whenever we adjust to conform to society's standards. That, and we're too plugged in. We're letting technology take over our lives, willingly."[3]

The Labadie Collection of the University of Michigan houses a copy of Industrial Society and its Future. The essay has been translated into French, remains on college reading lists, and was updated in Kaczynski's 2008 book, Technological Slavery, Volume One, which defends his political philosophy in greater depth.

Background and publication

Rough black-and-white sketch of a man's face obscured by a hooded sweatshirt and sunglasses
A 1987 suspect sketch of the Unabomber following the Salt Lake City bombing that injured Gary Wright; the sketch was superseded by a more iconic sketch by Jeanne Boylan in 1994, but it was the first to show him in his infamous hooded sweatshirt and sunglasses.

Between 1978 and 1995, Ted Kaczynski engaged in a mail bomb campaign[4] against people involved with modern technology.[5] His initial targets were universities and airlines, which the FBI shortened as UNABOM. In June 1995, Kaczynski offered to end his campaign if one of several publications (the Washington Post, New York Times, or Penthouse) would publish his critique of technology, titled Industrial Society and Its Future, which became widely known as the "Unabomber Manifesto".[6]

Kaczynski believed that his violence, as direct action when words were insufficient, would draw others to pay attention to his critique.[7] He wanted his ideas to be taken seriously.[8] The media debated the ethics of publishing the manifesto under duress.[9][6] The United States Attorney General Janet Reno advocated for the essay to be shared so that a reader could potentially recognize its author.[6]

During that summer, the FBI worked with literature scholars to compare the Unabomber's oeuvre against the works of Joseph Conrad, including The Secret Agent, based on their shared themes.[10][11]

The Washington Post published the manifesto in full within a supplement on September 19, 1995, splitting the cost with The New York Times. According to a statement, the Post had the "mechanical ability to distribute a separate section in all copies of its daily newspaper."[12][13] A Berkeley-based chess book publisher began publishing copies in paperback the next month, without Kaczynski's consent.[14]

Kaczynski wrote an essay in 1971 which contained many themes and ideas that would eventually appear in the manifesto, indicating that his particular line of anti-technological thought dated back relatively early in his life prior to his arrest.[15] The original, handwritten manifesto sold for $20,053 in a 2011 auction of Kaczynski's assets, along with typewritten editions and their typewriters, to raise restitution for his victims.[16][17]

Contents

Handwritten draft of the manifesto

At 35,000 words, Industrial Society and Its Future lays very detailed blame on technology in and of itself for eroding individual freedom and autonomy, destroying human-scale communities, and leading to widespread psychological and physical suffering.[6] Kaczynski contends that the Industrial Revolution harmed the human race by developing into a sociopolitical order that subjugates human needs beneath its own. This system, he wrote, destroys nature and suppresses individual freedom. In short, humans adapt to machines rather than vice versa, resulting in a society hostile to human potential, freedom, and dignity.[8]

Kaczynski indicts technological progress for its destruction of small human communities and the rise of inhospitable cities. He contends that this relentless technological progress will not dissipate on its own, because individual technological advancements are seen as good despite the sum effects of this progress, and technological growth is beyond rational human control (i.e., autonomous). Kaczynski describes modern technological society as totalitarian force—an order in which individuals are "adjusted" to fit the requirements of the system and those outside the system are seen as pathological or "bad".[8]

This tendency, he says, gives rise to expansive police powers, mind-numbing mass media, and indiscriminate promotion of drugs, designed to conform to the needs of the technological environment.[8] He criticizes both big government and big business as the inevitable result of industrialization,[6] and holds scientists and "technophiles" responsible for recklessly pursuing power through technological advancements.[8]

He argues that this industrialized system's collapse will be devastating in the short-term, although quickening the collapse—before technology progresses further—will prevent unmitigated catastrophe for humanity and the biosphere in the future. He justifies the trade-offs that come with losing industrial society as being worth the cost.[8] Kaczynski's ideal revolution seeks not to overthrow governments if unnecessary, but rather, the economic and technological foundation of modern society.[18] He seeks to destroy existing society and protect the wilderness, the antithesis of technology.[8]

Influences

Industrial Society and Its Future echoes contemporary critics of technology and industrialization such as John Zerzan, Jacques Ellul,[19] Rachel Carson, Lewis Mumford, and E. F. Schumacher.[20] Its idea of the "disruption of the power process" similarly echoed social critics who emphasize that the lack of meaningful work is a primary cause of social problems, including Mumford, Paul Goodman, and Eric Hoffer.[20] Aldous Huxley addressed its general theme in Brave New World, to which Kaczynski refers in his text. Kaczynski's ideas of "oversocialization" and "surrogate activities" recall Sigmund Freud's Civilization and Its Discontents and its theories of rationalization and sublimation (a term which Kaczynski uses three times to describe "surrogate activities").[21]

However, a 2021 study by Sean Fleming shows that many of these similarities are coincidental.[22] Kaczynski had not read Lewis Mumford, Paul Goodman, or John Zerzan until after he submitted Industrial Society and Its Future to The New York Times and The Washington Post. There is no evidence that he read Freud, Carson, or Schumacher. Instead, Fleming argues, Industrial Society and Its Future "is a synthesis of ideas from [...] French philosopher Jacques Ellul, British zoologist Desmond Morris, and American psychologist Martin Seligman."[22]

Kaczynski's understanding of technology, his idea of maladaptation, and his critique of leftism are partly derived from Ellul's 1954 book, The Technological Society. Kaczynski's concept of "surrogate activities" echoes Desmond Morris's concept of "survival-substitute activities", while his concept of "the power process" combines Morris's concept of "the Stimulus Struggle" with Seligman's concept of learned helplessness. Fleming's study relies on archival material from the Labadie Collection at the University of Michigan, including a "secret" set of footnotes that Kaczynski did not include in the Washington Post version of Industrial Society and Its Future.[22]

The scholar George Michael of Vanderbilt University Press accused Kaczynski of "collecting philosophical and environmental clichés to reinforce common American concerns".[6]

Aftermath

Kaczynski three years before he began to draft an essay of the ideas that would become the manifesto (UC Berkeley, 1968)

Kaczynski had intended for his mail bombing campaign to raise awareness for the message in Industrial Society and Its Future, which he wanted to be seriously regarded.[8]

With its initial publication in 1995, the manifesto was received as intellectually deep and sane.[8] Writers described the manifesto's sentiment as familiar. To Kirkpatrick Sale, the Unabomber was "a rational man" with reasonable beliefs about technology. He recommended the manifesto's opening sentence for the forefront of American politics. Cynthia Ozick likened the work to an American Raskolnikov (of Dostoevsky's Crime and Punishment), as a "philosophical criminal of exceptional intelligence and humanitarian purpose ... driven to commit murder out of an uncompromising idealism".[8] Numerous websites engaging with the manifesto's message appeared online.[8]

Kaczynski's effort to publish his manifesto brought him into the American news more than the bombings themselves.[23] The manifesto was widely spread via newspapers, book reprints, and the Internet. Ultimately, the ideas in the manifesto were eclipsed by reaction to the violence of the bombings, and did not spark the serious public consideration he was looking for.[23][24]

Linda Patrik, the wife of Ted's brother David Kaczynski, suspected Ted had written the manifesto because she recognized his linguistic mannerisms, and she told her husband about her suspicions. At first, he disbelieved that his own brother could be the author of the manifesto, but upon comparing the previous letters that they shared, he found evidence: one of Ted's mannerisms was found in one of the letters that they exchanged, just as it was written in the manifesto. Upon this discovery, David notified the FBI.[8]

Effect of the trial

Kaczynski's mugshot (1996)

After Ted Kaczynski's April 1996 arrest, he wanted to use the trial to disseminate his views,[6] but the judge denied him permission to represent himself. Instead, his court-appointed lawyers planned an insanity defense that would discredit Industrial Society and Its Future against his will. The prosecution's psychiatrists counter-cited the manifesto as evidence of the Unabomber's lucidity, and Kaczynski's sanity was tried in court and in the media. Kaczynski responded by taking a plea bargain for life imprisonment without parole in May 1998.

Kaczynski's biographer argued that the public should look beyond this "genius-or-madman debate", and view the manifesto as reflecting normal, common, unexceptional ideas shared by Americans, sharing their distrust over the direction of civilization. While most Americans abhorred his violence, adherents to his anti-technology message have celebrated his call to question technology and preserve wilderness.[8] From his Colorado maximum security prison,[8] he continued to clarify his philosophy with other writers through correspondence, and by composing two books which were published during his incarceration, until his death in 2023.[6]

Legacy

Part of Kaczynski's manifesto was cited by the inventor and author Raymond Kurzweil in his book The Age of Spiritual Machines, and then mentioned in the article "Why the Future Doesn't Need Us" by computer scientist Bill Joy.

As of 2000, Industrial Society and Its Future remained on college reading lists and the green anarchist and eco-extremist movements came to hold Kaczynski's writing in high regard, with the manifesto finding a niche audience among critics of technology, such as the speculative science fiction and anarcho-primitivist communities.[25][8][26] It has since been translated into many other languages, including French by Jean-Marie Apostolidès.[27]

Since 2000, the Labadie Collection houses a copy of the manifesto, along with Ted Kaczynski's other writings, letters and papers, after he officially designated the University of Michigan to receive them. They have since become one of the most popular archives in their special collections.[28]

In 2017, an article in Rolling Stone stated that Kaczynski was an early adopter of the idea that:

"We give up a piece of ourselves whenever we adjust to conform to society's standards. That, and we're too plugged in. We're letting technology take over our lives, willingly."[3]

In 2018, New York magazine stated that the manifesto generated later interest from neoconservatives, environmentalists, and anarcho-primitivists.[29]

In 2019, Norwegian philosopher Ole Martin Moen criticized Kaczynski's manifesto:[30]

In assessing the effects of technology on human life, Kaczynski considers only the negative effects. This makes him leave out from his inquiry a number of very important facts, such as the fact that prior to the industrial revolution, all countries in the world had a living standard comparable to today's standard in Africa south of the Sahara, and that since the late 18th century, the global average life expectancy at birth has more than doubled. It is hard to deny that these are real improvements and that they were made possible by technologies, perhaps most centrally artificial fertilizers, agricultural machinery, water chlorination, sewer systems, antibiotics, and vaccines. It is also hard to deny that a wide range of other technologies—reading glasses, painkillers, printing presses, light bulbs, pianos, music recordings, trains—have enriched the lives of billions.

— Ole Martin Moen

In December 2020, a man who was arrested at Charleston International Airport on a charge of "conveying false information regarding attempted use of a destructive device" after he falsely threatened that he had a bomb, was found to have been carrying the Unabomber manifesto.[31][32]

Reprints and further work

Feral House republished the manifesto in Kaczynski's first book, the 2010 Technological Slavery, alongside correspondence and an interview.[33][34] Kaczynski was unsatisfied with the book and his lack of control in its publication.[35] Kaczynski's 2019 book Technological Slavery, Volume One. Revised and Expanded Edition updates his 1995 manifesto with more relevant references and defends his political philosophy in greater depth. In February, 2021, Kaczynski wrote a new preface to his original 1995 manifesto.

Technological determinism

From Wikipedia, the free encyclopedia
 
Technological determinism is a reductionist theory in assuming that a society's technology progresses by following its own internal logic of efficiency, while determining the development of the social structure and cultural values. The term is believed to have originated from Thorstein Veblen (1857–1929), an American sociologist and economist. The most radical technological determinist in the United States in the 20th century was most likely Clarence Ayres who was a follower of Thorstein Veblen as well as John Dewey. William Ogburn was also known for his radical technological determinism and his theory on cultural lag.

Origin

The term is believed to have been coined by Thorstein Veblen (1857–1929), an American social scientist. Veblen's contemporary, popular historian Charles A. Beard, provided this apt determinist image, "Technology marches in seven-league boots from one ruthless, revolutionary conquest to another, tearing down old factories and industries, flinging up new processes with terrifying rapidity." As to the meaning, it is described as the ascription of "powers" to machines that they do not have. Veblen, for instance, asserted that "the machine throws out anthropomorphic habits of thought." There is also the case of Karl Marx who expected that the construction of the railway in India would dissolve the caste system. The general idea, according to Robert Heilbroner, is that technology, by way of its machines, can cause historical change by changing the material conditions of human existence.

One of the most radical technological determinists was Clarence Ayres, who was a follower of Veblen's theory in the 20th century. Ayres is best known for developing economic philosophies, but he also worked closely with Veblen who coined the technological determinism theory. He often talked about the struggle between technology and ceremonial structure. One of his most notable theories involved the concept of "technological drag" where he explains technology as a self-generating process and institutions as ceremonial and this notion creates a technological over-determinism in the process.

Explanation

Technological determinism seeks to show technical developments, media, or technology as a whole, as the key mover in history and social change. It is a theory subscribed to by "hyperglobalists" who claim that as a consequence of the wide availability of technology, accelerated globalization is inevitable. Therefore, technological development and innovation become the principal motor of social, economic or political change.

Strict adherents to technological determinism do not believe the influence of technology differs based on how much a technology is or can be used. Instead of considering technology as part of a larger spectrum of human activity, technological determinism sees technology as the basis for all human activity.

Technological determinism has been summarized as 'The belief in technology as a key governing force in society ...' (Merritt Roe Smith). 'The idea that technological development determines social change ...' (Bruce Bimber). It changes the way people think and how they interact with others and can be described as '...a three-word logical proposition: "Technology determines history"' (Rosalind H. Williams) . It is, '... the belief that social progress is driven by technological innovation, which in turn follows an "inevitable" course.' This 'idea of progress' or 'doctrine of progress' is centralized around the idea that social problems can be solved by technological advancement, and this is the way that society moves forward. Technological determinists believe that "'You can't stop progress', implying that we are unable to control technology" (Lelia Green). This suggests that we are somewhat powerless and society allows technology to drive social changes because "societies fail to be aware of the alternatives to the values embedded in it [technology]" (Merritt Roe Smith).

Technological determinism has been defined as an approach that identifies technology, or technological advances, as the central causal element in processes of social change. As technology is stabilized, its design tends to dictate users' behaviors, consequently stating that "technological progress equals social progress." Key notions of this theory are separated into two parts, with the first being that the development of the technology itself may also be separate from social and political factors, arising from "the ways of inventors, engineers, and designers following an internal, technical logic that has nothing to do with social relationships". The second is that as technology is stabilized, its design tends to dictate users' behaviors, consequently resulting in social change.

As technology changes, the ways in which it is utilized and incorporated into the daily lives of individuals within a culture consequently affect the ways of living, highlighting how technology ultimately determines societal growth through its influence on relations and ways of living within a culture. To illustrate, "the invention of the wheel revolutionized human mobility, allowing humans to travel greater distances and carry greater loads with them". This technological advancement also leads to interactions between different cultural groups, advanced trade, etc, and thus impacts the size and relations both within and between different networks. Other examples include the invention of language, expanding modes of communication between individuals, the introduction of bookkeeping and written documentation, impacting the circulation of knowledge, and having streamlined effects on the socioeconomic and political systems as a whole. As Dusek (2006) notes, "culture and society cannot affect the direction of technology…[and] as technology develops and changes, the institutions in the rest of society change, as does the art and religion of a society." Thus, technological determinism dictates that technological advances and social relations are inevitably tied, with the change of either affecting the other by consequence of normalization.

This stance however ignores the social and cultural circumstances in which the technology was developed. Sociologist Claude Fischer (1992) characterized the most prominent forms of technological determinism as "billiard ball" approaches, in which technology is seen as an external force introduced into a social situation, producing a series of ricochet effects.

Rather than acknowledging that a society or culture interacts with and even shapes the technologies that are used, a technological determinist view holds that "the uses made of technology are largely determined by the structure of the technology itself, that is, that its functions follow from its form" (Neil Postman). However, this is not the sole view of TD following Smith and Marx's (1998) notion of "hard" determinism, which states that once a technology is introduced into a culture what follows is the inevitable development of that technology. In this view, the role of "agency (the power to affect change) is imputed on the technology itself, or some of its intrinsic attributes; thus the invention of technology leads to a situation of inescapable necessity."

The other view follows what Smith and Marx (1998) dictate as "soft" determinism, where the development of technology is also dependent on social context, affecting how it is adopted into a culture, "and, if the technology is adopted, the social context will have important effects on how the technology is used and thus on its ultimate impact".

For example, we could examine the spread of mass-produced knowledge through the role of the printing press in the Protestant Reformation. Because of the urgency from the protestant side to get the reform off the ground before the church could react, "early Lutheran leaders, led by Luther himself, wrote thousands of anti-papal pamphlets in the Reformation's first decades and these works spread rapidly through reprinting in various print shops throughout central Europe". As such the urgency of the socio-political context to utilize such technology in the beginning of its invention caused its fast adoption and normalization into European culture. We could view its uses in its popularization – for political propaganda purposes – in line with the continued traditions of newspapers in modern times, as well as newly adopted uses for other printed text, adapting to change in a social context such as an emphasis on leisurely activities such as reading. This follows the soft deterministic view because the technological invention – the printing press – was quickly adopted because of the socio-political context, and because of its fast integration into society, has impacted and continues to impact how society operates.

Hard and soft determinism

In examining determinism, hard determinism can be contrasted with soft determinism. A compatibilist says that it is possible for free will and determinism to exist in the world together, while an incompatibilist would say that they can not and there must be one or the other. Those who support determinism can be further divided.

Hard determinists would view technology as developing independent from social concerns. They would say that technology creates a set of powerful forces acting to regulate our social activity and its meaning. According to this view of determinism we organize ourselves to meet the needs of technology and the outcome of this organization is beyond our control or we do not have the freedom to make a choice regarding the outcome (autonomous technology). The 20th century French philosopher and social theorist Jacques Ellul could be said to be a hard determinist and proponent of autonomous technique (technology). In his 1954 work The Technological Society, Ellul essentially posits that technology, by virtue of its power through efficiency, determines which social aspects are best suited for its own development through a process of natural selection. A social system's values, morals, philosophy etc. that are most conducive to the advancement of technology allow that social system to enhance its power and spread at the expense of those social systems whose values, morals, philosophy etc. are less promoting of technology. While geography, climate, and other "natural" factors largely determined the parameters of social conditions for most of human history, technology has recently become the dominant objective factor (largely due to forces unleashed by the industrial revolution) and it has been the principal objective and determining factor.

Soft determinism, as the name suggests, is a more passive view of the way technology interacts with socio-political situations. Soft determinists still subscribe to the fact that technology is the guiding force in our evolution, but would maintain that we have a chance to make decisions regarding the outcomes of a situation. This is not to say that free will exists, but that the possibility for us to roll the dice and see what the outcome is exists. A slightly different variant of soft determinism is the 1922 technology-driven theory of social change proposed by William Fielding Ogburn, in which society must adjust to the consequences of major inventions, but often does so only after a period of cultural lag.

Technology as neutral

Individuals who consider technology as neutral see technology as neither good nor bad and what matters are the ways in which we use technology. An example of a neutral viewpoint is, "guns are neutral and its up to how we use them whether it would be 'good or bad'" (Green, 2001). Mackenzie and Wajcman believe that technology is neutral only if it's never been used before, or if no one knows what it is going to be used for (Green, 2001). In effect, guns would be classified as neutral if and only if society were none the wiser of their existence and functionality (Green, 2001). Obviously, such a society is non-existent and once becoming knowledgeable about technology, the society is drawn into a social progression where nothing is 'neutral about society' (Green). According to Lelia Green, if one believes technology is neutral, one would disregard the cultural and social conditions that technology has produced (Green, 2001). This view is also referred to as technological instrumentalism.

In what is often considered a definitive reflection on the topic, the historian Melvin Kranzberg famously wrote in the first of his six laws of technology: "Technology is neither good nor bad; nor is it neutral."

Criticism

Skepticism about technological determinism emerged alongside increased pessimism about techno-science in the mid-20th century, in particular around the use of nuclear energy in the production of nuclear weapons, Nazi human experimentation during World War II, and the problems of economic development in the Third World. As a direct consequence, desire for greater control of the course of development of technology gave rise to disenchantment with the model of technological determinism in academia.

Modern theorists of technology and society no longer consider technological determinism to be a very accurate view of the way in which we interact with technology, even though determinist assumptions and language fairly saturate the writings of many boosters of technology, the business pages of many popular magazines, and much reporting on technology. Instead, research in science and technology studies, social construction of technology and related fields have emphasised more nuanced views that resist easy causal formulations. They emphasise that "The relationship between technology and society cannot be reduced to a simplistic cause-and-effect formula. It is, rather, an 'intertwining'", whereby technology does not determine but "operates, and are operated upon in a complex social field" (Murphie and Potts).

T. Snyder approached the aspect of technological determinism in his concept: 'politics of inevitability'. A concept utilized by politicians in which society is promised the idea that the future will be only more of the present, this concept removes responsibility. This could be applied to free markets, the development of nation states and technological progress.

In his article "Subversive Rationalization: Technology, Power and Democracy with Technology," Andrew Feenberg argues that technological determinism is not a very well founded concept by illustrating that two of the founding theses of determinism are easily questionable and in doing so calls for what he calls democratic rationalization (Feenberg 210–212).

Prominent opposition to technologically determinist thinking has emerged within work on the social construction of technology (SCOT). SCOT research, such as that of Mackenzie and Wajcman (1997) argues that the path of innovation and its social consequences are strongly, if not entirely shaped by society itself through the influence of culture, politics, economic arrangements, regulatory mechanisms and the like. In its strongest form, verging on social determinism, "What matters is not the technology itself, but the social or economic system in which it is embedded" (Langdon Winner).

In his influential but contested (see Woolgar and Cooper, 1999) article "Do Artifacts Have Politics?", Langdon Winner illustrates not a form of determinism but the various sources of the politics of technologies. Those politics can stem from the intentions of the designer and the culture of the society in which a technology emerges or can stem from the technology itself, a "practical necessity" for it to function. For instance, New York City urban planner Robert Moses is purported to have built Long Island's parkway tunnels too low for buses to pass in order to keep minorities away from the island's beaches, an example of externally inscribed politics. On the other hand, an authoritarian command-and-control structure is a practical necessity of a nuclear power plant if radioactive waste is not to fall into the wrong hands. As such, Winner neither succumbs to technological determinism nor social determinism. The source of a technology's politics is determined only by carefully examining its features and history.

Although "The deterministic model of technology is widely propagated in society" (Sarah Miller), it has also been widely questioned by scholars. Lelia Green explains that, "When technology was perceived as being outside society, it made sense to talk about technology as neutral". Yet, this idea fails to take into account that culture is not fixed and society is dynamic. When "Technology is implicated in social processes, there is nothing neutral about society" (Lelia Green). This confirms one of the major problems with "technological determinism and the resulting denial of human responsibility for change. There is a loss of human involvement that shape technology and society" (Sarah Miller).

Another conflicting idea is that of technological somnambulism, a term coined by Winner in his essay "Technology as Forms of Life". Winner wonders whether or not we are simply sleepwalking through our existence with little concern or knowledge as to how we truly interact with technology. In this view, it is still possible for us to wake up and once again take control of the direction in which we are traveling (Winner 104). However, it requires society to adopt Ralph Schroeder's claim that, "users don't just passively consume technology, but actively transform it".

In opposition to technological determinism are those who subscribe to the belief of social determinism and postmodernism. Social determinists believe that social circumstances alone select which technologies are adopted, with the result that no technology can be considered "inevitable" solely on its own merits. Technology and culture are not neutral and when knowledge comes into the equation, technology becomes implicated in social processes. The knowledge of how to create, enhance, and use technology is socially bound knowledge. Postmodernists take another view, suggesting that what is right or wrong is dependent on circumstance. They believe technological change can have implications on the past, present and future. While they believe technological change is influenced by changes in government policy, society and culture, they consider the notion of change to be a paradox, since change is constant.

Media and cultural studies theorist Brian Winston, in response to technological determinism, developed a model for the emergence of new technologies which is centered on the Law of the suppression of radical potential. In two of his books – Technologies of Seeing: Photography, Cinematography and Television (1997) and Media Technology and Society (1998) – Winston applied this model to show how technologies evolve over time, and how their 'invention' is mediated and controlled by society and societal factors which suppress the radical potential of a given technology.

The stirrup

One continued argument for technological determinism is centered on the stirrup and its impact on the creation of feudalism in Europe in the late 8th century/early 9th century. Lynn White is credited with first drawing this parallel between feudalism and the stirrup in his book Medieval Technology and Social Change, which was published in 1962 and argued that as "it made possible mounted shock combat", the new form of war made the soldier that much more efficient in supporting feudal townships (White, 2). According to White, the superiority of the stirrup in combat was found in the mechanics of the lance charge: "The stirrup made possible- though it did not demand- a vastly more effective mode of attack: now the rider could lay his lance at rest, held between the upper arm and the body, and make at his foe, delivering the blow not with his muscles but with the combined weight of himself and his charging stallion (White, 2)." White draws from a large research base, particularly Heinrich Brunner's "Der Reiterdienst und die Anfänge des Lehnwesens" in substantiating his claim of the emergence of feudalism. In focusing on the evolution of warfare, particularly that of cavalry in connection with Charles Martel's "diversion of a considerable part of the Church's vast military riches...from infantry to cavalry", White draws from Brunner's research and identifies the stirrup as the underlying cause for such a shift in military division and the subsequent emergence of feudalism (White, 4). Under the new brand of warfare garnered from the stirrup, White implicitly argues in favor of technological determinism as the vehicle by which feudalism was created.

Though an accomplished work, White's Medieval Technology and Social Change has since come under heavy scrutiny and condemnation. The most volatile critics of White's argument at the time of its publication, P.H. Sawyer and R.H. Hilton, call the work as a whole "a misleading adventurist cast to old-fashioned platitudes with a chain of obscure and dubious deductions from scanty evidence about the progress of technology (Sawyer and Hilton, 90)." They further condemn his methods and, by association, the validity of technological determinism: "Had Mr. White been prepared to accept the view that the English and Norman methods of fighting were not so very different in the eleventh century, he would have made the weakness of his argument less obvious, but the fundamental failure would remain: the stirrup cannot alone explain the changes it made possible (Sawyer and Hilton, 91)." For Sawyer and Hilton, though the stirrup may be useful in the implementation of feudalism, it cannot be credited for the creation of feudalism alone.

Despite the scathing review of White's claims, the technological determinist aspect of the stirrup is still in debate. Alex Roland, author of "Once More into the Stirrups; Lynne White Jr, Medieval Technology and Social Change", provides an intermediary stance: not necessarily lauding White's claims, but providing a little defense against Sawyer and Hilton's allegations of gross intellectual negligence. Roland views White's focus on technology to be the most relevant and important aspect of Medieval Technology and Social Change rather than the particulars of its execution: "But can these many virtues, can this utility for historians of technology, outweigh the most fundamental standards of the profession? Can historians of technology continue to read and assign a book that is, in the words of a recent critic, "shot through with over-simplification, with a progression of false connexions between cause and effect, and with evidence presented selectively to fit with [White's] own pre-conceived ideas"? The answer, I think, is yes, at least a qualified yes (Roland, 574–575)." Objectively, Roland claims Medieval Technology and Social Change a variable success, at least as "Most of White's argument stands... the rest has sparked useful lines of research (Roland, 584)." This acceptance of technological determinism is ambiguous at best, neither fully supporting the theory at large nor denouncing it, rather placing the construct firmly in the realm of the theoretical. Roland neither views technological determinism as completely dominant over history nor completely absent as well; in accordance with the above criterion of technological determinist structure, would Roland be classified as a "soft determinist".

Notable technological determinists

Thomas L. Friedman, American journalist, columnist and author, admits to being a technological determinist in his book The World Is Flat.

Futurist Raymond Kurzweil's theories about a technological singularity follow a technologically deterministic view of history.

Some interpret Karl Marx as advocating technological determinism, with such statements as "The Handmill gives you society with the feudal lord: the steam-mill, society with the industrial capitalist" (The Poverty of Philosophy, 1847), but others argue that Marx was not a determinist.

Technological determinist Walter J. Ong reviews the societal transition from an oral culture to a written culture in his work Orality and Literacy: The Technologizing of the Word (1982). He asserts that this particular development is attributable to the use of new technologies of literacy (particularly print and writing,) to communicate thoughts which could previously only be verbalized. He furthers this argument by claiming that writing is purely context dependent as it is a "secondary modelling system" (8). Reliant upon the earlier primary system of spoken language, writing manipulates the potential of language as it depends purely upon the visual sense to communicate the intended information. Furthermore, the rather stagnant technology of literacy distinctly limits the usage and influence of knowledge, it unquestionably effects the evolution of society. In fact, Ong asserts that "more than any other single invention, writing has transformed human consciousness" (Ong 1982: 78).

Media determinism as a form of technological determinism

Media determinism is a form of technological determinism, a philosophical and sociological position which posits the power of the media to impact society. Two foundational media determinists are the Canadian scholars Harold Innis and Marshall McLuhan. One of the best examples of technological determinism in media theory is Marshall McLuhan's theory "the medium is the message" and the ideas of his mentor Harold Adams Innis. Both these Canadian theorists saw media as the essence of civilization. The association of different media with particular mental consequences by McLuhan and others can be seen as related to technological determinism. It is this variety of determinism that is referred to as media determinism. According to McLuhan, there is an association between communications media/technology and language; similarly, Benjamin Lee Whorf argues that language shapes our perception of thinking (linguistic determinism). For McLuhan, media is a more powerful and explicit determinant than is the more general concept of language. McLuhan was not necessarily a hard determinist. As a more moderate version of media determinism, he proposed that our use of particular media may have subtle influences on us, but more importantly, it is the social context of use that is crucial. See also Media ecology. Media determinism is a form of the popular dominant theory of the relationship between technology and society. In a determinist view, technology takes on an active life of its own and is seen be as a driver of social phenomena. Innis believed that the social, cultural, political, and economic developments of each historical period can be related directly to the technology of the means of mass communication of that period. In this sense, like Dr. Frankenstein's monster, technology itself appears to be alive, or at least capable of shaping human behavior. However, it has been increasingly subject to critical review by scholars. For example, scholar Raymond Williams, criticizes media determinism and rather believes social movements define technological and media processes.https://en.wikipedia.org/wiki/Technological_determinism With regard to communications media, audience determinism is a viewpoint opposed to media determinism. This is described as instead of media being presented as doing things to people; the stress is on the way people do things with media. Individuals need to be aware that the term "deterministic" is a negative one for many social scientists and modern sociologists; in particular they often use the word as a term of abuse.

Communist society

From Wikipedia, the free encyclopedia

In Marxist thought, a communist society or the communist system is the type of society and economic system postulated to emerge from technological advances in the productive forces, representing the ultimate goal of the political ideology of communism. A communist society is characterized by common ownership of the means of production with free access to the articles of consumption and is classless, stateless, and moneyless, implying the end of the exploitation of labour.

Communism is a specific stage of socioeconomic development predicated upon a superabundance of material wealth, which is postulated to arise from advances in production technology and corresponding changes in the social relations of production. This would allow for distribution based on needs and social relations based on freely-associated individuals. The term communist society should be distinguished from the Western concept of the communist state, the latter referring to a state ruled by a party which professes a variation of Marxism–Leninism.

Xue Muqiao wrote that within the socialist mode of production there were several phases. Su Shaozhi and Feng Langrui article created two subdivisions within the socialist mode of production; the first phase was the transition from the capitalist mode of production to the socialist mode of production—the phase in which the proletariat seized power and set-up the dictatorship of the proletariat and in which undeveloped socialism was created. The second phase was advanced socialism; the socialism that Marx wrote about. The notion that socialism and Communism are distinct historical stages is alien to Karl Marx's work and only entered the lexicon of Marxism after his death. It is said that Karl Marx distinguishes between two phases of marketless communism: an initial phase, with labor vouchers, and a higher phase, with free access.

Economic aspects

A communist economic system would be characterized by advanced productive technology that enables material abundance, which in turn would enable the free distribution of most or all economic output and the holding of the means of producing this output in common. In this respect communism is differentiated from socialism, which, out of economic necessity, restricts access to articles of consumption and services based on one's contribution.

In further contrast to previous economic systems, communism would be characterized by the holding of natural resources and the means of production in common as opposed to them being privately owned (as in the case of capitalism) or owned by public or cooperative organizations that similarly restrict their access (as in the case of socialism). In this sense, communism involves the "negation of property" insofar as there would be little economic rationale for exclusive control over production assets in an environment of material abundance.

The fully developed communist economic system is postulated to develop from a preceding socialist system. Marx held the view that socialism—a system based on social ownership of the means of production—would enable progress toward the development of fully developed communism by further advancing productive technology. Under socialism, with its increasing levels of automation, an increasing proportion of goods would be distributed freely.

Social aspects

Individuality, freedom and creativity

A communist society would free individuals from long working hours by first automating production to an extent that the average length of the working day is reduced and second by eliminating the exploitation inherent in the division between workers and owners. A communist system would thus free individuals from alienation in the sense of having one's life structured around survival (making a wage or salary in a capitalist system), which Karl Marx referred to as a transition from the "realm of necessity" to the "realm of freedom". As a result, a communist society is envisioned as being composed of an intellectually-inclined population with both the time and resources to pursue its creative hobbies and genuine interests, and to contribute to creative social wealth in this manner. Marx considered "true richness" to be the amount of time one has at his disposal to pursue one's creative passions. Marx's notion of communism is in this way radically individualistic.

In fact, the realm of freedom actually begins only where labor which is determined by necessity and mundane considerations ceases; thus in the very nature of things it lies beyond the sphere of actual material production.

Capital, Volume III, 1894

Marx's concept of the "realm of freedom" goes hand-in-hand with his idea of the ending of the division of labor, which would not be required in a society with highly automated production and limited work roles. In a communist society, economic necessity and relations would cease to determine cultural and social relations. As scarcity is eliminated, alienated labor would cease and people would be free to pursue their individual goals. Additionally, it is believed that the principle of "from each according to his ability, to each according to his needs" could be fulfilled due to scarcity being non-existent.

Politics, law and governance

Marx and Engels maintained that a communist society would have no need for the state as it exists in contemporary capitalist society. The capitalist state mainly exists to enforce hierarchical economic relations, to enforce the exclusive control of property, and to regulate capitalistic economic activities—all of which would be non-applicable to a communist system.

Engels noted that in a socialist system the primary function of public institutions will shift from being about the creation of laws and the control of people into a technical role as an administrator of technical production processes, with a decrease in the scope of traditional politics as scientific administration overtakes the role of political decision-making. Communist society is characterized by democratic processes, not merely in the sense of electoral democracy, but in the broader sense of open and collaborative social and workplace environments.

Marx never clearly specified whether or not he thought a communist society would be just; other thinkers have speculated that he thought communism would transcend justice and create society without conflicts, thus, without the needs for rules of justice.

Transitional stages

Marx also wrote that between capitalist and communist society, there would be a transitory period known as the dictatorship of the proletariat. During this preceding phase of societal development, capitalist economic relationships would gradually be abolished and replaced with socialism. Natural resources would become public property, while all manufacturing centers and workplaces would become socially owned and democratically managed. Production would be organized by scientific assessment and planning, thus eliminating what Marx called the "anarchy in production". The development of the productive forces would lead to the marginalization of human labor to the highest possible extent, to be gradually replaced by automated labor.

Open-source and peer production

Many aspects of a communist economy have emerged in recent decades in the form of open-source software and hardware, where source code and thus the means of producing software is held in common and freely accessible to everyone; and to the processes of peer production where collaborative work processes produce freely available software that does not rely on monetary valuation.

Ray Kurzweil posits that the goals of communism will be realized by advanced technological developments in the 21st century, where the intersection of low manufacturing costs, material abundance and open-source design philosophies will enable the realization of the maxim "from each according to his ability, to each according to his needs".

In Soviet ideology

The communist economic system was officially enumerated as the ultimate goal of the Communist Party of the Soviet Union in its party platform. According to the 1986 Programme of the CPSU:

Communism is a classless social system with one form of public ownership of the means of production and with full social equality of all members of society. Under communism, the all-round development of people will be accompanied by the growth of the productive forces on the basis of continuous progress in science and technology, all the springs of social wealth will flow abundantly, and the great principle "From each according to his ability, to each according to his needs" will be implemented. Communism is a highly organised society of free, socially conscious working people a society in which public self-government will be established, a society in which labour for the good of society will become the prime vital requirement of everyone, a clearly recognised necessity, and the ability of each person will be employed to the greatest benefit of the people.

The material and technical foundation of communism presupposes the creation of those productive forces that open up opportunities for the full satisfaction of the reasonable requirements of society and the individual. All productive activities under communism will be based on the use of highly efficient technical facilities and technologies, and the harmonious interaction of man and nature will be ensured.

In the highest phase of communism the directly social character of labor and production will become firmly established. Through the complete elimination of the remnants of the old division of labor and the essential social differences associated with it, the process of forming a socially homogeneous society will be completed.

Communism signifies the transformation of the system of socialist self-government by the people, of socialist democracy into the highest form of organization of society: communist public self-government. With the maturation of the necessary socioeconomic and ideological preconditions and the involvement of all citizens in administration, the socialist state—given appropriate international conditions—will, as Lenin noted, increasingly become a transitional form "from a state to a non-state". The activities of state bodies will become non-political in nature, and the need for the state as a special political institution will gradually disappear.

The inalienable feature of the communist mode of life is a high level of consciousness, social activity, discipline, and self-discipline of members of society, in which observance of the uniform, generally accepted rules of communist conduct will become an inner need and habit of every person.

Communism is a social system under which the free development of each is a condition for the free development of all.

In Vladimir Lenin's political theory, a classless society would be a society controlled by the direct producers, organized to produce according to socially managed goals. Such a society, Lenin suggested, would develop habits that would gradually make political representation unnecessary, as the radically democratic nature of the Soviets would lead citizens to come to agree with the representatives' style of management. Only in this environment, Lenin suggested, could the state wither away, ushering in a period of stateless communism.

In Soviet ideology, Marx's concepts of the "lower and higher phases of communism" articulated in the Critique of the Gotha Program were reformulated as the stages of "socialism" and "communism". The Soviet state claimed to have begun the phase of "socialist construction" during the implementation of the first Five-Year Plans during the 1930s, which introduced a centrally planned, nationalized/collectivized economy. The 1962 Program of the Communist Party of the Soviet Union, published under the leadership of Nikita Khrushchev, claimed that socialism had been firmly established in the USSR, and that the state would now progress to the "full-scale construction of communism", although this may be understood to refer to the "technical foundations" of communism more so than the withering away of the state and the division of labor per se. However, even in the final edition of its program before the party's dissolution, the CPSU did not claim to have fully established communism, instead claiming that the society was undergoing a very slow and gradual process of transition.

Fictional portrayals

Several works of utopian fiction have portrayed versions of a communist society. Some examples include: Assemblywomen (391 BC) by Aristophanes, an early piece of utopian satire which mocks Athenian democracy's excesses through the story of the Athenian women taking control of the government and instituting a proto-communist utopia;

The Law of Freedom in a Platform (1652) by Gerrard Winstanley, a radical communist vision of an ideal state; News from Nowhere (1892) by William Morris, describing a future society based on common ownership and democratic control of the means of production; Red Star (1908, Russian: Красная звезда), Alexander Bogdanov's 1908 science fiction novel about a communist society on Mars; and The Dispossessed: An Ambiguous Utopia (1974) by Ursula K. Le Guin, set between a pair of planets: one that like Earth today is dominated by private property, nation states, gender hierarchy, and war, and the other an anarchist society without private property.

The economy and society of the United Federation of Planets in the Star Trek franchise has been described as a communist society where material scarcity has been eliminated due to the wide availability of replicator technology that enables free distribution of output, where there is no need for money.

The Culture novels by Iain M Banks are centered on a communist post-scarcity economy where technology is advanced to such a degree that all production is automated, and there is no use for money or property (aside from personal possessions with sentimental value). Humans in the Culture are free to pursue their own interests in an open and socially-permissive society. The society has been described by some commentators as "communist-bloc" or "anarcho-communist". Banks' close friend and fellow science fiction writer Ken MacLeod has said that The Culture can be seen as a realization of Marx's communism, but adds that "however friendly he was to the radical left, Iain had little interest in relating the long-range possibility of utopia to radical politics in the here and now. As he saw it, what mattered was to keep the utopian possibility open by continuing technological progress, especially space development, and in the meantime to support whatever policies and politics in the real world were rational and humane."

Year On

From Wikipedia, the free encyclopedia https://en.wikipedia.org/wiki/Year_On T...