A Medley of Potpourri

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Thursday, April 27, 2023

Library

From Wikipedia, the on-line, free encyclopedia
https://en.wikipedia.org/wiki/Library 

A modern reading room in the State and University Library, Denmark

A library is a collection of materials, books or media that are accessible for use and not just for display purposes. A library provides physical (hard copies) or digital access (soft copies) materials, and may be a physical location or a virtual space, or both. A library's collection can include printed materials and other physical resources in many formats such as DVD, CD and cassette as well as access to information, music or other content held on bibliographic databases.

A library, which may vary widely in size, may be organized for use and maintained by a public body such as a government; an institution such as a school or museum; a corporation; or a private individual. In addition to providing materials, libraries also provide the services of librarians who are trained and experts at finding, selecting, circulating and organizing information and at interpreting information needs, navigating and analyzing very large amounts of information with a variety of resources.

Library buildings often provide quiet areas for studying, as well as common areas for group study and collaboration, and may provide public facilities for access to their electronic resources; for instance: computers and access to the Internet. The library's clientele and services offered vary depending on its type: users of a public library have different needs from those of a special library or academic library, for example. Libraries may also be community hubs, where programs are delivered and people engage in lifelong learning. Modern libraries extend their services beyond the physical walls of a building by providing material accessible by electronic means, including from home via the Internet.

The services that libraries offer are variously described as library services, information services, or the combination "library and information services", although different institutions and sources define such terminology differently.

Etymology

The term library is based on the Latin word liber for 'book' or 'document', contained in Latin libraria 'collection of books' and librarium 'container for books'. Other modern languages use derivations from Ancient Greek βιβλιοθήκη (bibliothēkē), originally meaning 'book container', via Latin bibliotheca (cf. French bibliothèque or German Bibliothek).

History

Main article: History of libraries
 
The Sistine Hall of the Vatican Library

The history of libraries began with the first efforts to organize collections of documents. The first libraries consisted of archives of the earliest form of writing—the clay tablets in cuneiform script discovered in Sumer, some dating back to 2600 BC. Private or personal libraries made up of written books appeared in classical Greece in the 5th century BC. In the 6th century, at the very close of the Classical period, the great libraries of the Mediterranean world remained those of Constantinople and Alexandria.

The Fatimids (r. 909–1171) also possessed many great libraries within their domains. The historian Ibn Abi Tayyi’ describes their palace library, which probably contained the largest collection of literature on earth at the time, as a "wonder of the world". Throughout history, along with bloody massacres, the destruction of libraries has been critical for conquerors who wish to destroy every trace of the vanquished community's recorded memory. A prominent example of this can be found in the Mongol massacre of the Nizaris at Alamut in 1256 and the torching of their library, "the fame of which", boasts the conqueror Juwayni, "had spread throughout the world".

The libraries of Timbuktu were established in the fourteenth century and attracted scholars from all over the world.

Functions

Libraries may provide physical or digital access to material, and may be a physical location or a virtual space, or both. A library's collection can include books, periodicals, newspapers, manuscripts, films, maps, prints, documents, microform, CDs, cassettes, videotapes, DVDs, Blu-ray Discs, e-books, audiobooks, databases, table games, video games and other formats. Libraries range widely in size, up to millions of items.

Libraries often provide quiet areas for studying, and they also often offer common areas to facilitate group study and collaboration. Libraries often provide public facilities for access to their electronic resources and the Internet. Public and institutional collections and services may be intended for use by people who choose not to—or cannot afford to—purchase an extensive collection themselves, who need material no individual can reasonably be expected to have, or who require professional assistance with their research.

Services offered by a library are variously described as library services, information services, or the combination "library and information services", although different institutions and sources define such terminology differently. Organizations or departments are often called by one of these names.

Organization

Library shelves in Hong Kong, showing numbers of the classification scheme to help readers locate works in that section

Most libraries have materials arranged in a specified order according to a library classification system, so that items may be located quickly and collections may be browsed efficiently. Some libraries have additional galleries beyond the public ones, where reference materials are stored. These reference stacks may be open to selected members of the public. Others require patrons to submit a "stack request", which is a request for an assistant to retrieve the material from the closed stacks: see List of closed stack libraries.

Larger libraries are often divided into departments staffed by both paraprofessionals and professional librarians.

  • Circulation (or Access Services) – Handles user accounts and the loaning/returning and shelving of materials.
  • Collection Development – Orders materials and maintains materials budgets.
  • Reference – Staffs a reference desk answering questions from users (using structured reference interviews), instructing users, and developing library programming. Reference may be further broken down by user groups or materials; common collections are children's literature, young adult literature, and genealogy materials.
  • Electronic Library - Responsible for providing information to users via electronic means
  • Technical Services – Works behind the scenes cataloging and processing new materials and deaccessioning weeded materials.
  • Stacks Maintenance – Re-shelves materials that have been returned to the library after patron use and shelves materials that have been processed by Technical Services. Stacks Maintenance also shelf reads the material in the stacks to ensure that it is in the correct library classification order.

Basic tasks in library management include the planning of acquisitions (which materials the library should acquire, by purchase or otherwise), library classification of acquired materials, preservation of materials (especially rare and fragile archival materials such as manuscripts), the deaccessioning of materials, patron borrowing of materials, and developing and administering library computer systems. More long-term issues include the planning of the construction of new libraries or extensions to existing ones, and the development and implementation of outreach services and reading-enhancement services (such as adult literacy and children's programming). Library materials like books, magazines, periodicals, CDs, etc. are managed by Dewey Decimal Classification Theory and modified Dewey Decimal Classification Theory is more practical reliable system for library materials management.

The International Organization for Standardization (ISO) has published several standards regarding the management of libraries through its Technical Committee 46 (TC 46), which is focused on "libraries, documentation and information centers, publishing, archives, records management, museum documentation, indexing and abstracting services, and information science". The following is a partial list of some of them:

  • ISO 2789:2006 Information and documentation—International library statistics
  • ISO 11620:1998 Information and documentation—Library performance indicators
  • ISO 11799:2003 Information and documentation—Document storage requirements for archive and library materials
  • ISO 14416:2003 Information and documentation—Requirements for binding of books, periodicals, serials, and other paper documents for archive and library use—Methods and materials
  • ISO/TR 20983:2003 Information and documentation—Performance indicators for electronic library services

Usage

Until the advent of digital catalogues, card catalogues were the traditional method of organizing the list of resources and their location within a large library.

Some patrons may not know how to fully use the library's resources. This can be due to individuals' unease in approaching a staff member. Ways in which a library's content is displayed or accessed may have the most impact on use. An antiquated or clumsy search system, or staff unwilling or untrained to engage their patrons, will limit a library's usefulness. In the public libraries of the United States, beginning in the 19th century, these problems drove the emergence of the library instruction movement, which advocated library user education. One of the early leaders was John Cotton Dana. The basic form of library instruction is sometimes known as information literacy.

Libraries should inform their users of what materials are available in their collections and how to access that information. Before the computer age, this was accomplished by the card catalogue—a cabinet (or multiple cabinets) containing many drawers filled with index cards that identified books and other materials. In a large library, the card catalogue often filled a large room.

The emergence of the Internet, however, has led to the adoption of electronic catalogue databases (often referred to as "webcats" or as online public access catalogues, OPACs), which allow users to search the library's holdings from any location with Internet access. This style of catalogue maintenance is compatible with new types of libraries, such as digital libraries and distributed libraries, as well as older libraries that have been retrofitted. Large libraries may be scattered within multiple buildings across a town, each having multiple floors, with multiple rooms housing their resources across a series of shelves called bays. Once a user has located a resource within the catalogue, they must then use navigational guidance to retrieve the resource physically, a process that may be assisted through signage, maps, GPS systems, or RFID tagging.

Finland has the highest number of registered book borrowers per capita in the world. Over half of Finland's population are registered borrowers. In the US, public library users have borrowed on average roughly 15 books per user per year from 1856 to 1978. From 1978 to 2004, book circulation per user declined approximately 50%. The growth of audiovisuals circulation, estimated at 25% of total circulation in 2004, accounts for about half of this decline.

Relationship with the Internet

British Museum Reading Room

A library may make use of the Internet in a number of ways, from creating its own library website to making the contents of its catalogues searchable online. Some specialised search engines such as Google Scholar offer a way to facilitate searching for academic resources such as journal articles and research papers. The Online Computer Library Center allows anyone to search the world's largest repository of library records through its WorldCat online database. Websites such as LibraryThing and Amazon provide abstracts, reviews, and recommendations of books. Libraries provide computers and Internet access to allow people to search for information online. Online information access is particularly attractive to younger library users.

Digitization of books, particularly those that are out-of-print, in projects such as Google Books provides resources for library and other online users. Due to their holdings of valuable material, some libraries are important partners for search engines such as Google in realizing the potential of such projects and have received reciprocal benefits in cases where they have negotiated effectively. As the prominence of and reliance on the Internet has grown, library services have moved the emphasis from mainly providing print resources to providing more computers and more Internet access. Libraries face a number of challenges in adapting to new ways of information seeking that may stress convenience over quality, reducing the priority of information literacy skills. The potential decline in library usage, particularly reference services, puts the necessity for these services in doubt.

Library scholars have acknowledged that libraries need to address the ways that they market their services if they are to compete with the Internet and mitigate the risk of losing users. This includes promoting the information literacy skills training considered vital across the library profession. Many US based research librarians rely on the ACRL Framework for Information Literacy in order to guide students and faculty in research. However, marketing of services has to be adequately supported financially in order to be successful. This can be problematic for library services that are publicly funded and find it difficult to justify diverting tight funds to apparently peripheral areas such as branding and marketing.

The privacy aspect of library usage in the Internet age is a matter of growing concern and advocacy; privacy workshops are run by the Library Freedom Project which teach librarians about digital tools (such as the Tor network) to thwart mass surveillance.

Librarians

See also: Education for librarianship

Libraries are usually staffed by a combination of professionally trained librarians, paraprofessional staff sometimes called library technicians, and support staff. Some topics related to the education of librarians and allied staff include accessibility of the collection, acquisition of materials, arrangement and finding tools, the book trade, the influence of the physical properties of the different writing materials, language distribution, role in education, rates of literacy, budgets, staffing, libraries for specially targeted audiences, architectural merit, patterns of usage, the role of libraries in a nation's cultural heritage, and the role of government, church or private sponsorship. Since the 1960s, issues of computerization and digitization have arisen.

Types

Many institutions make a distinction between a circulating or lending library, where materials are expected and intended to be loaned to patrons, institutions, or other libraries, and a reference library where material is not lent out. Travelling libraries, such as the early horseback libraries of eastern Kentucky and bookmobiles, are generally of the lending type. Modern libraries are often a mixture of both, containing a general collection for circulation, and a reference collection which is restricted to the library premises. Also, increasingly, digital collections enable broader access to material that may not circulate in print, and enables libraries to expand their collections even without building a larger facility. Lamba (2019) reinforced this idea by observing that "today's libraries have become increasingly multi-disciplinary, collaborative and networked" and that applying Web 2.0 tools to libraries would "not only connect the users with their community and enhance communication but will also help the librarians to promote their library's activities, services, and products to target both their actual and potential users".

Academic libraries

Main article: Academic library
 
The University Library at Eötvös Loránd University, Budapest, Hungary

Academic libraries are generally located on college and university campuses and primarily serve the students and faculty of that and other academic institutions. Some academic libraries, especially those at public institutions, are accessible to members of the general public in whole or in part. Library services are sometimes extended to the general public at a fee, some academic libraries create such services in order to enhance literacy levels in their communities.

Academic libraries are libraries that are hosted in post-secondary educational institutions, such as colleges and universities. Their main functions are to provide support in research, consultancy and resource linkage for students and faculty of the educational institution. Academic libraries house current, reliable and relevant information resources spread through all the disciplines which serve to assuage the information requirements of students and faculty. In cases where not all books are housed some libraries have E-resources, where they subscribe for a given institution they are serving, in order to provide backups and additional information that is not practical to have available as hard copies. Furthermore, most libraries collaborate with other libraries in exchange of books.

Specific course-related resources are usually provided by the library, such as copies of textbooks and article readings held on 'reserve' (meaning that they are loaned out only on a short-term basis, usually a matter of hours). Some academic libraries provide resources not usually associated with libraries, such as the ability to check out laptop computers, web cameras, or scientific calculators.

The Robarts Library at the University of Toronto, Canada

Academic libraries offer workshops and courses outside of formal, graded coursework, which are meant to provide students with the tools necessary to succeed in their programs. These workshops may include help with citations, effective search techniques, journal databases, and electronic citation software. These workshops provide students with skills that can help them achieve success in their academic careers (and often, in their future occupations), which they may not learn inside the classroom.

The academic library provides a quiet study space for students on campus; it may also provide group study space, such as meeting rooms. In North America, Europe, and other parts of the world, academic libraries are becoming increasingly digitally oriented. The library provides a "gateway" for students and researchers to access various resources, both print/physical and digital. Academic institutions are subscribing to electronic journals databases, providing research and scholarly writing software, and usually provide computer workstations or computer labs for students to access journals, library search databases and portals, institutional electronic resources, Internet access, and course- or task-related software (i.e. word processing and spreadsheet software). Some academic libraries take on new roles, for instance, acting as an electronic repository for institutional scholarly research and academic knowledge, such as the collection and curation of digital copies of students' theses and dissertations.[49][50] Moreover, academic libraries are increasingly acting as publishers on their own on a not-for-profit basis, especially in the form of fully Open Access institutional publishers.

Children's libraries

"Children's library" redirects here. For the collection of digitized books, see Internet Archive's Children's Library.
 
A children's library in Montreal, Quebec, Canada in 1943

Children's libraries are special collections of books intended for juvenile readers and usually kept in separate rooms of general public libraries. Some children's libraries have entire floors or wings dedicated to them in bigger libraries while smaller ones may have a separate room or area for children. They are an educational agency seeking to acquaint the young with the world's literature and to cultivate a love for reading. Their work supplements that of the public schools.

Services commonly provided by public libraries may include storytelling sessions for infants, toddlers, preschool children, or after-school programs, all with an intention of developing early literacy skills and a love of books. One of the most popular programs offered in public libraries are summer reading programs for children, families, and adults.

Another popular reading program for children is PAWS TO READ or similar programs where children can read to certified therapy dogs. Since animals are a calming influence and there is no judgment, children learn confidence and a love of reading. Many states have these types of programs: parents need simply ask their librarian to see if it is available at their local library.

National libraries

Main article: National library
 
National Library of Wales, Aberystwyth

A national or state library serves as a national repository of information, and has the right of legal deposit, which is a legal requirement that publishers in the country need to deposit a copy of each publication with the library. Unlike a public library, a national library rarely allows citizens to borrow books. Often, their collections include numerous rare, valuable, or significant works. There are wider definitions of a national library, putting less emphasis on the repository character. The first national libraries had their origins in the royal collections of the sovereign or some other supreme body of the state.

Many national libraries cooperate within the National Libraries Section of the International Federation of Library Associations and Institutions (IFLA) to discuss their common tasks, define and promote common standards, and carry out projects helping them to fulfill their duties. The national libraries of Europe participate in The European Library which is a service of the Conference of European National Librarians (CENL).

Public lending libraries

Main article: Public library
 
A community library in Ethiopia
 
Public library in Palma, Balearic Islands

A public library provides services to the general public. If the library is part of a countywide library system, citizens with an active library card from around that county can use the library branches associated with the library system. A library can serve only their city, however, if they are not a member of the county public library system. Much of the materials located within a public library are available for borrowing. The library staff decides upon the number of items patrons are allowed to borrow, as well as the details of borrowing time allotted. Typically, libraries issue library cards to community members wishing to borrow books. Often visitors to a city are able to obtain a public library card.

Many public libraries also serve as community organizations that provide free services and events to the public, such as reading groups and toddler story time. For many communities, the library is a source of connection to a vast world, obtainable knowledge and understanding, and entertainment. According to a study by the Pennsylvania Library Association, public library services play a major role in fighting rising illiteracy rates among youths. Public libraries are protected and funded by the public they serve.

Bates Hall, the main reading room of the Boston Public Library, Boston, Massachusetts, United States

As the number of books in libraries have steadily increased since their inception, the need for compact storage and access with adequate lighting has grown. The stack system involves keeping a library's collection of books in a space separate from the reading room. This arrangement arose in the 19th century. Book stacks quickly evolved into a fairly standard form in which the cast iron and steel frameworks supporting the bookshelves also supported the floors, which often were built of translucent blocks to permit the passage of light (but were not transparent, for reasons of modesty). The introduction of electric lights had a huge impact on lighting in libraries. The use of glass floors was largely discontinued, though floors were still often composed of metal grating to allow air to circulate in multi-story stacks. As more space was needed, a method of moving shelves on tracks (compact shelving) was introduced to cut down on otherwise wasted aisle space.

Library 2.0, a term coined in 2005, is the library's response to the challenge of Google and an attempt to meet the changing needs of users by using Web 2.0 technology. Some of the aspects of Library 2.0 include, commenting, tagging, bookmarking, discussions, use of online social networks by libraries, plug-ins, and widgets. Inspired by Web 2.0, it is an attempt to make the library a more user-driven institution.

Despite the importance ascribed to public libraries, their budgets are often cut by legislatures. In some cases, funding has dwindled so much that libraries have been forced to cut their hours and release employees.

Reference libraries

Main reading room of the New York City Public Library on 5th Avenue c. 1910–1920

A reference library does not lend books and other items; instead, they can only be read at the library itself. Typically, such libraries are used for research purposes, for example at a university. Some items at reference libraries may be historical and even unique. Many lending libraries contain a "reference section", which holds books, such as dictionaries, which are common reference books, and are therefore not lent out. Such reference sections may be referred to as "reading rooms", which may also include newspapers and periodicals. An example of a reading room is the Hazel H. Ransom Reading Room at the Harry Ransom Center of the University of Texas at Austin, which maintains the papers of literary agent Audrey Wood.

Research libraries

Main article: Research library
 
Main reading room of the Rijksmuseum Research Library is the largest public art history research library in the Netherlands. The library is part of the Rijksmuseum in Amsterdam.
 
The Library of Congress is one of the largest research libraries in the world.

A research library is a collection of materials on one or more subjects. A research library supports scholarly or scientific research and will generally include primary as well as secondary sources; it will maintain permanent collections and attempt to provide access to all necessary materials. A research library is most often an academic or national library, but a large special library may have a research library within its special field, and a very few of the largest public libraries also serve as research libraries. A large university library may be considered a research library; and in North America, such libraries may belong to the Association of Research Libraries. In the United Kingdom, they may be members of Research Libraries UK (RLUK). Particularly important collections in England may be designated by Arts Council England.

A research library can be either a reference library, which does not lend its holdings, or a lending library, which does lend all or some of its holdings. Some extremely large or traditional research libraries are entirely reference in this sense, lending none of their materials; most academic research libraries, at least in the US and the UK, now lend books, but not periodicals or other materials. Many research libraries are attached to a parent organization and may serve only members of that organization. Examples of research libraries include the British Library, the Bodleian Library at Oxford University and the New York Public Library Main Branch on 42nd Street in Manhattan, State Public Scientific Technological Library of the Siberian Branch of the Russian Academy of Science.

Digital libraries

Main article: Digital library

Digital libraries are libraries that house digital resources. They are defined as an organization and not a service that provide access to digital works, have a preservation responsibility to provide future access to materials, and provides these items easily and affordably. The definition of a digital library implies that "a digital library uses a variety of software, networking technologies and standards to facilitate access to digital content and data to a designated user community." Access to digital libraries can be influenced by several factors, either individually or together. The most common factors that influence access are: The library's content, the characteristics and information needs of the target users, the library's digital interface, the goals and objectives of the library's organizational structure, and the standards and regulations that govern library use. Access will depend on the users ability to discover and retrieve documents that interest them and that they require, which in turn is a preservation question. Digital objects cannot be preserved passively, they must be curated by digital librarians to ensure the trust and integrity of the digital objects.

One of the biggest considerations for digital librarians is the need to provide long-term access to their resources; to do this, there are two issues requiring watchfulness: Media failure and format obsolescence. With media failure, a particular digital item is unusable because of some sort of error or problem. A scratched CD-ROM, for example, will not display its contents correctly, but another, unscratched disk will not have that problem. Format obsolescence is when a digital format has been superseded by newer technology, and so items in the old format are unreadable and unusable. Dealing with media failure is a reactive process, because something is done only when a problem presents itself. In contrast, format obsolescence is preparatory, because changes are anticipated and solutions are sought before there is a problem.

Future trends in digital preservation include: Transparent enterprise models for digital preservation, launch of self-preserving objects, increased flexibility in digital preservation architectures, clearly defined metrics for comparing preservation tools, and terminology and standards interoperability in real time.

Special libraries

Main article: Special library
 
Bookshelves at the Beinecke Rare Book & Manuscript Library. The top floor contains 180,000 volumes. Since 1977, all new acquisitions are frozen at −33 °F (−36 °C) to prevent the spread of insects and diseases.

Many private businesses and public organizations, including hospitals, churches, museums, research laboratories, law firms, and many government departments and agencies, maintain their own libraries for the use of their employees in doing specialized research related to their work. Depending on the particular institution, special libraries may or may not be accessible to the general public or elements thereof. In more specialized institutions such as law firms and research laboratories, librarians employed in special libraries are commonly specialists in the institution's field rather than generally trained librarians, and often are not required to have advanced degrees in a specifically library-related field due to the specialized content and clientele of the library.

Special libraries can also include women's libraries or LGBTQ libraries, which serve the needs of women and the LGBTQ community. Libraries and the LGBTQ community have an extensive history, and there are currently many libraries, archives, and special collections devoted to preserving and helping the LGBTQ community. Women's libraries, such as the Vancouver Women's Library or the Women's Library @LSE are examples of women's libraries that offer services to women and girls and focus on women's history.

Some special libraries, such as governmental law libraries, hospital libraries, and military base libraries commonly are open to public visitors to the institution in question. Depending on the particular library and the clientele it serves, special libraries may offer services similar to research, reference, public, academic, or children's libraries, often with restrictions such as only lending books to patients at a hospital or restricting the public from parts of a military collection. Given the highly individual nature of special libraries, visitors to a special library are often advised to check what services and restrictions apply at that particular library.

Special libraries are distinguished from special collections, which are branches or parts of a library intended for rare books, manuscripts, and other special materials, though some special libraries have special collections of their own, typically related to the library's specialized subject area.

For more information on specific types of special libraries, see law libraries, medical libraries, music libraries, or transportation libraries.

Digital libraries

See also: Digital library
 
Interior of the Bibliotheca Alexandrina, Alexandria, Egypt, showing both stacks and computer terminals

In the 21st century, there has been increasing use of the Internet to gather and retrieve data. The shift to digital libraries has greatly impacted the way people use physical libraries. Between 2002 and 2004, the average American academic library saw the overall number of transactions decline approximately 2.2%. Libraries are trying to keep up with the digital world and the new generation of students that are used to having information just one click away. For example, the University of California Library System saw a 54% decline in circulation between 1991 and 2001 of 8,377,000 books to 3,832,000.

These facts might be a consequence of the increased availability of e-resources. In 1999–2000, 105 ARL university libraries spent almost $100 million on electronic resources, which is an increase of nearly $23 million from the previous year. A 2003 report by the Open E-book Forum found that close to a million e-books had been sold in 2002, generating nearly $8 million in revenue. Another example of the shift to digital libraries can be seen in Cushing Academy's decision to dispense with its library of printed books—more than 20,000 volumes in all—and switch over entirely to digital media resources.

Stacks of the José Vasconcelos Library in Mexico City, Mexico

A 2001 discussion paper exploring changing use of libraries reported decreased library usage by undergraduate students, who had become more used to retrieving information from the Internet than a traditional library. Finding information by simply searching the Internet is seen as easier and faster than reading an entire book. In a survey conducted by NetLibrary, 93% of undergraduate students said that finding information online made more sense to them than going to the library. Three-quarters said they did not have enough time to go to the library. While the retrieving information from the Internet may be efficient and time-saving than visiting a traditional library, research showed that undergraduates are most likely searching only .03% of the entire web.

In the mid-2000s, Swedish company Distec invented a library book vending machine known as the GoLibrary, that offers library books to people where there is no branch, limited hours, or high traffic locations such as El Cerrito del Norte BART station in California.

Associations

See also: List of library associations

The International Federation of Library Associations and Institutions (IFLA) is the leading international association of library organizations. It is the global voice of the library and information profession, and its annual conference provides a venue for librarians to learn from one another.

Library associations in Asia include the Indian Library Association (ILA), Indian Association of Special Libraries and Information Centers (IASLIC), Bengal Library Association (BLA), Kolkata, Pakistan Library Association, the Pakistan Librarians Welfare Organization, the Bangladesh Association of Librarians, Information Scientists and Documentalists, the Library Association of Bangladesh, and the Sri Lanka Library Association (founded 1960).

National associations of the English-speaking world include the American Library Association, the Australian Library and Information Association, the Canadian Library Association, the Library and Information Association of New Zealand Aotearoa, and the Research Libraries UK (a consortium of 30 university and other research libraries in the United Kingdom). Library bodies such as CILIP (formerly the Library Association, founded 1877) may advocate the role that libraries and librarians can play in a modern Internet environment, and in the teaching of information literacy skills. The Nigerian Library Association is the recognized group for librarians working in Nigeria. It was established in 1962 in Ibadan.

Public library advocacy is support given to a public library for its financial and philosophical goals or needs. Most often this takes the form of monetary or material donations or campaigning to the institutions which oversee the library, sometimes by advocacy groups such as Friends of Libraries and community members. Originally, library advocacy was centered on the library itself, but current trends show libraries positioning themselves to demonstrate they provide "economic value to the community" in means that are not directly related to the checking out of books and other media.

Protection

Libraries are considered part of the cultural heritage and are one of the primary objectives in many state and domestic conflicts and are at risk of destruction and looting. Financing is often carried out by robbing valuable library items. National and international coordination regarding military and civil structures for the protection of libraries is operated by Blue Shield International and UNESCO. From an international perspective, despite the partial dissolution of state structures and very unclear security situations as a result of the wars and unrest, robust undertakings to protect libraries are being carried out. The topic is also the creation of "no-strike lists", in which the coordinates of important cultural monuments such as libraries have been preserved.

at April 27, 2023
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Grateful Dead

From Wikipedia, the free, on-line encyclopedia
https://en.wikipedia.org/wiki/Grateful_Dead

Grateful Dead
The Grateful Dead in 1970, in a rural setting – Bill Kreutzmann, Ron "Pigpen" McKernan, Jerry Garcia, Bob Weir, Mickey Hart, and Phil Lesh
The Grateful Dead in 1970, from a promotional photo shoot. Left to right: Bill Kreutzmann, Ron "Pigpen" McKernan, Jerry Garcia, Bob Weir, Mickey Hart, Phil Lesh.
Background information
Also known asThe Warlocks
OriginPalo Alto, California, U.S.
GenresRock
Years active1965–1995
Labels
  • Warner Bros.
  • Grateful Dead
  • Arista
  • Rhino
  • Sunflower
  • United Artists
Spinoffs
  • The Other Ones
  • The Dead
  • Furthur
  • Dead & Company
  • New Riders of the Purple Sage
  • Old & In the Way
  • Legion of Mary
  • Reconstruction
  • Jerry Garcia Band
  • Jerry Garcia Acoustic Band
  • Kingfish
  • Bobby and the Midnites
  • RatDog
  • Wolf Bros
  • Phil Lesh and Friends
  • Rhythm Devils
  • Go Ahead
  • BK3
  • 7 Walkers
  • Billy & the Kids
  • Heart of Gold Band
  • Donna Jean Godchaux Band
  • Missing Man Formation

Past members
  • Jerry Garcia
  • Bob Weir
  • Phil Lesh
  • Bill Kreutzmann
  • Mickey Hart
  • Ron "Pigpen" McKernan
  • Robert Hunter
  • John Perry Barlow
  • Tom Constanten
  • Keith Godchaux
  • Donna Jean Godchaux
  • Brent Mydland
  • Vince Welnick

Websitedead.net

The Grateful Dead was an American rock band formed in 1965 in Palo Alto, California. The band is known for its eclectic style, which fused elements of rock, folk, country, jazz, bluegrass, blues, rock and roll, gospel, reggae, world music, and psychedelia; for live performances of lengthy instrumental jams that typically incorporated modal and tonal improvisation; and for its devoted fan base, known as "Deadheads". According to Lenny Kaye, "their music touches on ground that most other groups don't even know exists." These various influences were distilled into a diverse and psychedelic whole that made the Grateful Dead "the pioneering Godfathers of the jam band world".

The band was ranked 57th by Rolling Stone magazine in its "The Greatest Artists of All Time" issue. The band was inducted into the Rock and Roll Hall of Fame in 1994 and a recording of their May 8, 1977 performance at Cornell University's Barton Hall was added to the National Recording Registry of the Library of Congress in 2012. Despite having only one top-40 single in their 30-year career, "Touch of Grey", the Grateful Dead remained among the highest-grossing American touring acts for multiple decades and gained a committed fanbase by word of mouth and the exchange of live recordings due to the band's permissive stance on taping.

The Grateful Dead was founded in the San Francisco Bay Area amid the rise of the counterculture of the 1960s. The founding members were Jerry Garcia (lead guitar, vocals), Bob Weir (rhythm guitar, vocals), Ron "Pigpen" McKernan (keyboards, harmonica, vocals), Phil Lesh (bass, vocals), and Bill Kreutzmann (drums). Members of the Grateful Dead, originally known as the Warlocks, had played together in various Bay Area ensembles, including the traditional jug band Mother McCree's Uptown Jug Champions. Lesh was the last member to join the Warlocks before they changed their name to the Grateful Dead; replacing Dana Morgan Jr., who had played bass for a few gigs. Drummer Mickey Hart and non-performing lyricist Robert Hunter joined in 1967. With the exception of McKernan, who died in 1973, and Hart, who took time off from 1971 to 1974, the core of the band stayed together for its entire 30-year history. The other official members of the band are Tom Constanten (keyboards; 1968–1970), John Perry Barlow (non-performing lyricist; 1971–1995), Keith Godchaux (keyboards, occasional vocals; 1971–1979), Donna Godchaux (vocals; 1972–1979), Brent Mydland (keyboards, vocals; 1979–1990), and Vince Welnick (keyboards, vocals; 1990–1995). Bruce Hornsby (accordion, piano, vocals) was a touring member from 1990 to 1992, as well as a guest with the band on occasion before and after the tours.

After the death of Garcia in 1995, former members of the band, along with other musicians, toured as the Other Ones in 1998, 2000, and 2002, and the Dead in 2003, 2004, and 2009. In 2015, the four surviving core members marked the band's 50th anniversary in a series of concerts that were billed as their last performances together. There have also been several spin-offs featuring one or more core members, such as Dead & Company, Furthur, the Rhythm Devils, Phil Lesh and Friends, RatDog, and Billy & the Kids.

Formation (1965–1966)

The Grateful Dead in 1980. Left to right: Jerry Garcia, Bill Kreutzmann, Bob Weir, Mickey Hart, Phil Lesh. Not pictured: Brent Mydland.

The Grateful Dead began its career as the Warlocks, a group formed in early 1965 from the remnants of a Palo Alto, California jug band called Mother McCree's Uptown Jug Champions. The band's first show was at Magoo's Pizza Parlor located at 639 Santa Cruz Avenue in suburban Menlo Park, on May 5, 1965, now a Harvest furniture store. It continued playing bar shows, like Frenchy's Bikini-A-Go-Go in Hayward and, importantly, five sets a night, five nights a week, for six weeks, at the In Room in Belmont as the Warlocks, but quickly changed the band's name after finding out that a different band known as the Warlocks had put out a record under the same name. (The Velvet Underground also had to change its name from the Warlocks.) The first show under the name Grateful Dead was in San Jose on December 4, 1965, at one of Ken Kesey's Acid Tests. Earlier demo tapes have survived, but the first of over 2,000 concerts known to have been recorded by the band's fans was a show at the Fillmore Auditorium in San Francisco on January 8, 1966. Later that month, the Grateful Dead played at the Trips Festival, a three-day psychedelic rock weekend party/event produced by Ken Kesey, Stewart Brand, and Ramon Sender, that, in conjunction with the Merry Pranksters, brought together the nascent hippie movement for the first time.

The name "Grateful Dead" was chosen from a dictionary. According to Phil Lesh, "[Jerry Garcia] picked up an old Britannica World Language Dictionary ... [and] ... In that silvery elf-voice he said to me, 'Hey, man, how about the Grateful Dead?'" The definition there was "the soul of a dead person, or his angel, showing gratitude to someone who, as an act of charity, arranged their burial". According to Alan Trist, director of the Grateful Dead's music publisher company Ice Nine, Garcia found the name in the Funk & Wagnalls Folklore Dictionary, when his finger landed on that phrase while playing a game of Fictionary. In the Garcia biography Captain Trips, author Sandy Troy states that the band was smoking the psychedelic DMT at the time. The term "grateful dead" appears in folktales from a variety of cultures.

Other supporting personnel who signed on early included Rock Scully, who heard of the band from Kesey and signed on as manager after meeting them at the Big Beat Acid Test; Stewart Brand, "with his side show of taped music and slides of Indian life, a multimedia presentation" at the Big Beat and then, expanded, at the Trips Festival; and Owsley Stanley, the "Acid King" whose LSD supplied the tests and who, in early 1966, became the band's financial backer, renting them a house on the fringes of Watts (Los Angeles) and buying them sound equipment. "We were living solely off of Owsley's good graces at that time. ... [His] trip was he wanted to design equipment for us, and we were going to have to be in sort of a lab situation for him to do it", said Garcia.

Main career (1967–1995)

The Mantra-Rock Dance promotional poster featuring the Grateful Dead

One of the group's earliest major performances in 1967 was the Mantra-Rock Dance—a musical event held on January 29, 1967, at the Avalon Ballroom by the San Francisco Hare Krishna temple. The Grateful Dead performed at the event along with the Hare Krishna founder Bhaktivedanta Swami, poet Allen Ginsberg, bands Moby Grape and Big Brother and the Holding Company with Janis Joplin, donating proceeds to the Krishna temple. The band's first LP, The Grateful Dead, was released on Warner Brothers in 1967.

Classically trained trumpeter Phil Lesh performed on bass guitar. Bob Weir, the youngest original member of the group, played rhythm guitar. Ron "Pigpen" McKernan played keyboards, percussion, and harmonica until shortly before his death in 1973 at the age of 27. Garcia, Weir, and McKernan shared the lead vocal duties more or less equally; Lesh only sang a few leads, but his tenor was a key part of the band's three-part vocal harmonies. Bill Kreutzmann played drums, and in September 1967 was joined by a second drummer, New York City native Mickey Hart, who also played a wide variety of other percussion instruments.

1970 included tour dates in New Orleans, Louisiana, where the band performed at The Warehouse for two nights. On January 31, 1970, the local police raided their hotel on Bourbon Street, and arrested and charged a total of 19 people with possession of various drugs. The second night's concert was performed as scheduled after bail was posted. Eventually, the charges were dismissed, except those against sound engineer Owsley Stanley, who was already facing charges in California for manufacturing LSD. This event was later memorialized in the lyrics of the song "Truckin'", a single from American Beauty which reached number 64 on the charts.

Mickey Hart took time off from the Grateful Dead beginning in February 1971, owing to his father, an accountant, having absconded with the band's money, leaving Kreutzmann once again as the sole percussionist. Hart rejoined the Grateful Dead for good in October 1974. Tom "TC" Constanten was added as a second keyboardist from 1968 to 1970, to help Pigpen keep up with an increasingly psychedelic sound, while Pigpen transitioned more into playing various percussion instruments and sang.

After Constanten's departure, Pigpen reclaimed his position as sole keyboardist. Less than two years later, in late 1971, Pigpen was joined by another keyboardist, Keith Godchaux, who played grand piano alongside Pigpen's Hammond B-3 organ. In early 1972, Keith's wife, Donna Jean Godchaux, joined the Grateful Dead as a backing vocalist.

Following the Grateful Dead's "Europe '72" tour, Pigpen's health had deteriorated to the point that he could no longer tour with the band. His final concert appearance was June 17, 1972, at the Hollywood Bowl, in Los Angeles; he died on March 8, 1973, of complications from liver damage.

The death of Pigpen did not slow the band down, and it continued with its new members. With the help of their manager Ron Rakow, they soon formed their own record label, Grateful Dead Records. Later that year, they released their next studio album, the jazz-influenced Wake of the Flood. It became their biggest commercial success thus far. Meanwhile, capitalizing on Flood's success, the band soon went back to the studio, and the next year, 1974, released another album, From the Mars Hotel. Not long after that album's release however, the Dead decided to take a hiatus from live touring. Before embarking on the hiatus, the band performed a series of five concerts at the Winterland Ballroom in San Francisco in October 1974. The concerts were filmed, and Garcia compiled the footage into The Grateful Dead Movie, a feature-length concert film that would be released in 1977.

In September 1975, the Dead released their eighth studio album, Blues for Allah. They resumed touring in June 1976. That same year, they signed with Arista Records. Their new contract soon produced Terrapin Station in 1977. The band's tour in the spring of that year is held in high regard by their fans, and their concert of May 8 at Cornell University in Ithaca, New York, is often considered to be one of the best performances of their career.

Keith and Donna Jean Godchaux left the band in February 1979.

Grateful Dead performing at Red Rocks Amphitheatre in 1987: Jerry Garcia (custom Tiger guitar), Mickey Hart (drums).

Following the departure of the Godchauxs, Brent Mydland joined as keyboardist and vocalist and was considered "the perfect fit". The Godchauxs then formed the Heart of Gold Band before Keith died in a car accident in 1980. Mydland was the keyboardist for the Grateful Dead for 11 years until his death by narcotics overdose in July 1990, becoming the third keyboardist to die.

Shortly after Mydland found his place in the early 1980s, Garcia's health began to decline. His drug habits caused him to lose his liveliness on stage. After beginning to curtail his opiate usage in 1985 gradually, Garcia slipped into a diabetic coma for several days in July 1986. After he recovered, the band released In the Dark in July 1987, which became their best selling studio album and produced their only top-40 single, "Touch of Grey". Also that year, the group toured with Bob Dylan, as heard on the album Dylan & the Dead.

Mydland died after the summer tour in 1990 and Vince Welnick, former keyboardist for the Tubes, joined as a band member, while Bruce Hornsby, who had a successful career with his band the Range, joined as a touring member. Both performed on keyboards and vocals—Welnick until the band's end, and Hornsby mainly from 1990 to 1992. The Grateful Dead performed their final concert on July 9, 1995, at Soldier Field in Chicago.

Aftermath (1995–present)

See also: Reunions of the Grateful Dead
 
Bob Weir onstage in 2007, playing a Modulus G3FH
 
Mickey Hart leading a drum circle in February 2005
 
Bob Weir and Mickey Hart performing at the 2009 Mid-Atlantic Inaugural Ball during the Obama Inaugural

Jerry Garcia died on August 9, 1995. A few months after Garcia's death, the remaining members of the Grateful Dead decided to disband. Since that time, there have been a number of reunions by the surviving members involving various combinations of musicians. Additionally, the former members have also begun or continued individual projects.

In 1998, Bob Weir, Phil Lesh, and Mickey Hart, along with several other musicians, formed a band called the Other Ones, and performed a number of concerts that year, releasing a live album, The Strange Remain, the following year. In 2000, the Other Ones toured again, this time with Kreutzmann but without Lesh. After taking another year off, the band toured again in 2002 with Lesh. That year, the Other Ones then included all four living former Grateful Dead members who had been in the band for most or all of its history. At different times the shifting lineup of the Other Ones also included guitarists Mark Karan, Steve Kimock, and Jimmy Herring, keyboardists Bruce Hornsby, Jeff Chimenti, and Rob Barraco, saxophonist Dave Ellis, drummer John Molo, bassist Alphonso Johnson, and vocalist Susan Tedeschi.

In 2003, the Other Ones, still including Weir, Lesh, Hart, and Kreutzmann, changed their name to the Dead. The Dead toured the United States in 2003, 2004 and 2009. The band's lineups included Jimmy Herring and Warren Haynes on guitar, Jeff Chimenti and Rob Barraco on keyboards, and Joan Osborne on vocals. In 2008, members of the Dead played two concerts, called "Deadheads for Obama" and "Change Rocks".

Following the 2009 Dead tour, Lesh and Weir formed the band Furthur, which debuted in September 2009. Joining Lesh and Weir in Furthur were John Kadlecik (guitar), Jeff Chimenti (keyboards), Joe Russo (drums), Jay Lane (drums), Sunshine Becker (vocals), and Zoe Ellis (vocals). Lane and Ellis left the band in 2010, and vocalist Jeff Pehrson joined later that year. Furthur disbanded in 2014.

In 2010, Hart and Kreutzmann re-formed the Rhythm Devils, and played a summer concert tour.

Since 1995, the former members of the Grateful Dead have also pursued solo music careers. Both Bob Weir & RatDog and Phil Lesh and Friends have performed many concerts and released several albums. Mickey Hart and Bill Kreutzmann have also each released a few albums. Hart has toured with his world music percussion ensemble Planet Drum as well as the Mickey Hart Band. Kreutzmann has led several different bands, including BK3, 7 Walkers (with Papa Mali), and Billy & the Kids. Donna Godchaux has returned to the music scene, with the Donna Jean Godchaux Band, and Tom Constanten also continues to write and perform music. All of these groups continue to play Grateful Dead music.

In October 2014, it was announced that Martin Scorsese would produce a documentary film about the Grateful Dead, to be directed by Amir Bar-Lev. David Lemieux supervised the musical selection, and Weir, Hart, Kreutzmann, and Lesh agreed to new interviews for the film. Bar-Lev's four-hour documentary, titled Long Strange Trip, was released in 2017.

"Fare Thee Well"

Main article: Fare Thee Well: Celebrating 50 Years of the Grateful Dead

In 2015, Weir, Lesh, Kreutzmann, and Hart reunited for five concerts called "Fare Thee Well: Celebrating 50 Years of the Grateful Dead". The shows were performed on June 27 and 28 at Levi's Stadium in Santa Clara, California, and on July 3, 4 and 5 at Soldier Field in Chicago. The band stated that this would be the final time that Weir, Lesh, Hart, and Kreutzmann would perform together. They were joined by Trey Anastasio of Phish on guitar, Jeff Chimenti on keyboards, and Bruce Hornsby on piano. Demand for tickets was very high. The concerts were simulcast via various media. The Chicago shows have been released as a box set of CDs and DVDs.

Panorama of the Fare Thee Well performance at Soldier Field, Chicago on July 5, 2015

Dead & Company

Main article: Dead & Company

In the fall of 2015, Mickey Hart, Bill Kreutzmann and Bob Weir joined with guitarist John Mayer, keyboardist Jeff Chimenti, and bassist Oteil Burbridge to tour in a band called Dead & Company. Mayer recounts that in 2011 he was listening to Pandora and happened upon the Grateful Dead song "Althea", and that soon Grateful Dead music was all he would listen to. The band played six tours: October–December 2015, June–July 2016, May–July 2017., May–August 2018, and May–July 2019. On October–November 2019 they played 6 dates on the "2019 Fall Fun Run". On December 27 and 28, they played at The Forum in Inglewood (Los Angeles), California as part of their "2019 New Year's Run" tour. On December 30 and 31, they played in their hometown of San Francisco at the Chase Center, featuring a bi-plane that descended from the ceiling of the Chase Center carrying the daughters of Jerry Garcia, Trixie Garcia and her half-sister, Ken Kesey's daughter Sunshine Kesey, dropping rose petals on the audience as they toured the arena.

Barlow died in 2018 and Hunter in 2019.

In 2022, John Mayer announced that Dead & Company's summer 2023 tour will be their last.

Musical style and legacy

An acoustic performance at the Warfield Theatre in San Francisco in 1980. Left to right: Garcia, Lesh, Kreutzmann, Weir, Hart, Mydland.

The Grateful Dead formed during the era when bands such as the Beatles, the Beach Boys and the Rolling Stones were dominating the airwaves. "The Beatles were why we turned from a jug band into a rock 'n' roll band", said Bob Weir. "What we saw them doing was impossibly attractive. I couldn't think of anything else more worth doing." Former folk-scene star Bob Dylan had recently put out a couple of records featuring electric instrumentation. Grateful Dead members have said that it was after attending a concert by the touring New York City band the Lovin' Spoonful that they decided to "go electric" and look for a "dirtier" sound. Jerry Garcia and Bob Weir (both of whom had been immersed in the American folk music revival of the late 1950s and early 1960s), were open-minded about the use of electric guitars.

The Grateful Dead's early music (in the mid-1960s) was part of the process of establishing what "psychedelic music" was, but theirs was essentially a "street party" form of it. They developed their "psychedelic" playing as a result of meeting Ken Kesey in Palo Alto, California, and subsequently becoming the house band for the Acid Tests he staged. They did not fit their music to an established category such as pop rock, blues, folk rock, or country & western. Individual tunes within their repertoire could be identified under one of these stylistic labels, but overall their music drew on all of these genres and, more frequently, melded several of them. Bill Graham said of the Grateful Dead, "They're not the best at what they do, they're the only ones that do what they do." Often (both in performance and on recording) the Dead left room for exploratory, spacey soundscapes.

Their live shows, fed by an improvisational approach to music, were different from most touring bands. While rock and roll bands often rehearse a standard set, played with minor variations, the Grateful Dead did not prepare in this way. Garcia stated in a 1966 interview, "We don't make up our sets beforehand. We'd rather work off the tops of our heads than off a piece of paper." They maintained this approach throughout their career. For each performance, the band drew material from an active list of a hundred or so songs.

The 1969 live album Live/Dead did capture the band in-form, but commercial success did not come until Workingman's Dead and American Beauty, both released in 1970. These records largely featured the band's laid-back acoustic musicianship and more traditional song structures. With their rootsy, eclectic stylings, particularly evident on the latter two albums, the band pioneered the hybrid Americana genre.

Beginning in the early 1990s, a new generation of bands became inspired by the Grateful Dead's improvisational ethos and marketing strategy, and began to incorporate elements of the Grateful Dead's live performances into their own shows. These include the nightly alteration of setlists, frequent improvisation, the blending of genres, and the allowance of taping, which would often contribute to the development of a dedicated fanbase. Bands associated with the expansion of the "jam scene" include Phish, The String Cheese Incident, Widespread Panic, Blues Traveler, moe., and the Disco Biscuits. Many of these groups began to look past the American roots music that the Grateful Dead drew inspiration from, and incorporated elements of progressive rock, hard rock, and electronica. At the same time, the Internet gained popularity and provided a medium for fans to discuss these bands and their performances and download MP3s. The Grateful Dead, as well as Phish, were one of the first bands to have a Usenet newsgroup.

Musicianship

Phil Lesh (left) performing with TelStar in 2008

As the band and its sound matured over thirty years of touring, playing, and recording, each member's stylistic contribution became more defined, consistent, and identifiable. Garcia's lead lines were fluid, supple and spare, owing a great deal of their character to his experience playing Scruggs style banjo, an approach which often makes use of note syncopation, accenting, arpeggios, staccato chromatic runs, and the anticipation of the downbeat. Garcia had a distinctive sense of timing, often weaving in and out of the groove established by the rest of the band as if he were pushing the beat. His lead lines were also immensely influenced by jazz soloists: Garcia cited Miles Davis, Ornette Coleman, Bill Evans, Pat Martino, George Benson, Al Di Meola, Art Tatum, Duke Ellington, and Django Reinhardt as primary influences, and frequently utilized techniques common to country and blues music in songs that called back to those traditions. Garcia often switched scales in the midst of a solo depending upon the chord changes played underneath, though he nearly always finished phrases by landing on the chord-tones. Jerry most frequently played in the Mixolydian mode, though his solos and phrases often incorporated notes from the Dorian and major/minor pentatonic scales. Particularly in the late 1960s, Garcia occasionally incorporated melodic lines derived from Indian ragas into the band’s extended, psychedelic improvisation, likely inspired by John Coltrane and other jazz artists’ interest in the sitar music of Ravi Shankar.

Lesh, who was originally a classically trained trumpet player with an extensive background in music theory, did not tend to play traditional blues-based bass forms, but more melodic, symphonic and complex lines, often sounding like a second lead guitar. In contrast to most bassists in popular music, Lesh often avoids playing the root of a chord on the downbeat, instead withholding as a means to build tension. Lesh also rarely repeats the same bassline, even from performance to performance of the same song, and often plays off of or around the other instruments with a syncopated, staccato bounce that contributes to the Dead’s unique rhythmic character.

Weir, too, was not a traditional rhythm guitarist, but tended to play unique inversions at the upper end of the Dead's sound. Weir modeled his style of playing after jazz pianist McCoy Tyner and attempted to replicate the interplay between John Coltrane and Tyner in his support, and occasional subversion, of the harmonic structure of Garcia’s voice leadings. This would often influence the direction the band’s improvisation would take on a given night. Weir and Garcia’s respective positions as rhythm and lead guitarist were not always strictly adhered to, as Weir would often incorporate short melodic phrases into his playing to support Garcia and occasionally took solos, often played with a slide. Weir’s playing is characterized by a “spiky, staccato” sound.

The two drummers, Mickey Hart and Bill Kreutzmann, developed a unique, complex interplay, balancing Kreutzmann's steady shuffle beat with Hart's interest in percussion styles outside the rock tradition. Kreuzmann has said, "I like to establish a feeling and then add radical or oblique juxtapositions to that feeling." Hart incorporated an 11-count measure to his drumming, bringing a dimension to the band's sound that became an important part of its style. He had studied tabla drumming and incorporated rhythms and instruments from world music, and later electronic music, into the band’s live performances.

The Dead’s live performances featured multiple types of improvisation derived from a vast array of musical traditions. Not unlike many rock bands of their time, the majority of the Dead’s songs feature a designated section in which an instrumental break occurs over the chord changes. These sections typically feature solos by Garcia that often originate as variations on the song’s melody, but go on to create dynamic phrases that resolve by returning to the chord-tones. Not unlike traditional improvisational jazz, they may occasionally feature several solos by multiple instruments within an undecided number of bars, such as a keyboardist, before returning to the melody. At the same time, Dead shows almost always feature a more collective, modal approach to improvisation that typically occurs during segues between songs before the band modulates to a new tonal center. Some of the Dead’s more extended jam vehicles, such as “The Other One”, “Dark Star”, and “Playing in the Band” almost exclusively make use of modulation between modes to accompany simple two-chord progressions.

Lyrical themes

Following the songwriting renaissance that defined the band's early 1970s period, as reflected in the albums Workingman's Dead and American Beauty, Robert Hunter, Jerry Garcia's primary lyrical partner, frequently made use of motifs common to American folklore including trains, guns, elements, traditional musical instruments, gambling, murder, animals, alcohol, descriptions of American geography, and religious symbolism to illustrate themes involving love and loss, life and death, beauty and horror, and chaos and order. Following in the footsteps of several American musical traditions, these songs are often confessional and feature narration from the perspective of an antihero. Critic Robert Christgau described them as "American myths" that later gave way to "the old karma-go-round". An extremely common feature in both Robert Hunter's lyrics, as well as the band's visual iconography, is the presence of dualistic and opposing imagery illustrating the dynamic range of the human experience (Heaven and hell, law and crime, dark and light, etc.). Hunter and Garcia's earlier, more directly psychedelic-influenced compositions often make use of surreal imagery, nonsense, and whimsey reflective of traditions in English poetry. In a retrospective, The New Yorker described Hunter's verses as "elliptical, by turns vivid and gnomic", which were often "hippie poetry about roses and bells and dew". Grateful Dead biographer Dennis McNally has described Hunter's lyrics as creating "a non-literal hyper-Americana" weaving a psychedelic, kaleidoscopic tapestry in the hopes of elucidating America's national character. At least one of Hunter and Bob Weir's collaborations, "Jack Straw", was inspired by the work of John Steinbeck.

Merchandising and representation

Hal Kant was an entertainment industry attorney who specialized in representing musical groups. He spent 35 years as principal lawyer and general counsel for the Grateful Dead, a position in the group that was so strong that his business cards with the band identified his role as "Czar".

Kant brought the band millions of dollars in revenue through his management of the band's intellectual property and merchandising rights. At Kant's recommendation, the group was one of the few rock 'n roll pioneers to retain ownership of their music masters and publishing rights.

In 2006, the Grateful Dead signed a ten-year licensing agreement with Rhino Entertainment to manage the band's business interests including the release of musical recordings, merchandising, and marketing. The band retained creative control and kept ownership of its music catalog.

A Grateful Dead video game titled Grateful Dead Game – The Epic Tour was released in April 2012 and was created by Curious Sense.

Sponsorship of 1992 Lithuanian Olympic Basketball Team

New York artist Greg Speirs wearing the "Skully" tie-dyed T-shirt which he designed and became a symbol of Lithuanian basketball

After Lithuania gained its independence from the USSR, the country announced its withdrawal from the 1992 Olympics due to the lack of any money to sponsor participants. But NBA star Šarūnas Marčiulionis, a native Lithuanian basketball star, wanted to help his native team to compete. His efforts resulted in a call from representatives of the Grateful Dead who set up a meeting with the band members. The band agreed to fund transportation costs for the team (about five thousand dollars) along with Grateful Dead designs for the team's jerseys and shorts. The Lithuanian basketball team won the bronze medal and the Lithuanian basketball/Grateful Dead T-shirts became part of pop culture, especially in Lithuania. The incident was covered by the documentary The Other Dream Team.

Live performances

Grateful Dead members in the early 1980s: Brent Mydland, Bob Weir, and Jerry Garcia watch Bill Kreutzmann play the drums. Not pictured are Phil Lesh and Mickey Hart.
 
Mail-ordered Grateful Dead concert tickets for their March 1994 Nassau Coliseum run of shows

The Grateful Dead toured constantly throughout their career, playing more than 2,300 concerts. They promoted a sense of community among their fans, who became known as "Deadheads", many of whom followed their tours for months or years on end. Around concert venues, an impromptu communal marketplace known as 'Shakedown Street' was created by Deadheads to serve as centers of activity where fans could buy and sell anything from grilled cheese sandwiches to home-made t-shirts and recordings of Grateful Dead concerts.

In their early career, the band also dedicated their time and talents to their community, the Haight-Ashbury area of San Francisco, making available free food, lodging, music, and health care to all. It has been said that the band performed "more free concerts than any band in the history of music".

With the exception of 1975, when the band was on hiatus and played only four concerts together, the Grateful Dead performed many concerts every year, from their formation in April 1965, until July 9, 1995. Initially all their shows were in California, principally in the San Francisco Bay Area and in or near Los Angeles. They also performed, in 1965 and 1966, with Ken Kesey and the Merry Pranksters, as the house band for the Acid Tests. They toured nationally starting in June 1967 (their first foray to New York), with a few detours to Canada, Europe and three nights at the Great Pyramid of Giza in Egypt in 1978. They appeared at the Monterey Pop Festival in 1967, the Woodstock Festival in 1969 and the Festival Express train tour across Canada in 1970. They were scheduled to appear as the final act at the infamous Altamont Free Concert on December 6, 1969, after the Rolling Stones but withdrew after security concerns. "That's the way things went at Altamont—so badly that the Grateful Dead, prime organizers and movers of the festival, didn't even get to play", staff at Rolling Stone magazine wrote in a detailed narrative on the event.

Their first UK performance was at the Hollywood Music Festival in 1970. Their largest concert audience came in 1973 when they played, along with the Allman Brothers Band and the Band, before an estimated 600,000 people at the Summer Jam at Watkins Glen. They played to an estimated total of 25 million people, more than any other band, with audiences of up to 80,000 attending a single show. Many of these concerts were preserved in the band's tape vault, and several dozen have since been released on CD and as downloads. The Dead were known for the tremendous variation in their setlists from night to night—the list of songs documented to have been played by the band exceeds 500. The band has released four concert videos under the name View from the Vault.

In the 1990s, the Grateful Dead earned a total of $285 million in revenue from their concert tours, the second-highest during the 1990s, with the Rolling Stones earning the most. This figure is representative of tour revenue through 1995, as touring stopped after the death of Jerry Garcia. In a 1991 PBS documentary, segment host Buck Henry attended an August 1991 concert at Shoreline Amphitheatre and gleaned some information from some band members about the Grateful Dead phenomenon and its success. At the time, Jerry Garcia stated, "We didn't really invent the Grateful Dead, the crowd invented the Grateful Dead, you know what I mean? We were sort of standing in line, and uh, it's gone way past our expectations, way past, so it's, we've been going along with it to see what it's gonna do next." Furthermore, Mickey Hart stated, "This is one of the last places in America that you can really have this kind of fun, you know, considering the political climate and so forth." Hart also stated that "the transformative power of the Grateful Dead is really the essence of it; it's what it can do to your consciousness. We're more into transportation than we are into music, per se, I mean, the business of the Grateful Dead is transportation." One of the band's largest concerts took place just months before Garcia's death — at their outdoor show with Bob Dylan in Highgate, Vermont, on June 15, 1995. The crowd was estimated to be over 90,000; overnight camping was allowed and about a third of the audience got in without having purchased a ticket.

Their numerous studio albums were generally collections of new songs that they had first played in concert. The band was also famous for its extended musical improvisations, having been described as having never played the same song the same way twice. Their concert sets often blended songs, one into the next, often for more than three songs at a time.

Concert sound systems

The Wall of Sound was a large sound system designed specifically for the band. The band was never satisfied with the house system anywhere they played. After the Monterey Pop Festival, the band's crew 'borrowed' some of the other performers' sound equipment and used it to host some free shows in San Francisco. In their early days, soundman Owsley "Bear" Stanley designed a public address (PA) and monitor system for them. Stanley was the Grateful Dead's soundman for many years; he was also one of the largest suppliers of LSD. Stanley's sound systems were delicate and finicky, and frequently brought shows to a halt with technical breakdowns. After Stanley went to jail for manufacturing LSD in 1970, the group briefly used house PAs, but found them to be even less reliable than those built by their former soundman. On February 2, 1970, the group contacted Bob Heil to use his system. In 1971, the band purchased their first solid-state sound system from Alembic Studios. Because of this, Alembic would play an integral role in the research, development, and production of the Wall of Sound. The band also welcomed Dan Healy into the fold on a permanent basis that year. Healy would mix the Grateful Dead's live sound until 1993.

Following Jerry Garcia's death and the band's breakup in 1995, their current sound system was inherited by Dave Matthews Band. Dave Matthews Band debuted the sound system April 30, 1996, at the first show of their 1996 tour in Richmond, Virginia.

Tapes

Like several other bands during this time, the Grateful Dead allowed their fans to record their shows. For many years the tapers set up their microphones wherever they could, and the eventual forest of microphones became a problem for the sound crew. Eventually, this was solved by having a dedicated taping section located behind the soundboard, which required a special "tapers" ticket. The band allowed sharing of their shows, as long as no profits were made on the sale of the tapes.

Of the approximately 2,350 shows the Grateful Dead played, almost 2,200 were taped, and most of these are available online. The band began collecting and cataloging tapes early on and Dick Latvala was their keeper. "Dick's Picks" is named after Latvala. After his death in 1999, David Lemieux gradually took the post. Concert set lists from a subset of 1,590 Grateful Dead shows were used to perform a comparative analysis between how songs were played in concert and how they are listened online by Last.fm members. In their book Marketing Lessons from the Grateful Dead: What Every Business Can Learn From the Most Iconic Band in History, David Meerman Scott and Brian Halligan identify the taper section as a crucial contributor to increasing the Grateful Dead's fan base.

Iconography

Over the years, a number of iconic images have come to be associated with the Grateful Dead. Many of these images originated as artwork for concert posters or album covers.

Skull and Roses
The skull and roses design was composed by Alton Kelley and Stanley Mouse, who added lettering and color, respectively, to a black and white drawing by Edmund Joseph Sullivan. Sullivan's drawing was an illustration for a 1913 edition of the Rubaiyat of Omar Khayyam. Earlier antecedents include the custom of exhibiting the relic skulls of Christian martyrs decorated with roses on their feast days. The rose is an attribute of Saint Valentine, who according to one legend, was martyred by decapitation. Accordingly, in Rome, at the church dedicated to him, the observance of his feast day included the display of his skull surrounded by roses. Kelley and Mouse's design originally appeared on a poster for the September 16 and 17, 1966, Dead shows at the Avalon Ballroom. Later, it was used as the cover for the album Grateful Dead (1971). The album is sometimes referred to as Skull and Roses.
Jester
Another icon of the Dead is a skeleton dressed as a jester and holding a lute. This image was an airbrush painting, created by Stanley Mouse in 1972. It was originally used for the cover of The Grateful Dead Songbook.
"Dancing" Bears
A series of stylized bears who appear to be dancing was drawn by Bob Thomas as part of the back cover for the album History of the Grateful Dead, Volume One (Bear's Choice) (1973). Thomas reported that he based the bears on a lead sort from an unknown font. The bear is a reference to Owsley "Bear" Stanley, who recorded and produced the album. Bear himself wrote, "the bears on the album cover are not really 'dancing'. I don't know why people think they are; their positions are quite obviously those of a high-stepping march."
Steal Your Face Skull
Perhaps the best-known Grateful Dead art icon is a red, white, and blue skull with a lightning bolt through it. The lightning bolt skull can be found on the cover of the album Steal Your Face (1976), and the image is sometimes known by that name. It was designed by Owsley Stanley and artist Bob Thomas, and was originally used as a logo to mark the band's equipment.
Dancing Terrapins
The two dancing terrapins first appeared on the cover of the album Terrapin Station (1977). They were drawn by Kelley and Mouse, based on a drawing by Heinrich Kley. Since then these turtles have become one of the Grateful Dead's most recognizable logos.
Uncle Sam Skeleton
The Uncle Sam skeleton was devised by Gary Gutierrez as part of the animation for The Grateful Dead Movie (1977). The image combines the Grateful Dead skeleton motif with the character of Uncle Sam, a reference to the then-recently written song "U.S. Blues", which plays during the animation.

Deadheads

Main article: Deadhead

Fans and enthusiasts of the band are commonly referred to as Deadheads. While the origin of the term may be unclear, Dead Heads were made canon by the notice placed inside the Skull and Roses (1971) album by manager Jon McIntire:

DEAD FREAKS UNITE: Who are you? Where are you? How are you?
Send us your name and address and we'll keep you informed.
Dead Heads, P.O. Box 1065, San Rafael, California 94901.

As each show featured a new setlist and a great deal of improvisation, Deadheads would often follow the band from city to city, attending many shows on a given tour. Many Deadheads speak of being drawn to the culture due to the sense of community that the band's shows tended to foster. Though Deadheads came from a wide array of demographics, many attempted to reproduce the aesthetics and values of the 1960s counterculture and were often stigmatized in the media. Because of the stereotyping of Deadheads as hippies, the band's shows became a common target for officials in the DEA and arrests at shows became common. As a group, the Deadheads were considered very mellow. "I'd rather work nine Grateful Dead concerts than one Oregon football game," Police Det. Rick Raynor said. "They don't get belligerent like they do at the games." Despite this reputation, in the mid-1990s, as the band's popularity grew, there were a series of minor scuffles occurring at shows that peaked with a large scale riot at the Deer Creek Music Center near Indianapolis in July 1995. This gate crashing incident caused the band to cancel the following night's show. Deadheads who appeared on the scene after the band's 1987 hit single "Touch of Grey", were often disparagingly referred to by older fans as "Touchheads." Beginning in the 1980s, a number of definable sects of Deadheads began to appear on the scene. These included the Wharf Rats, as well as the "spinners", named for whirling-style of dancing and their use of the band's music to facilitate mystical experiences.

Deadheads, particularly those who collected tapes, were known for keeping close records of the band's setlists and for comparing various live versions of the band's songs, as reflected in publications such as the various editions of "Deadbase" and "The Deadhead's Taping Compendium." This practice continues into the 21st century on digital forums and websites such as the Internet Archive, which features live recordings of nearly every available Grateful Dead show and allows users to discuss and review the site's shows.

Donation of archives

On April 24, 2008, members Bob Weir and Mickey Hart, along with Nion McEvoy, CEO of Chronicle Books, UC Santa Cruz chancellor George Blumenthal, and UC Santa Cruz librarian Virginia Steel, held a press conference announcing UCSC's McHenry Library would be the permanent home of the Grateful Dead Archive, which includes a complete archival history from 1965 to the present. The archive includes correspondence, photographs, fliers, posters, and several other forms of memorabilia and records of the band. Also included are unreleased videos of interviews and TV appearances that will be installed for visitors to view, as well as stage backdrops and other props from the band's concerts.

Blumenthal stated at the event, "The Grateful Dead Archive represents one of the most significant popular cultural collections of the 20th century; UC Santa Cruz is honored to receive this invaluable gift. The Grateful Dead and UC Santa Cruz are both highly innovative institutions—born the same year—that continue to make a major, positive impact on the world." Guitarist Bob Weir stated "We looked around, and UC Santa Cruz seems the best possible home. If you ever wrote the Grateful Dead a letter, you'll probably find it there!"

Professor of music Fredric Lieberman was the key contact between the band and the university, who let the university know about the search for a home for the archive, and who had collaborated with Mickey Hart on three books in the past, Planet Drum (1990), Drumming at the Edge of Magic (1991), and Spirit into Sound (2006).

The first large-scale exhibition of materials from the Grateful Dead Archive was mounted at the New-York Historical Society in 2010.

Awards

In 2004, Rolling Stone ranked the Grateful Dead No. 57 on their list of the 100 Greatest Artists of All Time.

On February 10, 2007, the Grateful Dead received a Grammy Lifetime Achievement Award. The award was accepted on behalf of the band by Mickey Hart and Bill Kreutzmann.

In 2011, a recording of the Grateful Dead's May 8, 1977, concert at Cornell University's Barton Hall was selected for induction into the National Recording Registry of the Library of Congress.

Twelve members of the Grateful Dead (the eleven official performing members plus Robert Hunter) were inducted into the Rock and Roll Hall of Fame in 1994, and Bruce Hornsby was their presenter.

Members

Main article: List of Grateful Dead members
 
Mickey Hart and Bob Weir at the Library of Congress 200th birthday, 2000

Lead guitarist Jerry Garcia was often viewed both by the public and the media as the leader or primary spokesperson for the Grateful Dead, but was reluctant to be perceived that way, especially since he and the other group members saw themselves as equal participants and contributors to their collective musical and creative output. Garcia, a native of San Francisco, grew up in the Excelsior District. One of his main influences was bluegrass music, and he also performed—on banjo, one of his other great instrumental loves, along with the pedal steel guitar—in bluegrass bands, notably Old & In the Way with mandolinist David Grisman.

Ned Lagin, a young MIT student and friend of the band, guested with them many times from 1970 through 1975, providing a second keyboard as well as synthesizers. Upon graduating from MIT, he began touring with the band fulltime in 1974, performing sets of electronic music with Phil Lesh, occasionally with Garcia and Kreutzmann, during the band's intermission.  The "Ned and Phil" set became a regular fixture of that era, and was featured nearly every night during their Summer '74 and Europe '74 tours, as well as their five-night residency at the Winterland Ballroom during October, 1974. Lagin is also featured in The Grateful Dead Movie. During 1974 and 1975, he would also occasionally play entire sets with the band, usually on Garcia's side of the stage, before ending his touring relationship with the band and focusing on his solo music projects, such as his album Seastones, which features several members of the Dead.

Bruce Hornsby never officially joined the band full-time because of his other commitments, but he did play keyboards at most Dead shows between September 1990 and March 1992, and sat in with the band over 100 times in all between 1988 and 1995. He added several Dead songs to his own live shows and Jerry Garcia referred to him as a "floating member" who could come and go as he pleased.

Robert Hunter and John Perry Barlow were the band's primary lyricists, starting in 1967 and 1971, respectively, and continuing until the band's dissolution. Hunter collaborated mostly with Garcia and Barlow mostly with Weir, though each wrote with other band members as well. Both are listed as official members at Dead.net, the band's website, alongside the performing members. Barlow was the only member not inducted into the Rock and Roll Hall of Fame.

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