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Sunday, June 6, 2021

Jonathan Miller

From Wikipedia, the free encyclopedia

Jonathan Miller

Jonathan Miller appearing on "After Dark", 3 September 1988.jpg
Appearing on TV discussion After Dark in 1988
Born
Jonathan Wolfe Miller

21 July 1934
St John's Wood, London, England
Died27 November 2019 (aged 85)
Alma materSt John's College, Cambridge (MB BChir, 1959)
Occupation
Spouse(s)Rachel Collet (m. 1956–2019; his death)
Children3
Parents

Sir Jonathan Wolfe Miller CBE (21 July 1934 – 27 November 2019) was an English theatre and opera director, actor, author, television presenter, humourist and physician. After training in medicine and specialising in neurology in the late 1950s, he came to prominence in the early 1960s in the comedy revue Beyond the Fringe with Peter Cook, Dudley Moore and Alan Bennett.

Miller began directing operas in the 1970s. His 1982 production of a "Mafia"-styled Rigoletto was set in 1950s Little Italy, Manhattan. In its early days, he was an associate director at the National Theatre. He later ran the Old Vic Theatre. As a writer and presenter of more than a dozen BBC documentaries, Miller became a television personality and public intellectual in Britain and the United States.

Life and career

Early life

Miller grew up in St John's Wood, London, in a well-connected Jewish family. His father Emanuel (1892–1970), who was of Lithuanian descent and suffered from severe rheumatoid arthritis, was a military psychiatrist and subsequently a paediatric psychiatrist at Harley House. His mother, Betty Miller (née Spiro) (1910–1965), was a novelist and biographer who was originally from County Cork, Ireland. Miller's elder sister Sarah (died 2006) worked in television for many years and retained an involvement with Judaism that Miller, as an atheist, always eschewed.

Miller was educated at Taunton School and St Paul's School, London where he developed an early (and ultimately lifelong) interest in the biological sciences. While at St Paul's School at the age of 12, Miller met and became close friends with Oliver Sacks and Sacks's best friend Eric Korn, friendships which remained crucial throughout the rest of their lives. In 1953, before leaving secondary school, he performed comedy several times on the BBC radio program Under Twenty Parade. Miller studied natural sciences and medicine at St John's College, Cambridge (MB BChir, 1959), where he was a member of the Cambridge Apostles before going on to train at University College Hospital in London.

While studying medicine, Miller was involved in the Cambridge Footlights, appearing in the revues Out of the Blue (1954) and Between the Lines (1955). Good reviews for these shows, and for Miller's performances in particular, led to his performing on a number of radio and television shows while continuing his studies; these included appearances on Saturday Night on the Light, Tonight and Sunday Night at the London Palladium. He qualified as a physician in 1959 and then worked as a hospital house officer for two years, including at the Central Middlesex Hospital as house physician for gastroenterologist Francis Avery Jones.

1960s: Beyond the Fringe

Miller (far right) in Beyond the Fringe on Broadway, with (from left) Dudley Moore, Alan Bennett and Peter Cook

Miller helped to write and produce the musical revue Beyond the Fringe, which premiered at the Edinburgh Festival in August 1960. This launched, in addition to his own, the careers of Alan Bennett, Peter Cook and Dudley Moore. Miller quit the show shortly after its move from London to Broadway in 1962, and took over as editor and presenter of the BBC's arts programme Monitor in 1965. The Monitor appointment arose because Miller had approached Huw Wheldon about taking up a place on the BBC's director training course. Wheldon assured him that he would "pick it up as he went along".

Miller's first experience of directing a stage-play was for John Osborne, whose Under Plain Cover he directed in 1962. In 1964, he directed the play The Old Glory by the American poet Robert Lowell in New York City. It was the first play produced at the American Place Theatre and starred Frank Langella, Roscoe Lee Brown, and Lester Rawlins. The play won five Obie Awards in 1965 including an award for "Best American Play" as well as awards for Langella, Brown and Rawlins.

He wrote, produced, and directed an adaptation for television of Alice in Wonderland (1966) for the BBC. He followed this with Whistle and I'll Come to You (1968) starring Michael Hordern, a television adaptation of M. R. James's 1904 ghost story "Oh, Whistle, and I'll Come to You, My Lad". He produced a National Theatre Company production of The Merchant of Venice starring Sir Laurence Olivier. He later resigned as associate director.

1970s: Medical history and opera

Miller held a research fellowship in the history of medicine at University College London from 1970 to 1973. In 1974, he also started directing and producing operas for Kent Opera and Glyndebourne, followed by a new production of The Marriage of Figaro for English National Opera in 1978. Miller's other turns as an opera director included productions of Rigoletto (in 1975 and 1982) and the operetta The Mikado (in 1987).

Miller drew upon his own experiences as a physician as writer and presenter of the BBC television series The Body in Question (1978), which caused some controversy for showing the dissection of a cadaver. For a time, he was a vice-president of the Campaign for Homosexual Equality. In 1971, he defended multiracial immigration to the UK at length with Enoch Powell on the Dick Cavett Show.

1980s: Shakespeare and neuropsychology

In 1980, Miller was persuaded to join the troubled BBC Television Shakespeare project (1978–85). He became producer (1980–82) and directed six of the plays himself, beginning with a well received Taming of the Shrew starring John Cleese. In the early 1980s, Miller was a popular and frequent guest on PBS' Dick Cavett Show.

Miller wrote and presented the BBC television series, and accompanying book, States of Mind in 1983 and the same year directed Roger Daltrey as Macheath, the outlaw hero of the BBC's production of John Gay's 1728 ballad opera, The Beggar's Opera. He also became chair of Edinburgh Festival Fringe board of directors. In 1984, he studied neuropsychology with Dr. Sandra Witelson at McMaster University in Hamilton, Ontario, Canada, before becoming a neuropsychology research fellow at the University of Sussex the following year.

1990s

In 1990, Miller wrote and presented a joint BBC/Canadian production entitled, Born Talking: A Personal Inquiry into Language. The four-part series looked into the acquisition of language, and complexities surrounding language production, with special focus on sign language used by deaf people. This interest was contemporaneous with his friend Oliver Sacks' immersion in, and writing/publishing a book about Deaf Culture and deaf people entitled Seeing Voices. Miller then wrote and presented the television series Madness (1991) and Jonathan Miller on Reflection (1998). The five-part Madness series ran on PBS in 1991. It featured a brief history of madness and interviews with psychiatric researchers, clinical psychiatrists, and patients in therapy sessions. In 1992, Opera Omaha staged the United States premiere of the Gioachino Rossini's 1819 opera Ermione, directed by Miller.

2000s: Atheism and return to directing

In 2004, Miller wrote and presented a television series on atheism entitled Atheism: A Rough History of Disbelief (more commonly referred to as Jonathan Miller's Brief History of Disbelief) for BBC Four, exploring the roots of his own atheism and investigating the history of atheism in the world. Individual conversations, debates and discussions for the series that could not be included due to time constraints were aired in a six-part series entitled The Atheism Tapes. He also appeared on a BBC Two programme in February 2004, called What the World Thinks of God appearing from New York. The original three-part series aired on public television in the United States in 2007.

In 2007, Miller directed The Cherry Orchard at The Crucible, Sheffield, his first work on the British stage for 10 years. He also directed Monteverdi's L'Orfeo in Manchester and Bristol, and Der Rosenkavalier in Tokyo and gave talks throughout Britain during 2007 called An Audience with Jonathan Miller in which he spoke about his life for an hour and then fielded questions from the audience. He also curated an exhibition on camouflage at the Imperial War Museum. He appeared at the Royal Society of the Arts in London discussing humour (4 July 2007) and at the British Library on religion (3 September 2007).

In January 2009, after a break of 12 years, Miller returned to the English National Opera to direct his own production of La Bohème, notable for its 1930s setting. This same production ran at the Cincinnati Opera in July 2010, also directed by Miller.

2010s

On 15 September 2010 Miller, along with 54 other public figures, signed an open letter published in The Guardian, stating their opposition to Pope Benedict XVI's state visit to the UK. In April and May 2011, Miller directed Verdi's La Traviata in Vancouver, Canada, and in February and March 2012, Mozart's Cosi fan tutte in Washington, DC.

On 25 November 2015 the University of London awarded Miller an honorary degree in Literature.

Personal life

Miller married Rachel Collet in 1956. They had two sons and a daughter. From 1961 to his death he lived on Gloucester Crescent in Camden Town, north London. In November 2019 Miller died at the age of 85 following a long battle with Alzheimer's.

Parodies and representations

  • Stevie Smith, a friend of his mother Betty Miller, "rather disloyally" included a thinly-disguised and uncomplimentary version of the nine-year-old Miller, "precocious and brattish... constantly demanding attention", in her short story 'Beside the Seaside: A Holiday with Children' (1949).
  • Private Eye (which had a falling-out with Miller) occasionally lampooned him under the name "Dr Jonathan", depicting him as a Dr Johnson-like self-important man of learning.
  • In the film for television Not Only But Always about the careers of Peter Cook and Dudley Moore, Jonathan Aris played Jonathan Miller as a young man; Aris reprised the role in the BBC Radio 4 play Good Evening (2008) by Roy Smiles.
  • Along with the other members of Beyond the Fringe, he is portrayed in the play Pete and Dud: Come Again by Chris Bartlett and Nick Awde.
  • In the BBC Radio Four series The Burkiss Way edition 35, broadcast on 2 April 1979, he was impersonated by Nigel Rees in a fairly lengthy parody "The Blood Gushing All over the Screen in Question", in which the history of nasty diseases was traced and the style of Miller's presentation was sent up. It was written by Andrew Marshall and David Renwick
  • In the 1980s a puppet of Miller appeared frequently in Spitting Image sketches, most notably "Bernard Levin and Jonathan Miller Talk Bollocks".
  • In series 4, episode 6 of Peep Show, Jez is explaining that a "Mellon-Off" involves a competition between men stood with melons on their erections, with the first man whose melon falls off declared the loser. Mark replies, "Right, and who won - Gore Vidal or Dr Jonathan Miller?"

Honours and awards

Bibliography

Books

  • Miller, Jonathan (1971). McLuhan. Fontana Modern Masters.
  • Miller, Jonathan (1971). Censorship and the Limits of Personal Freedom. Oxford University Press.
  • Miller, Jonathan (1972). Freud: The Man, His World and His Influence. Weidenfeld and Nicolson.
  • Miller, Jonathan (1974). The Uses of Pain (Conway memorial lecture). South Place Ethical Society.
  • Miller, Jonathan (1978). The Body in Question. Jonathan Cape.
  • Miller, Jonathan (1982). Darwin for Beginners. Writers and Readers Comic Book/2003 Pantheon Books (USA). ISBN 0-375-71458-8.
  • Miller, Jonathan (1983). The Human Body. Viking Press. (1994 Jonathan Cape [pop-up book])
  • Miller, Jonathan (1983). States of Mind. Conversations with Psychological Investigators. BBC /Random House.
  • Miller, Jonathan (1984). "The Facts of Life". Canadian Medical Association Journal. Jonathan Cape. 94 (3): 147. PMC 1935180. PMID 20328473. (pop-up book intended for children)
  • Miller, Jonathan (1986). Subsequent Performances. Faber.
  • Miller, Jonathan & John Durrant (1989). Laughing Matters: A Serious Look at Humour. Longman.
  • Miller, Jonathan (1990). Acting in Opera. Applause Theatre & Cinema Books. (The Applause Acting Series)
  • Miller, Jonathan (1992). The Afterlife of Plays. San Diego State Univ Press. (University Research Lecture Series No. 5)
  • Miller, Jonathan (1998). Dimensional Man. Jonathan Cape.
  • Miller, Jonathan (1998). On Reflection. National Gallery Publications/Yale University Press (USA). ISBN 0-300-07713-0.
  • Miller, Jonathan (1999). Nowhere in Particular. Mitchell Beazley. ISBN 1-84000-150-X. [collection of his photographs]

Editor

  • Miller, Jonathan (1968). Harvey and the Circulation of Blood: A Collection of Contemporary Documents. Jackdaw Publications.
  • Miller, Jonathan (1990). The Don Giovanni Book: Myths of Seduction and Betrayal. Faber.

Contributor

Introductions and forewords

  • Lowell, Robert (1966). Old Glory, The: Endecott and the Red Cross; My Kinsman, Major Molineux; and Benito Cereno. (directors note)
  • Rothenstein, Julian (2000). The Paradox Box: Optical Illusions, Puzzling Pictures, Verbal Diversions. Redstons Press / Shambhala Publications (USA).
  • Scotson, Linda (2000). Doran: Child of Courage. Macmillan.

Discography

Actor

  • "Bridge on the River Wye" (1962 Parlophone LP; as American Announcer, American G.I., American Lieutenant, British Sergeant)

Filmography

Actor

Director

Presenter-writer

Interviewee

  • In 1988 Miller made an extended appearance on the discussion programme After Dark, described here.
  • BBC. Great Composers of the World. Miller appears on the Puccini and Bach DVDs of this BBC series. In the Bach episode, he discusses his affection for the famous "Erbarme Dich" aria of the St Matthew Passion.
  • PBS. Vermeer: Master of Light. Miller appears in this one-hour program on the painter.

Selected stage productions

Musical revue

Oratorio

Drama

Opera

Over four decades, Miller has directed more than 50 operas in cities including London, New York, Florence, Milan, Berlin, Munich, Zurich, Valencia and Tokyo.

Museum and gallery exhibitions

Oliver Sacks

From Wikipedia, the free encyclopedia
 
Oliver Sacks

A grey-haired Oliver Sacks with glasses, a beard and a blue shirt with three people in the background
Sacks at the 2009 Brooklyn Book Festival
Born
Oliver Wolf Sacks

9 July 1933
Cricklewood, London, England
Died30 August 2015 (aged 82)
Manhattan, New York City, US
NationalityBritish
EducationThe Queen's College, Oxford
Known forA series of nonfiction books on particularly interesting cases among his psychiatric and neurological patients
Medical career
ProfessionPhysician, professor, author, neurologist
InstitutionsNew York University
Columbia University
Albert Einstein College of Medicine
University of Warwick
Little Sisters of the Poor
Websiteoliversacks.com

Oliver Wolf Sacks, CBE FRCP (9 July 1933 – 30 August 2015) was a British neurologist, naturalist, historian of science, and writer. Born in Britain, Sacks received his medical degree from The Queen's College, Oxford in 1960, before moving to the United States, where he spent most of his career. He then interned at Mount Zion Hospital in San Francisco and completed his residency in neurology and neuropathology at the University of California, Los Angeles (UCLA). After a fellowship at the Albert Einstein College of Medicine, he served as neurologist at Beth Abraham Hospital's chronic-care facility in the Bronx, where he worked with a group of survivors of the 1920s sleeping sickness encephalitis lethargica, who had been unable to move on their own for decades. His treatment of those patients became the basis of his 1973 book Awakenings, which was adapted into an Academy Award-nominated film in 1990, starring Robin Williams and Robert De Niro.

His numerous other best-selling books were mostly collections of case studies of people, including himself, with neurological disorders. He also published hundreds of articles (both peer-reviewed scientific articles and articles for a general audience), not only articles about neurological disorders but also insightful book reviews and articles about the history of science, natural history, and nature. His writings have been featured in a wide range of media; The New York Times called him a "poet laureate of contemporary medicine," and "one of the great clinical writers of the 20th century." His books include a wealth of narrative detail about his experiences with his patients and his own experiences, and how patients and he coped with their conditions, often illuminating how the normal brain deals with perception, memory, and individuality. In addition to the information content, the beauty of his writing style is especially treasured by many of his readers. He and his book Musicophilia: Tales of Music and the Brain were the subject of "Musical Minds," an episode of the PBS series Nova.

Sacks was awarded a CBE for services to medicine in the 2008 Birthday Honours.

He once stated that the brain is the "most incredible thing in the universe." He became widely known for writing best-selling case histories about both his patients' and his own disorders and unusual experiences, with some of his books adapted for plays by major playwrights, feature films, animated short films, opera, dance, fine art, and musical works in the classical genre.

Early life

Oliver Wolf Sacks was born in Cricklewood, London, England, the youngest of four children born to Jewish parents: Samuel Sacks, a Lithuanian Jewish doctor (died June 1990), and Muriel Elsie Landau, one of the first female surgeons in England (died 1972), who was one of 18 siblings. Sacks had an extremely large extended family of eminent scientists, physicians and other notable individuals, including the director and writer Jonathan Lynn and first cousins, the Israeli statesman Abba Eban and the Nobel Laureate Robert Aumann.

In December 1939, when Sacks was six years old, he and his older brother Michael were evacuated from London to escape the Blitz, and sent to a boarding school in the Midlands where he remained until 1943. Unknown to his family, at the school, he and his brother Michael "... subsisted on meager rations of turnips and beetroot and suffered cruel punishments at the hands of a sadistic headmaster." This is detailed in his first autobiography, Uncle Tungsten: Memories of a Chemical Boyhood. Beginning with his return home at the age of 10, under his Uncle Dave's tutelage, he became an intensely focused amateur chemist. Later, he attended St Paul's School in London, where he developed lifelong friendships with Jonathan Miller and Eric Korn. During adolescence he shared an intense interest in biology with these friends, and later came to share his parents' enthusiasm for medicine. He entered The Queen's College, Oxford in 1951, obtaining a BA degree in physiology and biology in 1956.

Although not required, Sacks chose to stay on for an additional year to undertake research after he had taken a course by Hugh Macdonald Sinclair. Sacks recalls, "I had been seduced by a series of vivid lectures on the history of medicine and nutrition, given by Sinclair ... it was the history of physiology, the ideas and personalities of physiologists, which came to life." Sacks then became involved with the school's Laboratory of Human Nutrition under Sinclair. Sacks focused his research on Jamaica ginger, a toxic and commonly abused drug known to cause irreversible nerve damage. After devoting months to research he was disappointed by the lack of help and guidance he received from Sinclair. Sacks wrote up an account of his research findings but stopped working on the subject. As a result he became depressed: "I felt myself sinking into a state of quiet but in some ways agitated despair." His tutor at Queen's and his parents, seeing his lowered emotional state, suggested he extricate himself from academic studies for a period. His parents then suggested he spend the summer of 1955 living on Israeli kibbutz Ein HaShofet, where the physical labour would help him.

Sacks would later describe his experience on the kibbutz as an "anodyne to the lonely, torturing months in Sinclair's lab." He said he lost 60 pounds (27 kg) from his previously overweight body as a result of the healthy, hard physical labour he performed there. He spent time travelling around the country with time spent scuba diving at the Red Sea port city of Eilat, and began to reconsider his future: "I wondered again, as I had wondered when I first went to Oxford, whether I really wanted to become a doctor. I had become very interested in neurophysiology, but I also loved marine biology; ... But I was 'cured' now; it was time to return to medicine, to start clinical work, seeing patients in London."

Medical school

My pre-med studies in anatomy and physiology at Oxford had not prepared me in the least for real medicine. Seeing patients, listening to them, trying to enter (or at least imagine) their experiences and predicaments, feeling concerned for them, taking responsibility for them, was quite new to me ... It was not just a question of diagnosis and treatment; much graver questions could present themselves—questions about the quality of life and whether life was even worth living in some circumstances.

— Oliver Sacks

Sacks began medical school at Oxford University in 1956 and for the next two and a half years took courses in medicine, surgery, orthopaedics, paediatrics, neurology, psychiatry, dermatology, infectious diseases, obstetrics, and various other disciplines. During his years as a student, he helped home-deliver a number of babies. He received an MA degree and BM BCh degree in 1958. That December, he qualified for his internship, which would begin at Middlesex Hospital the following month. "My eldest brother, Marcus, had trained at the Middlesex," he said, "and now I was following his footsteps."

Before beginning his internship he said he first wanted some actual hospital experience to gain more confidence and took a job at a hospital in St Albans where his mother had worked as an emergency surgeon during the war. He then did his six-month internship at Middlesex Hospital's medical unit followed by another six months in its neurological unit. He completed his internship in June 1960 but was uncertain about his future.

Sacks left Britain and flew to Montreal, Canada, on 9 July 1960, his 27th birthday. He visited the Montreal Neurological Institute and the Royal Canadian Air Force (RCAF), telling them that he wanted to be a pilot. After some interviews and checking his background, they told him he would be best in medical research. But as he kept making mistakes, like losing data of several months of research, destroying irreplaceable slides and losing biological samples, his supervisors had second thoughts about him. Dr. Taylor, the head medical officer, told him, "You are clearly talented and we would love to have you, but I am not sure about your motives for joining." He was told to travel for a few months and reconsider. He used the next three months to travel across Canada and deep into the Canadian Rockies, which he described in his personal journal, later published as Canada: Pause, 1960.

He then made his way to the United States, completing an internship at Mt. Zion Hospital in San Francisco and a residency neurology and neuropathology at UCLA. While there, Sacks became a lifelong close friend of poet Thom Gunn, saying he loved his wild imagination, his strict control, and perfect poetic form. During much of his time at UCLA, he lived in a rented house in Topanga Canyon and experimented with various recreational drugs. He described some of his experiences in a 2012 New Yorker article, and in his book Hallucinations. During his early career in California and New York City he indulged in:

staggering bouts of pharmacological experimentation, underwent a fierce regimen of bodybuilding at Muscle Beach (for a time he held a California record, after he performed a full squat with 600 pounds across his shoulders), and racked up more than 100,000 leather-clad miles on his motorcycle. And then one day he gave it all up—the drugs, the sex, the motorcycles, the bodybuilding.

He wrote that after moving to New York City, an amphetamine-facilitated epiphany that came as he read a book by the 19th century migraine doctor Edward Liveing inspired him to chronicle his observations on neurological diseases and oddities; to become the "Liveing of our Time". Though he would remain a resident of the United States for the rest of his life, he never became a citizen. He told The Guardian in a 2005 interview, "In 1961, I declared my intention to become a United States citizen, which may have been a genuine intention, but I never got round to it. I think it may go with a slight feeling that this was only an extended visit. I rather like the words 'resident alien'. It's how I feel. I'm a sympathetic, resident, sort of visiting alien."

Career

Sacks served as an instructor and later clinical professor of neurology at Yeshiva University's Albert Einstein College of Medicine from 1966 to 2007, and also held an appointment at the New York University School of Medicine from 1992 to 2007. In July 2007 he joined the faculty of Columbia University Medical Center as a professor of neurology and psychiatry. At the same time he was appointed Columbia University's first "Columbia University Artist" at the university's Morningside Heights campus, recognising the role of his work in bridging the arts and sciences. He was also a visiting professor at the University of Warwick in the UK. He returned to New York University School of Medicine in 2012, serving as a professor of neurology and consulting neurologist in the school's epilepsy centre.

Sacks's work at Beth Abraham Hospital helped provide the foundation on which the Institute for Music and Neurologic Function (IMNF) is built; Sacks was an honorary medical advisor. The Institute honoured Sacks in 2000 with its first Music Has Power Award. The IMNF again bestowed a Music Has Power Award on him in 2006 to commemorate "his 40 years at Beth Abraham and honour his outstanding contributions in support of music therapy and the effect of music on the human brain and mind."

Sacks maintained a busy hospital-based practice in New York City. He accepted a very limited number of private patients, in spite of being in great demand for such consultations. He served on the boards of the Neurosciences Institute and the New York Botanical Garden

Writing

In 1967 Sacks first began to write of his experiences with some of his neurological patients. His first such book, Ward 23, was burned by Sacks during an episode of self-doubt. His books have been translated into over 25 languages. In addition, Sacks was a regular contributor to The New Yorker, the New York Review of Books, The New York Times, London Review of Books and numerous other medical, scientific and general publications. He was awarded the Lewis Thomas Prize for Writing about Science in 2001.

Sacks's work is featured in a "broader range of media than those of any other contemporary medical author" and in 1990, the New York Times wrote he "has become a kind of poet laureate of contemporary medicine".

Sacks considered his literary style to have grown out of the tradition of 19th century "clinical anecdotes", a literary style that included detailed narrative case histories, which he termed novelistic. He also counted among his inspirations the case histories of the Russian neuropsychologist A. R. Luria, who became a close friend through correspondence from 1973 to 1977, when Dr. Luria died. After the publication of his first book Migraine in 1970, a review by his close friend W. H. Auden encouraged Sacks to adapt his writing style to "be metaphorical, be mythical, be whatever you need."

Sacks described his cases with a wealth of narrative detail, concentrating on the experiences of the patient (in the case of his A Leg to Stand On, the patient was himself). The patients he described were often able to adapt to their situation in different ways despite the fact that their neurological conditions were usually considered incurable. His book Awakenings, upon which the 1990 feature film of the same name is based, describes his experiences using the new drug levodopa on post-encephalitic patients at the former Beth Abraham Hospital, currently Beth Abraham Center for Rehabilitation and Nursing, Allerton Ave, in The Northeast Bronx, NY. Awakenings was also the subject of the first documentary made (in 1974) for the British television series Discovery. Tobias Picker composed a ballet inspired by Awakenings for the Rambert Dance Company, which was premiered by Rambert in Salford, UK in 2010; Picker, commissioned by The Opera Theatre of Saint Louis, also made an opera of Awakenings with a libretto by Aryeh Lev Stollman.

In his book A Leg to Stand On he wrote about the consequences of a near-fatal accident he had at age 41 in 1974, a year after the publication of Awakenings, when he fell off a cliff and severely injured his left leg while mountaineering alone above Hardangerfjord, Norway.

In some of his other books, he describes cases of Tourette syndrome and various effects of Parkinson's disease. The title article of The Man Who Mistook His Wife for a Hat describes a man with visual agnosia and was the subject of a 1986 opera by Michael Nyman. The title article of his book, An Anthropologist on Mars, which won a Polk Award for magazine reporting, is about Temple Grandin, an autistic professor. He writes in the book's preface that neurological conditions such as autism "can play a paradoxical role, by bringing out latent powers, developments, evolutions, forms of life that might never be seen, or even be imaginable, in their absence". Seeing Voices, Sacks's 1989 book, covers a variety of topics in deaf studies. The romantic drama film At First Sight (1999) was based on the essay "To See and Not See" in An Anthropologist on Mars.

In his book The Island of the Colorblind Sacks wrote about an island where many people have achromatopsia (total colourblindness, very low visual acuity and high photophobia). The second section of this book, entitled Cycad Island, describes the Chamorro people of Guam, who have a high incidence of a neurodegenerative disease locally known as Lytico-Bodig disease (a devastating combination of ALS, dementia and parkinsonism). Later, along with Paul Alan Cox, Sacks published papers suggesting a possible environmental cause for the disease, namely the toxin beta-methylamino L-alanine (BMAA) from the cycad nut accumulating by biomagnification in the flying fox bat.

In November 2012 Sacks's book Hallucinations was published. In it he examined why ordinary people can sometimes experience hallucinations and challenged the stigma associated with the word. He explained: "Hallucinations don't belong wholly to the insane. Much more commonly, they are linked to sensory deprivation, intoxication, illness or injury." He also considers the less well known Charles Bonnet syndrome, sometimes found in people who have lost their eyesight. The book was described by Entertainment Weekly as: "Elegant... An absorbing plunge into a mystery of the mind."

Sacks sometimes faced criticism in the medical and disability studies communities. Arthur K. Shapiro, for instance, an expert on Tourette syndrome, said Sacks's work was "idiosyncratic" and relied too much on anecdotal evidence in his writings. Researcher Makoto Yamaguchi thought Sacks's mathematical explanations, in his study of the numerically gifted savant twins (in The Man Who Mistook His Wife for a Hat), were irrelevant, and questioned Sacks's methods. Although Sacks has been characterised as a "compassionate" writer and doctor, others have felt that he exploited his subjects. Sacks was called "the man who mistook his patients for a literary career" by British academic and disability rights activist Tom Shakespeare, and one critic called his work "a high-brow freak show". Sacks responded, "I would hope that a reading of what I write shows respect and appreciation, not any wish to expose or exhibit for the thrill ... but it's a delicate business."

He is also the author of The Mind's Eye, Oaxaca Journal and On the Move: A Life (his second autobiography).

Before his death in 2015 Sacks founded the Oliver Sacks Foundation, a nonprofit organization established to increase understanding of the brain through using narrative nonfiction and case histories, with goals that include publishing some of Sacks's unpublished writings, and making his vast amount of unpublished writings available for scholarly study. His first posthumous book, River of Consciousness, an anthology of his essays, was published in October 2017. Most of the essays had been previously published in various periodicals or in science-essay-anthology books, and are no longer readily obtainable. Sacks specified the order of his essays in River of Consciousness prior to his death. Some of the essays focus on repressed memories and other tricks the mind plays on itself. His next posthumous book will be a collection of some of his letters. Sacks was a prolific handwritten-letter correspondent and he never communicated by e-mail.

Honours

In 1996 Sacks became a member of the American Academy of Arts and Letters (Literature). He was named a Fellow of the New York Academy of Sciences in 1999. Also in 1999 he became an Honorary Fellow at the Queen's College, Oxford. In 2000 Sacks received the Golden Plate Award of the American Academy of Achievement. In 2002 he became Fellow of the American Academy of Arts and Sciences (Class IV—Humanities and Arts, Section 4—Literature) and he was awarded the 2001 Lewis Thomas Prize by Rockefeller University. Sacks was also a Fellow of the Royal College of Physicians (FRCP).

Sacks was awarded honorary doctorates from Georgetown University (1990), College of Staten Island (1991), Tufts University (1991), New York Medical College (1991), Medical College of Pennsylvania (1992), Bard College (1992), Queen's University at Kingston (2001), Gallaudet University (2005), University of Oxford (2005), Pontificia Universidad Católica del Perú (2006) and Cold Spring Harbor Laboratory (2008).

Oxford University awarded him an honorary Doctor of Civil Law degree in June 2005.

Sacks received the position "Columbia Artist" from Columbia University in 2007, a post that was created specifically for him and that gave him unconstrained access to the university, regardless of department or discipline.

In 2008 Sacks was appointed Commander of the Order of the British Empire (CBE), for services to medicine, in the Queen's Birthday Honours.

The minor planet 84928 Oliversacks, discovered in 2003, was named in his honour.

In February 2010 Sacks was named as one of the Freedom From Religion Foundation's Honorary Board of distinguished achievers. He described himself as "an old Jewish atheist", a phrase borrowed from his friend Jonathan Miller.

Personal life

Sacks never married and lived alone for most of his life. He declined to share personal details until late in his life. He addressed his homosexuality for the first time in his 2015 autobiography On the Move: A Life. Celibate for about 35 years since his forties, in 2008 he began a friendship with writer and New York Times contributor Bill Hayes. Their friendship slowly evolved into a committed long-term partnership that lasted until Sacks's death; Hayes wrote about it in the 2017 memoir Insomniac City: New York, Oliver, and Me.

In Lawrence Weschler's biography And How Are You, Dr. Sacks? he is described by a colleague as "deeply eccentric". A friend from his days as a medical resident mentions Sacks' need to cross taboos, like drinking blood mixed with milk, and how he was deeply into drugs like LSD and speed in the early 60s. Sacks himself shared personal information about how he got his first orgasm spontaneously while floating in a swimming pool, and later when he was giving a man a massage. He also admits having "erotic fantasies of all sorts" in a natural history museum he visited often in his youth, many of them about animals, like hippos in the mud.

Sacks noted in a 2001 interview that severe shyness, which he described as "a disease", had been a lifelong impediment to his personal interactions. He believed his shyness stemmed from his prosopagnosia, popularly known as "face blindness", a condition that he studied in some of his patients, including the titular man from his work The Man Who Mistook His Wife for a Hat. This neurological disability of his, whose severity and life-impacts Sacks did not fully grasp until he reached middle age, even prevented him from recognising his own reflection in mirrors.

Sacks swam almost daily for most of his life, beginning when his swimming-champion father started him swimming as an infant. He especially became publicly well known for swimming when he lived in the City Island section of the Bronx, as he would routinely swim around the entire island, or swim vast distances away from the island and back.

Illness and death

Sacks underwent radiation therapy in 2006 for a uveal melanoma in his right eye. He discussed his loss of stereoscopic vision caused by the treatment, which eventually resulted in right-eye blindness, in an article and later in his book The Mind's Eye.

In January 2015 metastases from the ocular tumour were discovered in his liver. Sacks announced this development in a February 2015 New York Times op-ed piece and estimated his remaining time in "months". He expressed his intent to "live in the richest, deepest, most productive way I can". He added: "I want and hope in the time that remains to deepen my friendships, to say farewell to those I love, to write more, to travel if I have the strength, to achieve new levels of understanding and insight."

Sacks died from the disease on 30 August 2015 at his home in Manhattan at the age of 82, surrounded by his closest friends.

Bibliography

Books

Representation of a Lie group

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