Search This Blog

Sunday, December 5, 2021

Power distance

From Wikipedia, the free encyclopedia

Power distance refers to the relationship between higher-ranking and lower-ranking individuals that depends on how the latter react to the former. It is an anthropological concept used in cultural studies to understand the relationship between individuals with varying power, the effects, and their perceptions. It uses the Power Distance Index (PDI) as a tool to measure the acceptance of power established between the individuals with the most power and those with the least. In these societies, power distance is divided into two categories that resemble a culture's power index; people in societies with a high power distance are more likely to follow a hierarchy where everybody has a place and does not require further justification, and high-ranking individuals are respected and looked up to. In societies with a low power distance, individuals aim to distribute power equally. Without regards to the same level of respect of high-power distance cultures, additional justification is often needed among those in low power distance societies. Research has also indicated that before any other relationships in a business can be established, a cross-cultural relationship must be created first.

Origin

Geert Hofstede was a well-known Dutch psychologist and professor. Prior to his profession, he traveled by sea, which influenced his views on cultural diversity and its implications on a global scale. He was the first to conduct a major cross-country study on power distance that spanned fifty countries and thousands of employees from a major corporation. In the study, Hofstede distributed questionnaires to various IBM employees in different countries and asked if they were afraid to disagree with their superiors. He observed different power distance levels and management styles observed during his studies, and used his findings to propose four cultural dimensions: individualism/collectivism, masculinity/femininity, power distance, and uncertainty avoidance. These dimensions were described in his work, "Culture's Consequences". He created the Power Distance Index (PDI) to measure whether a country has high, moderate, or low power distance.

Development and studies on the theory

Hofstede

Cultural dimensions theory

Hofstede developed the cultural dimensions theory, which is widely used as a crucial framework for cross-cultural communication. It is the earliest theory that could be quantified and is used to explain perceived differences between cultures and has been applied extensively in many fields, especially in cross-cultural psychology, international business, and cross-cultural communication. It was driven by the statistical procedure (also called "factor analysis") to make the development, based on the result of a global survey of the values of IBM employees conducted from 1967 and 1973. Hofstede's theory identified six dimensions of culture: power distance, individualism vs collectivism, uncertainty avoidance, masculinity vs femininity, short-term vs long-term orientation, and indulgence vs self-restraint.

Research has suggested that power distance can vary from culture to culture, which can be particularly prevalent in international corporations. A study performed by Xiaoshuang Lin et al. found that employees are more inclined to speak up under leaders deemed to be humble by their employees. Humility is a trait often associated with low-power distance cultures. The study found that an employee's self-conceptualization of power determined not only their workplace voice, but also their superior's humility. An environment such as this would also be akin to the collectivism dimension that Hofstede proposed.

Power Distance Index (PDI)

The PDI is designed to measure the extent to which power differs within the society, organization, and institutions are accepted by less powerful members. The index assigns a score to each country that indicates its level of power distance and dependent relationships. The PDI also represents society's level of inequality that is defined from below rather than from above. The PDI uses relative values; it is only useful when comparing countries.

Hofstede derived power distance scores for three regions and fifty countries from the answers given by IBM employees in the same type of positions to the same questions. The PDI was calculated by:

1. Preparing three survey questions:

  • How frequently, in the employees' experience, were they afraid to express disagreement with their managers? (mean score on a 1–5 scale from "very frequently" to "very seldom")
  • Subordinates' perception of their boss's actual decision-making style (percentage choosing either the description of an autocratic or of a paternalistic style, out of four possible styles plus "none of these alternatives")
  • Subordinates' preference for their boss's decision-making style (percentage preferring an autocratic or a paternalistic style, or, as type based on majority vote, but not a consultative style)

2. Pre-coding the answers to be represented as numbers (e.g. 1, 2, 3, 4...)

3. Computing the mean score for the answers of equal samples of people from each country or percentage that chose particular answers

4. Sorting the questions into groups—known as clusters or factors—by using a statistical procedure

5. Adding or subtracting the three scores after multiplying each with a fixed number

6. Adding another fixed number

Hofstede found that the emotional distance is relatively small in lower PDI cultures. There are more democratic or consultative relations between expecting and accepting power. People are relatively interdependent to the power holders, and there is a relatively low inequality of power distributed among the people. Under these circumstances, the decentralized authority and flat management structure is common but not universal, which suggests that managers and subordinates will, on average, be relatively less concerned with status, and the distribution of decision-making responsibility is extensive. Policies like the "open door" policy are implemented more often, which influence higher-ranking individuals to be more receptive to lower-ranking individuals, and subordinates to be more likely to challenge or give suggestions to their superiors. Examples of countries with low PDIs include the Netherlands, the United Kingdom, the United States, Germany, and the Nordic countries.

In higher PDI cultures, the power relations are paternalistic and autocratic, and centralized authority exists; there is a wide gap or emotional distance which is perceived to exist among people at different levels of the hierarchy. There is considerable dependence (also known as counter-dependence) on individuals who hold power. In the workplace, subordinates are willing to accept their inferior positions, and superiors may not ask for broad participation in the decision making process. Higher PDI cultures usually adopt an autocratic leadership style, which means subordinates may be unlikely to approach and contradict their bosses directly. Countries with high power distance cultures usually believe that there is nothing wrong with inequality and everyone has specific positions. China, Belgium, France, Malaysia, and the Arab world are regarded as examples of countries or regions with high PDI cultures.

Hofstede's study is limited by two factors: neutralization and analyzing non-Western countries with a Western methodology. Each stage of the research process makes the unneutral seem neutral. The questionnaire reflects a large power distance: its questions were explicitly designed to resolve the normative concerns of researchers; it primarily served the concerns of those who needed to do comparative analysis and created it through "coercing a culturally distinct axis of comparison" on a variety of employees. Additionally, the questionnaire adopted a Western methodology to analyze non-Western countries and was relatively selective in representing the inequality within Western countries. For example, the PDI concentrated on the boss and subordinate relationship, which could be seen as biased, as it ignores other forms of western inequality. Apparently, the questions failed to measure the racial, colonial, and broader class inequalities that should be taken into account when measuring power distance.

Haire, Ghiselli, and Porter

In the middle of the last century, Mason Haire, Edwin Ghiselli, and Lyman Porter explored the differences in preferences for power among different cultures with remarkable outcomes, even though they did not mention the concept of power distance. They conducted their study with a questionnaire, which was based on a modified version of Maslow's hierarchy of needs. The aim of the questionnaire was to evaluate how managers from 14 countries were satisfied regarding their needs when they were in their current positions. The dimensions that were linked to power distance across cultures in their questionnaire were autonomy and self-actualization.

In accordance with the responses to the questions in their questionnaire, the 14 countries were clustered into five main groups, which Haire et al. labeled Nordic-European (Denmark, Germany, Norway, and Sweden), Latin-European (Belgium, France, Italy, and Spain), Anglo-American (England and the United States), Developing (Argentina, Chile, and India), and Japan. The analysis used various mean standardized scores that the five groups presented with respect to autonomy and self-actualization; positive figures described greater satisfaction of need than for the average manager across all 14 countries, while negative figures described lesser satisfaction.

Haire 1966 Autonomy Self-Actualization
Nordic European .36 .25
Latin European -.16 .23
Anglo American -.14 -.09
Developing -.25 -.11
Japan -.25 -.11

Mulder

Another major study of power distance was done by Mauk Mulder. It was based on the premise that as societies become weaker in power distance, the underprivileged will tend to reject their power dependency. Mulder's laboratory experiments in the social and organizational context of the Netherlands, a low power distance culture, concluded that people attempted to seek "power distance reduction". He found that:

  • More privileged individuals tend to try to preserve or to broaden their power distance from subordinates.
  • The larger their power distance is from a subordinate, the more the power holder tends to try to increase that distance.
  • Less powerful individuals try to decrease the power distance between themselves and their superiors.
  • The smaller the power distance, the more likely it is that less powerful individuals will try to reduce that distance.

After Hofstede – the GLOBE Study

Following Hofstede, the Global Leadership and Organizational Behavior Effectiveness (GLOBE) project defined "power distance" as "the degree to which members of an organization or society expect and agree that power should be shared unequally". Power distance was further analyzed as one of the nine cultural dimensions explained in the GLOBE Research Program, which was conceived in 1990 by Robert J. House of the Wharton School of Business at the University of Pennsylvania.

Given the premise that leader effectiveness is contextual, the research was conducted by believing that the social and organizational values, norms and beliefs of those who are being led are closely connected to the effectiveness of the leader. GLOBE measures the practices and values that exist at the levels of industry (financial services, food processing, telecommunications), organization (several in each industry), and society (62 cultures). The results are presented in the form of quantitative data based on responses from about 17,000 managers from 951 organizations functioning in 62 societies throughout the world, which shows how each of the 62 societies scores on nine major attributes of cultures, including Power Distance, and six major global leader behaviors.

Regarding power distance, GLOBE researches cultural influences on power distance values, practices and other aspects, including "Roots of Power Distance", "The Psychological Stream and Power", and "The Cross-Cultural Stream and Power Distance". It also investigates how family power values are taught and makes a comparison of high versus low power distance societies.

When discussing "The Cross-Cultural Stream and Power Distance", four primary factors affecting a society's level of power distance are explained separately: the predominant religion or philosophy, the tradition of democratic principles of government, the existence of a strong middle class, and the proportion of immigrants in a society's population. Connections exist among the four fundamental phenomena, but the study concluded that a society's main beliefs, values, and religion, will have the strongest and longest lasting influence on power distance, which would be moderated by a democratic tradition and the existence of a strong middle class to some extent. Both factors are expected to narrow power distance. Finally, a large proportion of immigrants in a given society makes the low power distance trend stronger in all circumstances presented above. The study also concludes that regardless of religion, any society that does not have a tradition of democracy or a significant middle class will have a substantially high power distance levels.

Applications and effects

Power distance is a significant dimension in cross-cultural environments that it unconsciously influences people's behavior in different countries, which contributes to so-called "cultural norms", which are shaped by perceptions and acceptance of power inequality to a certain degree. These "cultural norms" lead to various reactions when facing same situations or in the same environment. However, there are some consequences that result from acquiescence in inequality in organizations and societies, especially for high power distance countries.

The workplace

Effects on management style

In organizations with high power distance, employees acknowledge their lesser standing, and are respectful and submissive towards their superiors, who in turn are more likely to give orders rather than consult with their employees while making decisions. Status symbols are often displayed and flaunted. Employers or managers would not have meals together with their subordinates, and might have private facilities such as rooms, parking lots, or elevators. Having a high level of education is important to climb the corporate ladder, and the higher-ranking members of the organization are often paid much more than their subordinates when compared with companies with lower power distance.

In low power distance organizations, superiors are not as concerned with status symbols and would be more open to employee discussion and participation. Employees are less submissive to their superiors, and are more likely to make themselves heard or to challenge the management.

The relationship between leadership and voice behavior

The ability for employees to speak up is described as their voice behavior and expression, which is dependent upon the leadership style as well as the power distance. Sheng-Min Liu and Jian-Qiao Liao developed a questionnaire that asked 495 subordinates (engineers) and 164 leaders (senior engineers and project managers) to determine the outcome of subordinate voice behavior based on the leadership style, which is influenced by power distance because of the closeness in proximity and structure of those cultures. The study finds that low power distance leaders facilitate a change-oriented environment for subordinates to discuss their ideas and concerns which leads to their admiration.

The study finds that in high power distance businesses, subordinates obey the gap between them and their leaders, and rarely interact with their superiors. The study further confirms that the ideas and solutions in this power index are given to them by their leaders, so it seems contradictory for those in the high-power distance to speak up about their concerns or ideas because they are accustomed to direction. The contradiction of the high-power index shows that it weakens the leader–subordinate relationship causing a lack of expression. Thus, voice behavior and expression rely on the transformational leadership style often seen in low power distance cultures. The study concludes that the leadership style which is based on power distance culture correlates with the tools given to an employee to speak up in his or her environment.

Effects on employee behavior

In business, power distance can be defined as the acceptance (by employees) of the relationship between the highest and lowest ranked members in an organization. Studies have suggested that employees in low power distance workplaces directly impact the distribution of office power. This could be due in part to the employees possessing more power (and therefore, more freedom to make changes) than in a high-power distance setting. In addition, the opposite has been suggested for employees in high power distance environments, with superiors not varying much in their position. Culture can have an effect on this, as lower-level employees in high power distance cultures may be unable to have a large impact on their workplace.

In high power distance regions, people in higher positions hold great amounts of power with little challenge. The hierarchy and authority empower employers and supervisors with more rights of resource allocation, rewards, and punishment, which reinforce their status and enable them to lead and guide their subordinates autocratically. The hierarchical differentiation between the top and the bottom gradually creates an invisible gap in the workplace, where subordinates tend to build greater sensitivity and cautiousness when communicating with their supervisors.

It is a common phenomenon that junior employees turn to their seniors for help and advice when getting into a new environment. Yet, some researchers recently attested that employees and junior staff from high power distance countries are less likely to seek help from their supervisors. One of the reasons is that lower ranking staff have few chances and little time to meet the high ranking managers in person, as subordinates are usually only able to reach their immediate supervisors. It is also widely believed that subordinates asking for help equates to incompetence or a lack of ability, which subdues themselves into unfavorable circumstances. Some supervisors who are incapable of solving more complicated problems will become suspicious of their subordinates, regard the problems as a challenge to their status and capabilities, or even as humiliation from the lower ranking staff. Such climates have gradually reinforced employees to think that it is more effective and efficient to deal with difficulties by themselves, rather than talking to their managers.

In a high power distance environment, supervisors tend to pay more attention on tasks instead of employees, who are the main focus for supervisors in a low power distance environment. Apparently, task orientation emphasizes heavily on daily work completion and performance efficiency, yet the top-bottom relationship grows far more slowly since there is a lack of communication beyond work, which in turn reduces subordinates' willingness of seeking help from supervisors. Compared to low power distance countries, equality is embraced by the society that power is minimized to a large extent, where authority and hierarchy are not highlighted and supervisors are accessible and willing to build close relationship with subordinates, whose worries of any harm are turned down when seeking help from the top.

The beliefs employees hold regarding procedural justice—stipulatively defined as the level of fair treatment by the superiors in the organization toward the employees—shape the nature of their relationships with authority. Fair treatment in the workplace is incumbent upon three established criteria: gender, trust amongst authority, and the psychological contract fulfillment—the employee's idea of receiving the benefits promised by the workplace. It is often misconstrued that people resemble justice in the same way, so these criteria help to distinguish the effect of power distance on an individual's perception and culture. Employee perception of procedural justice is affected by power distance and gender. In low power distance cultures employees are more likely to have a strong personal connection and a better understanding of the authority they are dealing with. Negative behavior in a low power distance culture increases when organizations treat them poorly because they lack the characteristics of submitting humbly before authority. Therefore, the relationship between employees and superiors are outlined by procedural justice and trust in authority in low power distance cultures. In contrast, employees in high power distance cultures are less likely to be themselves around authority; They are also less sensitive to insulting remarks, and more likely to accept an erroneous action from authority without consideration of fair treatment (procedural justice). For both low and high power distance cultures, they perceived fair treatment to be a fulfillment of the psychological contract made by the organization.

In charitable behavior

According to research, people from high power distance countries are generally less responsible towards charitable behaviors than people from low power distance countries. The explanation for this phenomenon is that the rooted perception and acceptance of inequality somehow dampens their sensitivity to any unfair or inappropriate situations, which they may consider as a normal social circumstance and simply accept it rather than making a change. Cumulatively, the more inequality they accept, the less unconformity they will notice, and the less responsibilities they will eventually take. The consequence is high power distance enlarging the gap between human beings in terms of relations and wealth conditions. Conversely, people in low power distance countries are more sensitive towards any unequal phenomena, and their unacceptance of dissonance endows them with a greater sense of responsibility for adjusting or correcting the problems in person.

Influence of controllable/uncontrollable needs

The types of needs influence people's charitable behavior regardless of their power distance backgrounds. The needs generated are classified into controllable and uncontrollable categories, where the occurrence of the former is due to a lack of effort, while the latter occurs from unforeseeable events such as natural disasters. The ability of whether individuals are able to control the situations affects how they will react to the rising needs.

The level of power distance influences a society's reaction towards controllable needs. People with high power distance backgrounds perceive most of the issues as rightful inequality, and are reluctant to get themselves involved with "troubles", and usually ignore them. Conversely, low power distance societies are intolerant with unfairness and are more likely to make an effort in eliminating dissonance in every possibility.

People tend to be more responsive and willing to assist when others suffer from uncontrollable circumstances. It is assumed that people consider that the aid for uncontrollable needs will not greatly change societal rightful inequality, and hence generous assistance and help will be offered to those in need regardless of power distance background. In such circumstances, a sense of duty is more likely to be raised, where people tend to undertake charitable behaviors.

Influence of communal/exchange relationship norms

The relationship norms behind the needs also affect the sense of responsibility. The types of relationships are mainly classified as exchange relationships, in which people are expecting a reasonable privilege or benefit in return for offering aid; and communal relationships, where those giving assistance are wholeheartedly and generously taking care of those in need without any expectation of reciprocation. According to research, people are more likely to refuse to aid when encountering needs associated with exchange relationships rather than needs with communal relationships. As such, Karen Page Winterich and Yinlong Zhang recommended that charitable organizations in high power distance countries should stress the significance of uncontrollable needs or salient communal relationship norms, through which the populace are more easily motivated to make a difference on social inequality.

Examples of high and low power distance cultures and their effects

Power distance affects cultures all over the world and the interactions different cultures have with each other.

Malaysia is a country that scores high on the PDI. Due to high power distance, it is a culture where one may not question someone in power like a manager, a professor, or a government official, because authority is valued and power is not equally distributed. When this country is compared to the United States, a country that scores lower on the Power Distance Index, there are many differences one may come across. The United States, having moderate power distance, allows a person to question a professor or give ideas to a boss.

Due to many changes and advances in today's world, some organizations have taken over globally and send workers to go from country to country pr students abroad. If an American manager travels to Malaysia to manage a company over there, they will run into situations that would be surprising to them. The American manager may ask the workers for their opinions on how to do something or improve something and the Malaysians may just sit still and not speak up because they do not feel as if they have the authority to do so.

Egypt is another country that scores high on the Power Distance Index. Students in this country tend to respect their professors and not question them. The country also has exams that determine whether or not a student can continue studying; by doing this, a level of authority that cannot be surpassed unless done correctly is created. Students from this country when compared to students in Canada, a country that scores lower on the Power Distance Index, cannot question a professor on a grade so they may want to have very clear guidelines of what is expected of them in order to succeed. Students from Canada for example, are able to question and challenge their professors on why they got a grade.

Individualism/collectivism and power distance

Different cultures have different views on power distance. Something that is related to and overlaps with power distance is individualism vs. collectivism. Hofstede is the scholar behind both power distance and individualism and collectivism. Hofstede defines collectivism as "...a preference for a tightly knit social framework in which individuals can expect their relatives, clan, or other in-group to look after them, in exchange for unquestioning loyalty" and individualism as "...a preference for a loosely knit social framework in a society in which individuals are supposed to take care of themselves and their immediate families only." An example of an individualistic country is the United States, as people tend to care more about their own well-being than the good of the whole group. It is contrasted with China, a collectivist country people tend to worry more about the overall well-being of the group and put that at a higher importance than their personal wants or needs. Individualism and collectivism relate to power distance because they influence how a culture behaves in society.

Individualism, collectivism, and power distance can be linked together in different ways. They are typically studied together because overall in scoring, a country's PDI score is positively correlated with its degree of collectivism. This is explained as individualistic countries being typically focused on an individual and their desires, where power status has a less significant role, and collectivist countries focusing on the collective good. Hofstede found that individualism, collectivism, and power distance are greatly correlated to a nation's wealth. Wealthy countries usually score high for individualism and low on the Power Distance Index, while poorer countries score high for both collectivism and the PDI.

A study conducted by Yuan Feirong and Jing Zhou demonstrate how individualism and collectivism correlate with power distance as well as its impact on creativity in a conceptual model. The model examine the creativity of groups based on group member interactions that occur in face to face meeting or teleconferences, and individual employee contributions to the group. Cultures high on the PDI typically interact and speak less to group members, as they rely heavily on the person with the highest status in the group to determine and make final decisions. Therefore, high power cultures "may not always foster creativity, and can sometimes undermine it. They do not function in actual teams." Meanwhile, for low power distance cultures it is crucial for each individual to have a say in the overall group function which has proven to increase creativity and develop great innovations, and creativity in groups "highlights the value of group member cognitive diversity". Power distance influences cultures based on the index creating different environments for group creativity and interactions.

Linked factors

Climate

It has been hypothesized that there is a link between climate and power distance, with societies in warmer climates being more likely to have a higher power distance than societies in colder climates. As food and other necessities are relatively easier to come by in warm, comfortable climates, survival is not as difficult, and there is no need for rigorous discipline, preparation, or hardship. It has been argued that these conditions would give rise to a situation whereby it is beneficial for strict organization and direction to come from superiors in order to propel people to cooperate effectively, even if it goes against the will of some people.

On the other hand, it is imperative for individuals to have discipline and prudence to work hard and make the right decisions in order to survive in colder, harsher climates. In these societies, if one were to be lazy and rest for a day instead of searching for food, they might not be able to survive. Therefore, self-discipline and restraint is paramount in these climates. With these qualities ingrained in the people, social order does not need to be enforced externally.

Democracy

It has been asserted that democratic governments occur most commonly among low power distance societies, where it is not ingrained into the minds of the people since young age that there are unquestionable hierarchies in life that should not be disputed. It has been found that the "ideological breach between labor and conservatives" is polarized in high power distance societies, while in low power distance cultures, people tend to try to attain balance between the two extremes in order to avoid damaging and draining conflicts.

Culture of the Netherlands

From Wikipedia, the free encyclopedia
Some symbols and icons of Dutch culture.

The culture of the Netherlands is diverse, reflecting regional differences as well as the foreign influences built up by centuries of the Dutch people's mercantile and explorative spirit. The Netherlands and its people have long played an important role as centre of cultural liberalism and tolerance. The Dutch Golden Age is popularly regarded as its zenith.

Language

A map illustrating the area in which Dutch is spoken.

The official language of the Netherlands is Dutch, spoken by almost all people in the Netherlands. Dutch is also spoken and official in Aruba, Brussels, Curaçao, Flanders, Sint Maarten and Suriname. It is a West Germanic, Low Franconian language that originated in the Early Middle Ages (c. 470) and was standardized in the 16th century. West Frisian is also a recognized language and it is used by the government in the province of Friesland. Several dialects of Low Saxon (Nedersaksisch in Dutch) are spoken in much of the north and east and are recognized by the Netherlands as regional languages according to the European Charter for Regional or Minority Languages. Another Dutch dialect granted the status of regional language is Limburgish, which is spoken in the south-eastern province of Limburg. However, both Dutch Low Saxon and Limburgish spread across the Dutch-German border and belong to a common Dutch-Low German dialect continuum.

Lastly, a sister language of Dutch, Afrikaans, has emerged in recent years. Originally an amalgamation of languages used on the ports of Cape Town by employees of the United East India Company (Dutch: Vereenigde Oostindische Compagnie, VOC), the language developed from a 16th-century lingua franca (only shortly after the Statenvertaling, the first Dutch Bible translation in 1637) into a myriad of local dialects (including variations spoken by populations of Khoi). During the time of the Boer Republics, some populations favoured Modern Dutch, while others identified more closely with "kitchen Dutch". At the height of the unity of these republics, a language almost 300 years in the making (consisting of isolated Bantu, Khoi, Portuguese, German, Danish, French etc. influence) underwent broad reformation (which included the adoption of some synthetic attributes) into the established language recognised today. Following the reformation, Afrikaans shares a notably large lexicon with Modern Dutch, confusing many novice linguists into mistakingly classifying Afrikaans as a daughter language of Modern Dutch (though this may arguably be a case of hubris).

There is a tradition of learning foreign languages in the Netherlands: about 89% of the total population have a good knowledge of English, 70% of German, 29% of French and 5% of Spanish.

Religion

The Basilica of Saint Servatius (built 570) in Maastricht is the oldest church in the Netherlands.
 
Dutch religion in 1849

Beliefs in the Netherlands (2015)

  Atheism (25%)
  Agnostic (31%)
  Ietsism (27%)
  Theism (17%)

Religions in the Netherlands (2015)

  Irreligion (67.8%)
  Roman Catholicism (11.7%)
  Other Christian denominations (4.2%)
  Islam (5.8%)
  Hinduism and Buddhism (2.0%)
 

Between the Celtic and Germanic peoples and later the Roman conquerors a cultural exchange took place. An adaptation of polytheistic religions and each other's myths took place among the various tribes, coming from the Germanic, Celtic and later Roman mythology. From the 4th to the 6th century AD The Great Migration took place, in which the small Celtic-Germanic-Roman tribes in the Low Countries were gradually supplanted by three major Germanic tribes: the Franks, the Frisians and the Saxons. Around 500 the Franks, initially residing between the Rhine and the Somme embraced Christianity under the auspices of King Clovis I. However, it would take at least until AD 1000 before all the pagans were actually Christianized and the Frisian and Saxon religions became extinct, although elements were incorporated into the local Christian religion. The following centuries Catholic Christianity was the only mainstream religion in the Netherlands. The rebellious Netherlands that had united in the Union of Utrecht (1579) declared their independence from Spain in 1581, during the Eighty Years' War; Spain finally accepted this in 1648. The Dutch revolt was partially religiously motivated: during the Reformation many of the Dutch had adopted Lutheran, Anabaptist, Calvinist or Mennonite forms of Protestantism. These religious movements were suppressed by the Spanish, who supported the Counter Reformation. After independence the Netherlands adopted Calvinism as a quasi-state religion (although never formally), but practiced a degree of religious tolerance towards non-Calvinists.

Until late into the 20th century, the predominant religion in the Netherlands was Christianity. Although religious diversity remains, there has been a decline in religious adherence. In 2006, 34% of the Dutch population identified as Christian, decreasing till in 2015 almost 25% of the population adhered to one of the Christian faiths (11.7% Roman Catholic, 8.6% PKN, 4.2% other small Christian denominations), 5% is Muslim and 2% adheres to Hinduism or Buddhism, based on independent in-depth interviewing by Radboud University and Vrije Universiteit Amsterdam. Approximately 67.8% of the population in 2015 has no religious affiliation, up from 61% in 2006, 53% in 1996, 43% 1979 and 33% in 1966. The Sociaal en Cultureel Planbureau (Social and Cultural Planning Agency, SCP) expects the number of non-affiliated Dutch to be at 72% in 2020.

A large majority of the Dutch population believes that religion should not have a determining role to play in politics and education. Religion is also decreasingly seen as a social binder, and is generally considered a personal matter which should not be propagated in public. The Dutch constitution guarantees freedom of education, which means that all schools that adhere to general quality criteria receive the same government funding. This includes schools based on religious principles by religious groups (especially Roman Catholic and various Protestant). Three political parties in the Dutch parliament, (CDA, and two small parties, ChristianUnion and SGP) are based upon the Christian belief. Several Christian religious holidays are national holidays (Christmas, Easter, Pentecost and the Ascension of Jesus). In the late 19th century atheism began to rise as secularism, liberalism and socialism grew; in the 1960s and 1970s Protestantism and Catholicism notably began to decline. There is one major exception: Islam, which grew considerably as the result of immigration. Since the year 2000, there has been raised awareness of religion, mainly due to Muslim extremism. Islam is not part of the Dutch culture or tradition. In 2013 a Catholic became Queen consort.

From a December 2014 survey by the VU University Amsterdam it was concluded that for the first time there are more atheists (25%) than theists (17%) in the Netherlands. The majority of the population being agnostic (31%) or ietsists (27%). Atheism, agnosticism and Christian atheism are on the rise and are widely accepted and considered to be non-controversial. Among those who adhere to Christianity, there are high percentages of atheists, agnostics and ietsism, since affiliation with a Christian denomination is also used in a way of cultural identification in the different parts of the Netherlands. In 2015, a vast majority of the inhabitants of the Netherlands (82%) said they had never or almost never visited a church, and 59% stated that they had never been to a church of any kind. Of all the people questioned, 24% saw themselves as atheist, which is an increase of 11% compared to the previous study done in 2006. The expected rise of spirituality (ietsism) has come to a halt according to research in 2015. In 2006 40% of respondents considered themselves spiritual, in 2015 this has dropped to 31%. The number who believed in the existence of a higher power fell from 36% to 28% over the same period.

Christianity is currently the largest religion in the Netherlands. The provinces of North Brabant and Limburg have historically been strongly Roman Catholic, and some of their people might still consider the Catholic Church as a base for their cultural identity. Protestantism in the Netherlands consists of a number of churches within various traditions. The largest of these is the Protestant Church in the Netherlands (PKN), a United church which is Reformed and Lutheran in orientation. It was formed in 2004 as a merger of the Dutch Reformed Church, the Reformed Churches in the Netherlands and a smaller Lutheran Church. Several orthodox Reformed and liberal churches did not merge into the PKN. Although in the Netherlands as a whole Christianity has become a minority, the Netherlands contains a Bible Belt from Zeeland to the northern parts of the province Overijssel, in which Protestant (particularly Reformed) beliefs remain strong, and even has majorities in municipal councils.

Islam is the second-largest religion in the state. In 2012, there were about 825,000 Muslims in the Netherlands (5% of the population). Muslim numbers increased from the 1960s as a consequence of large numbers of migrant workers. These included migrants from former Dutch colonies, such as Surinam and Indonesia, but mainly migrant workers from Turkey and Morocco. During the 1990s, Muslim refugees arrived from countries like Bosnia and Herzegovina, Iran, Iraq, Somalia, and Afghanistan.

Other religions account for some 6% of the Dutch people. Hinduism is a minority religion in the Netherlands, with around 215,000 adherents (slightly over 1% of the population). Most of these are Indo-Surinamese. There are also sizable populations of Hindu immigrants from India and Sri Lanka, and some Western adherents of Hinduism-oriented new religious movements such as Hare Krishnas. The Netherlands has an estimated 250,000 Buddhists or people strongly attracted to this religion, mainly ethnic Dutch people. There are about 45,000 Jews in the Netherlands.

Art and media

Art

Johannes Vermeer, View of Delft (Mauritshuis, The Hague) 1660-1661

Dutch Golden Age painting was among the most acclaimed in the world at the time, during the 17th century. There was an enormous output of painting, so much so that prices declined seriously during the period. From the 1620s, Dutch painting broke decisively from the Baroque style typified by Rubens in neighbouring Flanders into a more realistic style of depiction, very much concerned with the real world. Types of paintings included historical paintings, portraiture, landscapes and cityscapes, still lifes and genre paintings. In the last four of these categories, Dutch painters established styles upon which art in Europe depended for the next two centuries. Paintings often had a moralistic subtext. The Golden Age never really recovered from the French invasion of 1672, although there was a twilight period lasting until about 1710.

Dutch painters, especially in the northern provinces, tried to evoke emotions in the spectator by letting him/her be a bystander to a scene of profound intimacy. Portrait painting thrived in the Netherlands in the 17th century. A great many portraits were commissioned by wealthy individuals. Group portraits similarly were often ordered by prominent members of a city's civilian guard, by boards of trustees and regents, and the like. Often group portraits were paid for by each portrayed person individually. The key example to this is The Night Watch by Rembrandt. The amount paid determined each person's place in the picture, either head to toe in full regalia in the foreground or face only in the back of the group. Sometimes all group members paid an equal sum, which was likely to lead to quarrels when some members gained a more prominent place in the picture than others. Allegories, in which painted objects conveyed symbolic meaning about the subject, were often applied. Many genre paintings, which seemingly only depicted everyday life, actually illustrated Dutch proverbs and sayings, or conveyed a moralistic message, the meaning of which is not always easy to decipher nowadays. Favourite topics in Dutch landscapes were the dunes along the western seacoast, rivers with their broad adjoining meadows where cattle grazed, often a silhouette of a city in the distance.

The Hague School were around at the start of the 19th century. They showed all that is gravest or brightest in the landscape of Holland, all that is heaviest or clearest in its atmosphere. Amsterdam Impressionism was current during the middle of the Nineteenth century at about the same time as French Impressionism. The painters put their impressions onto canvas with rapid, visible strokes of the brush. They focused on depicting the everyday life of the city. Late nineteenth-century Amsterdam was a bustling centre of art and literature. Vincent van Gogh was a post-Impressionist painter whose work, notable for its rough beauty, emotional honesty and bold color, had a far-reaching influence on 20th-century art. In the 20th century, the Netherlands produced many fine painters and artists including (but not limited to): Roelof Frankot, Salomon Garf, Pyke Koch and many more. Around 1905-1910 pointillism was flourishing. Between 1911 and 1914 all the latest art movements arrived in the Netherlands one after another including cubism, futurism and expressionism. After World War I, De Stijl (the style) was led by Piet Mondrian and promoted a pure art, consisting only of vertical and horizontal lines, and the use of primary colours.

Architecture

Koninklijk Paleis (Royale Palace) by Jacob van Campen

The Dutch Golden Age roughly spanned the 17th century. Due to the thriving economy, cities expanded greatly. New town halls and storehouses were built, and many new canals were dug out in and around various cities such as Delft, Leiden and Amsterdam for defence and transport purposes. Many wealthy merchants had a new house built along these canals. These houses were generally very narrow and had ornamented façades that befitted their new status. The reason they were narrow was because a house was taxed on the width of the façade. The architecture of the first republic in Northern Europe was marked by sobriety and restraint, and was meant to reflect democratic values by quoting extensively from classical antiquity. In general, architecture in the Low Countries, both in the Counter-Reformation-influenced south and Protestant-dominated north, remained strongly invested in northern Italian Renaissance and Mannerist forms that predated the Roman High Baroque style of Borromini and Bernini. Instead, the more austere form practiced in the Dutch Republic was well suited to major building patterns: palaces for the House of Orange and new civic buildings, uninfluenced by the Counter-Reformation style that made some headway in Antwerp. At the end of the 19th century there was a remarkable neo-gothic stream or Gothic Revival both in church and in public architecture, notably by the Roman Catholic Pierre Cuypers, who was inspired by the Frenchman Viollet le Duc. The Amsterdam Rijksmuseum (1876–1885) and Amsterdam Centraal Station (1881–1889) belong to his main buildings.

Hilversum City Hall by Willem Marinus Dudok

During the 20th century Dutch architects played a leading role in the development of modern architecture. Out of the early 20th century rationalist architecture of Berlage, architect of the Beurs van Berlage, three separate groups developed during the 1920s, each with their own view on which direction modern architecture should take. Expressionist architects like M. de Klerk and P.J. Kramer in Amsterdam (See Amsterdam School). Functionalist architects (Nieuwe Zakelijkheid or Nieuwe Bouwen) like Mart Stam, L. C. van der Vlugt, Willem Marinus Dudok and Johannes Duiker had good ties with the international modernist group CIAM. A third group came out of the De Stijl movement, among them J. J. P. Oud and Gerrit Rietveld. Both architects later built in a functionalist style. During the 1950s and 1960s a new generation of architects like Aldo van Eyck, J.B. Bakema and Herman Hertzberger, known as the ‘Forum generation’ (named after a magazine titled Forum) formed a connection with international groups like Team 10. From the '80s to the present Rem Koolhaas and his Office for Metropolitan Architecture (OMA) became one of the leading world architects. With him, formed a new generation of Dutch architects working in a modernist tradition.

Literature

Eduard Douwes Dekker, also known as Multatuli

Some of the most important and internationally awarded writers are:

16th century:

17th century:

19th century:

20th century:

Comic strips

The Dutch have a distinct comic book tradition as well. Although there is an abundance of Flemish, Franco-Belgian, and US comics, they also created their own. Examples are Secret agent 327 and Storm, written by Martin Lodewijk and Jack, Jacky and the Juniors by Jan Kruis, as well as cartoons with a more literary style, like Viking series Eric de Noorman by Hans G. Kresse and Tom Poes & Heer Bommel (Tom Puss/Oliver B. Bumble) created by Marten Toonder. The nations love of football also translated into comics, like Roel Dijkstra and F.C. Knudde.

Children's comic book series Miffy (Dutch: Nijntje) by Dick Bruna has been published in over 50 languages, and predates the similarly drawn Hello Kitty by over ten years.

Music and dance

The Netherlands has diverse musical traditions, ranging from folk and dance to classical music and ballet. Traditional Dutch music is a genre known as levenslied, meaning 'song of life', to an extent comparable to French chanson or German schlager. These songs typically have a simple melody and rhythm, and a straightforward structure of couplets and refrains. Themes can be light, but are often sentimental and include love, death and loneliness. Traditional musical instruments such as the accordion and the barrel organ are a staple of levenslied music, though in recent years, many artists also use synthesizers and guitars. Artists in this genre include Jan Smit, Frans Bauer and the late André Hazes.

Rock singer Anouk at Festival Mundial in 2008

More than most other non-English speaking European countries, the Netherlands has remained closely in tune with US and British trends since the 1950s. Contemporary Dutch rock and pop music (Nederpop) originated in the 1960s, heavily influenced by popular music from the USA and Britain. In the 1960s and 1970s, the lyrics were mostly in English, and some tracks were instrumental. Bands such as Shocking Blue, (the) Golden Earring and Focus enjoyed international success. As of the 1980s, more and more pop musicians started working in the Dutch language, partly inspired by the huge success of the band Doe Maar. Today, Dutch rock and pop music thrives in both languages, with some artists recording in both.
Current symphonic metal bands Epica and Within Temptation, as well as jazz/pop singer Caro Emerald are having some international success. Contemporary local icons include rock singer Anouk, country pop singer Ilse DeLange, rock band Kane and Dutch-language duo Nick & Simon.

Early 1990s Dutch and Belgian house music came together in Eurodance project 2 Unlimited. Selling 18 million records, the two singers in the band are the most successful Dutch music artists to this day. Tracks like "Get Ready for This" are still popular themes of U.S. sports events, like the NHL. In the mid 1990s Dutch language rap and hip hop (Nederhop) also came to maturation and has become popular in the Netherlands and Belgium. In the 21st century, artists with North African, Caribbean and Middle Eastern origins have profoundly influenced this genre.

Since the 1990s, Dutch electronic dance music (EDM) has conquered the world in many forms, from trance, techno and gabber to hardstyle. Some of the world's best dance music DJs hail from the Netherlands, including Armin van Buuren, Tiësto, Hardwell, Martin Garrix and Afrojack; the first four of which have been ranked as best in the world by DJ Mag Top 100 DJs. The Amsterdam dance event (ADE) is the world's leading electronic music conference and the biggest club festival for the many electronic subgenres on the planet. These artists also contribute significantly to the mainstream pop music played over the airwaves all around the world, as they frequently collaborate and produce for many notable artists.

In classical music, Jan Sweelinck ranks as the Netherlands' most famous composer, with Louis Andriessen amongst the best-known living Dutch classical composers. Celebrated Dutch conductors, past and present, include Willem Mengelberg, Eduard van Beinum, Bernard Haitink, Jac van Steen and Jaap van Zweden. Notable violinists are Janine Jansen and André Rieu. The latter, together with his Johann Strauss Orchestra, has taken classical and waltz music on worldwide concert tours, the size and revenue of which are otherwise only seen from the world's biggest rock and pop music acts. Acclaimed harpist Lavinia Meijer in 2012 released an album of works by Philip Glass that she transcribed for harp, with the approval of the composer. The Concertgebouw (completed in 1888) in Amsterdam is home to the Royal Concertgebouw Orchestra, considered one of the world's finest orchestras and on occasion voted the best of all.

Aruba and the five main islands of the Netherlands Antilles are part of the Lesser Antilles island chain. Their music is a mixture of native, African and Dutch elements, and is closely connected with trends from neighbouring islands like Barbados, Martinique, Trinidad and Tobago and Guadeloupe, as well as the mainland former Dutch possession of Suriname, which has exported kaseko music to great success on the islands. Curaçao and Bonaire likely have the most active and well-known music scenes. Curaçao is known for a kind of music called tumba, which is named after the conga drums that accompany it.

Cabaret

The Dutch also have their own distinct version of cabaret, with overarching themes and aimed at provoking thought, and sometimes sentiment, as well as laughs. This is exemplified in performers such as Wim Kan and Toon Hermans in the 1960s and 1970s and later diversified into a rich culture with artists such as Youp van 't Hek, Freek de Jonge, Herman van Veen, Theo Maassen, Claudia de Breij, Dolf Jansen, Brigitte Kaandorp, Hans Teeuwen and Herman Finkers.

Film

Some Dutch films – mainly by director Paul Verhoeven – have received international distribution and recognition, such as Turkish Delight ("Turks Fruit") (1973), Soldier of Orange ("Soldaat van Oranje") (1975), Spetters (1980) and The Fourth Man ("De Vierde Man") (1983). Verhoeven then went on to direct big Hollywood films like RoboCop and Basic Instinct, and returned with Dutch film Black Book in 2006.

Other well-known Dutch film directors are Jan de Bont (Speed), Dick Maas (De Lift), Fons Rademakers (The Assault), documentary maker Bert Haanstra and Joris Ivens. Film director Theo van Gogh achieved international notoriety in 2004 when he was murdered in the streets of Amsterdam.

Internationally successful Dutch actors include Famke Janssen (X-Men films), Carice van Houten (Game of Thrones), Rutger Hauer (Blade Runner), Jeroen Krabbé and Derek de Lint.

Radio and television

The Netherlands has a well-developed radio and television market, with both multiple commercial and non-commercial broadcasters. Imported TV programmes, as well as interviews with responses in a foreign language, are virtually always shown with the original sound, and subtitled. The only exception are shows for children.

TV exports from the Netherlands mostly take the form of specific formats and franchises, most notably through internationally active TV production conglomerate Endemol, founded by Dutch media tycoons John de Mol and Joop van den Ende. Headquartered in Amsterdam, Endemol has around 90 companies in over 30 countries. Endemol and its subsidiaries create and run reality, talent, and game show franchises worldwide, including Big Brother, Deal or No Deal, 1 vs. 100 and The Voice.

Two of the biggest annual Dutch radio events are 3FM Serious Request and the Top 2000 — both multi-day round-the-clock national broadcasting events in the month of December, supported by other media. They both have over half of the population of the Netherlands listening to the broadcasts each year.

Serious Request is a Red Cross fundraiser, held the week before Christmas on pop music station 3FM, and has grown to become an international franchise adopted by eight other countries.

The Top 2000 is an integral broadcast of the 2,000 most popular songs of all time on station Radio 2 from noon 25 December Christmas Day through midnight of New Year's Eve.

Lifestyle

Spatial management

The Netherlands is densely populated and just under one-third of its territory lies below sea level and has to be defended from nature. This has led to a rational and collective approach to spatial planning, and particularly to water management.

In urban planning, this is seen in:

  • the retention in some cities of the public ownership of most land through the ground rent (erfpacht) system, which facilitates comprehensive development and socialises increases in land prices;
  • the widespread provision of social housing through housing associations, mixed with private ownership;
  • rational mobility, including a dense railway network and, since the 1970s, the world's best cycling infrastructure. Almost everybody cycles as a matter of course, and cycling has a modal share of 27% of all trips (urban and rural) nationwide.

The Dutch also minimise the ostentatious display of status and wealth differences, and have a low power distance. They accept of the need to follow rules, but combine this with tolerance of difference and respect for privacy.

As the country's watery geography dictates, the Netherlands has a strong nautical culture.

Traditions

The Dutch St. Nicholas

A prime traditional festivity in the Netherlands is Sint Nicolaas or Sinterklaas. It is celebrated on the evening before Sinterklaas' birthday on 5 December, especially in families with little children. Sinterklaas has a companion known as Zwarte Piet, which in recent years has come under scrutiny in light of accusations of racist caricatures. In the United States the original figure of Dutch Sinterklaas has merged with Father Christmas into Santa Claus. In the Netherlands, gift-bringing at Christmas has in recent decades gained some popularity too, although Sinterklaas is much more popular.

The national holiday is celebrated on 27 April with King's Day (Koningsdag) in honour of the King's birthday. The day is moved up to Saturday if it would otherwise happen on a Sunday. The day is known for its nationwide vrijmarkt ("free market"), at which many Dutch sell their secondhand items. It is also an opportunity for "orange madness" or oranjegekte, for the national colour, when the normally strait-laced Dutch let down their hair, often dyed orange for the occasion.

World Animal Day has been observed since 1929, primarily by the children of the Netherlands. It is as well known as Mother's and Father's Day.

Beschuit with muisjes topping, blue for a boy

A widespread tradition is that of serving beschuit met muisjes when people come to visit a new-born baby and its mother. Beschuit is a typical Dutch type of biscuit, muisjes are sugared anise seeds. Blue muisjes are used for a baby boy, and pink muisjes are used for a baby girl.

More regional traditions include the huge Easter Fires or celebrating Sint Maarten on the evening of 11 November when children go door to door with paper lanterns and candles, and sing songs in return for a treat. This holiday is celebrated in some parts of Groningen, North Holland and the southern and middle part of Limburg and to a lesser extent in South Holland and Zeeland. This celebration marks the beginning of the dark period before Christmas and the long days of winter. The same thing happens on 6 January with Epiphany in some areas in the Catholic south of the Netherlands. In the past, home-made lanterns were used, made from a hollowed out sugar beet. In North Brabant, Limburg and some other parts of the Netherlands people celebrate Carnaval similar to the carnival of the German Rhineland and Belgium Flanders.

Cuisine

Stroopwafels (syrup waffles) are a treat consisting of waffles with caramel-like syrup filling in the middle.
 
Poffertjes are made in a special, so-called, poffertjespan.
 
The Gouda cheese market.
 
Bitterballen are usually served with mustard.

Dutch cuisine is characterized by its somewhat limited diversity; however, it varies greatly from region to region. The southern regions of the Netherlands, for example, share dishes with Flanders and vice versa. The Southern Dutch cuisine is the only Dutch culinary region which developed an haute cuisine, as it is influenced by both German cuisine and French cuisine, and it forms the base of most traditional Dutch restaurants. Dutch food is traditionally characterized by the high consumption of vegetables when compared to the consumption of meat. Dairy products are also eaten to great extent, Dutch cheeses are world-renowned with famous cheeses such as Gouda, Edam and Leiden. Dutch pastry is extremely rich and is eaten in great quantities. When it comes to alcoholic beverages wine has long been absent in Dutch cuisine (but this is changing during the last decades); traditionally there are many brands of beer and strong alcoholic spirits such as jenever and brandewijn. The Dutch have all sorts of pastry and cookies (the word "cookie" is in fact derived from Dutch), many of them filled with marzipan, almond and chocolate. A truly huge amount of different pies and cakes can be found, most notably in the southern provinces, especially the so-called Limburgish vlaai.

Sports

Football is the most popular sport in the Netherlands. Notable Dutch football teams and clubs include: Amsterdamsche Football club Ajax in 1900, Feyenoord Rotterdam in 1908 and PSV Eindhoven in 1913.

Another almost national sport is speedskating. It is common for Northern Dutch children to learn how to skate at an early age. Long distance skating and all-round tournaments are the most popular and most successful areas for the Dutch. In the history of the world championships the champion of the 10 km has always been a Dutchman. Notable athletes are Sven Kramer, Rintje Ritsma and Ard Schenk

Also popular are swimming, field hockey, judo and cycling.

A typical Dutch sport is "korfball", a mixed sport played by girls and boys. It's invented in the Netherlands, but now it's also played in countries such as Belgium, Germany and Japan. At the IKF Korfball World Championship the Dutch team has won in all cases except once.

Introduction to entropy

From Wikipedia, the free encyclopedia https://en.wikipedia.org/wiki/Introduct...