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Saturday, December 8, 2018

Data (Star Trek)

From Wikipedia, the free encyclopedia

Data
Star Trek character
DataTNG.jpg
Lieutenant Commander Data
First appearance"Encounter at Farpoint" (TNG)
Portrayed byBrent Spiner
Information
FamilyNoonien Soong (father) Juliana Soong (mother)
ChildrenLal
SpeciesSoong-Type Android
AffiliationUnited Federation of Planets
Starfleet
PostingUSS Enterprise-E
(FCT, INS, NEM)
USS Enterprise-D
(seasons 1–7, GEN)
PositionChief Operations Officer
RankLieutenant Commander

Data (/ˈdtə/ DAY-tə) is a character in the fictional Star Trek franchise. He appears in the television series Star Trek: The Next Generation (TNG) and the feature films Star Trek Generations (1994), Star Trek: First Contact (1996), Star Trek: Insurrection (1998), and Star Trek: Nemesis (2002). Data is portrayed by actor Brent Spiner.

Data was found by Starfleet in 2338 as the sole survivor on Omicron Theta in the rubble of a colony left after an attack from the Crystalline Entity. He was a synthetic life form with artificial intelligence and designed and built by Doctor Noonien Soong in his own likeness (likewise portrayed by Spiner). Data is a self-aware, sapient, sentient and anatomically fully functional android who serves as the second officer and chief operations officer aboard the Federation starship USS Enterprise-D and later the USS Enterprise-E.

His positronic brain allows him impressive computational capabilities. He experienced ongoing difficulties during the early years of his life with understanding various aspects of human behavior and was unable to feel emotion or understand certain human idiosyncrasies, inspiring him to strive for his own humanity. This goal eventually led to the addition of an "emotion chip" created by Soong, to Data's positronic net. Although Data's endeavor to increase his humanity and desire for human emotional experience is a significant plot point (and source of humor) throughout the series, he consistently shows a nuanced sense of wisdom, sensitivity, and curiosity, garnering respect from his peers and colleagues.

Data is in many ways a successor to the original Star Trek's Spock (Leonard Nimoy), in that the character offers an "outsider's" perspective on humanity.

Development

Gene Roddenberry told Brent Spiner that over the course of the series, Data was to become "more and more like a human until the end of the show, when he would be very close, but still not quite there. That was the idea and that's the way that the writers took it." Spiner felt that Data exhibited the Chaplinesque characteristics of a sad, tragic clown. To get into his role as Data, Spiner used the character of Robby the Robot from the film Forbidden Planet as a role model.

Commenting on Data's perpetual albino-like appearance, he said: "I spent more hours of the day in make-up than out of make-up", so much so that he even called it a way of method acting. Spiner also portrayed Data's manipulative and malignant brother Lore (a role he found much easier to play, because the character was "more like me"), and Data's creator, Dr. Noonien Soong. Additionally, he portrayed another Soong-type android, B-4, in the film Star Trek: Nemesis, and also one of Soong's ancestors in three episodes of Star Trek: Enterprise. Spiner said his favorite Data scene takes place in "Descent", when Data plays poker on the holodeck with a re-creation of the famous physicist Stephen Hawking, played by Hawking himself.

Spiner reprised his role of Data in the Star Trek: Enterprise series finale "These Are the Voyages..." in an off-screen speaking part. Spiner felt that he had visibly aged out of the role and that Data was best presented as a youthful figure.

Depiction

Television series and films

Actor Brent Spiner portrayed Data in Star Trek: The Next Generation.

Dialog in "Datalore" establishes some of Data's backstory. It is stated that he was deactivated in 2336 on Omicron Theta before an attack by the Crystalline Entity, a spaceborne creature which converts life forms to energy for sustenance. He was found and reactivated by Starfleet personnel two years later. Data went to Starfleet Academy from 2341–45 (he describes himself as "Class of '78" to Riker in "Encounter at Farpoint", but that may refer to the stardate and not the year that he graduated) and then served in Starfleet aboard the USS Trieste. He was assigned to the Enterprise under Captain Jean-Luc Picard in 2364. In "Datalore", Data discovers his amoral brother, Lore, and learns that he was created after Lore. Lore fails in an attempt to betray the Enterprise to the Crystalline Entity, and Wesley Crusher beams Data's brother into space at the episode's conclusion.

In "Brothers", Data reunites with Dr. Soong. There he meets again with Lore, who steals the emotion chip Soong meant for Data to receive. Lore then fatally wounds Soong. Lore returns in the two-part episode "Descent", using the emotion chip to control Data and make him help with Lore's attempt to make the Borg entirely artificial lifeforms. Data eventually deactivates Lore, and recovers, but does not install the damaged emotion chip. 

In "The Measure of a Man", a Starfleet judge rules that Data is not Starfleet property. The episode establishes that Data has a storage capacity of 800 quadrillion bits (100 PB or 88.81784197 PiB) and a total linear computational speed of 60 trillion operations per second.

Data's family is expanded in "The Offspring", which introduces Lal, a robot based on Data's neural interface and whom Data refers to as his daughter. Lal “dies” shortly after activation. Later, his mother Julianna appears in the episode "Inheritance" and reunites with Data, though the crew discovers she was an android duplicate built by Soong after the real Julianna's death, programmed to die after a long life, and to believe she is the true Julianna, unaware of the fact she is an android. Faced with the decision, Data chooses not to disclose this to her and allow her the chance to continue on with her normal life. 

In "All Good Things...", the two-hour concluding episode of The Next Generation, Captain Picard travels between three different time periods. The Picard of 25 years into the future goes with La Forge to seek advice from Professor Data, a luminary physicist who holds the Lucasian Chair at Cambridge University

In "The Child" (because 'data' is a heterophone) Data clarifies to the newly arrived ship's chief medical officer, Dr. Katherine Pulaski, that the correct pronunciation of his name is Day'ta, not Dah'ta

Although several androids, robots, and artificial intelligences were seen in the original Star Trek series, Data was often referred to as being unique in the galaxy as being the only sentient android known to exist (save the other androids created by Soong).

In the film Star Trek Generations, Data finally installs the emotion chip he retrieved from Lore, and experiences the full scope of emotions. However, those emotions proved difficult to control and Data struggled to master them. In Star Trek: First Contact, Data has managed to gain complete control of the chip, which includes deactivating it to maintain his performance efficiency. 

In the film Star Trek: Nemesis, Data beams Picard off an enemy ship before destroying it, sacrificing himself and saving the captain and crew of the Enterprise. However, Data previously copied his core memories into B-4, his lost brother who is introduced in the movie. This was done with the reluctant help of Geordi La Forge who voiced concerns about how this could cause B-4 to be nothing more than an exact duplicate of Data. 

In "The Chase", after being briefly attacked by a Klingon officer to test his strength, Data reveals to his attacker that his '...upper spinal support is a poly-alloy, designed to withstand extreme stress, and his skull is composed of cortenide and duranium.'

Characteristics

Data is immune to nearly all biological diseases and other weaknesses that can affect humans and other carbon-based lifeforms. This benefits the Enterprise many times, such as when Data is the only crew member unaffected by the inability to dream and the only member to be unaffected by the stun ray that knocked the crew out for a day. One exception, however, was in the episode "The Naked Now" where Data was also a victim of the Tsiolkovsky polywater virus. Data does not require life support to function and does not register a bio-signature. The crew of the Enterprise-D must modify their scanners to detect positronic signals in order to locate and keep track of him on away-missions. Another unique feature of Data's construction is the ability to be dismantled and then re-assembled for later use. This is used as a plot element in the episode "Time's Arrow" where Data's head (an artifact excavated on Earth from the late 19th century) is reattached to his body after nearly 500 years. Another example is in the episode "Disaster", where Data intentionally damages his body to break a high-current electrical arc, and then Riker takes his head to engineering to solve an engine problem. Data's officer's quarters is unique in that it does not contain any form of bed or bunk, nor bathing facility or bathroom, instead containing a work station with seats, eventually becoming also occupied by Spot, Data's cat.

Data is vulnerable to technological hazards such as computer viruses, certain levels of energy discharges, ship malfunctions (when connected to the Enterprise main computer for experiments), and shutdowns whether through remote control shutdown devices or through use of his "off switch", located on his lower back near where a human kidney would be. Besides Data, very few members of the Enterprise crew are aware of this switch's existence for reasons of security, including Captain Picard, Commander Riker and Chief Engineer La Forge. Dr. Crusher, who is bound by her Hippocratic Oath forbidding her from divulging this to anyone without Data's express permission, was the first member of the crew to be made aware of its existence in the first-season episode "Datalore". Data has also been "possessed" through technological means, such as Ira Graves's transfer of consciousness into his neural net; Dr. Soong's "calling" him; and an alien library that placed several different personalities into him. Data cannot swim unless aided by his built-in flotation device, yet he can perform tasks underwater without the need to surface. Data is also impervious to sensory tactile emotion such as pain or pleasure. In Star Trek: First Contact the Borg Queen grafted artificial skin to his forearm. Data was then able to feel pain when a Borg drone slashed at his arm, and pleasure when the Borg Queen blew on the skin's hair follicles. Despite being mechanical in nature, Data is treated as an equal member of the Enterprise crew in every regard. Being a mechanical construct, technicians such as Chief Engineer La Forge prove to be more appropriate to treat his mechanical or cognitive function failures than the ship's doctor. His positronic brain becomes deactivated, repaired, and reactivated by Geordi on several occasions. 

Data is physically the strongest member of the Enterprise crew and also is, in ability to process and calculate information rapidly, the most intelligent member. He is able to survive in atmospheres that most carbon-based life forms would consider inhospitable, including the lack of an atmosphere or the vacuum of space for certain periods of time, though he appears to breathe. As an android, he is the most emotionally challenged and, with the addition of Dr. Soong's emotions chip, the most emotionally unstable member of the crew. Before the emotions chip, Data was unable to grasp basic emotion and imagination, leading him to download personality subroutines into his programming when participating in holographic recreational activities (most notably during Dixon Hill and Sherlock Holmes holoprograms) and during romantic encounters (most notably with Tasha Yar and Jenna D'Sora). Yet none of those personalities are his own and are immediately put away at the conclusion of their usefulness. Also, the abilities of Data's hearing are explained in the episodes "The Schizoid Man" and "A Matter of Time"; his hearing is more sensitive than a dog's and that he can identify several hundred different distinct sound patterns simultaneously, but for aesthetics purposes limits it to about ten. Throughout the series, Data develops a frequently humorous affinity for theatrical acting and singing. This is most definitively demonstrated in Star Trek: Insurrection where Picard and Worf distract an erratically behaving Data by singing two parts of A British Tar, compelling Data to sing the third part. 

Because of Julianna Soong's inability to conceive children, Data has at least five robotic siblings (two of which are Lore and B-4). Later on, his "mother" is revealed also to be his positronic sister as the real Julianna Soong died and was replaced with an identical Soong-type android, the most advanced one that Dr. Soong was known to have built. Data constructed a daughter, which he named "Lal" in the episode "The Offspring". This particular android exceeded her father in basic human emotion when she felt fear toward Starfleet's scientific interests in her. Eventually, this was the cause of a cascade failure in her neural net and she died as a result.

Non-canon works

In the comic book miniseries Star Trek: Countdown (the official prequel to the reboot Star Trek film), Data, having successfully transferred his positronic pathways and memories into B-4, now commands the Enterprise-E in 2387 in its mission to stop the Romulan Nero. Spock compares Data's "resurrection" with his own death and return years earlier.

In the novels published by Pocket Books and set after Nemesis, Data returned in 2384 by having his memories and neural net transferred from B-4 into a new body which contained the memory engrams of Data's creator Doctor Noonien Soong after he was dying and being attacked by Lore years earlier. Data then takes control of the body after Soong deletes himself. After a tearful reunion with his old shipmates, Picard offers to reactivate Data's commission and to rejoin the crew but Data declines as he says he requires time. Several months later, with the help of the Enterprise crew, he is able to obtain the help necessary to resurrect his daughter, Lal. The novel The Buried Age, set between the destruction of the USS Stargazer and Picard being appointed captain of the Enterprise-D, depicts Data's first meeting with Picard, during a mission where the two also work with then-Lieutenant Kathryn Janeway, which depicts Picard encouraging Data, who has prior to this been stuck in relatively menial roles because he was uncertain how to express ambition, to push himself and specifically request assignments, which leads to Data receiving a promotion and commendation when he uncovers a plan to sabotage the design of the still-in-development Galaxy-class ships, with the admiral overseeing Data's promotion assuring Data that there will be a place for him on a Galaxy-class ship when they are completed. 

In the prologue to the novel adaptation for Encounter at Farpoint by David Gerrold, Data chose his own name, due to his love for, and identification with, knowledge. 

Data also appeared in the crossover graphic novel series Star Trek: The Next Generation/Doctor Who: Assimilation2, set in 2368, in which the Borg Collective joins forces with the Cybermen when the latter invade their universe. Data and the crew of the Enterprise-D form an alliance of their own with the Eleventh Doctor—who immediately recognizes Data as an android upon seeing him—and his companions, Amy Pond and Rory Williams. The group later forms a reluctant truce with the Borg, who have been betrayed by the Cybermen and are in danger of falling to them. Data and the others manage to restore the Borg Collective and destroy the Cybermen, but their Borg liaison then attempts to seize control of the Doctor's TARDIS. The time machine's intelligence then briefly transfers itself into Data to escape the Borg's control, and the empowered Data overpowers the Borg and throws him out into the Time Vortex.

Spot

Spot is Data's pet cat and a recurring character in the show. Spot appears in several episodes during TNG's last four seasons, as well as in the feature films Star Trek Generations and Star Trek: Nemesis. She first appears in the episode "Data's Day". 

Despite her name, Spot is not actually patterned with spots. Spot originally appears as a male Somali cat, but later appears as a female orange tabby cat, eventually giving birth to kittens (TNG: "Genesis"). 

Data creates several hundred food supplement variations for Spot and composes the poem "Ode to Spot" in the cat's honor ("Schisms"). A computer error which occurs later in the series (in the episode "A Fistful of Datas") causes some of the ship's food replicators to create only Spot's supplements and replaces portions of a play with the ode's text. 

In "Genesis", the morphogenetic virus "Barclay's protomorphosis disease" temporarily mutates Spot into an iguana-like reptile. Spot's kittens are not affected, leading to the discovery of the mechanism and a cure for the virus. 

Spot is notoriously unfriendly to most people other than Data. Commander William Riker once received serious scratches while trying to feed Spot ("Timescape"). Geordi La Forge borrowed her to experience taking care of a cat, but she knocked over a vase and teapot and damaged his furniture ("Force of Nature"). When Data asked Worf to take care of Spot, Worf proved to be allergic to her and sneezed in her face, angering her ("Phantasms"). However, she did get along with Lieutenant Reginald Barclay, so when Data had to leave on a mission at the same time Spot's kittens were due, he persuaded Barclay to take care of her ("Genesis").

Reception and popular culture

Like Spock, Data became a sex symbol and Spiner's fan mail came mostly from women. He described the letters as "romantic mail" that were "really written to Data; he's a really accessible personality".

Robotics engineers regard Data (along with the droids from the Star Wars movies) as the pre-eminent face of robots in the public's perception of their field. On April 9, 2008, Data was inducted into Carnegie Mellon University's Robot Hall of Fame during a ceremony at the Carnegie Science Center in Pittsburgh, Pennsylvania.

The Beat Fleet, a Croatian hip hop band, wrote a song called "Data" for their album Galerija Tutnplok dedicated to Data. The release of this album coincided with reruns of Star Trek: The Next Generation being shown on Croatian Radiotelevision. In 2005, the nerdcore group The Futuristic Sex Robotz released a song about Data entitled "The Positronic Pimp." Cuban-American musician Aurelio Voltaire has also performed a song about Data entitled "The Sexy Data Tango" on his LP Banned on Vulcan and later his album BiTrektual. Punk rock group Warp 11 also has a song, "My Electric Man", from their album Boldly Go Down on Me, as well as numerous other references in other songs. 

Spiner himself released an album of old pop standards from the 1930s and '40s entitled Ol' Yellow Eyes Is Back. The title is a parodic reference both to Frank Sinatra's Ol' Blue Eyes Is Back and the Data character, whose eyes are golden yellow.

The Borg (Star Trek)

From Wikipedia, the free encyclopedia

The Borg
Logo Borg.svg
A Borg insignium, designed by Rick Sternbach
(first appeared in the episode Q Who)
FoundedA localized humanoid race for hundreds of thousands of years,
evolved cybernetic existence and started space travel before 1492
Base of operationsDelta Quadrant

The Borg are a fictional alien group that appear as recurring antagonists in the Star Trek franchise. The Borg are cybernetic organisms, linked in a hive mind called "the Collective". The Borg co-opt the technology and knowledge of other alien species to the Collective through the process of "assimilation": forcibly transforming individual beings into "drones" by injecting nanoprobes into their bodies and surgically augmenting them with cybernetic components. The Borg's ultimate goal is "achieving perfection". Aside from being recurring antagonists in the Next Generation television series, they are depicted as the main threat in the film Star Trek: First Contact. In addition, they played major roles in the Voyager series and serve as the way home to the Alpha Quadrant for the isolated Federation starship USS Voyager. The first encounter between humans and the Borg is depicted in the 2nd season of the series Enterprise in the episode "Regeneration" in which the phrase "you will be assimilated; resistance is futile" is heard by the crew of the Enterprise for the first time.

The Borg have become a symbol in popular culture for any juggernaut against which "resistance is futile".

Depiction

The Borg are cyborgs, having outward appearances showing both mechanical and biological body parts. Individual Borg are referred to as drones and move in a robotic, purposeful style ignoring most of their environment, including beings not deemed a threat. Borg commonly have one eye replaced with a sophisticated ocular implant. Borg usually have one arm replaced with a prosthetic one, bearing one of a variety of multipurpose tools in place of a humanoid hand. Since different drones have different roles, the arm may be specialized for a myriad of purposes such as medical devices, scanners, and weapons. Borg have flat, white skin, giving them an almost zombie-like appearance. 

Some Borg have been shown to be far stronger than humans; able to easily overpower most humans and similar species. Typical Borg have never been seen to run. Borg are resistant to phaser fire, many having personal shielding which adapts to phaser fire. In various episodes, phasers tend to become ineffective after time as the Borg is able to adapt to the phaser frequency. Later attempts to modulate phaser frequencies have limited success. Borg shields have not been seen to protect against non-energy weapons such as projectile or melee weapons. 

Borg possess a "cortical node" which controls other implanted cybernetic devices within a Borg's body, and is most often implanted in the forehead above the retained organic eye. If the cortical node fails, the Borg eventually dies. Successful replacement of the node can be carried out on a Borg vessel.

Borg Collective

An occupied Borg "alcove" prop on display at the Hollywood Entertainment Museum

Borg civilization is based on a hive or group mind known as the Collective. Each Borg drone is linked to the collective by a sophisticated subspace network that ensures each member is given constant supervision and guidance. The mental energy of the group consciousness can help an injured or damaged drone heal or regenerate damaged body parts or technology. The collective consciousness not only gives them the ability to "share the same thoughts", but also to adapt with great speed to tactics used against them. Drones in the Collective are never seen speaking, but a collective "voice" is sometimes transmitted to ships.

"Resistance is futile"

Individual Borg rarely speak, though they do send a collective audio message to their targets, stating that "resistance is futile", generally followed by a declaration that the target in question will be assimilated and its "biological and technological distinctiveness" will be added to their own. The exact phrasing varies and evolves over the various series episodes and film. 

The complete phrase used in Star Trek: First Contact is:
We are the Borg. Lower your shields and surrender your ships. We will add your biological and technological distinctiveness to our own. Your culture will adapt to service us. Resistance is futile.

Nanoprobes

Nanoprobes are microscopic machines that inhabit a Borg's body, bloodstream, and many cybernetic implants. The probes perform the function of maintaining the Borg cybernetic systems, as well as repairing damage to the organic parts of a Borg. They generate new technology inside a Borg when needed, as well as protecting them from many forms of disease. Borg nanoprobes, each about the size of a human red blood cell, travel through the victim's bloodstream and latch on to individual cells. The nanoprobes rewrite the cellular DNA, altering the victim's biochemistry, and eventually form larger, more complicated structures and networks within the body such as electrical pathways, processing and data-storage nodes, and ultimately prosthetic devices that spring forth from the skin. In "Mortal Coil", Seven of Nine states that the Borg assimilated the nanoprobe technology from "Species 149". In addition, the nanoprobes work to maintain and repair their host's mechanical and biological components on a microscopic level, allowing regenerative capabilities. 

Though used by the Borg to exert control over another being, reprogrammed nanoprobes were used by the crew of the starship Voyager in many instances as medical aids. 

The capability of nanoprobes to absorb improved technologies they find into the Borg collective is shown in the Voyager episode "Drone", where Seven of Nine's nanoprobes are fused with the Doctor's mobile emitter which uses technology from the 29th century, creating a 29th-century drone existing outside the Collective, with capabilities far surpassing that of the 24th-century drones.

The Borg do not try to immediately assimilate any being with which it comes to contact; in fact, Borg drones tend to completely ignore beings that are identified as too weak to be a threat and too inferior to be worth assimilating. Captain Picard and his team walk safely past a group of Borg drones in a scene from the film Star Trek: First Contact while the drones fulfill a programmed mission. In the Star Trek: Voyager episode "Mortal Coil", Seven of Nine told Neelix that the Kazon were "unworthy" of assimilation and would only detract from the Borg's quest for perceived perfection.

Travel

The Borg are a spacefaring race, and their primary interstellar transport is known as a "Borg Cube" due to its shape. A cube was first seen in the Next Generation episode "Q Who?" in 2365. Common capabilities of cubes include high speed warp and transwarp drives, self-regeneration and multiple-redundant systems, adaptability in combat, and various energy weapons as well as tractor beams and cutting beams. Additionally, different types and sizes of Cubes have been observed as well as Borg Spheres and some smaller craft.

As with most other Star Trek races, the Borg also have transporter capability.

Assimilation

Assimilation is the process by which the Borg integrate beings, cultures, and technology into the Collective. "You will be assimilated" is one of the few on-screen phrases employed by the Borg when communicating with other species. The Borg are portrayed as having found and assimilated thousands of species and billions to trillions of individual life-forms throughout the galaxy. The Borg designate each species with a number assigned to them upon first contact; humanity being 'Species 5618'. 

When first introduced, the Borg are said to be more interested in assimilating technology than people, roaming the universe as single-minded marauders that have assimilated starships, planets, and entire societies to collect new technology. They are discriminating in this area, finding certain races, for example the Kazon, to be technologically inferior and not worthy of assimilation. A Borg infant found aboard a Borg Cube in "Q Who?" shows that the Borg will even assimilate children. The Borg then place the assimilated children into maturation chambers to quickly and fully grow them into mature drones. 

Patrick Stewart as Locutus, the assimilated Jean-Luc Picard

In their second appearance, "The Best of Both Worlds", they capture and assimilate Captain Jean-Luc Picard into the Collective, creating Locutus of Borg (meaning "he who speaks", in Latin).

The method of assimilating individual life-forms into the Collective has been represented differently over time. When we see the Borg in Star Trek: The Next Generation, assimilation is through abduction and then surgical procedure. In Star Trek: First Contact and Star Trek: Voyager, assimilation is through injection of nanoprobes into an individual's bloodstream via a pair of tubules that spring forth from a drone's hand. Assimilation by tubules is depicted on-screen as being a fast-acting process, with the victim's skin pigmentation turning gray and mottled with visible dark tracks forming within moments of contact. After assimilation, a drone's race and gender become "irrelevant". After initial assimilation through injection, Borg are surgically fitted with cybernetic devices. In Star Trek: First Contact an assimilated crew member is shown to have a forearm and an eye physically removed and replaced with cybernetic implants.

The Borg also assimilate, interface, and reconfigure technology using these tubules and nanoprobes. However, in Q Who? we see a Borg apparently trying to assimilate, probe or reconfigure a control panel in engineering using an energy interface instead of nanoprobes.

Some species, for various stated reasons, are able to resist assimilation by nanoprobe. Species 8472 is the only race shown to be capable of completely rejecting assimilation attempts. Other species, such as the Hirogen, have demonstrated resistance to assimilation as well as Dr Phlox who was able to partially resist the assimilation process in the Star Trek: Enterprise episode "Regeneration".

Concept

The Borg represented a new antagonist and regular enemy that was lacking during the first season of TNG; the Klingons were allies and the Romulans mostly absent. The Ferengi were originally intended as the new enemy for the United Federation of Planets, but their comical appearance and devotion to capitalist accumulation by free enterprise failed to portray them as a convincing threat. The Borg, however, with their frightening appearance, their immense power, and their sinister motive, became the signature villains for the TNG and Voyager eras of Star Trek. In Voyager episode "Q2", even Q tells his son "don't provoke the Borg." 

Star Trek: The Next Generation (TNG) writers began to develop the idea of the Borg as early as the Season 1 episode, "Conspiracy", which introduced a coercive, symbiotic life form that took over key Federation personnel. Plans to feature the Borg as an increasingly menacing threat were subsequently scrapped in favor of a more subtle introduction, beginning with the mystery of missing colonies on both sides of the Neutral Zone in "The Neutral Zone" and culminating in the encounter between Borg and the Enterprise crew in "Q Who?".

Borg Queen


Before the film Star Trek: First Contact (1996), the Borg exhibited no hierarchical command structure. First Contact introduced the Borg Queen, who is not named as such in the film (referring to herself as “I am the Borg. I am the Collective.") but is named Borg Queen in the closing credits. The Queen is played by Alice Krige in this film and in the 2001 finale of Star Trek: Voyager, "Endgame". The character also appeared in Voyager's two-part episodes "Dark Frontier" (1999) and "Unimatrix Zero" (2000), but was portrayed by Susanna Thompson. Whether or not all of these appearances represent exactly the same Queen is never confirmed. In First Contact, the Borg Queen is heard during a flashback of Picard's former assimilation, implying that she was present during the events of "Best of Both Worlds". 

The Borg Queen is the focal point within the Borg collective consciousness and a unique drone within the Collective, who brings "order to chaos", referring to herself as "we" and "I" interchangeably. In First Contact, the Queen's dialogue suggests she is an expression of the Borg Collective's overall intelligence, not a controller but the avatar of the entire Collective as an individual. This sentiment is contradicted by Star Trek: Voyager, where she is seen explicitly directing, commanding, and in one instance even overriding the Collective. The introduction of the Queen radically changed the canonical understanding of the Borg function, with the authors of The Computers of Star Trek noting "It was a lot easier for viewers to focus on a villain rather than a hive-mind that made decisions based on the input of all its members." First Contact writers Brannon Braga and Ronald D. Moore have defended the introduction of the Queen as a dramatic necessity, noting on the film's DVD audio commentary that they had initially written the film with drones, but then found that it was essential for the main characters to have someone to interact with beyond mindless drones.

Borg appearances

The Next Generation

The Borg first appear in the Star Trek: The Next Generation second-season episode "Q Who?", when the omnipotent life-form Q hurls the Enterprise-D across the galaxy to challenge Jean-Luc Picard's assertion that his crew is ready to face the galaxy's dangers and mysteries. The Enterprise crew is overwhelmed by the Borg, and Picard begs for and receives Q's help in returning the ship to its previous coordinates. 

The Borg next appear in The Next Generation's third-season finale and fourth-season premiere, "The Best of Both Worlds". Picard is abducted and assimilated by the Borg and transformed into Locutus, the Latin for "he who speaks". Picard's knowledge of Starfleet's strengths and strategies is gained by the Collective, and the single cube destroys the entire Starfleet armada at Wolf 359. The Enterprise crew manages to capture Locutus, gain information through him which allows them to destroy the cube, and then reverse the assimilation process. 

In the fifth-season episode "I, Borg", the Enterprise crew rescues an adolescent Borg they name "Hugh". The crew faces the moral decision of whether or not to use Hugh (who begins to develop a sense of independence as a result of a severed link to the Collective) as a means of delivering a devastating computer virus to the Borg, or return to the Borg with his individuality intact. They decide to return him without the virus, but in the sixth-season episode "Descent", a group of rogue Borg who had "assimilated" individuality through Hugh fall under the control of the android Lore, the "older brother" of Data. Lore also corrupts Data through the use of an "emotion chip", but in the end, Data's ethical subroutines are restored and he manages to deactivate Lore. Data recovers the emotion chip and the surviving Borg fall under the leadership of Hugh.

First Contact

The Borg return as the antagonists in the Next Generation film, Star Trek: First Contact. After again failing to assimilate Earth by a direct assault in the year 2373, the Borg travel back in time to the year 2063 to try to stop Zefram Cochrane's first contact with the Vulcans, change the timeline, and erase Starfleet from existence. The Enterprise-E crew follows the Borg back in time and restores the original timeline. First Contact introduces the Borg Queen.

Deep Space Nine

The only screen appearance made on this series was in the premiere episode Emissary. Benjamin Sisko (Avery Brooks) was an officer on the USS Saratoga, one of the ships in the Starfleet armada dispatched to confront the Borg at Wolf 359. The Saratoga is destroyed by the Borg, killing Sisko's wife, Jennifer. During that episode, Sisko's meeting with Picard is tense as he blames Picard for the actions of Locutus. Throughout the remainder of the series, references to the Borg are made occasionally, including the design of their ship, USS Defiant, and the battle from Star Trek: First Contact being used as a plot point in Season 5 when Starfleet is spread too thin to deal with a Dominion incursion.

Voyager

The Borg make frequent appearances in Star Trek: Voyager, which takes place in the Delta Quadrant. The Borg are first seen by Voyager in the third-season episode "Blood Fever" in which Chakotay discovers the body of what the local humanoids refer to as "the Invaders"; which turns out to be the Borg. In "Scorpion", the Borg are engaged in a war of attrition against Species 8472, whose biological defenses are a match for the Borg's nanoprobes. In one of the few instances of the Borg negotiating, in exchange for safe passage through Borg space, the Voyager crew devises a way to destroy the otherwise invulnerable Species 8472. A Borg drone, Seven of Nine, is dispatched to Voyager to facilitate this arrangement. After successfully driving Species 8472 back into their fluidic space, Seven of Nine is severed from the Collective and becomes a member of Voyager's crew. Seven of Nine's rediscovery of her individuality becomes a recurring theme throughout the series. 

In the fifth season, we see the Borg in "Drone", where an advanced Borg drone is created when Seven of Nine's nanoprobes are fused with the Doctor's mobile emitter in a transporter accident, "Infinite Regress", and "Dark Frontier", where Voyager steals and uses a transwarp coil to travel 20,000 light-years before it burns out. 

In the sixth season episode, "Collective", the crew of Voyager encounter a damaged cube that is holding Tom Paris, Neelix, Harry Kim and Chakotay hostage. With all the adult drones dead, the ship is run by five Borg children who are saved by Voyager and deassimilated. 

In the seventh season we see the Borg in "Q2", where Q's son brings Borg onto Voyager and in the series finale, "Endgame", where Admiral Janeway from the future tries to bring Voyager back to Earth using a Borg transwarp hub. During this episode, Janeway infects the Borg with a neurolytic pathogen which infects the collective and kills the Queen.

Enterprise

In the Star Trek: Enterprise episode "Regeneration", the remnants of the destroyed sphere from Star Trek: First Contact are discovered in the Arctic along with two frozen drones. The Borg steal a research ship and send a transmission toward the Delta Quadrant before they are destroyed.

Origin

The origin of the Borg is never made clear, though they are portrayed as having existed for hundreds of thousands of years (as attested by Guinan and the Borg Queen). In Star Trek: First Contact, the Borg Queen merely states that the Borg were once much like humanity, "flawed and weak", but gradually developed into a partially synthetic species in an ongoing attempt to evolve and perfect themselves. 

In TNG's "Q Who?", Guinan mentions that the Borg are "made up of organic and artificial life [...] which has been developing for [...] thousands of centuries." In the later episode of Star Trek: Voyager, "Dragon's Teeth", Gedrin, of the race the Vaadwaur, says that before he and his people were put into suspended animation 892 years earlier (1482), the Borg had assimilated only a few colonies in the Delta Quadrant and were considered essentially a minor nuisance. Now awake in the 24th century, he is amazed to see that the Borg control a vast area of the Delta Quadrant. Seven of Nine comments that the Borg's collective memories of that time period are fragmentary, though it is never established why that is.

Non-canon origin stories

The Star Trek Encyclopedia speculates that a connection could exist between the Borg and V'ger, the vessel encountered in Star Trek: The Motion Picture. This idea of a connection is advanced in William Shatner's novel The Return. The connection was also suggested in a letter included in Starlog no. 160 (November 1990). The letter writer, Christopher Haviland, also speculated that the original Borg drones were members of a race called "the Preservers", which Spock had suggested in the original series episode "The Paradise Syndrome" might be responsible for why so many humanoids populate the galaxy. It was confirmed in the TNG episode "The Chase" that an ancient species seeded hundreds, if not thousands of planets with their DNA, creating the Humans, Vulcans, Klingons, Romulans, Cardassians, and many more.

The extra section of the game Star Trek: Legacy contains the supposed "Origin of the Borg", which tells the story of V'ger being sucked into a black hole. V'ger was found by a race of living machines which gave it a form suitable to fulfilling its simplistic programming. Unable to determine who its creator could be, the probe declared all carbon-based life an infestation of the creator's universe, leading to assimilation. From this, the Borg were created, as extensions of V'ger's purpose. Drones were made from those assimilated and merged into a collective consciousness. The Borg Queen was created out of the necessity for a single unifying voice. With thoughts and desires of her own, she was no longer bound to serve V'ger

In the graphic novel Star Trek: The Manga, the Borg resulted from an experiment in medical nanotechnology gone wrong. An alien species under threat of extinction by an incurable disease created a repository satellite containing test subjects infused with body parts, organs, and DNA of multiple species along with cybernetic enhancements put in place by advanced medical technology. The satellite was maintained by nanomachines, which also maintained the medical equipment on board. The medical facility is parked in orbit by a black hole, and along with the relativistic state of time around the black hole, allows long-term research to continue at an accelerated time scale rather than in real-time speed. As the medical facility deteriorates, so does the programming of the nanomachines. The nanomachines began infusing themselves into the patients, interpreting them as part of the satellite in need of repair. Among the patients is the daughter of the head medical researcher of the satellite. The satellite eventually falls apart in an encounter with an away team from the Enterprise under the command of James T. Kirk. In the final moments of the satellite's destruction and the escape of the crew members of the Enterprise with the patients, the subjects display qualities inherently resembling the Borg: injection of nanomachines in a fashion similar to assimilation, rapid adaptation to weaponry, and a hive mind consciousness, as all the subjects begin following the whim of the daughter. As succumbing to the disease was inevitable, and the corrupt nanomachine programming infused itself into the bodies, the final image of the page of the manga Borg origin is left with the daughter turned Borg Queen, stating, "Resistance is futile." 

In the novel Lost Souls (the third book in the Star Trek: Destiny trilogy), the Borg are revealed to be the survivors of the Caeliar city Mantilis. Thrown across the galaxy in the Delta Quadrant and back in time to about 4500 BC by the destruction of Erigol at the climax of Gods of Night, the first book in the trilogy, a group of human survivors from the starship Columbia (NX-02) and Caeliar scientists try to survive in a harsh arctic climate. Most of the human survivors die of exposure, while several Caeliar are absorbed into their race's gestalt to give life to the others in their group mind. The Caeliar offer the remaining humans a merging of human and Caeliar, to allow both groups to survive. The human survivors are resistant and as time goes on, the Caeliar called Sedin becomes the sole survivor of her group, her mental processes and her form both degrading as time goes on. When the humans return to Sedin for help, she forces them to merge with her, unwilling to allow herself to die when a union can save her life. The forced merging of the humans and the mostly decayed Caeliar results in the creation of the first Borg. The gestalt group mind is perverted to become the collective, driven by Sedin's desperate hunger and need to add the strength, technology, and life-force of others to her own. Ironically, while the Caeliar were–albeit accidentally–involved in the creation of the Borg, they also provide the means to end it; in the 24th century, the Caeliar absorb the entire Borg collective back into themselves, ending the cyborgs' centuries-long reign of terror.

Other Non-canon media appearances

In the Star Trek novel Probe, which takes place following the events of Star Trek IV: The Voyage Home, the Borg are mentioned obliquely in communication with the whale-probe as spacefaring "mites" (the whale-probe's term for humanoid races) who traveled in cubical and spherical spacefaring vessels; the Borg apparently attacked the whale-probe and damaged its memory in some fashion before the events of the film. 

In the Star Trek Game Star Trek: Legacy, the Borg are featured prominently throughout the Enterprise and TOS era's before becoming a major threat in the TNG era. In unlockable motion-comics that are unlocked after completing each era, it is revealed that the Vulcan T'Uerell experimented on Borg corpses left behind from the Enterprise episode "Regeneration", and became assimilated. It wasn't until the end of the TOS era that she made contact with the main Borg force and became a queen before she was finally killed in a fleet of Starfleet, Romulan, and Klingon ships led by Picard. 

The Peter David novel Vendetta reveals that the planet killer weapon from the Original Series episode "The Doomsday Machine" is a prototype for a weapon against the Borg. David revisited this concept in a 2007 sequel novel, Before Dishonor, which features the Enterprise-E working with Spock and Seven of Nine to reactivate the original planet killer to stop the Borg. 

In William Shatner's novel The Return, Spock is nearly assimilated by the Borg, but is saved because he mind-melded with V'ger, an earlier form of the Borg, and they assume that he is already a Borg. Using the information he subconsciously acquired in the meld, Spock is able to lead a crew of Enterprise officers (consisting of the Enterprise-D crew, himself, Admiral McCoy, and the resurrected Kirk) in a Defiant-class ship to destroy the Borg central node, severing all branches of the Collective from each other and limiting their future threat. 

In David Mack's novel trilogy Star Trek: Destiny, set over a year after Star Trek: Nemesis, the Borg stage a massive invasion of local space. Due to Kathryn Janeway crippling their infrastructure in "Endgame", the Borg fear for their survival and attempt to exterminate the Federation and its neighbors. They destroy the populations of numerous Federation worlds before being dismantled by the Caeliar, the advanced species that spawned them. The crews of the Enterprise-E, the Titan, and the Aventine had made contact with the Caeliar, learned of their role in the creation of the Borg, and convinced them to end the Borg once and for all. 

In the Doctor Who/Star Trek crossover comic, Assimilation2, the Borg join forces with the Cybermen. When the Cybermen subvert the Collective, the Enterprise-D crew work with the Eleventh Doctor and the Borg, restoring the Borg to full strength and erasing the Borg/Cyberman alliance from existence.

Writers Judith and Garfield Reeves-Stevens developed an unproduced idea for an episode which would have featured Alice Krige as a Starfleet medical technician who encounters the Borg and is assimilated – thereby becoming the Borg Queen.

In the video game Star Trek: Armada, the Borg invades a Dominion cloning facility to create a clone of Jean-Luc Picard to create a new Locutus.

In video games

The Borg appear as antagonists to the player in the following Star Trek videogame titles:
Activision planned to release Star Trek: Borg Assimilator, in which the player would play a Borg, but later canceled the game.

Critical reception and popular culture

The depiction of the Borg cube in "Q Who" garnered the episode an Emmy Award nomination.

TV Guide named the Borg #4 in their 2013 list of the 60 Nastiest Villains of All Time.

The phrase "resistance is futile" became prevalent in popular culture from its use in the television show TNG.

The Borg uttered the phrase in several Star Trek episodes and the film Star Trek: First Contact (which used the phrase as the tagline for the 1996 film). Patrick Stewart's delivery of the line, as Locutus, in "The Best of Both Worlds" was ranked no. 93 in TV Land's list of "The 100 Greatest TV Quotes and Catchphrases". It was used as the title for an episode of the TV series Dexter.

Cyborg anthropology

From Wikipedia, the free encyclopedia
 
Cyborg anthropology is a discipline that studies the interaction between humanity and technology from an anthropological perspective. The discipline is relatively new, but offers novel insights on new technological advances and their effect on culture and society.

History

Donna Haraway’s 1984 ""A Cyborg Manifesto" was the first widely-read academic text to explore the philosophical and sociological ramifications of the cyborg. A sub-focus group within the American Anthropological Association's annual meeting in 1992 presented a paper entitled "Cyborg Anthropology", which cites Haraway's "Manifesto". The group described cyborg anthropology as the study of how humans define humanness in relationship to machines, as well as the study of science and technology as activities that can shape and be shaped by culture. This includes studying the ways that all people, including those who are not scientific experts, talk about and conceptualize technology. The sub-group was closely related to STS and the Society for the Social Studies of Science. More recently, Amber Case has been responsible for explicating the concept of Cyborg Anthropology to the general public. She believes that a key aspect of cyborg anthropology is the study of networks of information among humans and technology.

Many academics have helped develop cyborg anthropology, and many more who haven't heard the term still are today conducting research that may be considered cyborg anthropology, particularly research regarding technologically advanced prosthetics and how they can influence an individual's life. A 2014 summary of holistic American anthropology intersections with cyborg concepts (whether explicit or not) by Joshua Wells explained how the information-rich and culture-laden ways in which humans imagine, construct, and use tools may extend the cyborg concept through the human evolutionary lineage. Amber Case generally tells people that the actual number of self-described cyborg anthropologists is "about seven". The Cyborg Anthropology Wiki, overseen by Case, aims to make the discipline as accessible as possible, even to people who do not have a background in anthropology.

Methodology

Cyborg anthropology uses traditional methods of anthropological research like ethnography and participant observation, accompanied by statistics, historical research, and interviews. By nature it is a multidisciplinary study; cyborg anthropology can include aspects of Science and Technology Studies, cybernetics, feminist theory, and more. It primarily focuses on how people use discourse about science and technology in order to make these meaningful in their lives. 

'Cyborg' origins and meaning

Originally coined in a 1960 paper about space exploration, the term is short for cybernetic organism. A cyborg is traditionally defined as a system with both organic and inorganic parts. In the narrowest sense of the word, cyborgs are people with machinated body parts. These cyborg parts may be restorative technologies that help a body function where the organic system has failed, like pacemakers, insulin pumps, and bionic limbs, or enhanced technologies that improve the human body beyond its natural state. In the broadest sense, all human interactions with technology could qualify as a cyborg. Most cyborg anthropologists lean towards the latter view of the cyborg; some, like Amber Case, even claim that humans are already cyborgs because people's daily life and sense of self is so intertwined with technology. Haraway's "Cyborg Manifesto" suggests that technology like virtual avatars, artificial insemination, sexual reassignment surgery, and artificial intelligence might make dichotomies of sex and gender irrelevant, even nonexistent. She goes on to say that other human distinctions (like life and death, human and machine, virtual and real) may similarly disappear in the wake of the cyborg.

Digital vs. cyborg anthropology

Digital anthropology is concerned with how digital advances are changing how people live their lives, as well as consequent changes to how anthropologists do ethnography and to a lesser extent how digital technology can be used to represent and undertake research. Cyborg anthropology also looks at disciplines like genetics and nanotechnology, which are not strictly digital. Cybernetics/informatics covers the range of cyborg advances better than the label digital.

Key concepts and research

Actor–network theory

Questions of subjectivity, agency, actors, and structures have always been of interest in social and cultural anthropology. In cyborg anthropology the question of what type of cybernetic system constitutes an actor/subject becomes all the more important. Is it the actual technology that acts on humanity (the Internet), the general techno-culture (Silicon Valley), government sanctions (net neutrality), specific innovative humans (Steve Jobs), or some type of combination of these elements? Some academics believe that only humans have agency and technology is an object humans act upon, while others argue that humans have no agency and culture is entirely shaped by material and technological conditions. Actor-network theory (ANT), proposed by Bruno Latour, is a theory that helps scholars understand how these elements work together to shape techno-cultural phenomena. Latour suggests that actors and the subjects they act on are parts of larger networks of mutual interaction and feedback loops. Humans and technology both have the agency to shape one another. ANT best describes the way cyborg anthropology approaches the relationship between humans and technology. Similarly, Wells explain how new forms of networked political expression such as the Pirate Party movement and free and open-source software philosophies are generated from human reliance on information technologies in all walks of life.

Artificial intelligence

Researchers like Kathleen Richardson have conducted ethnographic research on the humans who build and interact with artificial intelligence. Recently, Stuart Geiger, a PhD student at University of California, Berkeley suggested that robots may be capable of creating a culture of their own, which researchers could study with ethnographic methods. Anthropologists react to Geiger with skepticism because, according to Geiger, they believe that culture is specific to living creatures and ethnography limited to human subjects.

Posthumanism

The most basic definition of anthropology is the study of humans. However, cyborgs, by definition, describe something that is not entirely an organic human. Moreover, limiting a discipline to the study of humans may be difficult the more that technology allows humans to transcend the normal conditions of organic life. The prospect of a posthuman condition calls into question the nature and necessity of a field focused on studying humans. 

Sociologist of technology Zeynep Tufekci argues that any symbolic expression of ourselves, even the most ancient cave painting, can be considered "posthuman" because it exists outside of our physical bodies. To her, this means that the human and the "posthuman" have always existed alongside one another, and anthropology has always concerned itself with the posthuman as well as the human. Neil L. Whitehead and Michael Welsch point out that the concern that posthumanism will decenter the human in anthropology ignores the discipline's long history of engaging with the unhuman (like spirits and demons that humans believe in) and the culturally "subhuman" (like marginalized groups within a society).. Contrarily, Wells, taking a deep-time perspective, points out the ways that tool-centric and technologically communicated values and ethics typify the human condition, and that cross-cultural and ethnological trends in conceptions of lifeways, power dynamics, and definitions of humanity often incorporate information-rich technological symbology.

Notable figures

Inequality (mathematics)

From Wikipedia, the free encyclopedia https://en.wikipedia.org/wiki/Inequality...