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Wednesday, August 25, 2021

Wildfire

From Wikipedia, the free encyclopedia
 

The Rim Fire burned more than 250,000 acres (1,000 km2) of forest near Yosemite National Park, in 2013

A wildfire, bushfire, wild land fire or rural fire is an unplanned, unwanted, uncontrolled fire in an area of combustible vegetation starting in rural areas and urban areas.[1] Depending on the type of vegetation present, a wildfire can also be classified more specifically as a forest fire, brush fire, bushfire (in Australia), desert fire, grass fire, hill fire, peat fire, prairie fire, vegetation fire, or veld fire.[2] Many organizations consider wildfire to mean an unplanned and unwanted fire,[3] while wild land-fire is a broader term that includes prescribed fire as well as wildland fire use (WFU; these are also called monitored response fires).[3][4]

Fossil charcoal indicates that wildfires began soon after the appearance of terrestrial plants 420 million years ago.[5] The occurrence of wildfires throughout the history of terrestrial life invites conjecture that fire must have had pronounced evolutionary effects on most ecosystems' flora and fauna.[6] Earth is an intrinsically flammable planet owing to its cover of carbon-rich vegetation, seasonally dry climates, atmospheric oxygen, and widespread lightning and volcanic ignitions.[6]

Wildfires can be characterized in terms of the cause of ignition, their physical properties, the combustible material present, and the effect of weather on the fire.[7] Wildfires can cause damage to property and human life, although naturally occurring wildfires [8] may have beneficial effects on native vegetation, animals, and ecosystems that have evolved with fire.[9][10] Wildfire behavior and severity result from a combination of factors such as available fuels, physical setting, and weather.[11][12][13][14] Analyses of historical meteorological data and national fire records in western North America show the primacy of climate in driving large regional fires via wet periods that create substantial fuels, or drought and warming that extend conducive fire weather.[15] Analyses of meteorological variables on wildfire risk have shown that relative humidity or precipitation can be used as good predictors for wildfire forecasting over the past several years.[16]

High-severity wildfire creates complex early seral forest habitat (also called "snag forest habitat"), which often has higher species richness and diversity than an unburned old forest. Many plant species depend on the effects of fire for growth and reproduction.[17] Wildfires in ecosystems where wildfire is uncommon or where non-native vegetation has encroached may have strongly negative ecological effects.[7]

Wildfires are among the most common forms of natural disaster in some regions, including Siberia, California, and Australia.[18][19][20] Areas with Mediterranean climates or in the taiga biome are particularly susceptible.

In the United States and other countries, aggressive wildfire suppression aimed at minimizing fire has contributed to accumulation of fuel loads, increasing the risk of large, catastrophic fires.[21][22][23][24][25][26][27][28][29] In the United States especially, this wildfire suppression curtailed traditional land management methods practiced by Indigenous Peoples.[30][31][32] Modern forest management taking an ecological perspective engages in controlled burns to mitigate this risk and promote natural forest life cycles.

Causes

Forecasting South American fires.
UC Irvine scientist James Randerson discusses new research linking ocean temperatures and fire-season severity.

Natural

Leading natural causes of wildfires include:[33][34]

Human activity

In middle latitudes, the most common human causes of wildfires are equipment generating sparks (chainsaws, grinders, mowers, etc.), overhead power lines, and arson.[35][36][37][38][39][40] In the tropics, farmers often practice the slash-and-burn method of clearing fields during the dry season. When thousands of farmers do this simultaneously, much of a continent can appear from orbit to be one vast blaze.[41]

Coal seam fires burn in the thousands around the world, such as those in Burning Mountain, New South Wales; Centralia, Pennsylvania; and several coal-sustained fires in China. They can also flare up unexpectedly and ignite nearby flammable material.[42]

Spread

Flat expanse of brown grasses and some green trees with black and some gray smoke and visible flames in the distance.
A surface fire in the western desert of Utah, United States
Mountainous region with blackened soil and trees due to a recent fire.
Charred landscape following a crown fire in the North Cascades, United States
Forest fires visible from a distance in Dajti National Park, Tirana, Albania

The spread of wildfires varies based on the flammable material present, its vertical arrangement and moisture content, and weather conditions.[43] Fuel arrangement and density is governed in part by topography, as land shape determines factors such as available sunlight and water for plant growth. Overall, fire types can be generally characterized by their fuels as follows:

  • Ground fires are fed by subterranean roots, duff and other buried organic matter. This fuel type is especially susceptible to ignition due to spotting. Ground fires typically burn by smoldering, and can burn slowly for days to months, such as peat fires in Kalimantan and Eastern Sumatra, Indonesia, which resulted from a riceland creation project that unintentionally drained and dried the peat.[44][45][46]
  • Crawling or surface fires are fueled by low-lying vegetation on the forest floor such as leaf and timber litter, debris, grass, and low-lying shrubbery.[47] This kind of fire often burns at a relatively lower temperature than crown fires (less than 400 °C (752 °F)) and may spread at slow rate, though steep slopes and wind can accelerate the rate of spread.[48]
  • Ladder fires consume material between low-level vegetation and tree canopies, such as small trees, downed logs, and vines. Kudzu, Old World climbing fern, and other invasive plants that scale trees may also encourage ladder fires.[49]
  • Crown, canopy, or aerial fires burn suspended material at the canopy level, such as tall trees, vines, and mosses. The ignition of a crown fire, termed crowning, is dependent on the density of the suspended material, canopy height, canopy continuity, sufficient surface and ladder fires, vegetation moisture content, and weather conditions during the blaze.[50] Stand-replacing fires lit by humans can spread into the Amazon rain forest, damaging ecosystems not particularly suited for heat or arid conditions.[51]

In monsoonal areas of north Australia, surface fires can spread, including across intended firebreaks, by burning or smoldering pieces of wood or burning tufts of grass carried intentionally by large flying birds accustomed to catch prey flushed out by wildfires. Species implicated are Black Kite (Milvus migrans), Whistling Kite (Haliastur sphenurus), and Brown Falcon (Falco berigora). Local Aborigines have known of this behavior for a long time, including in their mythology.[52]

Physical properties

A line of trees completely engulfed in flames. Towers with instrumentation are seen just beyond the fire's reach.
Experimental fire in Canada
A dirt road acted as a fire barrier in South Africa. The effects of the barrier can clearly be seen on the unburnt (left) and burnt (right) sides of the road.

Wildfires occur when all the necessary elements of a fire triforce come together in a susceptible area: an ignition source is brought into contact with a combustible material such as vegetation, that is subjected to enough heat and has an adequate supply of oxygen from the ambient air. A high moisture content usually prevents ignition and slows propagation, because higher temperatures are needed to evaporate any water in the material and heat the material to its fire point.[13][53] Dense forests usually provide more shade, resulting in lower ambient temperatures and greater humidity, and are therefore less susceptible to wildfires.[54] Less dense material such as grasses and leaves are easier to ignite because they contain less water than denser material such as branches and trunks.[55] Plants continuously lose water by evapotranspiration, but water loss is usually balanced by water absorbed from the soil, humidity, or rain.[56] When this balance is not maintained, plants dry out and are therefore more flammable, often a consequence of droughts.[57][58]

A wildfire front is the portion sustaining continuous flaming combustion, where unburned material meets active flames, or the smoldering transition between unburned and burned material.[59] As the front approaches, the fire heats both the surrounding air and woody material through convection and thermal radiation. First, wood is dried as water is vaporized at a temperature of 100 °C (212 °F). Next, the pyrolysis of wood at 230 °C (450 °F) releases flammable gases. Finally, wood can smolder at 380 °C (720 °F) or, when heated sufficiently, ignite at 590 °C (1,000 °F).[60][61] Even before the flames of a wildfire arrive at a particular location, heat transfer from the wildfire front warms the air to 800 °C (1,470 °F), which pre-heats and dries flammable materials, causing materials to ignite faster and allowing the fire to spread faster.[55][62] High-temperature and long-duration surface wildfires may encourage flashover or torching: the drying of tree canopies and their subsequent ignition from below.[63]

Wildfires have a rapid forward rate of spread (FROS) when burning through dense uninterrupted fuels.[64] They can move as fast as 10.8 kilometres per hour (6.7 mph) in forests and 22 kilometres per hour (14 mph) in grasslands.[65] Wildfires can advance tangential to the main front to form a flanking front, or burn in the opposite direction of the main front by backing.[66] They may also spread by jumping or spotting as winds and vertical convection columns carry firebrands (hot wood embers) and other burning materials through the air over roads, rivers, and other barriers that may otherwise act as firebreaks.[67][68] Torching and fires in tree canopies encourage spotting, and dry ground fuels around a wildfire are especially vulnerable to ignition from firebrands.[69] Spotting can create spot fires as hot embers and firebrands ignite fuels downwind from the fire. In Australian bushfires, spot fires are known to occur as far as 20 kilometres (12 mi) from the fire front.[70]

The incidence of large, uncontained wildfires in North America has increased in recent years, significantly impacting both urban and agriculturally-focused areas. The physical damage and health pressures left in the wake of uncontrolled fires has especially devastated farm and ranch operators in affected areas, prompting concern from the community of healthcare providers and advocates servicing this specialized occupational population.[71]

Especially large wildfires may affect air currents in their immediate vicinities by the stack effect: air rises as it is heated, and large wildfires create powerful updrafts that will draw in new, cooler air from surrounding areas in thermal columns.[72] Great vertical differences in temperature and humidity encourage pyrocumulus clouds, strong winds, and fire whirls with the force of tornadoes at speeds of more than 80 kilometres per hour (50 mph).[73][74][75] Rapid rates of spread, prolific crowning or spotting, the presence of fire whirls, and strong convection columns signify extreme conditions.[76]

The thermal heat from a wildfire can cause significant weathering of rocks and boulders, heat can rapidly expand a boulder and thermal shock can occur, which may cause an object's structure to fail.

Effect of climate

Lightning-sparked wildfires are frequent occurrences during the dry summer season in Nevada.
A wildfire in Venezuela during a drought

Heat waves, droughts, climate variability such as El Niño, and regional weather patterns such as high-pressure ridges can increase the risk and alter the behavior of wildfires dramatically.[77][78][79] Years of precipitation followed by warm periods can encourage more widespread fires and longer fire seasons.[80] Since the mid-1980s, earlier snowmelt and associated warming has also been associated with an increase in length and severity of the wildfire season, or the most fire-prone time of the year,[81] in the Western United States.[82] Global warming may increase the intensity and frequency of droughts in many areas, creating more intense and frequent wildfires.[7] A 2019 study indicates that the increase in fire risk in California may be attributable to human-induced climate change.[83] A study of alluvial sediment deposits going back over 8,000 years found warmer climate periods experienced severe droughts and stand-replacing fires and concluded climate was such a powerful influence on wildfire that trying to recreate presettlement forest structure is likely impossible in a warmer future.[84]

Intensity also increases during daytime hours. Burn rates of smoldering logs are up to five times greater during the day due to lower humidity, increased temperatures, and increased wind speeds.[85] Sunlight warms the ground during the day which creates air currents that travel uphill. At night the land cools, creating air currents that travel downhill. Wildfires are fanned by these winds and often follow the air currents over hills and through valleys.[86] Fires in Europe occur frequently during the hours of 12:00 p.m. and 2:00 p.m.[87] Wildfire suppression operations in the United States revolve around a 24-hour fire day that begins at 10:00 a.m. due to the predictable increase in intensity resulting from the daytime warmth.[88]

In the summer of 1974–1975 (southern hemisphere), Australia suffered its worst recorded wildfire, when 15% of Australia's land mass suffered "extensive fire damage".[89] Fires that summer burned up an estimated 117 million hectares (290 million acres; 1,170,000 square kilometres; 450,000 square miles).[90][91]

In 2019 extreme heat and dryness caused massive wildfires in Siberia, Alaska, Canary Islands, Australia, and in the Amazon rainforest. The fires in the latter were caused mainly by illegal logging. The smoke from the fires expanded on huge territory including major cities, dramatically reducing air quality.[92]

As of August 2020, the wildfires in the year were 13% worse than in 2019 due primarily to climate change and deforestation.[93] The Amazon rainforest's existence is threatened by fires, some of which may be criminal arson.[94][95][96][97] According to Mike Barrett, Executive Director of Science and Conservation at WWF-UK, if this rainforest is destroyed "we lose the fight against climate change. There will be no going back.”[93]

Emissions

Wildfires release large amounts of carbon dioxide, black and brown carbon particles, and ozone precursors such as volatile organic compounds and nitrogen oxides (NOx) into the atmosphere.[98][99] These emissions affect radiation, clouds, and climate on regional and even global scales. Wildfires also emit substantial amounts of semi-volatile organic species that can partition from the gas phase to form secondary organic aerosol (SOA) over hours to days after emission. In addition, the formation of the other pollutants as the air is transported can lead to harmful exposures for populations in regions far away from the wildfires.[100] While direct emissions of harmful pollutants can affect first responders and local residents, wildfire smoke can also be transported over long distances and impact air quality across local, regional, and global scales.[101] Whether transported smoke plumes are relevant for surface air quality depends on where they exist in the atmosphere, which in turn depends on the initial injection height of the convective smoke plume into the atmosphere. Smoke that is injected above the planetary boundary layer (PBL) may be detectable from spaceborne satellites and play a role in altering the Earth's energy budget, but would not mix down to the surface where it would impact air quality and human health. Alternatively, smoke confined to a shallow PBL (through nighttime stable stratification of the atmosphere or terrain trapping) may become particularly concentrated and problematic for surface air quality. Wildfire intensity and smoke emissions are not constant throughout the fire lifetime and tend to follow a diurnal cycle that peaks in late afternoon and early evening, and which may be reasonably approximated using a monomodal or bimodal normal distribution.[102]

Over the past century, wildfires have accounted for 20-25% of global carbon emissions, the remainder from human activities.[103] Global carbon emissions from wildfires through August 2020 equaled the average annual emissions of the European Union.[93] In 2020, the carbon released by California's wildfires were significantly larger than the state's other carbon emissions.[104]

Ecology

Two illustrations of the earth, one above the other. The seas are dark gray in color and the continents a lighter gray. Both images have red, yellow, and white markers indicating where fires occurred during the months of August (top image) and February (bottom image) of the year 2008.
Global fires during the year 2008 for the months of August (top image) and February (bottom image), as detected by the Moderate Resolution Imaging Spectroradiometer (MODIS) on NASA's Terra satellite.

Wildfire's occurrence throughout the history of terrestrial life invites conjecture that fire must have had pronounced evolutionary effects on most ecosystems' flora and fauna.[6] Wildfires are common in climates that are sufficiently moist to allow the growth of vegetation but feature extended dry, hot periods.[17] Such places include the vegetated areas of Australia and Southeast Asia, the veld in southern Africa, the fynbos in the Western Cape of South Africa, the forested areas of the United States and Canada, and the Mediterranean Basin.

High-severity wildfire creates complex early seral forest habitat (also called “snag forest habitat”), which often has higher species richness and diversity than unburned old forest.[9] Plant and animal species in most types of North American forests evolved with fire, and many of these species depend on wildfires, and particularly high-severity fires, to reproduce and grow. Fire helps to return nutrients from plant matter back to soil, the heat from fire is necessary to the germination of certain types of seeds, and the snags (dead trees) and early successional forests created by high-severity fire create habitat conditions that are beneficial to wildlife.[9] Early successional forests created by high-severity fire support some of the highest levels of native biodiversity found in temperate conifer forests.[10][105] Post-fire logging has no ecological benefits and many negative impacts; the same is often true for post-fire seeding.[106]

Although some ecosystems rely on naturally occurring fires to regulate growth, some ecosystems suffer from too much fire, such as the chaparral in southern California and lower-elevation deserts in the American Southwest. The increased fire frequency in these ordinarily fire-dependent areas has upset natural cycles, damaged native plant communities, and encouraged the growth of non-native weeds.[107][108][109][110] Invasive species, such as Lygodium microphyllum and Bromus tectorum, can grow rapidly in areas that were damaged by fires. Because they are highly flammable, they can increase the future risk of fire, creating a positive feedback loop that increases fire frequency and further alters native vegetation communities.[49][111]

In the Amazon Rainforest, drought, logging, cattle ranching practices, and slash-and-burn agriculture damage fire-resistant forests and promote the growth of flammable brush, creating a cycle that encourages more burning.[112] Fires in the rainforest threaten its collection of diverse species and produce large amounts of CO2.[113] Also, fires in the rainforest, along with drought and human involvement, could damage or destroy more than half of the Amazon rainforest by the year 2030.[114] Wildfires generate ash, reduce the availability of organic nutrients, and cause an increase in water runoff, eroding away other nutrients and creating flash flood conditions.[43][115] A 2003 wildfire in the North Yorkshire Moors burned off 2.5 square kilometers (600 acres) of heather and the underlying peat layers. Afterwards, wind erosion stripped the ash and the exposed soil, revealing archaeological remains dating back to 10,000 BC.[116] Wildfires can also have an effect on climate change, increasing the amount of carbon released into the atmosphere and inhibiting vegetation growth, which affects overall carbon uptake by plants.[117]

In tundra there is a natural pattern of accumulation of fuel and wildfire which varies depending on the nature of vegetation and terrain. Research in Alaska has shown fire-event return intervals, (FRIs) that typically vary from 150 to 200 years with dryer lowland areas burning more frequently than wetter upland areas.[118]

Plant adaptation

Two photographs of the same section of a pine forest; both show blackened bark at least halfway up the trees. The first picture is noticeably lacking in surface vegetation, while the second shows small, green grasses on the forest floor.
Ecological succession after a wildfire in a boreal pine forest next to Hara Bog, Lahemaa National Park, Estonia. The pictures were taken one and two years after the fire.

Plants in wildfire-prone ecosystems often survive through adaptations to their local fire regime. Such adaptations include physical protection against heat, increased growth after a fire event, and flammable materials that encourage fire and may eliminate competition. For example, plants of the genus Eucalyptus contain flammable oils that encourage fire and hard sclerophyll leaves to resist heat and drought, ensuring their dominance over less fire-tolerant species.[119][120] Dense bark, shedding lower branches, and high water content in external structures may also protect trees from rising temperatures.[17] Fire-resistant seeds and reserve shoots that sprout after a fire encourage species preservation, as embodied by pioneer species. Smoke, charred wood, and heat can stimulate the germination of seeds in a process called serotiny.[121] Exposure to smoke from burning plants promotes germination in other types of plants by inducing the production of the orange butenolide.[122]

Grasslands in Western Sabah, Malaysian pine forests, and Indonesian Casuarina forests are believed to have resulted from previous periods of fire.[123] Chamise deadwood litter is low in water content and flammable, and the shrub quickly sprouts after a fire.[17] Cape lilies lie dormant until flames brush away the covering and then blossom almost overnight.[124] Sequoia rely on periodic fires to reduce competition, release seeds from their cones, and clear the soil and canopy for new growth.[125] Caribbean Pine in Bahamian pineyards have adapted to and rely on low-intensity, surface fires for survival and growth. An optimum fire frequency for growth is every 3 to 10 years. Too frequent fires favor herbaceous plants, and infrequent fires favor species typical of Bahamian dry forests.[126]

Atmospheric effects

A paved road with trees and grasses on the side with a large, white and dark gray smoke cloud rising in the distance.
A Pyrocumulus cloud produced by a wildfire in Yellowstone National Park

Most of the Earth's weather and air pollution resides in the troposphere, the part of the atmosphere that extends from the surface of the planet to a height of about 10 kilometers (6 mi). The vertical lift of a severe thunderstorm or pyrocumulonimbus can be enhanced in the area of a large wildfire, which can propel smoke, soot, and other particulate matter as high as the lower stratosphere.[127] Previously, prevailing scientific theory held that most particles in the stratosphere came from volcanoes, but smoke and other wildfire emissions have been detected from the lower stratosphere.[128] Pyrocumulus clouds can reach 6,100 meters (20,000 ft) over wildfires.[129] Satellite observation of smoke plumes from wildfires revealed that the plumes could be traced intact for distances exceeding 1,600 kilometers (1,000 mi).[130] Computer-aided models such as CALPUFF may help predict the size and direction of wildfire-generated smoke plumes by using atmospheric dispersion modeling.[131]

Wildfires can affect local atmospheric pollution,[132] and release carbon in the form of carbon dioxide.[133] Wildfire emissions contain fine particulate matter which can cause cardiovascular and respiratory problems.[134] Increased fire byproducts in the troposphere can increase ozone concentration beyond safe levels.[135] Forest fires in Indonesia in 1997 were estimated to have released between 0.81 and 2.57 gigatonnes (0.89 and 2.83 billion short tons) of CO2 into the atmosphere, which is between 13%–40% of the annual global carbon dioxide emissions from burning fossil fuels.[136][137] In June and July of 2019, fires in the Arctic emitted more than 140 megatons of carbon dioxide, according to an analysis by CAMS. To put that into perspective this amounts to the same amount of carbon emitted by 36 million cars in a year. The recent wildfires and their massive CO2 emissions mean that it will be important to take them into consideration when implementing measures for reaching greenhouse gas reduction targets accorded with the Paris climate agreement.[138] Due to the complex oxidative chemistry occurring during the transport of wildfire smoke in the atmosphere,[139] the toxicity of emissions was indicated to increase over time.[140][141]

Atmospheric models suggest that these concentrations of sooty particles could increase absorption of incoming solar radiation during winter months by as much as 15%.[142] The Amazon is estimated to hold around 90 billion tons of carbon. As of 2019, earth's atmosphere has 415 parts per million of carbon, and the destruction of the Amazon would add about 38 parts per million.[143]

National map of groundwater and soil moisture in the United States. It shows the very low soil moisture associated with the 2011 fire season in Texas.
Panorama of a hilly expanse featuring a large smoke trail covering more than half of the visible sky.
Smoke trail from a fire seen while looking towards Dargo from Swifts Creek, Victoria, Australia, 11 January 2007

History

Elk Bath, an award winning photograph of elk avoiding a wildfire in Montana

The first evidence of wildfires is rhyniophytoid plant fossils preserved as charcoal, discovered in the Welsh Borders, dating to the Silurian period (about 420 million years ago). Smoldering surface fires started to occur sometime before the Early Devonian period 405 million years ago. Low atmospheric oxygen during the Middle and Late Devonian was accompanied by a decrease in charcoal abundance.[144][145] Additional charcoal evidence suggests that fires continued through the Carboniferous period. Later, the overall increase of atmospheric oxygen from 13% in the Late Devonian to 30–31% by the Late Permian was accompanied by a more widespread distribution of wildfires.[146] Later, a decrease in wildfire-related charcoal deposits from the late Permian to the Triassic periods is explained by a decrease in oxygen levels.[147]

Wildfires during the Paleozoic and Mesozoic periods followed patterns similar to fires that occur in modern times. Surface fires driven by dry seasons[clarification needed] are evident in Devonian and Carboniferous progymnosperm forests. Lepidodendron forests dating to the Carboniferous period have charred peaks, evidence of crown fires. In Jurassic gymnosperm forests, there is evidence of high frequency, light surface fires.[147] The increase of fire activity in the late Tertiary[148] is possibly due to the increase of C4-type grasses. As these grasses shifted to more mesic habitats, their high flammability increased fire frequency, promoting grasslands over woodlands.[149] However, fire-prone habitats may have contributed to the prominence of trees such as those of the genera Eucalyptus, Pinus and Sequoia, which have thick bark to withstand fires and employ pyriscence.[150][151]

Human involvement

Aerial view of deliberate wildfires on the Khun Tan Range, Thailand. These fires are lit by local farmers every year in order to promote the growth of a certain mushroom

The human use of fire for agricultural and hunting purposes during the Paleolithic and Mesolithic ages altered the preexisting landscapes and fire regimes. Woodlands were gradually replaced by smaller vegetation that facilitated travel, hunting, seed-gathering and planting.[152] In recorded human history, minor allusions to wildfires were mentioned in the Bible and by classical writers such as Homer. However, while ancient Hebrew, Greek, and Roman writers were aware of fires, they were not very interested in the uncultivated lands where wildfires occurred.[153][154] Wildfires were used in battles throughout human history as early thermal weapons. From the Middle ages, accounts were written of occupational burning as well as customs and laws that governed the use of fire. In Germany, regular burning was documented in 1290 in the Odenwald and in 1344 in the Black Forest.[155] In the 14th century Sardinia, firebreaks were used for wildfire protection. In Spain during the 1550s, sheep husbandry was discouraged in certain provinces by Philip II due to the harmful effects of fires used in transhumance.[153][154] As early as the 17th century, Native Americans were observed using fire for many purposes including cultivation, signaling, and warfare. Scottish botanist David Douglas noted the native use of fire for tobacco cultivation, to encourage deer into smaller areas for hunting purposes, and to improve foraging for honey and grasshoppers. Charcoal found in sedimentary deposits off the Pacific coast of Central America suggests that more burning occurred in the 50 years before the Spanish colonization of the Americas than after the colonization.[156] In the post-World War II Baltic region, socio-economic changes led more stringent air quality standards and bans on fires that eliminated traditional burning practices.[155] In the mid-19th century, explorers from HMS Beagle observed Australian Aborigines using fire for ground clearing, hunting, and regeneration of plant food in a method later named fire-stick farming.[157] Such careful use of fire has been employed for centuries in the lands protected by Kakadu National Park to encourage biodiversity.[158]

Wildfires typically occurred during periods of increased temperature and drought. An increase in fire-related debris flow in alluvial fans of northeastern Yellowstone National Park was linked to the period between AD 1050 and 1200, coinciding with the Medieval Warm Period.[159] However, human influence caused an increase in fire frequency. Dendrochronological fire scar data and charcoal layer data in Finland suggests that, while many fires occurred during severe drought conditions, an increase in the number of fires during 850 BC and 1660 AD can be attributed to human influence.[160] Charcoal evidence from the Americas suggested a general decrease in wildfires between 1 AD and 1750 compared to previous years. However, a period of increased fire frequency between 1750 and 1870 was suggested by charcoal data from North America and Asia, attributed to human population growth and influences such as land clearing practices. This period was followed by an overall decrease in burning in the 20th century, linked to the expansion of agriculture, increased livestock grazing, and fire prevention efforts.[161] A meta-analysis found that 17 times more land burned annually in California before 1800 compared to recent decades (1,800,000 hectares/year compared to 102,000 hectares/year).[162]

According to a paper published in Science, the number of natural and human-caused fires decreased by 24.3% between 1998 and 2015. Researchers explain this a transition from nomadism to settled lifestyle and intensification of agriculture that lead to a drop in the use of fire for land clearing.[163][164]

Increases of certain native tree species (i.e. conifers) in favor of others (i.e. leaf trees) also increases wildfire risk, especially if these trees are also planted in monocultures[165][166]

Some invasive species, moved in by humans (i.e., for the pulp and paper industry) have in some cases also increased the intensity of wildfires. Examples include species such as Eucalyptus in California[167][168] and gamba grass in Australia.

Prevention

A short video on managing and protecting the natural habitat between a town and the hillside, from the risk of fire.

Wildfire prevention refers to the preemptive methods aimed at reducing the risk of fires as well as lessening its severity and spread.[169] Prevention techniques aim to manage air quality, maintain ecological balances, protect resources,[111] and to affect future fires.[170] North American firefighting policies permit naturally caused fires to burn to maintain their ecological role, so long as the risks of escape into high-value areas are mitigated.[171] However, prevention policies must consider the role that humans play in wildfires, since, for example, 95% of forest fires in Europe are related to human involvement.[172] Sources of human-caused fire may include arson, accidental ignition, or the uncontrolled use of fire in land-clearing and agriculture such as the slash-and-burn farming in Southeast Asia.[173]

Drawing of a grizzly bear with human features. He is wearing blue jeans with a belt and a brimmed hat with the name "Smokey" on the cap and has a shovel in his left hand. He is pointing to the viewer while the text "Only You" is seen below him.
1985 Smokey Bear poster with part of his admonition, "Only you can prevent forest fires".

In 1937, U.S. President Franklin D. Roosevelt initiated a nationwide fire prevention campaign, highlighting the role of human carelessness in forest fires. Later posters of the program featured Uncle Sam, characters from the Disney movie Bambi, and the official mascot of the U.S. Forest Service, Smokey Bear.[174] Reducing human-caused ignitions may be the most effective means of reducing unwanted wildfire. Alteration of fuels is commonly undertaken when attempting to affect future fire risk and behavior.[43] Wildfire prevention programs around the world may employ techniques such as wildland fire use and prescribed or controlled burns.[175][176] Wildland fire use refers to any fire of natural causes that is monitored but allowed to burn. Controlled burns are fires ignited by government agencies under less dangerous weather conditions.[177]

A small fire on the slope of a hill. The hill features small, green shrubbery and some trees. A person in light-colored clothing in seen in the background, some distance from the flames.
A prescribed burn in a Pinus nigra stand in Portugal

Strategies for wildfire prevention, detection, control and suppression have varied over the years.[178] One common and inexpensive technique to reduce the risk of uncontrolled wildfires is controlled burning: intentionally igniting smaller less-intense fires to minimize the amount of flammable material available for a potential wildfire.[179][180] Vegetation may be burned periodically to limit the accumulation of plants and other debris that may serve as fuel, while also maintaining high species diversity.[181][182] Jan Van Wagtendonk, a biologist at the Yellowstone Field Station, claims that Wildfire itself is "the most effective treatment for reducing a fire's rate of spread, fireline intensity, flame length, and heat per unit of area."[183] While other people claim that controlled burns and a policy of allowing some wildfires to burn is the cheapest method and an ecologically appropriate policy for many forests, they tend not to take into account the economic value of resources that are consumed by the fire, especially merchantable timber.[106] Some studies conclude that while fuels may also be removed by logging, such thinning treatments may not be effective at reducing fire severity under extreme weather conditions.[184]

However, multi-agency studies conducted by the United States Department of Agriculture, the U.S. Forest Service Pacific Northwest Research Station, and the School of Forestry and Bureau of Business and Economic Research at the University of Montana, through strategic assessments of fire hazards and the potential effectiveness and costs of different hazard reduction treatments, clearly demonstrate that the most effective short- and long-term forest fire hazard reduction strategy and by far the most cost-effective method to yield long-term mitigation of forest fire risk is a comprehensive fuel reduction strategy that involves mechanical removal of overstocked trees through commercial logging and non-commercial thinning with no restrictions on the size of trees that are removed, resulting in considerably better long-term results compared to a non-commercial "thin below" operation or a commercial logging operation with diameter restrictions. Starting with a forest with a "high risk" of fire and a pre-treatment crowning index of 21, the "thin from below" practice of removing only very small trees resulted in an immediate crowning index of 43, with 29% of the post-treatment area rated "low risk" immediately and only 20% of the treatment area remaining "low risk" after 30 years, at a cost (net economic loss) of $439 per acre treated. Again starting with a forest at "high risk" of fire and a crowning index of 21, the strategy involving non-commercial thinning and commercial logging with size-restrictions resulted in an crowning index of 43 immediately post-treatment with 67% of the area considered "low risk" and 56% of the area remaining low risk after 30 years, at a cost (net economic loss) of $368 per acre treated. On the other hand, starting with a forest at "high risk" of fire and the same crowning index of 21, a comprehensive fire hazard reduction treatment strategy, without restrictions on size of trees removed, resulted in an immediate crowning index of 61 post-treatment with 69% of the treated area rated "low risk" immediately and 52% of the treated area remaining "low risk" after 30 years, with positive revenue (a net economic gain gain) of $8 per acre.[185][186]

Building codes in fire-prone areas typically require that structures be built of flame-resistant materials and a defensible space be maintained by clearing flammable materials within a prescribed distance from the structure.[187][188] Communities in the Philippines also maintain fire lines 5 to 10 meters (16 to 33 ft) wide between the forest and their village, and patrol these lines during summer months or seasons of dry weather.[189] Continued residential development in fire-prone areas and rebuilding structures destroyed by fires has been met with criticism.[190] The ecological benefits of fire are often overridden by the economic and safety benefits of protecting structures and human life.[191]

Detection

A four-legged tower with a small at the top, next to two one-story buildings. The tower is four stories tall. Trees are at either side, and in the foreground, there are rocks, some vegetation, and a rough trail.
Dry Mountain Fire Lookout in the Ochoco National Forest, Oregon, circa 1930

Fast and effective detection is a key factor in wildfire fighting.[192] Early detection efforts were focused on early response, accurate results in both daytime and nighttime, and the ability to prioritize fire danger.[193] Fire lookout towers were used in the United States in the early 20th century and fires were reported using telephones, carrier pigeons, and heliographs.[194] Aerial and land photography using instant cameras were used in the 1950s until infrared scanning was developed for fire detection in the 1960s. However, information analysis and delivery was often delayed by limitations in communication technology. Early satellite-derived fire analyses were hand-drawn on maps at a remote site and sent via overnight mail to the fire manager. During the Yellowstone fires of 1988, a data station was established in West Yellowstone, permitting the delivery of satellite-based fire information in approximately four hours.[193]

Currently, public hotlines, fire lookouts in towers, and ground and aerial patrols can be used as a means of early detection of forest fires. However, accurate human observation may be limited by operator fatigue, time of day, time of year, and geographic location. Electronic systems have gained popularity in recent years as a possible resolution to human operator error. A government report on a recent trial of three automated camera fire detection systems in Australia did, however, conclude "...detection by the camera systems was slower and less reliable than by a trained human observer". These systems may be semi- or fully automated and employ systems based on the risk area and degree of human presence, as suggested by GIS data analyses. An integrated approach of multiple systems can be used to merge satellite data, aerial imagery, and personnel position via Global Positioning System (GPS) into a collective whole for near-realtime use by wireless Incident Command Centers.[195]

A small, high risk area that features thick vegetation, a strong human presence, or is close to a critical urban area can be monitored using a local sensor network. Detection systems may include wireless sensor networks that act as automated weather systems: detecting temperature, humidity, and smoke.[196][197][198][199] These may be battery-powered, solar-powered, or tree-rechargeable: able to recharge their battery systems using the small electrical currents in plant material.[200] Larger, medium-risk areas can be monitored by scanning towers that incorporate fixed cameras and sensors to detect smoke or additional factors such as the infrared signature of carbon dioxide produced by fires. Additional capabilities such as night vision, brightness detection, and color change detection may also be incorporated into sensor arrays.[201][202][203]

A satellite view of the Balkans and Greece. Clouds and smoke trails are seen above the Balkans and trailing south into the Ionian Sea.
Wildfires across the Balkans in late July 2007 (MODIS image)
Global map of fire alerts on April 13, 2021. Available from Global Forest Watch. Live updates.

Satellite and aerial monitoring through the use of planes, helicopter, or UAVs can provide a wider view and may be sufficient to monitor very large, low risk areas. These more sophisticated systems employ GPS and aircraft-mounted infrared or high-resolution visible cameras to identify and target wildfires.[204][205] Satellite-mounted sensors such as Envisat's Advanced Along Track Scanning Radiometer and European Remote-Sensing Satellite's Along-Track Scanning Radiometer can measure infrared radiation emitted by fires, identifying hot spots greater than 39 °C (102 °F).[206][207] The National Oceanic and Atmospheric Administration's Hazard Mapping System combines remote-sensing data from satellite sources such as Geostationary Operational Environmental Satellite (GOES), Moderate-Resolution Imaging Spectroradiometer (MODIS), and Advanced Very High Resolution Radiometer (AVHRR) for detection of fire and smoke plume locations.[208][209] However, satellite detection is prone to offset errors, anywhere from 2 to 3 kilometers (1 to 2 mi) for MODIS and AVHRR data and up to 12 kilometers (7.5 mi) for GOES data.[210] Satellites in geostationary orbits may become disabled, and satellites in polar orbits are often limited by their short window of observation time. Cloud cover and image resolution may also limit the effectiveness of satellite imagery.[211] Global Forest Watch provides detailed daily updates on fire alerts. These are sourced from NASA FIRMS. “VIIRS Active Fires.”

In 2015 a new fire detection tool is in operation at the U.S. Department of Agriculture (USDA) Forest Service (USFS) which uses data from the Suomi National Polar-orbiting Partnership (NPP) satellite to detect smaller fires in more detail than previous space-based products. The high-resolution data is used with a computer model to predict how a fire will change direction based on weather and land conditions. The active fire detection product using data from Suomi NPP's Visible Infrared Imaging Radiometer Suite (VIIRS) increases the resolution of fire observations to 1,230 feet (375 meters). Previous NASA satellite data products available since the early 2000s observed fires at 3,280 foot (1 kilometer) resolution. The data is one of the intelligence tools used by the USFS and Department of Interior agencies across the United States to guide resource allocation and strategic fire management decisions. The enhanced VIIRS fire product enables detection every 12 hours or less of much smaller fires and provides more detail and consistent tracking of fire lines during long-duration wildfires – capabilities critical for early warning systems and support of routine mapping of fire progression. Active fire locations are available to users within minutes from the satellite overpass through data processing facilities at the USFS Remote Sensing Applications Center, which uses technologies developed by the NASA Goddard Space Flight Center Direct Readout Laboratory in Greenbelt, Maryland. The model uses data on weather conditions and the land surrounding an active fire to predict 12–18 hours in advance whether a blaze will shift direction. The state of Colorado decided to incorporate the weather-fire model in its firefighting efforts beginning with the 2016 fire season.

In 2014, an international campaign was organized in South Africa's Kruger National Park to validate fire detection products including the new VIIRS active fire data. In advance of that campaign, the Meraka Institute of the Council for Scientific and Industrial Research in Pretoria, South Africa, an early adopter of the VIIRS 375 m fire product, put it to use during several large wildfires in Kruger.

The demand for timely, high-quality fire information has increased in recent years. Wildfires in the United States burn an average of 7 million acres of land each year. For the last 10 years, the USFS and Department of Interior have spent a combined average of about $2–4 billion annually on wildfire suppression.

Suppression

A Russian firefighter extinguishing a wildfire

Wildfire suppression depends on the technologies available in the area in which the wildfire occurs. In less developed nations the techniques used can be as simple as throwing sand or beating the fire with sticks or palm fronds.[212] In more advanced nations, the suppression methods vary due to increased technological capacity. Silver iodide can be used to encourage snow fall,[213] while fire retardants and water can be dropped onto fires by unmanned aerial vehicles, planes, and helicopters.[214][215] Complete fire suppression is no longer an expectation, but the majority of wildfires are often extinguished before they grow out of control. While more than 99% of the 10,000 new wildfires each year are contained, escaped wildfires under extreme weather conditions are difficult to suppress without a change in the weather. Wildfires in Canada and the US burn an average of 54,500 square kilometers (13,000,000 acres) per year.[216][217]

Above all, fighting wildfires can become deadly. A wildfire's burning front may also change direction unexpectedly and jump across fire breaks. Intense heat and smoke can lead to disorientation and loss of appreciation of the direction of the fire, which can make fires particularly dangerous. For example, during the 1949 Mann Gulch fire in Montana, United States, thirteen smokejumpers died when they lost their communication links, became disoriented, and were overtaken by the fire.[218] In the Australian February 2009 Victorian bushfires, at least 173 people died and over 2,029 homes and 3,500 structures were lost when they became engulfed by wildfire.[219]

Costs of wildfire suppression

In California, the U.S. Forest Service spends about $200 million per year to suppress 98% of wildfires and up to $1 billion to suppress the other 2% of fires that escape initial attack and become large.[220] While costs vary wildly from year to year, depending on the severity of each fire season, in the United States, local, state, federal and tribal agencies collectively spend tens of billions of dollars annually to suppress wildfires.

Wildland firefighting safety

Wildfire fighters cutting down a tree using a chainsaw
Wildland firefighter working a brush fire in Hopkinton, New Hampshire

Wildland fire fighters face several life-threatening hazards including heat stress, fatigue, smoke and dust, as well as the risk of other injuries such as burns, cuts and scrapes, animal bites, and even rhabdomyolysis.[221][222] Between 2000–2016, more than 350 wildland firefighters died on-duty.[223]

Especially in hot weather conditions, fires present the risk of heat stress, which can entail feeling heat, fatigue, weakness, vertigo, headache, or nausea. Heat stress can progress into heat strain, which entails physiological changes such as increased heart rate and core body temperature. This can lead to heat-related illnesses, such as heat rash, cramps, exhaustion or heat stroke. Various factors can contribute to the risks posed by heat stress, including strenuous work, personal risk factors such as age and fitness, dehydration, sleep deprivation, and burdensome personal protective equipment. Rest, cool water, and occasional breaks are crucial to mitigating the effects of heat stress.[221]

Smoke, ash, and debris can also pose serious respiratory hazards to wildland firefighters. The smoke and dust from wildfires can contain gases such as carbon monoxide, sulfur dioxide and formaldehyde, as well as particulates such as ash and silica. To reduce smoke exposure, wildfire fighting crews should, whenever possible, rotate firefighters through areas of heavy smoke, avoid downwind firefighting, use equipment rather than people in holding areas, and minimize mop-up. Camps and command posts should also be located upwind of wildfires. Protective clothing and equipment can also help minimize exposure to smoke and ash.[221]

Firefighters are also at risk of cardiac events including strokes and heart attacks. Firefighters should maintain good physical fitness. Fitness programs, medical screening and examination programs which include stress tests can minimize the risks of firefighting cardiac problems.[221] Other injury hazards wildland firefighters face include slips, trips, falls, burns, scrapes, and cuts from tools and equipment, being struck by trees, vehicles, or other objects, plant hazards such as thorns and poison ivy, snake and animal bites, vehicle crashes, electrocution from power lines or lightning storms, and unstable building structures.[221]

Firefighter safety zone guidelines

The U.S. Forest Service publishes guidelines for the minimum distance a firefighter should be from a flame.[224]

Fire retardants

Fire retardants are used to slow wildfires by inhibiting combustion. They are aqueous solutions of ammonium phosphates and ammonium sulfates, as well as thickening agents.[225] The decision to apply retardant depends on the magnitude, location and intensity of the wildfire. In certain instances, fire retardant may also be applied as a precautionary fire defense measure.[226]

Typical fire retardants contain the same agents as fertilizers. Fire retardants may also affect water quality through leaching, eutrophication, or misapplication. Fire retardant's effects on drinking water remain inconclusive.[227] Dilution factors, including water body size, rainfall, and water flow rates lessen the concentration and potency of fire retardant.[226] Wildfire debris (ash and sediment) clog rivers and reservoirs increasing the risk for floods and erosion that ultimately slow and/or damage water treatment systems.[227][228] There is continued concern of fire retardant effects on land, water, wildlife habitats, and watershed quality, additional research is needed. However, on the positive side, fire retardant (specifically its nitrogen and phosphorus components) has been shown to have a fertilizing effect on nutrient-deprived soils and thus creates a temporary increase in vegetation.[226]

The current USDA procedure maintains that the aerial application of fire retardant in the United States must clear waterways by a minimum of 300 feet in order to safeguard effects of retardant runoff. Aerial uses of fire retardants are required to avoid application near waterways and endangered species (plant and animal habitats). After any incident of fire retardant misapplication, the U.S. Forest Service requires reporting and assessment impacts be made in order to determine a mitigation, remediation, and/or restrictions on future retardant uses in that area.

Modeling

A dark region shaped like a shield with a pointed bottom. An arrow and the text "propagation axis (wind)" indicates a bottom-to-top direction up the body of the shield shape. The shape's pointed bottom is labeled "fire starter". Around the shield shape's top and thinning towards its sides, a yellow-orange region is labeled "left front", "right front", and (at the top) "head of the fire".
Fire Propagation Model

Wildfire modeling is concerned with numerical simulation of wildfires in order to comprehend and predict fire behavior.[229][230] Wildfire modeling aims to aid wildfire suppression, increase the safety of firefighters and the public, and minimize damage. Using computational science, wildfire modeling involves the statistical analysis of past fire events to predict spotting risks and front behavior. Various wildfire propagation models have been proposed in the past, including simple ellipses and egg- and fan-shaped models. Early attempts to determine wildfire behavior assumed terrain and vegetation uniformity. However, the exact behavior of a wildfire's front is dependent on a variety of factors, including wind speed and slope steepness. Modern growth models utilize a combination of past ellipsoidal descriptions and Huygens' Principle to simulate fire growth as a continuously expanding polygon.[231][232] Extreme value theory may also be used to predict the size of large wildfires. However, large fires that exceed suppression capabilities are often regarded as statistical outliers in standard analyses, even though fire policies are more influenced by large wildfires than by small fires.[233]

Human risk and exposure

2009 California Wildfires at NASA/JPL – Pasadena, California

Wildfire risk is the chance that a wildfire will start in or reach a particular area and the potential loss of human values if it does. Risk is dependent on variable factors such as human activities, weather patterns, availability of wildfire fuels, and the availability or lack of resources to suppress a fire.[234] Wildfires have continually been a threat to human populations. However, human-induced geographical and climatic changes are exposing populations more frequently to wildfires and increasing wildfire risk. It is speculated that the increase in wildfires arises from a century of wildfire suppression coupled with the rapid expansion of human developments into fire-prone wildlands.[235] Wildfires are naturally occurring events that aid in promoting forest health. Global warming and climate changes are causing an increase in temperatures and more droughts nationwide which contributes to an increase in wildfire risk.[236][237]

Airborne hazards

The most noticeable adverse effect of wildfires is the destruction of property. However, the release of hazardous chemicals from the burning of wildland fuels also significantly impacts health in humans.[238]

Wildfire smoke is composed primarily of carbon dioxide and water vapor. Other common smoke components present in lower concentrations are carbon monoxide, formaldehyde, acrolein, polyaromatic hydrocarbons, and benzene.[239] Small particulates suspended in air which come in solid form or in liquid droplets are also present in smoke. 80 -90% of wildfire smoke, by mass, is within the fine particle size class of 2.5 micrometers in diameter or smaller.[240]

Despite carbon dioxide's high concentration in smoke, it poses a low health risk due to its low toxicity. Rather, carbon monoxide and fine particulate matter, particularly 2.5 µm in diameter and smaller, have been identified as the major health threats.[239] Other chemicals are considered to be significant hazards but are found in concentrations that are too low to cause detectable health effects.

The degree of wildfire smoke exposure to an individual is dependent on the length, severity, duration, and proximity of the fire. People are exposed directly to smoke via the respiratory tract through inhalation of air pollutants. Indirectly, communities are exposed to wildfire debris that can contaminate soil and water supplies.

The U.S. Environmental Protection Agency (EPA) developed the air quality index (AQI), a public resource that provides national air quality standard concentrations for common air pollutants. The public can use this index as a tool to determine their exposure to hazardous air pollutants based on visibility range.[241]

Fire ecologist Leda Kobziar found that wildfire smoke distributes microbial life on a global level.[242] She stated, "There are numerous allergens that we’ve found in the smoke. And so it may be that some people who are sensitive to smoke have that sensitivity, not only because of the particulate matter and the smoke but also because there are some biological organisms in it."[243]

Water pollution

It is well-known that debris and chemicals can runoff into waterways after wildfires making the drinking water sources unsafe. It is also known that wildfires can damage water treatment facilities making drinking water unsafe. Though, even when the water sources and treatment facilities are not damaged, drinking water inside buildings and in buried water distribution systems can be chemically contaminated. After the 2017 Tubbs Fire and 2018 Camp Fire in California hazardous waste levels of chemical contamination were found in multiple public drinking water systems impacted by wildfires.[244] Since 2018, additional wildfires that damaged drinking water distribution systems and plumbing in California and Oregon have caused chemical drinking water contamination.[245] Benzene is one of many chemicals that has been found in the drinking water systems and buildings after wildfires. Benzene can permeate certain plastic pipes and thus require long times to remove from the water distribution system infrastructure and building plumbing. Using a U.S. Environmental Protection Agency model,[246] researchers estimated more than286 days of constant flushing a single contaminated pipe 24 hours per day, 7 days a week were needed to reduce benzene below safe drinking wter limits.[247] Temperature increases caused by fires, including wildfires, can cause plastic water pipes to generate toxic chemicals [248] such as benzene into the water that they carry.[249]

Post-fire risks

Charred shrubland in suburban Sydney (2019–20 Australian bushfires).

After a wildfire, hazards remain. Residents returning to their homes may be at risk from falling fire-weakened trees. Humans and pets may also be harmed by falling into ash pits.

At-risk groups

Firefighters

Firefighters are at the greatest risk for acute and chronic health effects resulting from wildfire smoke exposure. Due to firefighters' occupational duties, they are frequently exposed to hazardous chemicals at close proximity for longer periods of time. A case study on the exposure of wildfire smoke among wildland firefighters shows that firefighters are exposed to significant levels of carbon monoxide and respiratory irritants above OSHA-permissible exposure limits (PEL) and ACGIH threshold limit values (TLV). 5–10% are overexposed. The study obtained exposure concentrations for one wildland firefighter over a 10-hour shift spent holding down a fireline. The firefighter was exposed to a wide range of carbon monoxide and respiratory irritants (a combination of particulate matter 3.5 µm and smaller, acrolein, and formaldehyde) levels. Carbon monoxide levels reached up to 160ppm and the TLV irritant index value reached a high of 10. In contrast, the OSHA PEL for carbon monoxide is 30ppm and for the TLV respiratory irritant index, the calculated threshold limit value is 1; any value above 1 exceeds exposure limits.[250]

Between 2001 and 2012, over 200 fatalities occurred among wildland firefighters. In addition to heat and chemical hazards, firefighters are also at risk for electrocution from power lines; injuries from equipment; slips, trips, and falls; injuries from vehicle rollovers; heat-related illness; insect bites and stings; stress; and rhabdomyolysis.[251]

Residents

Smoke from the 2020 California wildfires settles over San Francisco

Residents in communities surrounding wildfires are exposed to lower concentrations of chemicals, but they are at a greater risk for indirect exposure through water or soil contamination. Exposure to residents is greatly dependent on individual susceptibility. Vulnerable persons such as children (ages 0–4), the elderly (ages 65 and older), smokers, and pregnant women are at an increased risk due to their already compromised body systems, even when the exposures are present at low chemical concentrations and for relatively short exposure periods.[239] They are also at risk for future wildfires and may move away to areas they consider less risky.[252]

Wildfires affect large numbers of people in Western Canada and the United States. In California alone, more than 350,000 people live in towns and cities in "very high fire hazard severity zones".[253]

Direct risks to building residents in fire-prone areas can be moderated through design choices such as choosing fire-resistant vegetation, maintaining landscaping to avoid debris accumulation and to create firebreaks, and by selecting fire-retardant roofing materials. Potential compounding issues with poor air quality and heat during warmer months may be addressed with MERV 11 or higher outdoor air filtration in building ventilation systems, mechanical cooling, and a provision of a refuge area with additional air cleaning and cooling, if needed.[254]

Fetal exposure

Additionally, there is evidence of an increase in maternal stress, as documented by researchers M.H. O'Donnell and A.M. Behie, thus affecting birth outcomes. In Australia, studies show that male infants born with drastically higher average birth weights were born in mostly severely fire-affected areas. This is attributed to the fact that maternal signals directly affect fetal growth patterns.[255][256]

Asthma is one of the most common chronic disease among children in the United States affecting estimated 6.2 million children.[257] A recent area of research on asthma risk focuses specifically on the risk of air pollution during the gestational period. Several pathophysiology processes are involved are in this. In human's considerable airway development occurs during the 2nd and 3rd trimester and continue until 3 years of age.[258] It is hypothesized that exposure to these toxins during this period could have consequential effects as the epithelium of the lungs during this time could have increased permeability to toxins. Exposure to air pollution during parental and pre-natal stage could induce epigenetic changes which are responsible for the development of asthma.[259] Recent Meta-Analyses have found significant association between PM2.5, NO2 and development of asthma during childhood despite heterogeneity among studies.[260] Furthermore, maternal exposure to chronic stressor, which are most like to be present in distressed communities, which is also a relevant co relate of childhood asthma which may further help explain the early childhood exposure to air pollution, neighborhood poverty and childhood risk. Living in distressed neighborhood is not only linked to pollutant source location and exposure but can also be associated with degree of magnitude of chronic individual stress which can in turn alter the allostatic load of the maternal immune system leading to adverse outcomes in children, including increased susceptibility to air pollution and other hazards.[261]

Health effects

Animation of diaphragmatic breathing with the diaphragm shown in green

Wildfire smoke contains particulate matter that may have adverse effects upon the human respiratory system. Evidence of the health effects of wildfire smoke should be relayed to the public so that exposure may be limited. Evidence of health effects can also be used to influence policy to promote positive health outcomes.[262]

Inhalation of smoke from a wildfire can be a health hazard.[263] Wildfire smoke is composed of combustion products i.e. carbon dioxide, carbon monoxide, water vapor, particulate matter, organic chemicals, nitrogen oxides and other compounds. The principal health concern is the inhalation of particulate matter and carbon monoxide.[264]

Particulate matter (PM) is a type of air pollution made up of particles of dust and liquid droplets. They are characterized into three categories based on the diameter of the particle: coarse PM, fine PM, and ultrafine PM. Coarse particles are between 2.5 micrometers and 10 micrometers, fine particles measure 0.1 to 2.5 micrometers, and ultrafine particle are less than 0.1 micrometer.  Each size can enter the body through inhalation, but the PM impact on the body varies by size. Coarse particles are filtered by the upper airways and these particles can accumulate and cause pulmonary inflammation. This can result in eye and sinus irritation as well as sore throat and coughing.[265][266] Coarse PM is often composed of materials that are heavier and more toxic that lead to short-term effects with stronger impact.[266]

Smaller particulate moves further into the respiratory system creating issues deep into the lungs and the bloodstream.[265][266] In asthma patients, PM2.5 causes inflammation but also increases oxidative stress in the epithelial cells. These particulates also cause apoptosis and autophagy in lung epithelial cells. Both processes cause the cells to be damaged and impacts the cell function. This damage impacts those with respiratory conditions such as asthma where the lung tissues and function are already compromised.[266] The third PM type is ultra-fine PM (UFP). UFP can enter the bloodstream like PM2.5 however studies show that it works into the blood much quicker. The inflammation and epithelial damage done by UFP has also shown to be much more severe.[266] PM2.5 is of the largest concern in regards to wildfire.[262] This is particularly hazardous to the very young, elderly and those with chronic conditions such as asthma, chronic obstructive pulmonary disease (COPD), cystic fibrosis and cardiovascular conditions. The illnesses most commonly with exposure to the fine particles from wildfire smoke are bronchitis, exacerbation of asthma or COPD, and pneumonia. Symptoms of these complications include wheezing and shortness of breath and cardiovascular symptoms include chest pain, rapid heart rate and fatigue.[265]

Asthma exacerbation

Smoke from wildfires can cause health problems, especially for children and those who already have respiratory problems.[267] Several epidemiological studies have demonstrated a close association between air pollution and respiratory allergic diseases such as bronchial asthma.[262]

An observational study of smoke exposure related to the 2007 San Diego wildfires revealed an increase both in healthcare utilization and respiratory diagnoses, especially asthma among the group sampled.[267] Projected climate scenarios of wildfire occurrences predict significant increases in respiratory conditions among young children.[267] Particulate Matter (PM) triggers a series of biological processes including inflammatory immune response, oxidative stress, which are associated with harmful changes in allergic respiratory diseases.[268]

Although some studies demonstrated no significant acute changes in lung function among people with asthma related to PM from wildfires, a possible explanation for these counterintuitive findings is the increased use of quick-relief medications, such as inhalers, in response to elevated levels of smoke among those already diagnosed with asthma.[269] In investigating the association of medication use for obstructive lung disease and wildfire exposure, researchers found increases both in the usage of inhalers and initiation of long-term control as in oral steroids.[269] More specifically, some people with asthma reported higher use of quick-relief medications (inhalers).[269] After two major wildfires in California, researchers found an increase in physician prescriptions for quick-relief medications in the years following the wildfires than compared to the year before each occurrence.[269]

There is consistent evidence between wildfire smoke and the exacerbation of asthma.[269]

Carbon monoxide danger

Carbon monoxide (CO) is a colorless, odorless gas that can be found at the highest concentration at close proximity to a smoldering fire. For this reason, carbon monoxide inhalation is a serious threat to the health of wildfire firefighters. CO in smoke can be inhaled into the lungs where it is absorbed into the bloodstream and reduces oxygen delivery to the body's vital organs. At high concentrations, it can cause headaches, weakness, dizziness, confusion, nausea, disorientation, visual impairment, coma, and even death. However, even at lower concentrations, such as those found at wildfires, individuals with cardiovascular disease may experience chest pain and cardiac arrhythmia.[239] A recent study tracking the number and cause of wildfire firefighter deaths from 1990–2006 found that 21.9% of the deaths occurred from heart attacks.[270]

Another important and somewhat less obvious health effect of wildfires is psychiatric diseases and disorders. Both adults and children from countries ranging from the United States and Canada to Greece and Australia who were directly and indirectly affected by wildfires were found by researchers to demonstrate several different mental conditions linked to their experience with the wildfires. These include post-traumatic stress disorder (PTSD), depression, anxiety, and phobias.[271][272][273][274][275]

In a new twist to wildfire health effects, former uranium mining sites were burned over in the summer of 2012 near North Fork, Idaho. This prompted concern from area residents and Idaho State Department of Environmental Quality officials over the potential spread of radiation in the resultant smoke, since those sites had never been completely cleaned up from radioactive remains.[276]

Epidemiology

The western US has seen an increase in both the frequency and intensity of wildfires over the last several decades. This increase has been attributed to the arid climate of the western US and the effects of global warming. An estimated 46 million people were exposed to wildfire smoke from 2004 to 2009 in the Western United States. Evidence has demonstrated that wildfire smoke can increase levels of particulate matter in the atmosphere.[262]

The EPA has defined acceptable concentrations of particulate matter in the air, through the National Ambient Air Quality Standards and monitoring of ambient air quality has been mandated.[277] Due to these monitoring programs and the incidence of several large wildfires near populated areas, epidemiological studies have been conducted and demonstrate an association between human health effects and an increase in fine particulate matter due to wildfire smoke.

The EPA has defined acceptable concentrations of particulate matter in the air. The National Ambient Air Quality Standards are part of the Clean Air Act and provide mandated guidelines for pollutant levels and the monitoring of ambient air quality.[277] In addition to these monitoring programs, the increased incidence of wildfires near populated areas has precipitated several epidemiological studies. Such studies have demonstrated an association between negative human health effects and an increase in fine particulate matter due to wildfire smoke. The size of the particulate matter is significant as smaller particulate matter (fine) is easily inhaled into the human respiratory tract. Often, small particulate matter can be inhaled into deep lung tissue causing respiratory distress, illness, or disease.[262]

An increase in PM smoke emitted from the Hayman fire in Colorado in June 2002, was associated with an increase in respiratory symptoms in patients with COPD.[278] Looking at the wildfires in Southern California in October 2003 in a similar manner, investigators have shown an increase in hospital admissions due to asthma symptoms while being exposed to peak concentrations of PM in smoke.[279] Another epidemiological study found a 7.2% (95% confidence interval: 0.25%, 15%) increase in risk of respiratory related hospital admissions during smoke wave days with high wildfire-specific particulate matter 2.5 compared to matched non-smoke-wave days.[262]

Children participating in the Children's Health Study were also found to have an increase in eye and respiratory symptoms, medication use and physician visits.[280] Recently, it was demonstrated that mothers who were pregnant during the fires gave birth to babies with a slightly reduced average birth weight compared to those who were not exposed to wildfire during birth. Suggesting that pregnant women may also be at greater risk to adverse effects from wildfire.[281] Worldwide it is estimated that 339,000 people die due to the effects of wildfire smoke each year.[282]

While the size of particulate matter is an important consideration for health effects, the chemical composition of particulate matter (PM2.5) from wildfire smoke should also be considered. Antecedent studies have demonstrated that the chemical composition of PM2.5 from wildfire smoke can yield different estimates of human health outcomes as compared to other sources of smoke.[262] health outcomes for people exposed to wildfire smoke may differ from those exposed to smoke from alternative sources such as solid fuels.

Cultural aspects

Wildfires have a place in many cultures. "To spread like wildfire" is a common idiom in English, meaning something that "quickly affects or becomes known by more and more people".[283] The Smokey Bear fire prevention campaign has yielded one of the most popular characters in the United States; for many years there was a living Smokey Bear mascot, and it has been commemorated on postage stamps.[284]

Wildfire activity has been attributed as a major factor in the development of Ancient Greece. In modern Greece, as in many other regions, it is the most common natural disaster and figures prominently in the social and economic lives of its people.[285]

Science communication

Scientific communication is one of the main tools used to save lives and educate the public on wildfire safety and preparation. There are certain steps that institutions can take in order to communicate effectively with communities and organizations. Some of these include; fostering trust and credibility within communities by using community leaders as spokespeople for information, connecting with individuals by acknowledging concerns, needs, and challenges faced by communities, and utilizing information relevant to the specific targeted community.[286]

In regards to communicating information to the public regarding wildfire safety, some of the most effective ways to communicate with others about wildfires are community outreach conducted through presentations to homeowners and neighborhood associations, community events such as festivals and county fairs, and youth programs.[286]

Another way to communicate effectively is to follow the "Four C's"[286] which are Credentials, Connection, Context, and Catalyst. Credentials mean that one is using credible resources along with personal testimonials when presenting. Connection is the next step and means personal identification with the topic of wildfires as well as acknowledgement of what is already known regarding the specific situation. Context is relating information to how it fits into the lives of community members. And Catalyst is briefing community members on the steps they can follow to keep themselves and each other safe.[286]

 

Monday, August 23, 2021

Futurism

From Wikipedia, the free encyclopedia

Gino Severini, 1912, Dynamic Hieroglyphic of the Bal Tabarin, oil on canvas with sequins, 161.6 x 156.2 cm (63.6 x 61.5 in.), Museum of Modern Art, New York
 
Italian futurists Luigi Russolo, Carlo Carrà, Filippo Tommaso Marinetti, Umberto Boccioni and Gino Severini in front of Le Figaro, Paris, February 9, 1912

Futurism (Italian: Futurismo) was an artistic and social movement that originated in Italy in the early 20th century which later also developed in Russia. It emphasized dynamism, speed, technology, youth, violence, and objects such as the car, the airplane, and the industrial city. Its key figures were the Italians Filippo Tommaso Marinetti, Umberto Boccioni, Carlo Carrà, Fortunato Depero, Gino Severini, Giacomo Balla, and Luigi Russolo. It glorified modernity and aimed to liberate Italy from the weight of its past. Important Futurist works included Marinetti's Manifesto of Futurism, Boccioni's sculpture Unique Forms of Continuity in Space, Balla's painting Abstract Speed + Sound, and Russolo's The Art of Noises.

Although it was largely an Italian phenomenon, there were parallel movements in Russia, where some Russian Futurists would later go on to found groups of their own; other countries either had a few Futurists or had movements inspired by Futurism. The Futurists practiced in every medium of art, including painting, sculpture, ceramics, graphic design, industrial design, interior design, urban design, theatre, film, fashion, textiles, literature, music, architecture, and even cooking.

To some extent Futurism influenced the art movements Art Deco, Constructivism, Surrealism, and Dada, and to a greater degree Precisionism, Rayonism, and Vorticism.

Italian Futurism

Umberto Boccioni, Unique Forms of Continuity in Space (1913)

Futurism is an avant-garde movement founded in Milan in 1909 by the Italian poet Filippo Tommaso Marinetti. Marinetti launched the movement in his Manifesto of Futurism, which he published for the first time on 5 February 1909 in La gazzetta dell'Emilia, an article then reproduced in the French daily newspaper Le Figaro on Saturday 20 February 1909. He was soon joined by the painters Umberto Boccioni, Carlo Carrà, Giacomo Balla, Gino Severini and the composer Luigi Russolo. Marinetti expressed a passionate loathing of everything old, especially political and artistic tradition. "We want no part of it, the past", he wrote, "we the young and strong Futurists!" The Futurists admired speed, technology, youth and violence, the car, the airplane and the industrial city, all that represented the technological triumph of humanity over nature, and they were passionate nationalists. They repudiated the cult of the past and all imitation, praised originality, "however daring, however violent", bore proudly "the smear of madness", dismissed art critics as useless, rebelled against harmony and good taste, swept away all the themes and subjects of all previous art, and gloried in science.

Publishing manifestos was a feature of Futurism, and the Futurists (usually led or prompted by Marinetti) wrote them on many topics, including painting, architecture, music, literature, photography, religion, women, fashion and cuisine.

The founding manifesto did not contain a positive artistic programme, which the Futurists attempted to create in their subsequent Technical Manifesto of Futurist Painting (published in Italian as a leaflet by Poesia, Milan, 11 April 1910). This committed them to a "universal dynamism", which was to be directly represented in painting. Objects in reality were not separate from one another or from their surroundings: "The sixteen people around you in a rolling motor bus are in turn and at the same time one, ten four three; they are motionless and they change places. ... The motor bus rushes into the houses which it passes, and in their turn the houses throw themselves upon the motor bus and are blended with it."

The Futurist painters were slow to develop a distinctive style and subject matter. In 1910 and 1911 they used the techniques of Divisionism, breaking light and color down into a field of stippled dots and stripes, which had been adopted from Divisionism by Giovanni Segantini and others. Later, Severini, who lived in Paris, attributed their backwardness in style and method at this time to their distance from Paris, the centre of avant-garde art. Cubism contributed to the formation of Italian Futurism's artistic style. Severini was the first to come into contact with Cubism and following a visit to Paris in 1911 the Futurist painters adopted the methods of the Cubists. Cubism offered them a means of analysing energy in paintings and expressing dynamism.

They often painted modern urban scenes. Carrà's Funeral of the Anarchist Galli (1910–11) is a large canvas representing events that the artist had himself been involved in, in 1904. The action of a police attack and riot is rendered energetically with diagonals and broken planes. His Leaving the Theatre (1910–11) uses a Divisionist technique to render isolated and faceless figures trudging home at night under street lights.

Boccioni's The City Rises (1910) represents scenes of construction and manual labour with a huge, rearing red horse in the centre foreground, which workmen struggle to control. His States of Mind, in three large panels, The Farewell, Those who Go, and Those Who Stay, "made his first great statement of Futurist painting, bringing his interests in Bergson, Cubism and the individual's complex experience of the modern world together in what has been described as one of the 'minor masterpieces' of early twentieth century painting." The work attempts to convey feelings and sensations experienced in time, using new means of expression, including "lines of force", which were intended to convey the directional tendencies of objects through space, "simultaneity", which combined memories, present impressions and anticipation of future events, and "emotional ambience" in which the artist seeks by intuition to link sympathies between the exterior scene and interior emotion.

Boccioni's intentions in art were strongly influenced by the ideas of Bergson, including the idea of intuition, which Bergson defined as a simple, indivisible experience of sympathy through which one is moved into the inner being of an object to grasp what is unique and ineffable within it. The Futurists aimed through their art thus to enable the viewer to apprehend the inner being of what they depicted. Boccioni developed these ideas at length in his book, Pittura scultura Futuriste: Dinamismo plastico (Futurist Painting Sculpture: Plastic Dynamism) (1914).

Balla's Dynamism of a Dog on a Leash (1912) exemplifies the Futurists' insistence that the perceived world is in constant movement. The painting depicts a dog whose legs, tail and leash—and the feet of the woman walking it—have been multiplied to a blur of movement. It illustrates the precepts of the Technical Manifesto of Futurist Painting that, "On account of the persistency of an image upon the retina, moving objects constantly multiply themselves; their form changes like rapid vibrations, in their mad career. Thus a running horse has not four legs, but twenty, and their movements are triangular." His Rhythm of the Bow (1912) similarly depicts the movements of a violinist's hand and instrument, rendered in rapid strokes within a triangular frame.

The adoption of Cubism determined the style of much subsequent Futurist painting, which Boccioni and Severini in particular continued to render in the broken colors and short brush-strokes of divisionism. But Futurist painting differed in both subject matter and treatment from the quiet and static Cubism of Picasso, Braque and Gris. As the art critic Robert Hughes observed, "In Futurism, the eye is fixed and the object moves, but it is still the basic vocabulary of Cubism—fragmented and overlapping planes". While there were Futurist portraits: Carrà's Woman with Absinthe (1911), Severini's Self-Portrait (1912), and Boccioni's Matter (1912), it was the urban scene and vehicles in motion that typified Futurist painting; Boccioni's The Street Enters the House (1911), Severini's Dynamic Hieroglyph of the Bal Tabarin (1912), and Russolo's Automobile at Speed (1913)

Umberto Boccioni, 1913, Dynamism of a Cyclist (Dinamismo di un ciclista), oil on canvas, 70 x 95 cm, Gianni Mattioli Collection, on long-term loan to the Peggy Guggenheim Collection, Venice
 
Joseph Stella, Battle of Lights, Coney Island, 1913–14, oil on canvas, 195.6 × 215.3 cm (77 × 84.75 in), Yale University Art Gallery, New Haven, CT

The Futurists held their first exhibition outside of Italy in 1912 at the Bernheim-Jeune gallery, Paris, which included works by Umberto Boccioni, Gino Severini, Carlo Carrà, Luigi Russolo and Giacomo Balla.

In 1912 and 1913, Boccioni turned to sculpture to translate into three dimensions his Futurist ideas. In Unique Forms of Continuity in Space (1913) he attempted to realise the relationship between the object and its environment, which was central to his theory of "dynamism". The sculpture represents a striding figure, cast in bronze posthumously and exhibited in the Tate Modern. (It now appears on the national side of Italian 20 eurocent coins). He explored the theme further in Synthesis of Human Dynamism (1912), Speeding Muscles (1913) and Spiral Expansion of Speeding Muscles (1913). His ideas on sculpture were published in the Technical Manifesto of Futurist Sculpture In 1915 Balla also turned to sculpture making abstract "reconstructions", which were created out of various materials, were apparently moveable and even made noises. He said that, after making twenty pictures in which he had studied the velocity of automobiles, he understood that "the single plane of the canvas did not permit the suggestion of the dynamic volume of speed in depth ... I felt the need to construct the first dynamic plastic complex with iron wires, cardboard planes, cloth and tissue paper, etc."

In 1914, personal quarrels and artistic differences between the Milan group, around Marinetti, Boccioni, and Balla, and the Florence group, around Carrà, Ardengo Soffici (1879–1964) and Giovanni Papini (1881–1956), created a rift in Italian Futurism. The Florence group resented the dominance of Marinetti and Boccioni, whom they accused of trying to establish "an immobile church with an infallible creed", and each group dismissed the other as passéiste.

Futurism had from the outset admired violence and was intensely patriotic. The Futurist Manifesto had declared, "We will glorify war—the world's only hygiene—militarism, patriotism, the destructive gesture of freedom-bringers, beautiful ideas worth dying for, and scorn for woman." Although it owed much of its character and some of its ideas to radical political movements, it was not much involved in politics until the autumn of 1913. Then, fearing the re-election of Giolitti, Marinetti published a political manifesto. In 1914 the Futurists began to campaign actively against the Austro-Hungarian empire, which still controlled some Italian territories, and Italian neutrality between the major powers. In September, Boccioni, seated in the balcony of the Teatro dal Verme in Milan, tore up an Austrian flag and threw it into the audience, while Marinetti waved an Italian flag. When Italy entered the First World War in 1915, many Futurists enlisted. The experience of the war marked several Futurists, particularly Marinetti, who fought in the mountains of Trentino at the border of Italy and Austria-Hungary, actively engaging in propaganda. The combat experience also influenced Futurist music.

The outbreak of war disguised the fact that Italian Futurism had come to an end. The Florence group had formally acknowledged their withdrawal from the movement by the end of 1914. Boccioni produced only one war picture and was killed in 1916. Severini painted some significant war pictures in 1915 (e.g. War, Armored Train, and Red Cross Train), but in Paris turned towards Cubism and post-war was associated with the Return to Order.

After the war, Marinetti revived the movement. This revival was called il secondo Futurismo (Second Futurism) by writers in the 1960s. The art historian Giovanni Lista has classified Futurism by decades: "Plastic Dynamism" for the first decade, "Mechanical Art" for the 1920s, "Aeroaesthetics" for the 1930s.

Russian Futurism

Group photograph of several Russian Futurists, published in their manifesto A Slap in the Face of Public Taste. Left to right: Aleksei Kruchyonykh, Vladimir Burliuk, Vladimir Mayakovsky, David Burliuk, and Benedikt Livshits.

Russian Futurism was a movement of literature and the visual arts, involving various Futurist groups. The poet Vladimir Mayakovsky was a prominent member of the movement, as were Velimir Khlebnikov and Aleksei Kruchyonykh; visual artists such as David Burliuk, Mikhail Larionov, Natalia Goncharova, Lyubov Popova, and Kazimir Malevich found inspiration in the imagery of Futurist writings, and were writers themselves. Poets and painters collaborated on theatre production such as the Futurist opera Victory Over the Sun, with texts by Kruchenykh, music by Mikhail Matyushin, and sets by Malevich.

The main style of painting was Cubo-Futurism, extant during the 1910s. Cubo-Futurism combines the forms of Cubism with the Futurist representation of movement; like their Italian contemporaries, the Russian Futurists were fascinated with dynamism, speed and the restlessness of modern urban life.

The Russian Futurists sought controversy by repudiating the art of the past, saying that Pushkin and Dostoevsky should be "heaved overboard from the steamship of modernity". They acknowledged no authority and professed not to owe anything even to Marinetti, whose principles they had earlier adopted, most of whom obstructed him when he came to Russia to proselytize in 1914.

The movement began to decline after the revolution of 1917. The Futurists either stayed, were persecuted, or left the country. Popova, Mayakovsky and Malevich became part of the Soviet establishment and the brief Agitprop movement of the 1920s; Popova died of a fever, Malevich would be briefly imprisoned and forced to paint in the new state-approved style, and Mayakovsky committed suicide on April 14, 1930.

Architecture

The Futurist architect Antonio Sant'Elia expressed his ideas of modernity in his drawings for La Città Nuova (The New City) (1912–1914). This project was never built and Sant'Elia was killed in the First World War, but his ideas influenced later generations of architects and artists. The city was a backdrop onto which the dynamism of Futurist life is projected. The city had replaced the landscape as the setting for the exciting modern life. Sant'Elia aimed to create a city as an efficient, fast-paced machine. He manipulates light and shape to emphasize the sculptural quality of his projects. Baroque curves and encrustations had been stripped away to reveal the essential lines of forms unprecedented from their simplicity. In the new city, every aspect of life was to be rationalized and centralized into one great powerhouse of energy. The city was not meant to last, and each subsequent generation was expected to build their own city rather than inheriting the architecture of the past.

Futurist architects were sometimes at odds with the Fascist state's tendency towards Roman imperial-classical aesthetic patterns. Nevertheless, several Futurist buildings were built in the years 1920–1940, including public buildings such as railway stations, maritime resorts and post offices. Examples of Futurist buildings still in use today are Trento railway station, built by Angiolo Mazzoni, and the Santa Maria Novella station in Florence. The Florence station was designed in 1932 by the Gruppo Toscano (Tuscan Group) of architects, which included Giovanni Michelucci and Italo Gamberini, with contributions by Mazzoni.

Music

Futurist music rejected tradition and introduced experimental sounds inspired by machinery, and would influence several 20th-century composers.

Francesco Balilla Pratella joined the Futurist movement in 1910 and wrote a Manifesto of Futurist Musicians in which he appealed to the young (as had Marinetti), because only they could understand what he had to say. According to Pratella, Italian music was inferior to music abroad. He praised the "sublime genius" of Wagner and saw some value in the work of other contemporary composers, for example Richard Strauss, Elgar, Mussorgsky, and Sibelius. By contrast, the Italian symphony was dominated by opera in an "absurd and anti-musical form". The conservatories was said to encourage backwardness and mediocrity. The publishers perpetuated mediocrity and the domination of music by the "rickety and vulgar" operas of Puccini and Umberto Giordano. The only Italian Pratella could praise was his teacher Pietro Mascagni, because he had rebelled against the publishers and attempted innovation in opera, but even Mascagni was too traditional for Pratella's tastes. In the face of this mediocrity and conservatism, Pratella unfurled "the red flag of Futurism, calling to its flaming symbol such young composers as have hearts to love and fight, minds to conceive, and brows free of cowardice."

Luigi Russolo (1885–1947) wrote The Art of Noises (1913), an influential text in 20th-century musical aesthetics. Russolo used instruments he called intonarumori, which were acoustic noise generators that permitted the performer to create and control the dynamics and pitch of several different types of noises. Russolo and Marinetti gave the first concert of Futurist music, complete with intonarumori, in 1914. However they were prevented from performing in many major European cities by the outbreak of war.

Futurism was one of several 20th-century movements in art music that paid homage to, included or imitated machines. Ferruccio Busoni has been seen as anticipating some Futurist ideas, though he remained wedded to tradition. Russolo's intonarumori influenced Stravinsky, Arthur Honegger, George Antheil, Edgar Varèse, Stockhausen and John Cage. In Pacific 231, Honegger imitated the sound of a steam locomotive. There are also Futurist elements in Prokofiev's The Steel Step and in his Second Symphony.

Most notable in this respect, however, is the American George Antheil. His fascination with machinery is evident in his Airplane Sonata, Death of the Machines, and the 30-minute Ballet Mécanique. The Ballet Mécanique was originally intended to accompany an experimental film by Fernand Léger, but the musical score is twice the length of the film and now stands alone. The score calls for a percussion ensemble consisting of three xylophones, four bass drums, a tam-tam, three airplane propellers, seven electric bells, a siren, two "live pianists", and sixteen synchronized player pianos. Antheil's piece was the first to synchronize machines with human players and to exploit the difference between what machines and humans can play.

Dance

The Futuristic movement also influenced the concept of dance. Indeed, dancing was interpreted as an alternative way of expressing man's ultimate fusion with the machine. The altitude of a flying plane, the power of a car's motor and the roaring loud sounds of complex machinery were all signs of man's intelligence and excellence which the art of dance had to emphasize and praise. This type of dance is considered futuristic since it disrupts the referential system of traditional, classical dance and introduces a different style, new to the sophisticated bourgeois audience. The dancer no longer performs a story, a clear content, that can be read according to the rules of ballet. One of the most famous futuristic dancers was the Italian Giannina Censi [it]. Trained as a classical ballerina, she is known for her "Aerodanze" and continued to earn her living by performing in classical and popular productions. She describes this innovative form of dance as the result of a deep collaboration with Marinetti and his poetry. Through these words, she explains: " I launched this idea of the aerial-futurist poetry with Marinetti, he himself declaiming the poetry. A small stage of a few square meters;... I made myself a satin costume with a helmet; everything that the plane did had to be expressed by my body. It flew and, moreover, it gave the impression of these wings that trembled, of the apparatus that trembled,... And the face had to express what the pilot felt."

Literature

Futurism as a literary movement made its official debut with F.T. Marinetti's Manifesto of Futurism (1909), as it delineated the various ideals Futurist poetry should strive for. Poetry, the predominate medium of Futurist literature, can be characterized by its unexpected combinations of images and hyper-conciseness (not to be confused with the actual length of the poem). The Futurists called their style of poetry parole in libertà (word autonomy), in which all ideas of meter were rejected and the word became the main unit of concern. In this way, the Futurists managed to create a new language free of syntax punctuation, and metrics that allowed for free expression.

Theater also has an important place within the Futurist universe. Works in this genre have scenes that are few sentences long, have an emphasis on nonsensical humor, and attempt to discredit the deep rooted traditions via parody and other devaluation techniques.

There are a number of examples of Futurist novels from both the initial period of Futurism and the neo-Futurist period, from Marinetti himself to a number of lesser known Futurists, such as Primo Conti, Ardengo Soffici and Giordano Bruno Sanzin (Zig Zag, Il Romanzo Futurista edited by Alessandro Masi, 1995). They are very diverse in style, with very little recourse to the characteristics of Futurist Poetry, such as 'parole in libertà'. Arnaldo Ginna's 'Le locomotive con le calze'(Trains with socks on) plunges into a world of absurd nonsense, childishly crude. His brother Bruno Corra wrote in Sam Dunn è morto (Sam Dunn is Dead) a masterpiece of Futurist fiction, in a genre he himself called 'Synthetic' characterized by compression, and precision; it is a sophisticated piece that rises above the other novels through the strength and pervasiveness of its irony. Science Fiction novels play an important role in Futurist literature.

Film

When interviewed about her favorite film of all times, famed movie critic Pauline Kael stated that the director Dimitri Kirsanoff, in his silent experimental film Ménilmontant "developed a technique that suggests the movement known in painting as Futurism".

Thaïs ("Thaïs"), directed by Anton Giulio Bragaglia (1917), is the only surviving of the 1910s Italian futurist cinema to date (35 min. of the original 70 min.).

Female Futurists

Within F.T. Marinetti's The Founding and Manifesto of Futurism, two of his tenets briefly highlight his hatred for women under the pretense that it fuels the Futurist movement's visceral nature:

9. We intend to glorify war—the only hygiene of the world—militarism, patriotism, the destructive gesture of anarchists, beautiful ideas worth dying for, and contempt for woman.
10. We intend to destroy museums, libraries, academics of every sort and to fight against moralism, feminism, and every utilitarian opportunistic cowardice.

Marinetti would begin to contradict himself when, in 1911, he called Luisa, Marchesa Casati a Futurist; he dedicated a portrait of himself painted by Carrà to her, the said dedication declaring Casati as a Futurist being pasted on the canvas itself.

In 1912, only three years after the Manifesto of Futurism was published, Valentine de Saint-Point responded to Marinetti's claims in her Manifesto of the Futurist Woman (Response to F.T. Marinetti.) Marinetti even later referred to her as "the 'first futurist woman.'" Her manifesto begins with a misanthropic tone by presenting how men and women are equal and both deserve contempt. She instead suggests that rather than the binary being limited to men and women, it should be replaced with "femininity and masculinity"; ample cultures and individuals should possess elements of both. Yet, she still embraces the core values of Futurism, especially its focus on "virility" and "brutality". Saint-Point uses this as a segue into her antifeminist argument—giving women equal rights destroys their innate "potency" to strive for a better, more fulfilling life.

In Russian Futurist and Cubo-Futurist circles, however, from the start, there was a higher percentage of women participants than in Italy; examples of major female Futurists are Natalia Goncharova, Aleksandra Ekster, and Lyubov Popova. Although Marinetti expressed his approval of Olga Rozanova's paintings during his 1914 lecture tour of Russia, it is possible that the women painters' negative reaction to the said tour may have largely been due to his misogyny.

Despite the chauvinistic nature of the Italian Futurist program, many serious professional female artists adopted the style, especially so after the end of the first World War. Notably among these female futurists is F.T Marinetti's own wife Benedetta Cappa Marinetti, whom he had met in 1918 and exchanged a series of letters discussing each of their respective work in Futurism. Letters continued to be exchanged between the two with F.T Marinetti often complimenting Benedetta - the single name she was best known as - on her genius. In a letter dated August 16, 1919, Marinetti wrote to Benedetta "Do not forget your promise to work. You must carry your genius to its ultimate splendor. Every day." Although many of Benedetta's paintings were exhibited in major Italian exhibitions like the 1930-1936 Venice Biennales (in which she was the first woman to have her art displayed since the exhibition's founding in 1895), the 1935 Rome Quadriennale and several other futurist exhibitions, she was oft overshadowed in her work by her husband. The first introduction of Benedetta's feminist convictions regarding futurism is in the form of a public dialogue in 1925 (with a L.R Cannonieri) concerning the role of women in society. Benedetta was also one of the first to paint in Aeropittura, an abstract and futurist art style of landscape from the view of an airplane.

1920s and 1930s

Joseph Stella, 1919–20, Brooklyn Bridge, oil on canvas, 215.3 x 194.6 cm, Yale University Art Gallery

Many Italian Futurists supported Fascism in the hope of modernizing a country divided between the industrialising north and the rural, archaic South. Like the Fascists, the Futurists were Italian nationalists, radicals, admirers of violence, and were opposed to parliamentary democracy. Marinetti founded the Futurist Political Party (Partito Politico Futurista) in early 1918, which was absorbed into Benito Mussolini's Fasci Italiani di Combattimento in 1919, making Marinetti one of the first members of the National Fascist Party. He opposed Fascism's later exaltation of existing institutions, calling them "reactionary", and walked out of the 1920 Fascist party congress in disgust, withdrawing from politics for three years; but he supported Italian Fascism until his death in 1944. The Futurists' association with Fascism after its triumph in 1922 brought them official acceptance in Italy and the ability to carry out important work, especially in architecture. After the Second World War, many Futurist artists had difficulty in their careers because of their association with a defeated and discredited regime.

Marinetti sought to make Futurism the official state art of Fascist Italy but failed to do so. Mussolini chose to give patronage to numerous styles and movements in order to keep artists loyal to the regime. Opening the exhibition of art by the Novecento Italiano group in 1923, he said, "I declare that it is far from my idea to encourage anything like a state art. Art belongs to the domain of the individual. The state has only one duty: not to undermine art, to provide humane conditions for artists, to encourage them from the artistic and national point of view." Mussolini's mistress, Margherita Sarfatti, who was as able a cultural entrepreneur as Marinetti, successfully promoted the rival Novecento group, and even persuaded Marinetti to sit on its board. Although in the early years of Italian Fascism modern art was tolerated and even embraced, towards the end of the 1930s, right-wing Fascists introduced the concept of "degenerate art" from Germany to Italy and condemned Futurism.

Marinetti made numerous moves to ingratiate himself with the regime, becoming less radical and avant-garde with each. He moved from Milan to Rome to be nearer the centre of things. He became an academician despite his condemnation of academies, married despite his condemnation of marriage, promoted religious art after the Lateran Treaty of 1929 and even reconciled himself to the Catholic Church, declaring that Jesus was a Futurist.

An example of Futurist design: "Skyscraper Lamp", by the Italian architect Arnaldo dell'Ira, 1929

Although Futurism mostly became identified with Fascism, it had leftist and anti-Fascist supporters. They tended to oppose Marinetti's artistic and political direction of the movement, and in 1924 the socialists, communists and anarchists walked out of the Milan Futurist Congress. The anti-Fascist voices in Futurism were not completely silenced until the annexation of Abyssinia and the Italo-German Pact of Steel in 1939. This association of Fascists, socialists and anarchists in the Futurist movement, which may seem odd today, can be understood in terms of the influence of Georges Sorel, whose ideas about the regenerative effect of political violence had adherents right across the political spectrum.

Aeropainting

Aeropainting (aeropittura) was a major expression of the second generation of Futurism beginning in 1926. The technology and excitement of flight, directly experienced by most aeropainters, offered aeroplanes and aerial landscape as new subject matter. Aeropainting was varied in subject matter and treatment, including realism (especially in works of propaganda), abstraction, dynamism, quiet Umbrian landscapes, portraits of Mussolini (e.g. Dottori's Portrait of il Duce), devotional religious paintings, decorative art, and pictures of planes.

Aeropainting was launched in a manifesto of 1929, Perspectives of Flight, signed by Benedetta, Depero, Dottori, Fillìa, Marinetti, Prampolini, Somenzi and Tato (Guglielmo Sansoni). The artists stated that "The changing perspectives of flight constitute an absolutely new reality that has nothing in common with the reality traditionally constituted by a terrestrial perspective" and that "Painting from this new reality requires a profound contempt for detail and a need to synthesise and transfigure everything." Crispolti identifies three main "positions" in aeropainting: "a vision of cosmic projection, at its most typical in Prampolini's 'cosmic idealism' ... ; a 'reverie' of aerial fantasies sometimes verging on fairy-tale (for example in Dottori ...); and a kind of aeronautical documentarism that comes dizzyingly close to direct celebration of machinery (particularly in Crali, but also in Tato and Ambrosi)."

Eventually there were over a hundred aeropainters. Major figures include Fortunato Depero, Marisa Mori, Enrico Prampolini, Gerardo Dottori, Mino Delle Site and Crali. Crali continued to produce aeropittura up until the 1980s.

Legacy

Futurism influenced many other twentieth-century art movements, including Art Deco, Vorticism, Constructivism, Surrealism, Dada, and much later Neo-Futurism and the Grosvenor School linocut artists. Futurism as a coherent and organized artistic movement is now regarded as extinct, having died out in 1944 with the death of its leader Marinetti.

Nonetheless, the ideals of Futurism remain as significant components of modern Western culture; the emphasis on youth, speed, power and technology finding expression in much of modern commercial cinema and culture. Ridley Scott consciously evoked the designs of Sant'Elia in Blade Runner. Echoes of Marinetti's thought, especially his "dreamt-of metallization of the human body", are still strongly prevalent in Japanese culture, and surface in manga/anime and the works of artists such as Shinya Tsukamoto, director of the Tetsuo (lit. "Ironman") films. Futurism has produced several reactions, including the literary genre of cyberpunk—in which technology was often treated with a critical eye—whilst artists who came to prominence during the first flush of the Internet, such as Stelarc and Mariko Mori, produce work which comments on Futurist ideals. and the art and architecture movement Neo-Futurism in which technology is considered a driver to a better quality of life and sustainability values.

A revival of sorts of the Futurist movement in theatre began in 1988 with the creation of the Neo-Futurist style in Chicago, which utilizes Futurism's focus on speed and brevity to create a new form of immediate theatre. Currently, there are active Neo-Futurist troupes in Chicago, New York, San Francisco, and Montreal.

Futurist ideas have been a major influence in Western popular music; examples include ZTT Records, named after Marinetti's poem Zang Tumb Tumb; the band Art of Noise, named after Russolo's manifesto The Art of Noises; and the Adam and the Ants single "Zerox", the cover featuring a photograph by Bragaglia. Influences can also be discerned in dance music since the 1980s.

Japanese Composer Ryuichi Sakamoto's 1986 album "Futurista" was inspired by the movement. It features a speech from Tommaso Marinetti in the track 'Variety Show'.

In 2009, Italian director Marco Bellocchio included Futurist art in his feature film Vincere.

In 2014, the Solomon R. Guggenheim Museum featured the exhibition "Italian Futurism, 1909–1944: Reconstructing the Universe". This was the first comprehensive overview of Italian Futurism to be presented in the United States.

Estorick Collection of Modern Italian Art is a museum in London, with a collection solely centered around modern Italian artists and their works. It is best known for its large collection of Futurist paintings.

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Subitism

From Wikipedia, the free encyclopedia

The term subitism points to sudden awakening, the idea that insight into Buddha-nature, or the nature of mind, is "sudden," c.q. "in one glance," "uncovered all together," or "together, completely, simultaneously," in contrast to "successively or being uncovered one after the other." It may be posited as opposite to gradualism, the original Buddhist approach which says that following the dharma can be achieved only step by step, through an arduous practice.

The application of the term "subitism" to Buddhism is derived from the French illumination subite (sudden awakening), contrasting with 'illumination graduelle' (gradual awakening). It gained currency in this use in English from the work of sinologist Paul Demiéville. His 1947 work 'Mirror of the Mind' was widely read in the U.S. It inaugurated a series by him on subitism and gradualism.

The Chinese term tun, as used in tun-wu, translated as "subite," sudden, has a broader meaning than "sudden." It is more apt translated as "in one glance," "uncovered all together," or "together, completely, simultaneously," in contrast to "successively or being uncovered one after the other." It means that all aspects of Buddhist practice are realized, or actualized, simultaneously, and not one after another as in a gradual or linear school curriculum. Specifically, the defilements are not erased gradually, by good works, but simultaneously.

Subitizing, also derived from the Latin adjective subitus, is the rapid, accurate, and confident judgments of numbers performed for small numbers of items. It is important to be aware subitism can also be used in this context.

Tun wu in Chinese Buddhism

Chan

The distinction between sudden and gradual awakening has its roots in Indian Buddhism. It was first introduced in China in the beginning of the 5th century CE by Tao Sheng. The term became of central importance in Chan Buddhism, where it is used to denote the doctrinal position that awakening, the comprehension or realization of the Buddhist teachings, happens simultaneously, and is not the fruit of a gradual accretion or realisation.

Shenhui

In the 8th century the distinction became part of a struggle for influence at the Chinese court by Shenhui, a student of Huineng. Hereafter "sudden enlightenment" became one of the hallmarks of Chan Buddhism, though the sharp distinction was softened by subsequent generations of practitioners.

This softening is reflected in the Platform Sutra of Huineng.

While the Patriarch was living in Bao Lin Monastery, the Grand Master Shen Xiu was preaching in Yu Quan Monastery of Jing Nan. At that time the two Schools, that of Hui Neng of the South and Shen Xiu of the North, flourished side by side. As the two Schools were distinguished from each other by the names "Sudden" (the South) and "Gradual" (the North), the question which sect they should follow baffled certain Buddhist scholars (of that time). (Seeing this), the Patriarch addressed the assembly as follows:
So far as the Dharma is concerned, there can be only one School. (If a distinction exists) it exists in the fact that the founder of one school is a northern man, while the other is a southerner. While there is only one dharma, some disciples realize it more quickly than others. The reason why the names 'Sudden' and 'Gradual' are given is that some disciples are superior to others in mental dispositions. So far as the Dharma is concerned, the distinction of 'Sudden' and 'Gradual' does not exist.

Rivalry between schools

While the socalled "Southern School" was said to place emphasis on sudden enlightenment, it also marked a shift in doctrinal basis from the Laṅkāvatāra Sūtra to the prajnaparamita tradition, especially the Diamond Sutra. The Laṅkāvatāra Sūtra, which endorses the Buddha-nature, emphasized purity of mind, which can be attained in gradations. The Diamond Sutra emphasizes śūnyatā, which "must be realized totally or not at all".

Once this dichotomy was in place, it defined its own logic and rhetorics, which are also recognizable in the distinction between Caodong (Sōtō) and Linji (Rinzai) schools. But it also leads to a "sometimes bitter and always prolix sectarian controversy between later Ch'an and Hua-yen exegetes". In the Huayan classification of teachings, the sudden approach was regarded inferior to the Perfect Teaching of Huayan. Guifeng Zongmi, fifth patriarch of Huayan and Chan master, devised his own classification to counter this subordination. To establish the superiority of Chan, Jinul, the most important figure in the formation of Korean Seon, explained the sudden approach as not pointing to mere emptiness, but to suchness or the dharmadhatu.

Later re-interpretations

Guifeng Zongmi, fifth-generation successor to Shenhui, also softened the edge between sudden and gradual. In his analysis, sudden awakening points to seeing into one's true nature, but is to be followed by a gradual cultivation to attain buddhahood.

This gradual cultivation is also recognized by Dongshan Liangjie, who described the Five Ranks of enlightenment. Other example of depiction of stages on the path are the Ten Bulls, which detail the steps on the Path, The Three Mysterious Gates of Linji, and the Four Ways of Knowing of Hakuin Ekaku. This gradual cultivation is described by Chan Master Sheng Yen as follows:

Ch'an expressions refer to enlightenment as "seeing your self-nature". But even this is not enough. After seeing your self-nature, you need to deepen your experience even further and bring it into maturation. You should have enlightenment experience again and again and support them with continuous practice. Even though Ch'an says that at the time of enlightenment, your outlook is the same as of the Buddha, you are not yet a full Buddha.

Hua-yen

In the Fivefold Classification of the Huayan school and the Five Periods and Eight Teachings of the Tiantai-school the sudden teaching was given a high place, but still inferior to the Complete or Perfect teachings of these schools.

Korean Seon

Chinul, a 12th-century Korean Seon master, followed Zongmi, and also emphasized that insight into our true nature is sudden, but is to be followed by practice to ripen the insight and attain full Buddhahood.

In contemporary Korean Seon, Seongcheol has defended the stance of "sudden insight, sudden cultivation". Citing Taego Bou (太古普愚: 1301-1382) as the true successor of the Linji Yixuan (臨済義玄) line of patriarchs rather than Jinul (知訥: 1158-1210), he advocated Hui Neng's original stance of 'sudden enlightenment, sudden cultivation' (Hangul: 돈오돈수, Hanja: 頓悟頓修) as opposed to Jinul's stance of 'sudden enlightenment, gradual cultivation' (Hangul: 돈오점수, Hanja: 頓悟漸修). Whereas Jinul had initially asserted that with enlightenment comes the need to further one's practice by gradually destroying the karmic vestiges attained through millions of rebirths, Huineng and Seongcheol maintained that with perfect enlightenment, all karmic remnants disappear and one becomes a Buddha immediately.

Popularisation in the west

When Zen was introduced in the west, the Rinzai stories of unconventional masters and sudden enlightenment caught the popular imagination. D. T. Suzuki was a seminal influence in this regard. It was Suzuki's contention that a Zen satori (awakening) was the goal of the tradition's training. As Suzuki portrayed it, Zen Buddhism was a highly practical religion whose emphasis on direct experience made it particularly comparable to forms of mystical experience that scholars such as William James had emphasized as the fountainhead of all religious sentiment.

Indian spirituality

The emphasis on direct experience is also recognized in forms of Indian spirituality, which gained popularity in the west in 1960s and 1970s, and further influenced the discourse on awakening in the west.

Ramana Maharshi - Akrama mukti

Ramana Maharshi made a distinction between akrama mukti, "sudden liberation", as opposed to the krama mukti, "gradual liberation" as in the Vedanta path of jnana yoga:

‘Some people,’ he said, ‘start off by studying literature in their youth. Then they indulge in the pleasures of the world until they are fed up with them. Next, when they are at an advanced age, they turn to books on Vedanta. They go to a guru and get initiated by him and then start the process of sravana, manana and nididhyasana, which finally culminates in samadhi. This is the normal and standard way of approaching liberation. It is called krama mukti [gradual liberation]. But I was overtaken by akrama mukti [sudden liberation] before I passed through any of the above-mentioned stages.’

Inchegeri Sampradaya - "the Ant's way"

The teachings of Bhausaheb Maharaj, the founder of the Inchegeri Sampradaya, have been called "the Ant's way",  the way of meditation, while the teachings of Siddharameshwar Maharaj and his disciples Nisargadatta Maharaj and Ranjit Maharaj have been called "the Bird's Way", the direct path to Self-discovery:

The way of meditation is a long arduous path while the Bird's Way is a clear direct path of Self investigation, Self exploration, and using thought or concepts as an aid to understanding and Self-Realization. Sometimes this approach is also called the Reverse Path. What Reverse Path indicates is the turning around of one's attention away from objectivity to the more subjective sense of one's Beingness. With the Bird's Way, first one's mind must be made subtle. This is generally done with some initial meditation on a mantra or phrase which helps the aspirant to step beyond the mental/conceptual body, using a concept to go beyond conceptualization.

The terms appear in the Varaha Upanishad, Chapter IV:

34. (The Rishi) Suka is a Mukta (emancipated person). (The Rishi) Vamadeva is a Mukta. There are no others (who have attained emancipation) than through these (viz., the two paths of these two Rishis). Those brave men who follow the path of Suka in this world become Sadyo-Muktas (viz., emancipated) immediately after (the body wear away);

35. While those who always follow the path of Vamadeva (i.e., Vedanta) in this world are subject again and again to rebirths and attain Krama (gradual) emancipation, through Yoga, Sankhya and Karmas associated with Sattva (Guna).

36. Thus there are two paths laid down by the Lord of Devas (viz.,) the Suka and Vamadeva paths. The Suka path is called the bird’s path; while the Vamadeva path is called the ant’s path.

 

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