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Friday, April 12, 2019

Soft science fiction

From Wikipedia, the free encyclopedia

Photograph of Ursula K. Le Guin standing and reading aloud in a bookshop
Ursula K. Le Guin, one of the significant writers of soft science fiction.
 
Soft science fiction, or soft SF, is a category of science fiction with two different definitions.
  1. It explores the "soft" sciences, and especially the social sciences (for example, anthropology, sociology, or psychology), rather than engineering or the "hard" sciences (for example, physics, astronomy, or chemistry).
  2. It is not scientifically accurate or plausible; the opposite of hard science fiction.
Soft science fiction of either type is often more concerned with character and speculative societies, rather than speculative science or engineering. The term first appeared in the late 1970s and is attributed to Australian literary scholar Peter Nicholls.

Definition

Photograph of Peter Nicholls sitting during a panel discussion
Peter Nicholls, the first person attested to have used the term soft science fiction.
 
In The Encyclopedia of Science Fiction, Peter Nicholls writes that "soft SF" is a "not very precise item of SF terminology" and that the contrast between hard and soft is "sometimes illogical." In fact, the boundaries between "hard" and "soft" are neither definite nor universally agreed-upon, so there is no single standard of scientific "hardness" or "softness." Some readers might consider any deviation from the possible or probable (for example, including faster-than-light travel or paranormal powers) to be a mark of "softness." Others might see an emphasis on character or the social implications of technological change (however possible or probable) as a departure from the science-engineering-technology issues that in their view ought to be the focus of hard SF. Given this lack of objective and well-defined standards, "soft science fiction" does not indicate a genre or subgenre of SF but a tendency or quality—one pole of an axis that has "hard science fiction" at the other pole.

In Brave New Words, subtitled The Oxford Dictionary of Science Fiction, soft science fiction is given two definitions. The first definition is soft science fiction that is primarily focused on advancements in, or extrapolations of, the soft sciences; that is social sciences and not natural sciences. The second definition is science fiction in which science is not important to the story.

Etymology

The term soft science fiction was formed as the complement of the earlier term hard science fiction

The earliest known citation for the term is in "1975: The Year in Science Fiction" by Peter Nicholls, in Nebula Awards Stories 11 (1976). He wrote "The same list reveals that an already established shift from hard sf (chemistry, physics, astronomy, technology) to soft sf (psychology, biology, anthropology, sociology, and even [...] linguistics) is continuing more strongly than ever."

History

Black and white photograph of H. G. Wells standing and wearing a suit
H. G. Wells, an early example of a soft science fiction writer.
 
Poul Anderson, in Ideas for SF Writers (Sep 1998), described H. G. Wells as the model for soft science fiction: "He concentrated on the characters, their emotions and interactions" rather than any of the science or technology behind, for example, invisible men or time machines. Jeffrey Wallmann suggests that soft science fiction grew out of the gothic fiction of Edgar Allan Poe and Mary Shelley.

Carol McGuirk, in Fiction 2000 (1992), states that the "soft school" of science fiction dominated the genre in the 1950s, with the beginning of the Cold War and an influx of new readers into the science fiction genre. The early members of the soft science fiction genre were Alfred Bester, Fritz Leiber, Ray Bradbury and James Blish, who were the first to make a "radical" break from the hard science fiction tradition and "take extrapolation explicitly inward", emphasising the characters and their characterisation. In calling out specific examples from this period, McGuirk describes Ursula K. Le Guin's 1969 novel The Left Hand of Darkness as "a soft SF classic". The New Wave movement in science fiction developed out of soft science fiction in the 1960s and 70s. The conte cruel was the standard narrative form of soft science fiction by the 1980s. During the 1980s cyberpunk developed from soft science fiction.

McGuirk identifies two subgenres of soft science fiction: "Humanist science fiction" (in which human beings, rather than technology, are the cause of advancement or from which change can be extrapolated in the setting; often involving speculation on the human condition) and "Science fiction noir" (focusing on the negative aspects of human nature; often in a dystopian setting).

Examples

Photograph of Audrey Niffenegger standing behind a lectern, delivering the inaugural PEN/H.G. Wells lecture at Loncon, Worldcon 2014
Audrey Niffenegger, author of the soft science fiction work The Time Traveler's Wife.
 
George Orwell's Nineteen Eighty-Four might be described as soft science fiction, since it is concerned primarily with how society and interpersonal relationships are altered by a political force that uses technology mercilessly; even though it is the source of many ideas and tropes commonly explored in subsequent science fiction, (even in hard science fiction), such as mind control and surveillance. And yet, its style is uncompromisingly realistic, and despite its then-future setting, very much more like a spy novel or political thriller in terms of its themes and treatment.

Karel Čapek's 1920 play R.U.R., which supplied the term robot (nearly replacing earlier terms such as automaton) and features a trope-defining climax in which artificial workers unite to overthrow human society, covers such issues as free will, a post-scarcity economy, robot rebellion, and post-apocalyptic culture. The play, subtitled "A Fantastic Melodrama," offers only a general description of the process for creating living workers out of artificial tissue, and thus can be compared to social comedy or literary fantasy

George S. Elrick, in Science Fiction Handbook for Readers and Writers (1978), cited Brian Aldiss' 1959 short story collection The Canopy of Time (using the US title Galaxies Like Grains of Sand) as an example of soft science fiction based on the soft sciences.

Frank Herbert's Dune series is a landmark of soft science fiction. In it, he deliberately spent little time on the details of its futuristic technology so he could devote it chiefly to addressing the politics of humanity, rather than the future of humanity's technology.

Linguistic relativity (also known as the Sapir–Whorf hypothesis), the theory that language influences thought and perception, is a subject explored in some soft science fiction works such as Jack Vance's The Languages of Pao (1958) and Samuel R. Delany's Babel-17 (1966). In these works artificial languages are used to control and change people and whole societies. Science fictional linguistics are also the subject of varied works from Ursula K. Le Guin's novel The Dispossessed (1974), to the Star Trek: The Next Generation episode "Darmok" (1991), to Neal Stephenson's novel Snow Crash (1992).

Films set in outer space

Soft science fiction filmmakers tend to extend to Outer space certain physics that are associated with life on Earth's surface, primarily to make scenes more spectacular or recognizable to the audience. Examples are:
  • Presence of gravity without use of an artificial gravity system.
  • A spaceship's engines or an explosion generating sound despite the vacuum of space.
  • Spaceships changing directions without any visible thrusting activity.
  • Spaceship occupants enduring without any visible effort the enormous g-forces generated from a spaceship's extreme maneuvering (e.g. in a dogfight situation) or launch.
  • Astronauts preferring the agonizing death by hypercapnia over the painless death by hypoxia, given that the latter can be easily achieved by slowly releasing the spaceship's atmosphere into outer space.
  • Spacecraft which suffer engine failures "falling" or coming to a stop, instead of continuing along their current trajectory or orbit as per inertia.
Hard science fiction films try to avoid such artistic license.

Representative works

Planet of the Apes old book cover.
 
Arranged chronologically by publication year.

Short fiction

Novels

A Fremen (Fan Art) statue from Dune by Frank Herbert

Film and television

In the sense of a basis in the soft sciences:
  • Episodes of Star Trek: The Next Generation (1987–1994) like the fifth season's "Darmok" (S5E02; September 30, 1991) are based on soft science concepts; in this case, linguistics.
Some prime examples of soft science fiction on film and television include:

Hard science fiction

From Wikipedia, the free encyclopedia

Photograph of a man sitting in a chair.
Arthur C. Clarke, one of the most significant writers of hard science fiction.
 
Black and white photograph of a man, in the foreground, sitting at a table.
Poul Anderson, author of Tau Zero, Kyrie and others.
 
Hard science fiction is a category of science fiction characterized by concern for scientific accuracy and logic. The term was first used in print in 1957 by P. Schuyler Miller in a review of John W. Campbell's Islands of Space in the November issue of Astounding Science Fiction. The complementary term soft science fiction, formed by analogy to hard science fiction, first appeared in the late 1970s. The term is formed by analogy to the popular distinction between the "hard" (natural) and "soft" (social) sciences. Science fiction critic Gary Westfahl argues that neither term is part of a rigorous taxonomy; instead they are approximate ways of characterizing stories that reviewers and commentators have found useful.

Stories revolving around scientific and technical consistency were written as early as the 1870s with the publication of Jules Verne's Twenty Thousand Leagues Under the Sea in 1870 , among other stories. The attention to detail in Verne's work became an inspiration for many future scientists and explorers, although Verne himself denied writing as a scientist or seriously predicting machines and technology of the future.

Scientific rigor

Frank R. Paul's cover for the last issue (December 1953) of Science-Fiction Plus
 
Hugo Gernsback believed from the beginning of his involvement with science fiction in the 1920s that the stories should be instructive, although it was not long before he found it necessary to print fantastical and unscientific fiction in Amazing Stories to attract readers. During Gernsback's long absence from SF publishing, from 1936 to 1953, the field evolved away from his focus on facts and education. The Golden Age of Science Fiction is generally considered to have started in the late 1930s and lasted until the mid-1940s, bringing with it "a quantum jump in quality, perhaps the greatest in the history of the genre", according to science fiction historians Peter Nicholls and Mike Ashley. However, Gernsback's views were unchanged. In his editorial in the first issue of Science-Fiction Plus, he gave his view of the modern sf story: "the fairy tale brand, the weird or fantastic type of what mistakenly masquerades under the name of Science-Fiction today!" and he stated his preference for "truly scientific, prophetic Science-Fiction with the full accent on SCIENCE". In the same editorial, Gernsback called for patent reform to give science fiction authors the right to create patents for ideas without having patent models because many of their ideas predated the technical progress needed to develop specifications for their ideas. The introduction referenced the numerous prescient technologies described throughout Ralph 124C 41+.

Photograph of a man sitting at a table.
Carl Sagan, astronomer and adviser to NASA, also wrote the hard science fiction novel Contact.
 
The heart of the "hard SF" designation is the relationship of the science content and attitude to the rest of the narrative, and (for some readers, at least) the "hardness" or rigor of the science itself. One requirement for hard SF is procedural or intentional: a story should try to be accurate, logical, credible and rigorous in its use of current scientific and technical knowledge about which technology, phenomena, scenarios and situations that are practically and/or theoretically possible. For example, the development of concrete proposals for spaceships, space stations, space missions, and a US space program in the 1950s and 1960s influenced a widespread proliferation of "hard" space stories. Later discoveries do not necessarily invalidate the label of hard SF, as evidenced by P. Schuyler Miller, who called Arthur C. Clarke's 1961 novel A Fall of Moondust hard SF, and the designation remains valid even though a crucial plot element, the existence of deep pockets of "moondust" in lunar craters, is now known to be incorrect. 

There is a degree of flexibility in how far from "real science" a story can stray before it leaves the realm of hard SF. HSF authors scrupulously avoid such technology as faster-than-light travel (of which there are alternatives endorsed by nasa), while authors writing softer SF accept such notions (sometimes referred to as "enabling devices", since they allow the story to take place)

Readers of "hard SF" often try to find inaccuracies in stories. For example, a group at MIT concluded that the planet Mesklin in Hal Clement's 1953 novel Mission of Gravity would have had a sharp edge at the equator, and a Florida high-school class calculated that in Larry Niven's 1970 novel Ringworld the topsoil would have slid into the seas in a few thousand years. The same book featured another inaccuracy: the eponymous Ringworld is not in a stable orbit and would crash into the sun without active stabilization. Niven fixed these errors in his sequel The Ringworld Engineers, and noted them in the foreword

Films set in outer space that aspire to the hard SF label try to minimize the artistic liberties taken for the sake of practicality of effect. Factors include:

Representative works

Photograph of a man sitting in a chair.
Larry Niven, author of Ringworld, "Inconstant Moon", "The Hole Man" and others.
 
Arranged chronologically by publication year.

Short stories

Novels

Films

Television

Anime / Manga

Visual novels

Arthur C. Clarke

From Wikipedia, the free encyclopedia


Arthur C. Clarke

Clarke in February 1965, on one of the sets of 2001: A Space Odyssey
Clarke in February 1965, on one of the sets of 2001: A Space Odyssey
BornArthur Charles Clarke
16 December 1917
Minehead, Somerset, England, United Kingdom
Died19 March 2008 (aged 90)
Colombo, Sri Lanka
Pen nameCharles Willis
E. G. O'Brien
OccupationWriter, inventor, futurist
NationalityBritish
Alma materKing's College London
Period1946–2008 (professional fiction writer)
GenreHard science fiction
Popular science
SubjectScience
Notable works
Spouse
Marilyn Mayfield
(m. 1953; div. 1964)
Website
clarkefoundation.org

Sir Arthur Charles Clarke CBE FRAS (16 December 1917 – 19 March 2008) was a British science fiction writer, science writer and futurist, inventor, undersea explorer, and television series host.

He is famous for being co-writer of the screenplay for the 1968 film 2001: A Space Odyssey, widely considered to be one of the most influential films of all time. Clarke was a science writer, who was both an avid populariser of space travel and a futurist of uncanny ability. On these subjects he wrote over a dozen books and many essays, which appeared in various popular magazines. In 1961 he was awarded the Kalinga Prize, an award which is given by UNESCO for popularising science. These along with his science fiction writings eventually earned him the moniker "Prophet of the Space Age". His other science fiction writings earned him a number of Hugo and Nebula awards, which along with a large readership made him one of the towering figures of science fiction. For many years Clarke, Robert Heinlein and Isaac Asimov were known as the "Big Three" of science fiction.

Clarke was a lifelong proponent of space travel. In 1934, while still a teenager, he joined the British Interplanetary Society. In 1945, he proposed a satellite communication system using geostationary orbits. He was the chairman of the British Interplanetary Society from 1946–47 and again in 1951–53.

Clarke emigrated from England to Sri Lanka (formerly Ceylon) in 1956, largely to pursue his interest in scuba diving. That year he discovered the underwater ruins of the ancient Koneswaram temple in Trincomalee. Clarke augmented his fame later on in the 1980s, from being the host of several television shows such as Arthur C. Clarke's Mysterious World. He lived in Sri Lanka until his death.

Clarke was appointed Commander of the Order of the British Empire (CBE) in 1989 "for services to British cultural interests in Sri Lanka". He was knighted in 1998 and was awarded Sri Lanka's highest civil honour, Sri Lankabhimanya, in 2005.

Biography

Early years

Clarke was born in Minehead, Somerset, England, and grew up in nearby Bishops Lydeard. As a boy, he lived on a farm, where he enjoyed stargazing, fossil collecting, and reading American science fiction pulp magazines. He received his secondary education at Huish Grammar school in Taunton. Early influences included dinosaur cigarette cards, which led to an enthusiasm for fossils starting about 1925. Clarke attributed his interest in science fiction to reading three items: the November 1928 issue of Amazing Stories in 1929; Last and First Men by Olaf Stapledon in 1930; and The Conquest of Space by David Lasser in 1931.

In his teens, he joined the Junior Astronomical Association and contributed to Urania, the society's journal, which was edited in Glasgow by Marion Eadie. At Clarke's request, she added an Astronautics Section, which featured a series of articles by him on spacecraft and space travel. Clarke also contributed pieces to the Debates and Discussions Corner, a counterblast to an Urania article offering the case against space travel, and also his recollections of the Walt Disney film Fantasia. He moved to London in 1936 and joined the Board of Education as a pensions auditor. He and some fellow science fiction writers shared a flat in Gray's Inn Road, where he got the nickname "Ego" because of his absorption in subjects that interested him, and would later name his office filled with memorabilia as his "ego chamber".

Second World War

During the Second World War from 1941 to 1946 he served in the Royal Air Force as a radar specialist and was involved in the early-warning radar defence system, which contributed to the RAF's success during the Battle of Britain. Clarke spent most of his wartime service working on ground-controlled approach (GCA) radar, as documented in the semi-autobiographical Glide Path, his only non-science-fiction novel. Although GCA did not see much practical use during the war, it proved vital to the Berlin Airlift of 1948–1949 after several years of development. Clarke initially served in the ranks, and was a corporal instructor on radar at No. 2 Radio School, RAF Yatesbury in Wiltshire. He was commissioned as a pilot officer (technical branch) on 27 May 1943. He was promoted flying officer on 27 November 1943. He was appointed chief training instructor at RAF Honiley in Warwickshire and was demobilised with the rank of flight lieutenant.

Post-war

After the war he attained a first-class degree in mathematics and physics from King's College London. After this he worked as assistant editor at Physics Abstracts. Clarke then served as president of the British Interplanetary Society from 1946 to 1947 and again from 1951 to 1953.

Although he was not the originator of the concept of geostationary satellites, one of his most important contributions in this field may be his idea that they would be ideal telecommunications relays. He advanced this idea in a paper privately circulated among the core technical members of the British Interplanetary Society in 1945. The concept was published in Wireless World in October of that year. Clarke also wrote a number of non-fiction books describing the technical details and societal implications of rocketry and space flight. The most notable of these may be Interplanetary Flight: An Introduction to Astronautics (1950), The Exploration of Space (1951) and The Promise of Space (1968). In recognition of these contributions, the geostationary orbit 36,000 kilometres (22,000 mi) above the equator is officially recognised by the International Astronomical Union as the Clarke Orbit.

Following the 1968 release of 2001, Clarke became much in demand as a commentator on science and technology, especially at the time of the Apollo space program. On 20 July 1969 Clarke appeared as a commentator for CBS for the Apollo 11 moon landing.

Sri Lanka and diving

Clarke lived in Sri Lanka from 1956 until his death in 2008, first in Unawatuna on the south coast, and then in Colombo. Initially, he and his friend Mike Wilson travelled around Sri Lanka, diving in the coral waters around the coast with the Beachcombers club. In 1957, during a dive trip off Trincomalee, Clarke discovered the underwater ruins of a temple which would subsequently make the region popular with divers. He subsequently described it in his 1957 book The Reefs of Taprobane. This was his second diving book after the 1956 The Coast of Coral. Though Clarke lived mostly in Colombo, he set up a small diving school and a simple dive shop near Trincomalee. He dived often at Hikkaduwa, Trincomalee and Nilaveli.

The Sri Lankan government offered Clarke resident guest status in 1975. He was held in such high esteem that when fellow science fiction writer Robert A. Heinlein came to visit, the Sri Lanka Air Force provided a helicopter to take them around the country. In the early 1970s, Clarke signed a three-book publishing deal, a record for a science-fiction writer at the time. The first of the three was Rendezvous with Rama in 1973, which won all the main genre awards and spawned sequels that along with the 2001 series formed the backbone of his later career. 

In 1986 Clarke was named a Grand Master by the Science Fiction Writers of America.

In 1988 he was diagnosed with post-polio syndrome, having originally contracted polio in 1962, and needed to use a wheelchair most of the time thereafter. Clarke was for many years a Vice-Patron of the British Polio Fellowship.

In the 1989 Queen's Birthday Honours Clarke was appointed Commander of the Order of the British Empire (CBE) "for services to British cultural interests in Sri Lanka". The same year he became the first Chancellor of the International Space University, serving from 1989 to 2004. He also served as Chancellor of Moratuwa University in Sri Lanka from 1979 to 2002.

In 1994, Clarke appeared in a science fiction film; he portrayed himself in the telefilm Without Warning, an American production about an apocalyptic alien first-contact scenario presented in the form of a faux newscast. 

Clarke also became active in promoting the protection of gorillas and became a patron of the Gorilla Organization which fights for the preservation of gorillas. When tantalum mining for cell phone manufacture threatened the gorillas in 2001, he lent his voice to their cause. The dive shop that he set up continues to operate from Trincomalee through the Arthur C Clarke foundation.

Television series host

In the 1980s Clarke became well known to many for his television programmes Arthur C. Clarke's Mysterious World, Arthur C. Clarke's World of Strange Powers and Arthur C. Clarke's Mysterious Universe.

Personal life

On a trip to Florida in 1953 Clarke met and quickly married Marilyn Mayfield, a 22-year-old American divorcee with a young son. They separated permanently after six months, although the divorce was not finalised until 1964. "The marriage was incompatible from the beginning", said Clarke. Clarke never remarried, but was close to a Sri Lankan man, Leslie Ekanayake (13 July 1947 – 4 July 1977), whom Clarke called his "only perfect friend of a lifetime" in the dedication to his novel The Fountains of Paradise. Clarke is buried with Ekanayake, who predeceased him by three decades, in Colombo's central cemetery. In his biography of Stanley Kubrick, John Baxter cites Clarke's homosexuality as a reason why he relocated, due to more tolerant laws with regard to homosexuality in Sri Lanka. Journalists who enquired of Clarke whether he was gay were told, "No, merely mildly cheerful." However, Michael Moorcock wrote:
Everyone knew he was gay. In the 1950s I'd go out drinking with his boyfriend. We met his protégés, western and eastern, and their families, people who had only the most generous praise for his kindness. Self-absorbed he might be and a teetotaller, but an impeccable gent through and through.
In an interview in the July 1986 issue of Playboy magazine, when asked if he had had a bisexual experience, Clarke stated "Of course. Who hasn't?" In his obituary, Clarke's friend Kerry O'Quinn wrote: "Yes, Arthur was gay ... As Isaac Asimov once told me, 'I think he simply found he preferred men.' Arthur didn't publicise his sexuality—that wasn't the focus of his life—but if asked, he was open and honest."

Clarke accumulated a vast collection of manuscripts and personal memoirs, maintained by his brother Fred Clarke in Taunton, Somerset, England, and referred to as the "Clarkives". Clarke said that some of his private diaries will not be published until 30 years after his death. When asked why they were sealed, he answered, "Well, there might be all sorts of embarrassing things in them."

Knighthood

On 26 May 2000 he was made a Knight Bachelor "for services to literature" at a ceremony in Colombo. The award of a knighthood had been announced in the 1998 New Year Honours list, but investiture with the award had been delayed, at Clarke's request, because of an accusation, by the British tabloid The Sunday Mirror, of paedophilia. The charge was subsequently found to be baseless by the Sri Lankan police. According to The Daily Telegraph (London), the Mirror subsequently published an apology, and Clarke chose not to sue for defamation. Clarke himself said that "I take an extremely dim view of people mucking about with boys", and Rupert Murdoch promised him the reporters responsible would never work in Fleet Street again. Clarke was then duly knighted.

Later years

Clarke at his home in Sri Lanka, 2005
 
Although he and his home were unharmed by the 2004 Indian Ocean earthquake tsunami, his "Arthur C. Clarke Diving School" (also called "Underwater safaris") at Hikkaduwa near Galle was destroyed. He made humanitarian appeals, and the Arthur C. Clarke Foundation worked towards better disaster notification systems. The school has since been rebuilt.

Because of his post-polio deficits, which limited his ability to travel and gave him halting speech, most of Clarke's communications in his last years were in the form of recorded addresses. In July 2007, he provided a video address for the Robert A. Heinlein Centennial in which he closed his comments with a goodbye to his fans. In September 2007, he provided a video greeting for NASA's Cassini probe's flyby of Iapetus (which plays an important role in the book of 2001: A Space Odyssey). In December 2007 on his 90th birthday, Clarke recorded a video message to his friends and fans bidding them good-bye.

Clarke died in Sri Lanka on 19 March 2008 after suffering from respiratory failure, according to Rohan de Silva, one of his aides. His aide described the cause as respiratory complications and heart failure stemming from post-polio syndrome.

Just hours before Clarke's death a massive gamma-ray burst (GRB) reached Earth. Known as GRB 080319B, the burst set a new record as the farthest object that could be seen from Earth with the naked eye. It occurred about 7.5 billion years ago (roughly equal to half the time since the Big Bang), taking the light that long to reach Earth. Larry Sessions, a science writer for Sky and Telescope magazine blogging on earthsky.org, suggested that the burst be named "The Clarke Event". American Atheist Magazine wrote of the idea: "It would be a fitting tribute to a man who contributed so much, and helped lift our eyes and our minds to a cosmos once thought to be province only of gods."

A few days before he died, he had reviewed the manuscript of his final work, The Last Theorem, on which he had collaborated by e-mail with his contemporary Frederik Pohl. The book was published after Clarke's death. Clarke was buried alongside Leslie Ekanayake in Colombo in traditional Sri Lankan fashion on 22 March. His younger brother, Fred Clarke, and his Sri Lankan adoptive family were among the thousands in attendance.

Science fiction writer

Clarke's novella "The Road to the Sea" was originally published in Two Complete Science-Adventure Books in 1951 as "Seeker of the Sphinx"

Beginnings

While Clarke had a few stories published in fanzines, between 1937 and 1945, his first professional sale appeared in Astounding Science Fiction in 1946: "Loophole" was published in April, while "Rescue Party", his first sale, was published in May. Along with his writing Clarke briefly worked as assistant editor of Science Abstracts (1949) before devoting himself in 1951 to full-time writing.

Clarke began carving out his reputation as a "scientific" science fiction writer with his first science fiction novel, Against the Fall of Night, published as a novella in 1948. It was very popular and considered ground-breaking work for some of the concepts it contained. Clarke revised and expanded the novella into a full novel which was published in 1953. Clarke would later rewrite and expand this work a third time to become The City and the Stars in 1956, which rapidly became a definitive must-read in the field. His third science fiction novel, Childhood's End, was also published in 1953, cementing his popularity. Clarke capped the first phase of his writing career with his sixth novel, A Fall of Moondust, in 1961, which is also an acknowledged classic of the period.

During this time, Clarke corresponded with C. S. Lewis in the 1940s and 1950s and they once met in an Oxford pub, The Eastgate, to discuss science fiction and space travel. Clarke voiced great praise for Lewis upon his death, saying that the Ransom trilogy was one of the few works of science fiction that should be considered literature.

"The Sentinel"

Clarke's novelette "Jupiter Five" was cover-featured on the May 1953 issue of If
 
In 1948 he wrote "The Sentinel" for a BBC competition. Though the story was rejected, it changed the course of Clarke's career. Not only was it the basis for 2001: A Space Odyssey, but "The Sentinel" also introduced a more cosmic element to Clarke's work. Many of Clarke's later works feature a technologically advanced but still-prejudiced mankind being confronted by a superior alien intelligence. In the cases of Childhood's End, and the 2001 series, this encounter produces a conceptual breakthrough that accelerates humanity into the next stage of its evolution. This also applies in the far-distant past (but our future) in The City and the Stars (and its original version, Against the Fall of Night). 

In Clarke's authorised biography, Neil McAleer writes that: "many readers and critics still consider Childhood's End Arthur C. Clarke's best novel." But Clarke did not use ESP in any of his later stories, saying "I've always been interested in ESP and, of course, Childhood's End was about that. But I've grown disillusioned, partly because after all this time they're still arguing about whether these things happen. I suspect that telepathy does happen."

A collection of early essays was published in The View from Serendip (1977), which also included one short piece of fiction, "When the Twerms Came". Clarke also wrote short stories under the pseudonyms of E. G. O'Brien and Charles Willis. Almost all of his short stories can be found in the book The Collected Stories of Arthur C. Clarke (2001).

"Big Three"

Clarke as depicted in Amazing Stories in 1953.
 
Clarke's novelette "The Songs of Distant Earth", the cover story for the June 1958 issue of If, was expanded to novel length almost three decades later
 
For much of the later 20th century, Clarke, Asimov, and Heinlein were informally known as the "Big Three" of science fiction writers. Clarke and Heinlein began writing to each other after The Exploration of Space was published in 1951, and first met in person the following year. They remained on cordial terms for many years, including visits in the United States and Sri Lanka.

Clarke and Asimov first met in New York City in 1953, and they traded friendly insults and gibes for decades. They established an oral agreement, the "Clarke–Asimov Treaty", that when asked who was better, the two would say Clarke was the better science fiction writer and Asimov was the better science writer. In 1972, Clarke put the "treaty" on paper in his dedication to Report on Planet Three and Other Speculations.

In 1984, Clarke testified before Congress against the Strategic Defense Initiative (SDI). Later, at the home of Larry Niven in California, a concerned Heinlein attacked Clarke's views on United States foreign and space policy (especially the SDI), vigorously advocating a strong defence posture. Although the two later reconciled formally, they remained distant until Heinlein's death in 1988.

2001 series of novels

2001: A Space Odyssey, Clarke's most famous work, was extended well beyond the 1968 movie as the Space Odyssey series. In 1982, Clarke wrote a sequel to 2001 titled 2010: Odyssey Two, which was made into a film in 1984. Clarke wrote two further sequels that have not been adapted into motion pictures: 2061: Odyssey Three (published in 1987) and 3001: The Final Odyssey (published in 1997). 

2061: Odyssey Three involves a visit to Halley's Comet on its next plunge through the Inner Solar System and a spaceship crash on the Jovian moon Europa. The whereabouts of astronaut Dave Bowman (the "Star Child"), the artificial intelligence HAL 9000, and the development of native life on Europa, protected by the alien Monolith, are revealed.

Finally, in 3001: The Final Odyssey, astronaut Frank Poole's freeze-dried body, found by a spaceship beyond the orbit of Neptune, is revived by advanced medical science. The novel details the threat posed to humanity by the alien monoliths, whose actions are not always as their builders had intended.

2001: A Space Odyssey

Clarke's first venture into film was 2001: A Space Odyssey, directed by Stanley Kubrick. Kubrick and Clarke had met in New York City in 1964 to discuss the possibility of a collaborative film project. As the idea developed, they decided to loosely base the story on Clarke's short story, The Sentinel, written in 1948 as an entry in a BBC short story competition. Originally, Clarke was going to write the screenplay for the film, but Kubrick suggested during one of their brainstorming meetings that before beginning on the actual script, they should let their imaginations soar free by writing a novel first, on which they would base the film. "This is more or less the way it worked out, though toward the end, novel and screenplay were being written simultaneously, with feedback in both directions. Thus I rewrote some sections after seeing the movie rushes—a rather expensive method of literary creation, which few other authors can have enjoyed." The novel ended up being published a few months after the release of the movie. 

Due to the hectic schedule of the film's production, Kubrick and Clarke had difficulty collaborating on the book. Clarke completed a draft of the novel at the end of 1964 with the plan to publish in 1965 in advance of the film's release in 1966. After many delays the film was released in the spring of 1968, before the book was completed. The book was credited to Clarke alone. Clarke later complained that this had the effect of making the book into a novelisation, that Kubrick had manipulated circumstances to downplay Clarke's authorship. For these and other reasons, the details of the story differ slightly from the book to the movie. The film contains little explanation for the events taking place. Clarke, on the other hand, wrote thorough explanations of "cause and effect" for the events in the novel. James Randi later recounted that upon seeing the premiere of 2001, Clarke left the theatre at the intermission in tears, after having watched an eleven-minute scene (which did not make it into general release) where an astronaut is doing nothing more than jogging inside the spaceship, which was Kubrick's idea of showing the audience how boring space travels could be.

In 1972, Clarke published The Lost Worlds of 2001, which included his accounts of the production, and alternative versions of key scenes. The "special edition" of the novel A Space Odyssey (released in 1999) contains an introduction by Clarke in which he documents the events leading to the release of the novel and film.

2010: Odyssey Two

In 1982 Clarke continued the 2001 epic with a sequel, 2010: Odyssey Two. This novel was also made into a film, 2010, directed by Peter Hyams for release in 1984. Because of the political environment in America in the 1980s, the film presents a Cold War theme, with the looming tensions of nuclear warfare not featured in the novel. The film was not considered to be as revolutionary or artistic as 2001, but the reviews were still positive. 

Clarke's email correspondence with Hyams was published in 1984. Titled The Odyssey File: The Making of 2010, and co-authored with Hyams, it illustrates his fascination with the then-pioneering medium of email and its use for them to communicate on an almost daily basis at the time of planning and production of the film while living on opposite sides of the world. The book also included Clarke's personal list of the best science-fiction films ever made. 

Clarke appeared in the film, first as the man feeding the pigeons while Dr. Heywood Floyd is engaged in a conversation in front of the White House. Later, in the hospital scene with David Bowman's mother, an image of the cover of Time portrays Clarke as the American President and Kubrick as the Soviet Premier.

Rendezvous with Rama

Clarke's award-winning novel Rendezvous with Rama (1973) was optioned for filmmaking in the early 21st century but this motion picture is in "development hell" as of 2014. In the early 2000s, the actor Morgan Freeman expressed his desire to produce a movie based on Rendezvous with Rama. After a drawn-out development process – which Freeman attributed to difficulties in getting financing – it appeared that in 2003 this project might be proceeding, but this is very dubious. The film was to be produced by Freeman's production company, Revelations Entertainment, and David Fincher has been touted on Revelations' Rama web page as far back as 2001 as the film's director. After years of no progress, Fincher stated in an interview in late 2007 (in which he also credited the novel as being influential on the films Alien and Star Trek: The Motion Picture) that he is still attached to helm. Revelations indicated that Stel Pavlou had written the adaptation. 

In late 2008, Fincher stated the movie is unlikely to be made. "It looks like it's not going to happen. There's no script and as you know, Morgan Freeman's not in the best of health right now. We've been trying to do it but it's probably not going to happen." However, in 2010 it was announced that the film was still planned for future production and both Freeman and Fincher mentioned it as still needing a worthy script.

Science writer

Clarke published a number of non-fiction books with essays, speeches, addresses, etc. Several of his non-fiction books are composed of chapters that can stand on their own as separate essays.

Space travel

In particular, Clarke was a populariser of the concept of space travel. In 1950 he wrote Interplanetary Flight, a book outlining the basics of space flight for laymen. Later books about space travel included The Exploration of Space (1951), The Challenge of the Spaceship (1959), Voices from the Sky (1965), The Promise of Space (1968, rev. ed. 1970) and Report on Planet Three (1972) among others.

Futurism

His books on space travel usually included chapters about other aspects of science and technology, such as computers and bioengineering. He predicted telecommunication satellites (albeit serviced by astronauts in space suits, who would replace the satellite's vacuum tubes as they burned out).

His many predictions culminated in 1958 when he began a series of magazine essays that eventually became Profiles of the Future, published in book form in 1962. A timetable up to the year 2100 describes inventions and ideas including such things as a "global library" for 2005. The same work also contained "Clarke's First Law" and text that became Clarke's three laws in later editions.

In a 1959 essay Clarke predicted global satellite TV broadcasts that would cross national boundaries indiscriminately and would bring hundreds of channels available anywhere in the world. He also envisioned a "personal transceiver, so small and compact that every man carries one." He wrote: "the time will come when we will be able to call a person anywhere on Earth merely by dialling a number." Such a device would also, in Clarke's vision, include means for global positioning so that "no one need ever again be lost." Later, in Profiles of the Future, he predicted the advent of such a device taking place in the mid-1980s.

In a 1974 interview with the Australian Broadcasting Corporation, the interviewer asked Clarke how he believed the computer would change the future for the everyday person, and what life would be like in the year 2001. Clarke accurately predicted many things that became reality, including online banking, online shopping, and other now commonplace things. Responding to a question about how the interviewer's son's life would be different, Clarke responded: "He will have, in his own house, not a computer as big as this, [points to nearby computer], but at least, a console through which he can talk, through his friendly local computer and get all the information he needs, for his everyday life, like his bank statements, his theatre reservations, all the information you need in the course of living in our complex modern society, this will be in a compact form in his own house ... and he will take it as much for granted as we take the telephone."
 
An extensive selection of Clarke's essays and book chapters (from 1934 to 1998; 110 pieces, 63 of them previously uncollected in his books) can be found in the book Greetings, Carbon-Based Bipeds! (2000), together with a new introduction and many prefatory notes. Another collection of essays, all previously collected, is By Space Possessed (1993). Clarke's technical papers, together with several essays and extensive autobiographical material, are collected in Ascent to Orbit: A Scientific Autobiography (1984).

Geostationary communications satellite


Clarke contributed to the popularity of the idea that geostationary satellites would be ideal telecommunications relays. He first described this in a letter to the editor of Wireless World in February 1945 and elaborated on the concept in a paper titled Extra-Terrestrial Relays – Can Rocket Stations Give Worldwide Radio Coverage?, published in Wireless World in October 1945. The geostationary orbit is now sometimes known as the Clarke Orbit or the Clarke Belt in his honour.

It is not clear that this article was actually the inspiration for the modern telecommunications satellite. According to John R. Pierce, of Bell Labs, who was involved in the Echo satellite and Telstar projects, he gave a talk upon the subject in 1954 (published in 1955), using ideas that were "in the air", but was not aware of Clarke's article at the time. In an interview given shortly before his death, Clarke was asked whether he had ever suspected that one day communications satellites would become so important; he replied:
I'm often asked why I didn't try to patent the idea of a communications satellite. My answer is always, 'A patent is really a license to be sued.'
Though different from Clarke's idea of telecom relay, the idea of communicating via satellites in geostationary orbit itself had been described earlier. For example, the concept of geostationary satellites was described in Hermann Oberth's 1923 book Die Rakete zu den Planetenräumen (The Rocket into Interplanetary Space), and then the idea of radio communication by means of those satellites in Herman Potočnik's (written under the pseudonym Hermann Noordung) 1928 book Das Problem der Befahrung des Weltraums – der Raketen-Motor (The Problem of Space Travel — The Rocket Motor), sections: Providing for Long Distance Communications and Safety, and (possibly referring to the idea of relaying messages via satellite, but not that 3 would be optimal) Observing and Researching the Earth's Surface, published in Berlin. Clarke acknowledged the earlier concept in his book Profiles of the Future.

Undersea explorer

Clarke was an avid scuba diver and a member of the Underwater Explorers Club. In addition to writing, Clarke set up several diving-related ventures with his business partner Mike Wilson. In 1956, while scuba diving, Wilson and Clarke uncovered ruined masonry, architecture and idol images of the sunken original Koneswaram temple – including carved columns with flower insignias, and stones in the form of elephant heads – spread on the shallow surrounding seabed. Other discoveries included Chola bronzes from the original shrine, and these discoveries were described in Clarke's 1957 book The Reefs of Taprobane. In 1961, while filming off Great Basses Reef, Wilson found a wreck and retrieved silver coins. Plans to dive on the wreck the following year were stopped when Clarke developed paralysis, ultimately diagnosed as polio. A year later, Clarke observed the salvage from the shore and the surface. The ship, ultimately identified as belonging to the Mughal Emperor, Aurangzeb, yielded fused bags of silver rupees, cannon, and other artefacts, carefully documented, became the basis for The Treasure of the Great Reef. Living in Sri Lanka and learning its history also inspired the backdrop for his novel The Fountains of Paradise in which he described a space elevator. This, he believed, would make rocket-based access to space obsolete and, more than geostationary satellites, would ultimately be his scientific legacy.

Views

On religion

Themes of religion and spirituality appear in much of Clarke's writing. He said: "Any path to knowledge is a path to God—or Reality, whichever word one prefers to use." He described himself as "fascinated by the concept of God". J. B. S. Haldane, near the end of his life, suggested in a personal letter to Clarke that Clarke should receive a prize in theology for being one of the few people to write anything new on the subject, and went on to say that if Clarke's writings did not contain multiple contradictory theological views, he might have been a menace. When he entered the Royal Air Force, Clarke insisted that his dog tags be marked "pantheist" rather than the default, Church of England, and in a 1991 essay entitled "Credo", described himself as a logical positivist from the age of ten. In 2000, Clarke told the Sri Lankan newspaper, The Island, "I don't believe in God or an afterlife," and he identified himself as an atheist. He was honoured as a Humanist Laureate in the International Academy of Humanism. He has also described himself as a "crypto-Buddhist", insisting that Buddhism is not a religion. He displayed little interest about religion early in his life, for example, only discovering a few months after marrying that his wife had strong Presbyterian beliefs. 

A famous quotation of Clarke's is often cited: "One of the great tragedies of mankind is that morality has been hijacked by religion." He was quoted in Popular Science in 2004 as saying of religion: "Most malevolent and persistent of all mind viruses. We should get rid of it as quick as we can." In a three-day "dialogue on man and his world" with Alan Watts, Clarke stated that he was biased against religion and said that he could not forgive religions for what he perceived as their inability to prevent atrocities and wars over time. In his introduction to the penultimate episode of Mysterious World, entitled "Strange Skies", Clarke said: "I sometimes think that the universe is a machine designed for the perpetual astonishment of astronomers," reflecting the dialogue of the episode, in which he stated this concept more broadly, referring to "mankind". Near the very end of that same episode, the last segment of which covered the Star of Bethlehem, he said that his favourite theory was that it might be a pulsar. Given that pulsars were discovered in the interval between his writing the short story, "The Star" (1955), and making Mysterious World (1980), and given the more recent discovery of pulsar PSR B1913+16, he said: "How romantic, if even now, we can hear the dying voice of a star, which heralded the Christian era."

Clarke left written instructions for a funeral that stated: "Absolutely no religious rites of any kind, relating to any religious faith, should be associated with my funeral."

Politics

Regarding freedom of information Clarke believed "In the struggle for freedom of information, technology, not politics, will be the ultimate decider".

Clarke also wrote "It is not easy to see how the more extreme forms of nationalism can long survive when men have seen the Earth in its true perspective as a single small globe against the stars."

Regarding human jobs being replaced by robots Clarke said "Any teacher that can be replaced by a machine should be!"

Clarke supported the use of renewable energy saying "I would like to see us kick our current addiction to oil, and adopt clean energy sources... Climate change has now added a new sense of urgency. Our civilisation depends on energy, but we can't allow oil and coal to slowly bake our planet."

Intelligent life

Clarke believed "The best proof that there's intelligent life in outer space is the fact that it hasn't come here...the fact that we have not yet found the slightest evidence for life — much less intelligence — beyond this Earth does not surprise or disappoint me in the least. Our technology must still be laughably primitive; we may well be like jungle savages listening for the throbbing of tom-toms, while the ether around them carries more words per second than they could utter in a lifetime"

Clarke also believed "Two possibilities exist: Either we are alone in the Universe or we are not. Both are equally terrifying."

Paranormal phenomena

Early in his career, Clarke had a fascination with the paranormal and stated that it was part of the inspiration for his novel Childhood's End. Citing the numerous promising paranormal claims that were shown to be fraudulent, Clarke described his earlier openness to the paranormal having turned to being "an almost total sceptic" by the time of his 1992 biography. During interviews, both in 1993 and 2004–2005, he stated that he did not believe in reincarnation, saying that there was no mechanism to make it possible, though he stated "I'm always paraphrasing J. B. S. Haldane: 'The universe is not only stranger than we imagine, it's stranger than we can imagine.'" He described the idea of reincarnation as fascinating, but favoured a finite existence.

Clarke was well known for his television series investigating paranormal phenomena – Arthur C. Clarke's Mysterious World (1980), Arthur C. Clarke's World of Strange Powers (1985) and Arthur C. Clarke's Mysterious Universe (1994) – enough to be parodied in an episode of The Goodies in which his show is cancelled after it is claimed that he does not exist.

In Arthur C. Clarke's Mysterious World he gives three kinds of "mysteries".
  • Mysteries of the First Kind: "something that was once utterly baffling, but is now completely understood." Clarke gives the example of a rainbow.
  • Mysteries of the Second Kind: Something that is currently not fully understood and can be in the future.
  • Mysteries of the Third Kind: Something of which we have no understanding.

Themes, style and influences

Clarke's work is marked by an optimistic view of science empowering mankind's exploration of the Solar System and the world's oceans. His images of the future often feature a Utopian setting with highly developed technology, ecology and society, based on the author's ideals. His early published stories usually featured the extrapolation of a technological innovation or scientific breakthrough into the underlying decadence of his own society. 

A recurring theme in Clarke's works is the notion that the evolution of an intelligent species would eventually make them something close to gods. This was explored in his 1953 novel Childhood's End and briefly touched upon in his novel Imperial Earth. This idea of transcendence through evolution seems to have been influenced by Olaf Stapledon, who wrote a number of books dealing with this theme. Clarke has said of Stapledon's 1930 book Last and First Men that "No other book had a greater influence on my life ... [It] and its successor Star Maker (1937) are the twin summits of [Stapledon's] literary career".

Awards, honours and other recognition

Clarke won the 1963 Stuart Ballantine Medal from the Franklin Institute for the concept of satellite communications, and other honours. He won more than a dozen annual literary awards for particular works of science fiction.

Named after Clarke

Awards

In 1986, Clarke provided a grant to fund the prize money (initially £1,000) for the Arthur C. Clarke Award for the best science fiction novel published in the United Kingdom in the previous year. In 2001 the prize was increased to £2001, and its value now matches the year (e.g., £2005 in 2005).
In 2005 he lent his name to the inaugural Sir Arthur Clarke Awards—dubbed the "Space Oscars". His brother attended the awards ceremony, and presented an award specially chosen by Arthur (and not by the panel of judges who chose the other awards) to the British Interplanetary Society.
  • Arthur C. Clarke Foundation awards: "Arthur C. Clarke Innovator's Award" and "Arthur C. Clarke Lifetime Achievement Award"
  • The Sir Arthur C. Clarke Memorial Trophy Inter School Astronomy Quiz Competition, held in Sri Lanka every year and organised by the Astronomical Association of Ananda College, Colombo. The competition first started in 2001 as "The Sir Arthur C. Clarke Trophy Inter School Astronomy Quiz Competition" and was later renamed after his death.
  • Arthur C. Clarke Award for Imagination in Service to Society

Other

Selected works

Novels

Short story collections

Non-fiction

  • Interplanetary Flight: an introduction to astronautics (1950) London: Temple Press, ISBN 0-425-06448-4
  • The Exploration of Space (1951) New York: Harper & Brothers
  • The Exploration of the Moon (1954) with R. A. Smith, New York: Harper Brothers
  • The Coast of Coral (1955) London: Frederick Muller
  • Boy Beneath the Sea (1958) New York: Harper, ISBN 0060212667
  • Voice Across the Sea (1958) New York: Harper
  • Profiles of the Future: An Inquiry into the Limits of the Possible (1962) New York: Harper & Row
  • The Treasure of the Great Reef (1964) with Mike Wilson, New York: Harper & Row
  • Voices from the Sky: Previews of the Coming Space Age (1965) New York: Harper & Row
  • The Promise of Space (1968) New York: Harper & Row
  • The View from Serendip (1977) New York: Random House, ISBN 0-394-41796-8
  • 1984: Spring - A Choice of Futures (1984) collected non-fiction writings, New York: Del Rey / Ballantine, ISBN 0-345-31357-7
  • Astounding Days: A Science Fictional Autobiography (1989) London: Gollancz, ISBN 0-575-04446-2
  • How the World Was One: Beyond the Global Village (1992) London: Gollancz, ISBN 0-575-05226-0
  • Greetings, Carbon-Based Bipeds! : Collected Essays, 1934–1998 (1999) New York: St. Martin's Press, and London: Voyager

Documentaries

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