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Sunday, December 5, 2021

Book burning

From Wikipedia, the free encyclopedia
 
Contemporary book burning
 
Thousands of books smoulder in a huge bonfire as Germans give the Nazi salute during the wave of book-burnings that spread throughout Germany.

Book burning is the deliberate destruction by fire of books or other written materials, usually carried out in a public context. The burning of books represents an element of censorship and usually proceeds from a cultural, religious, or political opposition to the materials in question.

In some cases, the destroyed works are irreplaceable and their burning constitutes a severe loss to cultural heritage. Examples include the burning of books and burying of scholars under China's Qin Dynasty (213–210 BCE), the obliteration of the Library of Baghdad (1258), the destruction of Aztec codices by Itzcoatl (1430s), the burning of Maya codices on the order of bishop Diego de Landa (1562), and the Burning of Jaffna Public Library in Sri Lanka (1981).

In other cases, such as the Nazi book burnings, copies of the destroyed books survive, but the instance of book burning becomes emblematic of a harsh and oppressive regime which is seeking to censor or silence some aspect of prevailing culture.

Book burning can be an act of contempt for the book's contents or author, and the act is intended to draw wider public attention to this opinion.

Art destruction is related to book burning, both because it might have similar cultural, religious, or political connotations, and because in various historical cases, books and artworks were destroyed at the same time.

In modern times, other forms of media, such as phonograph records, video tapes, and CDs have also been burned, shredded, or crushed.

When the burning is widespread and systematic, destruction of books and media can become a significant component of cultural genocide.

Historical background

In 1933, Nazis burned works of Jewish authors, and other works considered "un-German", at the library of the Institut für Sexualwissenschaft in Berlin.

The burning of books has a long history as a tool that has been wielded by authorities both secular and religious, in their efforts to suppress dissenting or heretical views that are believed to pose a threat to the prevailing order.

7th century BCE

According to the Tanakh (Hebrew Bible), in the 7th century BCE King Jehoiakim of Judah burned part of a scroll that Baruch ben Neriah had written at prophet Jeremiah's dictation (Jeremiah 36).

Burning of books and burying of scholars in China (210–213 BCE)

Killing the Scholars and Burning the Books in 210–213 BC (18th-century Chinese painting)

In 213 BCE Qin Shi Huang, the first emperor of the Qin Dynasty, ordered the Burning of books and burying of scholars and in 210 BCE he supposedly ordered the live burial of 460 Confucian scholars in order to stay on his throne. Though the burning of books is well established, the live burial of scholars has been disputed by modern historians who doubt the details of the story, which first appeared more than a century later in the Han Dynasty official Sima Qian's Records of the Grand Historian. Some of these books were written in Shang Xiang, a superior school founded in 2208 BCE. The event caused the loss of many philosophical treatises of the Hundred Schools of Thought. Treatises which advocated the official philosophy of the government ("legalism") survived.

Christian book burnings

In the New Testament's Acts of the Apostles, it is claimed that Paul performed an exorcism in Ephesus. After men in Ephesus failed to perform the same feat many gave up their "curious arts" and burned the books because apparently, they did not work.

And many that believed, came and confessed and shewed their deeds. Many of them also which used curious arts, brought their books together, and burned them before all men: and they counted the price of them, and found it fifty thousand pieces of silver.

After the First Council of Nicea (325 CE), Roman emperor Constantine the Great issued an edict against nontrinitarian Arians which included a prescription for systematic book-burning:

"In addition, if any writing composed by Arius should be found, it should be handed over to the flames, so that not only will the wickedness of his teaching be obliterated, but nothing will be left even to remind anyone of him. And I hereby make a public order, that if someone should be discovered to have hidden a writing composed by Arius, and not to have immediately brought it forward and destroyed it by fire, his penalty shall be death. As soon as he is discovered in this offense, he shall be submitted for capital punishment....."

According to Elaine Pagels, "In AD 367, Athanasius, the zealous bishop of Alexandria... issued an Easter letter in which he demanded that Egyptian monks destroy all such unacceptable writings, except for those he specifically listed as 'acceptable' even 'canonical'—a list that constitutes the present 'New Testament'". (Pagels cites Athanasius's Paschal letter (letter 39) for 367 CE, which prescribes a canon, but her citation "cleanse the church from every defilement" (page 177) does not explicitly appear in the Festal letter.) Heretical texts do not turn up as palimpsests, scraped clean and overwritten, as do many texts of Classical antiquity. According to author Rebecca Knuth, multitudes of early Christian texts have been as thoroughly "destroyed" as if they had been publicly burnt.

Burning of Nestorian books

Activity by Cyril of Alexandria (c. 376–444) brought fire to almost all the writings of Nestorius (386–450) shortly after 435. 'The writings of Nestorius were originally very numerous', however, they were not part of the Nestorian or Oriental theological curriculum until the mid-sixth century, unlike those of his teacher Theodore of Mopsuestia, and those of Diodorus of Tarsus, even then they were not key texts, so relatively few survive intact, cf. Baum, Wilhelm and Dietmar W. Winkler. 2003. The Church of the East: A Concise History. London: Routledge.

Burning of Arian books

According to the Chronicle of Fredegar, Recared, King of the Visigoths (reigned 586–601) and first Catholic king of Spain, following his conversion to Catholicism in 587, ordered that all Arian books should be collected and burned; and all the books of Arian theology were reduced to ashes, along with the house in which they had been purposely collected. Which facts demonstrate that Constantine's edict on Arian works was not rigorously observed, as Arian writings or the theology based on them survived to be burned much later in Spain.

Burning of Jewish manuscripts in 1244

In 1244, as an outcome of the Disputation of Paris, twenty-four carriage loads of Talmuds and other Jewish religious manuscripts were set on fire by French law officers in the streets of Paris.

Burning of Aztec and Mayan manuscripts in the 1560s

During the Spanish colonization of the Americas, numerous books written by indigenous peoples were burned by the Spaniards. Several books written by the Aztecs were burnt by Spanish conquistadors and priests during the Spanish conquest of Yucatán. Despite opposition from Catholic friar Bartolomé de las Casas, numerous books found by the Spanish in Yucatán were burnt on the order of Bishop Diego de Landa in 1562. De Landa wrote on the incident that "We found a large number of books in these characters and, as they contained nothing in which were not to be seen as superstition and lies of the devil, we burned them all, which they (the Maya) regretted to an amazing degree, and which caused them much affliction".

Book burnings in Tudor and Stuart England

The founding of the Church of England after King Henry VIII broke away from the Catholic Church led to the targeting of English Catholics by Protestants. During the Tudor and Stuart periods, Protestant citizens loyal to the Crown attacked Catholic religious sites across England, frequently burning any religious texts they found. These acts were encouraged by the Crown, who pressured the general public to take part in such "spectacles". According to American historian David Cressy, over "the course of the sixteenth and seventeenth centuries book burning developed from a rare to an occasional occurrence, relocated from an outdoor to an indoor procedure, and changed from a bureaucratic to a quasi-theatrical performance".

Burning of Washington during the War of 1812

During the War of 1812, a British expeditionary force routed an American militia at Bladensburg. Shortly thereafter, the British marched into Washington, D.C., briefly capturing and occupying the city. In retaliation for the American destruction of Port Dover, the British ordered the destruction of several public buildings in the city, including the Library of Congress, erected just fourteen years prior. The U.S. Capitol was also burnt by the British, with books from the Library of Congress being used to burn the building. Both the library and the Capitol were rebuilt after the war.

Institutions dedicated to book burnings

Anthony Comstock's New York Society for the Suppression of Vice, founded in 1873, inscribed book burning on its seal, as a worthy goal to be achieved. Comstock's total accomplishment in a long and influential career is estimated to have been the destruction of some 15 tons of books, 284,000 pounds of plates for printing such "objectionable" books, and nearly 4,000,000 pictures. All of this material was defined as "lewd" by Comstock's very broad definition of the term – which he and his associates successfully lobbied the United States Congress to incorporate in the Comstock Law.

Nazi regime (1933)

The Nazi government decreed broad grounds for burning material "which acts subversively on [Nazi Germany's] future or strikes at the root of German thought, the German home and the driving forces of [German] people".

Notable book burnings and destruction of libraries

Burnings by authors

In 1588, the exiled English Catholic William Cardinal Allen wrote "An Admonition to the Nobility and People of England", a work sharply attacking Queen Elizabeth I. It was to be published in Spanish-occupied England in the event of the Spanish Armada succeeding in its invasion. Upon the defeat of the Armada, Allen carefully consigned his publication to the fire, and it is only known of through one of Elizabeth's spies, who had stolen a copy.

The Hassidic Rabbi Nachman of Breslov is reported to have written a book which he himself burned in 1808. To this day, his followers mourn "The Burned Book" and seek in their Rabbi's surviving writings for clues as to what the lost volume contained and why it was destroyed.

Carlo Goldoni is known to have burned his first play, a tragedy called Amalasunta, when encountering unfavorable criticism.

Nikolai Gogol burned the second half of his magnum opus Dead Souls, having come under the influence of a priest who persuaded him that his work was sinful; Gogol later described this as a mistake.

As noted in Claire Tomalin's intensively researched "The Invisible Woman", Charles Dickens is known to have made a big bonfire of his letters and private papers, as well as asking friends and acquaintances to either return letters which he wrote to them or themselves destroy the letters – and most complied with his request. Dickens' purpose was to destroy evidence of his affair with the actress Nelly Ternan. To judge from surviving Dickens letters, the destroyed material – even if not intended for publication – might have had considerable literary merit.

In the 1870s Tchaikovsky destroyed the full manuscript of his first opera, The Voyevoda. Decades later, during the Soviet period, The Voyevoda was posthumously reconstructed from surviving orchestral and vocal parts and the composer's sketches.

Martin Gardner, a well-known expert on the work of Lewis Carroll, believes that Carroll had written a earlier version of Alice in Wonderland which he later destroyed after writing a more elaborate version which he presented to the child Alice who inspired the book.

Alberto Santos-Dumont, after being considered a spy by the French government in 1914 and then having this deception excused by the police, he destroyed all his aeronautical documents. The following year, according to the afterword to the historical novel "De gevleugelde," Arthur Japin says that when Dumont returned to Brazil, he "burned all his diaries, letters and drawings."

After Hector Hugh Munro (better known by the pen name Saki) was killed in World War I in November 1916, his sister Ethel destroyed most of his papers.

Joe Shuster, who together with Jerry Siegel created the fictional superhero Superman, in 1938 burned the first Superman story when under the impression that it would not find a publisher.

In August 1963, when C.S. Lewis resigned from Magdalene College, Cambridge and his rooms there were being cleaned out, Lewis gave instructions to Douglas Gresham to destroy all his unfinished or incomplete fragments of manuscript - which scholars researching Lewis' work regard as a grievous loss.

There is substantial evidence that Finnish composer Jean Sibelius worked on an Eighth Symphony. He promised the premiere of this symphony to Serge Koussevitzky in 1931 and 1932, and a London performance in 1933 under Basil Cameron was even advertised to the public. However, no such symphony was ever performed, and the only concrete evidence of the symphony's existence on paper is a 1933 bill for a fair copy of the first movement and short draft fragments first published and played in 2011. Sibelius had always been quite self-critical; he remarked to his close friends, "If I cannot write a better symphony than my Seventh, then it shall be my last." Since no manuscript survives, sources consider it likely that Sibelius destroyed most traces of the score, probably in 1945, during which year he certainly consigned a great many papers to the flames.

Aino, Sibelius' wife, recalled that "In the 1940s there was a great auto da fé at Ainola [where the Sibelius couple lived]. My husband collected a number of the manuscripts in a laundry basket and burned them on the open fire in the dining room. Parts of the Karelia Suite were destroyed – I later saw remains of the pages which had been torn out – and many other things. I did not have the strength to be present and left the room. I therefore do not know what he threw on to the fire. But after this my husband became calmer and gradually lighter in mood." It is assumed that a draft of Sibelius' Eighth Symphony - which he worked on in the early 1930s but with which he was not satisfied - was among the papers destroyed.

Axel Jensen made his debut as a novelist in Oslo in 1955 with the novel Dyretemmerens kors, but he later burned the remaining unsold copies of the book.

In 1976 detractors of Venezuelan liberal writer Carlos Rangel publicly burned copies of his book From the Noble Savage to the Noble Revolutionary in the year of its publication at the Central University of Venezuela.

Books saved from burning

Symbol of the "New York Society for the Suppression of Vice", advocating book-burning

In Catholic hagiography, Saint Vincent of Saragossa is mentioned as having been offered his life on condition that he consign Scripture to the fire; he refused and was martyred. He is often depicted holding the book which he protected with his life.

Another book-saving Catholic Saint is the 10th-century Saint Wiborada. She is credited with having predicted in 925 an invasion by the then-pagan Hungarians of her region in Switzerland. Her warning allowed the priests and religious of St. Gall and St. Magnus to hide their books and wine and escape into caves in nearby hills. Wiborada herself refused to escape and was killed by the marauders, being later canonized. In art, she is commonly represented holding a book to signify the library she saved, and is considered a patron saint of libraries and librarians.

During a tour of Thuringia in 1525, Martin Luther became enraged at the widespread burning of libraries along with other buildings during the German Peasants' War, writing Against the Murderous, Thieving Hordes of Peasants in response.

During the Revolutions of 1848 in the Austrian Empire the Imperial Court Library (now Austrian National Library) was in extreme danger, when the bombardment of Vienna caused the burning of the Hofburg, in which the Imperial Library was located. Fortunately, the fire was halted in time - saving countless irreplaceable books, diligently collected by many generations of Habsburg emperors and the scholars in their employ.

At the beginning of the Battle of Monte Cassino in World War II, two German officers – Viennese-born Lt. Col. Julius Schlegel (a Roman Catholic) and Captain Maximilian Becker (a Protestant) – had the foresight to transfer the Monte Cassino archives to the Vatican. Otherwise the archives – containing a vast number of documents relating to the 1500-years' history of the Abbey as well as some 1,400 irreplaceable manuscript codices, chiefly patristic and historical – would have been destroyed in the Allied air bombing which almost completely destroyed the Abbey shortly afterwards. Also saved by the two officers' prompt action were the collections of the Keats-Shelley Memorial House in Rome, which had been sent to the Abbey for safety in December 1942.

The Sarajevo Haggadah – one of the oldest and most valuable Jewish illustrated manuscripts, with immense historical and cultural value – was hidden from the Nazis and their Ustaše collaborators by Derviš Korkut, chief librarian of the National Museum in Sarajevo. At risk to his own life, Korkut smuggled the Haggadah out of Sarajevo and gave it for safekeeping to a Muslim cleric in Zenica, where it was hidden until the end of the war under the floorboards of either a mosque or a Muslim home. The Haggadah again survived destruction during the wars which followed the breakup of Yugoslavia.

In 1940s France, a group of anti-fascist exiles created a Library of Burned Books which housed all the books that Adolf Hitler had destroyed. This library contained copies of titles that were burned by the Nazis in their campaign to cleanse German culture of Jewish and foreign influences such as pacifist and decadent literature. The Nazis themselves planned to make a "museum" of Judaism once the Final Solution was complete to house certain books that they had saved.

Posthumous destruction of works

When Virgil died, he left instructions that his manuscript of the Aeneid was to be burnt, as it was a draft version with uncorrected faults and not a final version for release. However, this instruction was ignored. It is mainly to the Aeneid, published in this "imperfect" form, that Virgil owes his lasting fame – and it is considered one of the great masterpieces of classical literature as a whole.

Before his death, Franz Kafka wrote to his friend and literary executor Max Brod: "Dearest Max, my last request: Everything I leave behind me... in the way of diaries, manuscripts, letters (my own and others'), sketches, and so on, [is] to be burned unread." Brod overrode Kafka's wishes, believing that Kafka had given these directions to him, specifically, because Kafka knew he would not honour them – Brod had told him as much. Had Brod carried out Kafka's instructions, virtually the whole of Kafka's work – except for a few short stories published in his lifetime – would have been lost forever. Most critics, at the time and up to the present, justify Brod's decision. In his forward to Kafka's The Castle Brod noted that when entering Kafka's apartment after his death, he found several big empty folders and traces of burnt paper - the manuscripts which were in these folders having evidently been destroyed by Kafka himself before his death. Brod expressed pain at the irreversible loss of this material and happiness at having saved so much of Kafka's work from its creator's ruthlessness.

A similar case concerns the noted American poet Emily Dickinson, who died in 1886 and left to her sister Lavinia the instruction of burning all her papers. Lavinia Dickinson did burn almost all of her sister's correspondences, but interpreted the will as not including the forty notebooks and loose sheets, all filled with almost 1800 poems; these Lavinia saved and began to publish the poems that year. Had Lavinia Dickinson been more strict in carrying out her sister's will, all but a small handful of Emily Dickinson's poetic work would have been lost.

In early 1964, several months after the death of C.S. Lewis, Lewis' literary executor Walter Hooper, rescued a 64-page manuscript from a bonfire of the author's writings - the burning carried out according to Lewis' will. In 1977, Hooper published it under the name The Dark Tower. It was apparently intended as part of Lewis' Space Trilogy. Though incomplete and evidently an early draft which Lewis abandoned, its publication aroused great interest and a continued discussion among Lewis fans and scholars researching his work.

Modern biblioclasm

Despite the fact that the act of destroying books is condemned by the majority of the world's societies, book burning still occurs on a small or large scale. In the People's Republic of China, library officials publicize the burning of books that have fallen out of favor with the Communist Party of China's elites.

In Azerbaijan, when a modified Latin alphabet was adopted, books which were published in the Arabic script were burned, especially those published in the late 1920s and 1930s. The texts were not limited to the Quran; medical and historical manuscripts were also destroyed.

Book burning in Chile following the 1973 coup that installed the Pinochet dictatorship.
 
Copies of books which were burned by the Nazis, on display at Yad Vashem

Book burnings were regularly organised in Nazi Germany in the 1930s by stormtroopers so that "degenerate" works could be destroyed, especially works written by Jewish authors such as Thomas Mann, Marcel Proust, and Karl Marx. One of the most infamous book burnings in the 20th century occurred in Frankfurt, Germany on May 10, 1933. Organized by Joseph Goebbels, books were burned in a celebratory fashion, complete with bands, marchers, and songs. Seeking to "cleanse" German culture of the "un-German" spirit, Goebbels compelled students (who were egged on by their professors) to perform the book burning. To some this could be easily dismissed as the childish actions of the youth, but to many in Europe and America, it was a horrific display of power and disrespect. During the denazification which followed the war, literature which had been confiscated by the Allies was reduced to pulp rather than burned.

In 1937, during Getúlio Vargas' dictatorship in Brazil, several books by authors such as Jorge Amado and José Lins do Rego were burned in an anti-communist act.

In 1942, local Catholic priests forced Irish storyteller Timothy Buckley to burn a book The Tailor and Ansty by Eric Cross about Buckley and his wife, because of its sexual frankness.

In the 1950s, over six tons of books by William Reich were burned in the U.S. in compliance with judicial orders. In 1954, the works of Mordecai Kaplan were burned by Orthodox Jewish rabbis in America, after Kaplan was excommunicated.

In Denmark, a comic book burning took place on 23 June 1955. It was a bonfire which consisted of comic books topped by a life-size cardboard cutout of The Phantom.

During the Military dictatorship in Brazil, several methods of censure were used, among them, torture and the burning of books by firemen.

Kjell Ludvik Kvavik, a senior Norwegian official, had a penchant for removing maps and other pages from rare books and he was noticed in January 1983 by a young college student. The student, Barbro Andenaes, reported the actions of the senior official to the superintendent of the reading room and then reported them to the head librarian of the university library in Oslo. Hesitant to make the accusation against Kvavik public because it would greatly harm his career, even if it was proven to be false, the media did not divulge his name until his house was searched by police. The authorities seized 470 maps and prints as well as 112 books that Kvavik had illegally obtained. While this may not have been the large scale, violent demonstration which usually occurs during wars, Kvavik's disregard for libraries and books shows that the destruction of books on any scale can affect an entire country. Here, a senior official in the Norwegian government was disgraced and the University Library was only refunded for a small portion of the costs which it had incurred from the loss and destruction of rare materials and the security changes that had to be made as a result of it. In this case, the lure of personal profit and the desire to enhance one's own collection were the causes of the defacement of rare books and maps. While the main goal was not destruction for destruction's sake, the resulting damage to the ephemera still carries weight within the library community.

In 1984, Amsterdam's South African Institute was infiltrated by an organized group which was bent on drawing attention to the inequality of apartheid. Well-organized and assuring patrons of the library that no harm would come to them, group members systematically smashed microfiche machines and threw books into the nearby waterway. Indiscriminate with regard to the content which was being destroyed, shelf after shelf was cleared of its contents until the group left. Staff members fished books from the water in hopes of salvaging the rare editions of travel books, documents about the Boer Wars, and contemporary materials which were both for and against apartheid. Many of these materials were destroyed by oil, ink, and paint that the anti-apartheid demonstrators had flung around the library. The world was outraged by the loss of knowledge that these demonstrators had caused, and instead of supporting their cause and drawing people's attention to the issue of apartheid, the international community denounced their actions at Amsterdam's South African Institute. Some of the demonstrators came forward and sought to justify their actions by accusing the institute of being pro-apartheid and claiming that nothing was being done to change the status quo in South Africa.

The advent of the digital age has resulted in the cataloguing of an immense collection of written works, exclusively or primarily in digital form. The intentional deletion or removal of these works has often been referred to as a new form of book burning. For example, Amazon, the world's largest online marketplace, has increasingly banned the sale of controversial books. An article in the New York Times reported that "Booksellers that sell on Amazon say the retailer has no coherent philosophy about what it decides to prohibit, and seems largely guided by public complaints.".

Some supporters have celebrated book-burning cases in art and other media. Such is the case with The Burning of Heretical Books over a side door on the façade of Santa Maria Maggiore, Rome, the bas-relief by Giovanni Battista Maini, which depicts the burning of "heretical" books as a triumph of righteousness.

During the years of the Chilean military dictatorship under Augusto Pinochet (1973–1990), hundreds of books were burned as a way of repression and censorship of left-wing literature. In some instances, even books on Cubism were burned because soldiers thought it had to do with the Cuban Revolution.

A biblioclastic incident occurred in Mullumbimby, New South Wales, Australia in 2009. Reported as "just like the ritual burning of books in Nazi Germany", a book-burning ceremony was held by students of the "socially harmful cult" Universal Medicine, an esoteric healing business which was owned by Serge Benhayon. Students were invited to throw their books onto the pyre. Most of the volumes were on Chinese medicine, kinesiology, acupuncture, homeopathy and other alternative healing modalities, all of which Benhayon has decreed evil or "prana".

In 1981, the Jaffna Public Library in Jaffna, Sri Lanka, was burned down by Sinhalese police and paramilitaries during a pogrom against the minority Tamil population. At the time of its burning, it contained almost 100,000 Tamil books and rare documents.

In 2019, the Providence Catholic School Board in southwestern Ontario held a 'flame purification' ceremony and burned around thirty recently banned children's books. The ashes were used as fertilizer to plant trees and according to the participants the action was 'to turn a negative to a positive'. The books included Tintin and Asterix and were deemed harmful to Indigenous people.

Sikh book burning

In the Sikh religion, any copies of their sacred book, Guru Granth Sahib, which are too badly damaged to be used, and any printer's waste which bears any of its text, are cremated. This ritual is called an Agan Bhet, and it is similar to the ritual which is performed when a deceased Sikh is cremated.

Book burnings in popular culture

Three men look at books. A man lies in in bed under a hanging suit of armor. A woman burns books in the yard.
1741 woodcut illustrating the examination and burning of Don Quixote's library.
  • In chapters 6 and 7 of the first part of Don Quixote (1605), his friends examine his library, full with chivalry romances and other books, and decide to burn most of them and seal the room. The comments of the priest allow author Cervantes to praise or condemn the books.
  • In his 1821 play, Almansor, the German writer Heinrich Heine – referring to the burning of the Muslim holy book, the Qur'an, during the Spanish Inquisition – wrote, "Where they burn books, so too will they in the end burn people." ("Dort, wo man Bücher verbrennt, verbrennt man auch am Ende Menschen.") Over a century later, Heine's own books were among the thousands of volumes that were torched by the Nazis in Berlin's Opernplatz, even while his poem "Die Lorelei" continued to be printed in German schoolbooks as "by an unknown author".
  • Book burning played a small part in Journey to the Center of the Earth. After Professor Lidenbrock deciphers a writing of Arne Saknussem and attempts to recreate his purported subterranean journey, his nephew Axel protests that they should study more of his works before making any rash decisions. Professor Lidenbrock explains that this is impossible: Saknussem was out of favor in his native country, whose leaders ordered all of his writings burned after his death.
  • In Fahrenheit 451, about a culture which has outlawed books due to its disdain for learning, books are burned along with the houses they are hidden in.

Fahrenheit 451

From Wikipedia, the free encyclopedia
 
This original cover shows a drawing of a man, who appears to be made of newspaper and is engulfed in flames, standing on top of some books. His right arm is down and holding what appears to be a fireman's hat made of paper while his left arm is as if wiping sweat from the brow of his bowed head. The title and author's name appear in large text over the images and there is a small caption in the upper left-hand corner that reads, "Wonderful stories by the author of The Golden Apples of the Sun".
Fahrenheit 451
First edition cover (clothbound)
AuthorRay Bradbury
IllustratorJoseph Mugnaini
CountryUnited States
LanguageEnglish
GenreDystopian
PublishedOctober 19, 1953 (Ballantine Books)
Pages256
ISBN978-0-7432-4722-1 (current cover edition)
OCLC53101079
813.54 22
LC ClassPS3503.R167 F3 2003

Fahrenheit 451 is a 1953 dystopian novel by American writer Ray Bradbury. Often regarded as one of his best works, the novel presents a future American society where books are outlawed and "firemen" burn any that are found. The book's tagline explains the title as "the temperature at which book paper catches fire, and burns": the autoignition temperature of paper. The lead character, Guy Montag, is a fireman who becomes disillusioned with his role of censoring literature and destroying knowledge, eventually quitting his job and committing himself to the preservation of literary and cultural writings.

People have used this novel to focus on the historical role of book burning. In a 1956 radio interview, Bradbury said that he wrote Fahrenheit 451 because of his concerns at the time (during the McCarthy era) about the threat of book burning in the United States. In later years, he described the book as a commentary on how mass media reduces interest in reading literature.

In 1954, Fahrenheit 451 won the American Academy of Arts and Letters Award in Literature and the Commonwealth Club of California Gold Medal. It later won the Prometheus "Hall of Fame" Award in 1984 and a "Retro" Hugo Award in 2004. Bradbury was honoured with a Spoken Word Grammy nomination for his 1976 audiobook version.

Adaptations of the novel include François Truffaut's 1966 film, Ramin Bahrani's 2018 film, and two BBC Radio dramatizations.

Bradbury published a stage play version in 1979 and helped develop a 1984 interactive fiction computer game of the same name, as well as a collection of his short stories titled A Pleasure to Burn.

Plot summary

Fahrenheit 451 is set in an unspecified city in the year 2049 (according to Ray Bradbury's Coda), though it is written as if set in a distant future. The earliest editions make clear that it takes place no earlier than the year 1960.

The novel is divided into three parts: "The Hearth and the Salamander," "The Sieve and the Sand," and "Burning Bright."

"The Hearth and the Salamander"

Guy Montag is a fireman employed to burn outlawed books, along with the houses they are hidden in. He is married but has no children. One fall night while returning from work, he meets his new neighbor, a teenage girl named Clarisse McClellan, whose free-thinking ideals and liberating spirit cause him to question his life and his own perceived happiness. Montag returns home to find that his wife Mildred has overdosed on sleeping pills, and he calls for medical attention. Two uncaring EMTs pump Mildred's stomach, drain her poisoned blood, and fill her with new blood. After the EMTs leave to rescue another overdose victim, Montag goes outside and overhears Clarisse and her family talking about the way life is in this hedonistic, illiterate society. Montag's mind is bombarded with Clarisse's subversive thoughts and the memory of his wife's near-death. Over the next few days, Clarisse faithfully meets Montag each night as he walks home. She tells him about how her simple pleasures and interests make her an outcast among her peers and how she is forced to go to therapy for her behavior and thoughts. Montag looks forward to these meetings, and just as he begins to expect them, Clarisse goes missing. He senses something is wrong.

In the following days, while at work with the other firemen ransacking the book-filled house of an old woman and drenching it in kerosene before the inevitable burning, Montag steals a book before any of his coworkers notice. The woman refuses to leave her house and her books, choosing instead to light a match and burn herself alive. Jarred by the woman's suicide, Montag returns home and hides the stolen book under his pillow. Later, Montag wakes Mildred from her sleep and asks her if she has seen or heard anything about Clarisse McClellan. She reveals that Clarisse's family moved away after Clarisse was hit by a speeding car and died four days ago. Dismayed by her failure to mention this earlier, Montag uneasily tries to fall asleep. Outside he suspects the presence of "The Mechanical Hound", an eight-legged robotic dog-like creature that resides in the firehouse and aids the firemen in hunting book hoarders.

Montag awakens ill the next morning. Mildred tries to care for her husband but finds herself more involved in the "parlor wall" entertainment in the living room – large televisions filling the walls. Montag suggests that maybe he should take a break from being a fireman after what happened last night, and Mildred panics over the thought of losing the house and her parlor wall "family". Captain Beatty, Montag's fire chief, personally visits Montag to see how he is doing. Sensing his concerns, Beatty recounts the history of how books lost their value and how the firemen were adapted for their current role: over the course of several decades, people began to embrace new media (in this case, film and television), sports, and an ever-quickening pace of life. Books were ruthlessly abridged or degraded to accommodate short attention spans. At the same time, advances in technology resulted in nearly all buildings being made out of fireproof materials, and the traditional role of firemen in preventing fires was no longer necessary. The government instead turned the firemen into officers of society's peace of mind: instead of putting out fires, they became responsible for starting them, specifically for the purpose of burning books, which were condemned as sources of confusing and depressing thoughts that only complicated people's lives. After an awkward exchange between Mildred and Montag over the book hidden under Montag's pillow, Beatty becomes suspicious and casually adds a passing threat as he leaves, telling Montag that if a fireman had a book, he would be asked to burn it within the following twenty-four hours. If he refused, the other firemen would come and burn it for him. The encounter leaves Montag shaken.

After Beatty leaves, Montag reveals to Mildred that, over the last year, he has accumulated a stash of books that he has kept hidden in the air-conditioning duct in their ceiling. In a panic, Mildred grabs a book and rushes to throw it in the kitchen incinerator. Montag subdues her and tells her that the two of them are going to read the books to see if they have value. If they do not, he promises the books will be burned and all will return to normal.

"The Sieve and the Sand"

Montag and Mildred discuss the stolen books, and Mildred refuses to go along with it, questioning why she or anyone else should care about books. Montag goes on a rant about Mildred's suicide attempt, Clarisse's disappearance and death, the old woman who burned herself, and the imminent threat of war that goes ignored by the masses. He suggests that perhaps the books of the past have messages that can save society from its own destruction. The conversation is interrupted by a call from Mildred's friend, Mrs. Bowles, and they set up a date to watch the "parlor walls" that night at Mildred's house.

Montag concedes that Mildred is a lost cause and he will need help to understand the books. He remembers an old man named Faber, an English professor before books were banned, whom he once met in a park. Montag makes a subway trip to Faber's home along with a rare copy of the Bible, the book he stole at the woman's house. Once there, Montag forces the scared and reluctant Faber into helping him by methodically ripping pages from the Bible. Faber concedes and gives Montag a homemade earpiece communicator so he can offer constant guidance.

At home, Mildred's friends, Mrs. Bowles and Mrs. Phelps arrive to watch the "parlor walls." Not interested in this insipid entertainment, Montag turns off the walls and tries to engage the women in meaningful conversation, only for them to reveal just how indifferent, ignorant, and callous they truly are. Enraged by their idiocy, Montag leaves momentarily and returns with a book of poetry. This confuses the women and alarms Faber, who is listening remotely. Mildred tries to dismiss Montag's actions as a tradition firemen act out once a year: they find an old book and read it as a way to make fun of how silly the past is. Montag proceeds to recite the poem Dover Beach, causing Mrs. Phelps to cry. At the behest of Faber in the earpiece, Montag burns the book. Mildred's friends leave in disgust, while Mildred locks herself in the bathroom and attempts to kill herself again by overdosing on sleeping pills.

Montag hides his books in the backyard before returning to the firehouse late at night, where he finds Beatty playing cards with the other firemen. Montag hands Beatty a book to cover for the one he believes Beatty knows he stole the night before, which is unceremoniously tossed into the trash. Beatty tells Montag that he had a dream in which they fought endlessly by quoting books to each other. Thus Beatty reveals that, despite his disillusionment, he was once an enthusiastic reader. A fire alarm sounds and Beatty picks up the address from the dispatcher system. They drive recklessly in the fire truck to the destination: Montag's house.

"Burning Bright"

Beatty orders Montag to destroy his house with a flamethrower, rather than the more powerful "salamander" that is usually used by the fire team, and tells him that his wife and her friends reported him after what happened the other night. Montag watches as Mildred walks out of the house, too traumatized about losing her parlor wall family to even acknowledge her husband's existence or the situation going on around her, and catches a taxi. Montag obeys the chief, destroying the home piece by piece, but Beatty discovers Montag's earpiece and plans to hunt down Faber. Montag threatens Beatty with the flamethrower and, after Beatty taunts him, Montag burns Beatty alive and knocks his co-workers unconscious. As Montag escapes the scene, the Mechanical Hound attacks him, managing to inject his leg with a tranquilizer. He destroys the Hound with the flamethrower and limps away. Before he escapes, however, he concludes that Beatty had wanted to die a long time ago and had purposely goaded Montag as well as provided him with a weapon.

Montag runs through the city streets towards Faber's house. On his way, he crosses a wide road as a speeding car attempts to run him over, but he manages to evade the vehicle, and realizes he almost suffered the same fate as Clarisse. Faber urges him to make his way to the countryside and contact the exiled book-lovers who live there. He mentions he will be leaving on an early bus heading to St. Louis and that he and Montag can rendezvous there later. On Faber's television, they watch news reports of another Mechanical Hound being released to track down and kill Montag, with news helicopters following it to create a public spectacle. After wiping his scent from around the house in hopes of thwarting the Hound, Montag leaves Faber's house. He escapes the manhunt by wading into a river and floating downstream. Montag leaves the river in the countryside, where he meets the exiled drifters, led by a man named Granger. Granger shows Montag the ongoing manhunt on a portable battery TV and predicts that “Montag” will be caught within the next few minutes; as predicted, an innocent man is then caught and killed.

The drifters are all former intellectuals. They have each memorized books should the day arrive that society comes to an end and is forced to rebuild itself anew, with the survivors learning to embrace the literature of the past. Granger asks Montag what he has to contribute to the group and Montag finds that he had partially memorized the Book of Ecclesiastes, discovering that the group has a special way of unlocking photographic memory. While learning the philosophy of the exiles, Montag and the group watch helplessly as bombers fly overhead and annihilate the city with nuclear weapons: the imminent war has begun and ended in the same night. While Faber would have left on the early bus, everyone else (including Mildred) is immediately killed. Montag and the group are injured and dirtied, but manage to survive the shockwave.

The following morning, Granger teaches Montag and the others about the legendary phoenix and its endless cycle of long life, death in flames, and rebirth. He adds that the phoenix must have some relationship to mankind, which constantly repeats its mistakes, but explains that man has something the phoenix does not: mankind can remember its mistakes and try to never repeat them. Granger then muses that a large factory of mirrors should be built so that people can take a long look at themselves and reflect on their lives. When the meal is over, the exiles return to the city to rebuild society.

Characters

  • Guy Montag is the protagonist and a fireman who presents the dystopian world in which he lives first through the eyes of a worker loyal to it, then as a man in conflict about it, and eventually as someone resolved to be free of it. Throughout most of the book, Montag lacks knowledge and believes only what he hears. Clarisse McClellan inspires Montag’s change, even though they don’t know each other for very long.
  • Clarisse McClellan is a young girl one month short of her 17th birthday who is Montag's neighbor. She walks with Montag on his trips home from work. A modern critic has described her as an example of the Manic Pixie Dream Girl, as Clarisse is an unusual sort of person compared to the others inhabiting the bookless, hedonistic society: outgoing, naturally cheerful, unorthodox, and intuitive. She is unpopular among peers and disliked by teachers for asking "why" instead of "how" and focusing on nature rather than on technology. A few days after her first meeting with Montag, she disappears without any explanation; Mildred tells Montag (and Captain Beatty confirms) that Clarisse was hit by a speeding car and that her family moved away following her death. In the afterword of a later edition, Bradbury notes that the film adaptation changed the ending so that Clarisse (who, in the film, is now a 20-year-old schoolteacher who was fired for being unorthodox) was living with the exiles. Bradbury, far from being displeased by this, was so happy with the new ending that he wrote it into his later stage edition.
  • Mildred "Millie" Montag is Guy Montag's wife. She is addicted to sleeping pills, absorbed in the shallow dramas played on her "parlor walls" (flat-panel televisions), and indifferent to the oppressive society around her. She is described in the book as "thin as a praying mantis from dieting, her hair burnt by chemicals to a brittle straw, and her flesh like white bacon." Despite her husband's attempts to break her from the spell society has on her, Mildred continues to be shallow and indifferent. After Montag scares her friends away by reading Dover Beach, and finding herself unable to live with someone who has been hoarding books, Mildred betrays Montag by reporting him to the firemen and abandoning him, and dies when the city is bombed.
  • Captain Beatty is Montag's boss and the book's main antagonist. Once an avid reader, he has come to hate books due to their unpleasant content and contradicting facts and opinions. After he forces Montag to burn his own house, Montag kills him with a flamethrower. In a scene written years later by Bradbury for the Fahrenheit 451 play, Beatty invites Montag to his house where he shows him walls of books left to molder on their shelves.
  • Stoneman and Black are Montag's coworkers at the firehouse. They do not have a large impact on the story and function only to show the reader the contrast between the firemen who obediently do as they are told and someone like Montag, who formerly took pride in his job but subsequently realizes how damaging it is to society. Black is later framed by Montag for possessing books.
  • Faber is a former English professor. He has spent years regretting that he did not defend books when he saw the moves to ban them. Montag turns to him for guidance, remembering him from a chance meeting in a park sometime earlier. Faber at first refuses to help Montag and later realizes Montag is only trying to learn about books, not destroy them. He secretly communicates with Montag through an electronic earpiece and helps Montag escape the city, then gets on a bus to St. Louis and escapes the city himself before it is bombed. Bradbury notes in his afterword that Faber is part of the name of a German manufacturer of pencils, Faber-Castell.
  • Mrs. Ann Bowles and Mrs. Clara Phelps are Mildred's friends and representative of the anti-intellectual, hedonistic mainstream society presented in the novel. During a social visit to Montag's house, they brag about ignoring the bad things in their lives and have a cavalier attitude towards the upcoming war, their husbands, their children, and politics. Mrs. Phelps' husband Pete was called in to fight in the upcoming war (and believes that he'll be back in a week because of how quick the war will be) and thinks having children serves no purpose other than to ruin lives. Mrs. Bowles is a three-times-married single mother. Her first husband divorced her, her second died in a jet accident, and her third committed suicide by shooting himself in the head. She has two children who do not like or respect her due to her permissive, often negligent and abusive parenting; Mrs. Bowles brags that her kids beat her up, and she's glad she can hit back. When Montag reads Dover Beach to them, he strikes a chord in Mrs. Phelps, who starts crying over how hollow her life is. Mrs. Bowles chastises Montag for reading "silly awful hurting words".
  • Granger is the leader of a group of wandering intellectual exiles who memorize books in order to preserve their contents.

Title

The title page of the book explains the title as follows: Fahrenheit 451—The temperature at which book paper catches fire and burns.... On inquiring about the temperature at which paper would catch fire, Bradbury had been told that 451 °F (233 °C) was the autoignition temperature of paper. In various studies, scientists have placed the autoignition temperature at a range of temperatures between 424 and 475 °F (218 and 246 °C), depending on the type of paper.

Historical context

Bradbury's lifelong passion for books began at an early age. After he graduated from high school, his family could not afford for him to attend college, so Bradbury began spending time at the Los Angeles Public Library where he essentially educated himself. As a frequent visitor to his local libraries in the 1920s and 1930s, he recalls being disappointed because they did not stock popular science fiction novels, like those of H. G. Wells, because, at the time, they were not deemed literary enough. Between this and learning about the destruction of the Library of Alexandria, a great impression was made on the young man about the vulnerability of books to censure and destruction. Later, as a teenager, Bradbury was horrified by the Nazi book burnings and later by Joseph Stalin's campaign of political repression, the "Great Purge", in which writers and poets, among many others, were arrested and often executed.

Shortly after the atomic bombings of Hiroshima and Nagasaki at the conclusion of World War II, the United States focused its concern on the Soviet atomic bomb project and the expansion of communism. The House Un-American Activities Committee (HUAC), formed in 1938 to investigate American citizens and organizations suspected of having communist ties, held hearings in 1947 to investigate alleged communist influence in Hollywood movie-making. These hearings resulted in the blacklisting of the so-called "Hollywood Ten", a group of influential screenwriters and directors. This governmental interference in the affairs of artists and creative types greatly angered Bradbury. Bradbury was bitter and concerned about the workings of his government, and a late 1949 nighttime encounter with an overzealous police officer would inspire Bradbury to write "The Pedestrian", a short story which would go on to become "The Fireman" and then Fahrenheit 451. The rise of Senator Joseph McCarthy's hearings hostile to accused communists, beginning in 1950, deepened Bradbury's contempt for government overreach.

The year HUAC began investigating Hollywood is often considered the beginning of the Cold War, as in March 1947, the Truman Doctrine was announced. By about 1950, the Cold War was in full swing, and the American public's fear of nuclear warfare and communist influence was at a feverish level. The stage was set for Bradbury to write the dramatic nuclear holocaust ending of Fahrenheit 451, exemplifying the type of scenario feared by many Americans of the time.

Bradbury's early life witnessed the Golden Age of Radio, while the transition to the Golden Age of Television began right around the time he started to work on the stories that would eventually lead to Fahrenheit 451. Bradbury saw these forms of media as a threat to the reading of books, indeed as a threat to society, as he believed they could act as a distraction from important affairs. This contempt for mass media and technology would express itself through Mildred and her friends and is an important theme in the book.

Writing and development

Fahrenheit 451 developed out of a series of ideas Bradbury had visited in previously written stories. For many years, he tended to single out "The Pedestrian" in interviews and lectures as sort of a proto-Fahrenheit 451. In the Preface of his 2006 anthology Match to Flame: The Fictional Paths to Fahrenheit 451 he states that this is an oversimplification. The full genealogy of Fahrenheit 451 given in Match to Flame is involved. The following covers the most salient aspects.

Between 1947 and 1948, Bradbury wrote the short story "Bright Phoenix" (not published until the May 1963 issue of The Magazine of Fantasy & Science Fiction) about a librarian who confronts a book-burning "Chief Censor" named Jonathan Barnes.

In late 1949, Bradbury was stopped and questioned by a police officer while walking late one night. When asked "What are you doing?", Bradbury wisecracked, "Putting one foot in front of another." This incident inspired Bradbury to write the 1951 short story "The Pedestrian".

In The Pedestrian, Leonard Mead is harassed and detained by the city's remotely operated police cruiser (there's only one) for taking nighttime walks, something that has become extremely rare in this future-based setting: everybody else stays inside and watches television ("viewing screens"). Alone and without an alibi, Mead is taken to the "Psychiatric Center for Research on Regressive Tendencies" for his peculiar habit. Fahrenheit 451 would later echo this theme of an authoritarian society distracted by broadcast media.

Bradbury expanded the book-burning premise of "Bright Phoenix" and the totalitarian future of "The Pedestrian" into "The Fireman", a novella published in the February 1951 issue of Galaxy Science Fiction. "The Fireman" was written in the basement of UCLA's Powell Library on a typewriter that he rented for a fee of ten cents per half hour. The first draft was 25,000 words long and was completed in nine days.

Urged by a publisher at Ballantine Books to double the length of his story to make a novel, Bradbury returned to the same typing room and expanded his work into Fahrenheit 451, again taking just nine days. The fixup was published by Ballantine in 1953.

Supplementary material

Bradbury has supplemented the novel with various front and back matter, including a 1979 coda, a 1982 afterword, a 1993 foreword, and several introductions.

Publication history

The first U.S. printing was a paperback version from October 1953 by The Ballantine Publishing Group. Shortly after the paperback, a hardback version was released that included a special edition of 200 signed and numbered copies bound in asbestos. These were technically collections because the novel was published with two short stories: The Playground and And the Rock Cried Out, which have been absent in later printings. A few months later, the novel was serialized in the March, April, and May 1954 issues of nascent Playboy magazine.

Expurgation

Starting in January 1967, Fahrenheit 451 was subject to expurgation by its publisher, Ballantine Books with the release of the "Bal-Hi Edition" aimed at high school students. Among the changes made by the publisher were the censorship of the words "hell", "damn", and "abortion"; the modification of seventy-five passages; and the changing of two episodes.

In the one case, a drunk man became a "sick man" while cleaning fluff out of a human navel became "cleaning ears" in the other. For a while both the censored and uncensored versions were available concurrently but by 1973 Ballantine was publishing only the censored version. That continued until 1979, when it came to Bradbury's attention:

In 1979, one of Bradbury's friends showed him an expurgated copy. Bradbury demanded that Ballantine Books withdraw that version and replace it with the original, and in 1980 the original version once again became available. In this reinstated work, in the Author's Afterword, Bradbury relates to the reader that it is not uncommon for a publisher to expurgate an author's work, but he asserts that he himself will not tolerate the practice of manuscript "mutilation".

The "Bal-Hi" editions are now referred to by the publisher as the "Revised Bal-Hi" editions.

Non-print publications

An audiobook version read by Bradbury himself was released in 1976 and received a Spoken Word Grammy nomination. Another audiobook was released in 2005 narrated by Christopher Hurt. The e-book version was released in December 2011.

Reception

In 1954, Galaxy Science Fiction reviewer Groff Conklin placed the novel "among the great works of the imagination written in English in the last decade or more." The Chicago Sunday Tribune's August Derleth described the book as "a savage and shockingly prophetic view of one possible future way of life", calling it "compelling" and praising Bradbury for his "brilliant imagination". Over half a century later, Sam Weller wrote, "upon its publication, Fahrenheit 451 was hailed as a visionary work of social commentary." Today, Fahrenheit 451 is still viewed as an important cautionary tale about conformity and the evils of government censorship.

When the novel was first published, there were those who did not find merit in the tale. Anthony Boucher and J. Francis McComas were less enthusiastic, faulting the book for being "simply padded, occasionally with startlingly ingenious gimmickry, ... often with coruscating cascades of verbal brilliance [but] too often merely with words." Reviewing the book for Astounding Science Fiction, P. Schuyler Miller characterized the title piece as "one of Bradbury's bitter, almost hysterical diatribes," while praising its "emotional drive and compelling, nagging detail." Similarly, The New York Times was unimpressed with the novel and further accused Bradbury of developing a "virulent hatred for many aspects of present-day culture, namely, such monstrosities as radio, TV, most movies, amateur and professional sports, automobiles, and other similar aberrations which he feels debase the bright simplicity of the thinking man's existence."

Fahrenheit 451 was number seven on the list of "Top Check Outs OF ALL TIME" by the New York Public Library

Censorship/banning incidents

In the years since its publication, Fahrenheit 451 has occasionally been banned, censored, or redacted in some schools at the behest of parents or teaching staff either unaware of or indifferent to the inherent irony in such censorship. Notable incidents include:

  • In 1987, Fahrenheit 451 was given "third tier" status by the Bay County School Board in Panama City, Florida, under then-superintendent Leonard Hall's new three-tier classification system. Third tier was meant for books to be removed from the classroom for "a lot of vulgarity." After a resident class-action lawsuit, a media stir, and student protests, the school board abandoned their tier-based censorship system and approved all the currently used books.
  • In 1992, Venado Middle School in Irvine, California, gave copies of Fahrenheit 451 to students with all "obscene" words blacked out. Parents contacted the local media and succeeded in reinstalling the uncensored copies.
  • In 2006, parents of a 10th-grade high school student in Montgomery County, Texas, demanded the book be banned from their daughter's English class reading list. Their daughter was assigned the book during Banned Books Week, but stopped reading several pages in due to what she considered the offensive language and description of the burning of the Bible. In addition, the parents protested the violence, portrayal of Christians, and depictions of firemen in the novel.

Themes

Discussions about Fahrenheit 451 often center on its story foremost as a warning against state-based censorship. Indeed, when Bradbury wrote the novel during the McCarthy era, he was concerned about censorship in the United States. During a radio interview in 1956, Bradbury said:

I wrote this book at a time when I was worried about the way things were going in this country four years ago. Too many people were afraid of their shadows; there was a threat of book burning. Many of the books were being taken off the shelves at that time. And of course, things have changed a lot in four years. Things are going back in a very healthy direction. But at the time I wanted to do some sort of story where I could comment on what would happen to a country if we let ourselves go too far in this direction, where then all thinking stops, and the dragon swallows his tail, and we sort of vanish into a limbo and we destroy ourselves by this sort of action.

As time went by, Bradbury tended to dismiss censorship as a chief motivating factor for writing the story. Instead he usually claimed that the real messages of Fahrenheit 451 were about the dangers of an illiterate society infatuated with mass media and the threat of minority and special interest groups to books. In the late 1950s, Bradbury recounted:

In writing the short novel Fahrenheit 451, I thought I was describing a world that might evolve in four or five decades. But only a few weeks ago, in Beverly Hills one night, a husband and wife passed me, walking their dog. I stood staring after them, absolutely stunned. The woman held in one hand a small cigarette-package-sized radio, its antenna quivering. From this sprang tiny copper wires which ended in a dainty cone plugged into her right ear. There she was, oblivious to man and dog, listening to far winds and whispers and soap-opera cries, sleep-walking, helped up and down curbs by a husband who might just as well not have been there. This was not fiction.

This story echoes Mildred's "Seashell ear-thimbles" (i.e., a brand of in-ear headphones) that act as an emotional barrier between her and Montag. In a 2007 interview, Bradbury maintained that people misinterpret his book and that Fahrenheit 451 is really a statement on how mass media like television marginalizes the reading of literature. Regarding minorities, he wrote in his 1979 Coda:

There is more than one way to burn a book. And the world is full of people running about with lit matches. Every minority, be it Baptist/Unitarian, Irish/Italian/Octogenarian/Zen Buddhist, Zionist/Seventh-day Adventist, Women's Lib/Republican, Mattachine/Four Square Gospel feels it has the will, the right, the duty to douse the kerosene, light the fuse. [...] Fire-Captain Beatty, in my novel Fahrenheit 451, described how the books were burned first by minorities, each ripping a page or a paragraph from this book, then that, until the day came when the books were empty and the minds shut and the libraries closed forever. [...] Only six weeks ago, I discovered that, over the years, some cubby-hole editors at Ballantine Books, fearful of contaminating the young, had, bit by bit, censored some seventy-five separate sections from the novel. Students, reading the novel, which, after all, deals with censorship and book-burning in the future, wrote to tell me of this exquisite irony. Judy-Lynn del Rey, one of the new Ballantine editors, is having the entire book reset and republished this summer with all the damns and hells back in place.

Book-burning censorship, Bradbury would argue, was a side-effect of these two primary factors; this is consistent with Captain Beatty's speech to Montag about the history of the firemen. According to Bradbury, it is the people, not the state, who are the culprit in Fahrenheit 451. Nevertheless, the role of censorship, state-based or otherwise, is still perhaps the most frequent theme explored in the work.

A variety of other themes in the novel besides censorship have been suggested. Two major themes are resistance to conformity and control of individuals via technology and mass media. Bradbury explores how the government is able to use mass media to influence society and suppress individualism through book burning. The characters Beatty and Faber point out that the American population is to blame. Due to their constant desire for a simplistic, positive image, books must be suppressed. Beatty blames the minority groups, who would take offense to published works that displayed them in an unfavorable light. Faber went further to state that the American population simply stopped reading on their own. He notes that the book burnings themselves became a form of entertainment for the general public.

In a 1994 interview, Bradbury stated that Fahrenheit 451 was more relevant during this time than in any other, stating that, "it works even better because we have political correctness now. Political correctness is the real enemy these days. The black groups want to control our thinking and you can't say certain things. The homosexual groups don’t want you to criticize them. It's thought control and freedom of speech control."

Predictions for the future

Bradbury described himself as "a preventor of futures, not a predictor of them." He did not believe that book burning was an inevitable part of the future; he wanted to warn against its development. In a later interview, when asked if he believes that teaching Fahrenheit 451 in schools will prevent his totalitarian vision of the future, Bradbury replied in the negative. Rather, he states that education must be at the kindergarten and first-grade level. If students are unable to read then, they will be unable to read Fahrenheit 451.

On account of technology, Sam Weller notes that Bradbury "predicted everything from flat-panel televisions to earbud headphones and twenty-four-hour banking machines."

Adaptations

Television

Playhouse 90 broadcast "A Sound of Different Drummers" on CBS in 1957, written by Robert Alan Aurthur. The play combined plot ideas from Fahrenheit 451 and Nineteen Eighty-Four. Bradbury sued and eventually won on appeal.

Film

A film adaptation written and directed by François Truffaut and starring Oskar Werner and Julie Christie was released in 1966.

A film adaptation directed by Ramin Bahrani and starring Michael B. Jordan, Michael Shannon, Sofia Boutella, and Lilly Singh was released in 2018 for HBO.

Theater

In the late 1970s Bradbury adapted his book into a play. At least part of it was performed at the Colony Theatre in Los Angeles in 1979, but it was not in print until 1986 and the official world premiere was only in November 1988 by the Fort Wayne, Indiana Civic Theatre. The stage adaptation diverges considerably from the book and seems influenced by Truffaut's movie. For example, fire chief Beatty's character is fleshed out and is the wordiest role in the play. As in the movie, Clarisse does not simply disappear but in the finale meets up with Montag as a book character (she as Robert Louis Stevenson, he as Edgar Allan Poe).

The UK premiere of Bradbury's stage adaptation was not until 2003 in Nottingham, while it took until 2006 before the Godlight Theatre Company produced and performed its New York City premiere at 59E59 Theaters. After the completion of the New York run, the production then transferred to the Edinburgh Festival where it was a 2006 Edinburgh Festival Pick of the Fringe.

The Off-Broadway theatre The American Place Theatre presented a one man show adaptation of Fahrenheit 451 as a part of their 2008–2009 Literature to Life season.

Fahrenheit 451 inspired the Birmingham Repertory Theatre production Time Has Fallen Asleep in the Afternoon Sunshine, which was performed at the Birmingham Central Library in April 2012.

Radio

In 1982, Gregory Evans' radio dramatization of the novel was broadcast on BBC Radio 4 starring Michael Pennington as Montag. It was broadcast eight more times on BBC Radio 4 Extra, twice each in 2010, 2012, 2013, and 2015.

BBC Radio's second dramatization, by David Calcutt, was broadcast on BBC Radio 4 in 2003, starring Stephen Tomlin in the same role.

Computer games

In 1984, the novel was adapted into a computer text adventure game of the same name by the software company Trillium.

Comics

In June 2009, a graphic novel edition of the book was published. Entitled Ray Bradbury's Fahrenheit 451: The Authorized Adaptation, the paperback graphic adaptation was illustrated by Tim Hamilton. The introduction in the novel is written by Bradbury.

Cultural references

Michael Moore's 2004 documentary Fahrenheit 9/11 refers to Bradbury's novel and the September 11 attacks, emphasized by the film's tagline "The temperature where freedom burns". The film takes a critical look at the presidency of George W. Bush, the War on Terror, and its coverage in the news media, and became the highest grossing documentary of all time. Bradbury, a conservative, was upset by what he considered the appropriation of his title, and wanted the film renamed. Moore filmed a subsequent documentary about the election of Donald Trump called Fahrenheit 11/9 in 2018.

In The Simpsons's 2014 episode Treehouse of Horror XXV, Bart Simpson attends the school of hell. One of his school books is named Fahrenheit 451,000.

In 2015, the Internet Engineering Steering Group approved the publication of An HTTP Status Code to Report Legal Obstacles, now RFC 7725, which specifies that websites forced to block resources for legal reasons should return a status code of 451 when users request those resources.

One of the short stories in the Monogatari Series (Hitagi Salamander) revolves around this book and its main messages. It is discussed between the two most pessimistic characters, stating how your perception of the book changes as your age increases, and the idea of burning books seems more difficult now due to them being able to be read electronically.

Equality (mathematics)

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