F. Scott Fitzgerald
| |
---|---|
Fitzgerald c. 1921
| |
Born | Francis Scott Key Fitzgerald September 24, 1896 St. Paul, Minnesota, U.S. |
Died | December 21, 1940 (aged 44) Hollywood, California, U.S. |
Resting place | Saint Mary's Cemetery Rockville, Maryland, U.S. |
Years active | 1920–1940 |
Spouse |
Zelda Sayre (m. 1920)
|
Children | Frances Scott Fitzgerald |
Signature |
Francis Scott Key Fitzgerald (September 24, 1896 – December 21, 1940) was an American essayist, novelist, screenwriter, and short-story writer, although he was best known for his novels depicting the flamboyance and excess of the Jazz Age—a term which he coined. During his lifetime, he published four novels, four collections of short stories, and 164 short stories. Although he temporarily achieved popular success and fortune in the 1920s, Fitzgerald only received wide critical and popular acclaim after his death. He is widely regarded as one of the greatest American writers of the 20th century.
Fitzgerald was born into an upper-middle-class family in St. Paul, Minnesota, but was primarily raised in New York. He attended Princeton University, but due to a failed relationship and a preoccupation with writing, he dropped out in 1917 to join the army. While stationed in Alabama, he fell in love with rich socialite Zelda Sayre. Although she initially rejected him due to his financial situation, Zelda agreed to marry Fitzgerald after he had published the commercially successful This Side of Paradise (1920).
In the 1920s, Fitzgerald frequented Europe, where he was influenced by the modernist writers and artists of the "Lost Generation" expatriate community, particularly Ernest Hemingway. His second novel, The Beautiful and Damned (1922), propelled him into the New York City elite. To maintain his lifestyle during this time, he also wrote several stories for magazines. His third novel, The Great Gatsby (1925), was inspired by his rise to fame and relationship with Zelda. Although it received mixed reviews, The Great Gatsby is now widely praised, with some even labeling it the "Great American Novel". While Zelda was placed at a mental institute for her schizophrenia, Fitzgerald completed his final novel, Tender Is the Night (1934).
Faced with financial difficulties due to the declining popularity of his works, Fitzgerald turned to Hollywood, writing and revising screenplays. After a long struggle with alcoholism, he died in 1940, at the age of 44. A fifth, unfinished novel, The Last Tycoon (1941), was completed by Edmund Wilson and published after Fitzgerald's death.
Life
Early life
Born in 1896 in Saint Paul, Minnesota, to an upper-middle-class family, Fitzgerald was named after his second cousin thrice removed, Francis Scott Key, but was always known as Scott Fitzgerald. Fitzgerald was also named after his deceased sister, Louise Scott Fitzgerald,
one of two sisters who died shortly before his birth. "Well, three
months before I was born," he wrote as an adult, "my mother lost her
other two children ... I think I started then to be a writer."
His father, Edward Fitzgerald, was of Irish and English ancestry, and had moved to St. Paul from Maryland after the American Civil War. His mother was Mary "Molly" McQuillan Fitzgerald, the daughter of an Irish immigrant who had made his fortune in the wholesale grocery business. Edward Fitzgerald's first cousin once removed Mary Surratt was hanged in 1865 for conspiring to assassinate Abraham Lincoln.
Fitzgerald spent the first decade of his childhood primarily in Buffalo, New York, where his father worked for Procter & Gamble, with a short interlude in Syracuse, (between January 1901 and September 1903). Edward Fitzgerald had earlier worked as a wicker furniture salesman; he joined Procter & Gamble when the business failed. His parents, both Catholic,
sent Fitzgerald to two Catholic schools on the West Side of Buffalo,
first Holy Angels Convent (1903–1904, now disused) and then Nardin Academy
(1905–1908). His formative years in Buffalo revealed him to be a boy of
unusual intelligence with a keen early interest in literature. Her inheritance and donations from an aunt allowed the family to live a comfortable lifestyle.
In a rather unconventional style of parenting, Fitzgerald attended Holy
Angels with the arrangement that he go for only half a day—and was
allowed to choose which half.
In 1908, his father was fired from Procter & Gamble, and the family returned to Minnesota, where Fitzgerald attended St. Paul Academy in St. Paul from 1908 to 1911. When he was 13, he saw his first piece of writing appear in print—a detective story published in the school newspaper. In 1911, when Fitzgerald was 15 years old, his parents sent him to the Newman School, a prestigious Catholic prep school in Hackensack, New Jersey. Fitzgerald played on the 1912 Newman football team.
At Newman, he met Father Sigourney Fay, who noticed his incipient
talent with the written word and encouraged him to pursue his literary
ambitions.
After graduating from the Newman School in 1913, Fitzgerald enrolled at Princeton University, where he tried out for the football team and was cut the first day of practice. Honing his craft as a writer, at Princeton he became friends with future critics and writers, including Edmund Wilson and John Peale Bishop. Fitzgerald wrote for the Princeton Triangle Club, the Nassau Lit, and the Princeton Tiger. He also was involved in the American Whig-Cliosophic Society, which ran the Nassau Lit. His absorption in the Triangle—a kind of musical-comedy society—led to his submission of a novel to Charles Scribner's Sons where the editor praised the writing but ultimately rejected the book. Four of the University's eating clubs sent him bids at midyear, and he chose the University Cottage Club (where Fitzgerald's desk and writing materials are still displayed in its library).
It was while attending Princeton that Fitzgerald met Chicago socialite and debutante Ginevra King on a visit back home to St. Paul. King and Fitzgerald had a romantic relationship from 1915 to 1917.
Immediately infatuated with her, according to Mizner, Fitzgerald
"remained devoted to Ginevra as long as she would allow him to", and
wrote to her "daily the incoherent, expressive letters all young lovers
write". She would become his inspiration for the character of Isabelle Borgé, Amory Blaine's first love in This Side of Paradise, for Daisy in The Great Gatsby, and several other characters in his novels and short stories. Her father reportedly warned Fitzgerald that "Poor boys shouldn't think of marrying rich girls." After their relationship ended in 1917, Fitzgerald requested that Ginevra destroy the letters that he had written to her.
However, he never destroyed the letters that King had sent him. After
his death in 1940 his daughter "Scottie" sent the letters back to King
where she kept them until her death. She never shared the letters with
anyone.
At Princeton, Fitzgerald's writing pursuits came at the expense
of his coursework, consequently causing him to be placed on academic
probation, and in 1917 he dropped out to join the Army. During the winter of 1917, Fitzgerald was stationed at Fort Leavenworth and was a student of future United States President and General of the Army Dwight Eisenhower whom he intensely disliked. Worried that he might die in the War with his literary dreams unfulfilled, Fitzgerald hastily wrote The Romantic Egotist
in the weeks before reporting for duty—and, although Scribners rejected
it, the reviewer noted his novel's originality and encouraged
Fitzgerald to submit more work in the future. Fitzgerald would later regret not serving in combat, as detailed in his short story "I Didn’t Get Over" (1936).
Zelda Fitzgerald
In 1918, Fitzgerald was commissioned a second lieutenant in the infantry and assigned to Camp Sheridan outside of Montgomery, Alabama. While at a country club, Fitzgerald met and fell in love with Zelda Sayre, the youngest daughter of Alabama Supreme Court Justice Anthony D. Sayre and the "golden girl", in Fitzgerald's terms, of Montgomery society.
They began a courtship, but were briefly interrupted in October when he
was summoned north. He expected to be sent to France, but was instead
assigned to Camp Mills, Long Island. While he was there, the Armistice with Germany
was signed. He then returned to the base near Montgomery, and by
December they were inseparable. He would later describe their behavior
as "sexual recklessness."
Upon his discharge on February 14, 1919, he moved to New York
City, where he unsuccessfully begged each of the city editors of the
seven newspapers for a job. He then turned to a career in advertising,
hopeful that it would be lucrative enough to persuade Zelda to marry
him. Fitzgerald wrote to Zelda frequently, and by March 1920, he had sent Zelda his mother's ring, and the two had become engaged.
Many of Zelda's friends and members of her family were wary of the
relationship, as they did not approve of his excessive drinking, and
Zelda's Episcopalian family did not like the fact that he was a Catholic. At the time, Fitzgerald was working for the Barron Collier
advertising agency, living in a single room at 200 Claremont Avenue in
the Morningside Heights neighborhood on Manhattan's west side. Although
he received a raise for creating a slogan for a laundry in Iowa: "We
keep you clean in Muscatine", Fitzgerald was still relatively poor. Frustrated, he quit his job and left New York.
Despite working at an advertising firm and writing several short
stories, he was unable to convince her that he would be able to support
her, leading her to break off the engagement. Fitzgerald returned to his
parents' house at 599 Summit Avenue, on Cathedral Hill, in St. Paul, to revise The Romantic Egotist, recast as This Side of Paradise, a semi-autobiographical account of Fitzgerald's undergraduate years at Princeton. Fitzgerald was so short of money that he took up a job repairing car roofs.
His revised novel was accepted by Scribner's in the fall of 1919 and
was published on March 26, 1920 and became an instant success, selling
41,075 copies in the first year.
It launched Fitzgerald's career as a writer and provided a steady
income suitable to Zelda's needs. They resumed their engagement and
were married at St. Patrick's Cathedral, New York.
On Valentine's Day in 1921, while Fitzgerald was working to finish his second novel, The Beautiful and Damned, Zelda discovered she was pregnant. They decided to go to his home in St. Paul, Minnesota to have the baby. On October 26, 1921, she gave birth to their daughter and only child Frances Scott "Scottie" Fitzgerald.
As she emerged from the anesthesia, he recorded Zelda saying, "Oh, God,
goofo I'm drunk. Mark Twain. Isn't she smart—she has the hiccups. I
hope it's beautiful and a fool—a beautiful little fool." Many of her
words found their way into his novels: in The Great Gatsby, the character Daisy Buchanan expresses a similar hope for her daughter.
Jazz Age
It was an age of miracles, it was an age of art, it was an age of excess, and it was an age of satire.
—F. Scott Fitzgerald in Tales of the Jazz Age
Following Fitzgerald's adaptation of his short story "The Vegetable" into a play, he and Zelda moved to Great Neck, Long Island to be near Broadway.
Although he hoped that this was the beginning of a lucrative career in
theater, the play failed at its tryout in November 1923. Fitzgerald
turned to short stories to pay the debt he had incurred in developing
his play. He despised his short stories, saying they were "all trash and it nearly broke my heart."
In 1922, Fitzgerald released Tales of the Jazz Age, which was composed of 11 short stories, all but two written before 1920. This collection's title would lend itself to the eponymous time period.
In New York City the Fitzgeralds quickly became celebrities, as much for their wild behavior as for the success of This Side of Paradise. They were ordered to leave both the Biltmore Hotel and the Commodore Hotel for their drunkenness. Zelda once jumped into the fountain at Union Square. When Dorothy Parker
first met them, they were sitting atop a taxi. Parker said, "They did
both look as though they had just stepped out of the sun; their youth
was striking. Everyone wanted to meet him."
Their social life was fueled with alcohol. Publicly, this meant little
more than napping when they arrived at parties, but privately it
increasingly led to bitter fights. To their delight, in the pages of the New York newspapers the couple had become icons of youth and success—enfants terribles of the Jazz Age. The couple would later be seen as the epitome of the period, with Ring Lardner Jr. labelling them "the prince and princess of their generation."
After the birth of Scottie, Fitzgerald returned to writing The Beautiful and Damned.
But in early 1922, Zelda again became pregnant. Although some writers
have claimed that his diaries include an entry referring to "Zelda and
her abortionist", there is, in fact, no such entry. Zelda's thoughts on
the second pregnancy are unknown, but in the first draft of The Beautiful and Damned,
he wrote a scene in which the main female character Gloria believes she
is pregnant and Anthony suggests she "talk to some woman and find out
what's best to be done. Most of them fix it some way." Anthony's
suggestion was removed from the final version, a change which shifted
focus from the abortion choice to Gloria's concern that a baby would
ruin her figure. Chapters of the book were serialized in Metropolitan Magazine
in late 1921, and in March 1922, the book was published. Scribner's
prepared an initial print run of 20,000 copies, and mounted an
advertising campaign. It sold well enough to warrant additional print
runs reaching 50,000 copies.
Europe
In spring 1924, Fitzgerald and his family moved to France, where he
would begin writing his third novel, which would eventually become The Great Gatsby. Fitzgerald had been planning the novel since 1923, when he told his publisher Maxwell Perkins of his plans "to write something new - something extraordinary and beautiful and simple and intricately patterned." Initially titled Trimalchio, an allusion to the Latin work Satyricon, it followed the rise of a freedman to wealth and power. During the Fitzgeralds’ sojourn in Rome in late 1924, Fitzgerald would rewrite his manuscript several times, replacing the freedman with Jay Gatsby.
He declined an offer of $10,000 for the serial rights, fearing it would
delay the book's publication, set for April 10, 1925. Upon its release,
fellow writers T. S. Eliot, Edith Wharton, and Willa Cather praised Fitzgerald's latest work, but it was snubbed by most critics and audiences. The New York World ran a headline declaring "Fitzgerald's Latest A Dud". For the rest of his life, The Great Gatsby
experienced tepid sales. For example, in 1929 Fitzgerald only received
royalties of $5.10 from the American edition and just $0.34 from the
English edition. It would take many decades for the novel to gain its present acclaim and popularity.
Fitzgerald returned to France, where he would alternate between Paris and the French Riviera until 1926. He began writing his fourth novel, provisionally titled The Boy Who Killed His Mother, Our Type, and then The World’s Fair.
During this period he became friends with many members of the American
expatriate community in Paris, including a relatively unknown Ernest Hemingway, whom Fitzgerald greatly admired.
Fitzgerald's friendship with Hemingway was quite effusive, as many of
Fitzgerald's relationships would prove to be. Hemingway did not get on
well with Zelda, however, and in addition to describing her as "insane"
in his memoir A Moveable Feast, Hemingway claimed that Zelda "encouraged her husband to drink so as to distract Fitzgerald from his work on his novel",
so he could work on the short stories he sold to magazines to help
support their lifestyle. Like most professional authors at the time,
Fitzgerald supplemented his income by writing short stories for such
magazines as The Saturday Evening Post, Collier's Weekly, and Esquire, and sold his stories and novels to Hollywood studios. This "whoring", as Fitzgerald and Hemingway called these sales,
was a sore point in the two authors' friendship. Fitzgerald claimed
that he would first write his stories in an 'authentic' manner, then
rewrite them to put in the "twists that made them into salable magazine
stories".
While Fitzgerald had been writing The Great Gatsby, Zelda had become infatuated with a young French aviator, Edouard S. Jozan.
She spent afternoons swimming at the beach and evenings dancing at the
casinos with Jozan. After six weeks, Zelda asked for a divorce.
Fitzgerald at first demanded to confront Jozan, but instead dealt with
Zelda's demand by locking her in their house, until she abandoned her
request for divorce. Jozan did not know she'd asked for a divorce. He
left the Riviera later that year, and the Fitzgeralds never saw him
again. Later in life he told Zelda's biographer Milford that any
infidelity was imaginary: "They both had a need of drama, they made it
up and perhaps they were the victims of their own unsettled and a little
unhealthy imagination." In A Moveable Feast, Hemingway claimed that Zelda taunted Fitzgerald over the size of his penis.
After examining it in a public restroom, Hemingway told Fitzgerald
"You're perfectly fine," assuring him that it was larger than those of
statues at the Louvre. One of the most serious rifts occurred when Zelda told him that their sex life had declined because he was "a fairy" and was likely having a homosexual affair with Hemingway. There is no evidence that either was homosexual, but Fitzgerald nonetheless decided to have sex with a prostitute
to prove his heterosexuality. Zelda found condoms that he had purchased
before any encounter occurred, and a bitter fight ensued, resulting in
lingering jealousy. She later threw herself down a flight of marble stairs at a party because Fitzgerald, engrossed in talking to Isadora Duncan, was ignoring her. In September 1924, Zelda overdosed on sleeping pills. The couple never spoke of the incident and refused to discuss whether it was a suicide attempt.
Decline
His talent was as
natural as the pattern that was made by the dust on a butterfly's wings.
At one time he understood it no more than the butterfly did and he did
not know when it was brushed or marred. Later he became conscious of his
damaged wings and of their construction and he learned to think and
could not fly any more because the love of flight was gone and he could
only remember when it had been effortless.
—Ernest Hemingway on Fitzgerald's loss of talent in A Moveable Feast
In 1927, the Fitzgeralds returned to the United States, where they would rent "Ellerslie", a mansion near Wilmington, Delaware
until 1929. Fitzgerald tried to continue working on his fourth novel,
but by this point it had become clear that Zelda had an extreme mental
illness as her behavior grew increasingly erratic. By 1930 she was
diagnosed with schizophrenia. Fitzgerald had her treated at a clinic in Switzerland. They returned to America in September 1931. In February 1932, she was hospitalized at the Phipps Clinic at Johns Hopkins University in Baltimore, Maryland.
During this time, Fitzgerald rented the "La Paix" estate in the suburb of Towson, Maryland
to work on his latest book, the story of the rise and fall of Dick
Diver, a promising young psychiatrist who falls in love with and marries
Nicole Warren, one of his patients. The book went through many
versions, the first of which was to be a story of matricide. Some critics have seen the book as a thinly veiled autobiographical novel
recounting Fitzgerald's problems with his wife, the corrosive effects
of wealth and a decadent lifestyle, his own egoism and self-confidence,
and his continuing alcoholism.
Indeed, Fitzgerald was extremely protective of his "material" (i.e.,
their life together). When Zelda wrote and sent to Scribner's her own
fictional version of their lives in Europe, Save Me the Waltz,
Fitzgerald was angry and was able to make some changes prior to the
novel's publication, and convince her doctors to keep her from writing
any more about what he called his "material", which included their
relationship. His book was finally published in 1934 as Tender Is the Night.
The novel received mixed opinions from critics. Most were thrown off by
its three-part structure and many felt that Fitzgerald had not lived up
to their expectations.
Hemingway and others have argued that such overly harsh criticism
stemmed from superficial readings of the material, and Depression-era
America's reaction to Fitzgerald's status as a symbol of Jazz Age
excess. The novel did not sell well upon publication, with only 12,000 sold in the first 3 months, but, like the earlier Gatsby, the book's reputation has since risen significantly.
Because of the their opulent lifestyle as well as the bills from
Zelda's medical care, Fitzgerald was constantly in financial trouble and
often required loans from his literary agent, Harold Ober, and his editor at Scribner's, Maxwell Perkins. When Ober decided not to continue advancing money to Fitzgerald, the author severed ties with his longtime friend and agent.
Fitzgerald's alcoholism and financial difficulties, in addition to
Zelda's mental illness, made for difficult years in Baltimore. He was
hospitalized nine times at Johns Hopkins Hospital, and his friend H. L. Mencken
noted in a 1934 letter that "The case of F. Scott Fitzgerald has become
distressing. He is boozing in a wild manner and has become a nuisance."
In 1935, Fitzgerald wrote Perkins, admitting that alcohol was
disrupting his writing, limiting his "mental speed." From 1933 to 1937,
Fitzgerald was hospitalized for alcoholism 8 times and arrested several
times. Nearly bankrupt, Fitzgerald spent most of 1936 and 1937 living in various hotels near Asheville, North Carolina. Fitzgerald would later refer to this period of decline in his life as "The Crack-Up" in the eponymous short story. Shortly after the release of this story, Hemingway would refer to Fitzgerald as "poor Scott" in his short story "The Snows of Kilimanjaro".
With the arrival of the Great Depression, many of Fitzgerald's works were seen as elitist and materialistic. In 1933, Matthew Josephson
scolded Fitzgerald: "There are ever so many Americans, we recall, who
can’t be drinking champagne from morning to night, can’t ever go to
Princeton or Montpar-nasse or even Greenwich Village for their finishing process."
Hollywood years
In 1926, Fitzgerald was invited by producer John W. Considine Jr. to
temporarily relocate to Hollywood in order to write a flapper comedy for
United Artists. He agreed, moving into a studio-owned bungalow in January 1927. He soon met and began an affair with Lois Moran. The starlet became a temporary muse for the author and he rewrote Rosemary Hoyt, one of the central characters in Tender is the Night—who
had been a male in earlier drafts—to closely mirror her. The trip
exacerbated the couple's marital difficulties, and they left Hollywood
after two months.
In the ensuing years, Zelda became increasingly violent and emotionally
distressed, and in 1936, Fitzgerald had her placed in the Highland Hospital in Asheville, North Carolina. The last time the two would see each other would be a 1939 trip to Cuba.
During this trip, Fitzgerald was beaten up when he tried to stop a
cockfight and returned to the United States so intoxicated and exhausted
that he was hospitalized.
By the mid 1930s, Fitzgerald’s popularity and fame had greatly
decreased, and consequently, he had begun to suffer financially. Public
demand had decreased so much for Fitzgerald's works, that by 1936, his
book royalties barely amounted to eighty dollars. Although he reportedly found movie work degrading, Fitzgerald entered into a lucrative exclusive deal with Metro-Goldwyn-Mayer in 1937, that necessitated him moving to Hollywood, where he earned his highest annual income up to that point: $29,757.87. During his two years in California, Fitzgerald rented a room at the Garden of Allah bungalow complex on Sunset Boulevard. In an effort to abstain from alcohol, Fitzgerald resorted to drinking large amounts of bottled Coca-Cola. He also began a high-profile live-in affair with movie columnist Sheilah Graham.
At one point during their affair, Fitzgerald attempted to give her one
of his books, but after visiting several bookstores, he realized that
they had stopped carrying his books.
On occasions that Fitzgerald became drunk, he would tell others, "I'm
F. Scott Fitzgerald. You've read my books. You've read "The Great
Gatsby," haven't you? Remember?"
The projects Fitzgerald worked on included two weeks' unused dialog work on loanout to David Selznick for Gone with the Wind, and, for MGM, revisions on Madame Curie, for which he received no credits. His only screenplay credit is for Three Comrades. He also spent time during this period working on his fifth and final novel, The Love of the Last Tycoon, published posthumously as The Last Tycoon, based on film executive Irving Thalberg. Fitzgerald often ignored scriptwriting rules, writing prose and description more fitting for a novel, annoying the studio. In 1939, MGM terminated the contract, and Fitzgerald became a freelance screenwriter. During his work on Winter Carnival, Fitzgerald went on an alcoholic binge and was treated by New York psychiatrist Richard H. Hoffmann. Director Billy Wilder described Fitzgerald's foray into Hollywood as being like that of "a great sculptor who is hired to do a plumbing job." Edmund Wilson and Aaron Latham would later suggest that Hollywood sucked Fitzgerald's creativity like a "vampire". From 1939 until his death in 1940, Fitzgerald mocked himself as a Hollywood hack through the character of Pat Hobby in a sequence of 17 short stories, later collected as "The Pat Hobby Stories", which garnered many positive reviews. The Pat Hobby Stories were originally published in Esquire between January 1940 and July 1941, even after Fitzgerald's death.
In his final year of life, Fitzgerald wrote his daughter "I wish now
I'd never relaxed or looked back - but said at the end of 'The Great
Gatsby': I've found my line - from now on this comes first. This is my
immediate duty - without this I am nothing."
Illness and death
Fitzgerald, an alcoholic since college, became notorious during the
1920s for his extraordinarily heavy drinking, which would undermine his
health by the late 1930s. His alcoholism resulted in cardiomyopathy, coronary artery disease, angina, dyspnea, and syncopal spells. According to Zelda's biographer, Nancy Milford, Fitzgerald claimed that he had contracted tuberculosis, but Milford dismisses it as a pretext to cover his drinking problems; however, Fitzgerald scholar Matthew J. Bruccoli contends that Fitzgerald did in fact have recurring tuberculosis, and according to Milford, Fitzgerald biographer Arthur Mizener
said that Fitzgerald suffered a mild attack of tuberculosis in 1919,
and in 1929 he had "what proved to be a tubercular hemorrhage". In the
1930s, Fitzgerald had told Hemingway of his fear of dying from
"congestion of the lungs." Others have suggested that the writer's hemorrhage was caused by bleeding from esophageal varices.
Fitzgerald's deteriorating mental state and drinking habits were
captured publicly in an article published by Michel Mok titled "The
Other Side of Paradise, Scott Fitzgerald, 40, Engulfed in Despair",
first published in the New York Post, September 25, 1936.
This is considered to have caused considerable damage to Fitzgerald's
reputation and it is rumored that Fitzgerald tried to commit suicide
after reading it. Fitzgerald suffered two heart attacks in the late 1930s. After the first, in Schwab's Drug Store, he was ordered by his doctor to avoid strenuous exertion. He moved in with the gossip columnist Sheilah Graham, who lived in Hollywood on North Hayworth Avenue, one block east of Fitzgerald's apartment on North Laurel Avenue.
Fitzgerald had two flights of stairs to climb to his apartment;
Graham's was on the ground floor. On the night of December 20, 1940,
Fitzgerald and Graham attended the premiere of This Thing Called Love starring Rosalind Russell and Melvyn Douglas. As the two were leaving the Pantages Theater, Fitzgerald experienced a dizzy spell and had trouble walking; upset, he said to Graham, "They think I am drunk, don't they?"
The following day, as Fitzgerald ate a candy bar and made notes in his newly arrived Princeton Alumni Weekly,
Graham saw him jump from his armchair, grab the mantelpiece, gasp, and
fall to the floor. She ran to the manager of the building, Harry Culver,
founder of Culver City. Upon entering the apartment to assist
Fitzgerald, he stated, "I'm afraid he's dead." Fitzgerald had died of a
heart attack at the age of 44. Dr. Clarence H. Nelson, Fitzgerald's
physician, signed the death certificate. Among the attendees at a visitation held at a funeral home was Dorothy Parker, who reportedly cried and murmured "the poor son-of-a-bitch", a line from Jay Gatsby's funeral in Fitzgerald's The Great Gatsby. His body was transported to Bethesda, Maryland, where his funeral was attended by only thirty people; among the attendees were his only child, Frances "Scottie" Fitzgerald Lanahan Smith, and his editor, Maxwell Perkins.
At the time of his death, the Roman Catholic Church denied the
family's request that Fitzgerald, a non-practicing Catholic, be buried
in the family plot in the Catholic Saint Mary's Cemetery in Rockville, Maryland. Fitzgerald was instead buried at Rockville Union Cemetery. When Zelda Fitzgerald died in 1948, in a fire at the Highland Mental Hospital in Asheville, North Carolina,
she was originally buried next to him at Rockville Union. Only one
photograph of the original gravesite is known to exist. It was taken in
1970 by Fitzgerald scholar Richard Anderson and was first published as
part of an essay by fellow-scholar Bryant Mangum, "An Affair of Youth:
in search of flappers, belles, and the first grave of the Fitzgeralds",
in Broad Street Magazine in 2016.
In 1975, their daughter Scottie successfully petitioned to have the
earlier decision revisited and her parents' remains were moved to the
family plot in Saint Mary's.
Critical reevaluation
By the time of his death, Fitzgerald was essentially unknown to the
general public. Even after his death, Scribners still had many unsold
editions of The Great Gatsby from its first printing. As late as the 1940s, many of Fitzgerald's works were labelled period pieces, with critic Peter Quennell dismissing The Great Gatsby as having "the sadness and the remote jauntiness of a Gershwin tune."
When Edmund Wilson published his finished version of The Last Tycoon, he included The Great Gatsby within the edition, sparking new interest and discussion. The Great Gatsby would gain further popularity during World War II, when it was selected to be part of the Armed Services Editions, books which were printed for American troops. Through an arrangement with the Red Cross, some novels were even sent to Japanese and German POW camps. By 1945, over 123,000 copies of The Great Gatsby had been distributed among American troops. By 1960, New York Times editorialist Arthur Mizener declared that it was "probably safe now to say that it is a classic of twentieth-century American fiction." Into the 21st century, millions of copies of The Great Gatsby and his other works have been sold, and Gatsby, a constant best-seller, is required reading in many high school and college classes.
The popular resurgence of The Great Gatsby also led to greater admiration and appreciation for Fitzgerald himself. In the 1950s, literary critic Edmund Wilson,
who had attended Princeton with Fitzgerald, noted that Fitzgerald had
taken on “the aspect of a martyr, a sacrificial victim, a semi-divine
personage.” William Troy labelled Fitzgerald "one of the few truly mythological creations in our culture." Adam Gopnik
noted that, counter to Fitzgerald's famous claim that "there are no
second acts in American lives," Fitzgerald has become "not a poignant
footnote to an ill-named time but an enduring legend of the West." A mythos has evolved around Fitzgerald and his life. In a 2008 interview, Jay McInerney
claimed that "people believe the myth of Fitzgerald is—that he was
seduced by this world that he wrote about, and that he ultimately
couldn’t separate his life and his art." Fitzgerald's momentary success and early death result in many seeing him as a tragic figure.
Analysis
Race and religion
Some have alleged that Fitzgerald held racist views. In a 1921 letter to Edmund Wilson
he wrote "The negroid streak creeps northward to defile the Nordic
race. Already the Italians have the souls of blackamoors," and "I
believe at last in the white man’s burden. We are as far above the
modern Frenchman as he is above the Negro. Even in art!" According to George Jean Nathan,
Fitzgerald "once aroused the wrathful indignation of colored elevator
boys in a New York hotel where he was staying by confining their tips at
Christmastime to fancily wrapped bottles of a well-known deodorant.”
Later in life, Fitzgerald would call these views "philistine,
anti-socialistic, provincial and racially snobbish."
Fitzgerald's depictions of Jews, such as "small flat-nosed" Meyer Wolfsheim in The Great Gatsby, a Jewish character labelled a "dirty little kyke" in "Two Wrongs" and "a fat Jewess, inlaid with diamonds" in Echoes of the Jazz Age, have been labelled antisemitic.
Fitzgerald objected to this, saying Wolfsheim "fulfilled a function in
the story and had nothing to do with race or religion." Further,
Fitzgerald had long had personal relationships with Jews. Sheilah Graham was born to Jewish parents from Ukraine. According to Graham, he also enjoyed Jewish delicatessens, where he would order knishes. During the last two years of his life, he had a Jewish assistant and secretary, Frances Kroll Ring.
In 1947, Milton Hindus, an assistant humanities professor at the University of Chicago, published an article on The Great Gatsby which claimed: "The novel reads very much like an anti-Semitic document." However, James West, a professor at Pennsylvania State University,
explained "These slurs are not spoken in Fitzgerald's authorial voice.
It's the characters who are antisemitic, not Fitzgerald."
Influence and legacy
Fitzgerald's work has inspired writers ever since he was first published. The publication of The Great Gatsby prompted T. S. Eliot to write, in a letter to Fitzgerald, "It seems to me to be the first step that American fiction has taken since Henry James ..." Don Birnam, the protagonist of Charles Jackson's The Lost Weekend, says to himself, referring to The Great Gatsby, "There's no such thing ... as a flawless novel. But if there is, this is it." In letters written in the 1940s, J. D. Salinger expressed admiration of Fitzgerald's work, and his biographer Ian Hamilton wrote that Salinger even saw himself for some time as "Fitzgerald's successor". Richard Yates, a writer often compared to Fitzgerald, called The Great Gatsby "the most nourishing novel [he] read ... a miracle of talent ... a triumph of technique". It was written in an editorial in The New York Times
after his death that Fitzgerald "was better than he knew, for in fact
and in the literary sense he invented a generation ... He might have
interpreted them and even guided them, as in their middle years they saw
a different and nobler freedom threatened with destruction."
Adaptations and portrayals
Fitzgerald's works have been adapted into films many times. One of
the earliest Fitzgerald short stories was adapted into a 1921 silent
film The Off-Shore Pirate. His short story, "The Curious Case of Benjamin Button," was the basis for a 2008 film. Tender Is the Night was the subject of the eponymous 1962 film, and made into a television miniseries in 1985. The Beautiful and Damned was filmed in 1922 and 2010. The Great Gatsby has been the basis for numerous films of the same name, spanning nearly 90 years: 1926, 1949, 1974, 2000, and 2013 adaptations. In 1976, The Last Tycoon was filmed by Elia Kazan, with Robert de Niro, Tony Curtis, Robert Mitchum, Jeanne Moreau and others.
Beyond his own characters, Fitzgerald himself has been portrayed
in dozens of books, plays, and films. Fitzgerald was the main
inspiration for Budd Schulberg's novel The Disenchanted (1950), which followed a screenplay writer in Hollywood working with a drunk and flawed novelist. It was later adopted into a Broadway play starring Jason Robards. A musical about the lives of Fitzgerald and wife Zelda Fitzgerald was composed by Frank Wildhorn titled Waiting for the Moon. Fitzgerald is of international appeal, as even the Japanese Takarazuka Revue has created a musical adaptation of Fitzgerald's life. The last years of Fitzgerald and his affair with Sheilah Graham, was the theme of the movie Beloved Infidel (1959) based on Graham's 1958 memoir by the same name. The film depicts Fitzgerald (played by Gregory Peck) during his final years and his relationship with Graham (played by Deborah Kerr). Another film, Last Call (2002) portrays the relationship between Fitzgerald (Jeremy Irons) and Frances Kroll Ring (Neve Campbell). David Hoflin and Christina Ricci portray the Fitzgerald’s in Amazon Prime's 2015 television series Z: The Beginning of Everything. Others include the TV movies Zelda (1993, with Timothy Hutton), F. Scott Fitzgerald in Hollywood (1976, with Jason Miller), and F. Scott Fitzgerald and 'The Last of the Belles' (1974, with Richard Chamberlain). Tom Hiddleston and Alison Pill appear briefly as Fitzgerald and Zelda in Woody Allen's 2011 feature film Midnight in Paris. Guy Pearce and Vanessa Kirby portray the couple in Genius (2016).
Legacy
Fitzgerald died before he could complete The Last Tycoon.
His manuscript, which included extensive notes for the unwritten part
of the novel's story, was edited by his friend, the literary critic Edmund Wilson, and published in 1941 as The Last Tycoon. In 1994 the book was reissued under the original title The Love of The Last Tycoon, which is now agreed to have been Fitzgerald's preferred title.
Some 2000 pages of work that Fitzgerald had written for Metro-Goldwyn-Mayer were purchased for $475,000 by the University of South Carolina in 2004. The school's Arlyn Bruccoli, a major archivist of work done by the Lost Generation,
explained that the cache "corrects this distorted view of Fitzgerald's
Hollywood years, the idea that he was just staggering around drunk all
the time and not earning his salary."
In 2015, an editor of The Strand Magazine
discovered and published for the first time an 8,000-word manuscript,
dated July 1939, of a Fitzgerald short story titled "Temperature". Long thought lost, Fitzgerald's manuscript for the story was found in the rare books and manuscript archives at Princeton University, his alma mater. As described by Strand,
"Temperature", set in Los Angeles, tells the story of the failure,
illness and decline of a once successful writer and his life among
Hollywood idols, while suffering lingering fevers and indulging in
light-hearted romance.
The protagonist is a 31-year-old self-destructive, alcoholic named
Emmet Monsen, whom Fitzgerald describes in his story as "notably
photogenic, slender and darkly handsome". It tells of his personal
relationships as his health declined with various doctors, personal
assistants, and a Hollywood actress who is his lover. "As for that
current dodge 'No reference to any living character is intended' – no
use even trying that", Fitzgerald writes at the beginning of the story.
Fitzgerald bibliographies had previously listed the story, sometimes
referred to as "The Women in the House", as "unpublished", or as "Lost –
mentioned in correspondence, but no surviving transcript or
manuscript".
An F. Scott Fitzgerald Society was established in 1992 at Hofstra University, and has since become an international association and an affiliate of the American Literature Association. During the COVID-19 pandemic, the society organized a mass online reading of This Side of Paradise to mark its centenary. Fitzgerald is also the namesake of the Fitzgerald Theater in St. Paul, Minnesota, home of the radio broadcast of A Prairie Home Companion.
Fitzgerald's childhood Summit Terrace home in St. Paul was listed as a National Historic Landmark in 1971. Fitzgerald reportedly hated the house, labelling it "a mausoleum of American architectural monstrosities."