Search This Blog

Monday, September 21, 2020

Anarchism and religion

From Wikipedia, the free encyclopedia

Anarchists have traditionally been skeptical of or vehemently opposed to organized religion. Nevertheless, some anarchists have provided religious interpretations and approaches to anarchism, including the idea that glorification of the state is a form of sinful idolatry.

Anarchist clashes with religion

Members of the Italian Anarchist Federation marching in an anticlerical demonstration as the banner reads "Free from dogmas, always heretics"

Anarchists "are generally non-religious and are frequently anti-religious, and the standard anarchist slogan is the phrase coined by a non-anarchist, the socialist Auguste Blanqui in 1880: ‘Ni Dieu ni maître!’ (Neither God nor master!)...The argument for a negative connection is that religion supports politics, the Church supports the State, opponents of political authority also oppose religious authority".

William Godwin, "the author of the Enquiry Concerning Political Justice (1793), the first systematic text of libertarian politics, was a Calvinist minister who began by rejecting Christianity, and passed through deism to atheism and then what was later called agnosticism." The pioneering German individualist anarchist Max Stirner, "began as a left-Hegelian, post-Feuerbachian atheist, rejecting the ‘spirit’ (Geist) of religion as well as of politics including the spook of ‘humanity’". Pierre-Joseph Proudhon, "the first person to call himself an anarchist, who was well known for saying, ‘Property is theft’, also said, ‘God is evil’ and ‘God is the eternal X’".

Published posthumously in French in 1882, Mikhail Bakunin's God and the State was one of the first anarchist treatises on religion. Bakunin had become an atheist whilst in Italy in the 1860s. For a brief period he was involved with freemasonry, which had influenced him in this. When he established the International Revolutionary Association he did so with former supporters of Mazzini, who broke with him over his deism. It was in this period that Bakunin wrote: "God exists, therefore man is a slave. Man is free, therefore there is no God. Escape this dilemma who can!" which appeared in his unpublished Catechism of a freemason Bakunin expounds his philosophy of religion's place in history and its relationship to the modern political state. It was later published in English by Mother Earth Publications in 1916. Anarcho-communism's main theorist Peter Kropotkin, "was a child of the Enlightenment and the Scientific Revolution, and assumed that religion would be replaced by science and that the Church as well as the State would be abolished; he was particularly concerned with the development of a secular system of ethics which replaced supernatural theology with natural biology".

Errico Malatesta and Carlo Cafiero, "the main founders of the Italian anarchist movement, both came from freethinking families (and Cafiero was involved with the National Secular Society when he visited London during the 1870s)". In the French anarchist movement Eliseé Reclus was a son of a Calvinist minister, and began by rejecting religion before moving on to anarchism. Sebastien Faure, "the most active speaker and writer in the French movement for half a century" wrote an essay titled Twelve Proofs of God's Inexistence. German insurrectionary anarchist Johann Most wrote an article called "The God Pestilence".

In the United States, "freethought was a basically anti-christian, anti-clerical movement, whose purpose was to make the individual politically and spiritually free to decide for himself on religious matters. A number of contributors to Liberty were prominent figures in both freethought and anarchism. The individualist anarchist George MacDonald was a co-editor of Freethought and, for a time, The Truth Seeker. E.C. Walker was co-editor of the excellent free-thought / free love journal Lucifer, the Light-Bearer". "Many of the anarchists were ardent freethinkers; reprints from freethought papers such as Lucifer, the Light-Bearer, Freethought and The Truth Seeker appeared in Liberty...The church was viewed as a common ally of the state and as a repressive force in and of itself". Late 19th century/early 20th Century anarchists such as Voltairine de Cleyre were often associated with the freethinkers movement, advocating atheism.

In Europe, a similar development occurred in French and Spanish individualist anarchist circles. "Anticlericalism, just as in the rest of the libertarian movement, in another of the frequent elements which will gain relevance related to the measure in which the (French) Republic begins to have conflicts with the church...Anti-clerical discourse, frequently called for by the french individualist André Lorulot, will have its impacts in Estudios (a Spanish individualist anarchist publication). There will be an attack on institutionalized religion for the responsibility that it had in the past on negative developments, for its irrationality which makes it a counterpoint of philosophical and scientific progress. There will be a criticism of proselitism and ideological manipulation which happens on both believers and agnostics.". This tendencies will continue in French individualist anarchism in the work and activism of Charles-Auguste Bontemps and others. In the Spanish individualist anarchist magazine Ética and Iniciales "there is a strong interest in publishing scientific news, usually linked to a certain atheist and anti-theist obsession, philosophy which will also work for pointing out the incompatibility between science and religion, faith and reason. In this way there will be a lot of talk on Darwin´s theories or on the negation of the existence of the soul.". Spanish anarchists in the early 20th century were responsible for burning several churches, though many of the church burnings were actually carried out by members of the Radical Party while anarchists were blamed. The implicit and/or explicit support by church leaders for the National Faction during the Spanish Civil War greatly contributed to anti-religious sentiment.

In Anarchism: What It Really Stands For, Emma Goldman wrote:

Anarchism has declared war on the pernicious influences which have so far prevented the harmonious blending of individual and social instincts, the individual and society. Religion, the dominion of the human mind; Property, the dominion of human needs; and Government, the dominion of human conduct, represent the stronghold of man's enslavement and all the horrors it entails.

Chinese anarchists led the opposition to Christianity in the early 20th century, but the most prominent of them, Li Shizeng, made it clear that he opposed not only Christianity but all religion as such. When he became president of the Anti-Christian Movement of 1922 he told the Beijing Atheists' League: "Religion is intrinsically old and corrupt: history has passed it by" and asked "Why are we of the twentieth century... even debating this nonsense from primitive ages?"

Religious anarchism and anarchist themes in religions

Religious anarchists view organised religion mostly as authoritarian and hierarchical that has strayed from its humble origins as Peter Marshall explains:

The original message of the great religious teachers to live a simple life, to share the wealth of the earth, to treat each other with love and respect, to tolerate others and to live in peace invariably gets lost as worldly institutions take over. Religious leaders, like their political counterparts, accrue power to themselves, draw up dogmas, and wage war on dissenters in their own ranks and the followers of other religions. They seek protection from temporal rulers, bestowing on them in return a supernatural legitimacy and magical aura. They weave webs of mystery and mystification around naked power; they join the sword with the cross and the crescent. As a result, in nearly all cases organised religions have lost the peaceful and tolerant message of their founding fathers, whether it be Buddha, Jesus or Mohammed.

Buddhism

Many Westerners who call themselves Buddhists regard the Buddhist tradition, in contrast to most other world faiths, as nontheistic, humanistic and experientially-based. Most Buddhist schools, they point out, see the Buddha as the embodied proof that transcendence and ultimate happiness is possible for all, without exception.

The Indian revolutionary and self-declared atheist Har Dayal, much influenced by Marx and Bakunin, who sought to expel British rule from the subcontinent, was a striking instance of someone who in the early 20th century tried to synthesize anarchist and Buddhist ideas. Having moved to the United States, in 1912 he went so far as to establish in Oakland the Bakunin Institute of California, which he described as "the first monastery of anarchism".

Christianity

The Masses, 1917 political cartoon by socialist cartoonist Art Young

According to some, Christianity began primarily as a pacifist and anarchist movement. Jesus is said, in this view, to have come to empower individuals and free people from an oppressive religious standard in the Mosaic law; he taught that the only rightful authority was God, not Man, evolving the law into the Golden Rule.

According to Christian anarchists, there is only one source of authority to which Christians are ultimately answerable, the authority of God as embodied in the teachings of Jesus. Christian anarchists believe that freedom from government or Church is justified spiritually and will only be guided by the grace of God if Man shows compassion to others and turns the other cheek when confronted with violence.

As per Christian communism, anarchism is not necessarily opposed by the Catholic Church. Indeed, Distributism in Catholic social teaching such as Pope Leo XIII's encyclical Rerum novarum and Pope Pius XI's Quadragesimo anno  resembles a Mutualist society based on Cooperatives, while Pope John Paul II's Catechism of the Catholic Church states "She (the Church) has...refused to accept, in the practice of "capitalism," individualism and the absolute primacy of the law of the marketplace over human labor. Regulating the economy solely by centralized planning perverts the basis of social bonds; regulating it solely by the law of the marketplace fails social justice". Notable Catholic anarchists include Dorothy Day and Peter Maurin who founded the Catholic Worker Movement.

The Quaker church, or the Religious Society of Friends, is organized along anarchist lines. All decisions are made locally in a community of equals where every members voice has equal weight. While there are no formal linkages between Quakerism and anarchism and Quakers as a whole hold a wide variety of political opinions, the long tradition of Quaker involvement in social-justice work and similar outlooks on how power should be structured and decisions should be reached has led to significant crossover in membership and influence between Christian anarchists and Quakers. The Quaker influence was particularly pronounced in the anti-nuclear movement of the 1980s and in the North American anti-globalization movement, both of which included many thousands of anarchists and self-consciously adopted secular, consensus-based aspects of Quaker decision making.

Gnosticism

Gnosis, as originated by Yahoshua, is direct revelation of moral and ethical perfection, received by each individual from the one Father God of all creation. This ‘gnosis’ is necessary for self governance; self governance is the foundation of anarchist society. Yahoshua embodied and taught that affirmed alignment with Father God allows for individual gnosis which naturally co-creates collective harmony, eliminating external governing structures.

The discovery of the ancient Gnostic texts at Nag Hammadi coupled with the writings of the science fiction writer Philip K. Dick, especially with regard to his concept of the Black Iron Prison, has led to the development of Anarcho-Gnosticism.

Some ancient forms of Gnosticism had many things in common with modern ideas of anarchism: their members lived on communes with little to no private property and they practiced ceremonies led by people chosen each time by lots rather than hierarchical authority. Gnostic groups also practiced equity among the sexes; some were vegetarians. Central to all Gnostic philosophy was an individual attainment of affirmed alignment with Father God as taught by Yahoshua to the first ‘gnostic’ sects,a personal experience rather than one based on dogma. They often had decentralized church structure and, given that early Gnostics believed we are all precious and holy children of Father God, they placed a strong emphasis on equity. Some modern ‘Gnostics’ view themselves in opposition to spiritual entities called "archons," a word which means "ruler"; the word "anarchy" comes from, "anarkhos," meaning, "without rulers," and so in many ways the goal of Gnosticism is literally anarchy. Other modern Gnostic sub-schools believe they are ruled by the ‘Demiurge,’ an ‘Archon overlord.’

Islam

A dark-green-and-black flag with a white star and crescent on its green section representing Islamic anarchism
 
A black flag with a white circle-aleph in the center representing Jewish anarchism

The Bedouin nomads of the Khawarij were Islam's first sect. They challenged the new centralization of power in the Islamic state as an impediment to their tribe's freedom. At least one sect of Khawarij, the Najdat, believed that if no suitable imam was present in the community, then the position could be dispensed with. A strand of Muʿtazili thought paralleled that of the Najdat: if rulers inevitably became tyrants, then the only acceptable course of action was to depose them. The Nukkari subsect of Ibadi Islam reportedly adopted a similar belief.

Judaism

While many Jewish anarchists were irreligious or sometimes vehemently anti-religious, there were also a few religious anarchists and pro-anarchist thinkers, who combined contemporary radical ideas with traditional Judaism. Some secular anarchists, such as Abba Gordin and Erich Fromm, also noticed remarkable similarity between anarchism and many Kabbalistic ideas, especially in their Hasidic interpretation. Some Jewish mystical groups were based on anti-authoritarian principles, somewhat similar to the Christian Quakers and Dukhobors. Martin Buber, a deeply religious philosopher, had frequently referred to the Hasidic tradition.

The Orthodox Kabbalist rabbi Yehuda Ashlag believed in a religious version of libertarian communism, based on principles of Kabbalah, which he called altruist communism. Ashlag supported the Kibbutz movement and preached to establish a network of self-ruled internationalist communes, who would eventually annul the brute-force regime completely, for "every man did that which was right in his own eyes.", because there is nothing more humiliating and degrading for a person than being under the brute-force government.

A British Orthodox rabbi, Yankev-Meyer Zalkind, was an anarcho-communist and very active anti-militarist. Rabbi Zalkind was a close friend of Rudolf Rocker, a prolific Yiddish writer and a prominent Torah scholar. He argued, that the ethics of the Talmud, if properly understood, is closely related to anarchism.

One contemporary movement in Judaism with anarchist tendencies is Jewish Renewal. The movement is trans-denominational, including Orthodox, non-Orthodox, Judeo-Buddhists and Judeo-Pagans, and focusing on feminism, environmentalism and pacifism.

Contemporary Paganism

Neopaganism, with its focus on the sanctity of nature and equality, along with its often decentralized nature, has led to a number of Neopagan inspired anarchists. One of the most prominent is Starhawk, who writes extensively about both Neopaganism and activism.

Gods & Radicals Press  is a not-for-profit anti-capitalist Pagan publisher. Since 2015, it has been publishing writing on the intersection of anarchist, Marxist, anti-colonialist, druidic, feminist, occult, environmentalist, and esoteric thought. The Gods & Radicals Press website declares, "We know the power of mead and molotov, the beauty of ancient forest and shattered window, the sacred celebration of spiral dance and protest march." In addition to paper and e-books, the Press maintains an online journal.

Taoism

Many early Taoists such as the influential Laozi and Zhuangzi were critical of authority and advised rulers that the less controlling they were, the more stable and effective their rule would be. There is debate among contemporary anarchists about whether or not this counts as an anarchist view. It is known, however, that some less influential Taoists such as Pao Ching-yen explicitly advocated anarchy. 20th and 21st century anarchists such as Liu Shifu and Ursula K. le Guin have also identified as Taoists.

Dysnomianism

One religion known as Dysnomianism seeks to fuse anarchism with religion and occult practices as its primary text The Chronicles of Anarchy (released on The Pirate Bay) presents a broad overview of the connections between anarchism and various traditional spiritual philosophies from around the world, especially those with a magickal and occult leaning. This book attempts to blend all the most anarchist aspects of world spirituality into one coherent practical anarchist spirituality which sees Dysnomia, the Greek goddess of lawlessness as its central deity. An abridged form of the Chronicles can also be found and is known as "Liber Anarkhos" which assumes some knowledge of anarchism and magick on the part of the reader, but provides some of the most relevant rituals for practical use. Often utilizing psychedelic drugs and anarchist tactics of direct action, those who follow this path are known as Dysnomians. As explained in the Chronicles, by utilizing the principles of neuroplasticity Dysnomians seek to free their brains/minds of all hierarchical and legalistic conditioning to arrive at a state known as anarkhos.

No gods, no masters

From Wikipedia, the free encyclopedia
 
Anarchists carrying a banner
Anarchists marching with the 'No Gods, No Masters' slogan on a banner

No gods, no masters is an anarchist and labour slogan. It has been in common use by anarchists in England since the late 19th century. The journal Commonweal, for instance, includes an article by John Creaghe from Sheffield in which he records that the Sheffield Telegraph newspaper 'was furious when it found we were Anarchists with "Neither God nor Master" for our motto' (11 July 1891, p. 76). An early 20th century usage is evident in a pamphlet handed out by the Industrial Workers of the World during the 1912 Lawrence Textile Strike. The phrase is derived from the French slogan "Ni dieu ni maître!" (literally 'Neither god nor master') coined by the socialist Louis Auguste Blanqui in 1880, when he published a journal by that name. In Joseph Conrad's novel The Secret Agent, first published in 1907, the anarchist character The Professor says: "My device is: No God! No master."

Uses

Margaret Sanger's feminist pamphlet used the slogan as a subtitle in 1914.

Its first use can be traced back to the French journal Ni Dieu ni maître, published in 1880 by Auguste Blanqui. The French phrase appears twice in Friedrich Nietzsche's 1886 work Beyond Good and Evil. It appears first in Section 22, in a critique of the notion that nature dictates a morality of equality before the law. It appears again in section 202 where he identifies it with the anarchists and as indicative of their "herd" mentality, which he is criticizing. It is also the inspiration behind English poet A.E. Housman's "The laws of God, the laws of man", which was published in 1922 in his final collection, Last Poems. The poem effectively dramatises the psychological urge behind the saying, but also ends with a reflection on the impracticality criticism often levelled at anarchist philosophy.

Feminist usage

In 1914, Margaret Sanger launched The Woman Rebel, an eight-page monthly newsletter which promoted contraception using the slogan "No Gods, No Masters". Sanger insisted that every woman was the mistress of her own body.

Women without superstition: No gods – No Masters! by Annie Laurie Gaylor is a collection of writings by women freethinkers during the 19th and 20th century.

Contemporary usage

Today the slogan continues to find use in anarchist politics. An anthology of anarchist writing was collected under the title "No Gods, No Masters: An Anthology of Anarchism".

The slogan has also found use in musical cultures, largely associated with the punk movement. But it was first used in the French chanson field, by the anarchist poet and singer-songwriter Léo Ferré who released the song "Ni Dieu ni maître" on an EP in 1965. This song, metaphorically depicting the French death penalty procedure, ends with these verses: "This slogan that breaks all the rules / Made for the benefit of fools / Rejecting all authority / Unless respecting liberty / This principle of human rights / I recommend it for your fights / We shall proclaim it to the last / No God no master!".

The slogan was also chosen as a song title by the English crust punk/heavy metal band Amebix on their EP Who's the Enemy, Swedish death metal band Arch Enemy on their album Khaos Legions, Luxembourgish neofolk/martial band Rome on their album Confessions D'Un Voleur D'Ames, and Chicago-based hardcore band Harm's Way, who released an EP entitled No Gods, No Masters in 2010. The slogan is used as the main chorus in the song "Religious Cancer" by Nailbomb on their album Point Blank.

Canadian female punk band Pantychrist released their song "No Gods No Masters" in 2014 with lyrics espousing the pro-feminist usage of the phrase that was used as the byline of the 1914 Margaret Sanger newsletter The Woman Rebel.

The slogan was rephrased as No Gods, No Managers, as an album title by American crack rock steady band Choking Victim.

The phrase has also been modified by religious anarchists, who combine neopagan religiosity and anarchist ideas, to be "Many Gods, No masters".

Anarchist symbolism

From Wikipedia, the free encyclopedia

Anarchists have employed certain symbols for their cause, including most prominently the circle-A (Ⓐ) and the black flag (⚑/🏴), although anarchists have historically largely denied the importance of symbols to political movement.

Since the revival of anarchism around the start of the 21st century and concurrent with the rise of the anti-globalization movement, anarchist cultural symbols are widely present.

Flags

Red flag

The red banner, which has always stood for liberty, frightens the executioners because it is so red with our blood. [...] Those red and black banners wave over us mourning our dead and wave over our hopes for the dawn that is breaking.

Louise Michel

The red flag was one of first anarchist symbols and it was widely used in late 19th century by anarchists worldwide. Peter Kropotkin preferred the use of the red flag.

Use of the red flag by anarchists disappeared after the October Revolution, when red flags started to be associated only with Bolshevism and communist parties and authoritarian, bureaucratic and reformist social democracy, or authoritarian socialism.

Black flag

The black flag and the color black in general have been associated with anarchism since the 1880s. Many anarchist collectives contain the word "black" in their names. There have been a number of anarchist periodicals entitled Black Flag.

The uniform blackness of the flag is in stark contrast to the colorful flags typical of most nation states. Additionally, as a white flag has been used to request parley or to surrender, the black flag symbolizes defiance and opposition to surrender.

Historical origins

The black flag, a traditional anarchist symbol
 
The red flag, one of the first anarchist symbols
 
A diagonally bisected red and black flag, also often associated with anarcho-communism, anarcho-syndicalism and libertarian socialism

The black flag represents the absence of a flag and thus stands in opposition to the very notion of nation states. In that light, the flag can be seen as a rejection of the concept of representation, or the idea that any person or institution can adequately represent a group of individuals. Modern anarchism has a shared ancestry with—amongst other ideologies—socialism, a movement strongly associated with the red flag. As anarchism became more and more distinct from socialism in the 1880s, it adopted the black flag in an attempt to differentiate itself.

However, some anarchists at the time such as Peter Kropotkin preferred to continue using the red flag rather than adopt the black.

Subsequent use

The black flag first became associated with anarchism in the 1880s. The French anarchist paper, Le Drapeau Noir (The Black Flag), which existed until 1882, is one of the first published references to use black as an anarchist color. Black International was the name of a London anarchist group founded in July 1881. Louise Michel, participant in the Paris Commune in 1871, flew the black flag during demonstration of the unemployed in Paris in March 1883. An open-air meeting of the unemployed was broken up by the police and around 500 demonstrators, with Michel at the front carrying a black flag and shouting "Bread, work, or lead!" marched off towards the boulevard Saint-Germain. The crowd pillaged three baker's shops before the police attacked. Michel was arrested and sentenced to six years solitary confinement. Public pressure soon forced the granting of an amnesty. According to Michel, the "black flag is the flag of strikes and the flag of those who are hungry".

The black flag soon made its way to the United States. The black flag was displayed in Chicago at an anarchist demonstration in November 1884. According to the English language newspaper of the Chicago anarchists, it was "the fearful symbol of hunger, misery and death".

Bisected flag

The colors black and red have been used by anarchists since at least the late 1800s when they were used on cockades by Italian anarchists in the 1874 Bologna insurrection and in 1877 when anarchists entered the Italian town Letino carrying red and black flags to promote the First International. Diagonally divided red and black flags were popularized during the Spanish Civil War by the anarcho-syndicalist labor union CNT and are used to this day by anarchist organizations. Similar flags yet with different colors are commonly used to represent specific anarchist ideologies such as black and purple for anarcha-feminism, black and green for green anarchism and black and orange for mutualism.

A similar flag is used by many anarcho-capitalists, using the colors gold and black, representing capitalism and anarchism respectively. However, many anti-capitalist anarchists argue that anarchism is in principle anti-capitalist and that makes anarcho-capitalism an oxymoron.

Circle-A

Circle-A
 
Stylized Punk Circle-A
 

The circle-A is almost certainly the best-known present-day symbol for anarchy. It is a monogram that consists of the capital letter "A" surrounded by the capital letter "O". The letter "A" is derived from the first letter of "anarchy" or "anarchism" in most European languages and is the same in both Latin and Cyrillic scripts. The "O" stands for order and together they stand for "society seeks order in anarchy" (French: la société cherche l'ordre dans l'anarchie), a phrase written by Pierre-Joseph Proudhon in his 1840 book What Is Property?

The circle-A long predates the anarcho-punk movement, which was part of the punk rock movement of the late 1970s. However, the punk movement helped spread the circle-A symbol more widely and helped raise awareness of it among non-anarchists. This process began with the use of anarchist imagery when members of the band Crass became aware of the symbol while traveling through France.

Black cat

The black cat (right) and an Industrial Workers of the World stickerette or silent agitator (left)

The black cat, also called the "wild cat" or "sabot-cat", usually with an arched back and with claws and teeth bared, is closely associated with anarchism, especially with anarcho-syndicalism. It was designed by Ralph Chaplin, who was a prominent figure in the Industrial Workers of the World (IWW). As its stance suggests, the cat is meant to suggest wildcat strikes and radical unionism. The IWW was an important industrial union and was the first American labor union to recruit and organize women and people of color, playing a critical role in the fight for the eight-hour day and in free speech fights all over the country in the early 20th century. Their most famous and influential years were from 1905 until they were largely suppressed by the Palmer Raids in 1919–1920.

The origin of the black cat symbol is unclear, but according to one story it came from an IWW strike that was going badly. Several members had been beaten up and were put in a hospital. At that time a skinny, black cat walked into the striker's camp. The cat was fed by the striking workers and as the cat regained its health the strike took a turn for the better. Eventually the striking workers got some of their demands and they adopted the cat as their mascot.

The name Black Cat has been used for numerous anarchist-affiliated collectives and cooperatives, including a music venue in Austin (which was closed following a July 6, 2002 fire) and a now-defunct "collective kitchen" in the University District of Seattle.

Fascist symbolism

From Wikipedia, the free encyclopedia

Fascist symbolism is the use of certain images and symbols which are designed to represent aspects of fascism. These include national symbols of historical importance, goals, and political policies. The best-known is the swastika of Nazism.

Common symbols of fascist movements

Organized fascist movements have militarist-appearing uniforms for their members; use historical national symbols as symbols of their movement; and use orchestrated rallies for propaganda purposes. Fascist movements are led by a "Leader" (e.g. Duce, Führer, Caudillo) who is publicly idolized in propaganda as the nation's saviour. A number of fascist movements use a straight-armed salute.

The use of symbols, graphics, and other artifacts created by fascist, authoritarian and totalitarian governments has been noted as a key aspect of their propaganda. Most fascist movements adopted symbols of Ancient Roman or Greek origin, for example the German use of Roman standards during rallies and the Italian adoption of the fasces symbol. The Spanish Falange took its name from the Spanish word for the Greek phalanx.

Benito Mussolini in uniform
 
Adolf Hitler in uniform

Militarist uniforms with nationalist insignia

Organized fascist movements typically use military-like uniforms with the symbol of their movement on them.

In Italy, the Italian Fascist movement in 1919 wore black military-like uniforms, and were nicknamed Blackshirts. In power, uniforms during the Fascist era extended to both the party and the military which typically bore fasces or an eagle clutching a fasces on their caps or on the left arm section of the uniform.

In Germany, the fascist Nazi movement was similar to the Italian Fascists in that they initially used a specifically colored uniform for their movement, the tan-brown colored uniform of the SA paramilitary group earned the group and the Nazis themselves the nickname of the Brownshirts. The Nazis used the swastika for their uniforms and copied the Italian Fascists' uniforms, with an eagle clutching a wreathed swastika instead of a fasces, and a Nazi flag arm sash on the left arm section of the uniform for party members.

Other fascist countries largely copied the symbolism of the Italian Fascists and German Nazis for their movements. Like them, their uniforms looked typically like military uniforms with Nationalist type insignia of the movement. The Spanish Falange adopted dark blue shirts for their party members, symbolizing Spanish workers, many of whom wore blue shirts. Berets were also used, representing their Carlist supporters. The Spanish Blue Division expeditionary volunteers sent to the Eastern Front of WWII in (relatively indirect) support of the Germans likewise wore blue shirts, berets and their army trousers.

Fascist use of heraldry

Fascist governments often saw the need to change the heraldry of their nations; in Germany, the arms of Coburg, featuring the head of Saint Maurice, was looked down upon for its religious and un-Aryan nature. It was replaced in 1934 with a coat of arms featuring a sword and swastika. Thuringia also saw the need to support the Nazi regime by adding a swastika to the paws of the lion on its coat of arms. In Italy, the chief of a coat of arms is often used to indicate political allegiance. Under the government of Mussolini, many families and locales adopted a red chief charged with a fasces to indicate allegiance to the National Fascist Party; this chief was called the capo del littorio. Francisco Franco, Chief of State of Francoist Spain, used a personal coat of arms featuring the Royal Band of Castile, a heraldic symbol used by the Crown of Castile.

Flag of the National Fascist Party, bearing the fasces, which was the primary symbol of Italian Fascism.
 
A perched eagle clutching a fasces was a common symbol used on Italian Fascist uniforms.

Italy

The original symbol of fascism is A Bundle of sticks and Axe, in Italy under Benito Mussolini, was the fasces. This is an ancient Imperial Roman symbol of power carried by lictors in front of magistrates; a bundle of sticks featuring an axe, indicating the power over life and death. Before the Italian Fascists adopted the fasces, the symbol had been used by Italian political organizations of various political ideologies (ranging from socialist to nationalist), called Fascio ("leagues") as a symbol of strength through unity.

Italian Fascism utilized the color black as a symbol of their movement, black being the color of the uniforms of their paramilitaries, known as Blackshirts. The blackshirt derived from Italy's daredevil elite shock troops known as the Arditi, soldiers who were specifically trained for a life of violence and wore unique blackshirt uniforms. The colour black, as used by the Arditi, symbolized death.

Other symbols used by the Italian Fascists included the aquila, the Capitoline Wolf, and the SPQR motto, each related to Italy's ancient Roman cultural history, which the Fascists attempted to resurrect.

Germany

Flag of the National Socialist German Workers' Party (NSDAP), bearing the swastika, the premier symbol of Nazism which remains strongly associated with it in the Western world.
NSDAP Parteiadler eagle

The nature of German fascism, as encapsulated in Nazism was similar to Italian Fascism ideologically and borrowed symbolism from the Italian Fascists such as the use of mass rallies, the straight-armed Roman salute, and the use of pageantry. Nazism was different from Italian Fascism in that it was officially racist. Its symbol was the swastika, at the time a commonly seen symbol in the world that had experienced a revival in use in the western world in the early 20th century. German völkisch Nationalists claimed the swastika was a symbol of the Aryan race, who they claimed were the foundation of Germanic civilization and were superior to all other races.

As the Italian Fascists adapted elements of their ethnic heritage to fuel a sense of Nationalism by use of symbolism, so did Nazi Germany. Turn-of-the-century German-Austrian mystic and author Guido von List was a big influence on Reichsführer-SS Heinrich Himmler, who introduced various ancient Germanic symbols (filtered through von List's writings) most thoroughly into the SS, including the stylized double Sig Rune (von List's then-contemporary Armanen rune version of the ancient sowilo rune) for the organization itself.

The black-white-red tricolor of the German Empire was utilized as the color scheme of the Nazi flag. The color brown was the identifying color of Nazism (and fascism in general), due to its being the color of the SA paramilitaries (also known as Brownshirts).

Other historical symbols that were already in use by the German Army to varying degrees prior to the Nazi Germany, such as the Wolfsangel and Totenkopf, were also used in a new, more industrialized manner on uniforms and insignia.

Although the swastika was a popular symbol in art prior to the regimental use by Nazi Germany and has a long heritage in many other cultures throughout history - and although many of the symbols used by the Nazis were ancient or commonly used prior to the advent of Nazi Germany - because of association with Nazi use, the swastika is often considered synonymous with National Socialism and some of the other symbols still carry a negative post-World War II stigma in Western countries, to the point where some of the symbols are banned from display altogether.

Flag of the Spanish Falange, bearing the yoke and arrows, the premier symbol of Falangism.

Spain

The fascist Falange in Spain utilized the yoke and arrows as their symbol. It historically served as the symbol of the shield of the monarchy of Ferdinand and Isabella and subsequent Catholic monarchs, representing a united Spain and the "symbol of the heroic virtues of the race". The original uniform of the Falangistas was the blue shirt – derived from the blue overalls of industrial workers – which was later combined with the red beret of the Carlists to represent their merger by Franco.

Poland

Several Polish far-right and nationalist organizations have used the Mieczyk Chrobrego ([Boleslaus] the Brave's Sword), which resembles the Szczerbiec, or the coronation sword of Polish kings. The same organisations have used the falanga sword, a symbol associated with the extreme right in the country after Mieczyk Chrobrego was banned; most notably it is used by the ONR and NOP as their main identifying symbols. Among other symbols Toporzeł is also used, a symbol with strong anti-Semitic connotations.

Other regions

Symbol of the Croatian Ustaše.

Many other fascist movements did not win power or were relatively minor regimes in comparison and their symbolism is not well-remembered today in many parts of the world, although the BUF's Flash and Circle was later used by the non-fascist People's Action Party of Singapore.

Contemporary usage

Celtic cross on a neo-Nazi flag

Some neo-Nazi organizations continue to use the swastika, but many have moved away from such inflammatory symbols of early fascism. Some neo-fascist groups use symbols that are reminiscent of the swastika or other cultural or ancestral symbols that may evoke nationalistic sentiment but do not carry the same racist connotations.

Pejorative symbolism

Opponents of fascism have identified symbols seen in a pejorative manner such as the jackboot.

Angels in Judaism (partial)

From Wikipedia, the free encyclopedia

In Judaism, angels (Hebrew: מַלְאָךְmal’akh, plural: מלאכיםmal’akhim) are supernatural beings that appear throughout the Tanakh (Hebrew Bible), rabbinic literature, apocrypha and pseudepigrapha, and traditional Jewish liturgy as agents of God. They are categorized in different hierarchies. Their essence is often associated with fire. The Talmud describes their essence as fire.

Etymology

Hebrew mal’akh (מַלְאָךְ‎) is the standard word for "messenger", both human and divine, in the Tanakh (Hebrew Bible), though it is rarely used for human messengers in Modern Hebrew as the latter is usually denoted by the term shaliyah (שליח‎). The noun derives from the verbal consonantal root l-’-k (ל-א-ך‎), meaning specifically "to send with a message" and with time was substituted with more applicable sh-l-h. In Biblical Hebrew this root is attested only in this noun and in the noun "Mel’akah" (מְלָאכָה‎), meaning "work", "occupation" or "craftsmanship".

The morphological structure of the word mal’akh suggests that it is the maqtal form of the root denoting the tool or the means of performing it. The term Mal'akh therefore simply means the one who is sent, often translated as "messenger" when applied to humans; for instance, Mal’akh is the root of the name of the prophet Malachi, whose name means "my messenger". In modern Hebrew, mal’akh is the general word for "angel"; it is also related to the words for "angel" in Arabic (malak ملاك), Aramaic and Ethiopic.

In the Tanakh (Hebrew Bible)

The Tanakh reports that angels appeared to each of the Patriarchs, to Moses, Joshua, and numerous other figures. They appear to Hagar in Genesis 16:9, to Lot in Genesis 19:1, and to Abraham in Genesis 22:11, they ascend and descend Jacob's Ladder in Genesis 28:12 and appear to Jacob again in Genesis 31:11–13. God promises to send one to Moses in Exodus 33:2, and sends one to stand in the way of Balaam in Numbers 22:31.

Isaiah speaks of מַלְאַךְ פָּנָיוmal’ak panav, "the angel of the presence" ("In all their affliction He was afflicted, and the angel of His presence saved them: in His love and in His pity He redeemed them; and He bore them, and carried them all the days of old") (Isaiah 63:9).

The Book of Psalms says "For His angels will charge for you, to protect you in all your ways" (Psalms 91:11).

The angel of the LORD and the origins of angels

The figure of "the angel of the LORD" (Heb. מלאך יהוה‎; mal’akh YHVH) has been perceived by generations of exegetes and interpreters as obscure and perplexing. Almost every appearance of this figure in the Tanakh complies to the following pattern:

  1. The narration introduces the angel of the LORD;
  2. He behaves as if he were a deity, e.g. promising fertility (Genesis 21:18), annihilating an army with a single blow (e.g. 2 Kings 19:32-36), or merely delivering a speech in which the angel presents himself as God (e.g. Exodus 3:2-4);
  3. The interlocutors of this figure address and revere him in a way reserved exclusively to a deity.

As such, the incident leaves the reader with the question whether it was an angel or a deity who had just appeared.

There is a wide array of explanations striving to elucidate this confusion. The most widespread theological ones try to deal with the problem by introducing additional concepts: the angel might be an earthly manifestation of God, some kind of avatar of God himself. Another answer derives from cultural studies which argue that the ancient commissioners during their proclamations used the first person point of view and spoke as if they had been the consigner himself.

Angels and healing from impurity

There are instances in the Bible where angels have the ability to heal an individual from impurity. For example, in the book of Isaiah, Isaiah sees angels praising the Lord. Their voices were so powerful that they make the pivots on the thresholds shake and filled the temple with smoke. (Isaiah 6: 3-4) All of this power made Isaiah feel unworthy and unclean so he cried out, "Woe is me! I am lost, for I am a man of unclean lips, and I live among a people of unclean lips; yet my eyes have seen the King, the LORD of hosts!" (Isaiah 6:5) Then one of the angels flew to Isaiah and touched his mouth with a live coal that “had been taken from the altar with a pair of tongs.” Once the angel had touched Isaiah's lips with the coal, he then said, “Now that this has touched your lips, your guilt has departed and your sin is blotted out.” (Isaiah 6: 6-7)

In the Book of Zechariah, Joshua was standing before the angel of the Lord, and God. (Zechariah 3:3) He was “dressed in filthy clothes” when standing before them. The angel then commanded him to take off his filthy clothing and gave him “festal apparel” and a clean turban to put on. At the removal of Joshua's filthy clothing, the angel proclaimed, “See, I have taken your guilt away from you.” (Zechariah 3: 4-5) Thus, the removal of Joshua's filthy clothing was like healing him from his guilt.

Angels and prayer

In the Book of Zechariah, Zechariah hears from the Lord that He had been angry with his ancestors due to their evil deeds. He promised them that if they “return[ed] to [Him], [He] would return to [them].” Then the angel of the Lord prayed to the Lord and said, “O Lord of hosts, how long will you withhold mercy from Jerusalem and the cities of Judah, with which you have been angry these seventy years?” Thus, the angel of the Lord prayed to God in order to petition for the people (Zechariah 1:12).

Angels as warriors

In the Bible there are some references to angels acting as warriors, the protectors of all that is good. One of these references is The Book of Daniel which contains four apocalyptic visions. However, in Daniel 10:13, it makes reference to a sort of battle between the prince of the kingdom of Persia and the speaker whom is believed to be Gabriel. Here Gabriel tells Daniel that the chief of princes, Michael, helped him in the opposition he was facing from the prince of the kingdom of Persia. Thus, both angels are acting as warriors for the good against the bad opposition from the prince of the kingdom of Persia. In addition, in Daniel 12:1, the speaker, Gabriel says that the angel Michael is the protector of the Israelite people and is a great prince.

Angels as messengers

In many passages from the Tanakh, angels are utilized as messengers; indeed, there is no specific Hebrew equivalent for the English word “angel”. Angels seem to have the appearance of ordinary humans; they are typically men and (unlike seraphim), have no wings. The presence of an angelic messenger versus a human messenger must be determined by the context of the passage.

Regardless, messenger angels are a highly important part of preserving and strengthening the link, as well as necessary distance, of God to humans. The nature of the knowledge that angelic messengers carry is always heavenly; that is to say, it is divine, and only by being sanctioned by God can it be transmitted to humans, and only for necessary reasons. When an angel transmits knowledge from God, his own identity is effaced by that of his Lord; that is, he speaks directly for God.

Examples of this role can be seen in numerous famous passages from the Old Testament, including the three mysterious men in the story of Abraham and the destruction of Sodom in Genesis 18:1-19:23, as well as the angel who informs Samson's mother of the nature of the baby she carries in Judges 13:3-5. In these examples, the angels are disguised, their identities unimportant in relation to the heavenly magnitude of the knowledge they possess; they are entirely defined by their jobs.

Angels as teachers in Jewish apocalyptic literature

Angels in the roles of teachers become especially important in Jewish apocalyptic literature, in such books as Daniel, Zechariah, and 4 Ezra, which feature enigmatic and terrifying prophetic visions experienced by unknowing humans who need heavenly guidance to understand what they have witnessed; no longer does prophecy come with full or immediate understanding. Rather, a type of commentary or explanation of the vision is provided through the figure of an interpreting angel, whose teachings dispel the ignorance of the prophet and allow him to better understand, and thus better propagate, the knowledge of the end times that his vision contains.

Such knowledge of the apocalypse had both heavenly and earthly implications, and assumed a great deal of importance to the oppressed people of Israel at the time, who needed explanations for why God would let them go through so much hardship; thus, the knowledge was “good.” Because of the bizarre features of the visions contained in such apocalyptic literature, interpreting angels assume the roles of teachers rather than just messengers; instead of just conveying information, they must explain it.

As teachers, they convey the full might and authority of heaven, while being able to comfort their distressed human charges in a more relatable way than if the prophets were directly spoken to by God. Thus, angels as teachers function as relatable interpreters and testaments to God's power, while also increasing His transcendence. Most of all, they were important in establishing human prophets in their proper role as comforters, with “good” knowledge, to the people of Israel.

In 4 Ezra, the interpreting or teaching angel is Uriel. When Ezra expresses his distress about issues that would be similarly preoccupying Jews of his time—namely, why God would allow His chosen people to suffer under the oppression of the Gentiles—Uriel is sent from heaven by God to help relieve his ignorance. In the passage, Ezra argues with Uriel about matters of justice in a way that he never could with God; however, the angel argues back with a series of riddles that eventually show Ezra the misguidedness of his thinking (4 Ezra 3:1-4:21). Importantly, Uriel does not simply transmit information or “speak at” Ezra; the two are engaged in an animated dialogue that reflects that of a teacher and a student, with the former guiding the latter to a realization. Ezra could never argue with God the way he argues with Uriel; however, this argument and its accompanying emotional catharsis is partially what leads him to discover the truth and main message of the passage on his own.

In Daniel, angels also assume the roles of interpreters and teachers, notably in their abilities to explain visions concerning the eschaton, and help human prophets unknot knowledge from it. In Daniel, it is the archangel Gabriel who is sent down from heaven by God to explain Daniel's perplexing visions and help relieve some of his distress (Daniel 8:16-17). In Daniel 7-12, the good knowledge that is transmitted to Daniel and thus to the rest of the population, is that the earthly events that have been so oppressing the Jewish people are being mirrored in heaven, and that justice will eventually reign in the form of a final battle pitting the armies of heaven against evil forces, which will be vanquished.

However, Daniel is only aware of this information due to the assistance of Gabriel, who teaches him the correct interpretation of his vision, and encouraging him when he falters (Daniel 8:15-27). This role of angels is mirrored in Zechariah, where angelic interpretation and teaching is necessary to unravel the bizarre visions that the prophet witnesses. In the passage, the angel literally walks through Zechariah's visions with him, explaining and teaching him as they go along so that Zechariah properly understands God's intended meaning (Zechariah 1:9-5:11).

In rabbinic literature

As a subcategory of heavenly beings, mal’akim occupy the sixth rank of ten in Maimonides' Jewish angelic hierarchy.

Michael, Gabriel, Uriel, and Raphael

The Talmud names four angels who would later be known as archangels, surrounding God's throne:

As the Holy One blessed be He created four winds (directions) and four banners (for Israel's army), so also did He make four angels to surround His Throne—Michael, Gabriel, Uriel and Raphael. Michael is on its right, corresponding to the tribe of Reuben; Uriel on its left, corresponding to the tribe of Dan, which was located in the north; Gabriel in front, corresponding to the tribe of Judah as well as Moses and Aaron who were in the east; and Raphael in the rear, corresponding to the tribe of Ephraim which was in the west.

Cooperative

From Wikipedia, the free encyclopedia ...