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Sunday, October 10, 2021

Great Wall of China


Great Wall of China
萬里長城 / 万里长城
The Great Wall of China at Jinshanling-edit.jpg
 
Map of the Great Wall of China.jpg
Map of all the wall constructions
 
General information
TypeFortification
CountryChina
Coordinates40.68°N 117.23°ECoordinates: 40.68°N 117.23°E
Technical details
Size21,196 km (13,171 mi)

Official nameThe Great Wall
TypeCultural
Criteriai, ii, iii, iv, vi
Designated1987 (11th session)
Reference no.438
State PartyChina
RegionAsia-Pacific
Great Wall of China
Traditional Chinese長城
Simplified Chinese长城
Literal meaning"The Long Wall"
Alternative Chinese name
Traditional Chinese萬里長城
Simplified Chinese万里长城
Literal meaning"The 10,000-li Long Wall"

The Great Wall of China (traditional Chinese: 萬里長城; simplified Chinese: 万里长城; pinyin: Wànlǐ Chángchéng) is a series of fortifications that were built across the historical northern borders of ancient Chinese states and Imperial China as protection against various nomadic groups from the Eurasian Steppe. Several walls were built from as early as the 7th century BC, with selective stretches later joined together by Qin Shi Huang (220–206 BC), the first emperor of China. Little of the Qin wall remains. Later on, many successive dynasties built and maintained multiple stretches of border walls. The most well-known sections of the wall were built by the Ming dynasty (1368–1644).

Apart from defense, other purposes of the Great Wall have included border controls, allowing the imposition of duties on goods transported along the Silk Road, regulation or encouragement of trade and the control of immigration and emigration. Furthermore, the defensive characteristics of the Great Wall were enhanced by the construction of watchtowers, troop barracks, garrison stations, signaling capabilities through the means of smoke or fire, and the fact that the path of the Great Wall also served as a transportation corridor.

The frontier walls built by different dynasties have multiple courses. Collectively, they stretch from Liaodong in the east to Lop Lake in the west, from the present-day Sino–Russian border in the north to Tao River (Taohe) in the south; along an arc that roughly delineates the edge of the Mongolian steppe; spanning over 20,000 km (12,000 mi) in total. Today, the defensive system of the Great Wall is generally recognized as one of the most impressive architectural feats in history.

Names

Huayi tu, a 1136 map of China with the Great Wall depicted on the northern edge of the country

The collection of fortifications known as the Great Wall of China has historically had a number of different names in both Chinese and English.

In Chinese histories, the term "Long Wall(s)" (t 長城, s 长城, Chángchéng) appears in Sima Qian's Records of the Grand Historian, where it referred both to the separate great walls built between and north of the Warring States and to the more unified construction of the First Emperor. The Chinese character , meaning city or fortress, is a phono-semantic compound of the "earth" radical and phonetic , whose Old Chinese pronunciation has been reconstructed as *deŋ. It originally referred to the rampart which surrounded traditional Chinese cities and was used by extension for these walls around their respective states; today, however, it is much more often the Chinese word for "city".

The longer Chinese name "Ten-Thousand Mile Long Wall" (t 萬里長城, s 万里长城, Wànlǐ Chángchéng) came from Sima Qian's description of it in the Records, though he did not name the walls as such. The AD 493 Book of Song quotes the frontier general Tan Daoji referring to "the long wall of 10,000 miles", closer to the modern name, but the name rarely features in pre-modern times otherwise. The traditional Chinese mile (, ) was an often irregular distance that was intended to show the length of a standard village and varied with terrain but was usually standardized at distances around a third of an English mile (540 m). Since China's metrication in 1930, it has been exactly equivalent to 500 metres or 1,600 feet, which would make the wall's name describe a distance of 5,000 km (3,100 mi). However, this use of "ten-thousand" (wàn) is figurative in a similar manner to the Greek and English myriad and simply means "innumerable" or "immeasurable".

Because of the wall's association with the First Emperor's supposed tyranny, the Chinese dynasties after Qin usually avoided referring to their own additions to the wall by the name "Long Wall". Instead, various terms were used in medieval records, including "frontier(s)" (, Sài),[15] "rampart(s)" (, Yuán), "barrier(s)" (, Zhàng), "the outer fortresses" (, Wàibǎo), and "the border wall(s)" (t , s , Biānqiáng). Poetic and informal names for the wall included "the Purple Frontier" (, Zǐsài) and "the Earth Dragon" (t , s , Tǔlóng). Only during the Qing period did "Long Wall" become the catch-all term to refer to the many border walls regardless of their location or dynastic origin, equivalent to the English "Great Wall".

Sections of the wall in south Gobi Desert and Mongolian steppe are sometimes referred to as "Wall of Genghis Khan", even though Genghis Khan did not construct any walls or permanent defense lines himself.

The current English name evolved from accounts of "the Chinese wall" from early modern European travelers. By the nineteenth century, "The Great Wall of China" had become standard in English and French, although other European languages such as German continue to refer to it as "the Chinese wall".

History

Early walls

The Great Wall of the Qin stretches from Lintao to Liaodong

The Chinese were already familiar with the techniques of wall-building by the time of the Spring and Autumn period between the 8th and 5th centuries BC. During this time and the subsequent Warring States period, the states of Qin, Wei, Zhao, Qi, Han, Yan, and Zhongshan all constructed extensive fortifications to defend their own borders. Built to withstand the attack of small arms such as swords and spears, these walls were made mostly of stone or by stamping earth and gravel between board frames.

The Great Wall of the Han is the longest of all walls, from Mamitu near Yumenguan to Liaodong

King Zheng of Qin conquered the last of his opponents and unified China as the First Emperor of the Qin dynasty ("Qin Shi Huang") in 221 BC. Intending to impose centralized rule and prevent the resurgence of feudal lords, he ordered the destruction of the sections of the walls that divided his empire among the former states. To position the empire against the Xiongnu people from the north, however, he ordered the building of new walls to connect the remaining fortifications along the empire's northern frontier. "Build and move on" was a central guiding principle in constructing the wall, implying that the Chinese were not erecting a permanently fixed border. Transporting the large quantity of materials required for construction was difficult, so builders always tried to use local resources. Stones from the mountains were used over mountain ranges, while rammed earth was used for construction in the plains. There are no surviving historical records indicating the exact length and course of the Qin walls. Most of the ancient walls have eroded away over the centuries, and very few sections remain today. The human cost of the construction is unknown, but it has been estimated by some authors that hundreds of thousands workers died building the Qin wall. Later, the Han, the Northern Dynasties and the Sui all repaired, rebuilt, or expanded sections of the Great Wall at great cost to defend themselves against northern invaders. The Tang and Song dynasties did not undertake any significant effort in the region. Non-Han dynasties also built their border walls: the Xianbei-ruled Northern Wei, the Khitan-ruled Liao, Jurchen Jin and the Tangut-established Western Xia, who ruled vast territories over Northern China throughout centuries, all constructed defensive walls but those were located much to the north of the other Great Walls as we know it, within China's province of Inner Mongolia and in Mongolia itself.

Ming era

The extent of the Ming Empire and its walls

The Great Wall concept was revived again under the Ming in the 14th century, and following the Ming army's defeat by the Oirats in the Battle of Tumu. The Ming had failed to gain a clear upper hand over the Mongolian tribes after successive battles, and the long-drawn conflict was taking a toll on the empire. The Ming adopted a new strategy to keep the nomadic tribes out by constructing walls along the northern border of China. Acknowledging the Mongol control established in the Ordos Desert, the wall followed the desert's southern edge instead of incorporating the bend of the Yellow River.

Unlike the earlier fortifications, the Ming construction was stronger and more elaborate due to the use of bricks and stone instead of rammed earth. Up to 25,000 watchtowers are estimated to have been constructed on the wall. As Mongol raids continued periodically over the years, the Ming devoted considerable resources to repair and reinforce the walls. Sections near the Ming capital of Beijing were especially strong. Qi Jiguang between 1567 and 1570 also repaired and reinforced the wall, faced sections of the ram-earth wall with bricks and constructed 1,200 watchtowers from Shanhaiguan Pass to Changping to warn of approaching Mongol raiders. During the 1440s–1460s, the Ming also built a so-called "Liaodong Wall". Similar in function to the Great Wall (whose extension, in a sense, it was), but more basic in construction, the Liaodong Wall enclosed the agricultural heartland of the Liaodong province, protecting it against potential incursions by Jurched-Mongol Oriyanghan from the northwest and the Jianzhou Jurchens from the north. While stones and tiles were used in some parts of the Liaodong Wall, most of it was in fact simply an earth dike with moats on both sides.

Towards the end of the Ming, the Great Wall helped defend the empire against the Manchu invasions that began around 1600. Even after the loss of all of Liaodong, the Ming army held the heavily fortified Shanhai Pass, preventing the Manchus from conquering the Chinese heartland. The Manchus were finally able to cross the Great Wall in 1644, after Beijing had already fallen to Li Zicheng's rebels. Before this time, the Manchus had crossed the Great Wall multiple times to raid, but this time it was for conquest. The gates at Shanhai Pass were opened on May 25 by the commanding Ming general, Wu Sangui, who formed an alliance with the Manchus, hoping to use the Manchus to expel the rebels from Beijing. The Manchus quickly seized Beijing, and eventually defeated both the rebel-founded Shun dynasty and the remaining Ming resistance, establishing the Qing dynasty rule over all of China.

Under Qing rule, China's borders extended beyond the walls and Mongolia was annexed into the empire, so constructions on the Great Wall were discontinued. On the other hand, the so-called Willow Palisade, following a line similar to that of the Ming Liaodong Wall, was constructed by the Qing rulers in Manchuria. Its purpose, however, was not defense but rather to prevent Han Chinese migration into Manchuria.

Foreign accounts

Part of the Great Wall of China (April 1853, X, p. 41)
 
The Great Wall in 1907

None of the Europeans who visited China or Mongolia in the 13th and 14th centuries, such as Giovanni da Pian del Carpine, William of Rubruck, Marco Polo, Odoric of Pordenone and Giovanni de' Marignolli, mentioned the Great Wall.

The North African traveler Ibn Battuta, who also visited China during the Yuan dynasty c. 1346, had heard about China's Great Wall, possibly before he had arrived in China. He wrote that the wall is "sixty days' travel" from Zeitun (modern Quanzhou) in his travelogue Gift to Those Who Contemplate the Wonders of Cities and the Marvels of Travelling. He associated it with the legend of the wall mentioned in the Qur'an, which Dhul-Qarnayn (commonly associated with Alexander the Great) was said to have erected to protect people near the land of the rising sun from the savages of Gog and Magog. However, Ibn Battuta could find no one who had either seen it or knew of anyone who had seen it, suggesting that although there were remnants of the wall at that time, they were not significant.

Soon after Europeans reached Ming China by ship in the early 16th century, accounts of the Great Wall started to circulate in Europe, even though no European was to see it for another century. Possibly one of the earliest European descriptions of the wall and of its significance for the defense of the country against the "Tartars" (i.e. Mongols) may be the one contained in João de Barros's 1563 Asia. Other early accounts in Western sources include those of Gaspar da Cruz, Bento de Goes, Matteo Ricci, and Bishop Juan González de Mendoza, the latter in 1585 describing it as a "superbious and mightie work" of architecture, though he had not seen it. In 1559, in his work "A Treatise of China and the Adjoyning Regions", Gaspar da Cruz offers an early discussion of the Great Wall. Perhaps the first recorded instance of a European actually entering China via the Great Wall came in 1605, when the Portuguese Jesuit brother Bento de Góis reached the northwestern Jiayu Pass from India. Early European accounts were mostly modest and empirical, closely mirroring contemporary Chinese understanding of the Wall, although later they slid into hyperbole, including the erroneous but ubiquitous claim that the Ming walls were the same ones that were built by the first emperor in the 3rd century BC.

When China opened its borders to foreign merchants and visitors after its defeat in the First and Second Opium Wars, the Great Wall became a main attraction for tourists. The travelogues of the later 19th century further enhanced the reputation and the mythology of the Great Wall.

Course

A formal definition of what constitutes a "Great Wall" has not been agreed upon, making the full course of the Great Wall difficult to describe in its entirety. The defensive lines contain multiple stretches of ramparts, trenches and ditches, as well as individual fortresses.

In 2012, based on existing research and the results of a comprehensive mapping survey, the National Cultural Heritage Administration of China concluded that the remaining Great Wall associated sites include 10,051 wall sections, 1,764 ramparts or trenches, 29,510 individual buildings, and 2,211 fortifications or passes, with the walls and trenches spanning a total length of 21,196 km (13,171 mi). Incorporating advanced technologies, the study has concluded that the Ming Great Wall measure 8,850 km (5,500 mi). This consists of 6,259 km (3,889 mi) of wall sections, 359 km (223 mi) of trenches and 2,232 km (1,387 mi) of natural defensive barriers such as hills and rivers. In addition, Qin, Han and earlier Great Wall sites are 3,080 km (1,914 mi) long in total; Jin dynasty (1115–1234) border fortifications are 4,010 km (2,492 mi) in length; the remainder date back to Northern Wei, Northern Qi, Sui, Tang, the Five Dynasties, Song, Liao and Xixia. About half of the sites are located in Inner Mongolia (31%) and Hebei (19%).

Han Great Wall

Han fortifications starts from Yumen Pass and Yang Pass, southwest of Dunhuang, in Gansu province. Ruins of the remotest Han border posts are found in Mamitu (t 迷途, s 迷途, Mǎmítú, l "horses losing their way") near Yumen Pass.

Ming Great Wall

The Jiayu Pass, located in Gansu province, is the western terminus of the Ming Great Wall. From Jiayu Pass the wall travels discontinuously down the Hexi Corridor and into the deserts of Ningxia, where it enters the western edge of the Yellow River loop at Yinchuan. Here the first major walls erected during the Ming dynasty cut through the Ordos Desert to the eastern edge of the Yellow River loop. There at Piantou Pass (t , s , Piāntóuguān) in Xinzhou, Shanxi province, the Great Wall splits in two with the "Outer Great Wall" (t 長城, s 长城, Wài Chǎngchéng) extending along the Inner Mongolia border with Shanxi into Hebei province, and the "Inner Great Wall" (t 長城, s 长城, Nèi Chǎngchéng) running southeast from Piantou Pass for some 400 km (250 mi), passing through important passes like the Pingxing Pass and Yanmen Pass before joining the Outer Great Wall at Sihaiye (四海, Sìhǎiyě), in Beijing's Yanqing County.

The sections of the Great Wall around Beijing municipality are especially famous: they were frequently renovated and are regularly visited by tourists today. The Badaling Great Wall near Zhangjiakou is the most famous stretch of the wall, for this was the first section to be opened to the public in the People's Republic of China, as well as the showpiece stretch for foreign dignitaries. The Badaling Great Wall saw nearly 10 million visitors in 2018, and in 2019, a daily limit of 65,000 visitors was instated. South of Badaling is the Juyong Pass; when it was used by the Chinese to protect their land, this section of the wall had many guards to defend the capital Beijing. Made of stone and bricks from the hills, this portion of the Great Wall is 7.8 m (25 ft 7 in) high and 5 m (16 ft 5 in) wide.

One of the most striking sections of the Ming Great Wall is where it climbs extremely steep slopes in Jinshanling. There it runs 11 km (7 mi) long, ranges from 5 to 8 m (16 ft 5 in to 26 ft 3 in) in height, and 6 m (19 ft 8 in) across the bottom, narrowing up to 5 m (16 ft 5 in) across the top. Wangjing Lou (t , s , Wàngjīng Lóu) is one of Jinshanling's 67 watchtowers, 980 m (3,220 ft) above sea level. Southeast of Jinshanling is the Mutianyu Great Wall which winds along lofty, cragged mountains from the southeast to the northwest for 2.25 km (1.40 mi). It is connected with Juyongguan Pass to the west and Gubeikou to the east. This section was one of the first to be renovated following the turmoil of the Cultural Revolution.

At the edge of the Bohai Gulf is Shanhai Pass, considered the traditional end of the Great Wall and the "First Pass Under Heaven". The part of the wall inside Shanhai Pass that meets the sea is named the "Old Dragon Head". 3 km (2 mi) north of Shanhai Pass is Jiaoshan Great Wall (t 焦山長城, s 长城, Jiāoshān Chángchéng), the site of the first mountain of the Great Wall. 15 km (9 mi) northeast from Shanhaiguan is Jiumenkou (t , s , Jiǔménkǒu), which is the only portion of the wall that was built as a bridge.

In 2009, 180 km of previously unknown sections of the Ming wall concealed by hills, trenches and rivers were discovered with the help of infrared range finders and GPS devices. In March and April 2015, nine sections with a total length of more than 10 km (6 mi), believed to be part of the Great Wall, were discovered along the border of Ningxia autonomous region and Gansu province.

Characteristics

Before the use of bricks, the Great Wall was mainly built from rammed earth, stones, and wood. During the Ming, however, bricks were heavily used in many areas of the wall, as were materials such as tiles, lime, and stone. The size and weight of the bricks made them easier to work with than earth and stone, so construction quickened. Additionally, bricks could bear more weight and endure better than rammed earth. Stone can hold under its own weight better than brick, but is more difficult to use. Consequently, stones cut in rectangular shapes were used for the foundation, inner and outer brims, and gateways of the wall. Battlements line the uppermost portion of the vast majority of the wall, with defensive gaps a little over 30 cm (12 in) tall, and about 23 cm (9.1 in) wide. From the parapets, guards could survey the surrounding land. Communication between the army units along the length of the Great Wall, including the ability to call reinforcements and warn garrisons of enemy movements, was of high importance. Signal towers were built upon hill tops or other high points along the wall for their visibility. Wooden gates could be used as a trap against those going through. Barracks, stables, and armories were built near the wall's inner surface.

Condition

A more rural portion of the Great Wall that stretches through the mountains, here seen in slight disrepair

While portions north of Beijing and near tourist centers have been preserved and even extensively renovated, in many other locations the wall is in disrepair. The wall sometimes provided a source of stones to build houses and roads. Sections of the wall are also prone to graffiti and vandalism, while inscribed bricks were pilfered and sold on the market for up to 50 renminbi. Parts have been destroyed to make way for construction or mining. A 2012 report by the National Cultural Heritage Administration states that 22% of the Ming Great Wall has disappeared, while 1,961 km (1,219 mi) of wall have vanished. More than 60 km (37 mi) of the wall in Gansu province may disappear in the next 20 years, due to erosion from sandstorms. In some places, the height of the wall has been reduced from more than 5 m (16 ft 5 in) to less than 2 m (6 ft 7 in). Various square lookout towers that characterize the most famous images of the wall have disappeared. Many western sections of the wall are constructed from mud, rather than brick and stone, and thus are more susceptible to erosion. In 2014 a portion of the wall near the border of Liaoning and Hebei province was repaired with concrete. The work has been much criticized.

Visibility from space

From the Moon

The notion that the wall can be seen from the moon (with an average orbital radius of 385,000 km (239,000 miles)) is a well-known but untrue myth.

One of the earliest known references to the myth that the Great Wall can be seen from the moon appears in a letter written in 1754 by the English antiquary William Stukeley. Stukeley wrote that, "This mighty wall [Hadrian's wall] of four score miles [130 km] in length is only exceeded by the Chinese Wall, which makes a considerable figure upon the terrestrial globe, and may be discerned at the Moon." The claim was also mentioned by Henry Norman in 1895 where he states "besides its age it enjoys the reputation of being the only work of human hands on the globe visible from the Moon." The issue of "canals" on Mars was prominent in the late 19th century and may have led to the belief that long, thin objects were visible from space. The claim that the Great Wall is visible from the moon also appears in 1932's Ripley's Believe It or Not! strip.

The claim that the Great Wall is visible from the moon has been debunked many times (the apparent width of the Great Wall from the Moon would be the same as that of a human hair viewed from 3 km (2 mi) away) but is still ingrained in popular culture.

From low Earth orbit

Identical satellite images of a section of the Great Wall in northern Shanxi, running diagonally from lower left to upper right and not to be confused with the more prominent river running from upper left to lower right. In the image on the right, the Great Wall has been outlined in red. The region pictured is 12 km × 12 km (7 mi × 7 mi).

A more controversial question is whether the wall is visible from low Earth orbit (an altitude of as little as 160 km (100 mi)). NASA claims that it is barely visible, and only under nearly perfect conditions; it is no more conspicuous than many other man-made objects.

Veteran US astronaut Gene Cernan has stated: "At Earth orbit of 100 to 200 miles [160 to 320 km] high, the Great Wall of China is, indeed, visible to the naked eye." Ed Lu, Expedition 7 Science Officer aboard the International Space Station, adds that, "It's less visible than a lot of other objects. And you have to know where to look."

In October 2003, Chinese astronaut Yang Liwei stated that he had not been able to see the Great Wall of China. In response, the European Space Agency (ESA) issued a press release reporting that from an orbit between 160 and 320 km (100 and 200 mi), the Great Wall is visible to the naked eye.

Leroy Chiao, a Chinese-American astronaut, took a photograph from the International Space Station that shows the wall. It was so indistinct that the photographer was not certain he had actually captured it. Based on the photograph, the China Daily later reported that the Great Wall can be seen from 'space' with the naked eye, under favorable viewing conditions, if one knows exactly where to look.

 

Saturday, October 9, 2021

Fall of the Berlin Wall

From Wikipedia, the free encyclopedia
 
Fall of the Berlin Wall
West and East Germans at the Brandenburg Gate in 1989.jpg
Germans stand on top of the Wall in front of Brandenburg Gate in the days before the Wall was torn down. The fall of the Berlin Wall (German: Mauerfall) on 9 November 1989 was a pivotal event in world history which marked the falling of the Iron Curtain and the start of the fall of communism in Eastern and Central Europe. The fall of the inner German border took place shortly afterwards. An end to the Cold War was declared at the Malta Summit three weeks later and the German reunification took place in October the following year.

Background

Opening of the Iron Curtain

The opening of the Iron Curtain between Austria and Hungary at the Pan-European Picnic on August 19, 1989 set in motion a peaceful chain reaction, at the end of which there was no longer an East Germany and the Eastern Bloc had disintegrated. Extensive advertising for the planned picnic was made by posters and flyers among the GDR holidaymakers in Hungary. It was the largest escape movement from East Germany since the Berlin Wall was built in 1961. After the picnic, which was based on an idea by Otto von Habsburg to test the reaction of the USSR and Mikhail Gorbachev to an opening of the border, tens of thousands of media-informed East Germans set off for Hungary. Erich Honecker dictated to the Daily Mirror for the Paneuropa Picnic: "Habsburg distributed leaflets far into Poland, on which the East German holidaymakers were invited to a picnic. When they came to the picnic, they were given gifts, food and Deutsche Mark, and then they were persuaded to come to the West." The leadership of the GDR in East Berlin did not dare to completely block the borders of their own country and the USSR did not respond at all. Thus the bracket of the Eastern Bloc was broken.

Following the summer of 1989, by early November refugees were finding their way to Hungary via Czechoslovakia or via the West German embassy in Prague.

The emigration was initially tolerated because of long-standing agreements with the communist Czechoslovak government, allowing free travel across their common border. However, this movement of people grew so large it caused difficulties for both countries. In addition, East Germany was struggling to meet loan payments on foreign borrowings; Egon Krenz sent Alexander Schalck-Golodkowski to unsuccessfully ask West Germany for a short-term loan to make interest payments.

Political changes in East Germany

On 18 October 1989, longtime Socialist Unity Party of Germany (SED) leader Erich Honecker stepped down in favor of Krenz. Honecker had been seriously ill, and those looking to replace him were initially willing to wait for a "biological solution", but by October were convinced that the political and economic situation was too grave. Honecker approved the choice, naming Krenz in his resignation speech, and the Volkskammer duly elected him. Although Krenz promised reforms in his first public speech, he was considered by the East German public to be following his predecessor's policies, and public protests demanding his resignation continued. Despite promises of reform, public opposition to the regime continued to grow.

On 1 November, Krenz authorized the reopening of the border with Czechoslovakia, which had been sealed to prevent East Germans from fleeing to West Germany. On 4 November, the Alexanderplatz demonstration took place.

On 6 November, the Interior Ministry published a draft of new travel regulations, which made cosmetic changes to Honecker-era rules, leaving the approval process opaque and maintaining uncertainty regarding access to foreign currency. The draft enraged ordinary citizens, and was denounced as "complete trash" by West Berlin Mayor Walter Momper. Hundreds of refugees crowded onto the steps of the West German embassy in Prague, enraging the Czechoslovaks, who threatened to seal off the East German-Czechoslovak border.

On 7 November, Krenz approved the resignation of Prime Minister Willi Stoph and two-thirds of the Politburo; however Krenz was unanimously re-elected as General Secretary by the Central Committee.

New East German emigration policy

On 19 October, Krenz asked Gerhard Lauter to draft a new travel policy. Lauter was a former People's Police officer. After rising rapidly through the ranks he had recently been promoted to a position with the Interior Ministry ("Home Office" / "Department of the Interior") as head of the department responsible for issuing passports and the registration of citizens.

At a Politburo meeting on 7 November it was decided to enact a portion of the draft travel regulations addressing permanent emigration immediately. Initially, the Politburo planned to create a special border crossing near Schirnding specifically for this emigration. Interior Ministry officials and Stasi bureaucrats charged with drafting the new text, however, concluded this was not feasible, and crafted a new text relating to both emigration and temporary travel. It stipulated that East German citizens could apply for permission to travel abroad without having to meet the previous requirements for those trips. To ease the difficulties, the Politburo led by Krenz decided on 9 November to allow refugees to exit directly through crossing points between East Germany and West Germany, including between East and West Berlin. Later the same day, the ministerial administration modified the proposal to include private, round-trip, travel. The new regulations were to take effect the next day.

Misinformed public announcements

The press conference on 9 November 1989 by Günter Schabowski (seated on stage, second from right) and other East German officials which led to the Fall of the Wall. Riccardo Ehrman is sitting on the floor of the podium with the table just behind him.

The announcement of the regulations which brought down the wall took place at an hour-long press conference led by Günter Schabowski, the party leader in East Berlin and the top government spokesman, beginning at 18:00 CET on 9 November and broadcast live on East German television and radio. Schabowski was joined by Minister of Foreign Trade Gerhard Beil and Central Committee members Helga Labs and Manfred Banaschak.

Schabowski had not been involved in the discussions about the new regulations and had not been fully updated. Shortly before the press conference, he was handed a note from Krenz announcing the changes, but given no further instructions on how to handle the information. The text stipulated that East German citizens could apply for permission to travel abroad without having to meet the previous requirements for those trips, and also allowed for permanent emigration between all border crossings—including those between East and West Berlin.

At 18:53, near the end of the press conference, ANSA's Riccardo Ehrman asked if the draft travel law of 6 November was a mistake. Schabowski gave a confusing answer that asserted it was necessary because West Germany had exhausted its capacity to accept fleeing East Germans, then remembered the note he had been given and added that a new law had been drafted to allow permanent emigration at any border crossing. This caused a stir in the room; amid several questions at once, Schabowski expressed surprise that the reporters had not yet seen this law, and started reading from the note. After this, a reporter, either Ehrman or Bild-Zeitung reporter Peter Brinkmann, both of whom were sitting in the front row at the press conference, asked when the regulations would take effect. After a few seconds' hesitation, Schabowski replied, "As far as I know, it takes effect immediately, without delay" (German: Das tritt nach meiner Kenntnis … ist das sofort … unverzüglich.) This was an apparent assumption based on the note's opening paragraph; as Beil attempted to interject that it was up to the Council of Ministers to decide when it took effect, Schabowski proceeded to read this clause, which stated it was in effect until a law on the matter was passed by the Volkskammer. Crucially, a journalist then asked if the regulation also applied to the crossings to West Berlin. Schabowski shrugged and read item 3 of the note, which confirmed that it did.

After this exchange, Daniel Johnson of The Daily Telegraph asked what this law meant for the Berlin Wall. Schabowski sat frozen before giving a rambling statement about the Wall being tied to the larger disarmament question. He then ended the press conference promptly at 19:00 as journalists hurried from the room.

After the press conference, Schabowski sat for an interview with NBC news anchor Tom Brokaw in which he repeated that East Germans would be able to emigrate through the border and the regulations would go into effect immediately.

Spreading news

DPA bulletin

The news began spreading immediately: the West German Deutsche Presse-Agentur issued a bulletin at 19:04 which reported that East German citizens would be able to cross the inner German border "immediately". Excerpts from Schabowski's press conference were broadcast on West Germany's two main news programs that night—at 19:17 on ZDF's heute, which came on the air as the press conference was ending, and as the lead story at 20:00 on ARD's Tagesschau. As ARD and ZDF had broadcast to nearly all of East Germany since the late 1950s, were far more widely viewed than the East German channels, and had become accepted by the East German authorities, this is how most of the population heard the news. Later that night, on ARD's Tagesthemen, anchorman Hanns Joachim Friedrichs proclaimed, "This 9 November is a historic day. The GDR has announced that, starting immediately, its borders are open to everyone. The gates in the Wall stand open wide."

In 2009, Ehrman claimed that a member of the Central Committee had called him and urged him to ask about the travel law during the press conference, but Schabowski called that absurd. Ehrman later recanted this statement in a 2014 interview with an Austrian journalist, admitting that the caller was Günter Pötschke, head of the East German news agency ADN, and he only asked if Ehrman would attend the press conference.

Peace prayers at Nikolai Church

St. Nicholas Church in Leipzig has become a famous symbol of the reunification of Germany.

Despite the policy of state atheism in East Germany, Christian pastor Christian Führer regularly met with his congregation at St. Nicholas Church for prayer since 1982. Over the next seven years, the Church grew, despite authorities barricading the streets leading to it, and after church services, peaceful candlelit marches took place. The secret police issued death threats and even attacked some of the marchers, but the crowd still continued to gather. On 9 October 1989, the police and army units were given permission to use force against those assembled, but this did not deter the church service and march from taking place, which gathered 70,000 people. Many of those people started to cross into East Berlin, without a shot being fired.

Crowding of the border

After hearing the broadcast, East Germans began gathering at the Wall, at the six checkpoints between East and West Berlin, demanding that border guards immediately open the gates. The surprised and overwhelmed guards made many hectic telephone calls to their superiors about the problem. At first, they were ordered to find the "more aggressive" people gathered at the gates and stamp their passports with a special stamp that barred them from returning to East Germany—in effect, revoking their citizenship. However, this still left thousands of people demanding to be let through "as Schabowski said we can". It soon became clear that no one among the East German authorities would take personal responsibility for issuing orders to use lethal force, so the vastly outnumbered soldiers had no way to hold back the huge crowd of East German citizens. Mary Elise Sarotte in a 2009 Washington Post story characterized the series of events leading to the fall of the wall as an accident, saying "One of the most momentous events of the past century was, in fact, an accident, a semicomical and bureaucratic mistake that owes as much to the Western media as to the tides of history."

Border openings

Finally, at 10:45 p.m. (alternatively given as 11:30 p.m.) on 9 November, Harald Jäger, commander of the Bornholmer Straße border crossing, yielded, allowing guards to open the checkpoints and letting people through with little or no identity-checking. As the Ossis swarmed through, they were greeted by Wessis waiting with flowers and champagne amid wild rejoicing. Soon afterward, a crowd of West Berliners jumped on top of the Wall and were soon joined by East German youngsters. The evening of 9 November 1989 is known as the night the Wall came down.

Another border crossing to the south may have been opened earlier. An account by Heinz Schäfer indicates that he also acted independently and ordered the opening of the gate at Waltersdorf-Rudow a couple of hours earlier. This may explain reports of East Berliners appearing in West Berlin earlier than the opening of the Bornholmer Straße border crossing.

"Wallpeckers" demolition

A Berlin Wall segment in Los Angeles at 5900 Wilshire Boulevard. 46 second video

Removal of the Wall began on the evening of 9 November 1989 and continued over the following days and weeks, with people nicknamed Mauerspechte (wallpeckers) using various tools to chip off souvenirs, demolishing lengthy parts in the process, and creating several unofficial border crossings.

Television coverage of citizens demolishing sections of the Wall on 9 November was soon followed by the East German regime announcing ten new border crossings, including the historically significant locations of Potsdamer Platz, Glienicker Brücke, and Bernauer Straße. Crowds gathered on both sides of the historic crossings waiting for hours to cheer the bulldozers that tore down portions of the Wall to reconnect the divided roads. While the Wall officially remained guarded at a decreasing intensity, new border crossings continued for some time. Initially the East German Border Troops attempted repairing damage done by the "wallpeckers"; gradually these attempts ceased, and guards became more lax, tolerating the increasing demolitions and "unauthorized" border crossing through the holes.

Prime ministers meet

The Brandenburg Gate in the Berlin Wall was opened on 22 December 1989; on that date, West German Chancellor Helmut Kohl walked through the gate and was greeted by East German Prime Minister Hans Modrow. West Germans and West Berliners were allowed visa-free travel starting 23 December. Until then, they could only visit East Germany and East Berlin under restrictive conditions that involved application for a visa several days or weeks in advance and obligatory exchange of at least 25 DM per day of their planned stay, all of which hindered spontaneous visits. Thus, in the weeks between 9 November and 23 December, East Germans could actually travel more freely than Westerners.

Official demolition

On 13 June 1990, the East German Border Troops officially began dismantling the Wall, beginning in Bernauer Straße and around the Mitte district. From there, demolition continued through Prenzlauer Berg/Gesundbrunnen, Heiligensee and throughout the city of Berlin until December 1990. According to estimates by the border troops, a total of around 1.7 million tonnes of building rubble was produced by the demolition. Unofficially, the demolition of the Bornholmer Straße began because of construction work on the railway. This involved a total of 300 GDR border guards and—after 3 October 1990—600 Pioneers of the Bundeswehr. These were equipped with 175 trucks, 65 cranes, 55 excavators and 13 bulldozers. Virtually every road that was severed by the Berlin Wall, every road that once linked from West Berlin to East Berlin, was reconstructed and reopened by 1 August 1990. In Berlin alone, 184 km (114 mi) of wall, 154 km (96 mi) border fence, 144 km (89 mi) signal systems and 87 km (54 mi) barrier ditches were removed. What remained were six sections that were to be preserved as a memorial. Various military units dismantled the Berlin/Brandenburg border wall, completing the job in November 1991. Painted wall segments with artistically valuable motifs were put up for auction in 1990 in Berlin and Monte Carlo.

On 1 July 1990, the day East Germany adopted the West German currency, all de jure border controls ceased, although the inter-German border had become meaningless for some time before that. The demolition of the Wall was completed in 1994.

The fall of the Wall marked the first critical step towards German reunification, which formally concluded a mere 339 days later on 3 October 1990 with the dissolution of East Germany and the official reunification of the German state along the democratic lines of the West German Basic Law.

International opposition

French President François Mitterrand and British Prime Minister Margaret Thatcher both opposed the fall of the Berlin Wall and the eventual reunification of Germany, fearing potential German designs on its neighbours using its increased strength. In September 1989, Margaret Thatcher privately confided to Soviet General Secretary Mikhail Gorbachev that she wanted the Soviet leader to do what he could to stop it.

We do not want a united Germany. This would lead to a change to postwar borders and we cannot allow that because such a development would undermine the stability of the whole international situation and could endanger our security, Thatcher told Gorbachev.

After the fall of the Berlin Wall, François Mitterrand warned Thatcher that a unified Germany could make more ground than Adolf Hitler ever had and that Europe would have to bear the consequences.

Legacy

Celebrations and anniversaries

On 21 November 1989, Crosby, Stills & Nash performed the song "Chippin' Away" from Graham Nash's 1986 solo album Innocent Eyes in front of the Brandenburg Gate.

On 25 December 1989, Leonard Bernstein gave a concert in Berlin celebrating the end of the Wall, including Beethoven's 9th symphony (Ode to Joy) with the word "Joy" (Freude) changed to "Freedom" (Freiheit) in the lyrics sung. The poet Schiller may have originally written "Freedom" and changed it to "Joy" out of fear. The orchestra and choir were drawn from both East and West Germany, as well as the United Kingdom, France, the Soviet Union, and the United States. On New Year's Eve 1989, David Hasselhoff performed his song "Looking for Freedom" while standing atop the partly demolished wall. Roger Waters performed the Pink Floyd album The Wall just north of Potsdamer Platz on 21 July 1990, with guests including Bon Jovi, Scorpions, Bryan Adams, Sinéad O'Connor, Cyndi Lauper, Thomas Dolby, Joni Mitchell, Marianne Faithfull, Levon Helm, Rick Danko and Van Morrison.

Over the years, there has been a repeated controversial debate as to whether 9 November would make a suitable German national holiday, often initiated by former members of political opposition in East Germany, such as Werner Schulz. Besides being the emotional apogee of East Germany's peaceful revolution, 9 November is also the date of the 1918 abdication of Kaiser Wilhelm II and declaration of the Weimar Republic, the first German republic. However, 9 November is also the anniversary of the execution of Robert Blum following the 1848 Vienna revolts, the 1923 Beer Hall Putsch and the infamous Kristallnacht pogroms of the Nazis in 1938. Nobel Laureate Elie Wiesel criticised the first euphoria, noting that "they forgot that 9 November has already entered into history—51 years earlier it marked the Kristallnacht." As reunification was not official and complete until 3 October (1990), that day was finally chosen as German Unity Day.

10th anniversary celebrations

On 9 November 1999, the 10th anniversary was observed with a concert and fireworks at the vid Brandenburg Gate. Russian cellist Mstislav Rostropovich played music by Johann Sebastian Bach, while German rock band Scorpions performed their 1990 song Wind of Change. Wreaths were placed for victims shot down when they attempted to escape to the west, and politicians delivered speeches.

20th anniversary celebrations

On 9 November 2009, Berlin celebrated the 20th anniversary of the fall of the Berlin Wall with a "Festival of Freedom" with dignitaries from around the world in attendance for an evening celebration around the Brandenburg Gate. A high point was when over 1,000 colourfully designed foam domino tiles, each over 8 feet (2.4 m) tall, that were stacked along the former route of the Wall in the city center were toppled in stages, converging in front of the Brandenburg Gate.

A Berlin Twitter Wall was set up to allow Twitter users to post messages commemorating the 20th anniversary. The Chinese government quickly shut down access to the Twitter Wall after masses of Chinese users began using it to protest the Great Firewall of China.

In the United States, the German Embassy coordinated a public diplomacy campaign with the motto "Freedom Without Walls", to commemorate the 20th anniversary of the fall of the Berlin Wall. The campaign was focused on promoting awareness of the fall of the Berlin Wall among current college students. Students at over 30 universities participated in "Freedom Without Walls" events in late 2009. First place winner of the Freedom Without Walls Speaking Contest Robert Cannon received a free trip to Berlin for 2010.

An international project called Mauerreise (Journey of the Wall) took place in various countries. Twenty symbolic Wall bricks were sent from Berlin starting in May 2009, with the destinations being Korea, Cyprus, Yemen, and other places where everyday life is characterised by division and border experience. In these places, the bricks would become a blank canvas for artists, intellectuals and young people to tackle the "wall" phenomenon.

To commemorate the 20th Anniversary of the Fall of the Berlin Wall, the 3D online virtual world Twinity reconstructed a true-to-scale section of the Wall in virtual Berlin. The MTV Europe Music Awards, on 5 November, had U2 and Tokio Hotel perform songs dedicated to, and about the Berlin Wall. U2 performed at the Brandenburg Gate, and Tokio Hotel performed "World Behind My Wall".

Palestinians in the town of Kalandia, West Bank pulled down parts of the Israeli West Bank barrier, in a demonstration marking the 20th Anniversary of the Fall of the Berlin Wall.

The International Spy Museum in Washington D.C., hosted a Trabant car rally where 20 Trabants gathered in recognition of the 20th anniversary of the fall of the Berlin Wall. Rides were raffled every half-hour and a Trabant crashed through a Berlin Wall mock up. The Trabant was the East German people's car that many used to leave DDR after the collapse.

The Allied Museum in the Dahlem district of Berlin hosted a number of events to mark the Twentieth Anniversary of the Fall of the Berlin Wall. The museum held a Special Exhibition entitled "Wall Patrol – The Western Powers and the Berlin Wall 1961–1990" which focused on the daily patrols deployed by the Western powers to observe the situation along the Berlin Wall and the fortifications on the GDR border. A sheet of "Americans in Berlin" Commemorative Cinderella stamps designed by T.H.E. Hill, the author of the novel Voices Under Berlin, was presented to the Museum by David Guerra, Berlin veteran and webmaster of the site www.berlinbrigade.com. The stamps splendidly illustrate that even twenty years on, veterans of service in Berlin still regard their service there as one of the high points of their lives.

30th anniversary celebrations

Berlin planned a weeklong arts festival from 4 to 10 November 2019 and a citywide music festival on 9 November to celebrate the 30th anniversary. On 4 November, outdoor exhibits opened at Alexanderplatz, the Brandenburg Gate, the East Side Gallery, Gethsemane Church, Kurfürstendamm, Schlossplatz, and the former Stasi headquarters in Lichtenberg.

Hertha Berlin commemorated the 30th anniversary of the fall of the Berlin Wall by tearing a fake Berlin Wall in their match against RB Leipzig.

Beatnik

From Wikipedia, the free encyclopedia

Beat, Beat, Beat (1959) by William F. Brown

The Beatnik was a media stereotype prevalent throughout the late 1940s, 1950s to mid-1960s that displayed the more superficial aspects of the Beat Generation (the people born between 1928 and 1945) literary movement of the late 1940s and early to mid 1950s. Elements of the beatnik trope included pseudo-intellectualism, drug use, and a cartoonish depiction of real-life people along with the spiritual quest of Jack Kerouac's autobiographical fiction.

History

Poster for The Beat Generation (1959)

In 1948, Kerouac introduced the phrase "Beat Generation", generalizing from his social circle to characterize the underground, anticonformist youth gathering in New York at that time. The name came up in conversation with John Clellon Holmes, who published an early Beat Generation novel titled Go (1952), along with the manifesto This Is the Beat Generation in The New York Times Magazine. In 1954, Nolan Miller published his third novel Why I Am So Beat (Putnam), detailing the weekend parties of four students.

"Beat" came from underworld slang—the world of hustlers, drug addicts and petty thieves, where Allen Ginsberg and Kerouac sought inspiration. "Beat" was slang for "beaten down" or downtrodden, but to Kerouac and Ginsberg, it also had a spiritual connotation as in "beatitude". Other adjectives discussed by Holmes and Kerouac were "found" and "furtive". Kerouac felt he had identified (and was the embodiment of) a new trend analogous to the influential Lost Generation.

In "Aftermath: The Philosophy of the Beat Generation," Kerouac criticized what he saw as a distortion of his visionary, spiritual ideas:

The Beat Generation, that was a vision that we had, John Clellon Holmes and I, and Allen Ginsberg in an even wilder way, in the late Forties, of a generation of crazy, illuminated hipsters suddenly rising and roaming America, serious, bumming and hitchhiking everywhere, ragged, beatific, beautiful in an ugly graceful new way—a vision gleaned from the way we had heard the word "beat" spoken on street corners on Times Square and in the Village, in other cities in the downtown city night of postwar America—beat, meaning down and out but full of intense conviction. We'd even heard old 1910 Daddy Hipsters of the streets speak the word that way, with a melancholy sneer. It never meant juvenile delinquents, it meant characters of a special spirituality who didn't gang up but were solitary Bartlebies staring out the dead wall window of our civilization ...

Kerouac explained what he meant by "beat" at a Brandeis Forum, "Is There A Beat Generation?", on November 8, 1958, at New York's Hunter College Playhouse. The seminar's panelists were Kerouac, James A. Wechsler, Princeton anthropologist Ashley Montagu and author Kingsley Amis. Wechsler, Montagu, and Amis wore suits, while Kerouac was clad in black jeans, ankle boots and a checkered shirt. Reading from a prepared text, Kerouac reflected on his beat beginnings:

It is because I am Beat, that is, I believe in beatitude and that God so loved the world that He gave His only begotten son to it ... Who knows, but that the universe is not one vast sea of compassion actually, the veritable holy honey, beneath all this show of personality and cruelty?

Kerouac's statement was later published as "The Origins of the Beat Generation" (Playboy, June 1959). In that article, Kerouac noted how his original beatific philosophy had been ignored amid maneuvers by several pundits, among them San Francisco newspaper columnist Herb Caen, to alter Kerouac's concept with jokes and jargon:

I went one afternoon to the church of my childhood and had a vision of what I must have really meant with "Beat"... the vision of the word Beat as being to mean beatific ... People began to call themselves beatniks, beats, jazzniks, bopniks, bugniks, and finally I was called the "avatar" of all this.

In light of what he considered beat to mean and what beatnik had come to mean, Kerouac once observed to a reporter, "I'm not a beatnik, I'm a Catholic", showing the reporter a painting of Pope Paul VI and saying, "You know who painted that? Me."

Stereotype

Stereotypical beatnik woman

In her memoir, Minor Characters, Joyce Johnson described how the stereotype was absorbed into American culture:

"Beat Generation" sold books, sold black turtleneck sweaters and bongos, berets and dark glasses, sold a way of life that seemed like dangerous fun—thus to be either condemned or imitated. Suburban couples could have beatnik parties on Saturday nights and drink too much and fondle each other's wives.

Kerouac biographer Ann Charters noted that the term "Beat" was appropriated to become a Madison Avenue marketing tool:

The term caught on because it could mean anything. It could even be exploited in the affluent wake of the decade's extraordinary technological inventions. Almost immediately, for example, advertisements by "hip" record companies in New York used the idea of the Beat Generation to sell their new long playing vinyl records.

Lee Streiff, an acquaintance of many members of the movement who went on to become one of its chroniclers, believed that the news media saddled the movement for the long term with a set of false images:

Reporters are not generally well versed in artistic movements, or the history of literature or art. And most are certain that their readers, or viewers, are of limited intellectual ability and must have things explained simply, in any case. Thus, the reporters in the media tried to relate something that was new to already preexisting frameworks and images that were only vaguely appropriate in their efforts to explain and simplify. With a variety of oversimplified and conventional formulas at their disposal, they fell back on the nearest stereotypical approximation of what the phenomenon resembled, as they saw it. And even worse, they did not see it clearly and completely at that. They got a quotation here and a photograph there—and it was their job to wrap it up in a comprehensible package—and if it seemed to violate the prevailing mandatory conformist doctrine, they would also be obliged to give it a negative spin as well. And in this, they were aided and abetted by the Poetic Establishment of the day. Thus, what came out in the media: from newspapers, magazines, TV, and the movies, was a product of the stereotypes of the 30s and 40s—though garbled—of a cross between a 1920s Greenwich Village bohemian artist and a Bop musician, whose visual image was completed by mixing in Daliesque paintings, a beret, a Vandyck beard, a turtleneck sweater, a pair of sandals, and set of bongo drums. A few authentic elements were added to the collective image: poets reading their poems, for example, but even this was made unintelligible by making all of the poets speak in some kind of phony Bop idiom. The consequence is, that even though we may know now that these images do not accurately reflect the reality of the Beat movement, we still subconsciously look for them when we look back to the 50s. We have not even yet completely escaped the visual imagery that has been so insistently forced upon us.

Etymology

The word "beatnik" was coined by Herb Caen in his column in the San Francisco Chronicle on April 2, 1958. Caen wrote "Look magazine, preparing a picture spread on S.F.'s Beat Generation (oh, no, not AGAIN!), hosted a party in a No. Beach house for 50 Beatniks, and by the time word got around the sour grapevine, over 250 bearded cats and kits were on hand, slopping up Mike Cowles' free booze. They're only Beat, y'know, when it comes to work ..." Caen coined the term by adding the Yiddish suffix -nik to Beat as in the Beat Generation.

Objecting to the term, Allen Ginsberg wrote to The New York Times to deplore "the foul word beatnik," commenting, "If beatniks and not illuminated Beat poets overrun this country, they will have been created not by Kerouac but by industries of mass communication which continue to brainwash man."

Beat culture

In the vernacular of the period, "Beat" referred to Beat culture, attitude and literature; while "beatnik" referred to a stereotype found in cartoon drawings and (in some cases at worst) twisted, sometimes violent media characters. In 1995, film scholar Ray Carney wrote about the authentic beat attitude as differentiated from stereotypical media portrayals of the beatnik:

Much of Beat culture represented a negative stance rather than a positive one. It was animated more by a vague feeling of cultural and emotional displacement, dissatisfaction, and yearning, than by a specific purpose or program ... It was many different, conflicting, shifting states of mind.

The news photo caption for this 1959 event in Venice, California read: "Beatnik Beauties: Posing before a sample of beatnik art are contestants for the title of Miss Beatnik of 1959, which will be conferred Sept. 12 under sponsorship of the Venice Arts Committee. From left are Michi Monteef, Sammy McCord, Patti McCrory, Shaunna Lea and, in rear, Jan Vandaveer."

Since 1958, the terms Beat Generation and Beat have been used to describe the antimaterialistic literary movement that began with Kerouac in the 1940s and continued into the 1960s. The Beat philosophy of antimaterialism and soul searching influenced 1960s musicians such as Bob Dylan, the early Pink Floyd and The Beatles.

However, the soundtrack of the beat movement was the modern jazz pioneered by saxophonist Charlie Parker and trumpeter Dizzy Gillespie, which the media dubbed bebop. Jack Kerouac and Allen Ginsberg spent much of their time in New York jazz clubs such as the Royal Roost, Minton's Playhouse, Birdland and the Open Door, shooting the breeze and digging the music. Charlie Parker, Dizzy Gillespie and Miles Davis rapidly became what Ginsberg dubbed "secret heroes" to this group of aesthetes. The Beat authors borrowed much from the jazz/hipster slang of the 1940s, peppering their works with words such as "square", "cats", "cool" and "dig".

At the time the term "beatnik" was coined, a trend existed among young college students to adopt the stereotype. Men emulated the trademark look of bebop trumpeter Dizzy Gillespie by wearing goatees, horn-rimmed glasses and berets, rolling their own cigarettes, and playing bongos. Fashions for women included black leotards and long, straight, unadorned hair, in a rebellion against the middle-class culture of beauty salons. Marijuana use was associated with the subculture, and during the 1950s, Aldous Huxley's The Doors of Perception further influenced views on drugs.

By 1960, a small "beatnik" group in Newquay, Cornwall, England (including a young Wizz Jones) had attracted the attention and abhorrence of their neighbours for growing their hair beyond shoulder length, resulting in a television interview with Alan Whicker on BBC television's Tonight series.

The Beat philosophy was generally countercultural and antimaterialistic, and stressed the importance of bettering one's inner self over material possessions. Some Beat writers, such as Alan Watts, began to delve into Eastern religions such as Buddhism and Taoism. Politics tended to be liberal, left-wing and anti-war, with support for causes such as desegregation (although many of the figures associated with the original Beat movement, particularly Kerouac, embraced libertarian and conservative ideas). An openness to African American culture and arts was apparent in literature and music, notably jazz. While Caen and other writers implied a connection with communism, no obvious or direct connection occurred between Beat philosophy, as expressed by the literary movement's leading authors, and that of the communist movement, other than the antipathy both philosophies shared towards capitalism. Those with only a superficial familiarity with the Beat movement often saw this similarity and assumed the two movements had more in common.

The Beat movement introduced Asian religions to Western society. These religions provided the Beat generation with new views of the world and corresponded with its desire to rebel against conservative middle-class values of the 1950s, old post-1930s radicalism, mainstream culture, and institutional religions in America.

By 1958, many Beat writers published writings on Buddhism. This was the year Jack Kerouac published his novel The Dharma Bums, whose central character (whom Kerouac based on himself) sought Buddhist contexts for events in his life.

Allen Ginsberg's spiritual journey to India in 1963 also influenced the Beat movement. After studying religious texts alongside monks, Ginsburg deduced that what linked the function of poetry to Asian religions was their mutual goal of achieving ultimate truth. His discovery of Hindu mantra chants, a form of oral delivery, subsequently influenced Beat poetry. Beat pioneers who followed a Buddhism-influenced spiritual path appreciated Asian religion's profound understanding of human nature and insights into the being, existence and reality of mankind. Many of the Beat advocates believed that the core concepts of Asian religious philosophies had the means of elevating American society's consciousness, and these concepts informed their main ideologies.

Notable Beat writers such as Kerouac, Ginsberg, and Gary Snyder were drawn to Buddhism to the extent that they each, at different periods in their lives, followed a spiritual path in their quests to provide answers to universal questions and concepts. As a result, the Beat philosophy stressed the bettering of the inner self and the rejection of materialism, and postulated that East Asian religions could fill a religious and spiritual void in the lives of many Americans.

Many scholars speculate that Beat writers wrote about Eastern religions to encourage young people to practice spiritual and sociopolitical action. Progressive concepts from these religions, particularly those regarding personal freedom, influenced youth culture to challenge capitalist domination, break their generation's dogmas, and reject traditional gender and racial rules.

Beatniks art

Beatniks art is the direction of contemporary art that originated in the United States as part of the beatniks movement in the 1960s. The movement itself, unlike the so-called "lost generation" did not set itself the task of changing society, but tried to distance itself from it, while at the same time trying to create its own counter-culture. The art created by artists was influenced by jazz, drugs, occultism, and other attributes of beatniks movement.

The scope of the activity was concentrated in the cultural circles of New York, Los Angeles, San Francisco and North Carolina. Prominent representatives of the trend were artists: Wallace Berman, Jay DeFeo, Jess Collins, Robert Frank, Claes Oldenburg and Larry Rivers.

The culture of the beatniks generation has become a kind of intersection for representatives of the creative intellectual of the United States associated with visual and visual art, which are usually attributed to other areas and trends of artistic expression, such as assemblage, happening, funk art and neo-dadaism. They made efforts to destroy the wall between art and real life, so that art would become a living experience in cafes or jazz clubs, and not remain the prerogative of galleries and museums. Many works of artists of the direction were created on the verge of various types of art.

Artists wrote poetry and poets painted, something like this can describe the processes taking place within the framework of the movement. Performances were a key element in the art of beats, whether it was the Theatrical Event of 1952 at Black Mountain College or Jack Kerouac typing in 1951 the novel “On the Road” on a typewriter in a single session on a single roll of 31 meter long paper.

Representatives of the movement were united by hostility to traditional culture with its conformism and brightly degenerate commercial component. They also did not like the approach of traditional culture to hushing up the dark side of American life - violence, corruption, social inequality, racism. They tried through art to create a new way of life based on the ideals of rebellion and freedom.

Critics highlight the artist Wallace Berman as the main representative of the direction. In his work concentrated many of the characteristic features of hipsters, especially in his collages made on photocopied photographs, which are a mixture of elements of pop art and mysticism. Among other artists and works, one can single out the work "The Rose" by the artist Jay DeFeo, the work on which was carried out for seven years, a huge painting-assembly weighing about a ton with a width of up to 20 centimeters.

Introduction to entropy

From Wikipedia, the free encyclopedia https://en.wikipedia.org/wiki/Introduct...