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Sunday, September 20, 2020

New7Wonders of the World

From Wikipedia, the free encyclopedia

New7Wonders of the World was a campaign started in 2000 to choose Wonders of the World from a selection of 200 existing monuments. The popularity poll via free Web-based voting and small amounts of telephone voting was led by Canadian-Swiss Bernard Weber and organized by the New7Wonders Foundation (N7W) based in Zurich, Switzerland, with winners announced on 7 July 2007 in Lisbon, at Estádio da Luz. The poll was considered unscientific partly because it was possible for people to cast multiple votes. According to John Zogby, founder and current President/CEO of the Utica, New York-based polling organization Zogby International, New7Wonders Foundation drove "the largest poll on record".

The program drew a wide range of official reactions. Some countries touted their finalist and tried to get more votes cast for it, while others downplayed or criticized the contest.[4][6] After supporting the New7Wonders Foundation at the beginning of the campaign by providing advice on nominee selection, the United Nations Educational, Scientific, and Cultural Organization (UNESCO), by its bylaws having to record all and give equal status to world heritage sites, distanced itself from the undertaking in 2001 and again in 2007.

The seven winners were chosen from 21 candidates, which had been whittled down from 77 choices by a panel in 2006.

The New7Wonders Foundation, established in 2001, relied on private donations and the sale of broadcast rights and received no public funding. After the final announcement, New7Wonders said it didn't earn anything from the exercise and barely recovered its investment.

Although N7W describes itself as a not-for-profit organization, the company behind it—the New Open World Corporation (NOWC)—is a commercial business. All licensing and sponsorship money is paid to NOWC.

The foundation ran two subsequent programs: New7Wonders of Nature, the subject of voting until 2011, and New7Wonders Cities, which ended in 2014.

Winners

Location of the New7Wonders winners

The Great Pyramid of Giza, largest and oldest of the three pyramids at the Giza Necropolis in Egypt and the only surviving of the original Seven Wonders of the Ancient World, was granted honorary status.

Wonder Location Image Year
Great Pyramid of Giza
(honorary status)
Giza Necropolis, Egypt Pyramide Kheops 2560 BC
Great Wall of China China The Great Wall of China (Mutianyﺁ section) 700 BC
Petra Ma'an, Jordan Ad Deir ("The Monastery") 312 BC
Colosseum Rome, Italy The Colosseum at dusk: exterior view of the best-preserved section 80 AD
Chichen Itza Yucatán, Mexico El Castillo being climbed by tourists 600 AD
Machu Picchu Cuzco Region, Peru Machu Picchu in Peru 1450 AD
Taj Mahal Agra, Uttar Pradesh, India Taj 1643 AD
Christ the Redeemer Rio de Janeiro, Brazil Christ the Redeemer in Rio de Janeiro 1931 AD

Reactions

United Nations

In 2007, the New7Wonders Foundation contracted a partnership with the United Nations in recognition of the efforts to promote the UN's Millennium Development Goals".

However, the United Nations Educational, Scientific and Cultural Organization (UNESCO), in a press release on June 20, 2007, reaffirmed that it has no link with the initiative. The press release concluded:

There is no comparison between Mr. Weber's mediatised campaign and the scientific and educational work resulting from the inscription of sites on UNESCO's World Heritage List. The list of the 8 New Wonders of the World will be the result of a private undertaking, reflecting only the opinions of those with access to the Internet and not the entire world. This initiative cannot, in any significant and sustainable manner, contribute to the preservation of sites elected by this public.

— UNESCO

Brazil

In Brazil there was a campaign Vote no Cristo (Vote for the Christ) which had the support of private companies, namely telecommunications operators that stopped charging voters to make telephone calls and SMS messages to vote. Additionally, leading corporate sponsors including Banco Bradesco and Rede Globo spent millions of reals in the effort to have the statue voted into the top seven. Newsweek reports the campaign was so pervasive that:

One morning in June, Rio de Janeiro residents awoke to a beeping text message on their cell phones: "Press 4916 and vote for Christ. It's free!" The same pitch had been popping up all over the city since late January—flashing across an electronic screen every time city-dwellers swiped their transit cards on city buses and echoing on TV infomercials that featured a reality-show celebrity posing next to the city's trademark Christ the Redeemer statue.

— Elizabeth Dwoskin, Newsweek

According to an article in Newsweek, around 10 million Brazilians had voted in the contest by early July. This number is estimated as the New7Wonders Foundation never released such details about the campaign. An airplane message, with a huge inscription "4916 VOTE FOR CHRIST" flew in Rio de Janeiro for a month.

Peru

An intensive campaign led by the Peruvian Ministry of Commerce and Tourism in Peru had a great impact in the media and consequently Peruvian people voted massively for its national wonder. The announcement of the new World Wonders generated great expectation and the election of Machu Picchu was celebrated nationwide.

Chile

The Chilean representative for Easter Island's Moais, Alberto Hotus, said Weber gave him a letter saying that the Moais had finished eighth and were morally one of the New Seven Wonders. Hotus said he was the only participant to receive such an apology.

India

A campaign to publicize the Taj Mahal in India gathered speed and it reached a climax in July 2007 with news channels, radio stations, and many celebrities asking people to vote for the Taj Mahal.

Jordan

Queen Rania Al-Abdullah of Jordan joined the campaign to back Petra, Jordan's national treasure.

Mexico

There was a campaign on the news programs to encourage people to vote for Chichen Itzá.

Other finalists

The other 13 finalists, chronologically were:

Wonder Location Image Year
Stonehenge Amesbury, United Kingdom Stonehenge Total.jpg 2400 BCE
Acropolis of Athens Athens, Greece Acropolis of Athens 01361.JPG 447 BCE
Hagia Sophia İstanbul, Turkey Hagia Sophia museum-İstanbul - panoramio.jpg 537
Angkor Wat Angkor, Cambodia Angkor Wat (6198305217).jpg 1113
Moai Easter Island, Chile Ahu-Akivi-1.JPG 1250
Timbuktu Timbuktu, Mali Timbuktu-107981.jpg 1327
Alhambra Granada, Spain Миртовий дворик з видом на башню Комарес.jpg 1333
Red Square Moscow, Russia Saint Basil's Cathedral (Moscow, 2007).jpg 1561
Kiyomizu-dera Kyoto, Japan Kiyomizu-dera in Kyoto-r.jpg 1633
Neuschwanstein Füssen, Germany Neuschwanstein castle.jpg 1869
Statue of Liberty New York City, United States Estatua de La Libertad.jpg 1886
Eiffel Tower Paris, France Paris la torre eifel.jpg 1887
Sydney Opera House Sydney, Australia Sun on the Opera House (6619486199).jpg 1959

 

Eighth Wonder of the World

From Wikipedia, the free encyclopedia
https://en.wikipedia.org/wiki/Eighth_Wonder_of_the_World

Seven Social Sins

From Wikipedia, the free encyclopedia

Seven Social Sins is a list that was first uttered in a sermon delivered in Westminster Abbey on March 20, 1925 by an Anglican priest named Frederick Lewis Donaldson. He originally referred to it as the "7 Deadly Social Evils".

It is a common misconception that Mohandas Karamchand Gandhi was the originator of this list as he published the same list in his weekly newspaper Young India on October 22, 1925. Later he gave this same list to his grandson, Arun Gandhi, written on a piece of paper on their final day together shortly before his assassination.

The Seven Sins

  1. Wealth without work.
  2. Pleasure without conscience.
  3. Knowledge without character.
  4. Commerce without morality.
  5. Science without humanity.
  6. Religion without sacrifice.
  7. Politics without principle.

History and influence

Before Mohandas Karamchand Gandhi published the list in his weekly newspaper Young India on October 22, 1925, an almost identical list had been published six months earlier in England in a sermon at Westminster Abbey by Fredrick Lewis Donaldson. Gandhi wrote that a correspondent whom he called a "fair friend" had sent the list: "The... fair friend wants readers of Young India to know, if they do not already, the following seven social sins," (the list was then provided). After the list, Gandhi wrote that "Naturally, the friend does not want the readers to know these things merely through the intellect but to know them through the heart so as to avoid them." This was the entirety of Gandhi's commentary on the list when he first published it.

In the decades since its first publication, the list has been widely cited and discussed. Some books have also focused on the seven sins or been structured around them:

  • Eknath Easwaran (1989). The Compassionate Universe: The Power of the Individual to Heal the Environment (listed, discussed, and served as chapter structure for book)
  • Stephen Covey(1989). Principle-Centered Leadership ( Chapter 7: Seven Deadly Sins (p. 87 to 93).
  • Frank Woolever (2011) Gandhi List of Social Sins: Lessons in Truth

Many books have discussed the sins more briefly:

  • Peter J. Gomes (2007). The scandalous gospel of Jesus: What's so good about the good news? Page 122 states "Years ago, I was much encouraged when I discovered that Gandhi had a list of seven social sins that, if not resisted, could destroy both persons and countries. .... We live in a world in which these social sins flourish as much today as they did in Gandhi's time; surely the battle against them is still worth waging."
  • Adam Taylor (2010). Mobilizing hope: Faith-inspired activism for a post-civil rights generation Page  155 mentions two of the social sins, stating "The recent economic collapse (now referred to as the Great Recession) reminds me of two social sins from Gandhi's famous list of seven deadly social sins. Gandhi warned about the dangers of wealth without work and commerce without morality...."
  • Thomas Weber (2011). "Gandhi's Moral Economics: the Sins of Wealth Without Work and Commerce Without Morality." Page 141 lists the sins and their date of publication, stating that "These and many of Gandhi's own writings make it quite clear that the Mahatma did not compartmentalize his life. For him, economics together with politics, morality and religion formed an indivisible whole."
  • Rana P. B. Singh (2006). "Mohandas (Mahatma) Gandhi."  Page  107 lists the sins and gives a 2 or 3 sentence explanation of each, stating "these are ideals, but they are more relevant in the present era of desperation and could easily be accepted."

They have also been anthologized:

  • Anil Dutt Misra (2008). Inspiring Thoughts Of Mahatma Gandhi 

Politics without principle

Regarding "politics without principle", Gandhi said having politics without truth(s) to justly dictate the action creates chaos, which ultimately leads to violence. Gandhi called these missteps "passive violence", ‘which fuels the active violence of crime, rebellion, and war.’ He said, "We could work 'til doomsday to achieve peace and would get nowhere as long as we ignore passive violence in our world."

Politics is literally defined as, "The struggle in any group for power that will give one or more persons the ability to make decisions for the larger group."

Mohandas Gandhi defined principle as, "the expression of perfection, and as imperfect beings like us cannot practice perfection, we devise every moment limits of its compromise in practice." 

There are many different types of regimes in the world whose politics differ. Based on Gandhi’s Blunder Politics without Principle, a regime type might be more of a root of violence than another because one regime has more principle than the other. Regimes have different types of fighting and aggression tactics, each desiring different outcomes.

This difference affects the actions taken by political heads in countries across the globe. Gandhi wrote, "An unjust law is itself a species of violence." The aggression of one country on another may be rooted in the government's creation of an unjust law. For example, a war of irredentism fought for one state to reclaim territory that was lost due to a law promoting ethnic cleansing.

Principle in one country could easily be a crime in another. This difference leads one to believe that the root of violence is inevitably present somewhere in the world. “Politics without Principle” will inevitably take place throughout time.

"I object to violence because when it appears to do good, the good is only temporary; the evil it does is permanent."

This list grew from Gandhi's search for the roots of violence. He called these "acts of passive violence". Preventing these is the best way to prevent oneself or one's society from reaching a point of violence, according to Gandhi.

To this list, Arun Gandhi added an eighth blunder, "rights without responsibilities". According to Arun Gandhi, the idea behind the first blunder originates from the feudal practice of Zamindari. He also suggests that the first and the second blunders are interrelated.

Arun Gandhi description as "Seven Blunders"

Arun Gandhi, who was personally given the list by his grandfather, Mohandas Gandhi, has described it as a list of "Seven Blunders of the World" that lead to violence.

More recently Mohandas Gandhi's list of negative qualities has also been described by his grandson as "Seven Blunders of the World". Examples of description under this heading include:

  • Brad Knickerbocker (February 1, 1995). "Gandhi grandson pursues peace main sidebar". Christian Science Monitor. p. 14. ISSN 0882-7729. External link in |title= (help) (profile of Arun Gandhi that gives a list entitled "Mohandas Gandhi's 'Seven Blunders of the World,'" and states that "The last time Arun saw his grandfather, the old man slipped the boy a piece of paper with a list of what have come to be known as Gandhi's 'Seven Blunders of the World' that lead to violence." It also states that Arun Gandhi "would make 'Rights without responsibilities' No. 8 on his grandfather's list of 'blunders.'")

The Seven Deadly Sins of Modern Times

From Wikipedia, the free encyclopedia
The Seven Deadly Sins of Modern Times
The Seven Deadly Sins of Modern Times.jpg
ArtistSusan Dorothea White Edit this on Wikidata
Year1993

The Seven Deadly Sins of Modern Times (1993) is an acrylic painting on a wooden table by the contemporary Australian artist Susan Dorothea White.

Inspired by the composition and design of The Seven Deadly Sins and the Four Last Things by Hieronymus Bosch, White has instead depicted the inverse virtues taken to extremes – for example, gluttony is supplanted by "dieting", and "sucking up" stands in for envy.

In the depiction of each of these deadly sins is an animal or plant which has been introduced to Australia to ill effect, as the cockroach represents squandering and a feral water buffalo demonstrates indifference. Instead of the eye of God which Bosch placed in the center of his design, White has incorporated an enlargement of the iris of her pet cat, which represents Gaia, with the rubric "The Eye of Gaia Sees All". The artist has also produced a woodcut of the same title and similar composition and another large acrylic painting on a wooden table The Seven Deadly Isms - the latter has been described as a "Boschian extravaganza ... depicting such contemporary obsessions as Materialism and Workaholism in intricate figurative tableaux".

To view the Seven Deadly Sins of Modern Times properly requires that you walk around it and view each of the sections, which are artfully integrated. The center is a nocturnal eye with the inscriptions "The Seven Deadly Sins" on one side, and "The Eye of Gaia Sees All" on the other. The sections are described below after a short, general definition from Princeton's WordNet.

Self effacement

Self-effacement is defined as withdrawing into the background, making yourself inconspicuous.

The section shows three activities in one room:

  • a person with their face in a newspaper clipped to a line with many other newspapers after it. One hand is on the paper and the other is throwing the previous one away.
  • a person on their knees reading by candle light a book resting on a toilet, wiping tears from their eyes. The toilet paper is unfurled onto the floor where a violin rests and its bow
  • a person on their knees working on a wig made of thorns on the floor, where their old hair lies in their hands as they stare intently at it and play with it

Celibacy

Celibacy is defined as either abstaining from sexual relations (as because of religious vows) or being in an unmarried status.

It shows a naked couple. The woman's hand gestures "stop", and she is looking away from him. A cactus grows around her feet. Above the bed is a picture of a saint, and above that a cross. He holds a sex toy and has an erection. Because they each have one foot on the rug, it is a sign that they are married.

Workaholism

Workaholism is defined as compulsiveness about working.

It shows a person in bad ergonomics bent over a small computer screen typing on the keyboard. Another person stares intently into the dark pit of a cylindrical blue object on the floor while standing under a ledge making that special section of flooring like a desk for them. There are stacks of books and papers on the floor and a shelf with more of the same. It is after midnight. A furnace with irons in the fire cooks a steaming pot, and more tools are on the ground.

Dieting

Dieting is defined as the act of restricting your food intake or your intake of particular foods.

It shows an anorexic person with both hands gesturing "stop", sitting at a table with all kinds of food, healthy and unhealthy. They're pushing away a turkey with their foot. A rat with his tail on the cheese nibbles at the cupcakes. They are looking at an apple lying on the floor near a menu on a chalk board. A skeleton in a "slimming contest" dances on a stage; two large menus are prominent and contain telling descriptions of the meals and specials.

Squandering

Squandering is defined as spending resources lavishly and wastefully.

It shows a person pouring water into a sink. The water is a shower head. In the sink is a person killing "the goose that laid the golden eggs", and a person walking into a casino, money falling out of their pocket. A hand is throwing money into the sink. Roaches crawl on a gambling form.

Sucking up

To suck up is defined as either to try to gain favor by cringing or flattering, or to ingratiate oneself to another, often with insincere behavior.

It shows the managing director of an office heading upstairs while another is holding their pant leg and licking the behind. A person sits at a table sucking up a toad held by a utensil, with more on the plate. A large toad with a pink bow on its head is leaving the office.

Indifference

Indifferences is defined variously as the trait of lacking enthusiasm for or interest in things generally; the trait of remaining calm and seeming not to care, a casual lack of concern; apathy demonstrated by an absence of emotional reactions; and unbiased impartial unconcern.

It shows a building labeled "Charity" with wide inviting steps leading to an entrance with no door on it. Two artworks adorn its side: on the right an aging cucumber, on the left a biological human heart. On the sidewalk are three images: on the left is an Asiatic buffalo wading in water up to its neck; on the right is a calculator; front and center is a pedestal the height of the steps with a person standing on it, icicles dripping from their suit of cloths and from their head. Their arms are folded and their weight shifted to their right leg. Their image is the foreground of the door, and they are looking rightward toward the heart.

The Fable of the Bees

From Wikipedia, the free encyclopedia
https://en.wikipedia.org/wiki/The_Fable_of_the_Bees
 

The title page of the 1714 edition of Mandeville's Fable of the Bees

The Fable of The Bees: or, Private Vices, Publick Benefits (1714) is a book by the Anglo-Dutch social philosopher Bernard Mandeville. It consists of the satirical poem The Grumbling Hive: or, Knaves turn'd Honest, which was first published anonymously in 1705; a prose discussion of the poem, called "Remarks"; and an essay, An Enquiry into the Origin of Moral Virtue. In 1723 a second edition was published with two new essays.

In The Grumbling Hive, Mandeville describes a bee community that thrives until the bees decide to live by honesty and virtue. As they abandon their desire for personal gain, the economy of their hive collapses, and they go on to live simple, "virtuous" lives in a hollow tree. Mandeville's implication—that private vices create social benefits—caused a scandal when public attention turned to the work, especially after its 1723 edition.

Mandeville's social theory and the thesis of the book, according to E. J. Hundert, is that "contemporary society is an aggregation of self-interested individuals necessarily bound to one another neither by their shared civic commitments nor their moral rectitude, but, paradoxically, by the tenuous bonds of envy, competition and exploitation". Mandeville implied that people were hypocrites for espousing rigorous ideas about virtue and vice while they failed to act according to those beliefs in their private lives. He observed that those preaching against vice had no qualms about benefiting from it in the form of their society's overall wealth, which Mandeville saw as the cumulative result of individual vices (such as luxury, gambling, and crime, which benefited lawyers and the justice system).

Mandeville's challenge to the popular idea of virtue—in which only unselfish, Christian behaviour was virtuous—caused a controversy that lasted through the eighteenth century and influenced thinkers in moral philosophy and economics. The Fable influenced ideas about the division of labour and the free market (laissez-faire), and the philosophy of utilitarianism was advanced as Mandeville's critics, in defending their views of virtue, also altered them. His work influenced Scottish Enlightenment thinkers such as Francis Hutcheson, David Hume, and Adam Smith.

Publication history

The genesis of The Fable of the Bees was Mandeville's anonymous publication of the poem The Grumbling Hive: or, Knaves Turn'd Honest on 2 April 1705 as a sixpenny quarto, which was also pirated at a half-penny. In 1714, the poem was included in The Fable of the Bees: or, Private Vices, Publick Benefits, also published anonymously. This book included a commentary, An Enquiry into the Origin of Moral Virtue, and twenty "Remarks". The second edition in 1723 sold at five shillings and included two new parts: An Essay on Charity and Charity-Schools and A Search into the Nature of Society. This edition attracted the most interest and notoriety. Beginning with the 1724 edition Mandeville included a "Vindication", first published in the London Journal, as a response to his critics. Between 1724 and 1732, further editions were published, with changes limited to matters of style, slight alterations of wording, and a few new pages of preface. During this period, Mandeville worked on a "Part II", which consisted of six dialogs and was published in 1729 as The Fable of the Bees. Part II. By the Author of the First.

A French translation was published in 1740. The translation, by the Swiss J. Bertrand, was not particularly faithful to the original; according to Kaye, it was "a free one, in which the Rabelaisian element in Mandeville was toned down". By this time, French literati were familiar with Mandeville from the 1722 translation by Justus van Effen of his Free Thoughts on Religion, the Church and National Happiness. They had also followed the Fable's scandal in England. The book was especially popular in France between 1740 and 1770. It influenced Jean-François Melon and Voltaire, who had been exposed to the work in England between 1726 and 1729 and reflected on some of its ideas in his 1736 poem Le Mondain. A German translation first appeared in 1761.

F. B. Kaye's 1924 edition, based on his Yale dissertation and published by Oxford University's Clarendon Press, included extensive commentary and textual criticism. It renewed interest in the Fable, whose popularity had faded through the 19th century. Kaye's edition, a "model of what a fully annotated edition ought to be" and still important to Mandeville studies, was reprinted in 1988 by the American Liberty Fund.

Synopsis

Poem

The Grumbling Hive: or, Knaves turn'd Honest (1705) is in doggerel couplets of eight syllables over 433 lines. It was a commentary on contemporary English society as Mandeville saw it. Economist John Maynard Keynes described the poem as setting forth "the appalling plight of a prosperous community in which all the citizens suddenly take it into their heads to abandon luxurious living, and the State to cut down armaments, in the interests of Saving". It begins:

A Spacious Hive well stock'd with Bees,
That lived in Luxury and Ease;
And yet as fam'd for Laws and Arms,
As yielding large and early Swarms;
Was counted the great Nursery        5
Of Sciences and Industry.
No Bees had better Government,
More Fickleness, or less Content.
They were not Slaves to Tyranny,
Nor ruled by wild Democracy;        10
But Kings, that could not wrong, because
Their Power was circumscrib'd by Laws.

The "hive" is corrupt but prosperous, yet it grumbles about lack of virtue. A higher power decides to give them what they ask for:

But Jove, with Indignation moved,
At last in Anger swore, he'd rid       230
The bawling Hive of Fraud, and did.
The very Moment it departs,
And Honesty fills all their Hearts;

This results in a rapid loss of prosperity, though the newly virtuous hive does not mind:

For many Thousand Bees were lost.
Hard'ned with Toils, and Exercise
They counted Ease it self a Vice;
Which so improved their Temperance;    405
That, to avoid Extravagance,
They flew into a hollow Tree,
Blest with Content and Honesty.

The poem ends in a famous phrase:

Bare Virtue can't make Nations live
In Splendor; they, that would revive
A Golden Age, must be as free,
For Acorns, as for Honesty.

Charity schools

In the 1723 edition, Mandeville added An Essay on Charity and Charity-Schools. He criticised charity schools, which were designed to educate the poor and, in doing so, instil virtue in them. Mandeville disagreed with the idea that education encourages virtue because he did not believe that evil desires existed only in the poor; rather he saw the educated and wealthy as much more crafty. Mandeville believed that educating the poor increased their desires for material things, defeating the purpose of the school and making it more difficult to provide for them.

Contemporary reception

At the time, the book was considered scandalous, being understood as an attack on Christian virtues. The 1723 edition gained a notoriety that previous editions had not, and caused debate among men of letters throughout the eighteenth century. The popularity of the second edition in 1723 in particular has been attributed to the collapse of the South Sea Bubble a few years earlier. For those investors who had lost money in the collapse and related fraud, Mandeville's pronouncements about private vice leading to public benefit would have been infuriating.

The book was vigorously combatted by, among others, the philosopher George Berkeley and the priest William Law. Berkeley attacked it in the second dialogue of his Alciphron (1732). The 1723 edition was presented as a nuisance by the Grand Jury of Middlesex, who proclaimed that the purpose of the Fable was to "run down Religion and Virtue as prejudicial to Society, and detrimental to the State; and to recommend Luxury, Avarice, Pride, and all vices, as being necessary to Public Welfare, and not tending to the Destruction of the Constitution". In the rhetoric of the presentment, Mandeville saw the influence of the Society for the Reformation of Manners. The book was also denounced in the London Journal.

Other writers attacked the Fable, notably Archibald Campbell (1691–1756) in his Aretelogia. Francis Hutcheson also denounced Mandeville, initially declaring the Fable to be "unanswerable"―that is, too absurd for comment. Hutcheson argued that pleasure consisted in "affection to fellow creatures", and not the hedonistic pursuit of bodily pleasures. He also disagreed with Mandeville's notion of luxury, which he believed depended on too austere a notion of virtue. The modern economist John Maynard Keynes noted that "only one man is recorded as having spoken a good word for it, namely Dr. Johnson, who declared that it did not puzzle him, but 'opened his eyes into real life very much'."

The book reached Denmark by 1748, where a major Scandinavian writer of the period, Ludvig Holberg (1684–1754), offered a new critique of the Fable—one that did not centre on "ethical considerations or Christian dogma". Instead, Holberg questioned Mandeville's assumptions about the constitution of a good or flourishing society: "the question is whether or not a society can be called luxurious in which citizens amass great wealth which is theirs to use while others live in the deepest poverty. Such is the general condition in all the so-called flourishing cities which are reputed to be the crown jewels of the earth." Holberg rejected Mandeville's ideas about human nature—that such unequal states are inevitable because humans have an animal-like or corrupt nature—by offering the example of Sparta, the Ancient Greek city-state. The people of Sparta were said to have rigorous, immaterialistic ideals, and Holberg wrote that Sparta was strong because of this system of virtue: "She was free from internal unrest because there was no material wealth to give rise to quarrels. She was respected and honored for her impartiality and justice. She achieved dominion over the other Greeks simply because she rejected dominion."

Jean-Jacques Rousseau commented on the Fable in his Discourse on the Origin and Basis of Inequality Among Men (1754):

Mandeville sensed very well that even with all their morality men would never have been anything but monsters if nature had not given them pity in support of reason; but he did not see that from this quality alone flow all the social virtues he wants to question in men. In fact, what are generosity, clemency, humanity, if not pity applied to the weak, to the guilty, to the human species in general?

In the 19th century, Leslie Stephen, writing for the Dictionary of National Biography reported that "Mandeville gave great offense by this book, in which a cynical system of morality was made attractive by ingenious paradoxes. ... His doctrine that prosperity was increased by expenditure rather than by saving fell in with many current economic fallacies not yet extinct. Assuming with the ascetics that human desires were essentially evil and therefore produced 'private vices' and assuming with the common view that wealth was a 'public benefit', he easily showed that all civilization implied the development of vicious propensities.

Analysis

As a satire, the poem and commentary point out the hypocrisy of men who promulgate ideas about virtue while their private acts are vices. The degree to which Mandeville's "rigoristic" definitions of virtue and vice followed those of English society as a whole has been debated by scholars. Kaye suggests that two related concepts of vice are at play in Mandeville's formulation. Christianity taught that a virtuous act was unselfish, and the philosophy of Deism suggested that the use of reason was virtuous because it would naturally reveal theological truth. Mandeville looked for acts of public virtue and could not find them, yet observed that some actions (which must then be vices) led to beneficial outcomes in society, such as a prosperous state. This was Mandeville's paradox, as embedded in the book's subtitle: "Private Vices, Publick Benefits".

Mandeville was interested in human nature, and his conclusions about it were extreme and scandalous to 18th-century Europeans. He saw humans and animals as fundamentally the same: in a state of nature, both behave according to their passions or basic desires. Man was different, though, in that he could learn to see himself through others' eyes, and thus modify his behaviour if there were a social reward for doing so. In this light Mandeville wrote of the method by which the selfish instincts of "savage man" had been subdued by the political organization of society. It was in the interest of those who had selfish motives, he argued, to preach virtuous behavior to others:

It being the Interest then of the very worst of them, more than any, to preach up Publick-spiritedness, that they might reap the Fruits of the Labour and Self-denial of others, and at the same time indulge their own Appetites with less disturbance, they agreed with the rest, to call every thing, which, without Regard to the Publick, Man should commit to gratify any of his Appetites, VICE; if in that Action there cou'd be observed the least prospect, that it might either be injurious to any of the Society, or ever render himself less serviceable to others: And to give the Name of VIRTUE to every Performance, by which Man, contrary to the impulse of Nature, should endeavour the Benefit of others, or the Conquest of his own Passions out of a Rational Ambition of being good.

To critics it appeared that Mandeville was promoting vice, but this was not his intention. He said that he wanted to "pull off the disguises of artful men" and expose "the hidden strings" that guided human behaviour. Nevertheless he was seen as a "modern defender of licentiousness", and talk of "private vices" and "public benefits" was common among the educated public in England.

As literature

Less attention has been paid to the literary qualities of Mandeville's book than to his argument. Kaye called the book "possessed of such extraordinary literary merit" but focused his commentary on its implications for moral philosophy, economics, and utilitarianism. Harry L. Jones wrote in 1960 that the Fable "is a work having little or no merit as literature; it is a doggerel, pure and simple, and it deserves no discussion of those aspects of form by which art can be classified as art".

Economic views

Mandeville is today generally regarded as a serious economist and philosopher. His second volume of The Fable of the Bees in 1729 was a set of six dialogs that elaborated on his socio-economic views. His ideas about the division of labor draw on those of William Petty, and are similar to those of Adam Smith. Mandeville says:

When once Men come to be govern’d by written Laws, all the rest comes on a-pace. Now Property, and Safety of Life and Limb, may be secured: This naturally will forward the Love of Peace, and make it spread. No number of Men, when once they enjoy Quiet, and no Man needs to fear his Neighbour, will be long without learning to divide and subdivide their Labour...

Man, as I have hinted before, naturally loves to imitate what he sees others do, which is the reason that savage People all do the same thing: This hinders them from meliorating their Condition, though they are always wishing for it: But if one will wholly apply himself to the making of Bows and Arrows, whilst another provides Food, a third builds Huts, a fourth makes Garments, and a fifth Utensils, they not only become useful to one another, but the Callings and Employments themselves will in the same Number of Years receive much greater Improvements, than if all had been promiscuously follow’d by every one of the Five...

The truth of what you say is in nothing so conspicuous, as it is in Watch-making, which is come to a higher degree of Perfection, than it would have been arrived at yet, if the whole had always remain'd the Employment of one Person; and I am persuaded, that even the Plenty we have of Clocks and Watches, as well as the Exactness and Beauty they may be made of, are chiefly owing to the Division that has been made of that Art into many Branches.

The poem suggests many key principles of economic thought, including division of labor and the "invisible hand", seventy years before these concepts were more thoroughly elucidated by Adam Smith. Two centuries later, John Maynard Keynes cited Mandeville to show that it was "no new thing ... to ascribe the evils of unemployment to ... the insufficiency of the propensity to consume", a condition also known as the paradox of thrift, which was central to his own theory of effective demand.

Human extinction

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