Lord of the Flies

From Wikipedia, the free encyclopedia

https://en.wikipedia.org/wiki/Lord_of_the_Flies 

Lord of the Flies

The original UK Lord of the Flies book cover
Author	William Golding
Cover artist	Anthony Gross
Country	United Kingdom
Genre	Allegorical novel
Publisher	Faber and Faber
Publication date	17 September 1954
Pages	224
ISBN	0-571-05686-5 (first edition, paperback)
OCLC	47677622

Lord of the Flies is a 1954 debut novel by Nobel Prize-winning British author William Golding. The book focuses on a group of British boys stranded on an uninhabited island and their disastrous attempt to govern themselves. Themes include the tension between groupthink and individuality, between rational and emotional reactions, and between morality and immorality.

The novel has been generally well received. It was named in the Modern Library 100 Best Novels, reaching number 41 on the editor's list, and 25 on the reader's list. In 2003 it was listed at number 70 on the BBC's The Big Read poll, and in 2005 Time magazine named it as one of the 100 best English-language novels from 1923 to 2005. Time also included the novel in its list of the 100 Best Young-Adult Books of All Time. Popular reading in schools, especially in the English-speaking world, a 2016 UK poll saw Lord of the Flies ranked third in the nation's favourite books from school.

Background

Published in 1954, Lord of the Flies was Golding's first novel. The idea came about after Golding read what he deemed to be an unrealistic depiction of stranded children in youth novels like The Coral Island: a Tale of the Pacific Ocean (1857) by R. M. Ballantyne, and asked his wife, Ann, if it would "be a good idea if I wrote a book about children on an island, children who behave in the way children really would behave?" As a result, the novel contains various references to The Coral Island, such as the rescuing naval officer's description of the boys' initial attempts at civilised cooperation as "a jolly good show, like the Coral Island". Golding's three central characters (Ralph, Piggy, and Jack) have also been interpreted as caricatures of Ballantyne's Coral Island protagonists.

The manuscript was rejected by many publishers before finally being accepted by London-based Faber & Faber; an initial rejection by the "professional reader" at Faber labelled the book an "Absurd and uninteresting fantasy about the explosion of an atomic bomb on the colonies and a group of children who land in the jungle near New Guinea. Rubbish and dull. Pointless". However, Charles Monteith decided to take on the manuscript and worked with Golding to complete several fairly major edits, including the removal of the entire first section of the novel, which had previously described an evacuation from nuclear war. As well as this, the character of Simon was heavily redacted by Monteith, including the removal of his interaction with a mysterious lone figure who is never identified but implied to be God. Monteith himself was concerned about these changes, completing "tentative emendations", and warning against "turning Simon into a prig". Ultimately, Golding made all of Monteith's recommended edits and wrote back in his final letter to his editor that "I've lost any kind of objectivity I ever had over this novel and can hardly bear to look at it." These manuscripts and typescripts are now available from the Special Collections Archives at the University of Exeter library for further study and research. The collection includes the original 1952 "Manuscript Notebook" (originally a Bishop Wordsworth's School notebook) containing copious edits and strikethroughs.

With the changes made by Monteith and despite the initial slow rate of sale (about three thousand copies of the first print sold slowly), the book soon went on to become a best-seller, with more than ten million copies sold as of 2015. It has been adapted to film twice in English, in 1963 by Peter Brook and 1990 by Harry Hook, and once in Filipino by Lupita A. Concio (1975).

The book begins with the boys' arrival on the island after their plane has been shot down during what seems to be part of a nuclear World War III. Some of the marooned characters are ordinary students, while others arrive as a musical choir under an established leader. With the exception of Sam, Eric, and the choirboys, they appear never to have encountered each other before. The book portrays their descent into savagery; left to themselves on a paradisiacal island, far from modern civilization, the well-educated boys regress to a primitive state.

Plot

In the midst of a wartime evacuation, a British aeroplane crashes on or near an isolated island in a remote region of the Pacific Ocean. The only survivors are boys in their middle childhood or preadolescence. Two boys—the fair-haired Ralph and an overweight, bespectacled boy nicknamed "Piggy"—find a conch, which Ralph uses as a horn to convene all the survivors to one area. Ralph is optimistic, believing that grownups will come to rescue them but Piggy realises the need to organise ("put first things first and act proper"). Because Ralph appears responsible for bringing all the survivors together, he immediately commands some authority over the other boys and is quickly elected their "chief". He does not receive the votes of the members of a boys' choir, led by the red-headed Jack Merridew, although he allows the choir boys to form a separate clique of hunters. Ralph establishes three primary policies: to have fun, to survive, and to constantly maintain a smoke signal that could alert passing ships to their presence on the island and thus rescue them. The boys establish a form of democracy by declaring that whoever holds the conch shall also be able to speak at their formal gatherings and receive the attentive silence of the larger group.

Jack organises his choir into a hunting party responsible for discovering a food source. Ralph, Jack, and a quiet, dreamy boy named Simon soon form a loose triumvirate of leaders with Ralph as the ultimate authority. Upon inspection of the island, the three determine that it has fruit and wild pigs for food. The boys also use Piggy's glasses to create a fire. Although he is Ralph's only real confidant, Piggy is quickly made into an outcast by his fellow "biguns" (older boys) and becomes the butt of the other boys' jokes. Simon, in addition to supervising the project of constructing shelters, feels an instinctive need to protect the "littluns" (younger boys).

The semblance of order quickly deteriorates as the majority of the boys turn idle; they give little aid in building shelters, spend their time having fun and begin to develop paranoias about the island. The central paranoia refers to a supposed monster they call the "beast", which they all slowly begin to believe exists on the island. Ralph insists that no such beast exists, but Jack, who has started a power struggle with Ralph, gains a level of control over the group by boldly promising to kill the creature. At one point, Jack summons all of his hunters to hunt down a wild pig, drawing away those assigned to maintain the signal fire. A ship travels by the island, but without the boys' smoke signal to alert the ship's crew, the vessel continues without stopping. Ralph angrily confronts Jack about his failure to maintain the signal; in frustration Jack assaults Piggy, breaking one of the lenses of his glasses. The boys subsequently enjoy their first feast. Angered by the failure of the boys to attract potential rescuers, Ralph considers relinquishing his position as leader, but is persuaded not to do so by Piggy, who both understands Ralph's importance and fears what will become of him should Jack take total control.

One night, an aerial battle occurs near the island while the boys sleep, during which a fighter pilot ejects from his plane and dies in the descent. His body drifts down to the island in his parachute; both get tangled in a tree near the top of the mountain. Later on, while Jack continues to scheme against Ralph, the twins Sam and Eric, now assigned to the maintenance of the signal fire, see the corpse of the fighter pilot and his parachute in the dark. Mistaking the corpse for the beast, they run to the cluster of shelters that Ralph and Simon have erected, to warn the others. This unexpected meeting again raises tensions between Jack and Ralph. Shortly thereafter, Jack decides to lead a party to the other side of the island, where a mountain of stones, later called Castle Rock, forms a place where he claims the beast resides. Only Ralph and a quiet suspicious boy, Roger, Jack's closest supporter, agree to go; Ralph turns back shortly before the other two boys but eventually all three see the parachutist, whose head rises via the wind. They then flee, now believing the beast is real. When they arrive at the shelters, Jack calls an assembly and tries to turn the others against Ralph, asking them to remove Ralph from his position. Receiving no support, Jack storms off alone to form his own tribe. Roger immediately sneaks off to join Jack, and slowly an increasing number of older boys abandon Ralph to join Jack's tribe. Jack's tribe continues to lure recruits from the main group by promising feasts of cooked pig. The members begin to paint their faces and enact bizarre rites, including sacrifices to the beast. One night, Ralph and Piggy decide to go to one of Jack's feasts.

Simon, who faints frequently and is probably an epileptic, has a secret hideaway where he goes to be alone. One day while he is there, Jack and his followers erect an offering to the beast nearby: a pig's head, mounted on a sharpened stick and soon swarming with scavenging flies. Simon conducts an imaginary dialogue with the head, which he dubs the "Lord of the Flies". The head mocks Simon's notion that the beast is a real entity, "something you could hunt and kill", and reveals the truth: they, the boys, are the beast; it is inside them all. The Lord of the Flies also warns Simon that he is in danger, because he represents the soul of man, and predicts that the others will kill him. Simon climbs the mountain alone and discovers that the "beast" is the dead parachutist. He rushes down to tell the other boys, who are engaged in a ritual dance. The frenzied boys mistake Simon for the beast, attack him, and beat him to death. Both Ralph and Piggy participate in the melee, and they become deeply disturbed by their actions after returning from Castle Rock.

Jack and his rebel band decide that the real symbol of power on the island is not the conch, but Piggy's glasses—the only means the boys have of starting a fire. They raid Ralph's camp, confiscate the glasses, and return to their abode on Castle Rock. Ralph, now deserted by most of his supporters, journeys to Castle Rock to confront Jack and secure the glasses. Taking the conch and accompanied only by Piggy, Sam, and Eric, Ralph finds the tribe and demands that they return the valuable object. Confirming their total rejection of Ralph's authority, the tribe capture and bind the twins under Jack's command. Ralph and Jack engage in a fight which neither wins before Piggy tries once more to address the tribe. Any sense of order or safety is permanently eroded when Roger, now sadistic, deliberately drops a boulder from his vantage point above, killing Piggy and shattering the conch. Ralph manages to escape, but Sam and Eric are tortured by Roger until they agree to join Jack's tribe.

Ralph secretly confronts Sam and Eric, who warn him that Jack and Roger hate him and that Roger has sharpened a stick at both ends, intimating that the tribe intends to hunt him like a pig and behead him. The following morning, Jack orders his tribe to begin a hunt for Ralph. Jack's savages set fire to the forest while Ralph desperately weighs his options for survival. Following a long chase, most of the island is consumed in flames. With the hunters closely behind him, Ralph trips and falls. He looks up at a uniformed adult—a British naval officer whose party has landed from a passing cruiser to investigate the fire. Ralph bursts into tears over the death of Piggy and the "end of innocence". Jack and the other boys, filthy and unkempt, also revert to their true ages and erupt into sobs. The officer expresses his disappointment at seeing British boys exhibiting such feral, warlike behaviour before turning to stare awkwardly at his own warship.

Themes

At an allegorical level, the central theme is the conflicting human impulses toward civilisation and social organisation—living by rules, peacefully and in harmony—and toward the will to power. Themes include the tension between groupthink and individuality, between rational and emotional reactions, and between morality and immorality. How these play out and how different people feel their influence form a major subtext of Lord of the Flies, with the central themes addressed in an essay by American literary critic Harold Bloom. The name "Lord of the Flies" is a literal translation of Beelzebub, from 2 Kings 1:2–3, 6, 16.

Reception

The book, originally entitled Strangers from Within, was initially rejected by an in-house reader, Miss Perkins, at London based publishers Faber and Faber as "Rubbish & dull. Pointless". The title was considered "too abstract and too explicit". Following a further review, the book was eventually published as Lord of the Flies.

A turning point occurred when E. M. Forster chose Lord of the Flies as his "outstanding novel of the year." Other reviews described it as "not only a first-rate adventure but a parable of our times". In February 1960, Floyd C. Gale of Galaxy Science Fiction rated Lord of the Flies five stars out of five, stating that "Golding paints a truly terrifying picture of the decay of a minuscule society ... Well on its way to becoming a modern classic".

"Lord of the Flies presents a view of humanity unimaginable before the horrors of Nazi Europe, and then plunges into speculations about mankind in the state of nature. Bleak and specific, but universal, fusing rage and grief, Lord of the Flies is both a novel of the 1950s, and for all time."

—Robert McCrum, The Guardian

In his book Moral Minds: How Nature Designed Our Universal Sense of Right and Wrong, Marc D. Hauser says the following about Golding's Lord of the Flies: "This riveting fiction, standard reading in most intro courses to English literature, should be standard reading in biology, economics, psychology, and philosophy."

Its stances on the already controversial subjects of human nature and individual welfare versus the common good earned it position 68 on the American Library Association's list of the 100 most frequently challenged books of 1990–1999. The book has been criticized as "cynical" and portraying humanity exclusively as "selfish creatures". It has been linked with "Tragedy of the commons" by Garrett Hardin and books by Ayn Rand, and countered by "Management of the Commons" by Elinor Ostrom. Parallels have been drawn between the "Lord of the Flies" and an actual incident from 1965 when a group of schoolboys who sailed a fishing boat from Tonga were hit by a storm and marooned on the uninhabited island of ʻAta, considered dead by their relatives in Nuku‘alofa. The group not only managed to survive for over 15 months but "had set up a small commune with food garden, hollowed-out tree trunks to store rainwater, a gymnasium with curious weights, a badminton court, chicken pens and a permanent fire, all from handiwork, an old knife blade and much determination". As a result, when ship captain Peter Warner found them, they were in good health and spirits. Dutch historian Rutger Bregman, writing about this situation said that Golding's portrayal was unrealistic.

• It was awarded a place on both lists of Modern Library 100 Best Novels, reaching number 41 on the editor's list, and 25 on the reader's list.
• In 2003, the novel was listed at number 70 on the BBC's survey The Big Read.
• In 2005, the novel was chosen by Time magazine as one of the 100 best English-language novels from 1923 to 2005. Time also included the novel in its list of the 100 Best Young-Adult Books of All Time.

Popular in schools, especially in the English-speaking world, a 2016 UK poll saw Lord of the Flies ranked third in the nation's favourite books from school, behind George Orwell’s Animal Farm and Charles Dickens’ Great Expectations.

On 5 November 2019, BBC News listed Lord of the Flies on its list of the 100 most influential novels.

In other media

Film

There have been three film adaptations based on the book:

• Lord of the Flies (1963), directed by Peter Brook
• Alkitrang Dugo (1975), a Filipino film, directed by Lupita A. Concio
• Lord of the Flies (1990), directed by Harry Hook

A fourth adaptation, to feature an all-female cast, was announced by Warner Bros. in August 2017, but was subsequently abandoned. In July 2019, director Luca Guadagnino was said to be in negotiations for a conventionally cast version. Ladyworld, an all-female adaptation, was released in 2018.

Stage

Nigel Williams adapted the text for the stage. It was debuted by the Royal Shakespeare Company in July 1996. The Pilot Theatre Company has toured it extensively in the United Kingdom and elsewhere.

In October 2014 it was announced that the 2011 production of Lord of the Flies would return to conclude the 2015 season at the Regent's Park Open Air Theatre ahead of a major UK tour. The production was to be directed by the Artistic Director Timothy Sheader who won the 2014 Whatsonstage.com Awards Best Play Revival for To Kill a Mockingbird.

Kansas-based Orange Mouse Theatricals and Mathew Klickstein produced a topical, gender-bending adaptation called Ladies of the Fly that was co-written by a group of young girls (ages 8–16) based on both the original text and their own lives. The production was performed by the girls themselves as an immersive live-action show in August 2018.

Radio

In June 2013, BBC Radio 4 Extra broadcast a dramatisation by Judith Adams in four 30-minute episodes directed by Sasha Yevtushenko. The cast included Ruth Wilson as "The Narrator", Finn Bennett as "Ralph", Richard Linnel as "Jack", Caspar Hilton-Hilley as "Piggy" and Jack Caine as "Simon".

1. Fire on the Mountain
2. Painted Faces
3. Beast from the Air
4. Gift for Darkness

Influence

Many writers have borrowed plot elements from Lord of the Flies. By the early 1960s, it was required reading in many schools and colleges.

Literature

Author Stephen King uses the name Castle Rock, from the mountain fort in Lord of the Flies, as a fictional town that has appeared in a number of his novels. The book itself appears prominently in his novels Hearts in Atlantis (1999), Misery (1987), and Cujo (1981).

King wrote an introduction for a new edition of Lord of the Flies (2011) to mark the centenary of William Golding's birth in 1911.

King's fictional town of Castle Rock inspired the name of Rob Reiner's production company, Castle Rock Entertainment, which produced the film Lord of the Flies (1990).

Music

Iron Maiden wrote a song inspired by the book, included in their 1995 album The X Factor.

The Filipino indie pop/alternative rock outfit The Camerawalls include a song entitled "Lord of the Flies" on their 2008 album Pocket Guide to the Otherworld.

Editions

Golding, William (1958) [1954]. Lord of the Flies (Print ed.). Boston: Faber & Faber.

A Connecticut Yankee in King Arthur's Court

From Wikipedia, the free encyclopedia

https://en.wikipedia.org/wiki/A_Connecticut_Yankee_in_King_Arthur%27s_Court 

A Connecticut Yankee in King Arthur's Court

1889 frontispiece by Daniel Carter Beard, restored
Author	Mark Twain
Country	United States
Language	English
Genre	alternate history, fantasy, humor, satire, science fiction (time travel)
Published	1889 (Charles L. Webster and Co.)
Text	A Connecticut Yankee in King Arthur's Court at Wikisource

A Connecticut Yankee in King Arthur's Court is an 1889 novel by American humorist and writer Mark Twain. The book was originally titled A Yankee in King Arthur's Court. Some early editions are titled A Yankee at the Court of King Arthur.

In the book, a Yankee engineer from Connecticut named Hank Morgan receives a severe blow to the head and is somehow transported in time and space to England during the reign of King Arthur. After some initial confusion and his capture by one of Arthur's knights, Hank realizes that he is actually in the past, and he uses his knowledge to make people believe that he is a powerful magician. He attempts to modernize the past in order to make people's lives better, but in the end he is unable to prevent the death of Arthur and an interdict against him by the Catholic Church of the time, which grows fearful of his power.

Twain wrote the book as a burlesque of Romantic notions of chivalry after being inspired by a dream in which he was a knight himself, severely inconvenienced by the weight and cumbersome nature of his armor. It is a satire of feudalism and monarchy that also celebrates homespun ingenuity and democratic values while questioning the ideals of capitalism and outcomes of the Industrial Revolution. It is among several works by Twain and his contemporaries that mark the transition from the Gilded Age to the Progressive Era of socioeconomic discourse. It is often cited as a formative example of the time travel genre.

Plot

The novel is a comedy set in 6th-century England and its medieval culture through Hank Morgan's view; he is a 19th-century resident of Hartford, Connecticut, who, after a blow to the head, awakens to find himself inexplicably transported back in time to early medieval England where he meets King Arthur himself. Hank, who had an image of that time that had been colored over the years by romantic myths, takes on the task of analyzing the problems and sharing his knowledge from 1300 years in the future to try to modernize, Americanize, and improve the lives of the people.

Many passages are quoted directly from Sir Thomas Malory's Le Morte d'Arthur, a late medieval collection of Arthurian legends that constitutes one of the main sources on the myth of King Arthur and Camelot. The frame narrator is a 19th-century man (ostensibly Mark Twain himself) who meets Hank Morgan in modern times and begins reading Hank's book in the museum in which they both meet. Later, characters in the story retell parts of it in Malory's original language. A chapter on medieval hermits also draws from the work of William Edward Hartpole Lecky.

Introduction to the "stranger"

"'Bridgeport?' said I, pointing. 'Camelot', said he."

The story begins as a first-person narrative in Warwick Castle, where a man details his recollection of a tale told to him by an "interested stranger" who is personified as a knight through his simple language and familiarity with ancient armor.

After a brief tale of Sir Lancelot of Camelot and his role in slaying two giants from the third-person narrative, taken directly from Le Morte d'Arthur, the man named Hank Morgan enters and, after being given whiskey by the narrator, he is persuaded to reveal more of his story. Described through first-person narrative as a man familiar with the firearms and machinery trade, Hank is a man who had reached the level of superintendent because of his proficiency in firearms manufacturing, with 2000 subordinates. He describes the beginning of his tale by illustrating details of a disagreement with his subordinates during which he sustained a head injury from a "crusher" to the head caused by a man named "Hercules" using a crowbar.

After passing out from the blow, Hank describes waking up underneath an oak tree in a rural area of Camelot, where he soon encounters the knight Sir Kay, riding by. Kay challenges him to a joust, which is quickly lost by the unweaponed, unarmored Hank as he scuttles up a tree. Kay captures Hank and leads him towards Camelot Castle. Upon recognizing that he has time-traveled to the 6th century, Hank realizes that he is the de facto smartest person on Earth, and with his knowledge he should soon be running things.

Hank is ridiculed at King Arthur's court for his strange appearance and dress and is sentenced by them, particularly the magician Merlin, to burn at the stake on 21 June. By a stroke of luck, the date of the burning coincides with a historical solar eclipse in 528 of which Hank had learned in his earlier life (however, NASA and other listings of solar eclipses show there in fact was no solar eclipse on that date). In prison, he sends the boy whom he christens Clarence (whose real name is Amyas le Poulet) to inform the king that he will blot out the sun if he is executed. Hank believes the current date to be 20 June; however, it is actually the 21st when he makes his threat, the day that the eclipse will occur at 12:03 p.m. When the King decides to burn him, the eclipse catches Hank by surprise. However, he quickly uses it to his advantage and convinces the people that he caused the eclipse. He makes a bargain with the king, is released, and becomes the second most powerful person in the kingdom. (Twain may have drawn inspiration for that part of the story from a historical incident in which Christopher Columbus exploited foreknowledge of a lunar eclipse.)

Hank is given the position of principal minister to the king and is treated by all with the utmost fear and awe. His celebrity brings him to be known by a new title, elected by the people, "The Boss". However, he proclaims that his only income will be taken as a percentage of any increase in the kingdom's gross national product, which he succeeds in creating for the state as Arthur's chief minister, which King Arthur sees as fair. Although the people fear him and he has his new title, Hank is still seen as somewhat of an equal. The people might grovel to him if he were a knight or some form of nobility, but Hank faces problems from time to time since he refuses to seek to join such ranks.

The Takeover

After being made "the Boss," Hank learns about medieval practices and superstitions. Having superior knowledge, he is able to outdo the alleged sorcerers and miracle-working church officials. At one point, soon after the eclipse, people began gathering, hoping to see Hank perform another miracle. Merlin, jealous of Hank having replaced him both as the king's principal adviser and as the most powerful sorcerer of the realm, begins spreading rumors that Hank is a fake and cannot supply another miracle. Hank secretly manufactures gunpowder and a lightning rod, plants explosive charges in Merlin's tower, and places the lightning rod at the top and runs a wire to the explosive charges. He then announces (when storms are frequent) that he will soon call down fire from heaven and destroy Merlin's tower and challenges Merlin to use his sorcery to prevent it. Of course, Merlin's "incantations" fail utterly to prevent lightning striking the rod, triggering the explosive charges, and leveling the tower, further diminishing Merlin's reputation.

Hank Morgan, in his position as King's Minister, uses his authority and his modern knowledge to industrialize the country behind the back of the rest of the ruling class. His assistant is Clarence, a young boy he meets at court, whom he educates and gradually lets in on most of his secrets, and eventually comes to rely on heavily. Hank sets up secret schools, which teach modern ideas and modern English, thereby removing the new generation from medieval concepts and secretly constructs hidden factories, which produce modern tools and weapons. He carefully selects the individuals he allows to enter his factories and schools, seeking to select only the most promising and least indoctrinated in medieval ideas, favoring selection of the young and malleable whenever possible.

As Hank gradually adjusts to his new situation, he begins to attend medieval tournaments. A misunderstanding causes Sir Sagramore to challenge Hank to a duel to the death. The combat will take place when Sagramore returns from his quest for the Holy Grail. Hank accepts and spends the next few years building up 19th-century infrastructure behind the nobility's back. He then undertakes an adventure with a wandering girl named the Demoiselle Alisande a la Carteloise, nicknamed "Sandy" by Hank in short order, to save her royal "mistresses" being held captive by ogres. On the way, Hank struggles with the inconveniences of plate armor (actually an anachronism, which would not be developed until the High Middle Ages or see widespread use until the Late Middle Ages) and encounters Morgan le Fay. The "princesses", "ogres", and "castles" are all revealed to be actually pigs owned by peasant swineherds, but to Sandy, they still appear as royalty. Hank buys the pigs from the peasants, and the two leave.

On the way back to Camelot, they find a travelling group of pilgrims headed for the Valley of Holiness. Another group of pilgrims, however, comes from that direction and bears the news that the valley's famous fountain has run dry. According to legend, long ago the fountain had gone dry as soon as the monks of the valley's monastery built a bath with it. The bath was destroyed and the water instantly returned, but this time it has stopped with no clear cause. Hank is begged to restore the fountain although Merlin is already trying to do so. When Merlin fails, he claims that the fountain has been corrupted by a demon and that it will never flow again. Hank, to look good, agrees that a demon has corrupted the fountain but also claims to be able to banish it; in reality, the "fountain" is simply leaking.

He procures assistants from Camelot trained by himself, who bring along a pump and fireworks for special effects. They repair the fountain and Hank begins the "banishment" of the demon. At the end of several long pseudo-Germanic "magical" phrases cued to his firework displays, he spouts a nonsense noise, "BGWJJILLIGKKK", but Merlin agrees with Hank that it is the name of the demon. The fountain restored, Hank goes on to debunk another magician who claims to be able to tell what any person in the world is doing, including King Arthur. However, Hank knows via telephone that the King is riding out to see the restored fountain and not "resting from the chase" as the "false prophet" had foretold to the people. Hank correctly states that the King will arrive in the valley.

Hank has an idea to travel among the poor disguised as a peasant to find out how they truly live. King Arthur joins him but has extreme difficulty in acting like a peasant convincingly. Although Arthur is somewhat disillusioned about the national standard of life after hearing the story of a mother infected with smallpox, he still ends up getting Hank and himself hunted down by the members of a village after making several extremely erroneous remarks about agriculture. Although they are saved by a nobleman's entourage, the same nobleman later arrests them and sells them into slavery.

Hank steals a piece of metal in London and uses it to create a makeshift lockpick. His plan is to free himself and the king, beat up their slave driver, and return to Camelot. However, before he can free the king, a man enters their quarters in the dark. Mistaking him for the slave driver, Hank rushes after him alone and starts a fight with him. They are both arrested. Hank lies his way out, but in his absence, the real slave driver has discovered Hank's escape. Since Hank was the most valuable slave, he was due to be sold the next day. The man becomes enraged and begins beating his other slaves, who fight back and kill him. All the slaves, including the king, will be hanged as soon as the missing one, Hank, is found. Hank is captured, but he and Arthur are rescued by a party of knights led by Lancelot, riding bicycles. Then, the king becomes extremely bitter against slavery and vows to abolish it when they get free, much to Hank's delight.

Sagramore returns from his quest and fights Hank, who defeats him and seven others, including Galahad and Lancelot, using a lasso. When Merlin steals Hank's lasso, Sagramore returns to challenge him again. This time, Hank kills him with a revolver. He proceeds to challenge the knights of Britain to attack him en masse, which they do. After he kills nine more knights with his revolvers, the rest break and flee. The next day, Hank reveals his 19th-century infrastructure to the country. With that fact, he was called a wizard since he told Clarence to do so as well.

Interdict

Three years later, Hank has married Sandy, and they have a baby. While asleep and dreaming, Hank says, "Hello-Central", a reference to calling a 19th-century telephone operator, and Sandy believes that the mystic phrase to be the name of a former girlfriend or lover and thus to please him names their child accordingly. However, the baby falls critically ill, and Hank's doctors advise him to take his family overseas while the baby recovers. In reality, it is a ploy by the Catholic Church to get Hank out of the country to leave it without effective leadership. During the weeks that Hank is absent, Arthur discovers Guinevere's infidelity with Lancelot. That causes a war between Lancelot and Arthur, who is eventually killed by Sir Mordred.

The church then places the land under interdict, causing all people to break away from Hank and revolt. Hank sees that something is wrong by the lack of trade in the English Channel, and returns to Britain to meet with his good friend Clarence who informs him of the war thus far. As time goes on, Clarence gathers 52 young cadets, aged from 14 to 17, who are to fight against all of Britain. Hank's band fortifies itself in Merlin's Cave with a minefield, electric wire and Gatling guns. The Catholic Church sends an army of 30,000 knights to attack them, but they are slaughtered by the cadets wielding Hank's modern weaponry.

However, Hank's men are now trapped in the cave by a wall of dead bodies and sickened by the miasma bred by thousands of corpses. Hank attempts to go offer aid to any wounded, but is stabbed by the first wounded man he tries to help, Sir Meliagraunce. He is not seriously injured but is bedridden. Disease begins to set in. One night, Clarence finds Merlin weaving a spell over Hank, proclaiming that he will sleep for 1,300 years. Merlin begins laughing deliriously but ends up electrocuting himself on one of the electric wires. Clarence and the others all apparently die from disease in the cave.

More than a millennium later, the narrator finishes the manuscript and finds Hank on his deathbed and dreaming about Sandy. He attempts to make one last "effect" but dies before he can finish it.

Publication history and response

First English edition, 1889

Twain first conceived of the idea behind A Connecticut Yankee in King Arthur's Court in December 1884 and worked on it between 1885 and 1889. The principal part of the writing was done at Twain's summer home at Elmira, New York and was completed at Hartford, Connecticut. It was first published in England by Chatto & Windus under the title A Yankee at the Court of King Arthur in December 1889. Writer and critic William Dean Howells called it Twain's best work and "an object-lesson in democracy". The work was met with some indignation in Great Britain as it was perceived as "a direct attack on [its] the hereditary and aristocratic institutions".

Analysis

The book pokes fun at contemporary society, but the main thrust is a satire of romanticized ideas of chivalry, and of the idealization of the Middle Ages common in the novels of Sir Walter Scott and other 19th-century literature. Twain had a particular dislike for Scott, blaming his kind of romanticizing of battle for the southern states' deciding to fight the American Civil War. He writes in Life on the Mississippi:

It was Sir Walter that made every gentleman in the South a Major or a Colonel, or a General or a Judge, before the war; and it was he, also, that made these gentlemen value these bogus decorations. For it was he that created rank and caste down there, and also reverence for rank and caste, and pride and pleasure in them. [...] Sir Walter had so large a hand in making Southern character, as it existed before the war, that he is in great measure responsible for the war.

— Mark Twain, Life on the Mississippi.

For example, the book portrays the medieval people as being very gullible, as when Merlin makes a "veil of invisibility" which, according to him, will make the wearer imperceptible to his enemies, though friends can still see him. The knight Sir Sagramor wears it to fight Hank, who pretends that he cannot see Sagramor for effect to the audience.

Hank Morgan's opinions are also strongly denounciatory towards the Catholic Church of the medieval period; the Church is seen by the Yankee as an oppressive institution that stifles science and teaches peasants meekness only as a means of preventing the overthrow of Church rule and taxation. The book also contains many depictions and condemnations of the dangers of superstition and the horrors of medieval slavery.

The book provides evidence of Twain's growing interest in Georgist economics and social theory. This is particularly evident in the interpretative illustrations by Georgist activist Daniel Carter Beard. Twain approved and considered them an essential part of the work.

George Orwell strongly disapproved of the book: "[Twain] squandered his time on boffooneries [such as] A Connecticut Yankee in King Arthur's Court, which is a deliberate flattery of all that is worst and most vulgar in American Life" (i.e. the various American inventions and institutions Hank Morgan introduces into sixth-century Britain and whose excellence and superiority are taken for granted).

It is possible to see the book as an important transitional work for Twain, in that earlier, sunnier passages recall the frontier humor of his tall tales such as The Celebrated Jumping Frog of Calaveras County, while the corrosive view of human behavior in the apocalyptic latter chapters is more akin to darker, later Twain works such as The Mysterious Stranger and Letters from the Earth.

George Hardy notes, "The final scenes of 'Connecticut Yankee' depict massed cavalry attempting to storm a position defended by wire and machine guns—and getting massacred, none reaching their objective. Deduct the fantasy anachronism of the assailants being Medieval knights, and you get a chillingly accurate prediction of a typical First World War battle.... The modern soldiers of 1914 with their bayonets had no more chance to win such a fight than Twain's knights".

One frequently overlooked aspect of the book is the emotional intensity felt by Hank towards his family: wife Sandy and baby Hello-Central. Twain's own son, Langdon, died of diphtheria at the age of 19 months, which was likely reflected in Hello-Central's membranous croup. Twain also outlived two of his three daughters, but they both died after the completion of "Yankee." The last chapters of the book are full of Hank's pronouncements of love, culminating in his final delirium, where "an abyss of thirteen centuries yawning between me and you!" is worse than death.

As science fiction

While Connecticut Yankee is sometimes credited as the foundational work in the time travel subgenre of science fiction, Twain's novel had several important immediate predecessors. Among them are H.G. Wells's story "The Chronic Argonauts" (1888), which was a precursor to The Time Machine (1895). Also published the year before Connecticut Yankee was Edward Bellamy's wildly popular Looking Backward (1888), in which the protagonist is put into a hypnosis-induced sleep and wakes up in the year 2000. Yet another American novel that could have served as a more direct inspiration to Twain was The Fortunate Island (1882) by Charles Heber Clark. In this novel, a technically proficient American is shipwrecked on an island that broke off from Britain during Arthurian times, and never developed any further.

Twain's book introduced what remains one of the main literary devices used in Time Travel literature - a modern person is suddenly hurled into the past, by some force completely beyond the traveler's control, is stuck there irrevocably, and must make the best of it - typically, by trying to introduce modern inventions and institutions into the past society. Several works considered classics of science fiction clearly follow on this pattern set by Twain, such as L. Sprague de Camp's Lest Darkness Fall and Poul Anderson's The Man Who Came Early. This strand of Time Travel literature is clearly distinct from that following the basic pattern of the Wells works, where the protagonist is in possession of a time machine and is able to travel at will back and forth in time.

Adaptations and references

Since the beginning of the 20th century, this famous story has been adapted many times for the stage, feature-length motion pictures, and animated cartoons. The earliest film version was Fox's 1921 silent version. In 1927, the novel was adapted into the musical A Connecticut Yankee by Richard Rodgers and Lorenz Hart. A 1931 film, also called A Connecticut Yankee, starred Will Rogers. The story was adapted as an hour-long radio play on the October 5, 1947, broadcast of the Ford Theatre, starring Karl Swenson. A 1949 musical film featured Bing Crosby and Rhonda Fleming, with music by Jimmy Van Heusen and Victor Young. In 1960, Tennessee Ernie Ford starred in a television adaptation. In 1970, the book was adapted into a 74-minute animated TV special directed by Zoran Janjic with Orson Bean as the voice of the title character. In 1978 an episode of Once Upon a Classic, "A Connecticut Yankee in King Arthur's Court", was an adaptation, which starred Paul Rudd and Tovah Feldshuh, with Richard Basehart as Arthur and Roscoe Lee Browne as Merlin. This episode was released as though a feature on VHS and laserdisc by MasterVision in 1987 with the cover title, Mark Twain's A Connecticut Yankee..., and later as a double feature DVD with The Amazing Mr. Blunden. The DVD version, released by budget label East West DVD at a suggested retail price of $1, lacks the series intro and Bill Bixby's introduction. Also in 1978 was the Disney film Unidentified Flying Oddball, also known as A Spaceman in King Arthur's Court. The TV series The Transformers had a second-season episode, "A Decepticon Raider in King Arthur's Court", that had a group of Autobots and Decepticons sent back to the Middle Ages. In 1988, the Soviet variation called New Adventures of a Yankee in King Arthur's Court appeared. More recently it was adapted into a 1989 television film by Paul Zindel which starred Keshia Knight Pulliam and René Auberjonois. In 1987, Disney even paid homage to the story in a first-season episode of DuckTales("Sir Gyro de Gearloose"), in which Gyro builds a time machine and flees the modern age for the time of King Arthur, taking Huey, Dewey and Louie along for the adventure.

It has also inspired many variations and parodies, such as the 1979 Bugs Bunny special A Connecticut Rabbit in King Arthur's Court. A Knight for a Day is a 1946 Disney short film starring Goofy that is loosely inspired by the novel. In 1995, Walt Disney Studios adapted the book into the feature film A Kid in King Arthur's Court. Army of Darkness drew many inspirations from the novel. A 1992 cartoon series, King Arthur & the Knights of Justice, could also be seen as deriving inspiration from the novel. Terry Pratchett's 1995 short story "Once and Future" tells a similar story of a time-traveller, Mervin, stranded in a pre-Arthurian "Avalon", who refers to himself as being like "the Connecticut Yankee". In 1998 Disney made another adaption with Whoopi Goldberg in A Knight in Camelot. The 2001 film Black Knight similarly transports a modern-day American to Medieval England while adding racial element to the time-traveler plotline.

In the Carl Sagan novel Contact, the protagonist, Eleanor Arroway, is reading A Connecticut Yankee in King Arthur's Court, specifically the scene where Hank first approaches Camelot, when she finds out about her father's death. The quotation "'Bridgeport?' Said I. 'Camelot,' Said he" is also used later in the book, and the story is used as a metaphor for contact between civilizations at very different levels of technological and ethical advancement.

Yankee has also greatly influenced the premier Soviet sci-fi writers, Strugatsky Brothers, and their two seminal books. In humorous Monday Begins on Saturday Merlin's character is taken entirely from the Mark Twain's book, and he often references it. Hard to Be a God is essentially a remake of Yankee, concentrating on the moral and ethical questions of "civilizing the uncivilized." Its ending is almost identical to Yankee: both main protagonists crumble under the weight of dead bodies of those they tried to civilize.

The fifth season of TV series Once Upon a Time features Hank Morgan. He is introduced in the episode "Dreamcatcher" as Sir Morgan, a widower with a teenaged daughter, Violet, living in a Camelot that exists in a magical reality. Violet becomes a love interest for main character Henry Mills. Morgan does not appear on screen again, but is mentioned in later episodes. He and Violet, along with other Camelot residents, are transported to Storybrooke in the "real" world. When most of Arthur's court returns to Camelot, Violet informs Henry that she and her father will stay in Storybrooke, as her father is originally from Connecticut in the same world. A tie-in novel, Henry and Violet, confirms other details consistent with Twain's novel, such as Hank leaving Connecticut in the year 1889.

In the Chronicles of the Imaginarium Geographica series by James A. Owen, Hank appears in several books as a time-travelling "Messenger" recruited by Mark Twain. Hank is able to travel through time and space at will using an enchanted pocketwatch, which eventually suffers a malfunction that strands him in the time stream. (Sandy and Hello-Central are not mentioned in the series.)

The television series MacGyver includes a two-part adaptation ("Good Knight MacGyver", season 7, episodes 7 & 8, 1991) in which a modern-day engineer is transported to Arthur's court, where he uses his "magic" (science) to assist Merlin and save the king from a deadly plot. After over six seasons on the air, the second part is the only episode to ever reveal MacGyver's first name.

The Adventures of Tom Sawyer

From Wikipedia, the free encyclopedia

https://en.wikipedia.org/wiki/The_Adventures_of_Tom_Sawyer 

The Adventures of Tom Sawyer

Front piece of The Adventures of Tom Sawyer, 1876 1st edition.
Author	Mark Twain
Country	United States of America
Language	English
Genre	Bildungsroman, picaresque novel, satire, folk, children's literature
Publisher	American Publishing Company
Publication date	1876
OCLC	47052486
Dewey Decimal	813.4
LC Class	PZ7.T88 Ad 2001
Followed by	Adventures of Huckleberry Finn
Text	The Adventures of Tom Sawyer at Wikisource

The Adventures of Tom Sawyer is an 1876 novel by Mark Twain about a boy growing up along the Mississippi River. It is set in the 1840s in the town of St. Petersburg, which is based on Hannibal, Missouri, where Twain lived as a boy. In the novel, Tom Sawyer has several adventures, often with his friend Huckleberry Finn. Originally a commercial failure, the book ended up being the best selling of any of Twain's works during his lifetime.

Though overshadowed by its sequel, Adventures of Huckleberry Finn, the book is considered by many to be a masterpiece of American literature. It was one of the first novels to be written on a typewriter.

Plot

Tom Sawyer, US commemorative stamp of 1972 showing the whitewashed fence.

 

Tom and Becky lost in the caves. Illustration from the 1876 edition by artist True Williams.

Tom Sawyer, an orphan, lives with his Aunt Polly and his half-brother Sid in the fictional town of St. Petersburg, Missouri, sometime in the 1840s. A fun-loving boy, Tom skips school to go swimming and is made to whitewash his aunt's fence for the entirety of the next day, Saturday, as punishment.

In one of the most famous scenes in American literature, Tom cleverly persuades the various neighborhood children to trade him small trinkets and treasures for the "privilege" of doing his tedious work, using reverse psychology to convince them it is an enjoyable activity. Later, Tom trades the trinkets with other students for various denominations of tickets, obtained at the local Sunday school for memorizing verses of Scripture. Tom then exchanges the tickets with the minister for a prized Bible, despite being one of the worst students in the Sunday school and knowing almost nothing of Scripture, eliciting envy from the students and a mixture of pride and shock from the adults.

Tom falls in love with Becky Thatcher, a new girl in town and the daughter of a prominent judge. Tom wins the admiration of the judge in the church by obtaining the Bible as a prize but reveals his ignorance when he is unable to answer basic questions about Scripture. Tom pursues Becky, eventually persuading her to get engaged by kissing him. Their romance soon collapses when she discovers that Tom was engaged to another schoolgirl, Amy Lawrence and that Becky was not his first girlfriend.

Shortly after Becky shuns him, Tom accompanies Huckleberry Finn, a vagrant boy whom all the other boys admire, to a graveyard at midnight to perform a superstitious ritual designed to heal warts. At the graveyard, they witness a trio of body snatchers, Dr Robinson, Muff Potter and Injun Joe, robbing a grave. Muff Potter is drunk and eventually blacks out, while Injun Joe gets into a fight with Dr Robinson and murders him. Injun Joe then appears to frame Muff Potter for the murder. Tom and Huckleberry Finn swear a blood oath not to tell anyone about the murder, fearing Injun Joe would somehow discover it was them and murder them in turn. Muff Potter is eventually jailed, assuming he committed the killing in an act of drunkenness and accepting of his guilt and fate.

Tom grows bored by school, and along with his friends Joe Harper and Huckleberry Finn, they run away to Jackson's Island in the Mississippi River to begin life as "pirates". While enjoying their freedom, they become aware that the community is scouring the river for their bodies, as the boys are missing and presumed dead. Tom sneaks back home one night to observe the commotion and after a brief moment of remorse at his loved ones' suffering, he is struck by the grand idea of appearing at his funeral. The trio later carries out this scheme, making a sensational and sudden appearance at church in the middle of their joint funeral service, winning the immense respect of their classmates for the stunt. Back in school, Becky has ripped the school master's anatomy book after Tom startles her, however, he regains her admiration by nobly accepting the blame and punishment for tearing the book.

In court, Injun Joe pins the murder on Muff Potter, although Tom and Huckleberry Finn know he is innocent. Before Potter's trial, Tom decides to defy his blood oath with Huck and testifies against Injun Joe, who quickly escapes through a window before he can be apprehended. Henceforth, the boys live in constant fear of Joe's revenge for incriminating him.

Summer arrives and Tom and Huck decide to hunt for buried treasure in a haunted house. After venturing upstairs, they hear a noise below and peering through holes in the floor, they see the deaf-mute Spaniard who had shown up in the village some weeks before revealing himself to be Injun Joe. Speaking freely, Injun Joe and a companion plan to bury some stolen treasure of their own in the house. From their hiding spot, Tom and Huck wriggle with delight at the prospect of digging it up. By chance, the villains discover an even greater gold hoard buried in the hearth and carry it off to a better hiding place. The boys are determined to find it and one night, Huck spots them and follows them; he overhears Injun Joe's plans to break into the house of the wealthy Widow Douglas and mutilate her face in revenge for her late husband, a justice of the peace, having once ordered him to be publicly whipped for vagrancy. Running to fetch help, Huck prevents the crime and requests his name not be made public, for fear of Injun Joe's retaliation, thus becoming an anonymous hero.

Just before Huck stops the crime, Tom goes on a picnic to McDougal's Cave with Becky and their classmates. Tom and Becky get lost and end up wandering in the cave for several days, facing starvation and dehydration. Becky becomes extremely dehydrated and weak and Tom's search for a way out grows more desperate. He encounters Injun Joe in the caves one day but is not seen by his nemesis. Eventually, Tom finds a way out and they are joyfully welcomed back by their community. Judge Thatcher, Becky's father, has McDougal's Cave sealed with an iron door. When Tom hears of the sealing two weeks later, he is horror-stricken, knowing that Injun Joe is still inside. He directs a posse to the cave, where they find Injun Joe's corpse just inside the sealed entrance, starved to death after having desperately consumed raw bats and candle stubs as a last resort. The place of his death and the in situ cups he used to collect water from a dripping stalactite become a local tourist attraction.

A week later, having deduced from Injun Joe's presence at McDougal's Cave that the villain must have hidden the stolen gold inside, Tom takes Huck to the cave and they find the box of gold, the proceeds of which are invested for them. The Widow Douglas adopts Huck but he finds the restrictions of a civilized home life painful, attempting to escape back to his vagrant life. Tom convinces Huck to go back to the widow, so he can later be a robber with Tom, because you need to be high society to be in a robber gang. Reluctantly, Huck agrees and goes back to the widow.

Significance

The novel has elements of humor, satire and social criticism – features that later made Mark Twain one of the most important authors of American literature. Mark Twain describes some autobiographical events in the book. The novel is set around Twain's actual boyhood home of Hannibal, near St. Louis, and many of the places in it are real and today support a tourist industry as a result.

The concept of boyhood is developed through Tom's actions, including his runaway adventure with Joe and Huckleberry. To help show how mischievous and messy boyhood was, The Miriam and Ira D. Wallach Division of Art, Prints and Photographs shows a picture of a young boy smoking a pipe, sawing furniture, climbing all over the place, and sleeping. In Twain's novel, Tom and his friend are young when they decide they want to learn how to smoke a pipe. Tom and Joe do this to show just how cool they are to the other boys. 

Inception

Tom Sawyer is Twain's first attempt to write a novel on his own. He had previously written contemporary autobiographical narratives (The Innocents Abroad or The New Pilgrims' Progress, Roughing It) and two short texts called sketches which parody the youth literature of the time. These are The Story of the Good Boy and The Story of the Wicked Little Boy which are satirical texts of a few pages. In the first, a model child is never rewarded and ends up dying before he can declaim his last words which he has carefully prepared. In the second story, an evil little boy steals and lies, like Tom Sawyer, but finishes rich and successful. Tom appears as a mixture of these little boys since he is at the same time a scamp and a boy endowed with a certain generosity.

By the time he wrote Tom Sawyer, Twain was already a successful author based on the popularity of The Innocents Abroad. He owned a large house in Hartford, Connecticut but needed another success to support himself, with a wife and two daughters. He had collaborated on a novel with Charles Dudley Warner, The Gilded Age published in 1874.

He had earlier written an unpublished memoir of his own life on the Mississippi and had corresponded with a boyhood friend, Will Bowen, both of which had evoked many memories and were used as source material.

Twain named his fictional character after a San Francisco fireman whom he met in June 1863. The real Tom Sawyer was a local hero, famous for rescuing 90 passengers after a shipwreck. The two remained friendly during Twain's three-year stay in San Francisco, often drinking and gambling together.

Publication

Frontispiece and title page of the first American edition

In November 1875 Twain gave the manuscript to Elisha Bliss of the American Publishing Company, who sent it to True Williams for the illustrations. A little later, Twain had the text also quickly published at Chatto and Windus of London, in June 1876, but without illustration. Pirate editions appeared very quickly in Canada and Germany. The American Publishing Company finally published its edition in December 1876, which was the first illustrated edition of Tom Sawyer.

These two editions differ slightly. After completing his manuscript, Twain had a copy made of it. It is this copy which was read and annotated by his friend William Dean Howells. Howells and Twain corresponded through fairly informal, handwritten letters discussing many aspects of his works and manuscripts; language choices, character development, as well as racial development and depiction. Twain then made his own corrections based on Howells' comments which he later incorporated in the original manuscript, but some corrections escaped him. The English edition was based on this corrected copy, while the illustrated American edition was based on the original manuscript. To further complicate matters, Twain was personally concerned with the revision of the proofs of the American edition, which he did not do for the English edition. The American edition is therefore considered the authoritative edition.

Critical analysis

A third person narrator describes the experiences of the boys, interspersed with occasional social commentary. In its sequel, Adventures of Huckleberry Finn, Mark Twain changes to a first person narrative which takes moral conflicts more personally and thus makes greater social criticism possible. The two other subsequent books, Tom Sawyer Abroad and Tom Sawyer, Detective, are similarly in the first person narrative from the perspective of Huckleberry Finn.

The book has raised controversy for its use of the racial epithet "nigger"; a bowdlerized version aroused indignation among some literary critics.

The book has been criticized for its caricature-like portrayal of Native Americans through the character Injun Joe. He is depicted as malevolent for the sake of malevolence, is not allowed to redeem himself in any way by Twain, dies a pitiful and despairing death in a cave and upon his death is treated as a tourist attraction. Revard suggests that the adults in the novel blame the character's Indian blood as the cause of his evil.

Sequels and other works featuring Tom Sawyer

• Adventures of Huckleberry Finn (1884)
• Tom Sawyer Abroad (1894)
• Tom Sawyer, Detective (1896)

Tom Sawyer, the story's title character, also appears in two other uncompleted sequels: Huck and Tom Among the Indians and Tom Sawyer's Conspiracy. He is also a character in Twain's unfinished Schoolhouse Hill.

Adaptations and influences

Film and television

• Tom Sawyer (1917), directed by William Desmond Taylor, starring Jack Pickford as Tom
• Tom Sawyer (1930), directed by John Cromwell, starring Jackie Coogan as Tom
• Tom Sawyer (1936), Soviet Union version directed by Lazar Frenkel and Gleb Zatvornitsky
• The Adventures of Tom Sawyer (1938), Technicolor film by the Selznick Studio, starring Tommy Kelly as Tom and directed by Norman Taurog; notable is the cave sequence designed by William Cameron Menzies
• Tom Sawyer (1956), a musical episode of the U.S. Steel Hour, written by Frank Luther and starring John Sharpe as Tom and Jimmy Boyd as Huck.
• The Adventures of Tom Sawyer (1960), BBC television series in 7 episodes starring Fred Smith as Tom and Janina Faye as Becky. The series' theme song was "John Gilbert is the Boat", sung by Peggy Seeger
• Les aventures de Tom Sawyer (1968), Romanian/French/West German television miniseries directed by Wolfgang Liebeneiner, starring Roland Demongeot as Tom and Marc Di Napoli as Huck
• Aventurile lui Tom Sawyer (1968), Romanian movie directed by Mircea Albulescu.
• The New Adventures of Huckleberry Finn (1968), a half-hour live-action/animated series produced by Hanna-Barbera Productions
• Las Aventuras de Juliancito (1969), Mexican film
• Tom Sawyer (1973), musical adaptation by Robert B. Sherman and Richard M. Sherman, with Johnny Whitaker in the title role, Jeff East as Huck Finn, Jodie Foster as Becky Thatcher, and Celeste Holm as Aunt Polly.
• Mark Twain's Tom Sawyer (1973), TV movie version sponsored by Dr Pepper, starring Buddy Ebsen as Muff Potter and filmed in Upper Canada Village
• Páni kluci (1976), Czech movie directed by Věra Plívová-Šimková
• Huckleberry Finn and His Friends (1979), TV series
• The Adventures of Tom Sawyer (1980), Japanese anime television series by Nippon Animation, part of the World Masterpiece Theater, aired in the United States on HBO
• The Adventures of Tom Sawyer and Huckleberry Finn [ru] (Приключения Тома Сойера и Гекльберри Финна), 1981 Soviet Union 3 episodes version directed by Stanislav Govorukhin
• Rascals and Robbers: The Secret Adventures of Tom Sawyer and Huckleberry Finn (1982), a made-for-TV movie, starring Patrick Creadon as Tom and Anthony Michael Hall as Huck.
• Sawyer and Finn (1983), American television series pilot in which Tom Sawyer (Peter Horton) and Huck Finn (Michael Dudikoff) reunite by chance 10 years after the original story and seek new adventures in the Old West.
• Tom Sawyer (1984), Canadian claymation version produced by Hal Roach studios
• Tom and Huck (1995), starring Jonathan Taylor Thomas as Tom and Brad Renfro as Huck Finn.
• The Animated Adventures of Tom Sawyer (1998), Canadian version, written by Bob Merrill and directed by William R. Kowalchuk Jr. Uses the voices of Ryan Slater, Christopher Lloyd and Kirsten Dunst.
• Tom Sawyer (2000), animated adaptation featuring the characters as anthropomorphic animals instead of humans with an all-star voice cast, including country singers Rhett Akins, Mark Wills, Lee Ann Womack, Waylon Jennings, and Hank Williams Jr. as well as Betty White.
• Thomas Sawyer, as a young adult, is a character in the movie League of Extraordinary Gentlemen, portrayed by Shane West. Here, Tom is a U.S. Secret Service agent who joins the team's fight against Professor Moriarty.
• Tom Sawyer [de] (2011), German version, directed by Hermine Huntgeburth.
• Tom Sawyer & Huckleberry Finn (2014), starring Joel Courtney as Tom and Jake T. Austin as Huck.
• Band of Robbers, a 2015 American crime comedy film written and directed by the Nee Brothers.

Theatrical

• In 1956, We're From Missouri, a musical adaptation of The Adventures of Tom Sawyer, with book, music, and lyrics by Tom Boyd, was presented by the students at the Guildhall School of Music and Drama.
• In 1960, Tom Boyd's musical version (re-titled Tom Sawyer) was presented professionally at Theatre Royal Stratford East in London, England, and in 1961 toured provincial theatres in England.
• In 1981, the play The Boys in Autumn by the American dramatist Bernhard Sabath premiered in San Francisco. In the play, Tom Sawyer and Huck Finn meet again as old men. Despite good reviews, the play has remained largely unknown.
• In the 1985 musical Big River by William Hauptman and Roger Miller, Tom is a secondary character, played by John Short from 1985 to 1987.
• In 2001, the musical The Adventures of Tom Sawyer, by Ken Ludwig and Don Schlitz, debuted on Broadway.
• In 2015, the Mark Twain House and Museum selected 17-year-old Noah Altshuler (writer of Making the Move), as Mark Twain Playwright in Residence, to create a modern, meta-fictional adaptation of The Adventures of Tom Sawyer for regional and commercial production.

Ballet

Tom Sawyer: A Ballet in Three Acts premiered on October 14, 2011, at the Kauffman Center for the Performing Arts in Kansas City, Missouri. The score was by composer Maury Yeston, with choreography by William Whitener, artistic director of the Kansas City Ballet. A review in The New York Times observed: "It’s quite likely that this is the first all-new, entirely American three-act ballet: it is based on an American literary classic, has an original score by an American composer and was given its premiere by an American choreographer and company. ... Both the score and the choreography are energetic, robust, warm, deliberately naïve (both ornery and innocent), in ways right for Twain."

Comic books

The Adventures of Tom Sawyer has been adapted into comic book form many times:

• Tom Sawyer and Huck Finn (Stoll & Edwards Co., 1925) – collection of the comic strip of the same name by Clare Victor Dwiggins, syndicated by the McClure Syndicate beginning in 1918
• Classics Illustrated #50: "The Adventures of Tom Sawyer" (Gilberton, August 1948) – adapted by Harry G. Miller and Aldo Rubano; reprinted extensively
• Dell Junior Treasury #10: "The Adventures of Tom Sawyer" (Dell Comics, October 1957) – adapted by Frank Thorne
• Joyas Literarias Juveniles #60: "Tom Sawyer detective" (Editorial Bruguera, 1972) – adapted by Miguel Cussó and Edmond Fernández Ripoll
• Tom Sawyer (Pendulum Illustrated Classics, Pendulum Press, 1973) – adapted by Irwin Shapiro and E. R. Cruz; reprinted in Marvel Classics Comics #7 (1976) and a number of other places
• Joyas Literarias Juveniles #182: "Las aventuras de Tom Sawyer" (Editorial Bruguera, 1977) – adapted by Juan Manuel González Cremona and Xirinius [as Jaime Juez]
• Classics Illustrated #9: The Adventures of Tom Sawyer (First Comics, May 1990) – adapted by Mike Ploog; reprinted in Classics Illustrated #19 (NBM, 2014)
• Tom Sawyer (An All-Action Classic #2) (Sterling Publishing, 2008) – adapted by Rad Sechrist
• Classics Illustrated Deluxe #4: The Adventures of Tom Sawyer (Papercutz, 2009) – adapted by Jean-David Morvan, Frederique Voulyze, and Severine Le Fevebvre
• The Adventures of Tom Sawyer (Capstone Publishers, 2007) – adapted by Daniel Strickland
• Manga Classics: The Adventures of Tom Sawyer (UDON Entertainment Manga Classics, April 2018) – adapted by Crystal Silvermoon and Kuma Chan

Video games

• The Adventures of Tom Sawyer, an action-platformer for the Nintendo Entertainment System. It was released by SeTa in February 1989 in Japan and August that same year in North America.
• Square's Tom Sawyer, a role-playing video game produced by Square. It was released in March 1989 for Japan on the Famicom.

Internet

On November 30, 2011, to celebrate Twain's 176th birthday, the Google Doodle was a scene from The Adventures of Tom Sawyer.

Theme Park attractions

An opening day attraction at Six Flags Over Mid America (Now Six Flags St Louis) was Injun Joe's Cave which told the story of Tom Sawyer and Becky Thatcher as they escaped from Injun Joe after his murdering of Dr. Robinson. They attraction was open until 1978 when it was replaced with "The Time Tunnel". To this day, the building that housed this former attraction is home to "Justice League Battle for Metropolis.