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Tuesday, March 5, 2019

American middle class

From Wikipedia, the free encyclopedia

The American middle class is a social class in the United States. While the concept is typically ambiguous in popular opinion and common language use, contemporary social scientists have put forward several ostensibly congruent theories on the American middle class. Depending on the class model used, the middle class constitutes anywhere from 25% to 66% of households.
 
One of the first major studies of the middle class in America was White Collar: The American Middle Classes, published in 1951 by sociologist C. Wright Mills. Later sociologists such as Dennis Gilbert of Hamilton College commonly divide the middle class into two sub-groups. Constituting roughly 15% to 20% of households is the upper or professional middle class consisting of highly educated, salaried professionals and managers. Constituting roughly one third of households is the lower middle class consisting mostly of semi-professionals, skilled craftsmen and lower-level management. Middle-class persons commonly have a comfortable standard of living, significant economic security, considerable work autonomy and rely on their expertise to sustain themselves.

Members of the middle class belong to diverse groups which overlap with each other. Overall, middle-class persons, especially upper-middle-class individuals, are characterized by conceptualizing, creating and consulting. Thus, college education is one of the main indicators of middle-class status. Largely attributed to the nature of middle-class occupations, middle class values tend to emphasize independence, adherence to intrinsic standards, valuing innovation and respecting non-conformity. Politically more active than other demographics, college educated middle class professionals are split between the two major parties.

Income varies considerably, from near the national median to well in excess of US$100,000. However, household income figures do not always reflect class status and standard of living as they are largely influenced by the number of income earners and fail to recognize household size. It is therefore possible for a large, dual-earner, lower middle class household to out-earn a small, one-earner, upper middle class household. The middle classes are very influential as they encompass the majority of voters, writers, teachers, journalists and editors. Most societal trends in the U.S. originate within the middle classes.

History

Scholars have a variety of technical measures of who is middle-class. By contrast public opinion has a variety of implicit measures. The definitions seem to stretch quite a great deal depending on the political cause that is being invoked or defended, as one commentator noted:
Well, it depends on whom you ask. Everyone wants to believe they are middle class. For people on the bottom and the top of the wage scale the phrase connotes a certain Regular Joe cachet. But this eagerness to be part of the group has led the definition to be stretched like a bungee cord - used to defend/attack/describe everything from the Earned Income Tax Credit to the estate tax.

Sub-divisions

The middle class by one definition consists of an upper middle class, made up of professionals distinguished by exceptionally high educational attainment as well as high economic security; and a lower middle class, consisting of semi-professionals. While the groups overlap, differences between those at the center of both groups are considerable. 

The lower middle class has lower educational attainment, considerably less workplace autonomy, and lower incomes than the upper middle class. With the emergence of a two-tier labor market, the economic benefits and life chances of upper middle class professionals have grown considerably compared to those of the lower middle class.

The lower middle class needs two income earners in order to sustain a comfortable standard of living, while many upper middle class households can maintain a similar standard of living with just one income earner.

Professional/managerial middle class

The "professional class", also called the "upper middle class," consists mostly of highly educated white collar salaried professionals, whose work is largely self-directed. In 2005, these household incomes commonly exceed $100,000 per year. Class members typically hold graduate degrees, with educational attainment serving as the main distinguishing feature of this class.

These professionals typically conceptualize, create, consult, and supervise. As a result, upper middle class employees enjoy great autonomy in the work place and are more satisfied with their careers than non-professional middle class individuals. In terms of financial wealth income, the professional middle class fits in the top third, but seldom reach the top 5% of American society. According to sociologists such as Dennis Gilbert, James Henslin, Joseph Hickey, and William Thompson, the upper middle class constitutes 15% of the population.
The upper middle class has grown... and its composition has changed. Increasingly salaried managers and professionals have replaced individual business owners and independent professionals. The key to the success of the upper-middle-class is the growing importance of educational certification... its lifestyles and opinions are becoming increasingly normative for the whole society. It is in fact a porous class, open to people... who earn the right credentials.
— Dennis Gilbert, The American Class Structure, 1998.
Values and mannerisms are difficult to pinpoint for a group encompassing millions of persons. Naturally, any large group of people will feature social diversity to some extent. However, some generalizations can be made using education and income as class defining criteria. William Thompson and Joseph Hickey noted that upper middle class individuals have a more direct and confident manner of speech. In her 1989 publication Effects of Social Class and Interactive Setting on Maternal Speech, Erica Hoff-Ginsberg found that among her surveyed subjects, "upper-middle class mothers talked more per unit of time and sustained longer interactions with children". She also found that the speech of upper middle-class mothers differs "in its functional, discourse, and lexico-syntactic properties", from those in the working class.

Upper middle-class manners tend to require individuals to engage in conversational discourse with rather distant associates and to abstain from sharing excessive personal information. This contradicts working-class speech patterns, which often include frequent mentions of one's personal life. Further research also suggests that working-class parents emphasize conformity, traditional gender roles, and the adherence to external standards in their children, such as being neat and clean and "[believing] in strict leadership". This contrasted with professional-class households, where gender roles were more egalitarian and loosely defined. Upper middle class children were largely taught to adhere to internal standards, with curiosity, individuality, self-direction, and openness to new ideas being emphasized.

While a recent Gallup survey showed mass affluent households to be conservative on economic issues while liberal on social issues, the upper middle class seems to be relatively politically polarized. In the 2006 mid-term elections both Democrats and Republicans received over 40% of the vote from those with advanced degrees and those in households with six figure incomes. While households with incomes exceeding $100,000 tend to favor Republicans slightly, they are also the only income demographic where Ralph Nader won more than 1% of the vote. Among those with graduate degrees, a smaller group than those with six figure incomes, the majority tends to vote Democratic with roughly 1% having voted for Nader in 2004.

Lower middle class

The lower middle class is the second most populous according to both Gilbert's as well as Thompson & Hickey's models, constituting roughly one third of the population, the same percentage as the working class. However, according to James M. Henslin, who also divides the middle class into two sub-groups, the lower middle class is the most populous, constituting 34% of the population. In all three class models the lower middle class is said to consist of "semi-professionals" and lower level white collar employees. An adaptation by sociologists Brian K. William, Stacy C. Sawyer, and Carl M. Wahlstrom of Dennis Gilbert's class model gave the following description of the lower middle class:
The lower middle class... these are people in technical and lower-level management positions who work for those in the upper middle class as lower managers, craftspeople, and the like. They enjoy a reasonably comfortable standard of living, although it is constantly threatened by taxes and inflation. Generally, they have a Bachelor's and sometimes Master's college degree.
— Brian K. William, Stacy C. Sawyer and Carl M. Wahlstrom, Marriages, Families & Intimate Relationships, 2006 (Adapted from Dennis Gilbert 1997; and Joseph Kahl 1993)
Taking into account the percentages provided in the six-class model by Gilbert, as well as the model of Thompson and Hickey, one can apply U.S. Census Bureau statistics regarding income. According to these class models the lower middle class is located roughly between the 52nd and 84th percentile of society. In terms of personal income distribution in 2005, that would mean gross annual personal incomes from about $32,500 to $60,000.

As 42% of all households, and the majority of those in the top 40%, had two income earners, household income figures would be significantly higher, ranging from roughly $50,000 to $100,000 in 2005. In terms of educational attainment, 27% of persons had a Bachelor's degree or higher.

Working class majority

Seen from a sociological perspective based on class-cleavages, the majority of Americans can be described as members of the working class.

The use of the term "working class" is applicable if the position of individuals, households and families in relation to the production of goods and services is the main determinant of social class. Class distinctions are seen in the distribution of individuals within society whose influence and importance differ. The nature of a person's work and the associated degrees of influence, responsibility, and complexity determine a person's social class. The higher the degree of influence and responsibility a person has or the more complex the work, the higher his or her status in society.

As qualified personnel become scarce for relatively important, responsible, and complex occupations income increases, following the economic theory of scarcity resulting in value. According to this approach, occupation becomes more essential in determining class than income. Whereas professionals tend to create, conceptualize, consult and instruct, most Americans do not enjoy a high degree of independence in their work, as they merely follow set instructions.

Definitions of the working class are confusing. Defined in terms of income, they may be split into middle-middle or statistical middle class in order to speak to issues of class structure. Class models such as Dennis Gilbert or Thompson and Hickey estimate that roughly 53% of Americans are members of the working or lower classes.

Factors such as nature of work and lack of influence within their jobs leads some theorists to the conclusion that most Americans are working class. They have data that shows the majority of workers are not paid to share their ideas. These workers are closely supervised and do not enjoy independence in their jobs. Also, they are not paid to think. For example: The median annual earnings of salaried dentists were $136,960 in May 2006, indicating a high degree of scarcity for qualified personnel. The opinions and thoughts of dentists, much like those of other professionals, are sought after by their organizations and clients. The dentist creates a diagnosis, consults the patient, and conceptualizes a treatment. In 2009, Dental assistants made roughly $14.40 an hour, about $32,000 annually. Unlike dentists, dental assistants do not have much influence over the treatment of patients. They carry out routine procedures and follow the dentists' instructions. Here we see that a dental assistant being classified as working class. Similar relationships can be observed in other occupations.

Weberian definition

Some modern theories of political economy consider a large middle class to be a beneficial and stabilizing influence on society because it has neither the possibly explosive revolutionary tendencies of the lower class, nor the absolutist tendencies of an entrenched upper class. Most sociological definitions of middle class follow Max Weber. Here, the middle class is defined as consisting of professionals or business owners who share a culture of domesticity and sub-urbanity and a level of relative security against social crisis in the form of socially desired skill or wealth. Thus, the theory on the middle class by Weber can be cited as one that supports the notion of the middle class being composed of a quasi-elite of professionals and managers, who are largely immune to economic downturns and trends such as out-sourcing which affect the statistical middle class.

Income

Many social scientists including economist Michael Zweig and sociologist Dennis Gilbert contend that middle class persons usually have above median incomes. As social classes lack clear boundaries and overlap there are no definite income thresholds as for what is considered middle class. In 2004, sociologist Leonard Beeghley identifies a male making $57,000 and a female making $40,000 with a combined households income of $97,000 as a typical middle-class family. In 2005, sociologists William Thompson and Joseph Hickey estimate an income range of roughly $35,000 to $75,000 for the lower middle class and $100,000 or more for the upper middle class.

Household income distribution
Bottom 10% Bottom 20% Bottom 25% Middle 33% Middle 20% Top 25% Top 20% Top 5% Top 1.5% Top 1%
$0 to $10,500 $0 to $18,500 $0 to $22,500 $30,000 to $62,500 $35,000 to $55,000 $77,500 and up $92,000 and up $167,000 and up $250,000 and up $350,000 and up
Source: US Census Bureau, 2006; income statistics for the year 2005

Education and income

Educational attainment is one of the most prominent determinants of class status. As educational attainment represents expertise, which is a necessary component of the capitalist market system, its ownership may be seen as the ownership of one of the factors of production. In other words, those with advanced degrees already own one of the essential buttresses of the economy: expertise. Additionally educational attainment is basis for occupational selection. Those with higher educational attainment tend to be positioned in occupations with greater autonomy, influence over the organizational process, and better financial compensation

While economic compensation is merely the result of scarcity, educational attainment may be related to that very economic principle as well. The attainment of a graduate degree represents the acquisition of expertise (a factor of production) that in itself may be scarce; thus leading to better financial compensation for the owner. As stated above, the upper middle class features a strong reliance on educational attainment (the ownership of expertise) for much of its social and economic well-being. The following chart further explains the strong correlation between educational attainment and personal as well as household income.

Household income controversy

Percentage distribution of 2+ income households among the quintiles
 
Income is one of a household's attributes most commonly used to determine its class status. Yet, income may not always accurately reflect a household's position within society or the economy. Unlike personal income, household income does not reflect occupational achievement as much as it measures the number of income earners. Sociologist Dennis Gilbert acknowledges that a working-class household with two income earners may out-earn a single-income upper-middle-class household, as the number of income earners has evolved into one of the most important variables in determining household income. For example, according to the US Department of Labor, two registered nurses could quite easily command a household income of $126,000 in 2006, while the median income for a lawyer was $94,930.

Furthermore, household income fails to recognize household size. For example, a single attorney, earning $95,000, may have a higher standard of living than a family of four with an income of $120,000. Yet household income is still a commonly used class indicator, as household members share the same economic fate and class position.
The parade [of income earners with height representing income] suggest that [the] relationship between the distribution of income and the class structure is... blurred in the middle...we saw dual-income working class marchers looking down on single-income upper-middle-class marchers. In sum, the class structures as we have defined it...does not exactly match the distribution of household income.
— Dennis Gilbert, The American Class Structure, 1998

Influence

The influence of the middle class depends on which theory one utilizes. If the middle class is defined as a modern bourgeoisie, the "middle class" has great influence. If middle class is used in a manner that includes all persons who are at neither extreme of the social strata, it might still be influential, as such definition may include the "professional middle class", which is then commonly referred to as the "upper middle class". Despite the fact that the professional (upper) middle class is a privileged minority, it is the perhaps the most influential class in the United States.
Most ideas that find their way into the cultural mainstream... are crafted by a relative elite: people who are well educated, reasonably well-paid, and who overlap, socially and through family ties, with at least the middling levels of the business community—in short, the professional middle class.
Several reasons can be cited as to why the professional middle class is so influential. One is that journalists, commentators, writers, professors, economists, and political scientists, who are essential in shaping public opinion, are almost exclusively members of the professional middle class. Considering the overwhelming presence of professional middle-class persons in post secondary education, another essential instrument in regards to shaping public opinion, it should come as no surprise that the lifestyle exclusive to this quasi-elite has become indicative of the American mainstream itself. In addition to setting trends, the professional middle class also holds occupations which include managerial duties, meaning that middle-class professionals spend much of their work-life directing others and conceptualizing the workday for the average worker.

Yet another reason is the economic clout generated by this class. In 2005 according to U.S. Census statistics, the top third of society, excluding the top 5%, controlled the largest share of income in the United States. Although some in the statistical middle class (for example, police officers and fire fighters in the more affluent suburbs in the San Francisco Bay Area) may have lifestyles as comfortable as those found among the ranks of the professional middle class, only few have the same degree of autonomy and influence over society as those in the professional middle class. Other white-collar members of the statistical middle class may not only be unable to afford the middle-class lifestyle but also lack the influence found in the professional middle class.

Typical occupations

Office buildings such as this are often the place of work for the vast majority of middle-class Americans, whether they are upper-middle-class professional or lower-middle-class secretaries
 
Note that according to the many different ways of sub-dividing the middle class, some of the occupations indicative of the professional middle class might be categorized as upper-middle or lower-middle.

As mentioned above, typical occupations for members of the middle class are those identified as being part of "the professions" and often include managerial duties as well, with all being white collar. There is great diversity among the occupations found among those living the middle-class lifestyle, and the appropriateness of some occupations being placed here will depend on each individual's personal outlook. The following is a list of occupations one might expect to find among this class: Accountants, Tenured Professors (Post-secondary educators), Physicians, Engineers, Lawyers, commissioned Military Officers, Architects, Journalists, Mid-level corporate managers, Writers, Economists, Political Scientists, Urban planners, Financial managers, High school teachers, Registered Nurses (RNs), Pharmacists and Analysts, etc... 

Autonomy is often seen as one of the greatest measurements of a person's class status. Even though some working class employees might also enjoy largely self-directed work, large degrees of autonomy in the work place, as well as influence over the organizational process, which are commonly the results of obtained expertise, these can still be seen as hallmarks of upper-middle-class or professional-middle-class professions.

As for the lower middle class, other less prestigious occupations, many sales positions, entry-level management, secretaries, etc., would be included. In addition to professionals whose work is largely self-directed and includes managerial duties, many other less privileged members of the statistical middle class would find themselves in semi-independent to independent white collar positions. Many of those in the statistical middle class might work in what are called the professional support fields. These fields include occupations such as dental hygienists, and other professional and sales support.

An upscale home in Salinas, California

Consumption

The American middle class, at least those living the lifestyle, has become known around the world for conspicuous consumption. To this day, the professional middle class in the United States holds the world record for having the largest homes, most appliances, and most automobiles. In 2005, the average new home had a square footage of 2,434 square feet (roughly 226 square meters) with 58% of these homes having ceilings with heights in excess of nine feet on the first floor. As new homes only represent a small portion of the housing stock in the US, with most suburban homes having been built in the 1970s when the average square footage was 1,600, it is fair to assume that these large new suburban homes will be inhabited by members of the professional middle class.

Overall, many social critics and intellectuals, most of whom are members of the professional middle class themselves, have commented on the extravagant consumption habits of the professional middle class. It is also often pointed out that the suburban lifestyle of the American professional middle class is a major reason for its record consumption. The increasing materialism, even among such a highly educated class, is also often claimed to be connected to the notion of rugged individualism which gained popularity among the ranks of the professional middle class in the 1970s and 1980s.

Academic models

Academic class models
Dennis Gilbert, 2002 William Thompson & Joseph Hickey, 2005 Leonard Beeghley, 2004
Class Typical characteristics Class Typical characteristics Class Typical characteristics
Capitalist class (1%) Top-level executives, high-rung politicians, heirs. Ivy League education common. Upper class (1%) Top-level executives, celebrities, heirs; income of $500,000+ common. Ivy league education common. The super-rich (0.9%) Multi-millionaires whose incomes commonly exceed $350,000; includes celebrities and powerful executives/politicians. Ivy League education common.
Upper middle class (15%) Highly-educated (often with graduate degrees), most commonly salaried, professionals and middle management with large work autonomy. Upper middle class (15%) Highly-educated (often with graduate degrees) professionals & managers with household incomes varying from the high 5-figure range to commonly above $100,000. The rich (5%) Households with net worth of $1 million or more; largely in the form of home equity. Generally have college degrees.
Middle class (plurality/
majority?; ca. 46%)
College-educated workers with considerably higher-than-average incomes and compensation; a man making $57,000 and a woman making $40,000 may be typical.
Lower middle class (30%) Semi-professionals and craftsmen with a roughly average standard of living. Most have some college education and are white-collar. Lower middle class (32%) Semi-professionals and craftsmen with some work autonomy; household incomes commonly range from $35,000 to $75,000. Typically, some college education.
Working class (30%) Clerical and most blue-collar workers whose work is highly routinized. Standard of living varies depending on number of income earners, but is commonly just adequate. High school education.
Working class (32%) Clerical, pink- and blue-collar workers with often low job security; common household incomes range from $16,000 to $30,000. High school education. Working class
(ca. 40–45%)
Blue-collar workers and those whose jobs are highly routinized with low economic security; a man making $40,000 and a woman making $26,000 may be typical. High school education.
Working poor (13%) Service, low-rung clerical and some blue-collar workers. High economic insecurity and risk of poverty. Some high school education.
Lower class (ca. 14–20%) Those who occupy poorly-paid positions or rely on government transfers. Some high school education.
Underclass (12%) Those with limited or no participation in the labor force. Reliant on government transfers. Some high school education. The poor (ca. 12%) Those living below the poverty line with limited to no participation in the labor force; a household income of $18,000 may be typical. Some high school education.
References: Gilbert, D. (2002) The American Class Structure: In An Age of Growing Inequality. Belmont, CA: Wadsworth, ISBN 0534541100. (see also Gilbert Model);
Thompson, W. & Hickey, J. (2005). Society in Focus. Boston, MA: Pearson, Allyn & Bacon; Beeghley, L. (2004). The Structure of Social Stratification in the United States. Boston, MA: Pearson, Allyn & Bacon.
1 The upper middle class may also be referred to as "Professional class" Ehrenreich, B. (1989). The Inner Life of the Middle Class. NY, NY: Harper-Collins.

Middle-class squeeze

Struggle for reemployment: downsizing and outsourcing

When middle-class workers lose their jobs, they tend to be rehired but for a lower rate of pay. More often than not, people seek out temporary employment to make ends meet. About 4 percent of workforce, 11.4 million workers, a year are temporary workers. Journalist Barbara Ehrenreich, found that people went from solid middle-class jobs to minimum-wage employment. 

According to Christopher B. Doob, outsourcing is companies' subcontracting of services to other companies instead of continuing to provide those services themselves. This takes away from jobs offered in the United States and makes it more difficult to maintain and get jobs. Outsourcing raises the unemployment rate, and while outsourcing has been steadily increasing since the 1990s, data on the subject is limited by the power elite. Companies like Apple and Nike outsource jobs overseas so they can have cheaper labor to make their products and keep from raising prices in the States.

The deliberate reduction of permanent employees in an effort to provide an organization more efficient operations and to cut costs. Large firms like IBM, AT&T, and GM are reducing their heavily middle class workforce by 10 to 20 percent because of the advancement of technology and the closing of work facilities. Downsizing has grown significantly in the States due to the rising debt has forced companies to downsize so they can remain open. According to Doob, between 2005 and 2007, 3.6 million workers with three or more years on the job lost their positions because of company closings, moves, insufficient work, or the elimination of their positions.

Increased inequality

Changes as to inequality and poverty have not always been in the same direction. Poverty rates increased early in the 1980s until late in the 1990s when they started to go back down. Since 2000, the percent of all people living in poverty has risen from 11.3% to 15.1% in 2010.This statistical measure of the poverty rate takes into account only a household's current year's income, while ignoring the actual net worth of the household.

Up to 2008

Inflation adjusted percentage increase in after-tax household income for the top 1% and four of the five quintiles, between 1979 and 2005 (gains by top 1% are reflected by bottom bar; bottom quintile by top bar)
 
Income data indicate that the middle class, including the upper middle class, have seen far slower income growth than the top 1% since 1980. While its income increased as fast as that of the rich in the years following World War II, it has since experienced far slower income gains than the top. According to economist Janet Yellen "the growth [in real income] was heavily concentrated at the very tip of the top, that is, the top 1 percent". Between 1979 and 2005, the mean after-tax income of the top 1% increased by an inflation adjusted 176% versus 69% for the top 20% overall. The fourth quintile saw its mean net income increase by 29%, the middle income quintile by 21%, the second quintile by 17% and the bottom quintile by 6%, respectively.

The share of gross annual household income of the top 1% has increased to 19.4%, the largest share since the late 1920s. As the U.S. is home to a progressive tax structure the share of net-income received by the top 1% is smaller, and the share of the middle class consequently larger, than their shares of gross pre-tax income. In 2004, the top percentile's share of net income was 14%, 27.8% less than its share of gross income, but nonetheless nearly twice as large as in 1979, when it was clocked at 7.5%.

The reduced size of the share of aggregate share of income, both before and after tax, of the middle class has been attributed to the reduced bargaining power of wage earning employees, caused by the decline of unions; a lessening of government redistribution; and technological changes which have created opportunities for certain people to accumulate far greater relative wealth very quickly (including larger markets due to globalization and Information Age technologies allowing faster and wider distribution of work product). 

In 2006 households that earn between $25,000 and $75,000 represent approximately the middle half of the income distribution tables provided by the U.S. Census Bureau. Over the past two decades, the number of households in those brackets decreased by 3.9%, from 48.2% to 44.3%. During the same time period, the number of households with incomes below $25,000 decreased 3.5%, from 28.7% to 25.2%, while the number of households with incomes above $75,000 increased over 7%, from 23.2% to 30.4%. A possible explanation for the increase in the higher earnings categories is that more households now have two wage earners. However, a closer analysis reveals all of the 7% increase can be found in households who earn over $100,000.

A study by Brookings Institution in June 2006 revealed that Middle-income neighborhoods as a proportion of all metropolitan neighborhoods declined from 58 percent in 1970 to 41 percent in 2000. As housing costs increase, the middle class is squeezed and forced to live in less desirable areas making upward mobility more difficult. Safety, school systems, and even jobs are all linked to neighborhood types.

The statistics used to track the share of income going to the top 1% have been criticized by Alan Reynolds. He points out that the Tax Reform Act of 1986 changed the way that income is defined on tax returns, which is the primary source of data utilized to compile income shares. Among these changes includes the fact that beginning in the 1980s, many C-Corporations switched to S-Corporations, which changed the way that their income is reported on income tax returns. S-Corporations report all income on the individual income tax returns of the owners, while C-Corporations file a separate tax return and corporate profits are not allocated to any individuals. Prior to 1986, approximately one fourth of all American corporations were S-Corporations, but by 1997 this share had risen to more than half. In addition, by 2001 S-Corporations were responsible for about 25% of before-tax profits.

This shift to S-Corporations means that income previously not included on personal income tax returns appeared there during this change, as S-Corporation investors directly pay taxes on corporate profit regardless of whether it is distributed or not. Furthermore, Reynolds points out in the same literature that tax-deferred savings accounts grew substantially from the 1980s onward, so that investment income to these accounts was not included as personal income in the years which it accrued. The CBO noted that at the end of 2002, $10.1 trillion was in tax-deferred retirement plans, and that $9 trillion of that was taxable upon withdrawal. These numbers amount to potentially large amounts of investment income to middle-class families that are no longer reported on tax returns each year, but were reported prior to the widespread growth of tax-deferred retirement plans.

Panel data that track the same individuals over time are much more informative than statistical categories that do not correspond to specific people. The Treasury did a study in 2007 that tracked the same individual taxpayers over the age of 25 from 1996 to 2005 and found differing results from what the graph above shows. The results showed that during those years, half of taxpayers moved to a different income quintile, with half of those in the bottom quintile moving to a higher one. About 60% of taxpayers in the top 1% in 1996 no longer stayed in that category by 2005. 

On an absolute scale, the lowest incomes saw the greatest gains in percentage terms and the highest incomes actually declined. Half of those in the bottom 20% in 1996 saw their income at least double during these years, and the median income of the top 1996 top 1% declined by 25.8%. The reason that the results are so inconsistent with household income statistics is that household statistics do not track the same people over time; it is important to specify how many of the households in the top 1% in a given year were still there when looking at that category years later and gauging income gains.

2008 and after

After the financial crisis of 2007–08, inequality between social classes has further increased. As William Lazonick puts it:
Five years after the official end of the Great Recession, corporate profits are high, and the stock markets are booming. Yet most Americans are not sharing in the recovery. While the top 0.1% of income recipients – which include most of the highest-ranking corporate executives – reap almost all the income gains, good jobs keep disappearing, and new employment opportunities tend to be insecure and underpaid.

The Firesign Theatre

From Wikipedia, the free encyclopedia

The Firesign Theatre
Memorial for Peter Bergman 03.jpg
Surviving members of the Firesign Theatre paying tribute to the late Peter Bergman on April 21, 2012; left to right: Austin, Ossman, Proctor
Medium
  • Radio
  • recording
  • film
NationalityAmerican
Years active1966–2012
Genres
Subject(s)
Notable works and roles
Members
Websitewww.firesigntheatre.com

The Firesign Theatre (also known as The Firesigns) was an American surreal comedy group who first performed live on November 17, 1966 on the Los Angeles radio program Radio Free Oz, first on station KPFK FM, then on KRLA 1110 AM, then on KMET FM through February 1969. They produced fourteen record albums and a 45 rpm single under contract to Columbia Records from 1968 through 1976, and had three nationally syndicated radio programs: The Firesign Theatre Radio Hour Hour [sic] in 1970 on KPPC-FM; and Dear Friends (1970–1971) and Let's Eat! (1971–1972) on KPFK. They also appeared in front of live audiences, and continued to write, perform, and record on other labels through 2012, occasionally taking sabbaticals during which they wrote or performed solo or in smaller groups.

Firesign Theatre material was conceived, written, and performed by its members Phil Austin, Peter Bergman, David Ossman, and Philip Proctor. The group's name stems from astrology, because all four were born under the three "fire signs": Aries (Austin), Leo (Proctor), and Sagittarius (Bergman and Ossman). Their popularity peaked in the late 1960s and early 1970s, and ebbed in the Reagan Era. They experienced a revival and second wave of popularity in the 1990s and continued to write, record and perform until Bergman's death in 2012.

In 1997, Entertainment Weekly ranked the Firesign Theatre among the "Thirty Greatest Comedy Acts of All Time". The group received Grammy Award nominations for Best Comedy Album for three of their albums: The Three Faces of Al (1984), Give Me Immortality or Give Me Death (1998), and Bride of Firesign (2001). In 2005, the US Library of Congress added one of the group's most popular early albums, the 1970 Don't Crush That Dwarf, Hand Me the Pliers, to the National Recording Registry and called the group "the Beatles of comedy."

Before Firesign

Peter Bergman and Philip Proctor met while attending Yale University in the late 1950s, where Proctor studied acting, and Bergman edited the Yale comedy magazine. Bergman studied playwriting and collaborated as lyricist with Austin Pendleton on two Yale Dramat musicals in which Proctor starred: Tom Jones, and Booth Is Back In Town. In 1965, Bergman spent a year working in England on the BBC television program Not So Much a Program, More a Way of Life and met surrealist comedian Spike Milligan. While there, he saw the Beatles in concert, which inspired him to form a four-man comedy group.

On returning to the US, Bergman started a late-night listener-participation talk show Radio Free Oz on July 24, 1966, on listener-sponsored KPFK FM in Los Angeles. According to Bergman, the show "featured everybody who was anybody in the artistic world who passed through LA." Guests included the band Buffalo Springfield and Andy Warhol. There, Bergman worked with producers Phil Austin and David Ossman. Proctor was in Los Angeles looking for acting work and watching the Sunset Strip curfew riots. When he discovered he was sitting on a newspaper photo of Bergman, he called his college buddy, who recruited him as the fourth man for his comedy group.

Bergman originally named the group the "Oz Firesign Theatre" because all four were born under the three astrological fire signs (Aries, Leo, and Sagittarius), and debuted them on his November 17, 1966 show. He had to drop "Oz" from the name after legal threats from MGM, who owned copyright to The Wizard of Oz.

Radio Free Oz

The Firesigns were strongly influenced by the British Goon Show. According to Ossman:
We all listened to The Goon Show, Peter Sellers, Spike Milligan and Harry Secombe, at various times in our lives. We heard a lot of those shows. They impressed us when we started doing radio ourselves, because they sustained characters in a really surreal and weird kind of situation for a long period of time. They were doing that show for 10 years, all the way through the 1950s. So we were just listening to them at the end. It was that madness and the ability to go anywhere and do anything and yet sustain those funny characters. So when we first did written radio, where we would sit down and write half hour skits and do them once a week, which we did in the fall of 1967, we did things that were imitative of The Goon Show and learned a lot of voices from them and such.
The Firesigns initially chose an improvisational style. According to Proctor:
We each independently created our own material and characters and brought them together, not knowing what the others were going to pull. And it was all based on put-ons; that is, we were assuming characters that were assumed to be real by the listeners. No matter how far out we would carry a premise, if we were tied to the phones we discovered the audience would go far ahead of us. We could be as outrageous as we wanted to be and they believed us—which was astonishingly funny and interesting and terrifying to us, because it showed the power of the medium and the gullibility and vulnerability of most people.
On nights when he had no guests, Bergman would have the Firesigns come on the air and pretend (including himself) to be outrageously interesting guests. On their November 17, 1966 debut, they pretended to be the panel of an imaginary "Oz Film Festival": Bergman was film critic Peter Volta, "writing a history of world cinema one frame at a time"; Ossman was Raul Saez, maker of “thrown camera” films, who had just won a grant to roll a 70 mm film camera down the Andes; Austin was Jack Love, making "Living Room Theatre" porn films like The Nun and Blondie Pays the Rent; and Proctor was Jean-Claude Jean-Claude, creator of the "Nouvelle Nouvelle Vague Vague movement" and director of a documentary Two Weeks With Fred, which lasts a full two weeks.

In September 1967, the Firesigns performed an adaptation of Jorge Luis Borges' short story "La Muerte y La Brujula" ("Death and the Compass") on Radio Free Oz.

In 1969, they created a number of improvised television commercials for Jack Poet Volkswagen in Highland Park, California, with the characters of Christian Cyborg (Bergman), Coco Lewis (Proctor), Bob Chicken (Austin), and Tony Gomez (Ossman).

Golden age

Start of recording career

Bergman coined the term "love-in" in 1967, and promoted the first Los Angeles Love-In, attended by 40,000 in Elysian Park, on his program. The Firesigns performed there, which led to Radio Free Oz moving to KRLA 1110 AM, which had a much wider audience than KPFK FM.

This event also caught the attention of Columbia Records staff producer Gary Usher, who sensed commercial potential for the Firesign Theatre and proposed to Bergman they make a "love-In album" for Columbia. Bergman countered with the desire to make a Firesign Theatre record, and this led to a recording contract with the label. Usher also used the Firesigns' audio collages on songs by The Byrds ("Draft Morning") and Sagittarius (the 45 RPM version of "Hotel Indiscreet") in 1967 and 1968. 

The album was given the non sequitur title Waiting for the Electrician or Someone Like Him, from Bergman's undeveloped 1965 idea for a comic film. The Firesigns changed their improvisational style, producing tightly scripted and memorized material. According to Bergman: "There was no leader. Everything was communally written, and if one person didn't agree about something, no matter how strongly the other three felt about it, it didn't go in."

The resulting synergy created the feeling of a fifth Firesign; according to Austin: "It's like, suddenly there is this fifth guy that actually does the writing. We all vaguely sort of know him, and a lot of the time take credit for him." This resulted in the group inventing the name "4 or 5 Krazy Guys" to copyright their work.

Electrician was recorded in CBS's Los Angeles radio studio from which The Jack Benny Program and others had been broadcast; the original RCA microphones and sound effects devices were used. It was released in January 1968, selling a modest 12,000 copies in its first year. The Firesigns continued to work on the radio and began performing in folk clubs such as the Ash Grove. Radio Free Oz moved again to KMET FM until February 1969. The Firesign Theatre Radio Hour Hour [sic] aired for two hours on Sunday nights on KPPC-FM in 1970.

The Firesign Theatre produced three more Columbia studio albums from 1969 to 1971: How Can You Be in Two Places at Once When You're Not Anywhere at All; Don't Crush That Dwarf, Hand Me the Pliers; and I Think We're All Bozos On This Bus. Each grew technically more sophisticated, taking advantage of more tape tracks and Dolby noise reduction.

Meanwhile, from September 9, 1970 to February 17, 1971, they were performing a one-hour weekly live series on KPFK, Dear Friends. These programs were recorded and then edited into slightly shorter shows and syndicated to radio stations across the country on 12" LP albums. Their fifth album, Dear Friends, was a double-record compilation of what they considered the best segments from the series, released in January 1972. Dear Friends was followed with the KPFK show Let's Eat! in 1971 and 1972.

In 1970, the group had performed a live stage show, the Shakespeare parody The Count of Monte Cristo, at Columbia University. In January 1972 they decided to expand this and retitle it Anything You Want To for their next album. On March 30, they performed a live KPFK broadcast, Martian Space Party which was also recorded on 16-track tape and filmed. The Firesigns combined parts of the two shows with some new studio material to produce their sixth album Not Insane or Anything You Want To. But before releasing the album in October 1972, they had discarded their original story line idea and some newly written scenes.

1973 sabbatical

Proctor (left) and Bergman (right) started working as a duo in 1973 on TV or Not TV.
 
The Not Insane album performed poorly, and the Firesigns would later claim to be disappointed with it. In the liner notes to the group’s 1993 greatest hits album, Shoes for Industry: The Best of the Firesign Theatre, Bergman criticized Not Insane, saying it "was when the Firesign was splitting apart; it was a fractious, fragmented album." Ossman called it "a serious mistake" and said it “was incomprehensible, basically”, and “it was not the album it should have been and I think that caused us to slope off rapidly in sales."

The four decided to take a break from the group in 1973 to work in separate directions. Proctor and Bergman decided to perform as a duo, and made a separate record deal with Columbia, producing TV or Not TV: A Video Vaudeville in Two Acts. They turned this into a vaudeville-type show which they played on tour. While promoting the show, they did a radio interview with disk jockey Wolfman Jack.

Meanwhile, Ossman wrote a solo album How Time Flys, based on the Mark Time character he created for a Dear Friends skit. He co-directed the album with Columbia producer Steve Gillmor, and the other three Firesigns starred on it, along with several guest personalities including Wolfman Jack, Harry Shearer of The Credibility Gap, and broadcast journalist Lew Irwin

Austin penned the solo album Roller Maidens From Outer Space, based on a hardboiled detective in the same vein as his Nick Danger character introduced on the B side of How Can You Be In Two Places.... Roller Maidens, released in March 1974 on Columbia's Epic label, also featured all four Firesigns, and included actors Richard Paul and Michael C. Gwynne.

Reunion

The group reunited in late August 1973 to produce the Sherlock Holmes parody The Tale of the Giant Rat of Sumatra, released on vinyl in January 1974. This was followed in October 1974 by Everything You Know Is Wrong, which satirized the developing New Age movement. The Firesigns made a film lip synched to the album and showed it in a live appearance at Stanford University. The film was released on VHS video tape in 1993. 

In 1975, they released the black comedy album In the Next World, You're on Your Own, penned by Ossman and Austin. This album, like Not Insane, also sold poorly, and Columbia declined to renew their contract beyond 1976.

Second split

As Austin looked back on this period, he wrote in September 1993 that he saw Proctor and Bergman wanting to take the Firesign Theatre in a different direction than he did, moving away from intensely written albums released one per year, to more live performances with lighter material. Proctor and Bergman turned their attention in 1975 to producing a live show and Columbia album, What This Country Needs, based in part on material from TV or Not TV

The Firesign Theatre closed out their Columbia Records contract with a greatest-hits compilation Forward Into the Past in 1976. Meanwhile, Austin and Ossman toured the west coast, billing themselves as "Dr. Firesign's Theatre of Mystery". They produced a live stage show Radio Laffs of 1940, which included "School For Actors", another episode of the private eye character Nick Danger introduced in their second album, and a soap opera "Over the Edge". This was performed at the Los Feliz Theatre in Los Angeles in May 1976, and at the Palace of Fine Arts in San Francisco in June.

The Firesigns took it easy for the rest of the 1970s, producing a 1977 album Just Folks... A Firesign Chat based largely on unreleased Dear Friends and Let's Eat radio material. Proctor and Bergman appeared as regulars on a 1977 summer replacement TV series hosted by the Starland Vocal Band. Proctor and Bergman gave up their road performances after witnessing the September 4, 1977 Golden Dragon Massacre, and in 1978 released another studio album Give Us a Break, which lampooned radio and television. The Starland Vocal Band also performed short comic radio breaks on this album.

Norman Lear and Bud Yorkin's Tandem Productions bought the rights to Nick Danger for a TV series to star George Hamilton; and in 1978, New Line Cinema began negotiations to make a movie starring Chevy Chase. Both projects ended in development limbo, and rights to the character reverted to the Firesigns.[16] In December 1978, they began writing five short (2:24) episodes of Nick Danger: The Case of the Missing Shoe for a possible syndicated daily radio series. When the syndication went unsold, Austin approached Rhino Records and secured a deal to release the five episodes in 1979 on a 12-minute extended play (EP) record.

Austin called Bergman late in 1979 to make peace and reunite the Firesigns. This resulted in their last album of the decade, the 1980 live Fighting Clowns, consisting largely of comic songs written by the group.

Reagan Era

...there was something about the Eighties – the anti-surrealist politics of the Eighties – that was wrong for the Firesign Theatre.
— David Ossman
The popularity of the group seemed to cool off after 1980 as the social and political climate of the United States changed with the election of President Ronald Reagan. In 1982, they produced the album Lawyer's Hospital from a collection of live appearances, National Public Radio (NPR) performances, and the Jack Poet Volkswagen commercials from Radio Free Oz. They also expanded their 1972 Shakespeare parody into a road show and album, Shakespeare's Lost Comedie. This would be expanded again and re-released in 2001 as Anythynge You Want To

Ossman left the group in early 1982 to take a producer's job for NPR in Washington DC.[7][16] The remaining three Firesigns produced a new album in 1984 with the further adventures of their Nick Danger character, The Three Faces of Al, which received a nomination for the Grammy Award for Best Comedy Album. This was followed in 1985 by the album Eat or Be Eaten

In 1988, Austin was signed by John Dryden to produce over 50 short Nick Danger pieces for his radio satire show Daily Feed. These were published on cassette tape as The Daily Feed Tapes, and later formed the basis for a 1995 book authored by Austin, Tales of the Old Detective and Other Big Fat Lies

1990s revival

I dreamed it back. Sure enough, when we kicked the fascists out of office it was time for the Firesign Theatre to come back
— Peter Bergman
Following the 1992 presidential election, and with Ossman back in the group, the Firesign Theatre reunited in 1993 for a 25th anniversary reunion tour around the US, Back From the Shadows, starting on April 24 in Seattle with an audience of 2,900. The tour, consisting of live performances of material from their first four Golden Age albums (Electrician, Two Places At Once, Dwarf, and Bozos), was recorded on CD and a DVD video released in 1994. They also released a 1993 greatest hits album, Shoes for Industry: The Best of the Firesign Theatre containing original material from the first nine albums, TV or Not TV, and Roller Maidens From Outer Space. This was followed with the 1996 album Pink Hotel Burns Down

In 1996, Bergman revived Radio Free Oz as an Internet-based radio station, www.rfo.net, calling it "the Internet's funny bone."

The Firesigns satirized the turn-of-the-millennium Y2K scare with the 1998 album Give Me Immortality or Give Me Death, in which they revived some of their classic characters such as used car salesman Ralph Spoilsport (Proctor) from How Can You Be In Two Places At Once, news reporters Harold Hiphugger (Ossman) and Ray Hamberger (Proctor) from Everything You Know Is Wrong, and game-show contestant Caroline Presskey (Proctor) from Don't Crush That Dwarf. This earned them their second Grammy nomination, and they developed it into a "millennium trilogy" with the 1999 Boom Dot Bust and 2001 Bride of Firesign, which received a third Grammy nomination. Characters from Give Me Immortality were used on the 2001 live album Radio Now Live

In December 2001, the Firesigns appeared in a 90-minute PBS television show Weirdly Cool. This contained live, updated performance material based on Waiting for the Electrician, How Can You Be in Two Places..., and Don't Crush That Dwarf; and included interviews and two Jack Poet Volkswagen commercials.

The Firesigns appeared on the NPR show All Things Considered from July 4 to December 31, 2002. These appearances were compiled on a CD, All Things Firesign

In 2008, they released a four-CD boxed set The Firesign Theatre's Box of Danger, compiling most material which featured their most famous character, Nick Danger, including a bootleg recording of a 1976 live performance. 

Their final album was the 2010 Duke of Madness Motors: The Complete "Dear Friends" Radio Era, a combination book and data DVD comprising a complete compilation, totaling over 80 hours, of their 1970s radio shows Firesign Theatre Radio Hour Hour, Dear Friends, and Let's Eat (the last two in both original broadcast, and syndication-edited form). Their last live performance was on November 19, 2011 in Kirkland, Washington. They claimed to be the longest surviving group from the "classic rock" era to still be intact with the original members (45 years).

Bergman died on March 9, 2012, from complications involving leukemia, and Austin died on June 18, 2015, from complications of cancer.

Firesign members

Peter Bergman (born under the fire sign Sagittarius in Cleveland, Ohio on November 29, 1939; died March 9, 2012) started his radio career on his high school radio system during the Korean War; he got kicked off the air by the principal when, as a prank, he announced a Communist takeover of the school. He studied economics at Yale (class of 1961), and was managing editor of the university's comedy magazine. In his second graduate year he became a fellow in playwriting. Later, he considered attending medical school, and helped produce a machine for viewing angio cardiograms and measuring blockage of the arteries of the heart. He had a deep voice, and frequently took African American roles in Firesign Theatre and Proctor and Bergman works. 

Philip Proctor (born under the fire sign Leo in Goshen, Indiana on July 28, 1940) was a boy soprano in a children's choir, and studied acting at Yale. He became a professional actor, with a role on the soap opera The Edge of Night, before contacting Bergman and joining him on Radio Free Oz in 1966. Proctor's adult tenor voice enables him to do a convincing female voice without using falsetto; therefore he usually did most of the female roles in the Firesign Theatre and Proctor and Bergman works, though the other three Firesigns occasionally did female voices. He also has done celebrity voice impersonations on Firesign material, including W.C. Fields (Waiting For the Electrician and How Can You Be In Two Places...), Robert F. Kennedy (Waiting For the Electrician), and a Peter Lorre-like voice for the Nick Danger character Rocky Rococo (Box of Danger). Proctor has also acted and appeared as a voice actor on many television shows and several feature films.

Phil Austin (born under the fire sign Aries in Denver, Colorado on April 6, 1941; died June 18, 2015), was the youngest Firesign. He attended college but never graduated. He was an accomplished lead guitarist, and was responsible for adding much of the music to Firesign works. He also appeared as an actor and voice actor on television. He used his natural, sonorous baritone voice for Nick Danger, but affected a phony Japanese accent for his "Young Guy, Motor Detective" self-parody of Danger in Not Insane, and a stereotypical, tough-guy voice and accent for the similar hardboiled detective Dick Private in Roller Maidens From Outer Space. He also could do an old-man voice as Doc Technical in the Dear Friends radio "Mark Time" episode, and applied his impersonation of Richard Nixon as presidents in several Firesign works (Bozos, Everything You Know Is Wrong), and How Time Flys and Roller Maidens. He also used an Elvis Presley impersonation singing the news in the Roller Maidens track "The Bad News". 

David Ossman (born under the fire sign Sagittarius in Santa Monica, California on December 6, 1936), the oldest Firesign, is known as the intellectual of the group, and is known for doing an old man voice (most famously as Catherwood the butler in the original Nick Danger story, George Tirebiter on Don't Crush That Dwarf, and as the elder ant Cornelius in Disney Pixar's 1998 A Bug's Life.) He used his natural voice as astronaut Mark Time and newsman Harold Hiphugger. Outside of the Firesign Theatre, he has performed several voices on The Tick animated TV series, and worked extensively as a producer and on-air narrator on National Public Radio and several affiliated stations.

Associate Firesigns

Several people have been accorded unofficial "associate Firesign" status over the years, by virtue of performing on several records with the group. 

Austin's first wife Annalee performed in support of the group on several "golden age" albums. She is credited as a member of "the St. Louis Aquarium Choraleers" (singing the hymn "Marching to Shibboleth") and as "the Wake-Up Lady" and for birdsong on Don't Crush That Dwarf; as "Mickey" and with keyboard stylings on I Think We're All Bozos; with film footage on the Dear Friends album; and organ, piano, and vocals on Not Insane

Ossman's first wife Tiny (Tinika) performed as a St. Louis Aquarium Choraleer and as part of the "Ambient's Noyes Choral" (singing the Peorgie and Mudhead theme song) on Don't Crush That Dwarf; as "Ann" on I Think We're All Bozos; as Nurse Angela and news reporter Chiquita Bandana on How Time Flys; and vocals and percussion on Not Insane. She and Ossman co-hosted a Sunday night radio program of pre–World War II music on KTYD

Austin married his second wife Oona Elliott in 1971. She is credited as an anonymous extra in I Think We're All Bozos; was photographed as one of the Roller Maidens From Outer Space and sang backup vocals for the Austin solo album; and appeared as a Reebus Caneebus groupie in the film version of Everything You Know Is Wrong. She is the model for the blonde femme fatale on the cover art of the Box of Danger CD set, and is credited with performing support functions such as photography and catering on several of the later albums.

Timeline

Cultural influence

In 1997, Entertainment Weekly ranked the Firesign Theatre among the "Thirty Greatest Comedy Acts of All Time". In 2005, the US Library of Congress added Don't Crush That Dwarf, Hand Me the Pliers to the National Recording Registry, and called the group "the Beatles of comedy."

Comedians George Carlin, Robin Williams, and John Goodman enjoyed the Firesigns' comedy, and lent their comments to the 2001 PBS television special, Weirdly Cool. Williams referred to Firesign albums as "the audio equivalent of a Hieronymous Bosch painting."

Beatle John Lennon was photographed wearing the Firesign's "Not Insane – Papoon for President" campaign button they had made for Martian Space Party (Not Insane album).

Musical satirist "Weird Al" Yankovic paid homage to the Firesigns by giving the title "Everything You Know Is Wrong" to an original song on his 1996 album Bad Hair Day.

Steve Jobs paid homage to the Firesigns' I Think We're All Bozos album by programming an "Easter egg" in Apple's Siri intelligent personal assistant. Siri responds to the prompt "This is worker speaking. Hello" with "HELLO AH-CLEM. WHAT FUNCTION CAN I PERFORM FOR YOU? LOL".

Copyright infringement

In Madison, Wisconsin in 1974, a pair of University of Illinois students opened the first of a regional chain of pizza restaurants they named "Rocky Rococo" after the Nick Danger character, without any mention of connection to the Firesign Theatre. They hired an artist to design as their logo, a moustachioed Italian with a white hat and sunglasses, suggested by the White Spy from Mad Magazine, and hired comic actor Jim Pederson to portray this "Rocky Rococo" wearing a white suit.

The Firesigns visited the first Rocky Rococo Pizza when on tour in Madison in 1975, and reacted with good humor, joking around with the owners and giving them pictures that said, "To Rocky, from Rocky" which were hung on the wall. But in 1985, by which time the chain had grown to 62 restaurants and the Firesigns had passed their "golden age", they sent the owners a letter claiming ownership of the name. The pizza chain's lawyers found a similar case where an Austin, Texas pizzeria named Conan's ran afoul of the copyright owners, producers of the 1982 film Conan the Barbarian. Since the creator of the Conan the Barbarian comic had similarly endorsed the restaurant by drawing Conan on its walls, the suit lost in the United States Court of Appeals for the Fifth Circuit. So the Firesigns settled out of court.

Mark Time awards

Ossman and his second wife Judith Walcutt formed Otherworld Media Productions in 1985 to produce audio theatre. They created an annual "Mark Time award" for best radio science fiction, named after Ossman's astronaut character. In 2015, they added three new awards named after Firesign Theatre characters:
  • Nick Danger prize for best mystery/detective fiction
  • The Bradshaw prize (after Bergman's cop character) for "service to the field"
  • The Betty Jo (But Everyone Knew Her as Nancy) prize, judged by Phil Proctor and his wife, for best "multi-gender" vocal performance

Inequality (mathematics)

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