Tantra (/ˈtʌntrə,
Starting in the early centuries of common era, newly revealed Tantras centering on Vishnu, Shiva or Shakti emerged. In Buddhism, the Vajrayana tradition is known for its extensive tantra ideas and practices. Tantric Hindu and Buddhist traditions have influenced other Eastern religious traditions such as Jainism, the Tibetan Bön tradition, Daoism and the Japanese Shintō tradition.
Certain modes of non-vedic worship such as Puja are considered tantric in their conception and rituals. Hindu temple building also generally conforms to the iconography of tantra. The Hindu texts that describe these topics are called Tantras, Āgamas or Samhitās. In Buddhism, its tantra-genre literature has influenced the artworks in Tibet, historic cave temples of India and imagery in Southeast Asia.
Etymology
Tantra (Sanskrit: तन्त्र) literally means "loom, warp, weave".
The connotation of the word tantra to mean an esoteric practice or religious ritualism is a colonial era European invention. The term is based on the metaphor of weaving, states Ron Barrett, where the Sanskrit root tan means the warping of threads on a loom. It implies "interweaving of traditions and teachings as threads" into a text, technique or practice.
The word appears in the hymns of the Rigveda such as in 10.71, with the meaning of "warp (weaving)". It is found in many other Vedic era texts, such as in section 10.7.42 of the Atharvaveda and many Brahmanas. In these and post-Vedic texts, the contextual meaning of Tantra is that which is "principal or essential part, main point, model, framework, feature". In the Smritis and epics
of Hinduism (and Jainism), the term means "doctrine, rule, theory,
method, technique or chapter" and the word appears both as a separate
word and as a common suffix, such as atma-tantra meaning "doctrine or theory of Atman (soul, self)".
The term "Tantra" after about 500 BC, in Buddhism, Hinduism and Jainism is a bibliographic category, just like the word Sutra (which means "sewing together", mirroring the metaphor of "weaving together" in Tantra). The same Buddhist texts are sometimes referred to as tantra or sutra; for example, Vairocabhisambodhi-tantra is also referred to as Vairocabhisambodhi-sutra.
Definition
Ancient and medieval era
The 5th-century BC scholar Pāṇini
in his Sutra 1.4.54–55 of Sanskrit grammar, cryptically explains tantra
through the example of "Sva-tantra" (Sanskrit: स्वतन्त्र), which he
states means "independent" or a person who is his own "warp, cloth,
weaver, promoter, karta (actor)". Patanjali in his Mahābhāṣya
quotes and accepts Panini's definition, then discusses or mentions it
at a greater length, in 18 instances, stating that its metaphorical
definition of "warp (weaving), extended cloth" is relevant to many
contexts. The word tantra, states Patanjali, means "principal, main".
He uses the same example of svatantra as a composite word
of "sva" (self) and tantra, then stating "svatantra" means "one who is
self-dependent, one who is his own master, the principal thing for whom
is himself", thereby interpreting the definition of tantra.
Patanjali also offers a semantic definition of Tantra, stating that it
is structural rules, standard procedures, centralized guide or knowledge
in any field that applies to many elements.
The ancient Mimamsa school of Hinduism uses the term tantra extensively, and its scholars offer various definitions. For example:
When an action or a thing, once complete, becomes beneficial in several matters to one person, or to many people, that is known as Tantra. For example, a lamp placed amidst many priests. In contrast, that which benefits by its repetition is called Āvāpa, such as massaging with oil. (...)
— Sabara, 6th century
Medieval texts present their own definitions of Tantra. Kāmikā-tantra, for example, gives the following explanation of the term tantra:
Because it elaborates (tan) copious and profound matters, especially relating to the principles of reality (tattva) and sacred mantras, and because it provides liberation (tra), it is called a tantra.
Modern era
The occultist and businessman Pierre Bernard
(1875–1955) is widely credited with introducing the philosophy and
practices of tantra to the American people, at the same time creating a
misleading impression of its connection to sex.
In modern scholarship, Tantra has been studied as an esoteric
practice and ritualistic religion, sometimes referred to as Tantrism.
There is a wide gap between what Tantra means to its followers, and what
Tantra has been represented or perceived as since colonial era writers
began commenting on Tantra. Many definitions of Tantra have been proposed since, and there is no universally accepted definition. André Padoux,
in his review of Tantra definitions offers two, then rejects both. One
definition, due to Padoux, is found among Tantra practitioners — it is
any "system of observances" about the vision of man and the cosmos where
correspondences between the inner world of the person and the
macrocosmic reality play an essential role. Another definition, more
common among observers and non-practitioners, is some "set of
mechanistic rituals, omitting entirely the ideological side".
Tantric traditions have been studied mostly from textual and historical perspectives. Anthropological work on living Tantric tradition is scarce, and ethnography
has rarely engaged with the study of Tantra. This is arguably a result
of the modern construction of Tantrism as occult, esoteric and secret.
Some scholars have tried to demystify the myth of secrecy in
contemporary Tantric traditions, suggesting new methodological avenues
to overcome the ethical and epistemological problems in the study of living Tantric traditions.
According to David N. Lorenzen, two different kinds of definitions of Tantra exist, narrow and broad.
According to the narrow definition, Tantrism, or "Tantric religion", is
the elite traditions directly based on the Sanskrit texts called the
Tantras, Samhitas, and Agamas. Lorenzen's "broad definition" extends this by including a broad range of "magical beliefs and practices" such as Yoga and Shaktism.
Richard Payne states that Tantra has been commonly but
incorrectly associated with sex, given popular culture's prurient
obsession with intimacy. Tantra has been labelled as the "yoga of
ecstasy", driven by senseless ritualistic libertinism.
This is far from the diverse and complex understanding of what Tantra
means to those Buddhists, Hindu and Jains who practice it.
David Gray disagrees with broad generalizations and states that
defining Tantra is a difficult task because "Tantra traditions are
manifold, spanning several religious traditions and cultural worlds. As a
result they are also diverse, which makes it a significant challenge to
come up with an adequate definition".
The challenge of defining Tantra is compounded by the fact that it has
been a historically significant part of major Indian religions,
including Buddhism, Hinduism and Jainism, both in and outside South Asia
and East Asia.
To its practitioners, Tantra is defined as a combination of texts,
techniques, rituals, monastic practices, meditation, yoga, and ideology.
According to Georg Feuerstein,
"The scope of topics discussed in the Tantras is considerable. They
deal with the creation and history of the world; the names and functions
of a great variety of male and female deities and other higher beings;
the types of ritual worship (especially of Goddesses); magic, sorcery,
and divination; esoteric "physiology" (the mapping of the subtle or
psychic body); the awakening of the mysterious serpent power
(kundalinî-shakti); techniques of bodily and mental purification; the
nature of enlightenment; and not least, sacred sexuality." Hindu puja, temples and iconography all show tantric influence.
These texts, states Gavin Flood, contain representation of "the body in
philosophy, in ritual and in art", which are linked to "techniques of
the body, methods or technologies developed within the tantric
traditions intended to transform body and self".
Tantrism
The term "tantrism" is a 19th-century European invention not present in any Asian language; compare "Sufism", of similar Orientalist origin. According to Padoux, "Tantrism" is a Western term and notion, not a category that is used by the so-called "Tantrists" themselves.
The term was introduced by 19th-century Indologists, with limited
knowledge of India and in whose view Tantrism was a particular, unusual
and minority practice in contrast to Indian traditions they believed to
be mainstream.
Elements
of Tantrism. From top to bottom: Geometric temple layout
(Buddhist), Symmetric mandala (Hindu), Bija mantras, Ritual diadem (Buddhist), Kundalini yoga (Hindu), Chakras. These are neither compulsory nor universal in Tantrism.
Robert Brown similarly notes that "tantrism" is a construct of Western scholarship, not a concept of the religious system itself.
He defines Tantrism as an apologetic label of Westerners for a system
that they little understand that is "not coherent" and which is "an
accumulated set of practices and ideas from various sources, that has
varied between its practitioners within a group, varied across groups,
across geography and over its history". It is a system, adds Brown, that
gives each follower the freedom to mix Tantric elements with
non-Tantric aspects, to challenge and transgress any and all norms,
experiment with "the mundane to reach the supramundane".
Teun Goudriaan in his 1981 review of Hindu Tantrism, states that
Tantrism usually means a "systematic quest for salvation or spiritual
excellence" by realizing and fostering the divine within one's own body,
one that is simultaneous union of the masculine-feminine and
spirit-matter, and has the ultimate goal of realizing the "primal
blissful state of non-duality".
It is typically a methodically striven system, consisting of
voluntarily chosen specific practices which may include Tantric items
such as mantras (bijas), geometric patterns and symbols (mandala), gestures (mudra), mapping of the microcosm within one's body to the macrocosmic elements outside as the subtle body (kundalini-yoga), assignments of icons and sounds (nyasa), meditation (dhyana), ritual worship (puja), initiation (diksha) and others. Tantrism, adds Goudriaan, is a living system that is decidedly monistic, but with wide variations, and it is impossible to be dogmatic about a simple or fixed definition.
Tantrism is an overarching term for "Tantric traditions", states
David Gray in a 2016 review, that combine Vedic, yogic and meditative
traditions from ancient Hinduism as well as rival Buddhist and Jain
traditions. it is a neologism
of western scholars and does not reflect the self-understanding of any
particular tantric tradition. While Goudriaan's description is useful,
adds Gray, there is no single defining universal characteristic common
to all Tantra traditions, being an open evolving system.
Tantrism, whether Buddhist or Hindu, can best be characterized as
practices, a set of techniques, with a strong focus on rituals and
meditation, by those who believe that it is a path to liberation that is
characterized by both knowledge and freedom.
Tantrika
According to Padoux, the term "Tantrika" is based on a comment by Kulluka Bhatta on Manava Dharmasastra 2.1, who contrasted vaidika and tantrika forms of Sruti
(canonical texts). The Tantrika, to Bhatta, is that literature which
forms a parallel part of the Hindu tradition, independent of the Vedic
corpus. The Vedic and non-Vedic (Tantric) paths are seen as two
different approaches to ultimate reality, the Vedic approach based on Brahman, and Tantrika being based on the non-Vedic Āgama texts.
Despite Bhatta attempt to clarify, states Padoux, in reality Hindus and
Buddhists have historically felt free to borrow and blend ideas from
all sources, Vedic, non-Vedic and in the case of Buddhism, its own
canonical works.
One of the key differences between the Tantric and non-Tantric
traditions – whether it be orthodox Buddhism, Hinduism or Jainism – is
their assumptions about the need for monastic or ascetic life.
Non-Tantrika, or orthodox traditions in all three major ancient Indian
religions, hold that the worldly life of a householder is one driven by
desires and greeds which are a serious impediment to spiritual
liberation (moksha, nirvana, kaivalya).
These orthodox traditions teach renunciation of householder life, a
mendicant's life of simplicity and leaving all attachments to become a
monk or nun. In contrast, the Tantrika traditions hold, states Robert
Brown, that "both enlightenment and worldly success" are achievable, and
that "this world need not be shunned to achieve enlightenment".
History
Vedic texts
The Keśin hymn of the Rig Veda
(10.136) describes the "wild loner" who, states Karel Werner, "carrying
within oneself fire and poison, heaven and earth, ranging from
enthusiasm and creativity to depression and agony, from the heights of
spiritual bliss to the heaviness of earth-bound labor". The Rigveda uses words of admiration for these loners, and whether it is related to Tantra or not, has been variously interpreted. According to David Lorenzen, it describes munis (sages) experiencing Tantra-like "ecstatic, altered states of consciousness" and gaining the ability "to fly on the wind". In contrast, Werner suggests that these are early Yoga
pioneers and accomplished yogis of the ancient pre-Buddhist Indian
tradition, and that this Vedic hymn is speaking of those "lost in
thoughts" whose "personalities are not bound to earth, for they follow
the path of the mysterious wind".
The two oldest Upanishadic scriptures of Hinduism, the Brihadaranyaka Upanishad in section 4.2 and Chandogya Upanishad in section 8.6, refer to nadis (hati)
in presenting their theory on how the Atman (soul) and the body are
connected and interdependent through energy carrying arteries when one
is awake or sleeping, but they do not mention anything related to
Tantric practices. The Shvetashvatara Upanishad describes breath control that became a standard part of Yoga, but Tantric practices do not appear in it. The Yoga Sutras of Patanjali are an early codification of Yogic practices. Later, according to Lorenzen, these early Yoga-related ideas develop into Hatha Yoga, and then diversify into the "mystical anatomy" of nadis and chakras of Tantric practices. The 7th-century shamanic-yogic component of Tantrism appears clearly in Tantric form in Bāṇabhaṭṭa's Harshacharita and Daṇḍin's Dashakumaracharita. In contrast to this theory of Lorenzen, other scholars such as Mircea Eliade
consider Yoga and the evolution of Yogic practices to be separate and
distinct from the evolution of Tantra and Tantric practices.
David Gordon White views Yogini
cults as foundational to early tantra but disputes scholars who see
their roots in an "autochthonous non-Vedic source" such indigenous
tribes or the Indus Valley Civilization. Instead, White suggests Vedic Srauta texts mention offerings to goddesses Rākā, Sinīvālī, and Kuhū in a manner similar to a tantric ritual. Frederick Smith – a professor of Sanskrit and Classical Indian Religions, views Tantra to be a parallel religious movement to Bhakti movement of the 1st millennium AD. Tantra along with Ayurveda, states Smith, has traditionally been attributed to Atharvaveda,
but this attribution is one of respect not of historicity. Ayurveda has
primarily been an empirical practice with Vedic roots, but Tantra has
been an esoteric, folk movement without grounding that can be traced to
anything in Atharvaveda or any other vedic text.
Buddhist reliefs
A
series of artwork discovered in Gandhara, in modern-day Pakistan, dated
to be from about 1st century AD, show Buddhist and Hindu monks holding
skulls. One of them shows the Buddha sitting in the center, and on one
side sits a Buddhist monk and on the other side sits a Hindu monk.
The legend corresponding to these artworks is found in Buddhist texts,
and describes monks "who tap skulls and forecast the future rebirths of
the person to whom that skull belonged". According to Robert Brown, these Buddhist skull-tapping reliefs suggest tantric practices may have been vogue by the 1st century AD to appear prominently in Buddhist art and its texts.
Smriti
A 2nd-century AD statue of goddess Durga slaying the Buffalo demon from Mathura. Such artwork suggests a goddess culture, but not necessarily Tantra.
The Mahabharata, the Harivamsa, the Devi Mahatmya in the Markandeya Purana all contain references to the fierce, demon-killing manifestations of the Great Goddess, Mahishamardini, who is identified with Durga-Parvati.
These suggest reverence and worship for Goddess in the India culture
was an established tradition (Shaktism), by the early centuries of the
1st millennium.
However, this does not mean Tantric rituals and practices were as yet a
part of either Hindu or Buddhist traditions. "Apart from the somewhat
dubious reference to Tantra in the Gangadhar inscription of 423 CE",
states David Lorenzen, it is only 7th-century Banabhatta's Kadambari which provide convincing proof of Tantra and Tantric texts.
Tantra texts
According to Flood, the earliest date for the Tantra texts related to
Tantric practices is AD 600, though most of them were probably composed
after the 8th century onwards. By the 10th century an extensive corpus existed. Regionally, the tantric texts were mostly composed during this period in Kashmir and Nepal. They were also called agamas in Shaivism, samhita or Pancaratra in Vaishnavism, and as tantras in Shaktism. The Buddhists developed their own corpus of Tantras, which became the textual basis of Vajrayana. In Jainism, secondary texts suggest a substantial Tantra corpus based on the Surya tradition developed in the western regions of India, but complete manuscripts of these have not survived into the modern era.
Among the Hindus, those belonging to the Vedic orthodox traditions
rejected the Tantra texts, the Tantric followers incorporated the Vedic
ideas within their own systems considering the Tantras as the higher,
refined understanding of older ideas. Some considered the Tantra texts to be superior to the Vedas, while others considered them complementary:
The Veda is the cow, the true Agama its milk.
— Umapati, Translated by David Smith
According to Flood, very little is known about who created the
Tantras, nor much is known about the social status of these and medieval
era Tantrikas.
The Tantra pioneers may have been ascetics who lived at the cremation
grounds, possibly from "above low-caste groups" states Flood, and these
were probably non-Brahmanical. These Hindu renouncers and ascetics trace back to far more ancient traditions, and they are mentioned in the Buddhist Pali canon.
By the early medieval times, their practices may have included the
imitation of the deities such as goddess Kali and god Bhairava, with
offerings of non-vegetarian food, alcohol and sexual substances.
According to this theory, these practitioners would have invited their
deities to avesha mam (enter me), then reverted the role in order to control that deity and gain its power. These ascetics would have been supported by low castes living at the cremation places.
Tantric practices
The early Tantric practices in Indian history are sometimes attributed to the Kapalikas (literally, "skull men", also called Somasiddhatins or Mahavartins). Little, however, is reliably known about them, and there is a paucity of primary sources on Kapalikas.
The historical information about them is primarily available from
dubious fictional works and the disparaging remarks made about them in
the Buddhist, Hindu and Jain texts of the 1st millennium AD.
In Hāla’s Gatha-saptasati
(composed by the 5th century AD), for example, the story calls a female
character Kapalika, whose lover dies, he is cremated, she takes his
cremation ashes and smears her body with it. The 6th-century Varāhamihira mentions Kapalikas in his literary works.
Some of the Kāpālika practices mentioned in these texts are those found
in Shaiva Hinduism and Vajrayana Buddhism, and scholars disagree on who
influenced whom.
These early historical mentions are in passing and appear to be
Tantra-like practices, they are not detailed nor comprehensive
presentation of Tantric beliefs and practices. Epigraphic references to
the Kaulas Tantric practices are rare. Reference is made in the early 9th century to vama (left-hand) Tantras of the Kaulas. Literary evidence suggests Tantric Buddhism was probably flourishing by the 7th-century.
Matrikas, or fierce mother goddesses that later are closely linked to
Tantra practices, appear both in Buddhist and Hindu arts and literature
between the 7th and 10th centuries.
Matrika – mother goddesses – are found in both Shakta-Hinduism and Vajrayana-Buddhism. The Buddhist Aurangabad Caves about 100 kilometers from the Ajanta Caves, dated to the 6th to 7th-century, show Buddhist Matrikas (mother goddesses of Shaktism) next to the Buddha.
Traction and growth
Tantra probably gained traction after 6th century, post-Gupta Empire era. Tantric practices were known by the 7th century, flourished between the 8th or 9th century and the 14th century.
Major Tantric texts had been written by the 10th century,
particularly in Kashmir, Nepal and Bengal. By the 10th or 11th century,
Tantric texts had been translated into regional languages such as Tamil,
and Tantric practices probably had spread across South Asia. It was broadly influential, with Flood describing it as follows:
Tantrism has been so pervasive that all of Hinduism after the eleventh century, perhaps with the exception of the vedic Srauta tradition, is influenced by it. All forms of Saiva, Vaisnava and Smarta religion, even those forms which wanted to distance themselves from Tantrism, absorbed elements derived from the Tantras.
— Gavin Flood, An Introduction to Hinduism
The 13th-century Dvaita Vedanta philosopher Madhvacharya
wrote copious commentaries on then existing major schools of Indian
philosophies and practices, and cited the works of the 10th century Abhinavagupta considered as a major and influential Tantra scholar.
However, Madhvacharya does not mention Tantra as a separate, distinct
religious or ritual-driven practice. The early 20th-century Indian
scholar Pandurang Vaman Kane
conjectured that Madhvacharya ignored Tantra because it may have been
considered scandalous. In contrast, Padoux suggests that Tantra may have
been so pervasive by the 13th century that "it was not regarded as
being a distinct system."
Tantrism further spread with the silk road transmission of Buddhism to East and Southeast Asia, and also influenced the Bön tradition of Tibet.
Sex and eroticism
The Tantra texts and tantric practices involve a wide range of
topics, mostly focused on spiritual topics, and not of a sexual nature.
However, states Gavin Flood, Tantrism is more known in the West as
being notorious for its antinomian
elements, stereotypically portrayed as a practice that is esoteric
eroticism and ritualized sex in the name of religion, one imbued with
alcohol and offering of meat to fierce deities. This portrayal is not limited to the Western imagination, however. Jayanta Bhatta, the 9th-century scholar of the Nyaya school of Hindu philosophy
and who commented on Tantra literature, stated that the Tantric ideas
and spiritual practices are mostly well placed, but it also has "immoral
teachings" such as by the so-called "Nilambara" sect where its
practitioners "wear simply one blue garment, and then as a group engage
in unconstrained public sex" on festivals. He wrote, this practice is
unnecessary and it threatens fundamental values of society.
Tantric union. Top: Buddhist Dunhuang cave 465 (14th century); Bottom: Jambhala (Kubera) deity in Tibet (18th-19th century).
Sexuality has been a part of Tantric practices, sexual fluids have
been viewed as "power substances" and used ritualistically. Some extreme
texts, states Flood, go further such as the Buddhist text Candamaharosana-tantra
advocating consumption of bodily waste products as "power substances",
teaching the waste should be consumed as a diet "eaten by all the
Buddhas" without slightest disgust.
However, such esoteric practices are exceptional and extreme, they are
not found in much of Buddhist and Hindu Tantric literature or practices.
In the Kaula tradition and others where sexual fluids as power
substances and ritual sex are mentioned, scholars disagree in their
translations, interpretations and practical significance.
Douglas Renfrew Brooks, for example, states that the antinomian
elements such as the use of intoxicating substances and sex were not
animistic, but were adopted in some Kaula traditions to challenge the
Tantric devotee to break down the "distinctions between the ultimate
reality of Brahman and the mundane physical and mundane world". By
combining erotic and ascetic techniques, states Brooks, the Tantric
broke down all social and internal assumptions, became Shiva-like.
In Kashmir Shaivism, states David Gray, the antinomian transgressive
ideas were internalized, for meditation and reflection, and as a means
to "realize a transcendent subjectivity".
In most Hindu and Buddhist Tantra texts, extreme forms of sexual
ritualism is absent. In Jain tantric text, this is entirely absent.
Yet, emotions, eroticism and sex are universally regarded in Tantric
literature as natural, desirable, a means of transformation of the deity
within, to "reflect and recapitulate the bliss of Shiva and Shakti". Kama
and sex is another aspect of life and a "root of the universe", in the
Tantric view, whose purpose extends beyond procreation and is another
means to spiritual journey and fulfillment.
This idea flowers with the inclusion of kama art in Hindu temple arts,
and its various temple architecture and design manuals such as the Shilpa-prakasha by the Hindu scholar Ramachandra Kulacara.
Practices
Rituals are the main focus of the Tantras.
Rather than one coherent system, Tantra is an accumulation of practices
and ideas. Because of the wide range of communities covered by the
term, it is problematic to describe tantric practices definitively.
Components
André
Padoux notes that there is no consensus among scholars as to which
elements are characteristic for Tantra, nor is there any text that
contains all those elements. Also, most of those elements can also be found in non-Tantric traditions. According to Anthony Tribe, a scholar of Buddhist Tantra, Tantra has the following defining features:
- Centrality of ritual, especially the worship of deities
- Centrality of mantras
- Visualisation of and identification with a deity
- Need for initiation, esotericism and secrecy
- Importance of a teacher (guru, acharya)
- Ritual use of mandalas (maṇḍala)
- Transgressive or antinomian acts
- Revaluation of the body
- Revaluation of the status and role of women
- Analogical thinking (including microcosmic or macrocosmic correlation)
- Revaluation of negative mental states
According to David N. Lorenzen, Tantra practices include the following:
- "Shamanic and yogic beliefs and practices;"
- "Sakta worship, especially worship of the Matrkas and demon-killing forms of Hindu and Buddhist goddesses;"
- "Specific schools of Tantric religion such as the Kapalikas and Kaulas;"
- "The Tantric texts themselves."
Sadhanas
Sri Yantra diagram with the Ten Mahavidyas. The triangles represent Shiva and Shakti, the snake represents Spanda and Kundalini.
A number of techniques (sadhana) are used as aids for meditation and achieving spiritual power:
- Dakshina: Donation or gift to one's teacher
- Diksha: Initiation ritual which may include shaktipat
- Yoga, including breathing techniques (pranayama) and postures (asana), is employed to balance the energies in the body/mind.
- Mudras, or hand gestures
- Mantras: reciting syllables, words, and phrases
- Singing of hymns of praise (stava)
- Mandalas
- Yantras: symbolic diagrams of forces at work in the universe
- Visualization of deities and Identification with deities
- Puja (worship ritual)
- Animal sacrifice
- Use of taboo substances such as alcohol, cannabis, meat and other entheogens.
- Prāyaścitta - an expiation ritual performed if a puja has been performed wrongly
- Nyasa
- Ritual purification (of idols, of one's body, etc.)
- Guru bhakti (devotion) and puja
- Yatra: pilgrimage, processions
- Vrata: vows, sometimes to do ascetic practices like fasting
- The acquisition and use of siddhis or supernormal powers. Associated with the left hand path tantra.
- Ganachakra: A ritual feast during which a sacramental meal is offered.
- Ritual Music and Dance.
- Maithuna: ritual sexual union (with an actual physical consort).
- Dream yoga
Mandalas
According to David Gordon White, mandalas are a key element of Tantra. They represent the constant flow and interaction of both divine, demonic, human and animal energy or impulses (kleshas, cetanā, taṇhā)
in the universe. The mandala is a mesocosm, which mediates between the
"transcendent-yet-immanent" macrocosm and the microcosm of mundane human
experience.
The godhead is at the center of the mandala, while all other beings,
including the practitioner, are located at various distances from this
center. Mandalas also reflected the medieaval feudal system, with the king at its centre.
The godhead is both transcendent and immanent, and the world is
regarded as real, and not as an illusion. The goal is not to transcend
the world, but to realize that the world is the manifestation of the
godhead, while the "I" is "the supreme egoity of the godhead." The world is to be seen with the eyes of the godhead, realizing that it is a manifestation as oneself. The totality of all that is a "realm of Dharma" which shares a common principle. The supreme is manifest in everyone, which is to be realized through Tantric practice.
Mantra, yantra, nyasa
Vajrayana Prayer wheels have tantric mantras engraved on the surface.
The words mantram, tantram and yantram are rooted linguistically and phonologically in ancient Indian traditions. Mantram denotes the chant, or "knowledge." Tantram denotes philosophy, or ritual actions. Yantram denotes the means by which a person is expected to lead their life.
The mantra and yantra are instruments to invoke higher qualities, often associated with specific Hindu deities such as Shiva, Shakti, or Kali. Similarly, puja may involve focusing on a yantra or mandala associated with a deity.
Each mantra is associated with a specific Nyasa.
Nyasa involves touching various parts of the body at specific parts of
the mantra, thought to invoke the deity in the body. There are several
types of Nyasas; the most important are Kara Nyasa and Anga Nyasa.
Identification with deities
Visualisation
The deities are internalised as attributes of Ishta devata meditations, with practitioners visualizing themselves as the deity or experiencing the darshan (vision) of the deity. During meditation
the initiate identifies with any of the Hindu gods and goddesses,
visualising and internalising them in a process similar to sexual
courtship and consummation. The Tantrika practitioner may use visualizations of deities, identifying with a deity to the degree that the aspirant "becomes" the Ishta-deva (or meditational deity).
Classes of devotees
In
Hindu Tantra, uniting the deity and the devotee uses meditation and
ritual practices. These practices are divided among three classes of
devotees: the animal, heroic, and the divine. In the divine devotee, the
rituals are internal. The divine devotee is the only one who can attain
the object of the rituals (awakening energy).
Hinduism
In Hinduism, the tantric traditions are found in Shaivism's Shaiva Siddhanta and the Mantrapīṭha (Bhairava-centred), and in Shaktism's Vidyāpīṭha and the Kulamārga traditions.
The Tantra texts of the Vaishnava tradition are the Pancharatra, and typically called the Agamas
in the Shaiva traditions. The term "Tantra" in Hindu genre of
literature is usually used specifically to refer to Shakta Agamas.
The Agamas literature is voluminous, and includes 28 Shaiva Agamas, 77
Shakta Agamas (also called Tantras), and 108 Vaishnava Agamas (also
called Pancharatra Samhitas), and numerous Upa-Agamas.
Some Tantra texts in Hinduism are Vedic and others non-Vedic. Agama traditions include Yoga and Self Realization concepts, some include Kundalini Yoga, asceticism, and philosophies ranging from Dvaita (dualism) to Advaita (monism).
The means of worship in the Hindu Tantric practice differs from the Vedic form. While the Vedic practice of yajna there are no idols and shrines, in its Tantric traditions, idols and symbolic icons with puja are the means of worship.
Temples, symbolism, icons that remind the devotee of attributes and
values are a necessary part of the Agamic practice, while non-theistic
paths are one of the many alternative means in the Vedic practice.
This, however, does not necessarily mean that Tantra-Agamas and Vedas
are opposed, according to medieval era Hindu theologians. Tirumular, for example, explained their link as, "the Vedas are the path, and the Agamas are the horse".
Each Tantra-Agama text consists of four parts:
- Jnana pada, also called Vidya pada – consists of doctrine, the philosophical and spiritual knowledge, knowledge of reality and liberation.
- Yoga pada - precepts on yoga, the physical and mental discipline.
- Kriya pada - consists of rules for rituals, construction of temples (Mandir); design principles for sculpting, carving, and consecration of idols of deities for worship in temples; for different forms of initiations or diksha. This code is analogous to those in Puranas and in the Buddhist text of Sadhanamala.
- Charya pada - lays down rules of conduct, of worship (puja), observances of religious rites, rituals, festivals and prayaschittas.
The Tantra-Agama texts of Hinduism present a diverse range of philosophies, ranging from theistic dualism to absolute monism. This diversity of views was acknowledged in Chapter 36 of Tantraloka, the 10th century scholar Abhinavagupta. In Shaivism alone, there are ten dualistic (dvaita) Agama texts, eighteen qualified monism-cum-dualism (bhedabheda) Agama texts, and sixty four monism (advaita) Agama texts. The Bhairava Shastras are monistic Tantra texts, while Shiva Shastras are dualistic.
Buddhism
Many tantric traditions developed within Buddhism, over its history in South Asia and East Asia. These are also called the Vajrayana traditions. The tradition has been particularly prevalent in Tibet and Nepal.
The Buddhist Tantric practices and texts, states Jacob Dalton,
developed between the 5th and the 7th centuries and this is evidenced by
Chinese Buddhist translations of Indian texts from that period
preserved in Dunhuang.
Ryan Overbey too affirms this, stating that Buddhist Tantric spells and
ritual texts were translated by Chinese Buddhist scholars six times and
these spells appear in multiple texts between the 5th and 8th
centuries.
According to Alexis Sanderson, various classes of Vajrayana
literature developed as a result of royal courts sponsoring both
Buddhism and Saivism. The Mañjusrimulakalpa, which later came to classified under Kriyatantra,
states that mantras taught in the Shaiva, Garuda and Vaishnava tantras
will be effective if applied by Buddhists since they were all taught
originally by Manjushri. The Guhyasiddhi of Padmavajra, a work associated with the Guhyasamaja tradition, prescribes acting as a Shaiva guru and initiating members into Saiva Siddhanta scriptures and mandalas. The Samvara tantra texts adopted the pitha list from the Shaiva text Tantrasadbhava, introducing a copying error where a deity was mistaken for a place.
Jainism and other religions
The Tantric traditions of Hinduism and Buddhism spread rapidly within
India and Tibet, and from there to Southeast Asia, East Asia and
Central Asia.
They significantly influenced many other religious traditions such
Jainism, Sikhism, the Tibetan Bön tradition, Daoism, and the Japanese
Shintō tradition. In the Sikh literature, the ideas related to Shakti and goddess reverence attributed to Guru Gobind Singh, particularly in the Dasam Granth, are related to tantra ideas found in Buddhism and Hinduism.
The Jain worship methods, states Ellen Gough, were likely influenced by Shaktism ideas, and this is attested by the tantric diagrams of the Rishi-mandala where the Tirthankaras are portrayed. The Tantric traditions within Jainism use verbal spells or mantra, and rituals that are believed to accrue merit for rebirth realms.
Western scholarly research
The Sri Yantra (shown here in the three-dimensional projection known as Sri Meru or Maha Meru, used primarily by Srividya Shakta sects).
John Woodroffe
The first Western scholar to seriously study Tantra was John Woodroffe (1865–1936), who wrote about Tantra under the pen name Arthur Avalon and is known as the "founding father of Tantric studies".
Unlike previous Western scholars Woodroffe advocated for Tantra,
defending and presenting it as an ethical and philosophical system in
accord with the Vedas and Vedanta. Woodroffe practised Tantra and, while trying to maintain scholastic objectivity, was a student of Hindu Tantra (the Shiva-Shakta tradition).
Further development
Following Woodroffe a number of scholars began investigating Tantric teachings, including scholars of comparative religion and Indology such as Agehananda Bharati, Mircea Eliade, Julius Evola, Carl Jung, Giuseppe Tucci and Heinrich Zimmer.
According to Hugh Urban, Zimmer, Evola and Eliade viewed Tantra as "the
culmination of all Indian thought: the most radical form of
spirituality and the archaic heart of aboriginal India", regarding it as
the ideal religion for the modern era. All three saw Tantra as "the
most transgressive and violent path to the sacred".
