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Friday, August 22, 2014

Arctic

Arctic

From Wikipedia, the free encyclopedia

Location of the Arctic

Artificially coloured topographical map of the Arctic region

MODIS image of the Arctic

The Arctic (/ˈɑrktɪk/ or /ˈɑrtɪk/) is a polar region located at the northernmost part of the Earth. The Arctic consists of the Arctic Ocean and parts of Canada, Russia, the United States (Alaska), Denmark (Greenland), Norway, Sweden, Finland, and Iceland. The Arctic region consists of a vast, ice-covered ocean, surrounded by treeless permafrost. The area can be defined as north of the Arctic Circle (66° 33'N), the approximate limit of the midnight sun and the polar night. Alternatively, it can be defined as the region where the average temperature for the warmest month (July) is below 10 °C (50 °F); the northernmost tree line roughly follows the isotherm at the boundary of this region.[1][2]

Socially and politically, the Arctic region includes the northern territories of the eight Arctic states, although by natural science definitions much of this territory is considered subarctic. The Arctic region is a unique area among Earth's ecosystems. The cultures in the region and the Arctic indigenous peoples have adapted to its cold and extreme conditions. In recent years the extent of the sea ice has declined.[3][4] Life in the Arctic includes organisms living in the ice,[5] zooplankton and phytoplankton, fish and marine mammals, birds, land animals, plants and human societies.

Etymology

The word Arctic comes from the Greek ἀρκτικός (arktikos), "near the Bear, northern"[6] and that from the word ἄρκτος (arktos), meaning bear.[7] The name refers either to the constellation Ursa Major, the "Great Bear", which is prominent in the northern portion of the celestial sphere, or to the constellation Ursa Minor, the "Little Bear", which contains Polaris, the Pole Star, also known as the North Star.[8]

Climate

The Arctic's climate is characterized by cold winters and cool summers. Precipitation mostly comes in the form of snow. The Arctic's annual precipitation is low, with most of the area receiving less than 50 cm (20 in). High winds often stir up snow, creating the illusion of continuous snowfall. Average winter temperatures can be as low as −40 °C (−40 °F), and the coldest recorded temperature is approximately −68 °C (−90 °F). Coastal Arctic climates are moderated by oceanic influences, having generally warmer temperatures and heavier snowfalls than the colder and drier interior areas. The Arctic is affected by current global warming, leading to Arctic sea ice shrinkage and Arctic methane release.
Due to the poleward migration of the planet's isotherms (about 35 mi (56 km) per decade during the past 30 years as a consequence of global warming), the Arctic region (as defined by tree line and temperature) is currently shrinking.[9] Perhaps the most spectacular result of Arctic shrinkage is sea ice loss. There is a large variance in predictions of Arctic sea ice loss, with models showing near-complete to complete loss in September from 2040 to some time well beyond 2100. About half of the analyzed models show near-complete to complete sea ice loss in September by the year 2100.[3]

Flora and fauna

Plants

Arctic vegetation is composed of plants such as dwarf shrubs, graminoids, herbs, lichens and mosses, which all grow relatively close to the ground, forming tundra. As one moves northward, the amount of warmth available for plant growth decreases considerably. In the northernmost areas, plants are at their metabolic limits, and small differences in the total amount of summer warmth make large differences in the amount of energy available for maintenance, growth and reproduction. Colder summer temperatures cause the size, abundance, productivity and variety of plants to decrease. Trees cannot grow in the Arctic, but in its warmest parts, shrubs are common and can reach 2 m (6 ft 7 in) in height; sedges, mosses and lichens can form thick layers. In the coldest parts of the Arctic, much of the ground is bare; non-vascular plants such as lichens and mosses predominate, along with a few scattered grasses and forbs (like the arctic poppy).

Animals


Herbivores on the tundra include the Arctic hare, lemming, muskox, and caribou. They are preyed on by the Snowy owl, Arctic fox and wolf. The polar bear is also a predator, though it prefers to hunt for marine life from the ice. There are also many birds and marine species endemic to the colder regions. Other land animals include wolverines, ermines, and Arctic ground squirrels. Marine mammals include seals, walrus, and several species of cetaceanbaleen whales and also narwhals, killer whales and belugas.

Natural resources

The Arctic includes sizable natural resources (oil, gas, minerals, fresh water, fish and if the subarctic is included, forest) to which modern technology and the economic opening up of Russia have given significant new opportunities. The interest of the tourism industry is also on the increase.
The Arctic is one of the last and most extensive continuous wilderness areas in the world, and its significance in preserving biodiversity and genotypes is considerable. The increasing presence of humans fragments vital habitats. The Arctic is particularly susceptible to the abrasion of groundcover and to the disturbance of the rare reproduction places of the animals that are characteristic to the region. The Arctic also holds 1/5 of the Earth's water supply.[citation needed]

Paleo-history


During the Cretaceous, the Arctic still had seasonal snows, though only a light dusting and not enough to permanently hinder plant growth.[citation needed] Animals such as Chasmosaurus, Hypacrosaurus, Troodon, and Edmontosaurus may have all migrated north to take advantage of the summer growing season, and migrated south to warmer climes when the winter came. A similar situation may also have been found amongst dinosaurs that lived in Antarctic regions, such as Muttaburrasaurus of Australia.

Indigenous population

The earliest inhabitants of North America's central and eastern Arctic are referred to as the Arctic small tool tradition (AST) and existed c. 2500 BC. AST consisted of several Paleo-Eskimo cultures, including the Independence cultures and Pre-Dorset culture.[10][11] The Dorset culture (Inuktitut: Tuniit or Tunit) refers to the next inhabitants of central and eastern Arctic. The Dorset culture evolved because of technological and economic changes during the period of 1050–550 BC. With the exception of the Quebec/Labrador peninsula, the Dorset culture vanished around 1500 AD.[12]
Supported by genetic testing, evidence shows that Dorset culture, known as the Sadlermiut, survived in Aivilik, Southampton and Coats Islands, until the beginning of the 20th century.[13]

Dorset/Thule culture transition dates around the 9th–10th centuries. Scientists theorize that there may have been cross-contact of the two cultures with sharing of technology, such as fashioning harpoon heads, or the Thule may have found Dorset remnants and adapted their ways with the predecessor culture.[14] Others believe the Thule displaced the Dorset. By 1300, the Inuit, present-day Arctic inhabitants and descendants of Thule culture, had settled in west Greenland, and moved into east Greenland over the following century. Over time, the Inuit have migrated throughout the Arctic regions of Canada, Greenland, Russia and the United States.[15]

Other Circumpolar North indigenous peoples include the Buryat, Chukchi, Evenks, Inupiat, Khanty, Koryaks, Nenets, Sami, Yukaghir, and Yupik, who still refer to themselves as Eskimo which means "snowshoe netters", not "raw meat eaters" as it is sometimes mistakenly translated.[16]

International cooperation and politics


Polar bears on the sea ice of the Arctic Ocean, near the North Pole. USS Honolulu pictured.

The eight Arctic nations (Canada, Denmark (Greenland & The Faroe Islands), Finland, Iceland, Norway, Sweden, Russia, and USA) are all members of the Arctic Council, as are organizations representing six indigenous populations. The Council operates on consensus basis, mostly dealing with environmental treaties and not addressing boundary or resource disputes.

Though Arctic policy priorities differ, every Arctic nation is concerned about sovereignty/defense, resource development, shipping routes, and environmental protection. Much work remains on regulatory agreements regarding shipping, tourism, and resource development in Arctic waters.[17]

Research in the Arctic has long been a collaborative international effort, evidenced perhaps most notably by the International Polar Year. The International Arctic Science Committee, hundreds of scientists and specialists of the Arctic Council, and the Barents Euro-Arctic Council are more examples of collaborative international Arctic research.

Territorial claims

No country owns the geographic North Pole or the region of the Arctic Ocean surrounding it. The surrounding Arctic states that border the Arctic Ocean — Canada, Denmark (via Greenland), Iceland, Norway, Russia, and the United States —are limited to a 200 nautical miles (370 km; 230 mi) economic zone around their coasts.
Upon ratification of the United Nations Convention on the Law of the Sea, a country has ten years to make claims to an extended continental shelf beyond its 200 nautical mile zone.[18] Due to this, Norway (which ratified the convention in 1996),[19] Russia (ratified in 1997),[19] Canada (ratified in 2003)[19] and Denmark (ratified in 2004)[19] launched projects to establish claims that certain sectors of the Arctic seabed should belong to their territories.

On August 2, 2007, two Russian bathyscaphes, MIR-1 and MIR-2, for the first time in history descended to the Arctic seabed beneath the North Pole and placed there a Russian flag made of rust-proof titanium alloy. The mission was a scientific expedition, but the flag-placing during Arktika 2007, raised concerns of a race for control of the Arctic's vast petroleum resources.[20]

Foreign ministers and other officials representing Canada, Denmark, Norway, Russia, and the United States met in Ilulissat, Greenland on May 28, 2008 at the Arctic Ocean Conference and announced the Ilulissat Declaration,[21][22] blocking any "new comprehensive international legal regime to govern the Arctic Ocean," and pledging "the orderly settlement of any possible overlapping claims."[23]

As of 2012, Denmark is claiming the continental shelf between Greenland and the North Pole.[24]
The Russian Federation is claiming a large swath of seabed along the Lomonosov Ridge but confined to its sector of the Arctic.

Exploration

Since 1937, the whole Arctic region has been extensively explored by Soviet and Russian manned drifting ice stations. Between 1937 and 1991, 88 international polar crews established and occupied scientific settlements on the drift ice and were carried thousands of kilometers by the ice flow.[25]

Pollution


Long-range pollution pathways to the Arctic

The Arctic is comparatively clean, although there are certain ecologically difficult localized pollution problems that present a serious threat to people's health living around these pollution sources. Due to the prevailing worldwide sea and air currents, the Arctic area is the fallout region for long-range transport pollutants, and in some places the concentrations exceed the levels of densely populated urban areas. An example of this is the phenomenon of Arctic haze, which is commonly blamed on long-range pollutants. Another example is with the bioaccumulation of PCB's (polychlorinated biphenyls) in Arctic wildlife and people.

Preservation

There have been many proposals to preserve the Arctic over the years. Most recently a group of stars at the Rio Earth Summit, on June 21, 2012, proposed protecting the Arctic, similar to the Antarctic protection. The initial focus of the campaign will be a UN resolution creating a global sanctuary around the pole, and a ban on oil drilling and unsustainable fishing in the Arctic.[26]

Climate change


Arctic sea ice coverage as of 2007 compared to 2005 and compared to 1979–2000 average

The development of Arctic sea ice area as measured with satellites.[27]

The development of Arctic sea ice volume as estimated by measurement corrected numerical simulation shows probability of total sea ice loss in summer for the near future.[28]

The Arctic is especially vulnerable to the effects of global warming, as has become apparent in the melting sea ice in recent years. Climate models predict much greater warming in the Arctic than the global average,[29] resulting in significant international attention to the region. In particular, there are concerns that Arctic shrinkage, a consequence of melting glaciers and other ice in Greenland, could soon contribute to a substantial rise in sea levels worldwide.[30] The climate models on which the IPCC report Nr.4 is based give a range of predictions of Arctic sea ice loss, showing near-complete to complete loss in September anywhere from 2040 to some time well beyond 2100. About half of the analyzed models show near-complete to complete sea ice loss in September by the year 2100.[3] More recently, the Catlin Arctic Survey concluded that summer ice loss would occur around 2029.[31][32] It has been apparent though since 2007, that those models grossly underestimate sea ice loss.[33]

As can be seen in the two plot at the right, since about 1995 to 2000, all three size numbers of the Arctic sea ice shield (extent, area and volume) are decreasing in an accelerated way. This downward movement is modulated by statistical variations, which lead to considerable media attention, when a new record has been reached.

Concerning melting records, 2012 was a productive year, thus corroborating the tendency of the past decade. This may have been furthered by a strong summer storm cyclone, a rare event in the Arctic, which spread the already very thin ice and caused mixing of the cold surface waters with deeper warmer water layers. According to the University of Bremen, in September 2011 the Arctic ice cap was smaller than ever recorded (the satellite measurements started in the 1970s).[34][35] Arctic ice is declining in area and thinning. Arctic temperatures have risen more than twice as fast as the global average over the past half century. The speed of change has shocked scientists. If current trends continue, a largely ice-free Arctic in the summer is likely within 30 years – up to 40 years earlier than was anticipated by the IPCC Fourth Assessment Report.[36]

As the volume of sea ice until recently could not be measured by remote sensing as easy as its extent, numerical models have been made to estimate the ice thickness field between known points, which then is summed up to yield ice volume. The resulting volume over time reveals a much stronger loss of ice than ice extent studies suggest.[28]

The current Arctic shrinkage is leading to fears of Arctic methane release.[37] Release of methane stored in permafrost could cause abrupt and severe global warming,[38] as methane is a potent greenhouse gas. On millennial time-scales, decomposition of methane hydrates in the Arctic seabed could also amplify global warming.[citation needed] Previous methane release events have been linked to the great dying, a mass extinction event at the boundary of the Permian and Triassic, and the Paleocene–Eocene Thermal Maximum, in which temperatures abruptly increased.

Apart from concerns regarding the detrimental effects of warming in the Arctic, some potential opportunities have gained attention. The melting of the ice is making the Northwest Passage, the shipping routes through the northernmost latitudes, more navigable, raising the possibility that the Arctic region will become a prime trade route.[39] In addition, it is believed that the Arctic seabed may contain substantial oil fields which may become accessible if the ice covering them melts.[40] These factors have led to recent international debates as to which nations can claim sovereignty or ownership over the waters of the Arctic.[41][42][43][44]

The National Oceanic and Atmospheric Administration's Arctic Report Card[45] presents annually updated, peer-reviewed information on recent observations of environmental conditions in the Arctic relative to historical records.

Eidsfjord in Vesterålen, Norway is 250 km (160 mi) inside the Arctic Circle, but the comparatively temperate Norwegian sea gives a mean annual temperature of 4 °C (39 °F) and a three-month summer above 10°C.[46]

Arctic waters

Arctic lands

Geographic Designation National Affiliation Designation
Alaska United States State
Aleutian Islands United States Alaskan Archipelago
Arkhangelsk Oblast Russia Federal subject
Canadian Arctic Archipelago Canada Canadian Archipelago
Diomede Island (Big) Russia Island
Diomede Island (Little) United States Island
Finnmark Norway County
Franz Josef Land Russia Federal subject archipelago
Greenland Denmark Autonomous country
Grímsey Iceland Island
Jan Mayen Norway Island
Lapland Finland Region
Lapland Sweden Province
New Siberian Islands Russia Archipelago
Nordland Norway County
Norrbotten Sweden Province
Northwest Territories Canada Territory
Novaya Zemlya Russia Federal subject archipelago
Nunavik Canada Northern part of Quebec
Nunavut Canada Territory
Russian Arctic islands Russia Islands
Sápmi Norway, Sweden, Finland, Russia Fennoscandia region
Sakha Republic Russia Federal subject
Severnaya Zemlya Russia Federal subject archipelago
Siberia Russia Region
Svalbard Norway Governor of Svalbard archipelago
Troms Norway County
Yukon Canada Territory
Wrangel Island Russia Zapovednik (nature reserve)

A new gold standard for nano

A new gold standard for nano

Original link:  http://www.rsc.org/chemistryworld/2014/08/gold-standard-nano-atomic-resolution-characterization
 
gold_nanoparticleLatest work confirms gold clusters can have super atomic and molecular characteristics © Science/AAAS
 
Characterising gold nanoparticles at atomic resolution might improve our understanding of the catalytic activity of these materials, according to an international team. These researchers have now demonstrated that it is possible to use electron microscopy to obtain data on at least one gold cluster of greater than 1nm diameter and to validate the results by comparison with small-angle x-ray scattering data, infrared absorption spectra and density functional theory calculations.Gold nanoparticles are of fundamental scientific interest, bridging the gap between the atomic, the tiniest clusters of atoms and the bulk metal. They exist in the realm of 1 to 100nm and also have potential in quantum dot technology, biomedical research as labels and many other areas. Unfortunately, until now only one nanoscopic gold cluster, an entity containing 102 gold atoms, has succumbed to atomic resolution structural investigation by x-ray crystallography. Other gold nanoparticles have proved less amenable to the technique.

Now, Roger Kornberg at Stanford University School of Medicine in the US, and colleagues have used a minimal electron dose in aberration-corrected transmission electron microscopy to obtain an atomic resolution structure for a nanoparticle containing 68 gold atoms. The team suggests that the approach should be generally applicable, potentially opening up characterisation of a wide range of shapes and sizes of gold nanoparticles. This is especially useful as no prior knowledge about the structure is needed, the team says.

The earlier work with the 102 atom nanoparticles demonstrated that such an entity is actually a molecule with a precise composition and distinct arrangement of atoms. Perhaps paradoxically, it also revealed this entity to be a super atom stabilised by filled electron shells. The new work by Kornberg and colleagues lends support to this notion of a super atom with a molecular character to other gold clusters, but also points to two notable differences. The first being that the electronic structure of this 68 atom nanoparticles does not indicate that the electron shells are filled, suggesting that it is not a super atom. Secondly, whereas the 102 atom nanoparticle has global symmetry pivoting on a truncated decahedral core, the 68 atom particle has much lower symmetry.

‘The work by Kornberg et al is indeed impressive,’ says Mikael Johansson of the Technical University of Munich, Germany. ‘This size region is perhaps the most difficult to characterise, both experimentally and theoretically. That a definitive, low symmetry structure exists, and has successfully been determined comes with a promise of greater understanding, and thus practical exploitability of gold clusters of this size in the future.’

Marx Brothers

Marx Brothers

From Wikipedia, the free encyclopedia

The Marx Brothers
Marx Brothers 1931.jpg
Four of the five Marx Brothers in 1931 (top to bottom: Chico, Harpo, Groucho and Zeppo)
Medium Film, Broadway, vaudeville
Nationality American
Years active 1905–1949
Genres Word play, slapstick, musical comedy, deadpan
Former members Chico Marx
Harpo Marx
Groucho Marx
Zeppo Marx
(Gummo Marx)
Julius Henry Marx (Groucho) on the left and Adolph Marx (Harpo) on the right holding a rat terrier dog, c. 1906
The five Marx brothers with their parents in New York City, 1915. From left to right; Groucho, Gummo, Minnie (mother), Zeppo, Frenchy (father), Chico, and Harpo.

The Marx Brothers were a family comedy act that was successful in vaudeville, on Broadway, and in motion pictures from 1905 to 1949. Five of the Marx Brothers’ thirteen feature films were selected by the American Film Institute (AFI) as among the top 100 comedy films, with two of them (Duck Soup and A Night at the Opera) in the top twelve. The brothers were included in AFI's 100 Years...100 Stars list of the most significant screen legends, the only performers to be inducted collectively.

The core of the act was the three elder brothers, Chico, Harpo, and Groucho; each developed a highly distinctive stage persona. The two younger brothers, Gummo and Zeppo, did not develop their stage characters to the same extent, and eventually left the act to pursue other careers. Gummo was not in any of the movies; Zeppo appeared in the first five films in relatively straight (non-comedic) roles.

Early life

Born in New York City, the Marx Brothers were the sons of Jewish immigrants from Germany and France. Their mother, Minnie Schönberg, was from Dornum in East Frisia; and their father, Simon Marx (whose name was changed to Samuel Marx, and who was nicknamed "Frenchy") was a native of Alsace and worked as a tailor.[1][2][3] The family lived in the then-poor Yorkville section of New York City's Upper East Side, between the Irish, German and Italian quarters.

Brothers

The brothers were:
Stage name Birth name Born Died Age
Chico Leonard Marx March 22, 1887 October 11, 1961[4] 74
Harpo Adolph (After 1911: Arthur) Marx November 23, 1888 September 28, 1964[5] 75
Groucho Julius Henry Marx October 2, 1890 August 19, 1977[6] 86
Gummo Milton Marx October 23, 1892[7] April 21, 1977[8] 83
Zeppo Herbert Manfred Marx February 25, 1901 November 30, 1979[9] 78
A sixth brother, Manfred ("Mannie"), was actually the first child of Samuel and Minnie, born in 1886,[10][11][12] though an online family tree states that he was born in 1885: "Family lore told privately of the firstborn son, Manny, born in 1886 but surviving for only three months, and carried off by tuberculosis. Even some members of the Marx family wondered if he was pure myth. But Manfred can be verified. A death certificate of the Borough of Manhattan reveals that he died, aged seven months, on 17 July 1886, of 'entero-colitis,' with 'asthenia' contributing, i.e., probably a victim of influenza. He is buried at New York's Washington Cemetery, beside his grandmother, Fanny Sophie Schönberg (née Salomons), who died on 10 April 1901."[13]

Stage beginnings

1911 newspaper advertisement for a Marx Brothers appearance (l. to r.: Gummo, Groucho, Harpo).

The brothers were from a family of artists, and their musical talent was encouraged from an early age. Harpo was particularly talented, learning to play an estimated six different instruments throughout his career. He became a dedicated harpist, which gave him his nickname.[14] Chico was an excellent pianist, Groucho a guitarist and singer, and Zeppo a vocalist. They got their start in vaudeville, where their uncle Albert Schönberg performed as Al Shean of Gallagher and Shean. Groucho's debut was in 1905, mainly as a singer. By 1907, he and Gummo were singing together as "The Three Nightingales" with Mabel O'Donnell. The next year, Harpo became the fourth Nightingale and by 1910, the group briefly expanded to include their mother Minnie and their Aunt Hannah. The troupe was renamed "The Six Mascots".

Comedy

One evening in 1912, a performance at the Opera House in Nacogdoches, Texas was interrupted by shouts from outside about a runaway mule. The audience hurried out to see what was happening. When the audience returned, Groucho, angered by the interruption, made snide comments about its members, including "Nacogdoches is full of roaches" and "The jackass is the flower of Tex-ass". Instead of becoming angry, the audience laughed. The family then realized it had potential as a comic troupe.[15] However, in his autobiography, Harpo Speaks, Harpo Marx states that the runaway mule incident occurred in Ada, Oklahoma.[16] A 1930 article in the San Antonio Express newspaper states that the incident took place in Marshall, Texas.[17]

The act slowly evolved from singing with comedy to comedy with music. The brothers' sketch "Fun in Hi Skule" featured Groucho as a German-accented teacher presiding over a classroom that included students Harpo, Gummo and Chico. The last version of the school act, titled Home Again, was written by their uncle, Al Shean. When the Home Again tour reached Flint, Michigan in 1915, 14-year-old Zeppo joined his four brothers for what is believed to be the only time that all five Marx Brothers appeared together on stage.[18] Then Gummo left to serve in World War I, reasoning that "anything is better than being an actor!"[19] Zeppo replaced him in their final vaudeville years and in the jump to Broadway, and then to Paramount films.
Sheet music from 1917. Left to right: Harpo, Groucho, Chico, Gummo.

During World War I, anti-German sentiments were common, and the family tried to conceal its German origin. After learning that farmers were excluded from the draft rolls, mother Minnie purchased a 27-acre (110,000 m2) poultry farm near Countryside, Illinois, but the brothers soon found that chicken ranching was not in their blood.[20] During this time, Groucho discontinued his "German" stage personality.

By this time, "The Four Marx Brothers" had begun to incorporate their unique style of comedy into their act and to develop their characters. Both Groucho's and Harpo's memoirs say that their now-famous on-stage personae were created by Al Shean. Groucho began to wear his trademark greasepaint mustache and to use a stooped walk. Harpo stopped speaking onstage and began to wear a red fright wig and carry a taxi-cab horn. Chico spoke with a fake Italian accent, developed off-stage to deal with neighborhood toughs, while Zeppo adopted the role of the romantic (and "peerlessly cheesy", according to James Agee)[21] straight man.

The on-stage personalities of Groucho, Chico and Harpo were said to have been based on their actual traits. Zeppo, on the other hand, was considered the funniest brother offstage, despite his straight stage roles. As the youngest, and having grown up watching his brothers, he could fill in for and imitate any of the others when illness kept them from performing. "He was so good as Captain Spaulding [in Animal Crackers] that I would have let him play the part indefinitely, if they had allowed me to smoke in the audience", Groucho recalled. (Zeppo did impersonate Groucho in the film version of Animal Crackers. Groucho was unavailable to film the scene in which the Beaugard painting is stolen, so the script was contrived to include a power failure, which allowed Zeppo to play the Spaulding part in near-darkness.)[22]

By the 1920s, the Marx Brothers had become one of America's favorite theatrical acts. With their sharp and bizarre sense of humor, they satirized high society and human hypocrisy. They became famous for their improvisational comedy in free-form scenarios. A famous early instance was when Harpo arranged to chase a fleeing chorus girl across the stage during the middle of a Groucho monologue to see if Groucho would be thrown off. However, to the audience's delight, Groucho merely reacted by commenting, "First time I ever saw a taxi hail a passenger". When Harpo chased the girl back the other direction, Groucho, calmly checking his watch, ad-libbed, "The 9:20's right on time. You can set your watch by the Lehigh Valley."

Under Chico's management, and with Groucho's creative direction, the brothers' vaudeville act had led to them becoming stars on Broadway, first with a musical revue, I'll Say She Is (1924–1925) and then with two musical comedies, The Cocoanuts (1925–1926) and Animal Crackers (1928–1929). Playwright George S. Kaufman worked on the last two and helped sharpen the brothers' characterizations.

Out of their distinctive costumes the brothers looked alike, even down to their receding hairlines. Zeppo could pass for a younger Groucho, and played the role of his son in Horse Feathers. A scene in Duck Soup finds Groucho, Harpo and Chico all appearing in the famous greasepaint eyebrows, mustache and round glasses, while wearing nightcaps. The three are indistinguishable, enabling them to carry off the "mirror scene" perfectly.

Origin of the stage names

The stage names for four of the five brothers were coined by monologist Art Fisher[21] during a poker game in Galesburg, Illinois, based both on the brothers' personalities and Gus Mager's Sherlocko the Monk, a popular comic strip of the day which included a supporting character named "Groucho".[23] As Fisher dealt each brother a card, he addressed them, for the very first time, by the names they would keep for the rest of their lives.

The reasons behind Chico's and Harpo's stage names are undisputed, and Gummo's is fairly well established. Groucho's and Zeppo's are far less clear. Arthur was named Harpo because he played the harp, and Leonard became Chico (pronounced "Chick-o") because he was, in the slang of the period, a "chicken chaser". ("Chickens"—later "chicks"—was period slang for women. "In England now," said Groucho, "they were called 'birds'.")[24]

In his autobiography, Harpo explains that Milton became Gummo because he crept about the theater like a gumshoe detective.[25] Other sources report that Gummo was the family's hypochondriac, having been the sickliest of the brothers in childhood, and therefore wore rubber overshoes, called gumshoes, in all kinds of weather. Still others report that Milton was the troupe's best dancer, and dance shoes tended to have rubber soles.[26] Groucho stated that the source of the name was Gummo wearing galoshes. Whatever the details, the name relates to rubber-soled shoes.

The reason Julius was named Groucho is perhaps the most disputed. There are three explanations:
  • Julius' temperament: Maxine, Chico's daughter and Groucho's niece, said in the documentary The Unknown Marx Brothers that Julius was named "Groucho" simply because he was grouchy most or all of the time. Robert B. Weide, a director known for his knowledge of Marx Brothers history, said in Remarks On Marx, a documentary short included with the DVD of A Night at the Opera, that among the competing explanations he found this one the most believable. Steve Allen, in Funny People, said that the name made no sense; Groucho might have been impudent and impertinent, but not grouchy — at least not around Allen. However, at the very end of his life, Groucho finally admitted that Fisher had named him Groucho because he was the "moody one".[27]
  • The grouch bag: This explanation appears in Harpo's biography, was voiced by Chico in a TV appearance included on The Unknown Marx Brothers, and was offered by George Fenneman, Groucho's sidekick on his TV game show, You Bet Your Life. A grouch bag was a small drawstring bag worn around the neck in which a traveler could keep money and other valuables so that it would be very difficult for anyone to steal them. Most of Groucho's friends and associates stated that Groucho was extremely stingy, especially after losing all his money in the 1929 stock market crash, so naming him for the grouch bag may have been a comment on this trait. Groucho, in chapter six of his first autobiography, insisted that this was not the case:
I kept my money in a 'grouch bag'. This was a small chamois bag that actors used to wear around their neck to keep other hungry actors from pinching their dough. Naturally, you're going to think that's where I got my name from. But that's not so. Grouch bags were worn on manly chests long before there was a Groucho.[28]
  • Groucho's explanation: Groucho himself insisted that he was named for a character in the comic strip, Knocko the Monk, which inspired the craze for nicknames ending in "o"; in fact, there was a character in that strip named "Groucho". However, he is the only Marx or Marx associate who defended this theory, and as he is not an unbiased witness, few biographers take the claim seriously.
Groucho himself was no help on this point; during his Carnegie Hall concert, when he was discussing the Brothers' names and when it came to his own, he said, "My name, of course, I never did understand." He goes on to mention the possibility that he was named after his unemployed uncle, Julius, who lived with his family. The family believed he was actually a rich uncle hiding a fortune. Groucho claims that he may have been named after him (perhaps by the family trying to get into the will). "And he finally died, and he left us his will, and in that will he left three razor blades, an 8-ball, a celluloid dicky, and he owed my father $85 beside."[29]
Herbert was not nicknamed by Art Fisher, since he did not join the act until Gummo had departed. As with Groucho, three explanations exist for Herbert's name, "Zeppo":
  • Harpo's explanation: Harpo said in Harpo Speaks! the brothers had named Herbert for Mr. Zippo, a chimpanzee that was part of another performer's act. Herbert found the nickname very unflattering, and when it came time for him to join the act, he put his foot down and refused to be called "Zippo". The brothers compromised on Zeppo.
  • Chico's explanation: Chico never wrote an autobiography, and gave fewer interviews than his brothers, but his daughter, Maxine, in The Unknown Marx Brothers said that when the Marx Brothers lived in Chicago, a popular style of humor was the "Zeke and Zeb" joke, which made fun of slow-witted Midwesterners in much the same way Boudreaux and Thibodeaux jokes mock Cajuns and Ole and Lena jokes mock Minnesotans. One day, as Chico returned home, he found Herbert sitting on the fence. Herbert greeted him by saying "Hi, Zeke!" Chico responded with "Hi, Zeb!" and the name stuck. The brothers thereafter called him "Zeb" and when he joined the act, they floated the idea of "Zebbo", eventually preferring "Zeppo".
  • Groucho's explanation: In a tape-recorded interview excerpted on The Unknown Marx Brothers, Groucho said Zeppo was so named because he was born when the first zeppelins started crossing the ocean. He stated this in his Carnegie Hall concert, ca. 1972. The first zeppelin flew in July 1900, and Herbert was born seven months later in February 1901. However, the first transatlantic zeppelin flight was not until 1924, long after Herbert's birth.
Maxine Marx reported in The Unknown Marx Brothers that the brothers listed their real names (Julius, Leonard, Adolph, Milton and Herbert) on playbills and in programs, and only used the nicknames behind the scenes, until Alexander Woollcott overheard them calling one another by the nicknames; he asked them why they used their own ordinary real names publicly when they had such wonderful nicknames. They replied, "That wouldn't be dignified." Woollcott answered with a belly laugh. Since Woollcott did not meet the Marx Brothers until the premiere of I'll Say She Is, which was their first Broadway show, this would mean they used their real names throughout their vaudeville days, and that the name "Gummo" never appeared in print during his time in the act. Other sources report that the Marx Brothers did go by their nicknames during their vaudeville era, but briefly listed themselves by their given names when I'll Say She Is opened because they were worried that a Broadway audience would reject a vaudeville act if they were perceived as low class.[30]

Motion pictures

Paramount

The Marx Brothers' stage shows became popular just as motion pictures were evolving to "talkies." They signed a contract with Paramount Pictures and embarked on their film career at Paramount's Astoria, New York studios. Their first two released films (after an unreleased short silent film titled Humor Risk) were adaptations of the Broadway shows The Cocoanuts (1929) and Animal Crackers (1930). Both were written by George S. Kaufman and Morrie Ryskind. Production then shifted to Hollywood, beginning with a short film that was included in Paramount's twentieth anniversary documentary, The House That Shadows Built (1931), in which they adapted a scene from I'll Say She Is. Their third feature-length film, Monkey Business (1931), was their first movie not based on a stage production, and the only one in which Harpo's voice is heard (singing tenor from inside a barrel in the opening scene). Horse Feathers (1932), in which the brothers satirized the American college system and Prohibition, was their most popular film yet, and won them the cover of Time. It included a running gag from their stage work, in which Harpo produces a ludicrous array of props from his coat, including a wooden mallet, a fish, a coiled rope, a tie, a poster of a woman in her underwear, a cup of hot coffee, a sword; and, just after Groucho warns him that he "can't burn the candle at both ends," a candle burning at both ends.

During this period Chico and Groucho starred in a radio comedy series, Flywheel, Shyster and Flywheel. Though the series was short lived, much of the material developed for it was used in subsequent films. The show's scripts and recordings were believed lost until copies of the scripts were found in the Library of Congress in the 1980s. After publication in a book they were performed with Marx Brothers impersonators for BBC Radio.[31]

Their last Paramount film, Duck Soup (1933), directed by the highly regarded Leo McCarey, is the highest rated of the five Marx Brothers films on the American Film Institute's "100 years ... 100 Movies" list. It did not do as well financially as Horse Feathers, but was the sixth-highest grosser of 1933. The film sparked a dispute between the Marxes and the village of Fredonia, New York. "Freedonia" was the name of a fictional country in the script, and the city fathers wrote to Paramount and asked the studio to remove all references to Freedonia because "it is hurting our town's image". Groucho fired back a sarcastic retort asking them to change the name of their town, because "it's hurting our picture."[citation needed]

MGM, RKO, and United Artists

After expiration of the Paramount contract Zeppo left the act to become an agent. He and brother Gummo went on to build one of the biggest talent agencies in Hollywood, helping the likes of Jack Benny and Lana Turner get their starts. Groucho and Chico did radio, and there was talk of returning to Broadway. At a bridge game with Chico, Irving Thalberg began discussing the possibility of the Marxes joining Metro-Goldwyn-Mayer. They signed, now billed as "Groucho, Chico, Harpo, Marx Bros."

Unlike the free-for-all scripts at Paramount, Thalberg insisted on a strong story structure that made the brothers more sympathetic characters, interweaving their comedy with romantic plots and non-comic musical numbers, and targeting their mischief-making at obvious villains. Thalberg was adamant that scripts include a "low point", where all seems lost for both the Marxes and the romantic leads. He instituted the innovation of testing the film's script before live audiences before filming began, to perfect the comic timing, and to retain jokes that earned laughs and replace those that did not. Thalberg restored Harpo's harp solos and Chico's piano solos, which had been omitted from Duck Soup.
Marx Brothers by Yousuf Karsh, 1948

The first Marx Brothers/Thalberg film was A Night at the Opera (1935), a satire on the world of opera, where the brothers help two young singers in love by throwing a production of Il Trovatore into chaos. The film—including its famous scene where an absurd number of people crowd into a tiny stateroom on a ship—was a great success, and was followed two years later by an even bigger hit, A Day at the Races (1937), in which the brothers cause mayhem in a sanitarium and at a horse race. The film features Groucho and Chico's famous "Tootsie Frootsie Ice Cream" sketch. In a 1969 interview with Dick Cavett, Groucho said that the two movies made with Thalberg were the best that they ever produced. Despite the Thalberg films' success, MGM terminated the brothers' contract in 1937; Thalberg had died suddenly during filming of A Day at the Races, leaving the Marxes without an advocate at the studio.

After a short experience at RKO (Room Service, 1938), the Marx Brothers returned to MGM and made three more films: At the Circus (1939), Go West (1940) and The Big Store (1941). Prior to the release of The Big Store the team announced its retirement from the screen. Four years later, however, Chico persuaded his brothers to make two additional films, A Night in Casablanca (1946) and Love Happy (1949), to alleviate his severe gambling debts. Both pictures were released by United Artists.

Later years

From the 1940s onward Chico and Harpo appeared separately and together in nightclubs and casinos. Chico fronted a big band, the Chico Marx Orchestra (with 17-year-old Mel Tormé as a vocalist). Groucho began his solo career with You Bet Your Life, which ran from 1947 to 1961 on NBC radio and television. He authored several books, including Groucho and Me (1959), Memoirs of a Mangy Lover (1964) and The Groucho Letters (1967).

Groucho and Chico briefly appeared together in a 1957 short film promoting the Saturday Evening Post entitled "Showdown at Ulcer Gulch," directed by animator Shamus Culhane, Chico's son-in-law. Groucho, Chico, and Harpo worked together (in separate scenes) in The Story of Mankind (1957). In 1959, the three began production of Deputy Seraph, a TV series starring Harpo and Chico as blundering angels, and Groucho (in every third episode) as their boss, the "Deputy Seraph." The project was abandoned when Chico was found to be uninsurable (and incapable of memorizing his lines) due to severe arteriosclerosis. On March 8 of that year, Chico and Harpo starred as bumbling thieves in The Incredible Jewel Robbery, a half-hour pantomimed episode of the General Electric Theater on CBS. Groucho made a cameo appearance—uncredited, because of constraints in his NBC contract—in the last scene, and delivered the only line of dialogue ("We won't talk until we see our lawyer!").

According to a September 1947 article in Newsweek, Groucho, Harpo, Chico and Zeppo all signed to appear as themselves in a biopic entitled The Life and Times of the Marx Brothers. In addition to being a non-fiction biography of the Marxes, the film would have featured the brothers reenacting much of their previously unfilmed material from both their vaudeville and Broadway eras. The film, had it been made, would have been the first performance by the Brothers as a quartet since 1933.

The five brothers made only one television appearance together, in 1957, on an early incarnation of The Tonight Show called Tonight! America After Dark, hosted by Jack Lescoulie. Five years later (October 1, 1962) after Jack Paar's tenure, Groucho made a guest appearance to introduce the Tonight Show's new host, Johnny Carson.[32]

Around 1960, the acclaimed director Billy Wilder considered writing and directing a new Marx Brothers film. Tentatively titled "A Day at the U.N.," it was to be a comedy of international intrigue set around the United Nations building in New York. Wilder had discussions with Groucho and Gummo, but the project was put on hold because of Harpo's ill-health and abandoned when Chico died in 1961.[33]

In 1966 Filmation produced a pilot for a Marx Bros. cartoon. Groucho was Pat Harrington Jr. and other voices were Ted Knight and Joe Besser.[34][35]

In 1970, the four Marx Brothers had a brief reunion (of sorts) in the animated ABC television special The Mad, Mad, Mad Comedians, produced by Rankin-Bass animation (of Rudolph the Red-Nosed Reindeer fame). The special featured animated reworkings of various famous comedians' acts, including W. C. Fields, Jack Benny, George Burns, Henny Youngman, The Smothers Brothers, Flip Wilson, Phyllis Diller, Jack E. Leonard, George Jessel and the Marx Brothers. Most of the comedians provided their own voices for their animated counterparts, except for Fields and Chico Marx (both had died), and Zeppo Marx (who had left show business in 1933). Voice actor Paul Frees filled in for all three (no voice was needed for Harpo, who was deceased). The Marx Brothers' segment was a reworking of a scene from their Broadway play I'll Say She Is, a parody of Napoleon which Groucho considered among the Brothers' funniest routines. The sketch featured animated representations, if not the voices, of all four brothers. Romeo Muller is credited as having written special material for the show, but the script for the classic "Napoleon Scene" was probably supplied by Groucho.

On January 16, 1977, the Marx Brothers were inducted into the Motion Picture Hall of Fame.
Many television shows and movies have used Marx Brothers references. Animaniacs and Tiny Toons, for example, have featured Marx Brothers jokes and skits. Hawkeye Pierce (Alan Alda) on M*A*S*H occasionally put on a fake nose and glasses, and, holding a cigar, did a Groucho impersonation to amuse patients recovering from surgery. Bugs Bunny impersonated Groucho Marx in the 1947 cartoon Slick Hare and in a later cartoon he again impersonated Groucho hosting a TV show called "You Beat Your Wife," asking Elmer Fudd if he had stopped beating his wife. Tex Avery's cartoon Hollywood Steps Out (1941) featured appearances by Harpo and Groucho. They appeared, sometimes with Chico and Zeppo caricatured, in cartoons starring Mickey Mouse, Flip the Frog and others. In the Airwolf episode 'Condemned', four anti-virus formulae for a deadly plague were named after the four Marx Brothers. In All In The Family, Rob Reiner often did imitations of Groucho, and Sally Struthers dressed as Harpo in one episode in which she (as Gloria Stivic) and Rob (as Mike Stivic) were going to a Marx Bros. film festival, with Reiner dressing as Groucho. Gabe Kaplan did many Groucho imitations on his sit-com Welcome Back, Kotter and Robert Hegyes sometimes imitated both Chico and Harpo on the show. In Woody Allen's film Hannah and Her Sisters (1986), Woody's character, after an unsuccessful suicide attempt is inspired to go on living after seeing a revival showing of Duck Soup. In Manhattan (1979), he names the Marx Bros. as something that makes life worth living. In Everyone Says I Love You (1996), he and Goldie Hawn dress as Groucho for a Marx Bros. celebration in France, and the song "Hooray for Captain Spaulding", from Animal Crackers, is performed, with various actors dressed as the brothers, striking poses famous to Marx fans. (The film itself is named after a song from Horse Feathers, a version of which plays over the opening credits.)
Harpo Marx appeared as himself in a sketch on I Love Lucy in which he and Lucille Ball reprised the mirror routine from Duck Soup, with Lucy dressed up as Harpo. Lucy had met the Marxes when she appeared in a supporting role in an earlier Marx Brothers film, Room Service. Chico once appeared on I've Got a Secret dressed up as Harpo; his secret was shown in a caption reading "I'm actually Chico Marx." The Marx Brothers were spoofed in the second act of the Broadway Review A Day in Hollywood/A Night in the Ukraine

Filmography

Films with the four Marx Brothers:
Films with the three Marx Brothers (post-Zeppo):
Solo endeavors:

Characters

Film Year Groucho Chico Harpo Zeppo
Humor Risk 1921 The Villain The Italian Watson, Detective The Love Interest
Too Many Kisses 1925

The Village Peter Pan
The Cocoanuts 1929 Mr. Hammer Chico Harpo Jamison
Animal Crackers 1930 Captain Geoffrey T. Spaulding Signor Emmanuel Ravelli The Professor Horatio Jamison
The House That Shadows Built 1931 Caesar's Ghost Tomalio The Merchant of Weiners Sammy Brown
Monkey Business 1931 Groucho Chico Harpo Zeppo
Horse Feathers 1932 Professor Quincy Adams Wagstaff Baravelli Pinky Frank Wagstaff
Duck Soup 1933 Rufus T. Firefly Chicolini Pinky Lt. Bob Roland
A Night at the Opera 1935 Otis B. Driftwood Fiorello Tomasso
A Day at the Races 1937 Dr. Hugo Z. Hackenbush Tony Stuffy
Room Service 1938 Gordon Miller Harry Binelli Faker Englund
At the Circus 1939 J. Cheever Loophole Antonio Pirelli Punchy
Go West 1940 S. Quentin Quale Joe Panello Rusty Panello
The Big Store 1941 Wolf J. Flywheel Ravelli Wacky
Stage Door Canteen 1943

Harpo
A Night in Casablanca 1946 Ronald Kornblow Corbaccio Rusty
Copacabana 1947 Lionel Q. Devereaux


Love Happy 1949 Sam Grunion Faustino the Great Harpo
Mr. Music 1951 Himself


Double Dynamite 1951 Emile J. Keck


A Girl in Every Port 1952 Benjamin Franklin 'Benny' Linn


Will Success Spoil Rock Hunter? 1957 George Schmidlap


The Story of Mankind 1957 Peter Minuit Monk Sir Isaac Newton
The Incredible Jewel Robbery 1959 Suspect in a police lineup Nick Harry
The Mikado 1960 Ko-Ko


Skidoo 1968 God


Legacy

Awards and honors

The Marx Brothers were collectively named #20 on AFI's list of the Top 25 American male screen legends. They are the only group to be so honored.

Algorithmic information theory

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