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Friday, November 8, 2019

Sexual revolution

From Wikipedia, the free encyclopedia

Sexual revolution
Part of the Counterculture of the 1960s
Sexual Revolution Buttons.jpg
Buttons from the Sexual revolution
Date1960s - 1980s
LocationWorldwide
ParticipantsRegional
Sexual revolution in 1960s United States
Social/commercial movements
Free love
Gay liberation
Golden Age of Porn
OutcomeWider acceptance of sexuality and contraception

The sexual revolution, also known as a time of sexual liberation, was a social movement that challenged traditional codes of behavior related to sexuality and interpersonal relationships throughout the United States and subsequently, the wider world, from the 1960s to the 1980s. Sexual liberation included increased acceptance of sex outside of traditional heterosexual, monogamous relationships (primarily marriage). The normalization of contraception and the pill, public nudity, pornography, premarital sex, homosexuality, masturbation, alternative forms of sexuality, and the legalization of abortion all followed.

Previous sexual revolutions

Several other periods in Western culture have been called the "first sexual revolution", to which the 1960s revolution would be the second (or later). The term "sexual revolution" itself has been used since at least the late 1920s.

When speaking of sexual revolution, historians make a distinction between the first and the second sexual revolution. In the first sexual revolution (1870–1910), Victorian morality lost its universal appeal. However, it did not lead to the rise of a "permissive society". Exemplary for this period is the rise and differentiation in forms of regulating sexuality.

Classics professor Kyle Harper uses the phrase "first sexual revolution" to refer to the displacement of the norms of sexuality in Ancient Rome with those of Christianity as it was adopted throughout the Roman Empire. Romans accepted and legalized prostitution, bisexuality, and pederasty. Male promiscuity was considered normal and healthy as long as masculinity was maintained, associated with being the penetrating partner. On the other hand, female chastity was required for respectable women, to ensure integrity of family bloodlines. These attitudes were replaced by Christian prohibitions on homosexual acts and any sex outside marriage (including with slaves and prostitutes).

History professor Faramerz Dabhoiwala cites the Age of Enlightenment—approximately the 18th century— as a major period of transition in the United Kingdom. During this time the philosophy of liberalism developed and was popularized, and migration to cities increased opportunities for sex and made enforcement of rules more difficult than in small villages. Sexual misconduct in the Catholic Church (called the "Whore of Babylon" by some Protestant critics) undermined credibility of religious authorities, and the rise of urban police forces helped distinguish crime from sin. Overall, toleration increased for heterosexual sex outside marriage, including prostitution, mistresses, and pre-marital sex. Though these acts were still condemned by many as libertine, infidelity became more often a civil matter than a criminal offense receiving capital punishment. The rate of out-of-wedlock births went from about 1% in 1650 to about 25% in 1800, with about 40% of brides being pregnant. Masturbation, homosexuality, and rape were generally less tolerated. Women went from being considered as lustful as men to passive partners, whose purity was important to reputation.

Commentators such as history professor Kevin F. White have used the phrase "first sexual revolution" to refer to the Roaring Twenties. Victorian Era attitudes were somewhat destabilized by World War I and alcohol prohibition in the United States. At the same time the women's suffrage movement obtained voting rights, the subculture of the flapper girl included pre-marital sex and "petting parties".

Formative factors

Youngsters participating in Wet T-shirt contest during spring break 2004, in Panama City Beach, Florida
 
Indicators of non-traditional sexual behavior (e.g., gonorrhea incidence, births out of wedlock, and births to teenagers) began to rise dramatically in the mid to late 1950s. It brought about profound shifts in attitudes toward women's sexuality, homosexuality, pre-marital sexuality, and the freedom of sexual expression.

Psychologists and scientists such as Wilhelm Reich and Alfred Kinsey influenced the changes. As well, changing mores were both stimulated by and reflected in literature and films, and by the social movements of the period, including the counterculture, the women's movement, and the gay rights movement. The counterculture contributed to the awareness of radical cultural change that was the social matrix of the sexual revolution.

The sexual revolution was initiated by those who shared a belief in the detrimental impact of sexual repression, a view that had previously been argued by Wilhelm Reich, D. H. Lawrence, Sigmund Freud, and the Surrealist movement.

The counterculture wanted to explore the body and mind, and free the personal self from the moral and legal sexual confines of modern America, as well as from 1940s-50s morals in general. The sexual revolution of the 1960s was grew from a conviction that the erotic should be celebrated as a normal part of life and not repressed by family, industrialized sexual morality, religion and the state.

The development of the birth control pill in 1960 gave women access to easy and reliable contraception. Another likely cause was a vast improvement in obstetrics, greatly reducing the number of women who died due to childbearing, thus increasing the life expectancy of women. A third, more indirect cause was the large number of children born in the 1940s and early 1950s all over the western world—the "Baby Boom Generation"—many of whom would grow up in relatively prosperous and safe conditions, within a middle class on the rise and with better access to education and entertainment than ever before. By their demographic weight and their social and educational background they came to trigger a shift in society towards more permissive and informalized attitudes. 

The discovery of penicillin led to significant reductions in syphilis mortality, which, in turn, spurred an increase in non-traditional sex during the mid to late 1950s.

There was an increase in sexual encounters between unmarried adults. Divorce rates were dramatically increasing and marriage rates were significantly decreasing in this time period. The number of unmarried Americans aged twenty to twenty-four more than doubled from 4.3 million in 1960 to 9.7 million in 1976. Men and women sought to reshape marriage by instilling new institutions of open marriage, mate swapping, swinging, and communal sex.

The Freudian school

Sigmund Freud of Vienna believed human behavior was motivated by unconscious drives, primarily by the libido or "Sexual Energy". Freud proposed to study how these unconscious drives were repressed and found expression through other cultural outlets. He called this therapy "psychoanalysis". 

While Freud's ideas were sometimes ignored or provoked resistance within Viennese society, his ideas soon entered the discussions and working methods of anthropologists, artists and writers all over Europe, and from the 1920s in the United States. His conception of a primary sexual drive that would not be ultimately curbed by law, education or standards of decorum spelled a serious challenge to Victorian prudishness, and his theory of psychosexual development proposed a model for the development of sexual orientations and desires; children emerged from the Oedipus complex, a sexual desire towards their parent of the opposite sex. The idea of children having their parents as their early sexual targets was particularly shocking to Victorian and early 20th century society. 

According to Freud's theory, in the earliest stage of a child's psychosexual development, the oral stage, the mother's breast became the formative source of all later erotic sensation. Much of his research remains widely contested by professionals in the field, though it has spurred critical developments in the humanities.

Anarchist Freud scholars Otto Gross and Wilhelm Reich (who famously coined the phrase "Sexual Revolution") developed a sociology of sex in the 1910s to 1930s in which the animal-like competitive reproductive behavior was seen as a legacy of ancestral human evolution reflecting in every social relation, as per the freudian interpretation, and hence the liberation of sexual behavior a mean to social revolution.

The role of mass media

Mead's Coming of Age in Samoa

The publication of anthropologist Margaret Mead's Coming of Age in Samoa brought the sexual revolution to the public scene, as her thoughts concerning sexual freedom pervaded academia. Published in 1928, Mead's ethnography focused on the psychosexual development of adolescents in Samoa. She recorded that their adolescence was not in fact a time of "storm and stress" as Erikson's stages of development suggest, but that the sexual freedom experienced by the adolescents actually permitted them an easy transition from childhood to adulthood. Mead called for a change in suppression of sexuality in America, and her work directly resulted in the advancement of the sexual revolution in the 1930s. 

Mead's findings were later criticized by anthropologist Derek Freeman, who investigated her claims of promiscuity and conducted his own ethnography of Samoan society.

Kinsey and Masters and Johnson

In the late 1940s and early 1950s, Alfred C. Kinsey published two surveys of modern sexual behaviour. In 1948 Alfred C. Kinsey and his co-workers, responding to a request by female students at Indiana University for more information on human sexual behavior, published the book Sexual behaviour in the Human Male. They followed this five years later with Sexual behaviour in the Human Female. These books began a revolution in social awareness of, and public attention given to, human sexuality. 

It is said that public morality severely restricted open discussion of sexuality as a human characteristic, and specific sexual practices, especially sexual behaviours that did not lead to procreation. Kinsey's books contained studies about controversial topics such as the frequency of homosexuality, and the sexuality of minors aged two weeks to fourteen years. Scientists working for Kinsey reported data which led to the conclusion that people are capable of sexual stimulation from birth. Furthermore, Kinsey's method of researching sexuality differs significantly from today's methods. Kinsey would watch his research subjects engage in sexual intercourse, sometimes engaging with his subjects as well. He would also encourage his research team to do the same, and encouraged them to engage in intercourse with him, too. 

These books laid the groundwork for Masters and Johnson's life work. A study called Human Sexual Response in 1966 revealed the nature and scope of the sexual practices of young Americans.

The Playboy culture

Playboy Bunnies aboard US Navy ship (USS Wainwright (CG-28)), 1971
 
In 1953, Chicago resident Hugh Hefner founded Playboy, a magazine which aimed to target males between the ages of 21 and 45. The coverpage and nude centerfold in the first edition featured Marilyn Monroe, then a rising sex symbol. Featuring cartoons, interviews, short fiction, Hefner's "Playboy Philosophy" and unclothed female "Playmates" posing provocatively, the magazine became immensely successful.

In 1960, Hefner expanded Playboy Enterprises, opening the first Playboy Club in Chicago, which grew to a chain of nightclubs and resorts. The private clubs offered relaxation for members, who were waited on by Playboy Bunnies.

While Hefner claimed his company contributed to America's more liberal attitude towards sex, others believe he simply exploited it.

Erotic novels

In the United States in the years 1959 through 1966, bans on three books with explicit erotic content were challenged and overturned. This also occurred in the United Kingdom starting with the 1959 Obscene Publications Act and reaching a peak with the LCL court case.

Prior to this time, a patchwork of regulations (as well as local customs and vigilante actions) governed what could and could not be published. For example, the United States Customs Service banned James Joyce's Ulysses by refusing to allow it to be imported into the United States. The Roman Catholic Church's Index Librorum Prohibitorum carried great weight among Catholics and amounted to an effective and instant boycott of any book appearing on it. Boston's Watch and Ward Society, a largely Protestant creation inspired by Anthony Comstock, made "banned in Boston" a national by-word. 

In 1959 Grove Press published an unexpurgated version of Lady Chatterley's Lover by D. H. Lawrence. The U.S. Post Office confiscated copies sent through the mail. Lawyer Charles Rembar sued the New York City Postmaster, and won in New York and then on federal appeal.

Henry Miller's 1934 novel, Tropic of Cancer, had explicit sexual passages and could not be published in the United States; an edition was printed by the Obelisk Press in Paris and copies were smuggled into the United States. In 1961 Grove Press issued a copy of the work, and dozens of booksellers were sued for selling it. The issue was ultimately settled by the U.S. Supreme Court's 1964 decision in Grove Press, Inc. v. Gerstein

In 1963 Putnam published John Cleland's 1750 novel Fanny Hill. Charles Rembar appealed a restraining order against it all the way to the U.S. Supreme Court and won. In Memoirs v. Massachusetts, 383 U.S. 413, the court ruled that sex was "a great and mysterious motive force in human life", and that its expression in literature was protected by the First Amendment.

By permitting the publication of Fanny Hill, the U.S. Supreme Court set the bar for any ban so high that Rembar himself called the 1966 decision "the end of obscenity". Only books primarily appealing to "prurient interest" could be banned. In a famous phrase, the court said that obscenity is "utterly without redeeming social importance"—meaning that, conversely, a work with any redeeming social importance or literary merit was arguably not obscene, even if it contained isolated passages that could "deprave and corrupt" some readers.

Nonfiction

The court decisions that legalised the publication of Fanny Hill had an even more important effect: freed from fears of legal action, nonfiction works about sex and sexuality started to appear more often. These books were factual and in fact educational, made available in mainstream bookstores and mail-order book clubs to a mainstream readership, and their authors were guests on late-night talk shows. Earlier books such as What Every Girl Should Know (Margaret Sanger, 1920) and A Marriage Manual (Hannah and Abraham Stone, 1939) had broken the silence and, by the 1950s, in the United States it had become rare for women to go into their wedding nights not knowing what to expect.

The open discussion of sex as pleasure, and descriptions of sexual practices and techniques, was revolutionary. There were practices which, perhaps, some had heard of. But many adults did not know for sure whether they were realities, or fantasies found only in pornographic books. The Kinsey report revealed that these practices were, at the very least, surprisingly frequent. These other books asserted, in the words of a 1980 book by Dr. Irene Kassorla, that Nice Girls Do — And Now You Can Too.

In 1962, Helen Gurley Brown published Sex and the Single Girl: The Unmarried Woman's Guide to Men, Careers, the Apartment, Diet, Fashion, Money and Men.
 
In 1969 Joan Garrity, identifying herself only as "J.", published The Way to Become the Sensuous Woman, with information on exercises to improve the dexterity of one's tongue and how to have anal sex.

The same year saw the appearance of Dr. David Reuben's book Everything You Always Wanted to Know About Sex* (*But Were Afraid to Ask). Despite the dignity of Reuben's medical credentials, this book was light-hearted in tone.

In 1970 the Boston Women's Health Collective published Women and Their Bodies, reissued a year later as Our Bodies, Ourselves). Though not an erotic treatise or sex manual, the book included frank descriptions of sexuality, and contained illustrations that could have caused legal problems just a few years earlier.

Alex Comfort's The Joy of Sex: A Gourmet Guide to Love Making appeared in 1972. In later editions, Comfort's exuberance was tamed in response to AIDS.

In 1975 Will McBride's Zeig Mal! (Show Me!), written with psychologist Helga Fleichhauer-Hardt for children and their parents, appeared in bookstores on both sides of the Atlantic. Appreciated by many parents for its frank depiction of pre-adolescent sexual discovery and exploration, it scandalised others and was pulled from circulation in the United States and some other countries. The book was followed in 1989 by Zeig Mal Mehr! ("Show Me More!").

Pornographic film

In 1969, Blue Movie, directed by Andy Warhol, was the first adult erotic film depicting explicit sex to receive wide theatrical release in the United States. The film helped inaugurate the "porno chic" phenomenon in modern American culture. According to Warhol, Blue Movie was a major influence in the making of Last Tango in Paris, starring Marlon Brando, and released a few years after Blue Movie was made.

In 1970, Mona the Virgin Nymph became the second film to gain wide release. The third, Deep Throat, despite being rudimentary by the standards of mainstream filmmaking, achieved major box office success, following mentions by Johnny Carson on The Tonight Show, and Bob Hope on television as well. In 1973, the far-more-accomplished (though still low-budget) The Devil in Miss Jones was the seventh-most-successful film of the year, and was well-received by major media, including a favorable review by film critic Roger Ebert.

In 1976, The Opening of Misty Beethoven (based on the play Pygmalion by George Bernard Shaw) was released theatrically and is considered by Toni Bentley the "crown jewel" of "the golden age of porn."

By the mid-1970s and through the 1980s, newly won sexual freedoms were being exploited by big businesses looking to capitalize on an increasingly permissive society, with the advent of public and hardcore pornography.

Explicit sex on screen and stage

Swedish filmmakers like Ingmar Bergman and Vilgot Sjöman contributed to sexual liberation with sexually themed films that challenged conservative international standards. The 1951 film Hon dansade en sommar (She Danced One Summer AKA One Summer of Happiness) displayed explicit nudity, including bathing in a lake.

This film, as well as Bergman's Sommaren med Monika (The Summer with Monika, 1951) and Tystnaden (The Silence, 1963), caused an international uproar, not least in the United States, where the films were charged with violating standards of decency. Vilgot Sjöman's film I Am Curious (Yellow), also was very popular in the United States. Another of his films, 491, highlighted homosexuality. Kärlekens språk (The Language of Love) was an informative documentary about sex and sexual techniques that featured the first real act of sex in a mainstream film.

From these films the myth of "Swedish sin" (licentiousness and seductive nudity) arose. The image of "hot love and cold people" emerged, with sexual liberalism seen as part of the modernization process that, by breaking down traditional borders, would lead to the emancipation of natural forces and desires. In Sweden and nearby countries at the time, these films, by virtue of being made by directors who had established themselves as leading names in their generation, helped delegitimize the idea of habitually demanding that films should avoid overtly sexual subject matter. The films eventually progressed the public's attitude toward sex, especially in Sweden and other northern European countries, which today tend to be more sexually liberal than others.

Normalization of pornography

The somewhat more open and commercial circulation of pornography was a new phenomenon. Pornography operated as a form of "cultural critique" insofar as it transgresses societal conventions. Manuel Castells claims that the online communities, which emerged (from the 1980s) around early bulletin-board systems, originated from the ranks of those who had been part of the counterculture movements and alternative way of life emerging out of the sexual revolution.

Lynn Hunt points out that early modern "pornography" (18th century) is marked by a "preponderance of female narrators", that the women were portrayed as independent, determined, financially successful (though not always socially successful and recognized) and scornful of the new ideals of female virtue and domesticity, and not objectifications of women's bodies as many view pornography today. The sexual revolution was not unprecedented in identifying sex as a site of political potential and social culture. It was suggested that the interchangeability of bodies within pornography had radical implications for gender differences and that they could lose their meaning or at least redefine the meaning of gender roles and norms.

In 1971 Playboy stopped airbrushing pubic hair out of its centerfold picture spreads; this new addition caused the magazine to hit its all-time peak circulation of more than seven million copies in 1972 and men started having more choices when it came to magazines.

In 1972 Deep Throat became a popular movie for heterosexual couples. The movie played all over America and was the first porn movie to earn a gross of a million dollars.

Pornography was less stigmatised by the end of the 1980s, and more mainstream movies depicted sexual intercourse as entertainment. Magazines depicting nudity, such as the popular Playboy and Penthouse magazines, won some acceptance as mainstream journals, in which public figures felt safe expressing their fantasies. 

Some figures in the feminist movement, such as Andrea Dworkin, challenged the depiction of women as objects in these pornographic or "urban men's" magazines. Other feminists such as Betty Dodson went on to found the pro-sex feminist movement in response to anti-pornography campaigns. 

In India, an organization named Indians For Sexual Liberties is advocating the legalization of the porn business in India. The organization's founder, Laxman Singh, questioned the reasoning behind deeming as illegal the depiction of legal acts.

Modern revolutions

The Industrial Revolution during the nineteenth century and the growth of science and technology, medicine and health care, resulted in better contraceptives being manufactured. Advances in the manufacture and production of rubber made possible the design and production of condoms that could be used by hundreds of millions of men and women to prevent pregnancy at little cost. Advances in chemistry, pharmacology, and biology, and human physiology led to the discovery and perfection of the first oral contraceptives, popularly known as "the Pill." 

All these developments took place alongside and combined with an increase in world literacy and decline in religious observance. Old values such as the biblical notion of "be fruitful and multiply" were cast aside as people continued to feel alienated from the past and adopted the lifestyles of progressive modernizing cultures. 

Another contribution that helped bring about this modern revolution of sexual freedom were the writings of Herbert Marcuse and Wilhelm Reich, who took the philosophy of Karl Marx and similar philosophers. 

"No-fault" unilateral divorce became legal and easier to obtain in many countries during the 1960s, 1970s, and 1980s. 

The women's movement redefined sexuality, not in terms of simply pleasing men but recognizing women's sexual satisfaction and sexual desire. "The Myth of the Vaginal Orgasm" by Anne Koedt illustrates an understanding of a women's sexual anatomy, arguing against Freud's "assumptions of women as inferior appendage to man, and her consequent social and psychological role." The women's movement was able to develop lesbian feminism, freedom from heterosexual act, and freedom from reproduction. Feminist Betty Friedan published the Feminine Mystique in 1963, concerning the many frustrations women had with their lives and with separate spheres which established a pattern of inequality. 

1997 LGBT poster, New York City
 
The Gay Rights Movement started when the Stonewall Riots of 1969 crystallized a broad grass-roots mobilization. New gay liberationist gave political meaning to "coming out" by extending the psychological-personal process into public life. During the 1950s the most feared thing of the homosexual culture was "coming out", the homosexual culture of the 1950s did everything they could to help keep their sexuality a secret from the public and everyone else in their lives, but Alfred Kinsey's research on homosexuality alleged that 39% of the unmarried male population had had at least one homosexual experience to orgasm between adolescence and old age. The "coming out" phenomenon helped mobilize people to live full-time as a homosexual, they no longer had to live in secret. They no longer had to sneak around and occasionally receive the sexual attention that they desire or force themselves into a heterosexual relationship in which they had no interest, and was full of lies. Brad Gooch wrote in the "Golden Age of Promiscuity" that the gay male community finally had reached a rich culture of "easy sex", sex without commitment, obligation or long-term relationships.

Feminism and sexual liberation

Coinciding with second-wave feminism and the women's liberation movement initiated in the early 1960s, the sexual liberation movement was aided by feminist ideologues in their mutual struggle to challenge traditional ideas regarding female sexuality and queer sexuality. Elimination of undue favorable bias towards men and objectification of women as well as support for women's right to choose her sexual partners free of outside interference or judgement were three of the main goals associated with sexual liberation from the feminist perspective. Since during the early stages of feminism, women's liberation was often equated with sexual liberation rather than associated with it. Many feminist thinkers believed that assertion of the primacy of sexuality would be a major step towards the ultimate goal of women's liberation, thus women were urged to initiate sexual advances, enjoy sex and experiment with new forms of sexuality.

The feminist movements insisted and focused on the sexual liberation for women, both physical and psychological. The pursuit of sexual pleasure for women was the core ideology, which subsequently was to set the foundation for female independence. Although whether or not sexual freedom should be a feminist issue is currently a much-debated topic, the feminist movement overtly defines itself as the movement for social, political, and economic equality of men and women. Feminist movements are also involved the fight against sexism and since sexism is a highly complex notion, it is difficult to separate the feminist critique toward sexism from its fight against sexual oppression. 

The feminist movement has helped create a social climate in which LGBT people and women are increasingly able to be open and free with their sexuality, which enabled a spiritual liberation of sorts with regards to sex. Rather than being forced to hide their sexual desires or feelings, women and LGBT people have gained and continue to gain increased freedom in this area. Consequently, the feminist movement to end sexual oppression has and continues to directly contribute to the sexual liberation movement.

Nevertheless, among many feminists, the view soon became widely held that, thus far, the sexual freedoms gained in the sexual revolution of the 1960s, such as the decreasing emphasis on monogamy, had been largely gained by men at women's expense. In Anticlimax: A Feminist Perspective on the Sexual Revolution, Sheila Jeffreys asserted that the sexual revolution on men's terms contributed less to women's freedom than to their continued oppression, an assertion that has both commanded respect and attracted intense criticism. In the late 1970s and early 1980s, feminist sex wars broke out due to disagreements on pornography, on prostitution, and on BDSM, as well as sexuality in general.

Contraception

As birth control became widely accessible, men and women began to have more choice in the matter of having children than ever before. The 1916 invention of thin, disposable latex condoms for men led to widespread affordable condoms by the 1930s; the demise of the Comstock laws in 1936 set the stage for promotion of available effective contraceptives such as the diaphragm and cervical cap; the 1960s introduction of the IUD and oral contraceptives for women gave a sense of freedom from barrier contraception. The Catholic Church under Pope Paul VI (1968) published Humanae vitae (Of Human Life), which was a declaration that banned the use of artificial contraception. Churches allowed for the rhythm method, which was a natural method of regulating fertility that pushed men and women to take advantage of the "natural cycles" of female fertility, during which women were "naturally infertile." The opposition of Churches (e.g. Humanae vitae) led people who felt alienated from or not represented by religion to form parallel movements of secularization and exile from religion. Women gained much greater access to birth control in the Griswold "girls world" decision in 1965. 

The landmark Griswold v. Connecticut case ruled that the prohibition of contraception was unconstitutional on the grounds that it violated peoples' rights to marital privacy. In addition, in the 1960s and 1970s the birth control movement advocated for the legalization of abortion and large scale education campaigns about contraception by governments. The Griswold v. Connecticut case and subsequent birth control movements created a precedent for later cases granting rights to birth control for unmarried couples (Eisenstadt v. Baird, 1972), rights to abortion for any woman (Roe v. Wade, 1973), and the right to contraception for juveniles (Carey v. Population Services International, 1977). The Griswold case was also influential in and cited as precedent for landmark cases dealing with the right to homosexual relations (Lawrence v. Texas, 2003) and the right to same-sex marriage (Obergefell v. Hodges, 2015).

Free love

Beginning in San Francisco in the mid-1960s, a new culture of "free love" emerged, with thousands of young people becoming "hippies", inspired by Indian culture, who preached the power of love and the beauty of sex as part of ordinary life. This is part of a counterculture that continues to exist. By the 1970s, it was socially acceptable for colleges to permit co-ed housing.

Free love continued in different forms throughout the 1970s and into the early 1980s, but its more assertive manifestations ended abruptly (or at least disappeared from public view) in the mid-1980s when the public first became aware of AIDS, a deadly sexually-transmitted disease.

Non-marital sex

Premarital sex, heavily stigmatised for some time, became more widely accepted. The increased availability of birth control (and the legalisation of abortion in some places) helped reduce the chance that pre-marital sex would result in unwanted children. By the mid-1970s the majority of newly married American couples had experienced sex before marriage.

Central to the change was the development of relationships between unmarried adults, which resulted in earlier sexual experimentation reinforced by a later age of marriage. On average, Americans were gaining sexual experience before entering into monogamous relationships. The increasing divorce rate and the decreasing stigma attached to divorce during this era also contributed to sexual experimentation. By 1971, more than 75% of Americans thought that premarital sex was acceptable, a threefold increase from the 1950s, and the number of unmarried Americans aged twenty to twenty-four more than doubled from 1960 to 1976. Americans were becoming less and less interested in getting married and settling down and as well less interested in monogamous relationships. In 1971, 35% of the country said they thought marriage was obsolete.

The idea of marriage being outdated came from the development of casual sex between Americans. With the development of the birth control pill and the legalization of abortion in 1973, there was little threat of unwanted children out of wedlock. Also, during this time every known sexually transmitted disease was readily treatable.

Swinger clubs were organizing in places ranging from the informal suburban home to disco-sized emporiums that offered a range of sexual possibilities with multiple partners. In New York City in 1977, Larry Levenson opened Plato's Retreat, which eventually shut down in 1985 under regular close scrutiny by public health authorities.

Legacy

Fraenkel (1992) believes that the "sexual revolution" the West supposedly experienced in the late 1960s is a misconception, and that sex is not actually enjoyed freely, rather observed in all the fields of culture, a taboo behavior called "repressive desublimation".

Allyn argues that the sexual optimism of the 1960s waned with the economic crises of the 1970s, the massive commercialization of sex, increasing reports of child exploitation, disillusionment with the counter-culture and the New Left, and a combined left-right backlash against sexual liberation as an ideal. The discovery of herpes escalated anxieties rapidly and set the stage for the nation's panicked response to AIDS.

Among radical feminists, the view soon became widely held that, thus far, the sexual freedoms gained in the sexual revolution of the 1960s, such as the decreasing emphasis on monogamy, had been largely gained by men at women's expense. In Anticlimax: A Feminist Perspective on the Sexual Revolution, Sheila Jeffreys asserted that the sexual revolution on men's terms contributed less to women's freedom than to their continued oppression, an assertion that has both commanded respect and attracted intense criticism. In the late 1970s and early 1980s, feminist sex wars broke out due to disagreements on pornography, on prostitution, and on BDSM, as well as sexuality in general

Although the rate of teenage sexual activity is hard to record, the prevalence of teenage pregnancy in developed nations such as Canada and the UK have seen a steady decline since the 1990s. For example, in 1991 there were 61.8 children born per 1,000 teenage girls in the United States. By 2013, this number had declined to 26.6 births per 1,000 teenage girls.

Women and men who lived with each other without marriage sought "palimony" equal to the alimony. Teenagers assumed their right to a sexual life with whomever they pleased, and bathers fought to be topless or nude at beaches.

Counterculture

From Wikipedia, the free encyclopedia
 
Mother Centre Meeting at Nambassa, 1979
 
A counterculture (also written counter-culture) is a subculture whose values and norms of behavior differ substantially from those of mainstream society, often in opposition to mainstream cultural mores. A countercultural movement expresses the ethos and aspirations of a specific population during a well-defined era. When oppositional forces reach critical mass, countercultures can trigger dramatic cultural changes. Prominent examples of Late Modern countercultures in the Western world include Romanticism (1790–1840), Bohemianism (1850–1910), the more fragmentary counterculture of the Beat Generation (1944–1964), followed by the globalized counterculture of the 1960s (1964–1974), usually associated with the hippie subculture and the diversified punk subculture of the 1970s and 1980s.

Definition and characteristics

John Milton Yinger originated the term "contraculture" in his 1960 article in American Sociological Review. Yinger suggested the use of the term contraculture "wherever the normative system of a group contains, as a primary element, a theme of conflict with the values of the total society, where personality variables are directly involved in the development and maintenance of the group's values, and wherever its norms can be understood only by reference to the relationships of the group to a surrounding dominant culture." 

Some scholars have attributed the counterculture to Theodore Roszak, author of The Making of a Counter Culture. It became prominent in the news media amid the social revolution that swept the Americas, Western Europe, Japan, Australia, and New Zealand during the 1960s.

Scholars differ in the characteristics and specificity they attribute to "counterculture". "Mainstream" culture is of course also difficult to define, and in some ways becomes identified and understood through contrast with counterculture. Counterculture might oppose mass culture (or "media culture"), or middle-class culture and values. Counterculture is sometimes conceptualized in terms of generational conflict and rejection of older or adult values.

Counterculture may or may not be explicitly political. It typically involves criticism or rejection of currently powerful institutions, with accompanying hope for a better life or a new society. It does not look favorably on party politics or authoritarianism.

Cultural development can also be affected by way of counterculture. Scholars such as Joanne Martin and Caren Siehl, deem counterculture and cultural development as "a balancing act, [that] some core values of a counterculture should present a direct challenge to the core values of a dominant culture". Therefore, a prevalent culture and a counterculture should coexist in an uneasy symbiosis, holding opposite positions on valuable issues that are essentially important to each of them. According to this theory, a counterculture can contribute a plethora of useful functions for the prevalent culture, such as "articulating the foundations between appropriate and inappropriate behavior and providing a safe haven for the development of innovative ideas".

Typically, a "fringe culture" expands and grows into a counterculture by defining its own values in opposition to mainstream norms. Countercultures tend to peak, then go into decline, leaving a lasting impact on mainstream cultural values. Their life cycles include phases of rejection, growth, partial acceptance and absorption into the mainstream. During the late 1960s, hippies became the largest and most visible countercultural group in the United States. The "cultural shadows" left by the Romantics, Bohemians, Beats and Hippies remain visible in contemporary Western culture.

According to Sheila Whiteley, "recent developments in sociological theory complicate and problematize theories developed in the 1960s, with digital technology, for example, providing an impetus for new understandings of counterculture". Andy Bennett writes that "despite the theoretical arguments that can be raised against the sociological value of counterculture as a meaningful term for categorising social action, like subculture, the term lives on as a concept in social and cultural theory… [to] become part of a received, mediated memory". However, "this involved not simply the utopian but also the dystopian and that while festivals such as those held at Monterey and Woodstock might appear to embrace the former, the deaths of such iconic figures as Brian Jones, Jimi Hendrix, Jim Morrison and Janis Joplin, the nihilistic mayhem at Altamont, and the shadowy figure of Charles Manson cast a darker light on its underlying agenda, one that reminds us that ‘pathological issues [are] still very much at large in today's world".

Literature

The counterculture of the 1960s and early 1970s generated its own unique brand of notable literature, including comics and cartoons, and sometimes referred to as the underground press. In the United States, this includes the work of Robert Crumb and Gilbert Shelton, and includes Mr. Natural; Keep on Truckin'; Fritz the Cat; Fat Freddy's Cat; Fabulous Furry Freak Brothers; the album cover art for Cheap Thrills; and in several countries contributions to International Times, The Village Voice, and Oz magazine. During the late 1960s and early 1970s, these comics and magazines were available for purchase in head shops along with items like beads, incense, cigarette papers, tie-dye clothing, Day-Glo posters, books, etc.

During the late 1960s and early 1970s, some of these shops selling hippie items also became cafés where hippies could hang out, chat, smoke marijuana, read books, etc., e.g. Gandalf's Garden in the King's Road, London, which also published a magazine of the same name. Another such hippie/anarchist bookshop was Mushroom Books, tucked away in the Lace Market area of Nottingham.

Media

Some genres tend to challenge societies with their content that is meant to outright question the norms within cultures and even create change usually towards a more modern way of thought. More often than not, sources of these controversies can be found in art such as Marcel Duchamp whose piece Fountain was meant to be "a calculated attack on the most basic conventions of art" in 1917. Contentious artists like Banksy base most of their works off of mainstream media and culture to bring pieces that usually shock viewers into thinking about their piece in more detail and the themes behind them. A great example can be found in Dismaland, the biggest project of "anarchism" to be organised and exhibited which showcases multiple works such as an "iconic Disney princess's horse-drawn pumpkin carriage, [appearing] to re-enact the death of Princess Diana".

Music

Counterculture is very much evident in music particularly on the basis of the separation of genres into those considered acceptable and within the status quo and those not. Since many minorities groups are already considered counterculture, the music they create and produce may reflect their sociopolitical realities and their musical culture may be adopted as a social expression of their counterculture. This is reflected in dancehall with the concept of base frequencies and base culture in Henriques's "Sonic diaspora", where he expounds that "base denotes crude, debased, unrefined, vulgar, and even animal" for the Jamaican middle class and is associated with the "bottom-end, low frequencies…basic lower frequencies and embodied resonances distinctly inferior to the higher notes" that appear in dancehall. According to Henriques, "base culture is bottom-up popular, street culture, generated by an urban underclass surviving almost entirely outside the formal economy". That the music is low frequency sonically and regarded as reflective of a lower culture shows the influential connection between counterculture and the music produced. Although music may be considered base and counter culture, it may actually enjoy a lot of popularity which can be seen by the labelling of hip hop as a counter culture genre, despite it being one of the most commercially successful and high charting genres.

Assimilation

Many of these artists though once being taboo, have been assimilated into culture and are no longer a source of moral panic since they don't cross overtly controversial topics or challenge staples of current culture. Instead of being a topic to fear, they have initiated subtle trends that other artists and sources of media may follow.

LGBT

Gay liberation (considered a precursor of various modern LGBT social movements) was known for its links to the counterculture of the time (e.g. groups like the Radical Faeries), and for the gay liberationists' intent to transform or abolish fundamental institutions of society such as gender and the nuclear family; in general, the politics were radical, anti-racist, and anti-capitalist in nature. In order to achieve such liberation, consciousness raising and direct action were employed.

At the outset of the 20th century, homosexual acts were punishable offenses in these countries. The prevailing public attitude was that homosexuality was a moral failing that should be punished, as exemplified by Oscar Wilde's 1895 trial and imprisonment for "gross indecency". But even then, there were dissenting views. Sigmund Freud publicly expressed his opinion that homosexuality was "assuredly no advantage, but it is nothing to be ashamed of, no vice, no degradation; it cannot be classified as an illness; we consider it to be a variation of the sexual function, produced by a certain arrest of sexual development". According to Charles Kaiser's The Gay Metropolis, there were already semi-public gay-themed gatherings by the mid-1930s in the United States (such as the annual drag balls held during the Harlem Renaissance). There were also bars and bathhouses that catered to gay clientele and adopted warning procedures (similar to those used by Prohibition-era speakeasies) to warn customers of police raids. But homosexuality was typically subsumed into bohemian culture, and was not a significant movement in itself.

Eventually, a genuine gay culture began to take root, albeit very discreetly, with its own styles, attitudes and behaviors and industries began catering to this growing demographic group. For example, publishing houses cranked out pulp novels like The Velvet Underground that were targeted directly at gay people. By the early 1960s, openly gay political organizations such as the Mattachine Society were formally protesting abusive treatment toward gay people, challenging the entrenched idea that homosexuality was an aberrant condition, and calling for the decriminalization of homosexuality. Despite very limited sympathy, American society began at least to acknowledge the existence of a sizable population of gays. The film The Boys in the Band, for example, featured negative portrayals of gay men, but at least recognized that they did in fact fraternize with each other (as opposed to being isolated, solitary predators who "victimized" straight men).

Disco music in large part rose out of the New York gay club scene of the early 1970s as a reaction to the stigmatization of gays and other outside groups such as blacks by the counterculture of that era. By later in the decade Disco was dominating the pop charts. The popular Village People and the critically acclaimed Sylvester had gay-themed lyrics and presentation.

Another element of LGBT counter-culture that began in the 1970s—and continues today—is the lesbian land, landdyke movement, or womyn's land movement. Radical feminists inspired by the back-to-the-land initiative and migrated to rural areas to create communities that were often female-only and/or lesbian communes. "Free Spaces" are defined by Sociologist Francesca Polletta as "small-scale settings within a community or movement that are removed from the direct control of dominant groups, are voluntarily participated in, and generate the cultural challenge that precedes or accompanies political mobilization. Women came together in Free Spaces like music festivals, activist groups and collectives to share ideas with like-minded people and to explore the idea of the lesbian land movement. The movement is closely tied to eco-feminism.

The four tenets of the Landdyke Movement are relationship with the land, liberation and transformation, living the politics, and bodily Freedoms. Most importantly, members of these communities seek to live outside of a patriarchal society that puts emphasis on "beauty ideals that discipline the female body, compulsive heterosexuality, competitiveness with other women, and dependence". Instead of adhering typical female gender roles, the women of Landdyke communities value "self-sufficiency, bodily strength, autonomy from men and patriarchal systems, and the development of lesbian-centered community". Members of the Landdyke movement enjoy bodily freedoms that have been deemed unacceptable in the modern Western world—such as the freedom to expose their breasts, or to go without any clothing at all. An awareness of their impact on the Earth, and connection to nature is essential members of the Landdyke Movement's way of life.

The watershed event in the American gay rights movement was the 1969 Stonewall riots in New York City. Following this event, gays and lesbians began to adopt the militant protest tactics used by anti-war and black power radicals to confront anti-gay ideology. Another major turning point was the 1973 decision by the American Psychiatric Association to remove homosexuality from the official list of mental disorders. Although gay radicals used pressure to force the decision, Kaiser notes that this had been an issue of some debate for many years in the psychiatric community, and that one of the chief obstacles to normalizing homosexuality was that therapists were profiting from offering dubious, unproven "cures".

The AIDS epidemic was initially an unexpected blow to the movement, especially in North America. There was speculation that the disease would permanently drive gay life underground. Ironically, the tables were turned. Many of the early victims of the disease had been openly gay only within the confines of insular "gay ghettos" such as New York City's Greenwich Village and San Francisco's Castro; they remained closeted in their professional lives and to their families. Many heterosexuals who thought they didn't know any gay people were confronted by friends and loved ones dying of "the gay plague" (which soon began to infect heterosexual people also). LGBT communities were increasingly seen not only as victims of a disease, but as victims of ostracism and hatred. Most importantly, the disease became a rallying point for a previously complacent gay community. AIDS invigorated the community politically to fight not only for a medical response to the disease, but also for wider acceptance of homosexuality in mainstream America. Ultimately, coming out became an important step for many LGBT people.

During the early 1980s what was dubbed "New Music", New wave, "New pop" popularized by MTV and associated with gender bending Second British Music Invasion stars such as Boy George and Annie Lennox became what was described by Newsweek at the time as an alternate mainstream to the traditional masculine/heterosexual rock music in the United States.

In 2003, the United States Supreme Court officially declared all sodomy laws unconstitutional in Lawrence v. Texas.

History

Bill Osgerby argues that:
the counterculture's various strands developed from earlier artistic and political movements. On both sides of the Atlantic the 1950s "Beat Generation" had fused existentialist philosophy with jazz, poetry, literature, Eastern mysticism and drugs – themes that were all sustained in the 1960s counterculture.

United States

In the United States, the counterculture of the 1960s became identified with the rejection of conventional social norms of the 1950s. Counterculture youth rejected the cultural standards of their parents, especially with respect to racial segregation and initial widespread support for the Vietnam War, and, less directly, the Cold War—with many young people fearing that America's nuclear arms race with the Soviet Union, coupled with its involvement in Vietnam, would lead to a nuclear holocaust

In the United States, widespread tensions developed in the 1960s in American society that tended to flow along generational lines regarding the war in Vietnam, race relations, sexual mores, women's rights, traditional modes of authority, and a materialist interpretation of the American Dream. White, middle class youth—who made up the bulk of the counterculture in western countries—had sufficient leisure time, thanks to widespread economic prosperity, to turn their attention to social issues. These social issues included support for civil rights, women's rights, and gay rights movements, and a rejection of the Vietnam War. The counterculture also had access to a media which was eager to present their concerns to a wider public. Demonstrations for social justice created far-reaching changes affecting many aspects of society. Hippies became the largest countercultural group in the United States.
"The 60s were a leap in human consciousness. Mahatma Gandhi, Malcolm X, Martin Luther King, Che Guevara, Mother Teresa, they led a revolution of conscience. The Beatles, The Doors, Jimi Hendrix created revolution and evolution themes. The music was like Dalí, with many colors and revolutionary ways. The youth of today must go there to find themselves."
Carlos Santana
Rejection of mainstream culture was best embodied in the new genres of psychedelic rock music, pop-art and new explorations in spirituality. Musicians who exemplified this era in the United Kingdom and United States included The Beatles, John Lennon,  Neil Young, Bob Dylan, The Grateful Dead, Jefferson Airplane, Jimi Hendrix, The Doors, Frank Zappa, The Rolling Stones, Velvet Underground, Janis Joplin, The Who, Joni Mitchell, The Kinks, Sly and the Family Stone and, in their early years, Chicago. New forms of musical presentation also played a key role in spreading the counterculture, with large outdoor rock festivals being the most noteworthy. The climactic live statement on this occurred from August 15–18, 1969, with the Woodstock Music Festival held in Bethel, New York—with 32 of rock's and psychedelic rock's most popular acts performing live outdoors during the sometimes rainy weekend to an audience of half a million people. (Michael Lang stated 400,000 attended, half of which did not have a ticket.) It is widely regarded as a pivotal moment in popular music history—with Rolling Stone calling it one of the 50 Moments That Changed the History of Rock and Roll. According to Bill Mankin, "It seems fitting… that one of the most enduring labels for the entire generation of that era was derived from a rock festival: the ‘Woodstock Generation’."

Sentiments were expressed in song lyrics and popular sayings of the period, such as "do your own thing", "turn on, tune in, drop out", "whatever turns you on", "Eight miles high", "sex, drugs, and rock 'n' roll", and "light my fire". Spiritually, the counterculture included interest in astrology, the term "Age of Aquarius" and knowing people's astrological signs of the Zodiac. This led Theodore Roszak to state "A [sic] eclectic taste for mystic, occult, and magical phenomena has been a marked characteristic of our postwar youth culture since the days of the beatniks." In the United States, even actor Charlton Heston contributed to the movement, with the statement "Don't trust anyone over thirty" (a saying coined in 1965 by activist Jack Weinberg) in the 1968 film Planet of the Apes; the same year, actress and social activist Jane Fonda starred in the sexually-themed Barbarella. Both actors opposed the Vietnam War during its duration, and Fonda would eventually become controversially active in the peace movement

The counterculture in the United States has been interpreted as lasting roughly from 1964 to 1972—coincident with America's involvement in Vietnam—and reached its peak in August 1969 at the Woodstock Festival, New York, characterized in part by the film Easy Rider (1969). Unconventional or psychedelic dress; political activism; public protests; campus uprisings; pacifist then loud, defiant music; drugs; communitarian experiments, and sexual liberation were hallmarks of the sixties counterculture—most of whose members were young, white and middle-class.

In the United States, the movement divided the population. To some Americans, these attributes reflected American ideals of free speech, equality, world peace, and the pursuit of happiness; to others, they reflected a self-indulgent, pointlessly rebellious, unpatriotic, and destructive assault on the country's traditional moral order. Authorities banned the psychedelic drug LSD, restricted political gatherings, and tried to enforce bans on what they considered obscenity in books, music, theater, and other media.

The counterculture has been argued to have diminished in the early 1970s, and some have attributed two reasons for this. First, it has been suggested that the most popular of its political goals—civil rights, civil liberties, gender equality, environmentalism, and the end of the Vietnam War—were "accomplished" (to at least some degree); and also that its most popular social attributes—particularly a "live and let live" mentality in personal lifestyles (the "sexual revolution")—were co-opted by mainstream society. Second, a decline of idealism and hedonism occurred as many notable counterculture figures died, the rest settled into mainstream society and started their own families, and the "magic economy" of the 1960s gave way to the stagflation of the 1970s—the latter costing many in the middle-classes the luxury of being able to live outside conventional social institutions. The counterculture, however, continues to influence social movements, art, music, and society in general, and the post-1973 mainstream society has been in many ways a hybrid of the 1960s establishment and counterculture.

The counterculture movement has been said to be rejuvenated in a way that maintains some similarities from the Counterculture of the 1960s, but it is different as well. Photographer Steve Schapiro investigated and documented these contemporary hippie communities from 2012 to 2014. He traveled the country with his son, attending festival after festival. These findings were compiled in Schapiro’s book Bliss: Transformational Festivals & the Neo Hippie. One of his most valued findings was that these “Neo Hippies” experience and encourage such a spiritual commitment to the community.

Australia

Australia's countercultural trend followed the one burgeoning in the US, and to a lesser extend the one in Great Britain. Political scandals in the country, such as the disappearance of Harold Holt, and the 1975 constitutional crisis, as well as Australia's involvement in Vietnam War, led to a disillusionment or disengagement with political figures and the government. Large protests were held in the countries most populated cities such as Sydney and Melbourne, one prominent march was held in Sydney in 1971 on George Street. The photographer Roger Scott, who captured the protest in front of the Queen Victoria Building, remarked: "I knew I could make a point with my camera. It was exciting. The old conservative world was ending and a new Australia was beginning. The demonstration was almost silent. The atmosphere was electric. The protesters were committed to making their presence felt … It was clear they wanted to show the government that they were mighty unhappy".

Political upheaval made its way into art in the country: film, music and literature were shaped by the ongoing changes both within the country, the Southern Hemisphere and the rest of the world. Bands such as The Master’s Apprentices, The Pink Finks and Normie Rowe & The Playboys, along with Sydney’s The Easybeats, Billy Thorpe & The Aztecs and The Missing Links began to emerge in the 1960s.

One of Australia's most noted literary voices of the counter-culture movement was Frank Moorhouse, whose collection of short stories, Futility and Other Animals, was first published in Sydney 1969. Its "discontinuous narrative" was said to reflect the "ambience of the counter-culture". Helen Garner's Monkey Grip (1977), released eight years later, is considered a classic example of the contemporary Australian novel, and captured the thriving countercultural movement in Melbourne's inner-city in the mid 1970s, specifically open relationships and recreational drug use. Years later, Garner revealed it was strongly autobiographical and based on her own diaries. Additionally, from the 1960s, surf culture took rise in Australia given the abundance of beaches in the country, and this was reflected in art, from bands such as The Atlantics and novels like Puberty Blues as well as the film of the same name

As delineations of gender and sexuality have been dismantled, counter-culture in contemporary Melbourne is heavily influenced by the LGBT club scene.

Great Britain

Starting in the late 1960s the counterculture movement spread from the US like a wildfire. Britain did not experience the intense social turmoil produced in America by the Vietnam War and racial tensions. Nevertheless, British youth readily identified with their American counterparts' desire to cast off the older generation's social mores. The new music was a powerful weapon. In this case, it took the form of a wholesale revolt against the class system, which was now being questioned for the first time in the nation's history. Rock music, which had first been introduced from the US in the 1950s, became a key instrument in the social uprisings of the young generation and Britain soon became a groundswell of musical talent thanks to groups like the Beatles, Rolling Stones, the Who, Pink Floyd, and more in coming years.

The antiwar movement in Britain closely collaborated with their American counterparts, supporting peasant insurgents in the Asian jungles. The "Ban the Bomb" protests centered around opposition to nuclear weaponry; the campaign gave birth to what was to become the peace symbol of the 1960s.

Russia/Soviet Union

Although not exactly equivalent to the English definition, the term Контркультура (Kontrkul'tura) became common in Russian to define a 1990s cultural movement that promoted acting outside of cultural conventions: the use of explicit language; graphical descriptions of sex, violence and illicit activities; and uncopyrighted use of "safe" characters involved in such activities.

During the early 1970s, the Soviet government rigidly promoted optimism in Russian culture. Divorce and alcohol abuse were viewed as taboo by the media. However, Russian society grew weary of the gap between real life and the creative world, and underground culture became "forbidden fruit". General satisfaction with the quality of existing works led to parody, such as how the Russian anecdotal joke tradition turned the setting of War and Peace by Leo Tolstoy into a grotesque world of sexual excess. Another well-known example is black humor (mostly in the form of short poems) that dealt exclusively with funny deaths and/or other mishaps of small, innocent children. 

In the mid-1980s, the Glasnost policy permitted the production of less optimistic works. As a consequence, Russian cinema during the late 1980s and the early 1990s was action movies with explicit (but not necessarily graphic) scenes of ruthless violence and social dramas about drug abuse, prostitution and failing relationships. Although Russian movies of the time would be rated "R" in the United States due to violence, the use of explicit language was much milder than in American cinema.

In the late 1990s, Russian counterculture became increasingly popular on the Internet. Several websites appeared that posted user-created short stories dealing with sex, drugs and violence. The following features are considered the most popular topics in such works:
  • Wide use of explicit language;
  • Deliberate misspelling;
  • Descriptions of drug use and consequences of abuse;
  • Negative portrayals of alcohol use;
  • Sex and violence: nothing is a taboo – in general, violence is rarely advocated, while all types of sex are considered good;
  • Parody: media advertising, classic movies, pop culture and children's books are considered fair game;
  • Non-conformance; and
  • Politically incorrect topics, mostly racism, xenophobia and homophobia.
A notable aspect of counterculture at the time was the influence of contra-cultural developments on Russian pop culture. In addition to traditional Russian styles of music, such as songs with jail-related lyrics, new music styles with explicit language were developed.

Asia

In the recent past, Dr. Sebastian Kappen, an Indian theologian, has tried to redefine counterculture in the Asian context. In March 1990, at a seminar in Bangalore, he presented his countercultural perspectives (Chapter 4 in S. Kappen, Tradition, modernity, counterculture: an Asian perspective, Visthar, Bangalore, 1994). Dr. Kappen envisages counterculture as a new culture that has to negate the two opposing cultural phenomena in Asian countries:
  1. invasion by Western capitalist culture, and
  2. the emergence of revivalist movements.
Kappen writes, "Were we to succumb to the first, we should be losing our identity; if to the second, ours would be a false, obsolete identity in a mental universe of dead symbols and delayed myths". 

The most important countercultural movement in India had taken place in the state of West Bengal during the 1960s by a group of poets and artists who called themselves Hungryalists.

Butane

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