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The Vedas are ancient Sanskrit texts of Hinduism. Above: A page from the Atharvaveda.
Vedas are also called
śruti ("what is heard") literature, distinguishing them from other religious texts, which are called
smṛti ("what is remembered"). The Veda, for orthodox Indian theologians, are considered revelations seen by ancient
sages after intense meditation, and texts that have been more carefully preserved since ancient times. In the Hindu Epic the
Mahabharata, the creation of Vedas is credited to
Brahma. The Vedic hymns themselves assert that they were skillfully created by
Rishis (sages), after inspired creativity, just as a carpenter builds a chariot.
According to tradition,
Vyasa is the compiler of the Vedas, who arranged the four kinds of
mantras into four
Samhitas (Collections). There are four Vedas: the
Rigveda, the
Yajurveda, the
Samaveda and the
Atharvaveda. Each Veda has been subclassified into four major text types – the
Samhitas (mantras and benedictions), the
Aranyakas (text on rituals, ceremonies, sacrifices and symbolic-sacrifices), the
Brahmanas (commentaries on rituals, ceremonies and sacrifices), and the
Upanishads (texts discussing meditation, philosophy and spiritual knowledge). Some scholars add a fifth category – the
Upasanas (worship).
The various Indian
philosophies and
denominations
have taken differing positions on the Vedas. Schools of Indian
philosophy which cite the Vedas as their scriptural authority are
classified as "orthodox" (
āstika). Other
śramaṇa traditions, such as
Lokayata,
Carvaka,
Ajivika,
Buddhism and
Jainism, which did not regard the Vedas as authorities, are referred to as "heterodox" or "non-orthodox" (
nāstika) schools.
Despite their differences, just like the texts of the śramaṇa
traditions, the layers of texts in the Vedas discuss similar ideas and
concepts.
Etymology and usage
The
Sanskrit word
véda "knowledge, wisdom" is derived from the root
vid- "to know". This is reconstructed as being derived from the
Proto-Indo-European root
*u̯eid-, meaning "see" or "know", cognate to
Greek (ϝ)εἶδος "aspect", "form". This is not to be confused is the homonymous 1st and 3rd person singular perfect tense
véda, cognate to Greek
(ϝ)οἶδα (w)oida "I know". Root cognates are Greek
ἰδέα,
English wit, etc.,
Latin videō "I see", etc.
The Sanskrit term
veda as a common noun means "knowledge". The term in some contexts, such as hymn 10.93.11 of the
Rigveda, means "obtaining or finding wealth, property", while in some others it means "a bunch of grass together" as in a broom or for
ritual fire.
A related word
Vedena appears in hymn 8.19.5 of the
Rigveda. It was translated by
Ralph T. H. Griffith as "ritual lore", as "studying the Veda" by the 14th-century Indian scholar
Sayana, as "bundle of grass" by
Max Müller, and as "with the Veda" by
H.H. Wilson.
Vedas are called
Maṛai or
Vaymoli in parts of South
India. Marai literally means "hidden, a secret, mystery". But Tamil
Naanmarai mentioned in Tholkappiam isn't Sanskrit Vedas. In some south Indian communities such as
Iyengars, the word Veda includes the
Tamil writings of the
Alvar saints, such as
Divya Prabandham, for example Tiruvaymoli.
Chronology
The Vedas are among the
oldest sacred texts. The Samhitas date to roughly 1700–1100 BCE, and the "circum-Vedic" texts, as well as the
redaction of the Samhitas, date to c. 1000–500 BCE, resulting in a
Vedic period, spanning the mid 2nd to mid 1st millennium BCE, or the
Late Bronze Age and the
Iron Age.
The Vedic period reaches its peak only after the composition of the mantra texts, with the establishment of the various
shakhas all over Northern India which annotated the mantra
samhitas with
Brahmana discussions of their meaning, and reaches its end in the age of
Buddha and
Panini and the rise of the
Mahajanapadas (archaeologically,
Northern Black Polished Ware). Michael Witzel gives a time span of c. 1500 to c. 500–400 BCE. Witzel makes special reference to the Near Eastern
Mitanni material of the 14th century BCE, the only epigraphic record of Indo-Aryan contemporary to the Rigvedic period. He gives 150 BCE (
Patañjali) as a
terminus ante quem for all Vedic Sanskrit literature, and 1200 BCE (the early
Iron Age) as
terminus post quem for the Atharvaveda.
Transmission of texts in the Vedic period was by
oral tradition, preserved with precision with the help of elaborate
mnemonic techniques. A literary tradition is traceable in post-Vedic times, after the rise of
Buddhism in the
Maurya period, perhaps earliest in the
Kanva
recension of the Yajurveda about the 1st century BCE; however oral
tradition of transmission remained active. Witzel suggests the
possibility of written Vedic texts towards the end of 1st millennium
BCE.
Some scholars such as Jack Goody state that "the Vedas are not the
product of an oral society", basing this view by comparing
inconsistencies in the transmitted versions of literature from various
oral societies such as the Greek, Serbia and other cultures, then noting
that the Vedic literature is too consistent and vast to have been
composed and transmitted orally across generations, without being
written down.
However, adds Goody, the Vedic texts likely involved both a written and
oral tradition, calling it a "parallel products of a literate society".
Due to the ephemeral nature of the manuscript material (birch
bark or palm leaves), surviving manuscripts rarely surpass an age of a
few hundred years. The
Sampurnanand Sanskrit University has a Rigveda manuscript from the 14th century; however, there are a number of older Veda manuscripts in
Nepal that are dated from the 11th century onwards.
Ancient universities
The Vedas, Vedic rituals and its ancillary sciences called the
Vedangas, were part of the curriculum at ancient universities such as at
Taxila,
Nalanda and
Vikramashila.
Categories of Vedic texts
The term "Vedic texts" is used in two distinct meanings:
- Texts composed in Vedic Sanskrit during the Vedic period (Iron Age India)
- Any text considered as "connected to the Vedas" or a "corollary of the Vedas"
Vedic Sanskrit corpus
- The Samhitas (Sanskrit saṃhitā, "collection"), are collections of metric texts ("mantras"). There are four "Vedic" Samhitas: the Rig-Veda, Sama-Veda, Yajur-Veda, and Atharva-Veda, most of which are available in several recensions (śākhā). In some contexts, the term Veda
is used to refer to these Samhitas. This is the oldest layer of Vedic
texts, apart from the Rigvedic hymns, which were probably essentially
complete by 1200 BCE, dating to c. the 12th to 10th centuries BCE. The
complete corpus of Vedic mantras as collected in Bloomfield's Vedic Concordance (1907) consists of some 89,000 padas (metrical feet), of which 72,000 occur in the four Samhitas.
- The Brahmanas
are prose texts that comment and explain the solemn rituals as well as
expound on their meaning and many connected themes. Each of the
Brahmanas is associated with one of the Samhitas or its recensions.
The Brahmanas may either form separate texts or can be partly
integrated into the text of the Samhitas. They may also include the
Aranyakas and Upanishads.
- The Aranyakas,
"wilderness texts" or "forest treaties", were composed by people who
meditated in the woods as recluses and are the third part of the Vedas.
The texts contain discussions and interpretations of ceremonies, from
ritualistic to symbolic meta-ritualistic points of view. It is frequently read in secondary literature.
- Older Mukhya Upanishads (Bṛhadāraṇyaka, Chandogya, Kaṭha, Kena, Aitareya, and others).
The Vedas (sruti) are different from Vedic era texts such as
Shrauta Sutras and
Gryha Sutras, which are smriti texts. Together, the Vedas and these Sutras form part of the Vedic Sanskrit corpus.
While production of Brahmanas and Aranyakas ceased with the end
of the Vedic period, additional Upanishads were composed after the end
of the Vedic period.
The
Brahmanas,
Aranyakas, and
Upanishads, among other things, interpret and discuss the
Samhitas in philosophical and metaphorical ways to explore abstract concepts such as the Absolute (
Brahman), and the soul or the self (
Atman), introducing
Vedanta philosophy, one of the major trends of later
Hinduism.
In other parts, they show evolution of ideas, such as from actual
sacrifice to symbolic sacrifice, and of spirituality in the Upanishads.
This has inspired later Hindu scholars such as
Adi Shankara to classify each Veda into
karma-kanda (कर्म खण्ड, action/ritual-related sections) and
jnana-kanda (ज्ञान खण्ड, knowledge/spirituality-related sections).
Shruti literature
The texts considered "Vedic" in the sense of "corollaries of the
Vedas" is less clearly defined, and may include numerous post-Vedic
texts such as the later
Upanishads and the
Sutra literature. Texts not considered to be
shruti are known as
smriti (Sanskrit:
smṛti; "the remembered"), or texts of remembered traditions. This indigenous system of categorization was adopted by
Max Müller and, while it is subject to some debate, it is still widely used. As Axel Michaels explains:
These classifications are often not tenable for linguistic and formal reasons: There is not only one
collection at any one time, but rather several handed down in separate
Vedic schools; Upanişads ... are sometimes not to be distinguished from Āraṇyakas...; Brāhmaṇas contain older strata of language attributed to the Saṃhitās;
there are various dialects and locally prominent traditions of the
Vedic schools. Nevertheless, it is advisable to stick to the division
adopted by Max Müller because it follows the Indian tradition, conveys
the historical sequence fairly accurately, and underlies the current
editions, translations, and monographs on Vedic literature."
The
Upanishads
are largely philosophical works, some in dialogue form. They are the
foundation of Hindu philosophical thought and its diverse traditions. Of the Vedic corpus, they alone are widely known, and the central ideas of the Upanishads are at the spiritual core of Hindus.
Vedic schools or recensions
The four Vedas were transmitted in various
śākhās (branches, schools). Each school likely represented an ancient community of a particular area, or kingdom. Each school followed its own canon. Multiple recensions are known for each of the Vedas.
Thus, states Witzel as well as Renou, in the 2nd millennium BCE, there
was likely no canon of one broadly accepted Vedic texts, no Vedic
“Scripture”, but only a canon of various texts accepted by each school.
Some of these texts have survived, most lost or yet to be found. Rigveda
that survives in modern times, for example, is in only one extremely
well preserved school of Śåkalya, from a region called
Videha, in modern north
Bihar, south of
Nepal. The Vedic canon in its entirety consists of texts from all the various Vedic schools taken together.
Each of the four Vedas were shared by the numerous schools, but
revised, interpolated and adapted locally, in and after the Vedic
period, giving rise to various recensions of the text. Some texts were
revised into the modern era, raising significant debate on parts of the
text which are believed to have been corrupted at a later date. The Vedas each have an Index or
Anukramani, the principal work of this kind being the general Index or
Sarvānukramaṇī.
Prodigious energy was expended by ancient Indian culture in
ensuring that these texts were transmitted from generation to generation
with inordinate fidelity. For example, memorization of the sacred
Vedas included up to eleven
forms of recitation
of the same text. The texts were subsequently "proof-read" by
comparing the different recited versions. Forms of recitation included
the
jaṭā-pāṭha
(literally "mesh recitation") in which every two adjacent words in the
text were first recited in their original order, then repeated in the
reverse order, and finally repeated in the original order. That these methods have been effective, is attested to by the preservation of the most ancient Indian religious text, the
Rigveda, as
redacted into a single text during the
Brahmana period, without any variant readings within that school.
The Vedas were likely written down for the first time around 500 BCE.
However, all printed editions of the Vedas that survive in the modern
times are likely the version existing in about the 16th century AD.
Four Vedas
The canonical division of the Vedas is fourfold (turīya) viz.,
- Rigveda (RV)
- Yajurveda (YV, with the main division TS vs. VS)
- Samaveda (SV)
- Atharvaveda (AV)
Of these, the first three were the principal original division, also called "trayī vidyā"; that is, "the triple science" of reciting hymns (Rigveda), performing sacrifices (Yajurveda), and chanting songs (Samaveda).
The Rigveda is the oldest work, which Witzel states are probably from
the period of 1900 to 1100 BCE. Witzel, also notes that it is the Vedic
period itself, where incipient lists divide the Vedic texts into three
(trayī) or four branches: Rig, Yajur, Sama and Atharva.
Each Veda has been subclassified into four major text types – the
Samhitas (mantras and benedictions), the
Aranyakas
(text on rituals, ceremonies such as newborn baby's rites of passage,
coming of age, marriages, retirement and cremation, sacrifices and
symbolic sacrifices), the
Brahmanas (commentaries on rituals, ceremonies and sacrifices), and the
Upanishads (text discussing meditation, philosophy and spiritual knowledge). The
Upasanas (short ritual worship-related sections) are considered by some scholars as the fifth part.
Witzel
notes that the rituals, rites and ceremonies described in these ancient
texts reconstruct to a large degree the Indo-European marriage rituals
observed in a region spanning the Indian subcontinent, Persia and the
European area, and some greater details are found in the Vedic era texts
such as the Grhya Sūtras.
Only one version of the Rigveda is known to have survived into the modern era.
Several different versions of the Sama Veda and the Atharva Veda are
known, and many different versions of the Yajur Veda have been found in
different parts of South Asia.
Rigveda
Nasadiya Sukta (Hymn of non-Eternity):
Who really knows?
Who can here proclaim it?
Whence, whence this creation sprang?
Gods came later, after the creation of this universe.
Who then knows whence it has arisen?
Whether God's will created it, or whether He was mute;
Only He who is its overseer in highest heaven knows,
He only knows, or perhaps He does not know.
—Rig Veda 10.129.6–7
The books were composed by poets from different priestly groups
over a period of several centuries from roughly the second half of the
2nd millennium BCE (the early
Vedic period), starting with the
Punjab (
Sapta Sindhu) region of the northwest
Indian subcontinent. The Rigveda is structured based on clear principles – the Veda begins with a small book addressed to Agni, Indra,
Soma
and other gods, all arranged according to decreasing total number of
hymns in each deity collection; for each deity series, the hymns
progress from longer to shorter ones, but the number of hymns per book
increases. Finally, the meter too is systematically arranged from jagati
and tristubh to anustubh and gayatri as the text progresses. In terms of substance, the nature of hymns shift from praise of deities in early books to
Nasadiya Sukta with questions such as, "what is the origin of the universe?, do even gods know the answer?", the virtue of
Dāna (charity) in society, and other metaphysical issues in its hymns.
There are similarities between the mythology, rituals and
linguistics in Rigveda and those found in ancient central Asia, Iranian
and Hindukush (Afghanistan) regions.
Samaveda
The
Samaveda Samhita consists of 1549 stanzas, taken almost entirely (except for 75 mantras) from the Rigveda.
The Samaveda samhita has two major parts. The first part includes four
melody collections (gāna, गान) and the second part three verse “books”
(ārcika, आर्चिक). A melody in the song books corresponds to a verse in the
arcika
books. Just as in the Rigveda, the early sections of Samaveda typically
begin with hymns to Agni and Indra but shift to the abstract. Their
meters shift also in a descending order. The songs in the later sections
of the Samaveda have the least deviation from the hymns derived from
the Rigveda.
In the Samaveda, some of the Rigvedic verses are repeated. Including repetitions, there are a total of 1875 verses numbered in the Samaveda recension translated by Griffith.
Two major recensions have survived, the Kauthuma/Ranayaniya and the
Jaiminiya. Its purpose was liturgical, and they were the repertoire of
the
udgātṛ or "singer" priests.
Yajurveda
The
Yajurveda Samhita consists of prose mantras.
It is a compilation of ritual offering formulas that were said by a
priest while an individual performed ritual actions such as those before
the
yajna fire.
A page from the Taittiriya Samhita, a layer of text within the Yajurveda
The earliest and most ancient layer of Yajurveda
samhita includes about 1,875 verses, that are distinct yet borrow and build upon the foundation of verses in
Rigveda.
Unlike the Samaveda which is almost entirely based on Rigveda mantras
and structured as songs, the Yajurveda samhitas are in prose and
linguistically, they are different from earlier Vedic texts. The Yajur Veda has been the primary source of information about sacrifices during Vedic times and associated rituals.
There are two major groups of texts in this Veda: the "Black" (
Krishna) and the "White" (
Shukla).
The term "black" implies "the un-arranged, motley collection" of verses
in Yajurveda, in contrast to the "white" (well arranged) Yajurveda. The White Yajurveda separates the Samhita from its Brahmana (the
Shatapatha Brahmana),
the Black Yajurveda intersperses the Samhita with Brahmana commentary.
Of the Black Yajurveda, texts from four major schools have survived
(Maitrayani, Katha, Kapisthala-Katha, Taittiriya), while of the White
Yajurveda, two (Kanva and Madhyandina).
The youngest layer of Yajurveda text is not related to rituals nor
sacrifice, it includes the largest collection of primary Upanishads,
influential to various schools of
Hindu philosophy.
Atharvaveda
The
Artharvaveda Samhita is the text 'belonging to the
Atharvan and
Angirasa poets. It has about 760 hymns, and about 160 of the hymns are in common with the Rigveda. Most of the verses are metrical, but some sections are in prose. Two different versions of the text – the
Paippalāda and the
Śaunakīya – have survived into the modern times. The Atharvaveda was not considered as a Veda in the Vedic era, and was accepted as a Veda in late 1st millennium BCE. It was compiled last, probably around 900 BCE, although some of its material may go back to the time of the Rigveda, or earlier.
The Atharvaveda is sometimes called the "Veda of magical formulas", an epithet declared to be incorrect by other scholars. The
Samhita
layer of the text likely represents a developing 2nd millennium BCE
tradition of magico-religious rites to address superstitious anxiety,
spells to remove maladies believed to be caused by demons, and herbs-
and nature-derived potions as medicine.
The text, states Kenneth Zysk, is one of oldest surviving record of the
evolutionary practices in religious medicine and reveals the "earliest
forms of folk healing of Indo-European antiquity". Many books of the Atharvaveda Samhita are dedicated to rituals without magic, such as to philosophical speculations and to
theosophy.
The Atharva veda has been a primary source for information about
Vedic culture, the customs and beliefs, the aspirations and frustrations
of everyday Vedic life, as well as those associated with kings and
governance. The text also includes hymns dealing with the two major
rituals of passage –
marriage and
cremation. The Atharva Veda also dedicates significant portion of the text asking the meaning of a ritual.
Embedded Vedic texts
Brahmanas
The Brahmanas are commentaries, explanation of proper methods and meaning of Vedic Samhita rituals in the four Vedas. They also incorporate myths, legends and in some cases philosophy. Each regional Vedic
shakha (school) has its own operating manual-like Brahmana text, most of which have been lost. A total of 19 Brahmana texts have survived into modern times: two associated with the
Rigveda, six with the
Yajurveda, ten with the
Samaveda and one with the
Atharvaveda. The oldest dated to about 900 BCE, while the youngest Brahmanas (such as the
Shatapatha Brahmana), were complete by about 700 BCE. According to
Jan Gonda, the final codification of the Brahmanas took place in pre-Buddhist times (ca. 600 BCE).
The substance of the Brahmana text varies with each Veda. For
example, the first chapter of the Chandogya Brahmana, one of the oldest
Brahmanas, includes eight ritual
suktas (hymns) for the ceremony of marriage and rituals at the birth of a child. The first hymn is a recitation that accompanies offering a
Yajna oblation to
Agni (fire) on the occasion of a marriage, and the hymn prays for prosperity of the couple getting married. The second hymn wishes for their long life, kind relatives, and a numerous progeny.
The third hymn is a mutual marriage pledge, between the bride and
groom, by which the two bind themselves to each other. The sixth through
last hymns of the first chapter in Chandogya Brahmana are ritual
celebrations on the birth of a child and wishes for health, wealth, and
prosperity with a profusion of cows and
artha. However, these verses are incomplete expositions, and their complete context emerges only with the Samhita layer of text.
Aranyakas and Upanishads
The Aranyakas layer of the Vedas include rituals, discussion of symbolic meta-rituals, as well as philosophical speculations.
Aranyakas, however, neither are homogeneous in content nor in structure.
They are a medley of instructions and ideas, and some include chapters
of Upanishads within them. Two theories have been proposed on the origin
of the word
Aranyakas. One theory holds that these texts were
meant to be studied in a forest, while the other holds that the name
came from these being the manuals of allegorical interpretation of
sacrifices, for those in
Vanaprastha (retired, forest-dwelling) stage of their life, according to the historic age-based
Ashrama system of human life.
The Upanishads reflect the last composed layer of texts in the Vedas. They are commonly referred to as
Vedānta, variously interpreted to mean either the "last chapters, parts of the Vedas" or "the object, the highest purpose of the Veda". The concepts of
Brahman (Ultimate Reality) and
Ātman (Soul, Self) are central ideas in all the
Upanishads, and "Know your Ātman" their thematic focus. The Upanishads are the foundation of Hindu philosophical thought and its diverse traditions.
Of the Vedic corpus, they alone are widely known, and the central ideas
of the Upanishads have influenced the diverse traditions of Hinduism.
Aranyakas are sometimes identified as
karma-kanda (ritualistic section), while the Upanishads are identified as
jnana-kanda (spirituality section). In an alternate classification, the early part of Vedas are called
Samhitas and the commentary are called the
Brahmanas which together are identified as the ceremonial
karma-kanda, while
Aranyakas and
Upanishads are referred to as the
jnana-kanda.
Post-Vedic literature
Vedanga
The Vedangas developed towards the end of the vedic period, around or
after the middle of the 1st millennium BCE. These auxiliary fields of
Vedic studies emerged because the language of the Vedas, composed
centuries earlier, became too archaic to the people of that time.
The Vedangas were sciences that focused on helping understand and
interpret the Vedas that had been composed many centuries earlier.
The six subjects of Vedanga are phonetics (
Śikṣā), poetic meter (
Chandas), grammar (
Vyākaraṇa), etymology and linguistics (
Nirukta), rituals and rites of passage (
Kalpa), time keeping and astronomy (
Jyotiṣa).
Vedangas developed as ancillary studies for the Vedas, but its
insights into meters, structure of sound and language, grammar,
linguistic analysis and other subjects influenced post-Vedic studies,
arts, culture and various schools of
Hindu philosophy. The Kalpa Vedanga studies, for example, gave rise to the Dharma-sutras, which later expanded into Dharma-shastras.
Parisista
Pariśiṣṭa
"supplement, appendix" is the term applied to various ancillary works
of Vedic literature, dealing mainly with details of ritual and
elaborations of the texts logically and chronologically prior to them:
the
Samhitas,
Brahmanas,
Aranyakas and
Sutras.
Naturally classified with the Veda to which each pertains, Parisista
works exist for each of the four Vedas. However, only the literature
associated with the
Atharvaveda is extensive.
- The Āśvalāyana Gṛhya Pariśiṣṭa is a very late text associated with the Rigveda canon.
- The Gobhila Gṛhya Pariśiṣṭa is a short metrical text of two chapters, with 113 and 95 verses respectively.
- The Kātiya Pariśiṣṭas, ascribed to Kātyāyana, consist of 18 works enumerated self-referentially in the fifth of the series (the Caraṇavyūha) and the Kātyāyana Śrauta Sūtra Pariśiṣṭa.
- The Kṛṣṇa Yajurveda has 3 parisistas The Āpastamba Hautra Pariśiṣṭa, which is also found as the second praśna of the Satyasāḍha Śrauta Sūtra', the Vārāha Śrauta Sūtra Pariśiṣṭa
- For the Atharvaveda, there are 79 works, collected as 72 distinctly named parisistas.
Upaveda
The term
upaveda ("applied knowledge") is used in traditional literature to designate the subjects of certain technical works. Lists of what subjects are included in this class differ among sources.
The
Charanavyuha mentions four Upavedas:
"Fifth" and other Vedas
Let drama and dance (Nātya, नाट्य) be the fifth vedic scripture.
Combined with an epic story, tending to virtue, wealth, joy and
spiritual freedom, it must contain the significance of every scripture,
and forward every art. Thus, from all the Vedas, Brahma
framed the Nātya Veda. From the Rig Veda he drew forth the words, from
the Sama Veda the melody, from the Yajur Veda gesture, and from the
Atharva Veda the sentiment.
— First chapter of Nātyaśāstra, Abhinaya Darpana
"
Divya Prabandha", for example Tiruvaymoli, is a term for canonical
Tamil texts considered as Vernacular Veda by some South Indian Hindus.
Puranas
The
Puranas is a vast genre of encyclopedic Indian literature
about a wide range of topics particularly myths, legends and other
traditional lore. Several of these texts are named after major
Hindu deities such as Vishnu, Shiva and Devi. There are 18
Maha Puranas (Great Puranas) and 18
Upa Puranas (Minor Puranas), with over 400,000 verses.
The Puranas have been influential in the
Hindu culture. They are considered
Vaidika (congruent with Vedic literature). The
Bhagavata Purana has been among the most celebrated and popular text in the Puranic genre, and is of
non-dualistic tenor. The Puranic literature wove with the
Bhakti movement in India, and both
Dvaita and
Advaita scholars have commented on the underlying Vedanta themes in the
Maha Puranas.
Western Indology
The study of Sanskrit in the West began in the 17th century. In the early 19th century,
Arthur Schopenhauer drew attention to Vedic texts, specifically the Upanishads.
The importance of Vedic Sanskrit for
Indo-European studies was also recognized in the early 19th century.
English translations of the Samhitas were published in the later 19th century, in the
Sacred Books of the East series edited by
Müller between 1879 and 1910.
Ralph T. H. Griffith also presented English translations of the four Samhitas, published 1889 to 1899.
Voltaire regarded Vedas to be exceptional, he remarked that:
The Veda was the most precious gift for which the West had ever been indebted to the East.