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Friday, August 15, 2025

Atmospheric chemistry

Atmospheric chemistry is a branch of atmospheric science that studies the chemistry of the Earth's atmosphere and that of other planets. This multidisciplinary approach of research draws on environmental chemistry, physics, meteorology, computer modeling, oceanography, geology and volcanology, climatology and other disciplines to understand both natural and human-induced changes in atmospheric composition. Key areas of research include the behavior of trace gasses, the formation of pollutants, and the role of aerosols and greenhouse gasses. Through a combination of observations, laboratory experiments, and computer modeling, atmospheric chemists investigate the causes and consequences of atmospheric changes.

Atmospheric composition

Visualisation of composition by volume of Earth's atmosphere. Water vapour is not included as it is highly variable. Each tiny cube (such as the one representing krypton) has one millionth of the volume of the entire block. Data is from NASA Langley.
The composition of common nitrogen oxides in dry air vs. temperature
Chemical composition of atmosphere according to altitude. Axis: Altitude (km), Content of volume (%).

The composition and chemistry of the Earth's atmosphere is important for several reasons, but primarily because of the interactions between the atmosphere and living organisms. Natural processes such as volcano emissions, lightning and bombardment by solar particles from corona changes the composition of the Earth's atmosphere. It has also been changed by human activity and some of these changes are harmful to human health, crops and ecosystems.

Average Composition of Dry Atmosphere (mole fractions)
Gas Dry air per NASA
Nitrogen, N2 78.084%
Oxygen, O2 20.946%
Minor Constituents (mole fractions in ppm)
Argon, Ar 9340
Carbon dioxide, CO2 425
Neon, Ne 18.18
Helium, He 5.24
Methane, CH4 1.9
Krypton, Kr 1.14
Hydrogen, H2 0.53
Nitrous oxide, N2O 0.34
Xenon, Xe 0.087
Nitrogen dioxide, NO2 up to 0.02
Ozone, O3, in summer up to 0.07
Ozone, O3, in winter up to 0.02
Sulphur dioxide, SO2 up to 1
Iodine, I2 0.01
Water
Water vapour* Highly variable (about 0–3%);
typically makes up about 1%
Notes
The mean molecular mass of dry air is 28.97 g/mol. The content of the gas may undergo significant variations from time to time or from place to place. The concentration of CO2 and CH4 vary by season and location.

Trace gas composition

Besides the major components listed above, the Earth's atmosphere contains many trace gas species that vary significantly depending on nearby sources and sinks. These trace gasses include compounds such as CFCs/HCFCs which are particularly damaging to the ozone layer, and H2S which has a characteristic foul odor of rotten eggs and can be smelt in concentrations as low as 0.47 ppb. Some approximate amounts near the surface of some additional gasses are listed below. In addition to gasses, the atmosphere contains particles such as aerosol, which includes examples such as droplets, ice crystals, bacteria, and dust.

Gas Composition (ppt by volume unless otherwise stated)
Carbon monoxide, CO (120) 40-200 ppb
Ethene, C2H4 11.2 ppb
Formaldehyde, H2CO 9.1 ppb
Acetylene, C2H2 8.6 ppb
Methanol, CH3OH 1.967 ppb
Ethane, C2H6 781
Dichlorodifluoromethane, CCl2F2 530
Carbonyl sulfide, OCS 510
Chloromethane, CH3Cl 503
Isoprene, C5H8 311
Trichlorofluoromethane, CCl3F 237
Propane, C3H8 200
Hydrogen sulfide, H2S (177.5)
Sulfur dioxide, SO2 (135)
Carbon tetrafluoride, CF4 79
Ethanol, C2H5OH 75
Carbon disulfide, CS2 (30) 15–45
Nitric oxide, NO 16
Benzene, C6H6 11
Bromomethane, CH3Br (9.5) 9–10
Sulfur hexafluoride, SF6 7.3
Iodomethane, CH3I 0.36
Total gaseous mercury, Hg 0.209

History

Schematic of chemical and transport processes related to atmospheric composition

The first scientific studies of atmospheric composition began in the 18th century when chemists such as Joseph Priestley, Antoine Lavoisier and Henry Cavendish made the first measurements of the composition of the atmosphere.

In the late 19th and early 20th centuries, researchers shifted their interest towards trace constituents with very low concentrations. An important finding from this era was the discovery of ozone by Christian Friedrich Schönbein in 1840.

In the 20th century atmospheric science moved from studying the composition of air to consider how the concentrations of trace gasses in the atmosphere have changed over time and the chemical processes which create and destroy compounds in the air. Two important outcomes were the explanation by Sydney Chapman and Gordon Dobson of how the ozone layer is created and maintained, and Arie Jan Haagen-Smit’s explanation of photochemical smog. Further studies on ozone issues led to the 1995 Nobel Prize in Chemistry award shared between Paul Crutzen, Mario Molina and Frank Sherwood Rowland.

In the 21st century the focus is now shifting again. Instead of concentrating on atmospheric chemistry in isolation, it is now seen as one part of the Earth system with the rest of the atmosphere, biosphere and geosphere. A driving force for this link is the relationship between chemistry and climate. The changing climate and the recovery of the ozone hole and the interaction of the composition of the atmosphere with the oceans and terrestrial ecosystems are examples of the interdependent relationships between Earth's systems. A new field of extraterrestrial atmospheric chemistry has also recently emerged. Astrochemists analyze the atmospheric compositions of the Solar System and exoplanets to determine the formation of astronomical objects and find habitual conditions for Earth-like life.

Carbon dioxide in Earth's atmosphere if half of anthropogenic CO2 emissions are not absorbed
(NASA simulation; 9 November 2015)
 
Nitrogen dioxide 2014 - global air quality levels

Methodology

Observations, lab measurements, and modeling are the three central elements in atmospheric chemistry. Progress in atmospheric chemistry is often driven by the interactions between these components and they form an integrated whole. For example, observations may tell us that more of a chemical compound exists than previously thought possible. This will stimulate new modeling and laboratory studies which will increase our scientific understanding to a level where we can explain the observations.

Observation

Field observations of chemical systems are essential to understanding atmospheric processes and determining the accuracy of models. Atmospheric chemistry measurements are long term to observe continuous trends or short term to observe smaller variations. In situ and remote measurements can be made using observatories, satellites, field stations, and laboratories.

Routine observations of chemical composition show changes in atmospheric composition over time. Observatories such as the Mauna Loa and mobile platforms such as aircraft ships and balloons (e.g. the UK's Facility for Airborne Atmospheric Measurements) study chemical compositions and weather dynamics. An application of long term observations is the Keeling Curve - a series of measurements from 1958 to today which show a steady rise in the concentration of carbon dioxide (see also ongoing measurements of atmospheric CO2). Observations of atmospheric composition are increasingly made by satellites by passive and active remote sensing with important instruments such as GOME and MOPITT giving a global picture of air pollution and chemistry.

Surface observations have the advantage that they provide long term records at high time resolution but are limited in the vertical and horizontal space they provide observations from. Some surface based instruments e.g. LIDAR can provide concentration profiles of chemical compounds and aerosols but are still restricted in the horizontal region they can cover. Many observations are available online in Atmospheric Chemistry Observational Databases

Laboratory studies

Laboratory studies help understand the complex interactions from Earth’s systems that can be difficult to measure on a large scale. Experiments are performed in controlled environments, such as aerosol chambers, that allow for the individual evaluation of specific chemical reactions or the assessment of properties of a particular atmospheric constituent. A closely related subdiscipline is atmospheric photochemistry, which quantifies the rate that molecules are split apart by sunlight, determines the resulting products, and obtains thermodynamic data such as Henry's law coefficients.

Laboratory measurements are essential to understanding the sources and sinks of pollutants and naturally occurring compounds. Types of analysis that are of interest include both those on gas-phase reactions, as well as heterogeneous reactions that are relevant to the formation and growth of aerosols. Commonly used instruments to measure aerosols include ambient and particulate air samplers, scanning mobility particle sizers, and mass spectrometers.

Three boxes stacked on top of one another with vertical arrows to show elevation and horizontal arrows to show transportation. Aerosols enter the box via human, plant, and wind transport and exit via dry or wet deposition.
Schematic of a one-dimensional column model depicting the movement and transformation of aerosols

Modeling

Models are essential tools for interpreting observational data, testing hypotheses about chemical reactions, and predicting future concentrations of atmospheric chemicals. To synthesize and test theoretical understanding of atmospheric chemistry, researchers commonly use computer models, such as chemical transport models (CTMs). CTMs provide realistic descriptions of the three-dimensional transport and evolution of the atmosphere. Atmospheric models can be seen as mathematical representations that replicate the behavior of the atmosphere. These numerical models solve the differential equations governing the concentrations of chemicals in the atmosphere.

Depending on the complexity, these models can range from simple to highly detailed. Models can be zero-, one-, two-, or three-dimensional, each with various uses and advantages. Three-dimensional chemical transport models offer the most realistic simulations but require substantial computational resources. These models can be global e.g. GCM, simulating the atmospheric conditions across the Earth, or regional, e.g. RAMS focusing on specific areas with greater resolution. Global models typically have lower horizontal resolution and represent less complex chemical mechanisms but they cover a larger area, while regional models can represent a limited area with higher resolution and more detail.

A major challenge in atmospheric modeling is balancing the number of chemical compounds and reactions included in the model with the accuracy of physical processes such as transport and mixing in the atmosphere. The two simplest types of models include box models and puff models. For example, box modeling is relatively simple and may include hundreds or even thousands of chemical reactions, but they typically use a very crude representation of atmospheric mixed layer. This makes them useful for studying specific chemical reactions, but limited in stimulating real-world dynamics. In contrast, 3D models are more complex, representing a variety of physical processes such as wind, convection, and atmospheric mixing. They also provide more realistic representations of transportation and mixing. However, computational limits often simply chemical reactions and typically include fewer chemical reactions than box models. The trade-off between the two approaches lies in resolution and complexity.

To simplify the creation of these complex models, some researchers use automatic code generators like Autochem or Kinetic PreProcessor. These tools help automate the model-building process by selecting relevant chemical reactions from databases based on a user-defined function of chemical constituents. Once the reactions are chosen, the code generator automatically constructs the ordinary differential equations that describe their time evolution, greatly reducing the time and effort required for model construction.

Differences between model prediction and real-world observations can arise from errors in model input parameters or flaws representations of processes in the model. Some input parameters like surface emissions are often less accurately quantified from observations compared to model results. The model can be improved by adjusting poorly known parameters to better match observed data. A formal method for applying these adjustments is through Bayesian Optimization through an inverse modeling framework, where the results from the CTMs are inverted to optimize selected parameters. This approach has gained attention over the past decade as an effective method to interpret large amounts of data generate by models and observations from satellites.

One important current trend is using atmospheric chemistry as part of Earth system models. These models integrate atmospheric chemistry with other Earth system components, enabling the study of complex interactions between climate, atmospheric composition, and ecosystems.

Applications

Atmospheric chemistry is a multidisciplinary field with wide-ranging applications that influence environmental policy, human health, technology development, and climate science. Examples of problems addressed in atmospheric chemistry include acid rain, ozone depletion, photochemical smog, greenhouse gasses and global warming. By developing a theoretical understanding, atmospheric chemists can test potential solutions and evaluate the effects of changes in government policy. Key applications include greenhouse gas monitoring, air quality and pollution control, weather prediction and meteorology, energy and emissions, sustainable energy development, and public health and toxicology. Green atmospheric chemistry research prioritizes the sustainable, safe, and efficient use of chemicals, which led to government regulations minimizing the use of harmful chemicals like CFCs and DDT.

Advances in remote sensing technology allow scientists to monitor atmospheric chemical composition from satellites and ground-based stations. Instruments such as the Ozone Monitoring Instrument (OMI) and Atmospheric Infrared Sounder (AIRS) provide data on pollutants, greenhouse gasses, and aerosols, enabling real-time monitoring of air quality.

Atmospheric chemistry is vital for evaluating the environmental impacts of energy production, including fossil fuels and renewable energy sources. By studying emissions, researchers can develop cleaner energy technologies and assess their effects on air quality and climate. Atmospheric chemistry also helps quantify the concentration and persistence of toxic substances in the air, including particulate matter and volatile organic compounds (VOCs), guiding public health measures and exposures assessments.

Damocles

From Wikipedia, the free encyclopedia
Damocles
Δαμοκλῆς
Damocles sits on a throne, looking apprehensively at a sword suspended above him. Dionysius is standing next to him and gestures at the sword. Servants, courtiers, and guards surround the two men.
In Richard Westall's Sword of Damocles, 1812, the boys of Cicero's anecdote have been changed to maidens for a neoclassical patron, Thomas Hope.

Damocles is a character who appears in an ancient Greek anecdote commonly referred to as "the sword of Damocles", an allusion to the imminent and ever-present peril faced by those in positions of power. Damocles was a courtier in the court of Dionysius I of Syracuse, a ruler of Syracuse, Sicily, Magna Graecia, during the classical Greek era.

The anecdote apparently figured in the lost history of Sicily by Timaeus of Tauromenium (c. 356 – c. 260 BC). The Roman orator Cicero (c. 106 – c. 43 BC), who may have read it in the texts of Greek historian Diodorus Siculus, used it in his Tusculanae Disputationes, 5. 61, by which means it passed into the European cultural mainstream.

Sword of Damocles

According to the story, Damocles was flattering his king, Dionysius, exclaiming that Dionysius was truly fortunate as a great man of power and authority without peer, surrounded by magnificence. In response, Dionysius offered to switch places with Damocles for one day so that Damocles could taste that fortune firsthand. Damocles eagerly accepted the king's proposal. Damocles sat on the king's throne amid embroidered rugs, fragrant perfumes, and the service of beautiful attendants. But Dionysius, who had made many enemies during his reign, arranged that a sword should hang above the throne, held at the pommel only by a single hair of a horse's tail to evoke the sense of what it is like to be king: though having much fortune, always having to watch in anxiety against dangers that might try to overtake him, whether it is a jealous advisor or servant, a slanderous rumor, an enemy kingdom, a poor royal decision, or anything else. Damocles finally begged the king for permission to depart because he no longer wanted to be so fortunate, realizing that while he had everything he could ever want at his feet, it could not affect what was above his crown.

Cicero used this story as the last in a series of contrasting examples for concluding his fifth Disputation, in which the theme is that having virtue is sufficient for living a happy life.

Painting of the story of Damocles by British artist Herbert Gandy, featuring a Damocles surrounded by beautiful servants, lavish foods, gold, and riches, yet worriedly gazing up at an unsheathed sword above his head
Painting of the story of Damocles by British artist Herbert Gandy, featuring a Damocles surrounded by beautiful servants, lavish foods, gold, and riches, worriedly gazing up at an unsheathed sword above his head

Differing interpretations

Cicero's meaning in the story of the Sword of Damocles has alternative interpretations. Cicero states, "Doesn't Dionysius seem to have made it plenty clear that nothing is happy for him over whom terror always looms?" arguing that those in positions of power can never rest and truly enjoy that power. Some take this and argue further, stating that the point was that death looms over all, but that it is vital to strive to be happy and enjoy life in spite of that terror. Others take the meaning to be something akin to "don't judge someone until you've walked a mile in their shoes," as it is impossible to know what someone is struggling with, even if their life seems to be perfect to the outside observer. Just as King Dionysius's life looked luxurious and flawless on the outside to Damocles, so too might the lives of others that one covets for oneself. One other interpretation sees the story of the sword of Damocles as explicitly meant for Julius Caesar, implicitly suggesting that he should take care not to act the same way that King Dionysius did, making enemies and denying spiritual life, falling prey to the pitfalls of the tyrant, and mind the sword hanging ever-present over his neck.

Use in culture, art, and literature

The sword of Damocles is frequently used in allusion to this tale, epitomizing the imminent and ever-present peril faced by those in positions of power. More generally, it is used to denote the sense of foreboding engendered by a precarious situation, especially one in which the onset of tragedy is restrained only by a delicate trigger or chance. William Shakespeare's Henry IV expands on this theme: "Uneasy lies the head that wears a crown"; compare the Hellenistic and Roman imagery connected with the insecurity offered by Tyche and Fortuna.

In The Canterbury Tales, Geoffrey Chaucer refers to the sword of Damocles, which the Knight describes as hanging over Conquest. When the Knight describes the three temples, he also pays special attention to the paintings, noticing one on the walls of the temple of Mars:

And al above, depeinted in a tour,
Saugh I Conquest, sitting in greet honour,
With the sharpe swerd over his heed,
Hanginge by a subtil twines threed.

Above, where seated in his tower,
I saw Conquest depicted in his power
There was a sharpened sword above his head
That hung there by the thinnest simple thread.

— Chaucer, Canterbury Tales, l. 2027–2030

A political cartoon from Clifford Berryman following World War I, depicting a German delegate shakily signing a peace treaty as directed by the large hand of the Allied Powers, while a large sword bearing the inscription "Peace of Justice" hangs by a thread above him
A political cartoon from Clifford Berryman following World War I, depicting a German delegate shakily signing a peace treaty as directed by the large hand of the Allied Powers, while a large sword bearing the inscription "Peace of Justice" hangs by a thread above him (1919)

The Roman 1st-century BC poet Horace also alluded to the sword of Damocles in Ode 1 of the Third Book of Odes, in which he extolled the virtues of living a simple, rustic life, favoring such an existence over the myriad threats and anxieties that accompany holding a position of power. In this appeal to his friend and patron, the aristocratic Gaius Maecenas, Horace describes the Siculae dapes or "Sicilian feasts" as providing no savory pleasure to the man, "above whose impious head hangs a drawn sword (destrictus ensis)."

The phrase has also come to be used in describing any situation infused with a sense of impending doom, especially when the peril is visible and proximal—regardless of whether the victim is in a position of power. United States President John F. Kennedy compared the omnipresent threat of nuclear annihilation to a sword of Damocles hanging over the people of the world. Soviet First Secretary Nikita Khrushchev wanted the Tsar Bomba to "hang like the sword of Damocles over the imperialists' heads".

Woodcut images of the sword of Damocles as an emblem appear in 16th- and 17th-century European books of devices, with moralizing couplets or quatrains, with the import METUS EST PLENUS TYRANNIS. A small vignette shows Damocles under a canopy of state, at the festive table, with Dionysius seated nearby; the etching, with its clear political moral, was later used to illustrate the idea.

References to the sword of Damocles can also be found in cartoonist illustrations, such as in Joseph Keppler's magazine Puck, a satiric periodical started in the late 1800s in the United States, and the sword can be used as a device to call attention to the peril that current events or contentious issues of the time place the world in.

The sword of Damocles frequently appears in popular culture, including novels, feature films, television series, video games, and music. Some notable examples include Damocles, a 16-bit videogame from 1990 in which the player races to prevent the titular comet Damocles from destroying a planet, the song "The Sword of Damocles" from The Rocky Horror Picture Show, and a virtual reality headset also called The Sword of Damocles, developed by Ivan Sutherland in 1968, named for its suspension from the ceiling of the lab in which it was developed and its foreboding appearance.

A scene from Keppler's Puck shows Damocles in a crown labeled "industry" standing beneath a sword labeled "coal strikes"
A scene from Joseph Keppler's Puck showing Damocles, wearing a crown labeled "Industry", standing beneath a large sword, labeled "Coal Strikes", which hangs above him by a thread, suggesting that the coal strikes at the beginning of the 20th century were the modern-day sword of Damocles (1903)

In Made in Canada, a Canadian television series that ran from 1998 to 2003, Sword of Damacles was the name of an in-series television show produced by Pyramid, the production company the show centres around.

The Damocles is the name of the ship that is used in a multi-episode plot-line that spanned multiple seasons of the television show NCIS.

The Japanese anime series, K (also referred to as K-Project) utilizes the theme of the sword of Damocles as an integral part of the plot for its main characters.

The CW show The 100 presents its two-part finale of season 5, titled "Damocles." In this finale, General Diyoza confronts Octavia with the words, "Do you know what your mistake was? Your mistake was enjoying it... Power... it’s the kiss of death."

The Finnish band HIM released a song called Shatter Me With Hope on their 2010 album Screamworks:Love In Theory and Practice that features a reference to the sword of Damocles in the lyrics.

The American band Trivium released a song called "Like a Sword Over Damocles" on their 2021 album In the Court of the Dragon.

The British band Sleep Token released a song called "Damocles" on their 2025 album Even in Arcadia.

The sword of Damocles is an oft-used symbol in modern hip hop, an allusion used to impart the threat "kingly" rappers face of being deposed as the best of the best. It is referenced in the lyrics of the song "Zealots" by The Fugees in 1996. It also appears in the music of Kanye West, both in the music video for his single "Power" in 2010, where a sword is positioned above West's head as he stands amidst rows of Ionic columns, and in later cover art for the song, which features the impaled head of a black man wearing a crown.

Atmospheric chemistry

From Wikipedia, the free encyclopedia https://en.wikipedia.org/wiki/Atmospher...