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Sunday, August 11, 2024

All in the Family

From Wikipedia, the free encyclopedia
GenreSitcom
Based onTill Death Us Do Part
by Johnny Speight
Developed byNorman Lear
Directed by
Starring
Theme music composerLee Adams (lyrics),
Charles Strouse (music), Roger Kellaway (ending theme)
Opening theme"Those Were the Days"
Performed by Carroll O'Connor and Jean Stapleton
Ending theme"Remembering You"
by Roger Kellaway, (music) and Carroll O'Connor (additional lyrics added in 1971; instrumental version)
Country of originUnited States
No. of seasons9
No. of episodes205 (list of episodes)
Production
Production locationsCBS Television City
Hollywood, California (1971–75)
Metromedia Square
Hollywood, California (1975–79)
Running time25–26 minutes
Production companyTandem Productions
Original release
NetworkCBS
ReleaseJanuary 12, 1971 –
April 8, 1979
Related

All in the Family is an American television sitcom that aired on CBS for nine seasons, from January 12, 1971, to April 8, 1979. It was later produced as Archie Bunker's Place, a continuation series, which picked up where All in the Family ended and ran for four seasons through 1983.

Based on the British sitcom Till Death Us Do Part, All in the Family was produced by Norman Lear and Bud Yorkin. It starred Carroll O'Connor, Jean Stapleton, Sally Struthers, and Rob Reiner. The show revolves around the life of a working-class man and his family. It broke ground by introducing challenging and complex issues into mainstream network television comedy: racism, antisemitism, infidelity, homosexuality, women's liberation, rape, religion, miscarriages, abortion, breast cancer, the Vietnam War, menopause, and impotence. The series became arguably one of television's most influential comedic programs, as it injected the sitcom format with more dramatic moments and realistic, topical conflicts.

All in the Family has been ranked as one of the best American television series. The show became the most watched show in the United States during the summer reruns of the first season, and topped the yearly Nielsen ratings from 1971 to 1976, the first television series to have held the position for five consecutive years. The episode "Sammy's Visit" was ranked number 13 on TV Guide's 100 Greatest Episodes of All Time. TV Guide's 50 Greatest TV Shows of All Time ranked All in the Family as number four. Bravo also named the show's protagonist, Archie Bunker, TV's greatest character of all time. In 2013, the Writers Guild of America ranked All in the Family the fourth-best written TV series In 2023, Variety ranked All in the Family #16 on its list of the 100 greatest TV shows.

Premise

All in the Family centers on a working-class White American family living in Queens, New York. Its patriarch, Archie Bunker (O'Connor), is an outspoken, narrow-minded man, seemingly prejudiced against everyone not like him or his ideas of how people should be. Archie's wife Edith (Jean Stapleton) is sweet and understanding, which can make her appear naïve and uneducated. Her husband often treats her dismissively and uses disparaging language, calling her "dingbat".

Their one child, Gloria (Sally Struthers), is generally kind and good-natured like her mother, but displays traces of her father's stubbornness and temper. Unlike them, she is a feminist. Gloria is married to college, later graduate student, later college instructor Michael Stivic (Reiner)–referred to as "Meathead" by Archie–whose values are likewise influenced and shaped by the counterculture of the 1960s. The two couples represent the real-life clash of values between the Greatest Generation and Baby Boomers. For much of the series, the Stivics live in the Bunkers' home to save money, providing abundant opportunity for them to irritate each other.

The show is set in the Astoria section of Queens, with the vast majority of scenes taking place in the Bunkers' home at 704 Hauser Street. Occasional scenes take place in other locations, especially during later seasons, such as Kelsey's Bar, a neighborhood tavern that Archie spends a good deal of time in and eventually purchases, and the Stivics' home after Mike and Gloria move out.

Supporting characters represent the changing demographics of the neighborhood, especially the Jeffersons, a Black family, who live in the house next door in the early seasons and then left the area for the higher end Upper East side of Manhattan after George (the husband) made a fortune with his dry cleaning business. The Jeffersons then rented their home to Gloria and Mike.

Cast

Main characters

The Bunkers and the Stivics: standing, Gloria (Sally Struthers) and Michael (Rob Reiner). Seated, Archie (Carroll O'Connor) and Edith (Jean Stapleton) with baby Joey
  • Carroll O'Connor as Archie Bunker: Frequently called a "lovable bigot", Archie was an assertively prejudiced blue-collar worker. A World War II veteran, Archie longs for better times when people sharing his viewpoint were in charge, as evidenced by the nostalgic theme song "Those Were the Days", also the show's original title. Despite his bigotry, he is portrayed as loving and decent, as well as a man who is simply struggling to adapt to the constantly changing world, rather than someone motivated by hateful racism or prejudice. His ignorance and stubbornness seem to cause his malapropism-filled arguments to self-destruct. He often rejects uncomfortable truths by blowing a raspberry. Former child actor Mickey Rooney was Lear's first choice to play Archie, but Rooney declined the offer because of the strong potential for controversy, and in Rooney's opinion, a poor chance for success.
  • Jean Stapleton as Edith Bunker, née Baines: Edith is Archie's ditzy but kind-hearted wife. Archie often tells her to "stifle" herself and calls her a "dingbat", and although Edith generally defers to her husband's authority and endures his insults, on the rare occasions when Edith takes a stand, she proves to have a simple but profound wisdom. Despite their different personalities, they love each other deeply. Stapleton developed Edith's distinctive voice. Stapleton remained with the show through the original series run, but decided to leave at that time. During the first season of Archie Bunker's Place, Edith was seen in five of the first fourteen episodes in guest appearances. After being largely carried as an invisible character, Edith was written out as having suffered a stroke and died off-camera in the following season, leaving Archie to deal with the death of his beloved "dingbat". Stapleton appeared in all but four episodes of All in the Family. In the series' first episode, Edith is portrayed as being less of a dingbat and even sarcastically refers to her husband as "Mr. Religion, here ..." after they come home from church, something her character would not be expected to say later.
  • Sally Struthers as Gloria Stivic, née Bunker: The Bunkers' college-aged daughter who is married to Michael Stivic. She has the generally kind nature of her mother, but the stubbornness of her father, which early in the series manifests as childishness, later as a more mature feminism. Gloria frequently attempts to mediate between her father and husband, generally siding with the latter. The roles of the Bunkers' daughter and son-in-law (then named "Dickie") initially went to Candice Azzara and Chip Oliver. After seeing the show's pilot, ABC requested a second pilot expressing dissatisfaction with both actors. Lear later recast the roles of Gloria and Dickie with Struthers and Reiner. Penny Marshall, Reiner's wife, whom he married in April 1971 shortly after the program began, was considered for the role of Gloria. During the earlier seasons of the show, Struthers was known to be discontented with how static her part was and, in 1974, sued to get out of her contract. But the character became more developed, satisfying her. Struthers appeared in 157 of the 202 episodes during the first eight seasons—from January 12, 1971, to March 19, 1978. She later reprised the role in the spin-off series Gloria, which lasted one season in 1982–1983.
  • Rob Reiner as Michael "Meathead" Stivic: Gloria's Polish-American hippie husband is part of the counterculture of the 1960s. While good-hearted and well-meaning, he constantly spars with Archie, and is equally stubborn, although his moral views are generally presented as being more ethical and his logic somewhat sounder. He is the most-educated person in the household, a fact which gives him a self-assured arrogance, and despite his intellectual belief in progressive social values, he tends to expect Gloria to defer to him as her husband. As discussed in All in the Family retrospectives, Richard Dreyfuss sought the part, but Norman Lear ultimately cast Reiner. Harrison Ford turned down the role, citing Archie Bunker's bigotry. Reiner appeared in 174 of the 202 episodes of the series during the first eight seasons—from January 12, 1971, to March 19, 1978. Reiner is credited with writing three of the series' episodes.
  • Danielle Brisebois as Stephanie Mills, the nine-year-old daughter of Edith's cousin Floyd, who is a regular throughout the ninth season. In addition to being thought cute and having a sweet side, she is smart, clever, and does give her own few remarks at Archie from time to time. The Bunkers take her in after her father abandons her on their doorstep in 1978. He later extorts money from them to let them keep her. She remained with the show through its transition to Archie Bunker's Place and appeared in all four seasons of the continuation.

Supporting characters

When Archie visits a local blood bank to make a donation, he meets his neighbor, Lionel Jefferson, who is there for the same purpose.
  • Sherman Hemsley as George Jefferson, Isabel Sanford as his wife Louise, and Mike Evans as their son Lionel, Archie's Black neighbors: George is Archie's combative black counterpart; Louise is a smarter, more assertive version of Edith. Lionel first appeared in the series' premiere episode "Meet the Bunkers"; Louise appeared later in the first season. Although George had been mentioned many times, he was not seen until 1973. Hemsley, who was Norman Lear's first choice to play George, was performing in the Broadway musical Purlie and did not want to break his commitment to that show. Lear kept the role waiting for him until he had finished with the musical. Plots frequently find Archie and George at odds with each other while Edith and Louise attempt to join forces to bring about a resolution. George and Louise later moved to an apartment in Manhattan in their own show, The Jeffersons. Lionel appeared in All in the Family as a college student and aspiring electrical engineer who early on did odd jobs around the neighborhood including television and radio repair.
  • Mel Stewart, as George's brother Henry Jefferson: The two appeared together only once, in a 1973 episode in which the Bunkers host Henry's going-away party, marking Stewart's final episode and Hemsley's first. After the Jeffersons were spun off into their own show in 1975, Stewart's character was rarely referred to again and was never seen. In the closing credits of "The First and Last Supper" episode, Mel Stewart is incorrectly credited as playing George Jefferson. Stewart was actually playing George's brother Henry Jefferson, who was pretending to be George for most of the episode. (Season 1–4, 8 episodes)
  • Bea Arthur as Edith's cousin Maude: Maude was white-collared and ultra-liberal, the perfect foil to Archie, and one of his main antagonists. She appeared in two episodes, "Cousin Maude's Visit", where she took care of the Bunker household when all four were sick, and "Maude" from the show's second season, which was basically a backdoor pilot. Her spin-off series, Maude, began in fall 1972. (Season 2, 2 episodes)
  • Betty Garrett and Vincent Gardenia as the liberal Roman Catholic next-door neighbors Irene and Frank Lorenzo: Both first appeared as a married couple as Irene was trying to use the Bunker's phone. During an argument earlier in the episode, Archie and Mike had broken the phone wire. Irene being a 'handyman' of sorts with her own tools, which she carried in her purse, fixed it. Irene fixed many things at the Bunker house during her time on the show. She also had a sister who was a nun and appeared in one episode. "Edith's Christmas Story" reveals that Irene has had a mastectomy. Archie got her a job as a forklift operator at the plant where he worked. Irene was a strong-willed woman of Irish heritage, and Frank was a jovial Italian househusband who loved cooking and singing. He also was a salesman, but what he sold was never said. Gardenia, who also appeared as Jim Bowman in episode eight of season one (as the man who sold his house to the Jeffersons) and as Curtis Rempley in episode seven of season three (as a swinger opposite Rue McClanahan), became a semi-regular along with Garrett in 1973. Gardenia only stayed for one season as Frank Lorenzo, but Garrett remained until her character was phased-out in late 1975. (Season 4–6)
  • Allan Melvin as Archie's neighbor and good friend Barney Hefner: Barney first appeared in 1972 as a recurring character. His appearances increased during subsequent seasons until he became a regular. He appeared as a regular in all four seasons of Archie Bunker's Place. Melvin also appeared in first-season episode "Archie in the Lock-up" as a desk sergeant at a police precinct.

Recurring characters

  • James Cromwell as Jerome "Stretch" Cunningham (1973–1976) "The Funniest Man in The World", Archie's friend and co-worker from the loading dock (Archie claims that he is known as the "Bob Hope" of the loading platform): What Archie did not know was that Stretch was Jewish, evident only after Stretch died and Archie went to the funeral. Archie's eulogy (or "urology" as he called it) for his friend is often referred to as a rare occasion when he was capable of showing the humanity he tried so earnestly to hide. In the episode titled "Archie in the Cellar", Billy Sands is referred to as Stretch Cunningham, the voice on the tape recorder telling jokes. Sands also appeared as other characters on the show during its run, in Kelsey's Bar as a patron. (Season 5, 3 episodes)
  • Liz Torres as Theresa Betancourt (1976–1977): A Puerto Rican nursing student who meets Archie when he is admitted to the hospital for surgery. She later rents Mike and Gloria's former room at the Bunker house. She called Archie "Papi". Torres joined All in the Family in the fall of 1976, but her character was not popular with viewers, and the role was phased out before the end of the season. (Season 7, 7 episodes)
  • Billy Halop as Mr. Munson (1971–76), the cab driver who lets Archie drive his cab to make extra money. (Season 1–3 & 5–6, 10 episodes)
  • Bob Hastings as Kelcy or Tommy Kelsey, who owns the bar Archie frequents and later buys: Kelcy was also played by Frank Maxwell in the episode "Archie Gets The Business". The name of the establishment is Kelcy's Bar (as seen in the bar window in various episodes). Due to a continuity error, the end credits of episodes involving the bar owner spell the name "Kelcy" for the first two seasons and "Kelsey" thereafter, although the end credits show "Kelcy" in the "Archie Gets the Business" episode.
  • Jason Wingreen as Harry Snowden, a bartender at Kelcy's Bar who continues to work there after Archie purchases it as his business partner: Harry had tried to buy the bar from Kelcy, but Archie was able to come up with the money first, by taking a mortgage out on his house, which the Bunkers owned outright.
  • Gloria LeRoy as Mildred "Boom-Boom" Turner, a buxom, middle-aged secretary at the plant where Archie works: Her first appearance was when Archie is lost on his way to a convention and Mike and Gloria suspect he and she could be having an affair. Archie gave her that moniker as she was walking by the loading dock. He said when she walked, "Boom-Boom". She is not fond of Archie because he and Stretch leer at her and because of their sexist behavior, but later becomes friendly with him, occasionally working as a barmaid at Archie's Place. Gloria LeRoy also appeared in a third-season episode as "Bobbi Jo" Loomis, the wife of Archie's old war buddy "Duke".
  • Barnard Hughes as Father John Majeski, a local Catholic priest who was suspected by Archie one time of trying to convert Edith: He appeared in multiple episodes. The first time was when Edith accidentally hit Majeski's car near the local supermarket with a can of cling peaches in heavy syrup. (Season 2,3 & 4, 3 episodes)
  • Eugene Roche appeared as practical jokester friend and fellow lodge member "Pinky Peterson", one of Archie Bunker's buddies, in three episodes, first in the episode "Beverly Rides Again", then the memorable Christmas Day episode called "The Draft Dodger" (episode 146, 1976), and finally the episode "Archie's Other Wife". (Season 7 & 9, 3 episodes)
  • Sorrell Booke as Lyle Sanders, personnel manager at Archie Bunker's workplace, Prendergast Tool and Die Company. He had appeared on the series as Lyle Bennett, the manager of a local television station, in the episode "Archie and the Editorial" in season three.
  • Lori Shannon played Beverly La Salle, a transvestite entertainer, who appeared in three episodes: "Archie the Hero", "Beverly Rides Again", and "Edith's Crisis of Faith". In that third episode, Mike and Beverly are attacked, and Beverly dies in a hospital from injuries suffered during the fight.
  • Estelle Parsons as Blanche Hefner (1977–1979), Barney's second wife: Blanche and Archie are not fond of one another, though Edith likes her very much. The character is mentioned throughout much of the series after Barney's first wife, Mabel, had died, though she only appeared in a handful of episodes during the last few seasons. Estelle Parsons also appeared in the season-seven episode "Archie's Secret Passion" as Dolores Fencel. (Season 7 & 9)
  • Bill Quinn as Mr. Edgar van Ranseleer (Mr. van R), a blind patron and regular at the bar: He was almost never referred to by his first name. In a running joke, Archie usually waves his hand in front of Mr. van R's face when he speaks to him. His role was later expanded on Archie Bunker's Place, where he appeared in all four seasons.
  • Burt Mustin as Justin Quigley, a feisty octogenarian/nonagenarian: Mr. Quigley first appeared in the episode: "Edith Finds an Old Man" (season four, episode three, September 23, 1973) where he runs away from an old age home. He temporarily moves in with the Bunkers but quickly leaves to share an apartment with his friend Josephine "Jo" Nelson, played by Ruth McDevitt. He appeared in several other episodes, including "Archie's Weighty Problem". Mr. Mustin previously appeared in a first-season episode as Harry Feeney, the night watchman at Archie's workplace. (1, 4–6, 5 episodes)
  • Nedra Volz as Aunt Iola: Edith's aunt, she was mentioned several times in the eighth season and stayed with the Bunkers for two weeks. Edith wanted her to move in, but Archie would not allow it, though when he thought Iola did not have any place to go, he told her privately that she could always stay with them.
  • Francine Beers and Jane Connell as Sybil Gooley, who worked at Ferguson's Market: Frequently mentioned, usually by Edith, Sybil predicted that Gloria and Mike were having a baby boy by performing a ring on a string "swing test" over Gloria's abdomen. Sybil also appeared in the episode "Edith's 50th Birthday" and spilled the beans on her surprise party because she had not been invited. Archie and she did not get along, and he referred to her as a "Big Mouth".
  • Rae Allen and Elizabeth Wilson as Edith's cousin Amelia DeKuyper: Archie detests Amelia and her husband, Russell, who are wealthy. Once, she sent Edith a mink and Archie wanted to send it back, until he found out how much it was worth. In another episode, Amelia and her husband visit the Bunkers to bring them gifts from a recent trip to Hawaii, but in a private moment, Amelia shares with Edith that, despite appearances, she and Russell are considering a divorce. The character was played by two different actresses in three episodes of the show.
  • Richard Dysart and George S. Irving as Russell DeKuyper, Amelia's husband. He is a plumbing contractor who continued the business started by Amelia's father and uncles. He constantly flaunts his monetary wealth in front of Archie and looks askance at the way Archie lives, forgetting that he walked into a profitable plumbing business. He appeared in two of the episodes that featured Amelia.
  • Clyde Kusatsu as Reverend Chong appeared in three episodes. He refused to baptize little Joey in season six, and then remarried Archie and Edith, and Mike and Gloria in season eight, and gave counsel to Stephanie in season nine as it was learned that she was Jewish. (Season 6, 8 & 9, 3 episodes)
  • Ruth McDevitt as Josephine "Jo" Nelson: She played the girlfriend of Justin Quigley, the older man Edith found walking around the supermarket. She appeared in three episodes from seasons four through six. Gloria and Mike adopted them as their god grandparents. Of most of the characters, Archie took a liking to Justin and Jo. She died following the end of the sixth season. (Season 4 & 5, 3 episodes)
  • William Benedict as Jimmy McNabb: The Bunkers' neighbor, he appeared in two episodes during the first and second seasons and was referred to many times during the first few seasons.
  • Jack Grimes as Mr. Whitehead: A member of Archie's lodge, he was the local funeral director. The death of Archie's cousin Oscar in a season-two episode of All in the Family brings the very short, white-haired, and silver-tongued Whitehead with his catalog of caskets. (Season 2 & 4, 2 episodes)

History and production

The show came about when Norman Lear read an article in Variety magazine on Till Death Us Do Part and its success in the United Kingdom. He immediately knew it portrayed a relationship just like the one between his father and himself.

Lear bought the rights to the show and incorporated his own family experiences with his father into the show. Lear's father would tell Lear's mother to "stifle herself" and she would tell Lear's father "you are the laziest white man I ever saw" (two "Archieisms" that found their way onto the show).

The original pilot was titled Justice for All and was developed for ABC. Tom Bosley, Jack Warden, and Jackie Gleason were all considered for the role of Archie Bunker. In fact, CBS wanted to buy the rights to the original show and retool it specifically for Gleason, who was under contract to them, but producer Lear beat out CBS for the rights and offered the show to ABC. Mickey Rooney was offered the role but turned it down as he felt the character was "un-American".

In the pilot, Carroll O'Connor and Jean Stapleton played Archie and Edith Justice. Kelly Jean Peters played Gloria and Tim McIntire played her husband, Richard. It was taped in October 1968 in New York City. After screening the first pilot, ABC gave the producers more money to shoot a second pilot, titled Those Were the Days, which Lear taped in February 1969 in Hollywood. Candice Azzara played Gloria and Chip Oliver played her husband Dickie. D'Urville Martin played Lionel Jefferson in both pilots.

After stations' and viewers' complaints caused ABC to cancel Turn-On (a sketch comedy series developed by Laugh-In's George Schlatter) after only one episode in February 1969, the network became uneasy about airing a show with a "foul-mouthed, bigoted lead" character, and rejected the series at about the time Richard Dreyfuss sought the role of Michael. Rival network CBS was eager to update its image and was looking to replace much of its then popular "rural" programming (Mayberry R.F.D., The Beverly Hillbillies, Petticoat Junction and Green Acres) with more "urban", contemporary series and was interested in Lear's project; by this point, Gleason was no longer under contract to CBS (his own show was among those eliminated), allowing Lear to keep Carroll O'Connor on as the lead. CBS bought the rights from ABC and retitled the show All in the Family. The pilot episode CBS developed had the final cast and was the series' first episode.

Lear wanted to shoot in black and white as Till Death Us Do Part had been. While CBS insisted on color, Lear had the set furnished in neutral tones, keeping everything relatively devoid of color. As costume designer Rita Riggs described in her 2001 Archive of American Television interview, Lear's idea was to create the feeling of sepia tones, in an attempt to make viewers feel as if they were looking at an old family album.

All in the Family was the first major American series to be videotaped in front of a live studio audience. In the 1960s, most sitcoms had been filmed in the single-camera format without audiences, with a laugh track simulating an audience response, with videotape at that time mainly reserved for news programming and variety shows. Lear employed the multiple-camera format of shooting in front of an audience, but used tape, whereas previous multiple-camera shows like The Mary Tyler Moore Show had used film. Due to the success of All in the Family, videotaping sitcoms in front of an audience became a common format for the genre during the 1970s, onward, until the advent of digital HD. The use of videotape also gave All in the Family the look and feel of early live television, including the original live broadcasts of The Honeymooners, to which All in the Family is sometimes compared.

For the show's final season, the practice of being taped before a live audience changed to playing the already taped and edited show to an audience and recording their laughter to add to the original sound track, and the voice-over during the end credits were changed from Rob Stone's voice "All in the Family was recorded on tape before a live audience." to Carroll O'Connor's"All in the Family was played to a studio audience for live responses." (typically, the audience was gathered for a taping of One Day at a Time, and got to see All In the Family as a bonus.). Throughout its run, Norman Lear took pride in the fact that canned laughter was never used (mentioning this on many occasions); the laughter heard in the episodes was genuine.

Theme song

The series' opening theme song "Those Were the Days", was written by Lee Adams (lyrics) and Charles Strouse (music). It was presented in a way that was unique for a 1970s series: Carroll O'Connor and Jean Stapleton were seated at a console or spinet piano (played by Stapleton) and sang the tune together on-camera at the start of every episode, concluding with applause from a studio audience. The song dates back to the first Justice For All pilot filmed in 1968, although on that occasion O'Connor and Stapleton performed the song off-camera and at a faster tempo than the series version.

Six different performances were recorded over the run of the series, including one version that includes additional lyrics. The song is a simple, pentatonic melody, that can be played exclusively with black keys on a piano, in which Archie and Edith were nostalgic for the simpler days of the past. A longer version of the song was released as a single on Atlantic Records, reaching number 43 on the US Billboard Hot 100 and number 30 on the Billboard Adult Contemporary chart in early 1972. The additional lyrics in this longer version lend the song a greater sense of sadness and make poignant reference to social changes taking place in the 1960s and early 1970s.

A few perceptible drifts can be observed when listening to each version chronologically. In the original version, the lyric "Those Were The Days" was sung over the tonic (root chord of the song's key), and the piano strikes a dominant 7th passing chord in transition to the next part, which is absent from subsequent versions. Jean Stapleton's screeching high note on the line "And you knew who you WEEERRE then" became louder, longer, and more comical, although only in the original version did the line draw a laugh from the audience.

Carroll O'Connor's pronunciation of "welfare state" added more of Archie's trademark whining enunciation, and the closing lyrics (especially "Gee, our old LaSalle ran great") were sung with increasingly deliberate articulation, as viewers had complained that they could not understand the words. Also in the original version, the camera angle was shot slightly from the right side of the talent as opposed to the straight on angle of the next version. Jean Stapleton performed the theme song without glasses beginning in season 6.

In addition to O'Connor and Stapleton singing, footage is also shown beginning with aerial shots of Manhattan, and continuing to Queens, progressively zooming in, culminating with a still shot of a lower middle-class semidetached home, presumably representing the Bunkers' house in Astoria, suggesting that the visit to the Bunkers' home has begun. The house shown in the opening credits is actually located at 89–70 Cooper Avenue in the Glendale section of Queens, New York.

A notable difference exists, between the Cooper Avenue house and the All in the Family set: the Cooper Avenue house has no porch, while the Bunkers' home featured a front porch. Since the footage used for the opening had been shot back in 1968 for the series' first pilot, the establishing shot of the Manhattan skyline was completely devoid of the World Trade Center towers, which had not yet been built. When the series aired two years later, the Trade Center towers, although under construction, had still not yet risen high enough to become a prominent feature on the Manhattan skyline. This did not happen until the end of 1971.

Despite this change in the Manhattan skyline, the original, somewhat grainy 1968 footage continued to be used for the series opening until the series transitioned into Archie Bunker's Place in 1979. At that time, a new opening with current shots of the Manhattan skyline were used with the Trade Center towers being seen in the closing credits. This opening format – showing actual footage of the cities and neighborhoods in which the show was set – became the standard for most of Norman Lear's sitcoms, including others in the All in the Family franchise – Maude, Good Times, and The Jeffersons.

At the end of the opening, the camera then returns to a last few seconds of O'Connor and Stapleton, as they finish the song. At the end of the original version, Edith smiles at Archie and Archie smiles off at a slight distance. In the longest running version (from season 2 to season 5), Edith smiles blissfully at Archie, and Archie puts a cigar in his mouth and returns a rather cynical, sheepish look to Edith. From season six through eight, Edith smiles and rests her chin on Archie's shoulder.

In the final season, Edith hugs Archie at the conclusion. In the first three versions of the opening, Archie is seen wearing his classic trademark white shirt. In the final version of the opening for the series' ninth season, Archie is seen wearing a grey sweater-jacket over his white shirt. In all versions of the opening, the song's conclusion is accompanied by applause from the studio audience.

In interviews, Norman Lear explained that the idea for the piano song introduction was a cost-cutting measure. After completion of the pilot episode, the budget would not allow an elaborate scene to serve as the sequence played during the show's opening credits. Lear decided to have a simple scene of Archie and Edith singing at the piano.

The closing theme, an instrumental, was "Remembering You", played by its composer Roger Kellaway, with lyrics later added by Carroll O'Connor. It was played over footage of the same row of houses in Queens as in the opening, but moving in the opposite direction down the street, and eventually moving back to aerial shots of Manhattan, suggesting the visit to the Bunkers' home has concluded. O'Connor recorded a vocal version of "Remembering You" for a record album, but though he performed it several times on TV appearances, the lyrics about the end of a romance were never heard in the actual series. In July 1986, vocalist Helen Merrill's contrastingly jazz-flavored rendition, accompanied by a Kellaway-led trio and introduced by O'Connor, was featured on The Merv Griffin Show.

Except for some brief instances in the first season, scenes contained no background or transitional music.

Setting and location

The house featured in the opening credits sequence, as it appeared in late 2013

Lear and his writers set the series in the Queens neighborhood of Astoria. The location of the Bunkers' house at 704 Hauser Street is fictitious. No Hauser Street exists in Queens. The address is not presented the way addresses are given in Queens: most address numbers are hyphenated, identifying the number of the nearest cross street. Nevertheless, many episodes reveal that the Bunkers live near the major thoroughfare Northern Boulevard, which was the location of Kelsey's Bar and later Archie Bunker's Place.

The exterior of the house shown at the show closing is a home located at 89-70 Cooper Avenue, Glendale, Queens, New York, across from St. John Cemetery (40.712492°N 73.860784°W).

Many real Queens institutions are mentioned throughout the series. Carroll O'Connor, a Queens native from Forest Hills, said in an interview with the Archive of American Television that he suggested to the writers many of the locations to give the series authenticity. For example, Archie is said to have attended Flushing High School, a real school in Flushing, Queens, although in the "Man of the Year" episode of Archie Bunker's Place, Archie attended Bryant High School in nearby Long Island City. As another example, the 1976 episode "The Baby Contest" deals with Archie entering baby Joey in a cutest-baby contest sponsored by the Long Island Daily Press, a then-operating local newspaper in Queens and Long Island.

The writers of All in the Family continued throughout the series to have the Bunkers and other characters use telephone exchange names when giving a telephone number. Most other series at the time, such as The Mary Tyler Moore Show, were using the standard fictitious 555 telephone exchange at a time when the Bell System was trying to discontinue them. At different times throughout the series, the exchanges Ravenswood and Bayside – both valid in the area – were used for the Bunkers' telephone number. Actual residents of the Bunkers' age continued using exchange names into the early 1980s, which is referred to in the 1979 episode "The Appendectomy", in which Edith gets confused between the two versions of a number she is dialing.

Episodes

SeasonEpisodesOriginally airedRankRating
First airedLast aired
Pilots219681969
113January 12, 1971April 6, 19713418.9
224September 18, 1971March 11, 1972134.0
324September 16, 1972March 24, 1973133.3
424September 15, 1973March 16, 1974131.2
523September 14, 1974March 8, 1975130.2
624September 8, 1975March 8, 1976130.1
725September 22, 1976March 12, 19771222.9
824October 2, 1977March 19, 1978424.4
924September 24, 1978April 8, 1979924.9

"Sammy's Visit", first broadcast in February 1972, is a particularly notable episode, whose famous episode-ending scene produced the longest sustained audience laughter in the history of the show. Guest star Sammy Davis Jr. plays himself. Archie is moonlighting as a cab driver and Davis visits the Bunker home to retrieve a briefcase he left in Archie's cab earlier that day. After hearing Archie's bigoted remarks, Davis asks for a photograph with him. At the moment the picture is taken, Davis suddenly kisses a stunned Archie on the cheek. The ensuing laughter went on for so long that it had to be severely edited for network broadcast, as Carroll O'Connor still had one line ("Well, what the hell — he said it was in his contract!") to deliver after the kiss. (The line is usually cut in syndication.)

Syndication

During the show's sixth season, starting on December 1, 1975, CBS began airing reruns on weekdays at 3 p.m. (EST), replacing long-running soap opera The Edge of Night, which moved to ABC. The show would later move to 3:30 p.m. and in September 1978, 10 a.m. This lasted until September 1979, when Viacom distributed the reruns to the off-network market where many stations picked up the show. In 1991, Columbia Pictures Television began syndicating the show, and Columbia's successor companies have continued to do so.

Since the late 1980s, All in the Family has been rerun on various cable and satellite networks including TBS (although it held the rights locally in Atlanta, as well), TV Land, Nick at Nite, and Sundance TV. From January 3, 2011, to December 31, 2017, the show aired on Antenna TV. As of January 1, 2018, the show began to air on GetTV. Since February 5, 2023, MeTV aired episodes of the show on Sunday nights at 8:00 PM ET/7:00 PM CT. All episodes have been airing nightly on the Catchy Comedy (formerly Decades) digital retro TV network.

The cast forfeited their residual rights for a cash payout early in the production run.

Ratings

All in the Family is one of three television shows (The Cosby Show and the reality music competition American Idol being the others) that have been number one in the Nielsen ratings for five consecutive TV seasons. The show remained in the top 10 for seven of its nine seasons.

Season Time slot Nielsen ratings
Rank Rating Households
1 (1970–71) Tuesday at 9:30–10:00 pm on CBS No. 34 18.9 11,358,900
2 (1971–72) Saturday at 8:00–8:30 pm on CBS No. 1 34.0 21,114,000
3 (1972–73) 33.3 21,578,400
4 (1973–74) 31.2 20,654,400
5 (1974–75) 30.2 20,687,000
6 (1975–76) Monday at 9:00–9:30 pm on CBS 30.1 20,949,600
7 (1976–77) Wednesday at 9:00–9:30 pm on CBS (September 22 – October 27, 1976)
Saturday at 9:00–9:30 pm on CBS (November 6, 1976 – March 12, 1977)
No. 12 22.9 16,304,800
8 (1977–78) Sunday at 9:00–9:30 pm on CBS No. 4 24.4 (tied with 60 Minutes and Charlie's Angels) 17,787,600
9 (1978–79) Sunday at 9:00–9:30 pm on CBS (September 24 – October 1, 1978)
Sunday at 8:00–8:30 pm on CBS (October 8, 1978 – April 8, 1979)
No. 9 24.9 (tied with Taxi) 18,550,500 

The series finale was seen by 40.2 million viewers.

Spin-offs

As of 2009, All in the Family has the most spin-offs for a US prime-time television series, directly spawning five other shows, three of which were very successful, as well as two of those spin-offs each having a spin-off of their own:

  • The first spin-off was Maude, which debuted in September 1972. It features Edith's acerbic cousin Maude Findlay (Bea Arthur), who first appeared on All in the Family in the December 1971 episode "Cousin Maude's Visit", visiting to take care of the influenza-suffering Bunkers. In March 1972, at the end of the series' second season, the character was again featured in the episode "Maude". In this episode, a "backdoor pilot" for a new series, Archie and Edith visit her home in Westchester County to attend the wedding of her daughter Carol. Bill Macy played Maude's husband Walter and Marcia Rodd played Carol; Rodd was replaced by Adrienne Barbeau for the series. The show lasted for six seasons and 141 episodes, airing its final episode in April 1978.
    • Good Times is considered by some to be a spin-off of Maude, as the show's focus was Florida Evans, a character first appearing on Maude during its initial seasons as the Findlays' black maid. But the character's history and situation were changed for the new show. According to producer Allan Manings, "It wasn't really a spin-off." The show features no reference to Maude, changes the name of Florida's husband from Henry to James, and sets the show in a Chicago housing project. It ran for six seasons from February 1974 to August 1979.
  • The second and longest-lasting spin-off of All in the Family was The Jeffersons. Debuting on CBS in January 1975, The Jeffersons lasted 11 seasons and 253 episodes (more than All in the Family's nine seasons and 208 episodes). The main characters were the Bunkers' black former next-door neighbors George and Louise Jefferson (Sherman Hemsley and Isabel Sanford). George was the owner of seven successful dry-cleaning stores, and the series featured their life after moving from the Bunkers' working-class neighborhood to a luxury high-rise apartment building in Manhattan's Upper East Side.
    • Checking In was spun off from The Jeffersons, focusing on the Jeffersons' maid Florence Johnston, working as an executive housekeeper at the St. Frederick Hotel in Manhattan. It only lasted four weeks in April 1981, and the character returned to her old job as the Jeffersons' maid.
  • Archie Bunker's Place was technically a spin-off, but was essentially a renamed continuation of the series, beginning in September 1979 following the final season of the original. It was primarily set in the titular neighborhood tavern which Archie Bunker purchased in the eighth season of All in the Family. It aired for four seasons, until April 1983.
  • Gloria was the third spin-off of All in the Family, focusing on now-divorced Gloria, starting a new life as an assistant trainee to a couple of veterinarians in Foxridge, New York. It premiered in September 1982, and ran for one season.
  • 704 Hauser features the Bunkers' house with a new family, the Cumberbatches. It was an inversion of the formula of the original, featuring a liberal black couple with a conservative son, who is dating a Jewish woman. Gloria and Mike's son Joey Stivic, now in his 20s, makes a brief appearance in the first episode. Five episodes aired in April and May 1994. The sixth episode was unaired.

Specials

At the height of the show's popularity, Henry Fonda hosted a special one-hour retrospective of All in the Family and its impact on American television. It included clips from the show's most memorable episodes up to that time. It was titled The Best of "All in the Family" and aired on December 21, 1974.

On February 16, 1991, CBS aired a 90-minute retrospective, All in the Family 20th Anniversary Special, hosted by Norman Lear to commemorate the show's 20th anniversary. It featured a compilation of clips from the show's best moments, and interviews with the four main cast members. The special was so well received by the viewing audience CBS aired reruns of All in the Family during its summer schedule in 1991, garnering higher ratings than the new series scheduled next to it, Norman Lear's sitcom Sunday Dinner. The latter was Lear's return to TV series producing after a seven-year absence, and was cancelled after the six-week tryout run due to being poorly received by audiences.

On May 22, 2019, ABC broadcast Live in Front of a Studio Audience: Norman Lear's All in the Family and The Jeffersons, produced by Lear and Jimmy Kimmel and starring Woody Harrelson, Marisa Tomei, Jamie Foxx, Wanda Sykes, Ike Barinholtz, Kerry Washington and Ellie Kemper.

A second Live in Front of A Studio Audience special was announced in early November 2019 to air on Wednesday December 18, this time pairing the show with Good Times.

Home media

Sony Pictures Home Entertainment (formerly Columbia TriStar Home Entertainment) released the first six seasons of All in the Family on DVD in Region 1 between 2002 and 2007. No further seasons were released, because the sales figures did not match Sony's expectations.

In June 2010, Shout! Factory announced that it had acquired the rights to the series and has since released the remaining three seasons.

In October 2012, Shout! Factory released All in the Family – The Complete Series on DVD in Region 1. The 28-disc boxed set features all 208 episodes of the series, as well as bonus features.

In February 2018, Sony released All in the Family- Seasons 1–5 on DVD in Region 1. The 15-disc set features all episodes from the first five seasons.

Vincent Gardenia, before becoming a regular cast member as Frank Lorenzo, and Rue McClanahan played a "wife-swapping" couple who meet the unsuspecting Bunkers in a 1972 episode. L-R: McClanahan, Carroll O'Connor, Jean Stapleton, and Gardenia.
DVD Name Ep # Release date
The Complete First Season 13 March 26, 2002
The Complete Second Season 24 February 4, 2003
The Complete Third Season 24 July 20, 2004
The Complete Fourth Season 24 April 12, 2005
The Complete Fifth Season 23 January 3, 2006
The Complete Sixth Season 24 February 13, 2007
The Complete Seventh Season 25 October 5, 2010
The Complete Eighth Season 24 January 11, 2011
The Complete Ninth Season 24 May 17, 2011
The Complete Series 208 October 30, 2012

Cultural impact

Archie and Edith Bunker's chairs on display in the Smithsonian National Museum of American History

As one of US television's most acclaimed and groundbreaking programs, All in the Family has been referenced or parodied in countless other forms of media. References on other sitcoms include That '70s Show, The Simpsons, and Family Guy.

Popular T-shirts, buttons, and bumper stickers showing O'Connor's image and farcically promoting "Archie Bunker for President" appeared around the time of the 1972 presidential election. In 1998, All in the Family was honored on a 33-cent stamp by the USPS.

Archie and Edith Bunker's chairs are on display in the Smithsonian National Museum of American History. The originals had been purchased by the show's set designer for a few dollars at a local Goodwill thrift store and were given to the Smithsonian (for an exhibit on American television history) in 1978. It cost producers thousands of dollars to create replicas to replace the originals.

Then-US President Richard Nixon can be heard discussing the show (specifically the 1971 episodes "Writing the President" and "Judging Books by Covers") on one of the infamous Watergate tapes.

Rapper Redman has made references to Archie Bunker in a few of his songs, specifically his smoking of large cigars.

Mad parodied the series in its 1973 special issue #11 entitled "Gall in the Family Fare", which also included a free flexi-disc record so the reader could listen to the parody as they read it.

Angry white male

From Wikipedia, the free encyclopedia
https://en.wikipedia.org/wiki/Angry_white_male

The "angry white male" or "angry white man" is a pejorative racial stereotype of white men holding conservative or right-wing views in the context of U.S. and Australian politics, often characterized by "opposition to liberal anti-discriminatory or gender policies" and beliefs. The term is usually applied to white men from the United States and Australia. In the United States, the greatest perceived threat to white male dominance has been advances of white women and people of color following the women's liberation movement and Civil Rights movement of the 1960s and 1970s, in addition to immigration, multiculturalism and LGBT rights.

United States

The term commonly refers to a political voting bloc which emerged in the early 1990s as a reaction to perceived injustices faced by white men in the face of affirmative action quotas in the workplace, much like how the Reagan Democrat bloc emerged a decade earlier. Angry white men are characterized as having animosity toward young people, women or minorities, and liberalism in general. Donald Trump's male supporters have been described by some political commentators as angry white men.

Australia

It appeared during Australia's 1998 federal elections. New political parties appeared in that election due to the preexisting fathers' rights movement in Australia. These included the Abolish Family Support/Family Court Party and the Family Law Reform Party. Similar to the usage of the term in the United States, the Australian men categorized as angry white men opposed what they perceived as the feminist agenda. These political parties were created as a reaction to the historic number of women elected to the House of Representatives. Members of these groups claimed that "feminists have entrenched themselves in positions of power and influence in government and are using their power to victimise men".

Senator Eric Abetz from the centre-right Liberal Party, arguing against Section 18C of the Racial Discrimination Act 1975, said in 2016 that it was "passing strange" that the Australian Human Rights Commission does not seem to care about what he perceives as "racist terminology" such as angry white man, but does care if another color is used to describe someone. "One cannot help but think that the term 'white' can only refer to skin colour and therefore [you] are making reference to a skin colour [and] one assumes it must have been on the basis of race that the comment was made", he commented.

Carroll O'Connor as Archie Bunker in the 1970s US television sitcom All in the Family, with Jean Stapleton as his wife Edith

The term is applied to those believed to be opposed to the civil rights movement and second-wave feminism.

The films Joe, Raging Bull, Falling Down, Cobb, God Bless America, Taxi Driver, Joker, and Clint Eastwood's performances in Dirty Harry and Gran Torino have been described as an exploration of the angry white man. In particular, the protagonist of Falling Down (a divorced, laid-off defense worker who descends via chance and choice into a spiral of increasing rage and violence) was widely reported upon as a representative of the stereotype.

The character Archie Bunker from the TV sitcoms All in the Family and Archie Bunker's Place "turned the angry white male into a cultural icon", according to CBS News. Walter White in the television series Breaking Bad has also been described as an "angry white male".

Racism in Japan

From Wikipedia, the free encyclopedia

Racism in Japan (レイシズム, reishizumu) comprises negative attitudes and views on race or ethnicity which are held by various people and groups in Japan, and have been reflected in discriminatory laws, practices and action (including violence) at various times in the history of Japan against racial or ethnic groups.

According to census statistics in 2018, 97.8% of Japan's population are Japanese, with the remainder being foreign nationals residing in Japan. The number of foreign workers has increased dramatically in recent years, due to the aging population and a shrinking labor force. A news article in 2018 suggests that approximately 1 out of 10 people among the younger population residing in Tokyo are foreign nationals. According to the CIA World Factbook, Japanese make up 98.1% of the population, Chinese 0.5%, and Korean 0.4%, with the remaining 1% representing all other ethnic groups.

Japan lacks any law which prohibits racial, ethnic, or religious discrimination. The country also has no national human rights institutions. Non-Japanese individuals in Japan often face human rights violations that Japanese citizens may not. In recent years, non-Japanese media has reported that Japanese firms frequently confiscate the passports of guest workers in Japan, particularly unskilled laborers.

In the early 20th century, driven by an ideology of Japanese nationalism under the guise of national unity, the Japanese government identified and forcefully assimilated marginalized populations, which included indigenous Ryukyuans, Ainu, and other underrepresented groups, imposing assimilation programs in language, culture and religion. Japan considers these ethnic groups as a mere "subgroup" of the Japanese people and therefore synonymous to the Yamato people, and does not recognize them as a minority group with a distinct culture.

Background

Demographics

Citizenship of foreigners in Japan in 2000.
Source: Japan Statistics Bureau

About 2.4% of Japan's total legal resident population are foreign citizens. Of these, according to 2022 data from the Japanese government, the principal groups are as follows.

Nationality Number Percentage
of foreign
citizens
 China 761,563 24.8%
 Vietnam 489,312 15.9%
North KoreaSouth Korea North/South Korea 436,670 14.2%
 Philippines 298,740 9.7%
 Brazil 209,430 6.8%
 Nepal 139,393 4.5%
 Indonesia 98,865 3.2%
 United States 60,804 2.0%
 Taiwan 57,294 1.9%
 Thailand 56,701 1.8%
Others 491,799 16.0%
Total (as of 2022) 3,075,213 100%

The above statistics do not include the approximately 30,000 U.S. military stationed in Japan, nor do they account for illegal immigrants. The statistics also do not take into account naturalized citizens from backgrounds including but not limited to Korean and Chinese, and citizen descendants of immigrants. The total legal resident population of 2012 is estimated at 127.6 million.

By target

Japanese ethnic minorities

The nine largest minority groups residing in Japan are: North and South Korean, Chinese (also Taiwanese), Brazilian (many Brazilians in Japan have Japanese ancestors), Filipinos, Vietnamese, the Ainu indigenous to Hokkaido, the Ryukyuans indigenous to Okinawa, and other islands between Kyushu and Taiwan. The Burakumin, an outcast group at the bottom of Japan's feudal order, are sometimes included. There are also a number of smaller ethnic communities in Japan with a much shorter history.

According to the United Nations' 2008 Diène report, communities most affected by racism and xenophobia in Japan include:

  • the national minorities of Ainu and people of Okinawa,
  • people and descendants of people from neighbouring countries (Chinese and Koreans)
  • and the new immigrants from other Asian, African, South American and Middle Eastern countries.

Koreans

Since the Japan–Korea Treaty of 1876 and up to World War II, Koreans sought asylum and educational opportunities that were available in Japan. In 1910, the Japan-Korean Annexation Treaty was established and it stated that Koreans would be granted Japanese citizenship by law because Korea was annexed by Japan. During World War II, the Japanese government established the National Mobilization Law, which constrained Koreans from getting jobs, which were very limited for Koreans even prior to World War II. Koreans who were not conscripted for military service were forced to work in factories and mines under inhumane conditions; an estimated 60,000 Koreans died due to harsh working conditions.

Following World War II, Koreans decided to illegally participate in the Post-World War II rebuilding of Japan because of the discrimination which they were being subjected to, both politically and economically; they were treated unfairly and paid low wages in Japan. Zainichi (resident in Japan) Koreans are permanent residents of Japan registered as Joseon (Korean: 조선, Japanese: Chōsen (朝鮮)) or South Korean nationality. Joseon was annexed by Japan in 1910, therefore Zainichi Koreans with Joseon citizenship are de facto stateless. After World War II, two million Koreans living in Japan were granted a temporary Joseon nationality under the US military government (because there was no government in Korea then). However, the meaning of Joseon nationality became vague as Korea was divided by the United States and the Soviet Union, and in 1948 North and South Korea each established their own government. Some obtained South Korean citizenship later, but others who opposed the division of Korea or sympathized with North Korea maintained their Joseon nationality because people are not allowed to register North Korean nationality.

Most Zainichi came to Japan from Korea under Japanese rule between 1910 and 1945. A large proportion of this immigration is said to be the result of Korean landowners and workers losing their land and livelihood due to Japanese land and production confiscation initiatives and migrating to Japan for work. According to the calculation of Rudolph Rummel, a total of 5.4 million Koreans were also conscripted into forced labor and shipped throughout the Japanese Empire. He estimates that 60,000 Koreans died during forced labor in places such as Manchuria and Sakhalin.

During the occupation of Korea by Japan, the Japanese government enforced a policy of forced assimilation. Korean culture was repressed and the Korean language was labeled a Japanese dialect (方言) and banned, Koreans were forced to learn how to speak Japanese and take Japanese names. However, Koreans resisted this and by the end of the 1940s, it was almost completely undone. Ethnic Koreans in Japan were massacred as scapegoats in the chaos of the Great Kanto earthquake in 1923 (Kantō Massacre). Many Korean refugees also came to the country during the Jeju uprising in the First Republic of South Korea. Though most migrants returned to Korea, GHQ estimates in 1946 indicated that 650,000 Koreans remained in Japan.

After World War II, the Korean community in Japan was split between allegiance to South Korea (Mindan) and North Korea (Chongryon). The last major wave of Korean migration to Japan started after South Korea was devastated by the Korean War in the 1950s. Most notably, the large number of refugees were from Jejuans escaping from the massacres on Jeju Island by the authoritarian South Korean government.

Zainichi who identify themselves with Chongryon are also an important money source for North Korea. One estimate suggests that the total annual transfers from Japan to North Korea may exceed US$200 million. Japanese law does not allow dual citizenship for adults over 22 and until the 1980s required adoption of a Japanese name for citizenship. Partially for this reason, many Zainichi did not obtain Japanese citizenship as they saw the process as humiliating.

Although more Zainichi are becoming Japanese citizens, issues of identity remain complicated. Even those who do not choose to become Japanese citizens often use Japanese names to avoid discrimination, and live their lives as if they were Japanese. This is in contrast with the Chinese living in Japan, who generally use their Chinese names and openly form Chinatown communities. An increase in tensions between Japan and North Korea in the late 1990s led to a surge of attacks against Chongryon, the pro-North residents' organisation, including a pattern of assaults against Korean schoolgirls in Japan. The Japanese authorities have recently started to crack down on Chongryon with investigations and arrests. These moves are often criticized by Chongryon as acts of political suppression.

When Tokyo Governor Shintaro Ishihara referred to Chinese and Koreans as sangokujin (三国人) in 2000 in the context of foreigners being a potential source of unrest in the aftermath of an earthquake, the foreign community complained. Historically, the word has often been used pejoratively and Ishihara's statement brought images of the massacre of Koreans by civilians and police alike after the 1923 Great Kantō earthquake to mind. Therefore, the use of the term in context of potential rioting by foreigners is considered by many as provocative, if not explicitly racist.

In 2014, a United States government human rights report expressed concern about the abuse and harassment directed against Korean nationals by Japanese right-wing groups such as the Uyoku dantai. In 2022, it was reported that anti-Korean racism in Japan has been on the rise, with homes burned, including one in Utoro district in Uji, and death threats made towards ethnic Korean communities.

Mainland Chinese

Mainland Chinese are the largest legal minority in Japan (according to the 2018 statistics as shown above). An investigator from the United Nations Commission on Human Rights (UNCHR) said, racism against Koreans and Chinese is deeply rooted in Japan because of history and culture.

Taiwanese

There are a number of Taiwanese people that reside in Japan due to Taiwan's history as being a colony of Japan from 1895 to 1945. Renhō (born Hsieh Lien-fang (Chinese: 謝蓮舫; pinyin: Xiè Liánfǎng; Japanese pronunciation: Sha Renhō), the former leader of the Democratic Party, is known to be the most famous mixed Taiwanese-Japanese politician.

In 2000, the then governor of Tokyo Shintaro Ishihara insulted the Taiwanese, referring to them as Sangokujin:

I referred to the "many sangokujin who entered Japan illegally." I thought some people would not know that word so I paraphrased it and used gaikokujin, or foreigners. But it was a newspaper holiday so the news agencies consciously picked up the sangokujin part, causing the problem.
... After World War II, when Japan lost, the Chinese of Taiwanese origin and people from the Korean Peninsula persecuted, robbed, and sometimes beat up Japanese. It's at that time the word was used, so it was not derogatory. Rather we were afraid of them.
... There's no need for an apology. I was surprised that there was a big reaction to my speech. In order not to cause any misunderstanding, I decided I will no longer use that word. It is regrettable that the word was interpreted in the way it was."

Ainu

The Ainu are an indigenous group mainly living in Hokkaidō, with some also living in modern-day Russia. At present, the official Japanese government estimate of the population is 25,000, though this number has been disputed with unofficial estimates of upwards of 200,000.

For much of Japanese history, the Ainu were the main inhabitants of Hokkaido. However, as a result of Japanese migration into the island after 1869, the Ainu were largely displaced and assimilated. Due to Meiji era policies, the Ainu were evicted from their traditional homelands and their cultural practices were outlawed. Official recognition of the Ainu as an indigenous group occurred over a century later on June 6, 2008, as a result of a resolution passed by the government of Japan, which recognized both their cultural differences and their past struggles.

Ryukyuan

The Ryukyuan people lived in an independent kingdom until it became a vassal of Japan's Satsuma Domain in 1609. The kingdom, however, retained a degree of autonomy until 1879 when the islands were officially annexed by Japan as Okinawa Prefecture. They are now Japan's largest minority group, with 1.3 million living in Okinawa and 300,000 living in other areas of Japan.

The Okinawan language, the most widely spoken Ryukyuan language, is related to Japanese, the two being in the Japonic languages. Ryukyuan languages were heavily suppressed through a policy of forced assimilation throughout the former Ryukyu Kingdom after it was annexed in 1879. With only Japanese taught in schools and students punished for speaking or writing their native language through the use of dialect cards, the younger generations of Ryukyuans began to give up their "backwards" culture for that of Japan. The Japanese government officially labels the Ryukyuan languages as dialects (Hōgen) of Japanese, although they are not mutually intelligible with one another, or even between each other. In 1940, there was a political debate amongst Japanese leaders about whether or not to continue the oppression of the Ryukyuan languages, although the argument for assimilation prevailed. Japanese soldiers outright shot people who spoke Ryukyuan languages during the Battle of Okinawa, believing they were spies. There are still some children learning Ryukyuan languages natively, but this is rare, especially on mainland Okinawa. The language still is used in traditional cultural activities, such as folk music, or folk dance.

After the annexation of the islands, many Ryukyuans, especially Okinawans, migrated to the mainland to find jobs or better living conditions. They were sometimes met with discrimination, such as workplaces with signs that read, "No Ryukyuans or Koreans." At the 1903 Osaka Exhibition, an exhibit called the "Pavilion of the World" (Jinruikan) had actual Okinawans, Ainu, Koreans, and other "backwards" peoples on display in their native clothes and housing. During the fierce fighting in the Battle of Okinawa, Japanese soldiers committed multiple atrocities against Okinawan civilians, including rape and murder, using them as human shields, and forcing them to commit suicide. In 2007, the Ministry of Education attempted to revise school textbooks to lessen mention of these atrocities, but was met with massive demonstrations in Okinawa.

Culturally, Okinawa throughout its history had been closer to southern China, Taiwan, and Southeast Asia as compared to Japan, reflecting its long history of trade with these regions. However, because of the standard use of Japanese in schools, television, and all print media in Okinawa, these cultural differences are often glossed over in Japanese society. Consequently, many Japanese consider Okinawans to be Japanese, sometimes ignoring their distinct cultural and historical heritage in insensitive ways.

Other groups

Western foreigners in Japan, particularly those from North America, Europe, Australia and New Zealand, are often called 外国人 Gaikokujin or 外人 Gaijin (outsider or alien). The first large influx of such foreigners occurred in the 1980s, when the Japanese government adopted a policy to give scholarships to large numbers of foreign students to study at Japanese universities.

In addition, as the Japanese economy grew quickly in the 1980s, a sizable number of Westerners began coming to Japan. Many found jobs as English conversation teachers, but others were employed in various professional fields such as finance and business. Although some have become permanent residents or even naturalized citizens, they are generally perceived as short-term visitors and treated as outsiders in Japanese society.

During the 1980s and 1990s, the Keidanren business lobbying organization advocated a policy of allowing South Americans of Japanese ancestry (mainly Brazilians and Peruvians) to work in Japan, as Japan's industries faced a major labor shortage. Although this policy has been decelerated in recent years, many of these individuals continue to live in Japan, some in ethnic enclaves near their workplaces.

Many people from Southeast Asia (particularly Vietnam and the Philippines) and Southwest Asia (and Iran) also entered Japan during this time, making foreigners as a group a more visible minority in Japan. Those foreigners are called 来日 Rainichi ('coming to Japan') in contrast to 在日 Zainichi ('in Japan'). The TBS television series Smile is about Bito Hayakawa, who was born to a Japanese mother and Filipino father, and struggled to overcome the difficulties faced as a mixed race child.

The main concerns of the latter groups are often related to their legal status, a public perception of criminal activity, and general discrimination associated with being non-Japanese.

South Sakhalin, which was once part of Japan as Karafuto Prefecture, had indigenous populations of Nivkhs and Uilta (Orok). Like the Karafuto Koreans but unlike the Ainu, they were thus not included in the evacuation of Japanese nationals after the Soviet invasion in 1945. Some Nivkhs and Uilta who served in the Imperial Japanese Army were held in Soviet work camps; after court cases in the late 1950s and 1960s, they were recognised as Japanese nationals and thus permitted to migrate to Japan. Most settled around Abashiri, Hokkaidō. The Uilta Kyokai [ja] was founded to fight for Uilta rights and the preservation of Uilta traditions in 1975 by Dahinien Gendānu.

The Ōbeikei, living in the Bonin Islands, have a varied ethnic background, including European, Micronesian and Kanak.

Although protection and refugee status has been granted to those seeking asylum from Myanmar, the same has not been offered to refugee Kurds in Japan from Turkey. Without this protection and status, these Kurds who have fled from Turkey due to persecution are generally living in destitution, with no education and having no legal residency status. A clash took place outside the Turkish embassy in Tokyo in October 2015 between Kurds and Turks in Japan which began after a Kurdish party flag was shown at the embassy.

The Burakumin group within Japan is ethnically Japanese; however, they are considered of lower status and lower class standing in comparison to other ethnicities in Japan. They worked as primarily farmers and were considered peasants on the social hierarchy pyramid. Post-World War, the Burakumin group was heavily dissociated from society as the abolishment of the feudal caste system did not put an end to the social discrimination that they faced within restricting housing systems; movements and protests have been maintained throughout the years as they fight to receive and equal status as their peers in regard to access to certain educational, housing, and social benefits and citizenship rights. In order to gain attention to the problems and injustices that they experience, groups such as the militant style, Buraka Liberation League, which uses presentations and speaking to prove and explain their frustrations to a panel.

Representation of black people in Japanese media, such as anime, has been subject to criticism.

Instances of harassment, hate speech and discrimination targeting Russians living in Japan were reported after Russian invasion of Ukraine. Foreign Minister Yoshimasa Hayashi condemned human rights abuses against Russians that took place.

In January 2024, three foreign-born residents in Japan sued the national and local governments, alleging racial profiling through illegal police questioning. The plaintiffs asserted that they experienced repeated distress from police questioning based on their appearance and ethnicity, which they claimed violated the constitution. They sought recognition of the illegality of racial profiling and 3 million yen ($20,250) in damages each. The lawsuit emerged during a surge in foreign workers in Japan and discussions on Japanese identity.

By field

Higher learning

Although foreign professors teach throughout the Japanese higher education system, Robert J. Geller of the University of Tokyo reported, in 1992, that it was extremely rare for them to be given tenure.

Non-Japanese citizens and crimes

As in other countries, foreigners sometimes do work that is not allowed by their visas, or overstay the terms of their visas. Their employment tends to be concentrated in fields where most Japanese are not able to or no longer wish to work.

The yakuza or Japanese organized crime has made use of Chinese immigrants in Japan as henchmen to commit crimes, which have led to a negative public perception. In 2003, foreigners from Africa were responsible for 2.8 times as much crime per capita as Japanese natives but were slightly less likely to commit violent crime.

According to National Police Authority records, in 2002, 16,212 foreigners were caught committing 34,746 crimes, over half of which turned out to be visa violations (residing/working in Japan without a valid visa). The statistics show that 12,667 cases (36.5%) and 487 individuals (0.038%) were Chinese, 5,272 cases (15.72%) and 1,186 individuals (7.3%) were Brazilian, and 2,815 cases (8.1%) and 1,738 individuals (10.7%) were Korean and ~6000 were others foreigners. The total number of crimes committed in the same year by Japanese was 546,934 cases.

Within these statistics, Japanese committed 6,925 violent crimes, of which 2,531 were arson or rape, while foreigners committed 323 violent crimes, but only 42 cases are classified as arson or rape. Foreigners were more likely to commit crimes in groups: About 61.5% of crimes committed by foreigners had one or more accomplice, while only 18.6% of crimes committed by Japanese were in groups. Japanese commit more violent crimes than foreigners.

By a 2022 study by the National Police Agency illegal residents decreased from 219,000 in 2004 to 113,000 in 2008, and in addition, the number of arrested foreign visitors decreased from 21,842 in 2004 to 13,880 in 2008. The percentage of foreign nationals in all arrestees charged in penal code crimes was about 2.0% and this number has remained relatively stable. While the percentage of foreign nationals among all arrestees charged in cases involving robbery or burglary was around 5.5% in 2008.

According to a survey conducted by the Tokyo Bar Association, more than 60% of 2,000 respondents from foreign backgrounds reported being interrogated by the police. Among those questioned, about 77% stated that the encounters seemed to lack any apparent reason other than their foreign appearance.

The former head of the Tokyo Metropolitan Government's Emergency Public Safety Task Force, Hiroshi Kubo, published a book called Chian wa Hontouni Akkashiteirunoka (治安はほんとうに悪化しているのか) (in English: Is Public Safety Really Deteriorating?, ISBN 978-4-86162-025-6) disputing foreign crime statistics, suggesting that such statistics were being manipulated by politicians for political gain. He suggested, for example, that including visa violations in crime statistics is misleading. He also said that the crime rate in Tokyo is based on reported rather than actual crimes.

Access to housing and other services

A significant number of apartments, and some motels, night clubs, brothels, sex parlours and public baths in Japan have put up signs stating that foreigners are not allowed, or that they must be accompanied by a Japanese person to enter.

In February 2002 plaintiffs sued a Hokkaido bathhouse in district court pleading racial discrimination, and on November 11 the Sapporo District Court ordered the bathhouse to pay the plaintiffs ¥1 million each in damages.

In fact, there were a substantial number of lawsuits regarding discrimination against foreigners. For example, in 2005, a Korean woman who attempted to rent a room was refused because she was not a Japanese citizen. She filed a discrimination lawsuit, and she won in Japanese court.

"Discrimination toward foreign nationals in their searches for homes continues to be one of the biggest problems", said the head of the Ethnic Media Press Centre. Organizers of the service said they hope to eradicate the racism that prevents foreigners, particularly Non-Westerners, from renting apartments since there are currently no laws in Japan that ban discrimination.

During the COVID-19 pandemic, many establishments started to exclude non-Japanese customers over fears that they would spread the coronavirus. For example, a ramen shop owner imposed a rule prohibiting non-Japanese people from entering the restaurant.

Healthcare

Japan provides universal health insurance for all citizens. Foreigners staying in Japan for a year or more are required to enroll for one of the public health insurance schemes. However, before this policy was mandated, many foreign workers, particularly Japanese Brazilians, were less likely to be covered by health insurance due to refusal of the employer.

Initially, many prefectures refused to allow foreigners from entering the National Health Insurance (Kokumin Kenkou Hoken) as foreigners were not considered to be eligible. The policy was revised to include foreigners after local governments witnessed healthcare disparities between Japanese citizens and foreigners. A study conducted revealed that incidences of increased poor health was high among the foreign workers living in the Tochigi Prefecture. A quarter of these workers did not visit clinics or hospitals, due to language barriers and high medical costs. Nearly 60% of the 317 workers surveyed experienced difficulty in communicating in English.

Some hospitals have been known to turn patients away if they could not confirm their residence status. The NTT Medical Center Tokyo, located in the Gotanda district of Tokyo, announced on their website that foreigners must present their insurance card and residence cards. If they were unable to then they would be denied service, with the exception of emergency cases. A maternity ward, located in Tokyo, had stated on their website that services would be limited for patients who could only speak at a conversational level in Japanese.

During the COVID-19 pandemic, many ethnic-minority healthcare providers have been found to not be assigned to treating patients with the COVID-19 infection. Possible reasons for this include the low number of ethnic-minority healthcare providers working in Japan's clinics and hospitals, as well as language barriers.

History

Pre-war xenophobia

Racial discrimination against other Asians was habitual in Imperial Japan, which first practiced it during the start of Japanese colonialism. The Meiji era Japanese were contemptuous of other Asians because they believed that other Asians were inferior to them. This sentiment was expressed in Datsu-A Ron, an editorial whose author espoused the belief that Japan should treat other Asians as other western empires treated them. Discrimination was also enacted against Ryūkyū and Ainu peoples. The Shōwa regime preached racial superiority and racialist theories, based on nature of Yamato-damashii. According to historian Kurakichi Shiratori, one of Emperor Hirohito's teachers: "Therefore nothing in the world compares to the divine nature (shinsei) of the imperial house and likewise the majesty of our national polity (kokutai). Here is one great reason for Japan's superiority." The Japanese culture long regarded Gaijin (non-Japanese) people to be subhumans and included Yamato master race theory ideology in government propaganda and schools as well.

As stated in An Investigation of Global Policy with the Yamato Race as Nucleus, a classified report which was published by the Ministry of Health, Labour and Welfare on July 1, 1943, just as a family has harmony and reciprocity, but with a clear-cut hierarchy, the Japanese, as a racially superior people, are destined to rule Asia "eternally" as the head of the family of Asian nations. The most horrific xenophobia of the pre-Shōwa period was displayed after the 1923 Great Kantō earthquake, where in the confusion after a massive earthquake, Koreans were wrongly maligned as poisoning the water supply. A vicious pogrom resulted in the deaths of at least 3,000 Koreans, and the imprisonment of 26,000.

In the 1930s, the number of attacks on Westerners and their Japanese friends by nationalist citizens increased due to the influence of Japanese military-political doctrines in the early years of the Showa period, these attacks occurred after a long build-up which started in the Meiji period, when a few samurai die-hards refused to accept foreigners in Japan. For an exception, see Jewish settlement in the Japanese Empire.

World War II

Racism was omnipresent in the press during the Second Sino-Japanese War and the Greater East Asia War and the media's descriptions of the superiority of the Yamato people was unwaveringly consistent. The first major anti-foreigner publicity campaign, called Bōchō (Guard Against Espionage), was launched in 1940 alongside the proclamation of the Tōa shin Chitsujo (New Order in East Asia) and its first step, the Hakkō ichiu. Initially, in order to justify Japan's conquest of Asia, Japanese propaganda espoused the ideas of Japanese supremacy by claiming that the Japanese represented a combination of all Asian peoples and cultures, emphasizing heterogeneous traits. Japanese propaganda started to place an emphasis on the ideas of racial purity and the supremacy of the Yamato race when the Second Sino-Japanese War intensified.

Mostly after the launching of the Pacific War, Westerners were detained by official authorities, and on occasion were objects of violent assaults, sent to police jails or military detention centers or suffered bad treatment in the street. This applied particularly to Americans, Soviets and British; in Manchukuo at the same period xenophobic attacks were carried out against Chinese and other non-Japanese.

At the end of World War II, the Japanese government continued to adhere to the notion of racial homogeneity and racial supremacy, as well as an overall complex of social heirachy, with the Yamato race at the top of the racial hierarchy. Japanese propaganda of racial purity returned to post-World War II Japan because of the support of the Allied forces. U.S. policy in Japan terminated the purge of high-ranking fascist war criminals and reinstalled the leaders who were responsible for the creation and manifestation of prewar race propaganda.

Similar to what would occur in Korea, the overwhelming presence of American soldiers, most of whom young and unmarried, had a noticeable effect on the Japanese female populace. The obvious power dynamic after the war outcome, as well as the lack of accountability for American soldiers who impregnated Japanese women, placed these children into a negative light before their lives even began. An unknown number of these children would be abandoned by their fathers. They would grow up associated with defeat and death in their own country and regarded as a reminder of Japanese subordination to a western power.

Post-war government policy

Transition of numbers of registered foreigners in Japan

Because of the low importance placed on assimilating minorities in Japan, laws regarding ethnic matters receive low priority in the legislative process. Still, in 1997, "Ainu cultural revival" legislation was passed which replaced the previous "Hokkaido Former Aboriginal Protection" legislation that had devastating effects on the Ainu in the past.

Article 14 of the Constitution of Japan states that all people (English version) or citizens (revised Japanese version) are equal under the law, and they cannot be discriminated against politically, economically, or socially on the basis of race, belief, sex, or social or other background.

However, Japan does not have civil rights legislation which prohibits or penalizes discriminatory activities committed by citizens, businesses, or non-governmental organizations. In January 2024, three Japanese citizens, including a man of Pakistani descent, filed a civil lawsuit against the Japanese government, alleging a consistent pattern of racially motivated police harassment and requesting improved practices, along with approximately ¥3 million ($20,330) each in compensation. The uncommon lawsuit in Japan aims to demonstrate that racial discrimination violates the constitution and international human rights agreements. The plaintiffs, including two permanent residents and one foreign-born Japanese citizen, claim repeated unjustified stops and searches by the police based on their race, prompting concerns about the country's ability to address the increasing diversity resulting from a growing number of foreign workers. The lawsuit names the Japanese government, the Tokyo Metropolitan, and Aichi prefecture governments.

Attempts have been made in the Diet to enact human rights legislation. In 2002, a draft was submitted to the House of Representatives, but did not reach a vote. Had the law passed, it would have set up a Human Rights Commission to investigate, name and shame, or financially penalize discriminatory practices as well as hate speech committed by private citizens or establishments.

Another issue which has been publicly debated but has not received much legislative attention is whether to allow permanent residents to vote in local legislatures. Zainichi organizations affiliated with North Korea are against this initiative, while Zainichi organizations affiliated with South Korea support it.

Finally, there is debate about altering requirements for work permits to foreigners. As of 2022, the Japanese government does not issue work permits unless it can be demonstrated that the person has certain skills which cannot be provided by locals.

Comment by a U.N. special rapporteur on racism and xenophobia

In July 2005, a United Nations special rapporteur on racism and xenophobia expressed concerns about deep and profound racism in Japan and the Japanese government's insufficient recognition of the problem.

Doudou Diène (Special Rapporteur of the UN Commission on Human Rights) concluded after an investigation and nine-day tour of Japan that racial discrimination and xenophobia in Japan primarily affect three groups: national minorities, the descendants of people from former Japanese colonies, and foreigners from other Asian countries. John Lie, a professor at the University of California, Berkeley, believes that the widespread belief that Japan is an ethnically homogeneous society is inaccurate because Japan is a multiethnic society. Such claims have long been rejected by other sectors of Japanese society such as the former Japanese Prime Minister Tarō Asō, who once described Japan as a nation which is inhabited by people who are members of "one race, one civilization, one language and one culture".

While it expressed support for anti-discrimination efforts, Sankei Shimbun, a Japanese national newspaper, expressed doubt about the impartiality of the report, pointing out that Doudou Diène never visited Japan before and his short tour was arranged by a Japanese NGO, IMADR (International Movement Against All Forms of Discrimination). The chairman of the organization is Professor Kinhide Mushakoji (武者小路公秀), who is a board member (and the former director of the board) of the International Institute of the Juche Idea (主体思想国際研究所), an organization whose stated purpose is the propagation of Juche, the official ideology of North Korea.

In 2010, according to the UN Committee on the Elimination of Racial Discrimination, Japan's record on racism has improved, but there is still room for progress. The committee was critical of the lack of anti-hate speech legislation in the country and the treatment of Japanese minorities and its large Korean and Chinese communities. The Japan Times quoted committee member Regis de Gouttes as saying that there had been little progress since 2001 (when the last review was held) "There is no new legislation, even though in 2001 the committee said prohibiting hate speech is compatible with freedom of expression." Many members of the committee, however, praised the Japanese government's recent recognition of the Ainu as an indigenous people.

In February 2015, Ayako Sono, a former member of an educational reform panel, wrote a controversial column in Sankei Shimbun in which she suggested that more foreign workers should be imported in an attempt to alleviate labor shortages, but they should be separated from native Japanese with a system of apartheid. She later stated "I have never commended apartheid, but I do think that the existence of a ‘Chinatown’ or ‘Little Tokyo’ is a good thing.

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